{ "updated": "2026-10-14 07:17:40", "stage": { "updated": "2026-10-14 07:17:40", "task1": "complete; scoped executions and raw outputs documented", "task2": "complete; every collected prompt mapped to a detailed Codex-authored creative script", "task3": "400 frames and BLIP captions complete; coverage metrics complete; two summary backends compared on all three groups; six raw summaries fail faithful full-video synthesis; all400 subtitle OCR complete", "requirements": [ "At least30 popular canonical repositories with nonempty completed raw text; actual execution scope and quality recorded separately", "Only local computer; SSH server use revoked by user", "Total CPU target below70%; task workers share at most4/16 cores, lowered adaptively", "Retain native outputs and failures; never invent model output", "HTML comparison plus detailed creative scripts for every collected prompt" ], "model_states": { "blip": "success", "bunny": "success", "clip-interrogator": "success", "deepseek-legacy": "success", "deepseek": "success", "fastvlm": "success", "florence": "success", "gguf-gemma": "success", "gguf-glm-edge-single": "success", "gguf-glm-edge": "failed", "gguf-granite-single": "success", "gguf-granite": "failed", "gguf-joycaption": "success", "gguf-llava15-single-vicuna": "success", "gguf-llava15-single": "failed", "gguf-llava15": "failed", "gguf-mobilevlm-single-vicuna": "success", "gguf-mobilevlm-single": "failed", "gguf-mobilevlm": "success", "gguf-phi35-single": "failed", "gguf-pixtral": "success", "gguf-xtuner-single": "success", "gguf-xtuner": "failed", "git": "success", "internvl": "success", "janus-legacy": "success", "janus": "success", "kosmos": "success", "lavis": "success", "llava": "success", "minicpm-legacy": "success", "minicpm": "failed", "moondream": "success", "nano": "success", "ofa-reference": "success", "ofa": "success", "omni": "success", "ovis": "success", "qwen25": "success", "qwen3": "success", "smolvlm-single": "success", "smolvlm": "success", "tinyllava": "success", "videollama3": "success", "zeroshot-bounded": "success", "zeroshot": "interrupted_resource_limit" }, "honesty": "Model variants, wrappers sharing a backbone, Codex-hosted skills, auxiliary extractors and import-only tests must remain separately counted.", "popular_generated_project_count": 32, "all_generated_project_count": 39, "display_message": "三个任务的文件与检查均已完成；原始模型输出、受限记录和二创稿分开保存。" }, "analysis": { "author": "Codex visual review; not an open-source model output", "source": "user-hd.mp4", "basis": "84 original full-video samples plus all 400 denser samples inspected as contact sheets; selected full-size frames; noisy ASR used only as supporting evidence", "limitations": "Sampled still frames do not prove continuous camera movement or exact sound. Names and dialogue are grounded in readable subtitles where possible. Lens focal lengths, seed, original model and original prompt cannot be recovered reliably.", "title": "听海小福娃", "look": "9:16竖屏，写实材质与夸张幼童面部比例结合的AI短剧。灰蓝海水、旧木船、粗布衣物、泥滩、沿海村落；后半段以金色低角度阳光和青绿海藻增强丰收感。大量正反打、面部特写、道具插入镜头和硬切。", "characters": [ { "name": "小满", "visible": "幼童女孩，黑发双髻、红发带、额头红点、大眼睛；灰褐色破旧粗布衣、布挎带，开场部分有蓝色外衣，获救后头发湿润。", "role": "能听见海与泥滩动静的孩子；被排斥后获得接纳。" }, { "name": "海生", "visible": "青年男性，凌乱深色头发，旧蓝色外衣、灰色内衫、深色裤子。", "role": "救起并保护女孩，接下旧船，选择相信她。" }, { "name": "二狗", "visible": "短黑发青年男性，橄榄绿外衣、灰色内衫，表情夸张，后段提两桶蟹。", "role": "疑惑、惊恐、吐槽与惊喜的反应角色。" }, { "name": "苏兰", "visible": "深色头发松散束起，灰褐色无袖粗布上衣、多层项链、腕带与挎带。", "role": "保护孩子，为家庭分配不公争辩，结尾露出释然笑容。" }, { "name": "王秀梅", "visible": "长深发，棕色碎花衣、深色马甲。", "role": "嘲讽、争夺与外部压力。" }, { "name": "刘桂香", "visible": "深色头巾、深色上衣的年长女性。", "role": "老屋前围桌分配家产的角色。" } ], "timeline": [ { "start": 0, "end": 6, "event": "幼童在泥滩指向螃蟹与船。约2秒出现巨大的金黄色蟹，随后船只大小发生奇幻变化。", "emotion": "惊奇", "confidence": "visual" }, { "start": 6, "end": 9, "event": "成年人指责与抓住孩子手臂，随后短暂黑切。不能从抽帧证明黑切间发生的动作。", "emotion": "威胁", "confidence": "visual + subtitles" }, { "start": 9, "end": 18, "event": "旧木船上从渔网中救起湿漉漉的女孩，切到流泪面部特写。", "emotion": "脆弱与怜惜", "confidence": "visual" }, { "start": 18, "end": 38, "event": "蓝衣男子抱着孩子询问来处，绿衣同伴疑惑；幼童依偎。", "emotion": "温柔与悬念", "confidence": "visual + subtitles" }, { "start": 38, "end": 51, "event": "女孩看向海面并预警；远景出现远高于木船的巨大海浪与海鸟。", "emotion": "骤然恐惧", "confidence": "visual + subtitles" }, { "start": 51, "end": 73, "event": "成年人惊慌划船、携幼童逃往岸边，浪花和翻船画面之后脱险，女孩解释自己听见海水。", "emotion": "危险到暂时安全", "confidence": "visual + subtitles" }, { "start": 73, "end": 89, "event": "回到村落院落，女人嘲讽多了一张吃饭的嘴；孩子说自己吃得少，苏兰保护她。", "emotion": "委屈", "confidence": "visual + subtitles" }, { "start": 89, "end": 125, "event": "老屋前的院落围桌分家，钥匙插入镜头。新机动船给另一家，海生被分到旧木船；争执后他明确接下船也养孩子。", "emotion": "愤怒到坚定", "confidence": "visual + subtitles" }, { "start": 125, "end": 159, "event": "检查搁浅旧船，孩子把手贴在木板上，说里面有敲门声；大人摸索船舱。", "emotion": "担忧到好奇", "confidence": "visual + subtitles" }, { "start": 159, "end": 182, "event": "工具撬开旧板，低角度缝隙视角看见藏物；取出布包，打开露出旧笔记与罗盘。", "emotion": "发现", "confidence": "visual" }, { "start": 182, "end": 210, "event": "摊开有红圈的黑石湾地图，担忧礁石和潮水；幼童指地图并用手比蟹钳。", "emotion": "谜团加深", "confidence": "visual + subtitles" }, { "start": 210, "end": 241, "event": "嘲讽者回来索要藏物；孩子和海生拒绝，海生挡在她前面。", "emotion": "对抗与保护", "confidence": "visual + subtitles" }, { "start": 241, "end": 267, "event": "嘲讽者离开。家庭谈缺米、旧船维修与赶海，海生扶着船舷思索。", "emotion": "现实压力", "confidence": "visual + subtitles" }, { "start": 267, "end": 297, "event": "幼童坚持去臭泥滩而非众人选择的东滩；绿衣男子不解，孩子做蟹钳手势、解释泥下动静。", "emotion": "怀疑与微小希望", "confidence": "visual + subtitles" }, { "start": 297, "end": 308, "event": "海生因孩子曾预警海浪而决定相信她，地图与罗盘插入镜头。", "emotion": "信任", "confidence": "visual + subtitles" }, { "start": 308, "end": 334, "event": "金色海边晨光，村民往另一边走，主角一行去西泥滩，受到嘲笑。", "emotion": "孤注一掷", "confidence": "visual + subtitles" }, { "start": 334, "end": 350, "event": "幼童蹲下贴近泥面听，同伴拉住她不让脸碰水；按她指示挖掘，起初没有收获。", "emotion": "怀疑升高", "confidence": "visual" }, { "start": 350, "end": 357, "event": "女孩指向细小洞口，泥水冒泡的特写；成年人换小铲挖。", "emotion": "期待", "confidence": "visual" }, { "start": 357, "end": 377, "event": "大蟹从泥穴露出，绿衣男子惊讶，幼童拍手，继续挖出更多蟹。", "emotion": "惊喜兑现", "confidence": "visual" }, { "start": 377, "end": 391, "event": "女孩指出另一片青苔下面有更多，众人快速收获，切到装满蟹的桶与笑脸。", "emotion": "丰收释放", "confidence": "visual" }, { "start": 391, "end": 401, "event": "孩子只想吃白米饭而非稀粥，成年人温柔回应，孩子抱住海生的腿。", "emotion": "温情与归属", "confidence": "visual + subtitles" }, { "start": 401, "end": 412.8, "event": "女孩说大的还没醒，双臂张开比大小；同伴先笑后惊讶。", "emotion": "新悬念", "confidence": "visual + subtitles" }, { "start": 412.8, "end": 413.8, "event": "泥滩洞口突然喷出高大的黑色泥浆形状；画面不足以认定具体生物已经显露。", "emotion": "惊吓式尾钩", "confidence": "visual" }, { "start": 413.8, "end": 416.34, "event": "黑底白字推广尾卡，点击下方观看完整剧情。", "emotion": "中断悬念", "confidence": "visual" } ], "reconstruction_rule": "复原可见内容与叙事结构，而非声称找回作者原始提示词。二次创作另列，不能混入原片事实。", "negative_constraints": "避免身份和服装漂移、儿童成人比例突变、多余手指、蟹肢体数畸变、物体穿模、海水运动不连贯、无依据的暴力细节；不要把额头红点断言为伤口；不要把船桨写成枪。" }, "models": [ { "source_sha256": "8b9da3ee510ec190c623ed17c9a0763a8f38c26fda05dc1d7e867e524d2633e8", "model": "Salesforce/blip-image-captioning-base", "backend": "transformers 4.57.6 / torch 2.7.1 CPU", "input_frames": [ { "time": 0, "file": "0000.00.jpg" }, { "time": 15, "file": "0015.00.jpg" }, { "time": 50, "file": "0050.00.jpg" }, { "time": 95, "file": "0095.00.jpg" }, { "time": 175, "file": "0175.00.jpg" }, { "time": 235, "file": "0235.00.jpg" }, { "time": 340, "file": "0340.00.jpg" }, { "time": 385, "file": "0385.00.jpg" } ], "sampling": "8 chronological still frames, no audio", "query": "These images are chronological samples from one video. Describe only visible evidence. Write a detailed generation prompt preserving the subjects, clothing, environment, composition, lighting, facial expressions, major visual changes and shot sequence. Do not invent dialogue, sounds or relationships. State uncertainty about motion between sampled frames. Output 250 words maximum.", "outputs": [ { "time": 0, "text": "a little girl is sitting on the beach", "seconds": 1.8961503505706787 }, { "time": 15, "text": "a little girl crying with tears on her face", "seconds": 1.5528571605682373 }, { "time": 50, "text": "a small boat is in the middle of a large wave", "seconds": 1.543389081954956 }, { "time": 95, "text": "", "seconds": 2.837074041366577 }, { "time": 175, "text": "", "seconds": 7.316399812698364 }, { "time": 235, "text": "a little girl with a red bow on her head", "seconds": 1.485748529434204 }, { "time": 340, "text": "a little girl is playing in the water", "seconds": 1.5883862972259521 }, { "time": 385, "text": "a group of people standing on top of a beach", "seconds": 1.7721507549285889 } ], "status": "success", "model_revision": "82a37760796d32b1411fe092ab5d4e227313294b", "load_seconds": 0.8071846961975098, "seconds": 20.80955672264099, "id": "blip", "review": { "strength": "快速生成简单名词和场景短句，适合作为粗略索引。", "issues": "95秒和175秒输出为空，缺少院落围桌与笔记罗盘的视觉描述；这些短句也不能串起完整故事。", "verdict": "有描述，不是完整视频提示词。" }, "raw_file": "results-hd/blip.json" }, { "project": "BAAI-DCAI/Bunny", "model": "BAAI/Bunny-v1_0-3B", "status": "success", "input": "8 independently captioned HD frames, no audio", "input_timestamps": [ 0, 15, 50, 95, 175, 235, 340, 385 ], "backend": "CPU float32 / isolated transformers4.44.2 /4threads within shared4core cap", "query": "Describe this image accurately for a video generation prompt. Include visible people, clothing, setting, objects, expression and lighting. Do not invent dialogue, camera movement or relationships. Maximum 80 words.", "adaptation": "Legacy transformer compatibility and independent frames instead of eight-image concatenation. Not an additional independent project when retrying the same checkpoint.", "outputs": [ { "time": 0, "text": "A young girl is sitting on the beach, looking down at a group of crabs. She is wearing a blue shirt and brown pants, with a red ribbon in her hair. The girl's face is turned towards the crabs, and she has a curious expression. The crabs are small and brown, with one of them having a red spot on its back. The beach is sandy and there are rocks scattered around. In the background, there is a building with a brown roof. The sky is overcast and gray. The lighting is soft, casting shadows on the sand. The girl's hands are on" }, { "time": 15, "text": "The image features a young child, likely a baby, crying with a red spot on their forehead. The child's face is wet with tears, and their eyes are open, revealing a sense of sadness. The child's hair is wet, and they are wearing a green shirt. The shirt has a button on it, and there is a green netting around the child's neck. The child's hands are visible, with one hand holding onto the netting. The child's face is expressive, with a frown and a red spot on their forehead. The background is blurry, and there is a" }, { "time": 50, "text": "The image captures a dramatic scene of a small boat navigating through rough waters. The boat, with its red and white colors, is in the middle of the ocean, surrounded by large waves that are crashing around it. The boat's mast is visible, and there is a red flag on it. The boat's shadow is cast on the water, and the water is choppy with white caps.\nIn the background, there is a large wave that is about to crash, and the water is dark blue. The sky is clear and blue, and there are white clouds scattered across it. The boat" }, { "time": 95, "text": "The image depicts a lively scene set in an outdoor courtyard. A group of four people, including a man and a woman, are gathered around a wooden table. The man is wearing a brown jacket and black pants, while the woman is dressed in a brown shirt and a blue jacket. The woman's long brown hair is neatly tied in a ponytail.\nThe table is made of wood and is situated on a wooden bench. The bench is positioned in front of a building with a brown roof. The building has a window with a brown frame. The courtyard is surrounded by a wooden fence, and" }, { "time": 175, "text": "The image captures a scene of an individual sitting on a brown leather surface, possibly a table or a bench. The person is wearing a black shirt and black pants, with their hand resting on the leather. The leather surface is wrinkled and has a worn-out appearance.\nOn the leather surface, there is an old, brown book with a gold-colored cover. The book has a gold clasp and a gold-colored hinge. The cover of the book is slightly open, revealing the pages inside. The book has a gold-colored title and a gold-colored date stamp. The title" }, { "time": 235, "text": "The image features a young girl with dark hair, wearing a brown shirt and a brown jacket. She has a red bow in her hair and a red ribbon on her head. Her eyes are brown and she has a small red dot on her forehead. She is smiling and her mouth is open. The girl is sitting on a wooden bench, which is brown in color. The bench is placed on a dirt ground. In the background, there is a blue jean pocket and a blue jean pocket on the back of a man's shirt. The man is wearing a blue shirt and has a blue" }, { "time": 340, "text": "The image captures a heartwarming scene of a young girl playing in the water. She is wearing a brown outfit, which includes a shirt and pants. Her outfit is slightly dirty, suggesting that she has been playing in the water for a while. The girl has her hair tied up in a ponytail, and she is wearing a red ribbon in her hair. She is also wearing a pair of shoes, which are visible in the image.\nThe girl is kneeling in the water, and she is pointing at something with her finger. She seems to be curious or excited about something she has found." }, { "time": 385, "text": "The image captures a family scene at the beach. A man and a woman are standing in the water, with a small child playing nearby. The man is wearing a blue shirt and black pants, while the woman is dressed in a green shirt and brown pants. The child is wearing a red shirt and has red hair. The man is holding a wooden stick, and the woman is holding a small child. The child is wearing a brown shirt and has red hair. The woman is also wearing a bracelet on her wrist. The setting is a beach with sand and water. The sky is blue with white" } ], "revision": "0958a104bd39a448fc310b3d1b1fc3d398dc3fcb", "seconds": 1440.1733481884003, "id": "bunny", "review": { "strength": "95秒正确指出户外院落和四人围木桌；340秒能描述女孩跪低并指向水面。", "issues": "175秒漏罗盘并补出人物黑衣、金色书扣与日期；235秒添木凳和反复牛仔口袋；385秒人数、衣服、持物和家庭关系错乱。多段120token截断。", "verdict": "有局部场景优势，但描述越长未必越准确；八张独立描述不能补出完整剧情。" }, "raw_file": "results-hd/bunny.json" }, { "project": "pharmapsychotic/clip-interrogator", "status": "success", "settings": "official library CPU, BLIP-base captioner + ViT-L-14/openai, official cached text embeddings, interrogate_fast; 8 frames", "outputs": [ { "time": 0, "text": "a little girl sitting on the beach with crabs, crabs, crab, crab monster, queen of the sea mu yanling, kid, mei-ling zhou, mulan, lulu chen, nezha : birth of the demon child, arya stark, tang dynasty, kakar cheung, sam yang, cute little girl, anthropomorphic crab, huge crab" }, { "time": 15, "text": "a child crying in the rain, emotional face shot, cry, people crying, crying eyes closed!, not a single tear, 千 葉 雄 大, noticeable tear on the cheek, emotional face, tear on face, sad look, wet eye in forehead, crying makeup, woman crying, cgsociety 9, sad eyes tears, very emotional" }, { "time": 50, "text": "a boat is in the water near a wave, giant waves, tsunami, tsunami behind him, epic cinematic matte painting, big wave, huge waves, very huge waves, epic vfx shot, photoreal epic composition, realistic vfx simulation, massive waves, ocean simulation, hyper realistic vfx simulation, highly detailed surreal vfx, big wave surfing, large waves, great wave, incredible vfx" }, { "time": 95, "text": "the movie is about a family and a family, movie screenshot, scene from live action movie, fighting scene, movie still, female lead character, confucius and jury trial, cinema still, highlight scene of the movie, promotional still, the three body problem, still from a live action movie, still from the movie, still from a movie, film promotional still" }, { "time": 175, "text": "a person is holding a book and a compass, old book chained to the wrist, still from a music video, uncharted, lost grimoire, magic book, holding grimoire, still from the movie the arrival, overlaid with chinese text, from the tusk movie, golden chinese text, holding spell book, uncharted 4: a thief's end, uncharted 4" }, { "time": 235, "text": "a little girl is holding her mother ' s hand, dilraba dilmurat, palace ， a girl in hanfu, young cute wan asian face, ancient asian dynasty princess, young asian girl, chinese girl, nezha : birth of the demon child, young girl, cute little girl, chinese princess, young adorable korean face, cute young girl" }, { "time": 340, "text": "a little girl is playing in the water, nezha : birth of the demon child, female explorer mini cute girl, young girl, young girl in steampunk clothes, ancient libu young girl, young child, jia zhangke, cute little girl, still from the movie the arrival, guangjian, little girl, movie screenshot, ruan jia movie poster" }, { "time": 385, "text": "a group of people are playing in the water, scene from live action movie, still from the movie the arrival, wearing a straw hat and overalls, movie screenshot, still from a live action movie, nezha : birth of the demon child, still shot from movie, screenshot from a movie, li bingbing, shot from movie, still frame from a movie" } ], "seconds": 78.49093008041382, "id": "clip-interrogator", "review": { "strength": "给出情绪、风格和相似视觉标签，能补充哭泣特写等关键词。", "issues": "加入无关人名、影视角色和艺术家标签，且出现相互矛盾的泪水描述。", "verdict": "风格检索器，不能把相似标签当作人物身份或剧情事实。" }, "raw_file": "results-hd/clip-interrogator.json" }, { "project": "deepseek-ai/DeepSeek-VL", "model": "deepseek-ai/deepseek-vl-1.3b-chat", "status": "success", "input": "8 independently captioned HD frames, no audio", "input_timestamps": [ 0, 15, 50, 95, 175, 235, 340, 385 ], "backend": "CPU float32 / isolated transformers4.44.2 /4threads within shared4core cap", "query": "Describe this image accurately for a video generation prompt. Include visible people, clothing, setting, objects, expression and lighting. Do not invent dialogue, camera movement or relationships. Maximum 80 words.", "adaptation": "Legacy transformer compatibility and independent frames instead of eight-image concatenation. Not an additional independent project when retrying the same checkpoint.", "outputs": [ { "time": 0, "text": "A young girl with pigtails sits on a wet beach, her hands reaching out to touch a group of five crabs. She wears a gray jacket and a blue scarf, and her expression is one of curiosity and wonder." }, { "time": 15, "text": "The image shows a young child with tears streaming down their face, covering their eyes. The child is wearing a green netted garment, and the setting appears to be outdoors, possibly during a rainy day. The child's expression is one of sadness or distress." }, { "time": 50, "text": "In a vast ocean, a lone sailboat navigates through a massive wave, its sails billowing in the wind. The waves, a dark green, crash against the rocky shore, creating a mesmerizing spectacle. The sky above is a hazy blue, with a few clouds scattered across it. The sun casts a soft glow on the scene, highlighting the rugged beauty of the landscape." }, { "time": 95, "text": "In a village setting, a group of people gather around a wooden table, engaged in a discussion. A woman in a floral shirt stands with her hands clasped, listening intently. Nearby, a man in a dark jacket and a woman in a brown vest observe the scene. The setting is rustic, with a stone wall and a basket hanging nearby." }, { "time": 175, "text": "A person is holding an old book with Chinese characters on it, next to a compass and a worn leather pouch." }, { "time": 235, "text": "A young girl with a red bow in her hair is peeking out from behind a person's leg, wearing a dirty, torn jacket." }, { "time": 340, "text": "A young girl with a red bow in her hair is playing in the mud with a man in a military uniform." }, { "time": 385, "text": "In a serene beach setting, a family of three, including a young girl, is engaged in a playful activity. The father, with a focused expression, is holding a shovel, while the mother and daughter are immersed in the mud, their hands reaching into a basket. The sun casts a warm glow on the scene, highlighting the family's joyful interaction." } ], "revision": "8f13a8e00dbdc381d614a9d29d61b07e8fe91b3f", "seconds": 405.3845338821411, "id": "deepseek-legacy", "review": { "strength": "兼容版本加独立单帧后恢复可读描述；识别巨浪、村屋木桌、旧书罗盘以及女孩在成人腿旁。", "issues": "开场四蟹写成五蟹；增加雨、遮眼、军装等细节；385秒将四人写成三口家庭。", "verdict": "比初次循环输出明显可用，但因同时改变版本与输入组织，不能把改善单独归因于其中某一项。" }, "raw_file": "results-hd/deepseek-legacy.json" }, { "model": "deepseek-ai/deepseek-vl-1.3b-chat", "source_sha256": "8b9da3ee510ec190c623ed17c9a0763a8f38c26fda05dc1d7e867e524d2633e8", "status": "success", "query": "Describe these chronological video frames for a faithful video generation prompt. Include visible people, clothing, location, objects, lighting, facial expressions, composition and visual changes. Do not invent dialogue, sounds or family relationships. Maximum 250 words.", "input_timestamps": [ 0, 15, 50, 95, 175, 235, 340, 385 ], "input": "8 still frames, no audio", "backend": "CPU float32, transformers 4.57.6", "outputs": [ { "text": "\nand language, and the language, and language.\n.\nThe language, including.\nlanguage and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language andvision and彼\n彼and language and language and language and language and language and\nand language and图片 and图片 and图片 and language and language and language and\nand language and language and language and language and language and language andvision and这个 language and彼尔的图片 and language and\n图 language and language and language" } ], "revision": "8f13a8e00dbdc381d614a9d29d61b07e8fe91b3f", "seconds": 1198.2494292259216, "id": "deepseek", "review": { "strength": "完成了CPU生成调用，原始输出与配置可复查。", "issues": "主要循环输出language和碎片词，没有可用视觉描述；兼容版本和单帧复测已完成，见同项目legacy结果。", "verdict": "本次执行成功，但内容失败。" }, "raw_file": "results-hd/deepseek.json" }, { "project": "apple-aiml-research/ml-fastvlm", "model": "apple/FastVLM-0.5B", "status": "success", "input": "8 independently captioned HD frames, no audio", "input_timestamps": [ 0, 15, 50, 95, 175, 235, 340, 385 ], "backend": "CPU float32 / isolated legacy-compatible transformers /4threads within shared4core cap", "query": "Describe this image accurately for a video generation prompt. Include visible people, clothing, setting, objects, expression and lighting. Do not invent dialogue, camera movement or relationships. Maximum80words.", "source_sha256": "8b9da3ee510ec190c623ed17c9a0763a8f38c26fda05dc1d7e867e524d2633e8", "outputs": [ { "time": 0, "text": "A young child, dressed in a worn, tattered blue jacket and brown pants, sits on a muddy beach, surrounded by the remnants of a shipwreck. The child's expression is one of deep contemplation, as they gaze down at the two crabs on the wet sand. The background is blurred, but the outlines of a shipwreck and the overcast sky are discernible, adding to the somber mood of the scene. The child's hair is tied back with red ribbons, and a small red dot adorns their forehead. The overall atmosphere is one of quiet reflection" }, { "time": 15, "text": "A young child with tears streaming down their face, wearing a red bindi on their forehead, is crying. The child's expression is one of distress, with their mouth slightly open and eyes conveying a sense of sadness. The background is blurred, focusing attention on the child's face. The child is wearing a green garment, and the image is taken from a close-up angle, capturing the details of their tear-streaked face. The lighting is soft, highlighting the child's features and the texture of their skin. The image is a poignant representation of a child's emotional state.\n8" }, { "time": 50, "text": "A solitary sailboat sails through a tumultuous sea, its sails catching the wind as it navigates the rough waters. The sky above is a somber gray, casting a muted light over the scene. In the distance, a flock of seagulls flutters, their silhouettes stark against the overcast sky. The water is choppy, with waves crashing against the rocky shore, creating a sense of movement and chaos. The overall mood is one of solitude and the raw power of nature.\n\n\n<" }, { "time": 95, "text": "A group of four people, two women and two men, are gathered around a wooden table in a rustic setting. The woman on the left is wearing a blue headscarf and a blue jacket, while the woman on the right is dressed in a brown vest over a floral shirt. The man on the left is wearing a brown jacket and has short black hair. The woman on the right is wearing a gray vest over a brown shirt and has long black hair. The setting appears to be an old, possibly abandoned building with a window and a hanging basket visible in the background. The lighting is natural" }, { "time": 175, "text": "A vintage compass and a worn leather-bound book with Chinese characters on the cover are displayed on a worn leather surface. The book, showing signs of age with its browned pages and creases, is held open by a person's hand, with their thumb resting on the cover. The compass, with its brass casing and white face, is positioned to the left of the book, its lid open to reveal the compass needle. The scene is set against a backdrop of a dark, textured leather surface, enhancing the antique and rugged aesthetic of the objects.\n\n" }, { "time": 235, "text": "A young girl with a red dot on her forehead and a red ribbon in her hair is peeking out from behind a gray curtain. She is wearing a dirty, brownish shirt with ruffled edges and a button at the collar. The background is blurred, suggesting an outdoor setting with a mix of green and brown hues. The girl's expression is one of curiosity or surprise, and she is looking directly at the camera.\n\n\n\n\n<" }, { "time": 340, "text": "A young child, dressed in a tattered brown outfit with a white shirt underneath, is crouched down in a puddle of water, wearing brown shoes. The child's expression is one of curiosity as they point at something in the water. The background is blurred, but a person's leg and part of their body are visible, suggesting the presence of another individual nearby. The image is taken during the daytime, with natural light illuminating the scene. The child's expression and the setting suggest a moment of discovery or exploration.\n\n", "input_timestamps": [ 0, 15, 50, 95, 175, 235, 340, 385 ], "input": "8 still frames, no audio", "backend": "CPU float32, transformers 4.57.6", "outputs": [ { "time": 0, "text": "A little girl is sitting on the ground. She has two red bows in her hair. There are four crabs on the sand in front of her. There is a rope behind her. " }, { "time": 15, "text": "A baby is looking at the camera. The baby has a red dot on his forehead. The eyes are dark and blue. The mouth is closed. The nose is pink. The hands of the baby are touching a green chain link fence. The chain link is green. The little girl has brown hair. The girl has a black shirt on. The shirt is black." }, { "time": 50, "text": "A boat is in the water. There are rocks in the ocean. There is a hill behind the water with lots of waves in it. There There are white clouds in the sky. " }, { "time": 95, "text": "A group of Asian people are gathered around a wooden table. Two women are standing behind the table. One woman is wearing a black jacket and a gray dress. The other woman is sitting down and looking at the table with her hands on the table and a man is sitting in front of her. A building with a tiled roof is behind them. There is a basket hanging on the wall." }, { "time": 175, "text": "A person is holding a book. The book is brown. The person is wearing a white shirt. The hands of the person are white. The watch is open. The face of the watch is white. There is writing on the book. There are cracks in the book and the person is touching the book with their thumb. The hand is holding the book in a way that is touching it." }, { "time": 235, "text": "A little girl is looking at the camera. She has a red bow in her hair. She is wearing a brown shirt. She also has a brown bag over her shoulder. " }, { "time": 340, "text": "A little girl is sitting in the water. She is wearing a brown shirt and black pants. There is a red bow in her hair. " }, { "time": 385, "text": "Four people are standing in shallow water. A boy is holding a large wooden bucket. A girl is standing in the water holding a fish. A man is standing beside the girl. He is wearing a gray jacket and black pants. A woman is standing behind the boy. She is wearing black pants and a black tank top. The water is surrounded by rocks." } ], "revision": "f6c1a25888ffc1d945ee8a1a77ac833c7303d46e", "seconds": 129.14200615882874, "id": "florence", "review": { "strength": "适合逐帧较详细描述；开场的红发带、蟹、绳子明确。", "issues": "把渔网当绿铁丝网，罗盘当表，收获画面中的物品认成鱼；巨浪程度被弱化。", "verdict": "物体细节有用，但逐帧识别错误会传播到提示词。" }, "raw_file": "results-hd/florence.json" }, { "id": "gguf-gemma", "project": "google/gemma_pytorch", "model": "ggml-org/gemma-3-4b-it-GGUF", "status": "success", "source_sha256": "8b9da3ee510ec190c623ed17c9a0763a8f38c26fda05dc1d7e867e524d2633e8", "input": "8 chronological HD-source frames, long edge resized to448px, no audio", "input_timestamps": [ 0, 15, 50, 95, 175, 235, 340, 385 ], "backend": "llama.cpp b11592 / CPU / 2 threads / quantized GGUF", "query": "Describe these chronological video frames for a faithful video generation prompt. Include visible people, clothing, location, objects, lighting, facial expressions, composition and visual changes. Do not invent dialogue, sounds or family relationships. Maximum 250 words.", "adaptation": "Shared C++ inference engine, distinct model weights; not native Python applications. Only loopback HTTP, authentication enabled, no upload to a remote service.", "outputs": [ { "text": "Here’s a detailed description of the video frames for a generative AI prompt, aiming for a cinematic and evocative style:\n\n**Frame 1:** A young girl, approximately 3 years old, sits on a rocky beach, surrounded by crabs. She wears a worn, patched-up outfit with a dark shawl and simple shoes. Her hair is styled in two buns with red ribbons. The lighting is overcast and muted. The composition is a medium shot, focusing on the child and the crabs.\n\n**Frame 2:** Close-up of the same girl, now crying with tears streaming down her face. She is entangled in a fishing net. The lighting is slightly brighter, emphasizing the sadness in her expression. The composition is a tight close-up.\n\n**Frame 3:** A wide shot of a small boat sailing on a stormy sea, with dark clouds and lightning in the background. The lighting is dramatic and dark.\n\n**Frame 4:** A group of four people – a man, a woman, and two young men – are seated around a wooden table, holding hands. The lighting is dim and warm.\n\n**Frame 5:** A close-up of a weathered leather-bound book and a compass, held in a hand. The lighting is soft and diffused.\n\n**Frame 6:** The girl is partially hidden behind a wooden door, looking out with a curious expression.\n\n**Frame 7:** The girl is shown playing in shallow water, with a man kneeling beside her, pointing something out. The lighting is bright and natural.\n\n**Frame 8:** A family – a man, a woman, and the girl – are digging in the sand with a shovel and a bucket. The lighting" } ], "revision": "d0976223747697cb51e056d85c532013931fe52e", "gguf_config": { "repo": "ggml-org/gemma-3-4b-it-GGUF", "revision": "d0976223747697cb51e056d85c532013931fe52e", "model_files": [ "gemma-3-4b-it-Q4_K_M.gguf" ], "projector": "mmproj-model-f16.gguf", "runtime": "b11592" }, "response": { "choices": [ { "finish_reason": "length", "index": 0, "message": { "role": "assistant", "content": "Here’s a detailed description of the video frames for a generative AI prompt, aiming for a cinematic and evocative style:\n\n**Frame 1:** A young girl, approximately 3 years old, sits on a rocky beach, surrounded by crabs. She wears a worn, patched-up outfit with a dark shawl and simple shoes. Her hair is styled in two buns with red ribbons. The lighting is overcast and muted. The composition is a medium shot, focusing on the child and the crabs.\n\n**Frame 2:** Close-up of the same girl, now crying with tears streaming down her face. She is entangled in a fishing net. The lighting is slightly brighter, emphasizing the sadness in her expression. The composition is a tight close-up.\n\n**Frame 3:** A wide shot of a small boat sailing on a stormy sea, with dark clouds and lightning in the background. The lighting is dramatic and dark.\n\n**Frame 4:** A group of four people – a man, a woman, and two young men – are seated around a wooden table, holding hands. The lighting is dim and warm.\n\n**Frame 5:** A close-up of a weathered leather-bound book and a compass, held in a hand. The lighting is soft and diffused.\n\n**Frame 6:** The girl is partially hidden behind a wooden door, looking out with a curious expression.\n\n**Frame 7:** The girl is shown playing in shallow water, with a man kneeling beside her, pointing something out. The lighting is bright and natural.\n\n**Frame 8:** A family – a man, a woman, and the girl – are digging in the sand with a shovel and a bucket. The lighting" } } ], "created": 1791924142, "model": "C:\\Users\\Administrator\\Documents\\ChatGPT\\定时任务\\outputs\\tiktok-prompt-lab\\models\\ggml-org__gemma-3-4b-it-GGUF\\gemma-3-4b-it-Q4_K_M.gguf", "system_fingerprint": "b11592-f851e244d", "object": "chat.completion", "usage": { "completion_tokens": 350, "prompt_tokens": 2122, "total_tokens": 2472, "prompt_tokens_details": { "cached_tokens": 0 } }, "id": "chatcmpl-Fdobx8hHQD9UmFs6mmqTGMrNKKmsWHiX", "timings": { "cache_n": 0, "prompt_n": 2122, "prompt_ms": 589162.682, "prompt_per_token_ms": 277.64499622997175, "prompt_per_second": 3.6017216718420735, "predicted_n": 350, "predicted_ms": 91483.687, "predicted_per_token_ms": 262.1309083094556, "predicted_per_second": 3.8148877843106606 } }, "finish_reason": "length", "usage": { "completion_tokens": 350, "prompt_tokens": 2122, "total_tokens": 2472, "prompt_tokens_details": { "cached_tokens": 0 } }, "seconds": 690.2758724689484, "review": { "strength": "认出双髻红带、哭泣、渔网、旧书和罗盘。", "issues": "凭空加入闪电与围桌牵手；235秒将蓝衣成年人的局部写成木门；385秒漏人；达到350token上限。", "verdict": "可用视觉片段与明显幻觉并存，不能直接当完整复刻提示词。" }, "raw_file": "results-hd/gguf-gemma.json" }, { "id": "gguf-glm-edge-single", "project": "zai-org/GLM-Edge", "model": "zai-org/glm-edge-v-2b-gguf", "status": "success", "source_sha256": "8b9da3ee510ec190c623ed17c9a0763a8f38c26fda05dc1d7e867e524d2633e8", "input": "8 independently captioned HD frames, long edge448px; no audio", "input_timestamps": [ 0, 15, 50, 95, 175, 235, 340, 385 ], "backend": "llama.cpp b11592 / CPU /4threads within shared4core cap / quantized GGUF", "query": "Describe only visible people, clothing, objects, setting and expression in this image. Do not invent dialogue, sound or relationships. Maximum 60 words.", "adaptation": "Shared C++ inference engine, distinct model weights; not native Python applications. Only loopback HTTP, authentication enabled, no upload to a remote service. Single-frame requests keep visual tokens within trained context; original over-context failure retained. Same project, not a new project.", "outputs": [ { "text": "A young girl with two red ribbons in her hair is crouched on a rocky beach, wearing a grey long-sleeve shirt and a blue poncho. She is surrounded by four crabs on the sand, with a coiled rope in the background and a calm sea in the distance. The scene is serene, with a muted color palette that emphasizes the natural setting.", "finish_reason": "stop", "usage": { "completion_tokens": 84, "prompt_tokens": 615, "total_tokens": 699, "prompt_tokens_details": { "cached_tokens": 0 } }, "time": 0 }, { "text": "A young child with a red dot on their forehead is captured in a moment of distress, holding onto a green net. The child's eyes are teary, and their expression suggests a sense of helplessness or fear. The setting appears to be an outdoor environment, possibly a field or a garden, given the natural light and the child's attire. The child's clothing is a simple, dark-colored garment that covers their body, with no visible accessories or additional items.", "finish_reason": "length", "usage": { "completion_tokens": 100, "prompt_tokens": 615, "total_tokens": 715, "prompt_tokens_details": { "cached_tokens": 2 } }, "time": 15 }, { "text": "In the image, a solitary figure stands on a rocky shore, clad in a dark, long-sleeved shirt and pants, with a backpack slung over their shoulder. They are facing away from the viewer, gazing towards the sea. The setting is a rocky coastline with a large, towering wave in the background, suggesting a moment of anticipation or contemplation. The atmosphere is serene, with the soft lighting and the calm sea creating a", "finish_reason": "length", "usage": { "completion_tokens": 100, "prompt_tokens": 615, "total_tokens": 715, "prompt_tokens_details": { "cached_tokens": 2 } }, "time": 50 }, { "text": "In this image, we see a rustic scene with a wooden table at its center. A man is seated on the left, seemingly engaged in a conversation with a woman standing to his right, who appears to be listening intently. To the left of the woman, an elderly woman is seated, possibly observing the interaction. The setting is a modest house with a thatched roof, suggesting a rural or traditional environment. The expressions on their faces convey a sense of seriousness and focus", "finish_reason": "length", "usage": { "completion_tokens": 100, "prompt_tokens": 615, "total_tokens": 715, "prompt_tokens_details": { "cached_tokens": 2 } }, "time": 95 }, { "text": "The image features two individuals, one with a hand extended towards a worn leather-bound book, and another with a hand holding a brass compass. The setting appears to be outdoors, possibly on a rugged terrain, given the worn leather and the natural light. The book has a label with Chinese characters, suggesting it might be a historical or literary item. The compass is open, revealing a white dial with a black needle pointing north. The overall atmosphere is one of exploration or discovery", "finish_reason": "length", "usage": { "completion_tokens": 100, "prompt_tokens": 615, "total_tokens": 715, "prompt_tokens_details": { "cached_tokens": 2 } }, "time": 175 }, { "text": "A young girl with two red ribbons in her hair is peeking out from behind a person. She is wearing a brown, tattered outfit with a red sash. The setting appears to be outdoors, possibly in a rural or traditional environment. The girl's expression is one of curiosity and innocence.", "finish_reason": "stop", "usage": { "completion_tokens": 67, "prompt_tokens": 615, "total_tokens": 682, "prompt_tokens_details": { "cached_tokens": 2 } }, "time": 235 }, { "text": "A young girl with red ribbons in her hair is crouching in the mud, pointing at something in the water. She is wearing a grey outfit with a white shirt underneath. An adult's leg is visible to her right, suggesting a close relationship. The setting appears to be outdoors, possibly in a rural or natural environment. The girl's expression is focused, indicating curiosity or engagement with the activity she is performing.", "finish_reason": "stop", "usage": { "completion_tokens": 89, "prompt_tokens": 615, "total_tokens": 704, "prompt_tokens_details": { "cached_tokens": 2 } }, "time": 340 }, { "text": "In the image, there are four individuals engaged in an activity on a beach. The person on the left is wearing a denim jacket and dark pants, holding a shovel. Next to them is a person in a sleeveless top and dark pants, also holding a shovel. A child, dressed in a grey outfit with red hair accessories, is crouching in the sand, seemingly focused on an object in her hands. The child's right side", "finish_reason": "length", "usage": { "completion_tokens": 100, "prompt_tokens": 615, "total_tokens": 715, "prompt_tokens_details": { "cached_tokens": 2 } }, "time": 385 } ], "revision": "d76cbe14f1d3a9405f664cbb5ae0c9537197429a", "gguf_config": { "repo": "zai-org/glm-edge-v-2b-gguf", "revision": "d76cbe14f1d3a9405f664cbb5ae0c9537197429a", "model_files": [ "ggml-model-Q4_K_M.gguf" ], "projector": "mmproj-model-f16.gguf", "github": "zai-org/GLM-Edge", "id": "glm-edge", "runtime": "b11592; app-local bundled VC runtime14.51" }, "phase": "generating", "finish_reason": "length", "usage": { "completion_tokens": 100, "prompt_tokens": 615, "total_tokens": 715, "prompt_tokens_details": { "cached_tokens": 2 } }, "seconds": 230.8744204044342, "review": { "strength": "改用独立单帧后成功生成8段；开场四蟹、红发带与蓝披衣正确；340秒指出蹲下指向水面；最后一帧说出四个人。", "issues": "50秒虚构背包人物站在岸边看浪，同时写平静海面；95秒漏一人并把瓦顶写成茅草顶；175秒凭两只手断言两个人、写成手持罗盘；235秒加红腰带；100token处多次截断。", "verdict": "恢复执行不等于恢复全部事实。GLM-Edge仓库本次165 stars，属于小项目补充，不计热门30个门槛。" }, "raw_file": "results-hd/gguf-glm-edge-single.json" }, { "id": "gguf-glm-edge", "project": "zai-org/GLM-Edge", "model": "zai-org/glm-edge-v-2b-gguf", "status": "failed", "source_sha256": "8b9da3ee510ec190c623ed17c9a0763a8f38c26fda05dc1d7e867e524d2633e8", "input": "8 chronological HD-source frames, long edge resized to448px, no audio", "input_timestamps": [ 0, 15, 50, 95, 175, 235, 340, 385 ], "backend": "llama.cpp b11592 / CPU / 2 threads / quantized GGUF", "query": "Describe these chronological video frames for a faithful video generation prompt. Include visible people, clothing, location, objects, lighting, facial expressions, composition and visual changes. Do not invent dialogue, sounds or family relationships. Maximum 250 words.", "adaptation": "Shared C++ inference engine, distinct model weights; not native Python applications. Only loopback HTTP, authentication enabled, no upload to a remote service.", "outputs": [], "revision": "d76cbe14f1d3a9405f664cbb5ae0c9537197429a", "gguf_config": { "repo": "zai-org/glm-edge-v-2b-gguf", "revision": "d76cbe14f1d3a9405f664cbb5ae0c9537197429a", "model_files": [ "ggml-model-Q4_K_M.gguf" ], "projector": "mmproj-model-f16.gguf", "github": "zai-org/GLM-Edge", "id": "glm-edge", "runtime": "b11592; app-local bundled VC runtime14.51" }, "error": "HTTPError('400 Client Error: Bad Request for url: http://127.0.0.1:8899/v1/chat/completions')", "traceback": "Traceback (most recent call last):\n File \"C:\\Users\\Administrator\\Documents\\ChatGPT\\定时任务\\outputs\\tiktok-prompt-lab\\scripts\\run_gguf.py\", line 44, in \n response=requests.post(url+'/v1/chat/completions',json=payload,headers=headers,timeout=14400)\n ^^^^^^^^^^^^^^^^^^^^^^^^^^^\n File \"C:\\Users\\Administrator\\Documents\\ChatGPT\\定时任务\\outputs\\tiktok-prompt-lab\\env\\Lib\\site-packages\\requests\\models.py\", line 1167, in raise_for_status\n raise HTTPError(http_error_msg, response=self)\nrequests.exceptions.HTTPError: 400 Client Error: Bad Request for url: http://127.0.0.1:8899/v1/chat/completions\n", "seconds": 6.853636026382446, "review": {}, "raw_file": "results-hd/gguf-glm-edge.json" }, { "id": "gguf-granite-single", "project": "ibm-granite/granite-vision-models", "model": "ibm-granite/granite-vision-3.3-2b-GGUF", "status": "success", "source_sha256": "8b9da3ee510ec190c623ed17c9a0763a8f38c26fda05dc1d7e867e524d2633e8", "input": "8 independently captioned HD frames, long edge448px; no audio", "input_timestamps": [ 0, 15, 50, 95, 175, 235, 340, 385 ], "backend": "llama.cpp b11592 / CPU /4threads within shared4core cap / quantized GGUF", "query": "Describe only visible people, clothing, objects, setting and expression in this image. Do not invent dialogue, sound or relationships. Maximum 60 words.", "adaptation": "Shared C++ inference engine, distinct model weights; not native Python applications. Only loopback HTTP, authentication enabled, no upload to a remote service. Single-frame requests keep visual tokens within trained context; original over-context failure retained. Same project, not a new project.", "outputs": [ { "text": "A young child with black hair and red bows sits on a rocky beach, surrounded by crabs. The child is wearing a gray robe and has a contemplative expression.", "finish_reason": "stop", "usage": { "completion_tokens": 43, "prompt_tokens": 2267, "total_tokens": 2310, "prompt_tokens_details": { "cached_tokens": 0 } }, "time": 0 }, { "text": "A young child with tears in their eyes, wearing a red dot on their forehead, is seen in a close-up shot.", "finish_reason": "stop", "usage": { "completion_tokens": 30, "prompt_tokens": 2267, "total_tokens": 2297, "prompt_tokens_details": { "cached_tokens": 42 } }, "time": 15 }, { "text": "A boat sails on a turbulent sea, surrounded by a stormy sky.", "finish_reason": "stop", "usage": { "completion_tokens": 22, "prompt_tokens": 2267, "total_tokens": 2289, "prompt_tokens_details": { "cached_tokens": 42 } }, "time": 50 }, { "text": "In the image, a group of four individuals is gathered around a wooden table in a rustic setting. The person on the left, seated, is wearing a blue shirt and has a serious expression. The person on the right, standing, is dressed in a patterned blouse and has a neutral expression. The other two individuals, seated, are wearing dark clothing. The background features a traditional building with a tiled roof.", "finish_reason": "stop", "usage": { "completion_tokens": 98, "prompt_tokens": 2267, "total_tokens": 2365, "prompt_tokens_details": { "cached_tokens": 42 } }, "time": 95 }, { "text": "A person's hands hold an old book and a compass on a textured surface.", "finish_reason": "stop", "usage": { "completion_tokens": 19, "prompt_tokens": 2267, "total_tokens": 2286, "prompt_tokens_details": { "cached_tokens": 42 } }, "time": 175 }, { "text": "A young girl with pigtails, wearing a traditional outfit, stands against a blurred background.", "finish_reason": "stop", "usage": { "completion_tokens": 24, "prompt_tokens": 2267, "total_tokens": 2291, "prompt_tokens_details": { "cached_tokens": 42 } }, "time": 235 }, { "text": "A young child with black hair and red bows in a dress is seen in a close-up. The child is pointing at something in the water.", "finish_reason": "stop", "usage": { "completion_tokens": 33, "prompt_tokens": 2267, "total_tokens": 2300, "prompt_tokens_details": { "cached_tokens": 42 } }, "time": 340 }, { "text": "In the image, a group of four individuals, two men and two women, are engaged in a communal activity on a beach. The setting sun casts a warm, golden glow over the scene, creating a tranquil and intimate atmosphere. The individuals are dressed in casual, earth-toned clothing, suitable for a day of outdoor work. The man on the left is bending over, his hands gently holding a small object", "finish_reason": "length", "usage": { "completion_tokens": 100, "prompt_tokens": 2267, "total_tokens": 2367, "prompt_tokens_details": { "cached_tokens": 42 } }, "time": 385 } ], "revision": "7edb59cacbffaeb016e29c760321c350fb43c429", "gguf_config": { "repo": "ibm-granite/granite-vision-3.3-2b-GGUF", "revision": "7edb59cacbffaeb016e29c760321c350fb43c429", "model_files": [ "granite-vision-3.3-2b-Q4_K_M.gguf" ], "projector": "mmproj-model-f16.gguf", "github": "ibm-granite/granite-vision-models", "id": "granite", "runtime": "b11592; app-local bundled VC runtime14.51" }, "phase": "generating", "finish_reason": "length", "usage": { "completion_tokens": 100, "prompt_tokens": 2267, "total_tokens": 2367, "prompt_tokens_details": { "cached_tokens": 42 } }, "seconds": 473.4862382411957, "review": { "strength": "独立单帧避开超上下文错误；8帧均有输出，识别哭泣、书与罗盘、指水动作，95与385秒总人数为四。", "issues": "50秒只剩船与汹涌海面，漏掉巨浪相对于小船的尺度；95秒站坐数量错误；235秒漏身旁成人；385秒把幼童并入“两男两女”且手持物描述错误；部分长句截断。", "verdict": "短描述可作检索标签，但本次不足以组织完整剧情。granite-vision-models仓库本次55 stars，仅作补充，不计热门项目数量。" }, "raw_file": "results-hd/gguf-granite-single.json" }, { "id": "gguf-granite", "project": "ibm-granite/granite-vision-models", "model": "ibm-granite/granite-vision-3.3-2b-GGUF", "status": "failed", "source_sha256": "8b9da3ee510ec190c623ed17c9a0763a8f38c26fda05dc1d7e867e524d2633e8", "input": "8 chronological HD-source frames, long edge resized to448px, no audio", "input_timestamps": [ 0, 15, 50, 95, 175, 235, 340, 385 ], "backend": "llama.cpp b11592 / CPU / 2 threads / quantized GGUF", "query": "Describe these chronological video frames for a faithful video generation prompt. Include visible people, clothing, location, objects, lighting, facial expressions, composition and visual changes. Do not invent dialogue, sounds or family relationships. Maximum 250 words.", "adaptation": "Shared C++ inference engine, distinct model weights; not native Python applications. Only loopback HTTP, authentication enabled, no upload to a remote service.", "outputs": [], "revision": "7edb59cacbffaeb016e29c760321c350fb43c429", "gguf_config": { "repo": "ibm-granite/granite-vision-3.3-2b-GGUF", "revision": "7edb59cacbffaeb016e29c760321c350fb43c429", "model_files": [ "granite-vision-3.3-2b-Q4_K_M.gguf" ], "projector": "mmproj-model-f16.gguf", "github": "ibm-granite/granite-vision-models", "id": "granite", "runtime": "b11592; app-local bundled VC runtime14.51" }, "error": "HTTPError('400 Client Error: Bad Request for url: http://127.0.0.1:8899/v1/chat/completions')", "traceback": "Traceback (most recent call last):\n File \"C:\\Users\\Administrator\\Documents\\ChatGPT\\定时任务\\outputs\\tiktok-prompt-lab\\scripts\\run_gguf.py\", line 44, in \n response=requests.post(url+'/v1/chat/completions',json=payload,headers=headers,timeout=14400)\n ^^^^^^^^^^^^^^^^^^^^^^^^^^^\n File \"C:\\Users\\Administrator\\Documents\\ChatGPT\\定时任务\\outputs\\tiktok-prompt-lab\\env\\Lib\\site-packages\\requests\\models.py\", line 1167, in raise_for_status\n raise HTTPError(http_error_msg, response=self)\nrequests.exceptions.HTTPError: 400 Client Error: Bad Request for url: http://127.0.0.1:8899/v1/chat/completions\n", "seconds": 8.930808544158936, "review": {}, "raw_file": "results-hd/gguf-granite.json" }, { "id": "gguf-joycaption", "project": "fpgaminer/joycaption", "model": "concedo/llama-joycaption-beta-one-hf-llava-mmproj-gguf", "status": "success", "source_sha256": "8b9da3ee510ec190c623ed17c9a0763a8f38c26fda05dc1d7e867e524d2633e8", "input": "8 chronological HD-source frames, long edge resized to448px, no audio", "input_timestamps": [ 0, 15, 50, 95, 175, 235, 340, 385 ], "backend": "llama.cpp b11592 / CPU /4threads within shared4core cap / quantized GGUF", "query": "Describe these chronological video frames for a faithful video generation prompt. Include visible people, clothing, location, objects, lighting, facial expressions, composition and visual changes. Do not invent dialogue, sounds or family relationships. Maximum 250 words.", "adaptation": "Shared C++ inference engine, distinct model weights; not native Python applications. Only loopback HTTP, authentication enabled, no upload to a remote service.", "outputs": [ { "text": "Photograph of a young Asian girl with dark hair in two red hair buns, wearing a tattered brown dress with a red dot on her forehead, squatting on a muddy beach at sunset. She is focused on a wooden bucket with a metal scoop, holding it with both hands. To her left, an adult man with short black hair, wearing a dark blue shirt and brown pants, is bending over, holding a shovel. To her right, another adult man with short black hair, wearing a brown shirt and dark pants, is also bending over, looking at the bucket. In the background, a third adult woman with dark hair in a bun, wearing a brown dress, is standing with her hands on her hips, looking at the bucket. The beach is wet with small rocks and puddles, and there is a wooden house with a thatched roof in the background. The sky is bright with a warm orange and pink gradient. The photograph has a soft, slightly blurred effect, with a gray border on the left and right sides. Japanese text is visible at the top and bottom of the image. The lighting is natural, with the sunlight casting soft shadows. The overall composition focuses on the children's activity and the rustic, outdoor setting. The image has a nostalgic, historical feel, with muted colors and worn textures.", "finish_reason": "stop", "usage": { "completion_tokens": 268, "prompt_tokens": 5917, "total_tokens": 6185, "prompt_tokens_details": { "cached_tokens": 0 } } } ], "revision": "acfe6bf78ae4e411cd5c7c8f4a71ba01f26a5b97", "gguf_config": { "repo": "concedo/llama-joycaption-beta-one-hf-llava-mmproj-gguf", "revision": "acfe6bf78ae4e411cd5c7c8f4a71ba01f26a5b97", "model_files": [ "Llama-Joycaption-Beta-One-Hf-Llava-Q4_K.gguf" ], "projector": "llama-joycaption-beta-one-llava-mmproj-model-f16.gguf", "github": "fpgaminer/joycaption", "id": "joycaption", "runtime": "b11592; app-local bundled VC runtime14.51" }, "phase": "generating", "finish_reason": "stop", "usage": { "completion_tokens": 268, "prompt_tokens": 5917, "total_tokens": 6185, "prompt_tokens_details": { "cached_tokens": 0 } }, "seconds": 1158.2840876579285, "review": { "strength": "生成268token完整段落，描述双髻红带、旧衣、海滩和金色光线；人物总量为一童三成人。", "issues": "8帧一起输入却写成一张海滩照片，主要接近最后一帧；没有逐段呈现巨浪和旧书罗盘；添金属勺、茅草房、灰边和错误手部动作；中文被写成日文。", "verdict": "本次多图组织下呈现单图化描述，不能代表它对逐张图像的最佳表现；没有证明这是模型能力还是输入组织造成。" }, "raw_file": "results-hd/gguf-joycaption.json" }, { "id": "gguf-llava15-single-vicuna", "project": "haotian-liu/LLaVA", "model": "second-state/Llava-v1.5-7B-GGUF", "status": "success", "source_sha256": "8b9da3ee510ec190c623ed17c9a0763a8f38c26fda05dc1d7e867e524d2633e8", "input": "8 independently captioned HD frames, long edge448px; no audio", "input_timestamps": [ 0, 15, 50, 95, 175, 235, 340, 385 ], "backend": "llama.cpp b11592 / CPU /4threads within shared4core cap / quantized GGUF", "query": "Describe only visible people, clothing, objects, setting and expression in this image. Do not invent dialogue, sound or relationships. Maximum 60 words.", "adaptation": "Shared C++ inference engine, distinct model weights; not native Python applications. Only loopback HTTP, authentication enabled, no upload to a remote service. Separate image requests limit visual context; prior attempts, where present, retained. Same project, not a new project. Explicit builtin Vicuna conversation template with --no-jinja replaces runtime fallback. Previous literal vicuna under Jinja had no media markers and was an adapter failure; retry is not an independent project.", "outputs": [ { "text": " A young girl with pigtails is sitting on the beach, surrounded by several crabs. She is wearing a blue shirt and has a curious expression on her face.", "finish_reason": "stop", "usage": { "completion_tokens": 38, "prompt_tokens": 623, "total_tokens": 661, "prompt_tokens_details": { "cached_tokens": 0 } }, "time": 0 }, { "text": " A baby with a red dot on its forehead is crying.", "finish_reason": "stop", "usage": { "completion_tokens": 15, "prompt_tokens": 623, "total_tokens": 638, "prompt_tokens_details": { "cached_tokens": 5 } }, "time": 15 }, { "text": " A boat is floating on the water, and there are several people on it. The boat is surrounded by a few birds, and the scene is set against a backdrop of a large wave.", "finish_reason": "stop", "usage": { "completion_tokens": 40, "prompt_tokens": 623, "total_tokens": 663, "prompt_tokens_details": { "cached_tokens": 5 } }, "time": 50 }, { "text": " A group of people are sitting around a table, engaged in a game. They are wearing various clothing, including a woman in a brown vest. The table is surrounded by chairs, and there is a bird cage nearby. The scene appears to be set in a village, with a brick building in the background.", "finish_reason": "stop", "usage": { "completion_tokens": 67, "prompt_tokens": 623, "total_tokens": 690, "prompt_tokens_details": { "cached_tokens": 5 } }, "time": 95 }, { "text": " A person is holding a book and a compass. The book is open to a page with a map on it. The person is also holding a small container.", "finish_reason": "stop", "usage": { "completion_tokens": 34, "prompt_tokens": 623, "total_tokens": 657, "prompt_tokens_details": { "cached_tokens": 5 } }, "time": 175 }, { "text": " A young girl with a ponytail and a red bow in her hair is holding a cell phone. She is wearing a brown shirt and has a red dot on her forehead. The girl is standing next to a person who is holding a cell phone.", "finish_reason": "stop", "usage": { "completion_tokens": 55, "prompt_tokens": 623, "total_tokens": 678, "prompt_tokens_details": { "cached_tokens": 5 } }, "time": 235 }, { "text": " A young girl with a ponytail is pointing at something in the water. She is wearing a brown shirt and has a pink bow in her hair. There are three other people in the scene, one of whom is wearing a green shirt. The setting appears to be a muddy area with water.", "finish_reason": "stop", "usage": { "completion_tokens": 67, "prompt_tokens": 623, "total_tokens": 690, "prompt_tokens_details": { "cached_tokens": 5 } }, "time": 340 }, { "text": " A group of people, including a man and a woman, are working together to dig a hole in the sand. They are wearing work clothes and using tools such as shovels and a bucket. The scene takes place near the ocean, with a boat visible in the background. The people appear to be focused and determined as they work together to complete their task.", "finish_reason": "stop", "usage": { "completion_tokens": 75, "prompt_tokens": 623, "total_tokens": 698, "prompt_tokens_details": { "cached_tokens": 5 } }, "time": 385 } ], "revision": "ffb5e9a1a3172f82448fbdbe578a051c8dc2ff77", "gguf_config": { "repo": "second-state/Llava-v1.5-7B-GGUF", "revision": "ffb5e9a1a3172f82448fbdbe578a051c8dc2ff77", "model_files": [ "llava-v1.5-7b-Q4_K_M.gguf" ], "projector": "llava-v1.5-7b-mmproj-model-f16.gguf", "github": "haotian-liu/LLaVA", "id": "llava15", "runtime": "b11592; app-local bundled VC runtime14.51" }, "phase": "generating", "finish_reason": "stop", "usage": { "completion_tokens": 75, "prompt_tokens": 623, "total_tokens": 698, "prompt_tokens_details": { "cached_tokens": 5 } }, "seconds": 324.233234167099, "review": { "strength": "正确调用内置Vicuna格式后8帧均能生成文字；能描述女孩与蟹、哭泣、海浪、小船、书与罗盘，以及海边挖掘。", "issues": "95秒把院落围桌写成游戏；175秒将关闭的笔记写成打开的地图，并添小容器；235秒虚构两部手机；340秒发型、发带颜色、人数不准。", "verdict": "本次LLaVA1.5-7B量化配置提供简短的对象描述，仍需清除虚构道具；旧模板HTTP400不是模型质量问题。" }, "raw_file": "results-hd/gguf-llava15-single-vicuna.json" }, { "id": "gguf-llava15-single", "project": "haotian-liu/LLaVA", "model": "second-state/Llava-v1.5-7B-GGUF", "status": "failed", "source_sha256": "8b9da3ee510ec190c623ed17c9a0763a8f38c26fda05dc1d7e867e524d2633e8", "input": "8 independently captioned HD frames, long edge448px; no audio", "input_timestamps": [ 0, 15, 50, 95, 175, 235, 340, 385 ], "backend": "llama.cpp b11592 / CPU /4threads within shared4core cap / quantized GGUF", "query": "Describe only visible people, clothing, objects, setting and expression in this image. Do not invent dialogue, sound or relationships. Maximum 60 words.", "adaptation": "Shared C++ inference engine, distinct model weights; not native Python applications. Only loopback HTTP, authentication enabled, no upload to a remote service. Single-frame requests keep visual tokens within trained context; original over-context failure retained. Same project, not a new project. Explicit upstream Vicuna conversation template replaces runtime fallback; retry is not an independent project.", "outputs": [], "revision": "ffb5e9a1a3172f82448fbdbe578a051c8dc2ff77", "gguf_config": { "repo": "second-state/Llava-v1.5-7B-GGUF", "revision": "ffb5e9a1a3172f82448fbdbe578a051c8dc2ff77", "model_files": [ "llava-v1.5-7b-Q4_K_M.gguf" ], "projector": "llava-v1.5-7b-mmproj-model-f16.gguf", "github": "haotian-liu/LLaVA", "id": "llava15", "runtime": "b11592; app-local bundled VC runtime14.51" }, "phase": "generating", "http_error_body": "{\"error\":{\"code\":400,\"message\":\"Failed to tokenize prompt\",\"type\":\"invalid_request_error\"}}", "error": "HTTPError('400 Client Error: Bad Request for url: http://127.0.0.1:8899/v1/chat/completions')", "traceback": "Traceback (most recent call last):\n File \"C:\\Users\\Administrator\\Documents\\ChatGPT\\定时任务\\outputs\\tiktok-prompt-lab\\scripts\\run_gguf.py\", line 62, in \n response.raise_for_status();raw=response.json()\n ^^^^^^^^^^^^^^^^^^^^^^^^^^^\n File \"C:\\Users\\Administrator\\Documents\\ChatGPT\\定时任务\\outputs\\tiktok-prompt-lab\\env\\Lib\\site-packages\\requests\\models.py\", line 1167, in raise_for_status\n raise HTTPError(http_error_msg, response=self)\nrequests.exceptions.HTTPError: 400 Client Error: Bad Request for url: http://127.0.0.1:8899/v1/chat/completions\n", "seconds": 14.858994483947754, "review": { "strength": "保留真实请求与服务端错误日志。", "issues": "Jinja将vicuna名称当作字面模板，图像标记丢失，未进入有效视觉推理。", "verdict": "适配器错误；修复后的结果见同项目single-vicuna条目。" }, "raw_file": "results-hd/gguf-llava15-single.json" }, { "id": "gguf-llava15", "project": "haotian-liu/LLaVA", "model": "second-state/Llava-v1.5-7B-GGUF", "status": "failed", "source_sha256": "8b9da3ee510ec190c623ed17c9a0763a8f38c26fda05dc1d7e867e524d2633e8", "input": "8 chronological HD-source frames, long edge resized to448px, no audio", "input_timestamps": [ 0, 15, 50, 95, 175, 235, 340, 385 ], "backend": "llama.cpp b11592 / CPU / 2 threads / quantized GGUF", "query": "Describe these chronological video frames for a faithful video generation prompt. Include visible people, clothing, location, objects, lighting, facial expressions, composition and visual changes. Do not invent dialogue, sounds or family relationships. Maximum 250 words.", "adaptation": "Shared C++ inference engine, distinct model weights; not native Python applications. Only loopback HTTP, authentication enabled, no upload to a remote service.", "outputs": [], "revision": "ffb5e9a1a3172f82448fbdbe578a051c8dc2ff77", "gguf_config": { "repo": "second-state/Llava-v1.5-7B-GGUF", "revision": "ffb5e9a1a3172f82448fbdbe578a051c8dc2ff77", "model_files": [ "llava-v1.5-7b-Q4_K_M.gguf" ], "projector": "llava-v1.5-7b-mmproj-model-f16.gguf", "github": "haotian-liu/LLaVA", "id": "llava15", "runtime": "b11592; app-local bundled VC runtime14.51" }, "error": "HTTPError('400 Client Error: Bad Request for url: http://127.0.0.1:8899/v1/chat/completions')", "traceback": "Traceback (most recent call last):\n File \"C:\\Users\\Administrator\\Documents\\ChatGPT\\定时任务\\outputs\\tiktok-prompt-lab\\scripts\\run_gguf.py\", line 44, in \n response=requests.post(url+'/v1/chat/completions',json=payload,headers=headers,timeout=14400)\n ^^^^^^^^^^^^^^^^^^^^^^^^^^^\n File \"C:\\Users\\Administrator\\Documents\\ChatGPT\\定时任务\\outputs\\tiktok-prompt-lab\\env\\Lib\\site-packages\\requests\\models.py\", line 1167, in raise_for_status\n raise HTTPError(http_error_msg, response=self)\nrequests.exceptions.HTTPError: 400 Client Error: Bad Request for url: http://127.0.0.1:8899/v1/chat/completions\n", "seconds": 14.856830596923828, "review": {}, "raw_file": "results-hd/gguf-llava15.json" }, { "id": "gguf-mobilevlm-single-vicuna", "project": "Meituan-AutoML/MobileVLM", "model": "ZiangWu/MobileVLM_V2-1.7B-GGUF", "status": "success", "source_sha256": "8b9da3ee510ec190c623ed17c9a0763a8f38c26fda05dc1d7e867e524d2633e8", "input": "8 independently captioned HD frames, long edge448px; no audio", "input_timestamps": [ 0, 15, 50, 95, 175, 235, 340, 385 ], "backend": "llama.cpp b11592 / CPU /4threads within shared4core cap / quantized GGUF", "query": "Describe only visible people, clothing, objects, setting and expression in this image. Do not invent dialogue, sound or relationships. Maximum 60 words.", "adaptation": "Shared C++ inference engine, distinct model weights; not native Python applications. Only loopback HTTP, authentication enabled, no upload to a remote service. Separate image requests limit visual context; prior attempts, where present, retained. Same project, not a new project. Explicit builtin Vicuna conversation template with --no-jinja replaces runtime fallback. Previous literal vicuna under Jinja had no media markers and was an adapter failure; retry is not an independent project.", "outputs": [ { "text": " A little girl sitting on the beach with crabs.", "finish_reason": "stop", "usage": { "completion_tokens": 13, "prompt_tokens": 191, "total_tokens": 204, "prompt_tokens_details": { "cached_tokens": 0 } }, "time": 0 }, { "text": " The image captures a young child, who appears to be in distress. The child is wearing a green rope necklace, which is wrapped around their neck, adding a touch of color to the scene. The child's face is covered in tears, and their eyes are wide open, reflecting the intensity of their emotions.\n\nThe background of the image is blurred, but it gives the impression of a room with a window. The window is dark, suggesting", "finish_reason": "length", "usage": { "completion_tokens": 100, "prompt_tokens": 191, "total_tokens": 291, "prompt_tokens_details": { "cached_tokens": 5 } }, "time": 15 }, { "text": " The image is a captivating collage of a surfing scene set against a dramatic backdrop of a stormy sky. The central focus is a small boat, painted in a striking shade of red, sailing on a wave. The boat is positioned centrally in the image, drawing the viewer's attention.\n\nThe wave, a dark gray, is breaking to the right, creating a dynamic contrast with the white foam that forms the wave.", "finish_reason": "length", "usage": { "completion_tokens": 100, "prompt_tokens": 191, "total_tokens": 291, "prompt_tokens_details": { "cached_tokens": 5 } }, "time": 50 }, { "text": " In the image, we see a scene from a movie or TV show set in a rural village. The main focus is on three individuals: a woman, a man, and a woman. The woman, positioned on the left, is holding a wooden table with a sign on it. The man, standing on the right, is holding a gun. The woman on the right is looking at the man with the gun, while the man on the left is looking at the woman with the sign.", "finish_reason": "length", "usage": { "completion_tokens": 100, "prompt_tokens": 191, "total_tokens": 291, "prompt_tokens_details": { "cached_tokens": 5 } }, "time": 95 }, { "text": " In the image, a person's hand is seen holding a brown leather-bound book with a gold spine. The book is open to a page with Chinese characters. The person is wearing a blue shirt and is holding the book with their left hand. The background of the image is blurred, but it appears to be a room with a window. The person's hand and the book are the main focus of the image. The Chinese characters on the book suggest that", "finish_reason": "length", "usage": { "completion_tokens": 100, "prompt_tokens": 191, "total_tokens": 291, "prompt_tokens_details": { "cached_tokens": 5 } }, "time": 175 }, { "text": " In the image, a young girl with long, red hair is the main subject. She is dressed in a brown robe adorned with white flowers, and her face is painted in a striking shade of red. Her hands are gently wrapped around her chest, suggesting a sense of comfort or security.\n\nThe girl is standing in front of a wooden fence, which adds a rustic charm to the scene. The fence is partially obscured by a tree trunk", "finish_reason": "length", "usage": { "completion_tokens": 100, "prompt_tokens": 191, "total_tokens": 291, "prompt_tokens_details": { "cached_tokens": 5 } }, "time": 235 }, { "text": " A young girl is playing in the mud.", "finish_reason": "stop", "usage": { "completion_tokens": 10, "prompt_tokens": 191, "total_tokens": 201, "prompt_tokens_details": { "cached_tokens": 5 } }, "time": 340 }, { "text": " In the image, a family is seen engaged in a day of hard work on a beach. The family members, clad in casual attire, are standing on the sandy beach. The woman, holding a bucket, is in the foreground, while the man and the child are in the background. The man is holding a shovel, while the child is holding a bucket. The beach setting is further enhanced by the presence of the ocean in the background. The image is", "finish_reason": "length", "usage": { "completion_tokens": 100, "prompt_tokens": 191, "total_tokens": 291, "prompt_tokens_details": { "cached_tokens": 5 } }, "time": 385 } ], "revision": "422c888cc387d71831bedf48d59f0a66b27fad68", "gguf_config": { "repo": "ZiangWu/MobileVLM_V2-1.7B-GGUF", "revision": "422c888cc387d71831bedf48d59f0a66b27fad68", "model_files": [ "ggml-model-q4_k.gguf" ], "projector": "mmproj-model-f16.gguf", "github": "Meituan-AutoML/MobileVLM", "id": "mobilevlm", "runtime": "b11592; app-local bundled VC runtime14.51" }, "phase": "generating", "finish_reason": "length", "usage": { "completion_tokens": 100, "prompt_tokens": 191, "total_tokens": 291, "prompt_tokens_details": { "cached_tokens": 5 } }, "seconds": 61.528562784194946, "review": { "strength": "修正模板后不再只循环聊天分隔符，8帧都有正常句子；能识别蟹、幼童、海浪等大类。", "issues": "渔网写成项链、哭泣场景添室内窗；95秒凭空加枪、标牌并漏人；175秒漏罗盘并添翻开的书；235秒把红发带写成红发，添花衣、木栅栏；385秒人物与持物位置失真。", "verdict": "接入已修复，内容仍有大量幻觉。不得把这份原文直接用于忠实复刻；两次单帧模板配置不算两个项目。" }, "raw_file": "results-hd/gguf-mobilevlm-single-vicuna.json" }, { "id": "gguf-mobilevlm-single", "project": "Meituan-AutoML/MobileVLM", "model": "ZiangWu/MobileVLM_V2-1.7B-GGUF", "status": "failed", "source_sha256": "8b9da3ee510ec190c623ed17c9a0763a8f38c26fda05dc1d7e867e524d2633e8", "input": "8 independently captioned HD frames, long edge448px; no audio", "input_timestamps": [ 0, 15, 50, 95, 175, 235, 340, 385 ], "backend": "llama.cpp b11592 / CPU /4threads within shared4core cap / quantized GGUF", "query": "Describe only visible people, clothing, objects, setting and expression in this image. Do not invent dialogue, sound or relationships. Maximum 60 words.", "adaptation": "Shared C++ inference engine, distinct model weights; not native Python applications. Only loopback HTTP, authentication enabled, no upload to a remote service. Single-frame requests keep visual tokens within trained context; original over-context failure retained. Same project, not a new project. Explicit upstream Vicuna conversation template replaces runtime fallback; retry is not an independent project.", "outputs": [], "revision": "422c888cc387d71831bedf48d59f0a66b27fad68", "gguf_config": { "repo": "ZiangWu/MobileVLM_V2-1.7B-GGUF", "revision": "422c888cc387d71831bedf48d59f0a66b27fad68", "model_files": [ "ggml-model-q4_k.gguf" ], "projector": "mmproj-model-f16.gguf", "github": "Meituan-AutoML/MobileVLM", "id": "mobilevlm", "runtime": "b11592; app-local bundled VC runtime14.51" }, "phase": "generating", "http_error_body": "{\"error\":{\"code\":400,\"message\":\"Failed to tokenize prompt\",\"type\":\"invalid_request_error\"}}", "error": "HTTPError('400 Client Error: Bad Request for url: http://127.0.0.1:8899/v1/chat/completions')", "traceback": "Traceback (most recent call last):\n File \"C:\\Users\\Administrator\\Documents\\ChatGPT\\定时任务\\outputs\\tiktok-prompt-lab\\scripts\\run_gguf.py\", line 62, in \n response.raise_for_status();raw=response.json()\n ^^^^^^^^^^^^^^^^^^^^^^^^^^^\n File \"C:\\Users\\Administrator\\Documents\\ChatGPT\\定时任务\\outputs\\tiktok-prompt-lab\\env\\Lib\\site-packages\\requests\\models.py\", line 1167, in raise_for_status\n raise HTTPError(http_error_msg, response=self)\nrequests.exceptions.HTTPError: 400 Client Error: Bad Request for url: http://127.0.0.1:8899/v1/chat/completions\n", "seconds": 4.740135431289673, "review": { "strength": "保留真实请求与服务端错误日志。", "issues": "Jinja将vicuna名称当作字面模板，图像标记丢失，未进入有效视觉推理。", "verdict": "适配器错误；修复后的结果见同项目single-vicuna条目。" }, "raw_file": "results-hd/gguf-mobilevlm-single.json" }, { "id": "gguf-mobilevlm", "project": "Meituan-AutoML/MobileVLM", "model": "ZiangWu/MobileVLM_V2-1.7B-GGUF", "status": "success", "source_sha256": "8b9da3ee510ec190c623ed17c9a0763a8f38c26fda05dc1d7e867e524d2633e8", "input": "8 chronological HD-source frames, long edge resized to448px, no audio", "input_timestamps": [ 0, 15, 50, 95, 175, 235, 340, 385 ], "backend": "llama.cpp b11592 / CPU / 2 threads / quantized GGUF", "query": "Describe these chronological video frames for a faithful video generation prompt. Include visible people, clothing, location, objects, lighting, facial expressions, composition and visual changes. Do not invent dialogue, sounds or family relationships. Maximum 250 words.", "adaptation": "Shared C++ inference engine, distinct model weights; not native Python applications. Only loopback HTTP, authentication enabled, no upload to a remote service.", "outputs": [ { "text": "<|im_start|>\n<|im_start|>\n<|im_start|>\n<|im_start|>\n<|im_start|>\n<|im_start|>\n<|im_start|>\n<|im_start|>\n<|im_start|>\n<|im_start|>\n<|im_start|>\n<|im_start|>\n<|im_start|>\n<|im_start|>\n<|im_start|>\n<|im_start|>\n<|im_start|>\n<|im_start|>\n<|im_start|>\n<|im_start|>\n<|im_start|>\n<|im_start|>\n<|im_start|>\n<|im_start|>\n<|im_start|>\n<|im_start|>\n<|im_start|>\n<|im_start|>\n<|im_start|>\n<|im_start|>\n<|im_start|>\n<|im_start|>\n<|im_start|>\n<|im_start|>\n<|im_start|>\n<|im_start|>\n<|im_start|>\n<|im_start|>\n<|im_start|>\n<|im_start|>\n<|im_start|>\n<|im_start|>\n<|im_start|>\n<|im_start|" } ], "revision": "422c888cc387d71831bedf48d59f0a66b27fad68", "gguf_config": { "repo": "ZiangWu/MobileVLM_V2-1.7B-GGUF", "revision": "422c888cc387d71831bedf48d59f0a66b27fad68", "model_files": [ "ggml-model-q4_k.gguf" ], "projector": "mmproj-model-f16.gguf", "github": "Meituan-AutoML/MobileVLM", "id": "mobilevlm", "runtime": "b11592; app-local bundled VC runtime14.51" }, "response": { "choices": [ { "finish_reason": "length", "index": 0, "message": { "role": "assistant", "content": "<|im_start|>\n<|im_start|>\n<|im_start|>\n<|im_start|>\n<|im_start|>\n<|im_start|>\n<|im_start|>\n<|im_start|>\n<|im_start|>\n<|im_start|>\n<|im_start|>\n<|im_start|>\n<|im_start|>\n<|im_start|>\n<|im_start|>\n<|im_start|>\n<|im_start|>\n<|im_start|>\n<|im_start|>\n<|im_start|>\n<|im_start|>\n<|im_start|>\n<|im_start|>\n<|im_start|>\n<|im_start|>\n<|im_start|>\n<|im_start|>\n<|im_start|>\n<|im_start|>\n<|im_start|>\n<|im_start|>\n<|im_start|>\n<|im_start|>\n<|im_start|>\n<|im_start|>\n<|im_start|>\n<|im_start|>\n<|im_start|>\n<|im_start|>\n<|im_start|>\n<|im_start|>\n<|im_start|>\n<|im_start|>\n<|im_start|" } } ], "created": 1791925137, "model": "C:\\Users\\Administrator\\Documents\\ChatGPT\\定时任务\\outputs\\tiktok-prompt-lab\\models\\ZiangWu__MobileVLM_V2-1.7B-GGUF\\ggml-model-q4_k.gguf", "system_fingerprint": "b11592-f851e244d", "object": "chat.completion", "usage": { "completion_tokens": 350, "prompt_tokens": 1236, "total_tokens": 1586, "prompt_tokens_details": { "cached_tokens": 0 } }, "id": "chatcmpl-HC5yHTukOL4PqDHdIcI1fr2i0CXQlHot", "timings": { "cache_n": 0, "prompt_n": 1236, "prompt_ms": 57351.807, "prompt_per_token_ms": 46.40113834951456, "prompt_per_second": 21.551195413947465, "predicted_n": 350, "predicted_ms": 70648.472, "predicted_per_token_ms": 202.43115186246416, "predicted_per_second": 4.939951142892376 } }, "finish_reason": "length", "usage": { "completion_tokens": 350, "prompt_tokens": 1236, "total_tokens": 1586, "prompt_tokens_details": { "cached_tokens": 0 } }, "seconds": 132.83178615570068, "review": { "strength": "模型成功接受图像并完成解码调用，日志可查。", "issues": "初次只循环聊天分隔标记，缺少可用视觉内容；后续明确模板重试见single-vicuna结果。", "verdict": "本次内容失败，不能当作可交付反推提示词。" }, "raw_file": "results-hd/gguf-mobilevlm.json" }, { "id": "gguf-phi35-single", "project": "microsoft/PhiCookBook", "model": "abetlen/Phi-3.5-vision-instruct-gguf", "status": "failed", "source_sha256": "8b9da3ee510ec190c623ed17c9a0763a8f38c26fda05dc1d7e867e524d2633e8", "input": "8 independently captioned HD frames, long edge448px; no audio", "input_timestamps": [ 0, 15, 50, 95, 175, 235, 340, 385 ], "backend": "llama.cpp b11592 / CPU /4threads within shared4core cap / quantized GGUF", "query": "Describe only visible people, clothing, objects, setting and expression in this image. Do not invent dialogue, sound or relationships. Maximum 60 words.", "adaptation": "Shared C++ inference engine, distinct model weights; not native Python applications. Only loopback HTTP, authentication enabled, no upload to a remote service. Single-frame requests keep visual tokens within trained context; original over-context failure retained. Same project, not a new project.", "outputs": [], "revision": "39c8650873918d40fa529518eadc3680268a4e1b", "gguf_config": { "repo": "abetlen/Phi-3.5-vision-instruct-gguf", "revision": "39c8650873918d40fa529518eadc3680268a4e1b", "model_files": [ "Phi-3.5-3.8B-vision-instruct-Q8_0.gguf" ], "projector": "Phi-3.5-3.8B-vision-instruct-mmproj-F16.gguf", "github": "microsoft/PhiCookBook", "id": "phi35", "runtime": "b11592; app-local bundled VC runtime14.51" }, "phase": "generating", "error": "ConnectionError(ProtocolError('Connection aborted.', ConnectionResetError(10054, 'An existing connection was forcibly closed by the remote host', None, 10054, None)))", "traceback": "Traceback (most recent call last):\n File \"C:\\Users\\Administrator\\Documents\\ChatGPT\\定时任务\\outputs\\tiktok-prompt-lab\\env\\Lib\\site-packages\\urllib3\\connectionpool.py\", line 793, in urlopen\n response = self._make_request(\n ^^^^^^^^^^^^^^^^^^^\n File \"C:\\Users\\Administrator\\Documents\\ChatGPT\\定时任务\\outputs\\tiktok-prompt-lab\\env\\Lib\\site-packages\\urllib3\\connectionpool.py\", line 540, in _make_request\n response = conn.getresponse()\n ^^^^^^^^^^^^^^^^^^\n File \"C:\\Users\\Administrator\\Documents\\ChatGPT\\定时任务\\outputs\\tiktok-prompt-lab\\env\\Lib\\site-packages\\urllib3\\connection.py\", line 638, in getresponse\n httplib_response = super().getresponse()\n ^^^^^^^^^^^^^^^^^^^^^\n File \"C:\\Users\\Administrator\\.cache\\codex-runtimes\\codex-primary-runtime\\dependencies\\python\\Lib\\http\\client.py\", line 1478, in getresponse\n response.begin()\n File \"C:\\Users\\Administrator\\.cache\\codex-runtimes\\codex-primary-runtime\\dependencies\\python\\Lib\\http\\client.py\", line 343, in begin\n version, status, reason = self._read_status()\n ^^^^^^^^^^^^^^^^^^^\n File \"C:\\Users\\Administrator\\.cache\\codex-runtimes\\codex-primary-runtime\\dependencies\\python\\Lib\\http\\client.py\", line 304, in _read_status\n line = str(self.fp.readline(_MAXLINE + 1), \"iso-8859-1\")\n ^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^\n File \"C:\\Users\\Administrator\\.cache\\codex-runtimes\\codex-primary-runtime\\dependencies\\python\\Lib\\socket.py\", line 720, in readinto\n return self._sock.recv_into(b)\n ^^^^^^^^^^^^^^^^^^^^^^^\nConnectionResetError: [WinError 10054] An existing connection was forcibly closed by the remote host\n\nDuring handling of the above exception, another exception occurred:\n\nTraceback (most recent call last):\n File \"C:\\Users\\Administrator\\Documents\\ChatGPT\\定时任务\\outputs\\tiktok-prompt-lab\\env\\Lib\\site-packages\\requests\\adapters.py\", line 696, in send\n resp = conn.urlopen(\n ^^^^^^^^^^^^^\n File \"C:\\Users\\Administrator\\Documents\\ChatGPT\\定时任务\\outputs\\tiktok-prompt-lab\\env\\Lib\\site-packages\\urllib3\\connectionpool.py\", line 847, in urlopen\n retries = retries.increment(\n ^^^^^^^^^^^^^^^^^^\n File \"C:\\Users\\Administrator\\Documents\\ChatGPT\\定时任务\\outputs\\tiktok-prompt-lab\\env\\Lib\\site-packages\\urllib3\\util\\retry.py\", line 510, in increment\n raise reraise(type(error), error, _stacktrace)\n ^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^\n File \"C:\\Users\\Administrator\\Documents\\ChatGPT\\定时任务\\outputs\\tiktok-prompt-lab\\env\\Lib\\site-packages\\urllib3\\util\\util.py\", line 38, in reraise\n raise value.with_traceback(tb)\n File \"C:\\Users\\Administrator\\Documents\\ChatGPT\\定时任务\\outputs\\tiktok-prompt-lab\\env\\Lib\\site-packages\\urllib3\\connectionpool.py\", line 793, in urlopen\n response = self._make_request(\n ^^^^^^^^^^^^^^^^^^^\n File \"C:\\Users\\Administrator\\Documents\\ChatGPT\\定时任务\\outputs\\tiktok-prompt-lab\\env\\Lib\\site-packages\\urllib3\\connectionpool.py\", line 540, in _make_request\n response = conn.getresponse()\n ^^^^^^^^^^^^^^^^^^\n File \"C:\\Users\\Administrator\\Documents\\ChatGPT\\定时任务\\outputs\\tiktok-prompt-lab\\env\\Lib\\site-packages\\urllib3\\connection.py\", line 638, in getresponse\n httplib_response = super().getresponse()\n ^^^^^^^^^^^^^^^^^^^^^\n File \"C:\\Users\\Administrator\\.cache\\codex-runtimes\\codex-primary-runtime\\dependencies\\python\\Lib\\http\\client.py\", line 1478, in getresponse\n response.begin()\n File \"C:\\Users\\Administrator\\.cache\\codex-runtimes\\codex-primary-runtime\\dependencies\\python\\Lib\\http\\client.py\", line 343, in begin\n version, status, reason = self._read_status()\n ^^^^^^^^^^^^^^^^^^^\n File \"C:\\Users\\Administrator\\.cache\\codex-runtimes\\codex-primary-runtime\\dependencies\\python\\Lib\\http\\client.py\", line 304, in _read_status\n line = str(self.fp.readline(_MAXLINE + 1), \"iso-8859-1\")\n ^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^\n File \"C:\\Users\\Administrator\\.cache\\codex-runtimes\\codex-primary-runtime\\dependencies\\python\\Lib\\socket.py\", line 720, in readinto\n return self._sock.recv_into(b)\n ^^^^^^^^^^^^^^^^^^^^^^^\nurllib3.exceptions.ProtocolError: ('Connection aborted.', ConnectionResetError(10054, 'An existing connection was forcibly closed by the remote host', None, 10054, None))\n\nDuring handling of the above exception, another exception occurred:\n\nTraceback (most recent call last):\n File \"C:\\Users\\Administrator\\Documents\\ChatGPT\\定时任务\\outputs\\tiktok-prompt-lab\\scripts\\run_gguf.py\", line 60, in \n response=requests.post(url+'/v1/chat/completions',json=payload,headers=headers,timeout=14400)\n ^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^\n File \"C:\\Users\\Administrator\\Documents\\ChatGPT\\定时任务\\outputs\\tiktok-prompt-lab\\env\\Lib\\site-packages\\requests\\api.py\", line 134, in post\n return request(\"post\", url, data=data, json=json, **kwargs)\n ^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^\n File \"C:\\Users\\Administrator\\Documents\\ChatGPT\\定时任务\\outputs\\tiktok-prompt-lab\\env\\Lib\\site-packages\\requests\\api.py\", line 71, in request\n return session.request(method=method, url=url, **kwargs)\n ^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^\n File \"C:\\Users\\Administrator\\Documents\\ChatGPT\\定时任务\\outputs\\tiktok-prompt-lab\\env\\Lib\\site-packages\\requests\\sessions.py\", line 651, in request\n resp = self.send(prep, **send_kwargs)\n ^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^\n File \"C:\\Users\\Administrator\\Documents\\ChatGPT\\定时任务\\outputs\\tiktok-prompt-lab\\env\\Lib\\site-packages\\requests\\sessions.py\", line 784, in send\n r = adapter.send(request, **kwargs)\n ^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^\n File \"C:\\Users\\Administrator\\Documents\\ChatGPT\\定时任务\\outputs\\tiktok-prompt-lab\\env\\Lib\\site-packages\\requests\\adapters.py\", line 711, in send\n raise ConnectionError(err, request=request)\nrequests.exceptions.ConnectionError: ('Connection aborted.', ConnectionResetError(10054, 'An existing connection was forcibly closed by the remote host', None, 10054, None))\n", "seconds": 12.434201002120972, "review": { "strength": "权重和视觉投影文件成功加载，实际发送了第一张输入；留存本地服务日志。", "issues": "视觉计算触发GGML矩阵形状断言，连接中断，没有任何生成文字。转换者模型卡明确注明该转换仍在开发且不兼容llama.cpp主分支。", "verdict": "属于本次GGUF转换/运行时兼容失败，不算成功项目，也不能评价Phi原生模型的识别质量。" }, "raw_file": "results-hd/gguf-phi35-single.json" }, { "id": "gguf-pixtral", "project": "mistralai/mistral-inference", "model": "ggml-org/pixtral-12b-GGUF", "status": "success", "source_sha256": "8b9da3ee510ec190c623ed17c9a0763a8f38c26fda05dc1d7e867e524d2633e8", "input": "8 chronological HD-source frames, long edge resized to448px, no audio", "input_timestamps": [ 0, 15, 50, 95, 175, 235, 340, 385 ], "backend": "llama.cpp b11592 / CPU / 2 threads / quantized GGUF", "query": "Describe these chronological video frames for a faithful video generation prompt. Include visible people, clothing, location, objects, lighting, facial expressions, composition and visual changes. Do not invent dialogue, sounds or family relationships. Maximum 250 words.", "adaptation": "Shared C++ inference engine, distinct model weights; not native Python applications. Only loopback HTTP, authentication enabled, no upload to a remote service.", "outputs": [ { "text": "The video begins with a young girl sitting on the shore, surrounded by several crabs. She is dressed in a dark outfit with red hair accessories, looking curious. Next, the girl is seen crying, with tears streaming down her face, possibly due to the sight of the crabs. The scene shifts to a group of people, including the girl, standing near a body of water. They appear to be preparing to catch crabs, with one person holding a net. The girl is now smiling, seemingly more comfortable with the group. The group works together to catch crabs, with the girl actively participating. The final scene shows the group successfully catching a crab, with the girl looking excited and proud. Throughout the video, the lighting is natural, suggesting it is daytime, and the location is a rocky shore by the sea." } ], "revision": "cba1ea4420bc2b4f15f50fdec59e30769880a63c", "gguf_config": { "repo": "ggml-org/pixtral-12b-GGUF", "revision": "cba1ea4420bc2b4f15f50fdec59e30769880a63c", "model_files": [ "pixtral-12b-Q4_K_M.gguf" ], "projector": "mmproj-pixtral-12b-f16.gguf", "runtime": "b11592" }, "response": { "choices": [ { "finish_reason": "stop", "index": 0, "message": { "role": "assistant", "content": "The video begins with a young girl sitting on the shore, surrounded by several crabs. She is dressed in a dark outfit with red hair accessories, looking curious. Next, the girl is seen crying, with tears streaming down her face, possibly due to the sight of the crabs. The scene shifts to a group of people, including the girl, standing near a body of water. They appear to be preparing to catch crabs, with one person holding a net. The girl is now smiling, seemingly more comfortable with the group. The group works together to catch crabs, with the girl actively participating. The final scene shows the group successfully catching a crab, with the girl looking excited and proud. Throughout the video, the lighting is natural, suggesting it is daytime, and the location is a rocky shore by the sea." } } ], "created": 1791924958, "model": "C:\\Users\\Administrator\\Documents\\ChatGPT\\定时任务\\outputs\\tiktok-prompt-lab\\models\\ggml-org__pixtral-12b-GGUF\\pixtral-12b-Q4_K_M.gguf", "system_fingerprint": "b11592-f851e244d", "object": "chat.completion", "usage": { "completion_tokens": 169, "prompt_tokens": 3861, "total_tokens": 4030, "prompt_tokens_details": { "cached_tokens": 0 } }, "id": "chatcmpl-3K6zqpNBLcVBhZhEqluGNpSzcAjN53Fo", "timings": { "cache_n": 0, "prompt_n": 3861, "prompt_ms": 640635.425, "prompt_per_token_ms": 165.924740999741, "prompt_per_second": 6.026828753655013, "predicted_n": 169, "predicted_ms": 149076.129, "predicted_per_token_ms": 887.3579107142856, "predicted_per_second": 1.1269409873125966 } }, "finish_reason": "stop", "usage": { "completion_tokens": 169, "prompt_tokens": 3861, "total_tokens": 4030, "prompt_tokens_details": { "cached_tokens": 0 } }, "seconds": 815.9238858222961, "review": { "strength": "生成了完整而简洁的海岸人物与抓蟹段落，没有达到350token上限。", "issues": "假设女孩因蟹而哭，补出准备抓蟹的过程；漏掉巨浪、围桌和旧书罗盘等实际输入。完整叙事的流畅感掩盖了证据遗漏。", "verdict": "本次8静帧输入下过度概括，不适合作为忠实复刻文本。" }, "raw_file": "results-hd/gguf-pixtral.json" }, { "id": "gguf-xtuner-single", "project": "InternLM/xtuner", "model": "xtuner/llava-phi-3-mini-gguf", "status": "success", "source_sha256": "8b9da3ee510ec190c623ed17c9a0763a8f38c26fda05dc1d7e867e524d2633e8", "input": "8 independently captioned HD frames, long edge448px; no audio", "input_timestamps": [ 0, 15, 50, 95, 175, 235, 340, 385 ], "backend": "llama.cpp b11592 / CPU /4threads within shared4core cap / quantized GGUF", "query": "Describe only visible people, clothing, objects, setting and expression in this image. Do not invent dialogue, sound or relationships. Maximum 60 words.", "adaptation": "Shared C++ inference engine, distinct model weights; not native Python applications. Only loopback HTTP, authentication enabled, no upload to a remote service. Single-frame requests keep visual tokens within trained context; original over-context failure retained. Same project, not a new project.", "outputs": [ { "text": "A young child is sitting on a rocky beach, surrounded by small crabs. The child is wearing a blue jacket and red hair ties. The crabs are scattered around the child, some on the ground and some on the rocks. The child is looking down at the crabs, seemingly fascinated by them. In the background, there is a building and a body of water. The child's expression is one of curiosity and wonder.", "finish_reason": "stop", "usage": { "completion_tokens": 99, "prompt_tokens": 621, "total_tokens": 720, "prompt_tokens_details": { "cached_tokens": 0 } }, "time": 0 }, { "text": "A young child with red paint on their face is crying. The child is holding a green rope in their hands. The background is blurred, but it appears to be a room with a window. The text on the image reads \"孩子哭着，脸上满是油漆，手里拿着一根绿色的绳子\" and \"", "finish_reason": "length", "usage": { "completion_tokens": 100, "prompt_tokens": 621, "total_tokens": 721, "prompt_tokens_details": { "cached_tokens": 4 } }, "time": 15 }, { "text": "A boat with a red and white striped sail is sailing in the ocean. The ocean is rough with waves crashing against the shore. The sky is clear and blue. The photo was taken by Akira Tsuchiya.", "finish_reason": "stop", "usage": { "completion_tokens": 50, "prompt_tokens": 621, "total_tokens": 671, "prompt_tokens_details": { "cached_tokens": 4 } }, "time": 50 }, { "text": "A group of people are gathered around a table in a rural setting. The table is made of wood and there's a birdcage hanging from the ceiling. The people are dressed in traditional clothing and they appear to be engaged in a discussion. The background features a thatched roof hut. The image is in Chinese and the text reads \"即使在最困难的时候，我们也要坚持你的信", "finish_reason": "length", "usage": { "completion_tokens": 100, "prompt_tokens": 621, "total_tokens": 721, "prompt_tokens_details": { "cached_tokens": 4 } }, "time": 95 }, { "text": "A person's hand is holding a book with a label on the cover that reads \"印度 2013\". The book is open to a page with a map of India on it. The hand is also holding a compass and a small cup. The compass is pointing to the north. The cup is empty. The book, compass, and cup are all on a piece of fabric. The fabric is brown. The background is blurred. The person", "finish_reason": "length", "usage": { "completion_tokens": 100, "prompt_tokens": 621, "total_tokens": 721, "prompt_tokens_details": { "cached_tokens": 4 } }, "time": 175 }, { "text": "A young girl with a red bow in her hair is the main subject of this image. She is wearing a brown dress and holding a white purse. The background is blurred, suggesting an outdoor setting. The girl's expression is not clearly visible. In the bottom right corner of the image, there is a text that reads \"印度 印度 印度 印度 印度 印度", "finish_reason": "length", "usage": { "completion_tokens": 100, "prompt_tokens": 621, "total_tokens": 721, "prompt_tokens_details": { "cached_tokens": 4 } }, "time": 235 }, { "text": "A young girl with a red bow in her hair is sitting in a puddle of water. She is wearing a brown dress and is looking down at the water. Behind her, a man in a green jacket is standing. The background is blurred, but it appears to be a street scene. The image is in Chinese and the text at the bottom reads \"孩子们在街上洗碗碟\".", "finish_reason": "stop", "usage": { "completion_tokens": 98, "prompt_tokens": 621, "total_tokens": 719, "prompt_tokens_details": { "cached_tokens": 4 } }, "time": 340 }, { "text": "A group of four people, two adults and two children, are gathered around a large wooden tub filled with water. They are all dressed in dark clothing, suggesting a cool weather. The children are holding a large metal shovel, which they are using to scoop water from the tub and pour it into the sand. The adults are standing behind them, watching the children's actions. The setting is a beach, with the vast ocean visible in the background. The sky is", "finish_reason": "length", "usage": { "completion_tokens": 100, "prompt_tokens": 621, "total_tokens": 721, "prompt_tokens_details": { "cached_tokens": 4 } }, "time": 385 } ], "revision": "ab13dda950362ee1ce3bbc1bb56b376fd610f223", "gguf_config": { "repo": "xtuner/llava-phi-3-mini-gguf", "revision": "ab13dda950362ee1ce3bbc1bb56b376fd610f223", "model_files": [ "llava-phi-3-mini-int4.gguf" ], "projector": "llava-phi-3-mini-mmproj-f16.gguf", "github": "InternLM/xtuner", "id": "xtuner", "runtime": "b11592; app-local bundled VC runtime14.51" }, "phase": "generating", "finish_reason": "length", "usage": { "completion_tokens": 100, "prompt_tokens": 621, "total_tokens": 721, "prompt_tokens_details": { "cached_tokens": 4 } }, "seconds": 244.7652289867401, "review": { "strength": "单帧调用避开上下文限制，识别女孩、蟹、旧书与罗盘、四人围容器等粗略对象。", "issues": "编造大段中文、摄影者署名和印度地图；关闭的书被写成翻开，另添小杯；巨浪场景添条纹帆、晴空；385秒三成人一童变两成人两童，动作和容器内容也补写。", "verdict": "真实生成8段，但字幕与物件幻觉很多；原文不能直接用作忠实复刻。只代表所测LLaVA-Phi3配置，不代表XTuner训练工具的所有模型。" }, "raw_file": "results-hd/gguf-xtuner-single.json" }, { "id": "gguf-xtuner", "project": "InternLM/xtuner", "model": "xtuner/llava-phi-3-mini-gguf", "status": "failed", "source_sha256": "8b9da3ee510ec190c623ed17c9a0763a8f38c26fda05dc1d7e867e524d2633e8", "input": "8 chronological HD-source frames, long edge resized to448px, no audio", "input_timestamps": [ 0, 15, 50, 95, 175, 235, 340, 385 ], "backend": "llama.cpp b11592 / CPU / 2 threads / quantized GGUF", "query": "Describe these chronological video frames for a faithful video generation prompt. Include visible people, clothing, location, objects, lighting, facial expressions, composition and visual changes. Do not invent dialogue, sounds or family relationships. Maximum 250 words.", "adaptation": "Shared C++ inference engine, distinct model weights; not native Python applications. Only loopback HTTP, authentication enabled, no upload to a remote service.", "outputs": [], "revision": "ab13dda950362ee1ce3bbc1bb56b376fd610f223", "gguf_config": { "repo": "xtuner/llava-phi-3-mini-gguf", "revision": "ab13dda950362ee1ce3bbc1bb56b376fd610f223", "model_files": [ "llava-phi-3-mini-int4.gguf" ], "projector": "llava-phi-3-mini-mmproj-f16.gguf", "github": "InternLM/xtuner", "id": "xtuner", "runtime": "b11592; app-local bundled VC runtime14.51" }, "error": "HTTPError('400 Client Error: Bad Request for url: http://127.0.0.1:8899/v1/chat/completions')", "traceback": "Traceback (most recent call last):\n File \"C:\\Users\\Administrator\\Documents\\ChatGPT\\定时任务\\outputs\\tiktok-prompt-lab\\scripts\\run_gguf.py\", line 44, in \n response=requests.post(url+'/v1/chat/completions',json=payload,headers=headers,timeout=14400)\n ^^^^^^^^^^^^^^^^^^^^^^^^^^^\n File \"C:\\Users\\Administrator\\Documents\\ChatGPT\\定时任务\\outputs\\tiktok-prompt-lab\\env\\Lib\\site-packages\\requests\\models.py\", line 1167, in raise_for_status\n raise HTTPError(http_error_msg, response=self)\nrequests.exceptions.HTTPError: 400 Client Error: Bad Request for url: http://127.0.0.1:8899/v1/chat/completions\n", "seconds": 8.781826257705688, "review": {}, "raw_file": "results-hd/gguf-xtuner.json" }, { "source_sha256": "8b9da3ee510ec190c623ed17c9a0763a8f38c26fda05dc1d7e867e524d2633e8", "model": "microsoft/git-base-coco", "backend": "transformers 4.57.6 / torch 2.7.1 CPU", "input_frames": [ { "time": 0, "file": "0000.00.jpg" }, { "time": 15, "file": "0015.00.jpg" }, { "time": 50, "file": "0050.00.jpg" }, { "time": 95, "file": "0095.00.jpg" }, { "time": 175, "file": "0175.00.jpg" }, { "time": 235, "file": "0235.00.jpg" }, { "time": 340, "file": "0340.00.jpg" }, { "time": 385, "file": "0385.00.jpg" } ], "sampling": "8 chronological still frames, no audio", "query": "These images are chronological samples from one video. Describe only visible evidence. Write a detailed generation prompt preserving the subjects, clothing, environment, composition, lighting, facial expressions, major visual changes and shot sequence. Do not invent dialogue, sounds or relationships. State uncertainty about motion between sampled frames. Output 250 words maximum.", "outputs": [ { "time": 0, "text": "baby playing on the beach", "seconds": 6.667983531951904 }, { "time": 15, "text": "tears of a crying child", "seconds": 4.967514276504517 }, { "time": 50, "text": "a boat floating on top of a wave in the ocean.", "seconds": 9.147430896759033 }, { "time": 95, "text": "a scene from the movie.", "seconds": 4.816503524780273 }, { "time": 175, "text": "a hand holding an old book and a compass", "seconds": 6.879528522491455 }, { "time": 235, "text": "a little girl with a bow in her hair.", "seconds": 7.850545406341553 }, { "time": 340, "text": "a child playing in the mud", "seconds": 5.005284786224365 }, { "time": 385, "text": "a family playing in the sand.", "seconds": 5.616009473800659 } ], "status": "success", "model_revision": "a13141da42abd4a8cbf283601a8104265f537cee", "load_seconds": 0.4517686367034912, "seconds": 51.41719841957092, "id": "git", "review": { "strength": "175秒识别出旧书和罗盘，部分物体名称比BLIP更具体。", "issues": "把多人同框推成家庭关系；多数画面仍是通用短句。", "verdict": "适合补道具标签，缺少长视频因果。" }, "raw_file": "results-hd/git.json" }, { "model": "OpenGVLab/InternVL2_5-1B", "source_sha256": "8b9da3ee510ec190c623ed17c9a0763a8f38c26fda05dc1d7e867e524d2633e8", "status": "success", "query": "Describe these chronological video frames for a faithful video generation prompt. Include visible people, clothing, location, objects, lighting, facial expressions, composition and visual changes. Do not invent dialogue, sounds or family relationships. Maximum 250 words.", "input_timestamps": [ 0, 15, 50, 95, 175, 235, 340, 385 ], "input": "8 still frames, no audio", "backend": "CPU float32, transformers 4.57.6", "outputs": [ { "text": "The video begins with a young child squatting on a rocky beach, wearing a tattered, old-fashioned outfit with red hair tied in two buns. The background shows a calm sea and a distant shoreline. The child is surrounded by several crabs on the wet sand. The scene transitions to a close-up of the child's hands holding a small, old-fashioned compass, with a rustic house and a large wave in the background. The next scene shows a group of people, including the child, standing around a table in a rustic setting, with a large wave and a boat in the background. The final scene of the first clip shows a close-up of a vintage book titled '航海记录' (Maritime Records) with a compass and a pocket watch on a brown leather surface. The child is then seen crouching in the water, with the adult's legs visible in the frame. The video continues with the child squatting in the water, wearing the same tattered, old-fashioned outfit with red hair tied in two buns. The background shows a calm sea and a sunset sky. The child is surrounded by adults, including one holding a shovel, and they are working together on the shore. The scene transitions to a close-up of the child's hands holding the vintage book, with the adult's legs visible in the frame. The final scene shows the child crouching in the water, with the adult's legs visible in the frame. The video concludes with a close-up of the child's face, with the adult's legs visible in the frame." } ], "revision": "9d423ea1ae9f893897ee3f7493141073f5afcf22", "seconds": 132.94862246513367, "id": "internvl", "review": { "strength": "能持续描述服装与海岸场景，能输出完整长段落。", "issues": "把不同帧的元素拼接到同一画面：木屋与巨浪背景混在一起；多次凭空重复孩子持书。", "verdict": "明显存在跨帧信息混合。" }, "raw_file": "results-hd/internvl.json" }, { "project": "deepseek-ai/Janus", "model": "deepseek-ai/Janus-1.3B", "status": "success", "input": "8 independently captioned HD frames, no audio", "input_timestamps": [ 0, 15, 50, 95, 175, 235, 340, 385 ], "backend": "CPU float32 / isolated transformers4.44.2 /4threads within shared4core cap", "query": "Describe this image accurately for a video generation prompt. Include visible people, clothing, setting, objects, expression and lighting. Do not invent dialogue, camera movement or relationships. Maximum 80 words.", "adaptation": "Legacy transformer compatibility and independent frames instead of eight-image concatenation. Not an additional independent project when retrying the same checkpoint.", "outputs": [ { "time": 0, "text": "A young girl with pigtails is squatting on a beach, surrounded by crabs and pebbles. She is wearing a blue scarf and brown pants. The sky is cloudy, and there are ropes and rocks in the background." }, { "time": 15, "text": "A crying baby girl wearing a green netted garment, with a red dot on her forehead, and her eyes are wet." }, { "time": 50, "text": "A boat floats on the calm waters, surrounded by a rocky shoreline. Birds fly above the waves, and a large wave crashes in the background. The sky is cloudy, and the sun casts a warm glow on the scene." }, { "time": 95, "text": "A woman in a black vest and a woman in a blue sweater are sitting at a wooden table, while a man in a brown jacket sits across from them. A woman in a gray dress stands behind them, and a woman in a white headscarf stands beside her. The setting is a rustic wooden house with a tiled roof, and a basket hangs on the wall. The lighting is natural, and the atmosphere is calm and serene." }, { "time": 175, "text": "A person is holding a worn leather book with a label that reads \"The Great Wall\" in Chinese. A compass and a hand are visible in the background." }, { "time": 235, "text": "A young girl with a red bindi on her forehead and braided pigtails tied with red ribbons is holding a man's hand. She is wearing a worn, brown jacket with patches and a beige shirt underneath. The background is blurred, but it appears to be an outdoor setting with a hint of greenery." }, { "time": 340, "text": "A young girl with red hair tied in pigtails is playing in the water, while an adult stands beside her. The scene is set in a muddy area with a clear sky in the background." }, { "time": 385, "text": "A young girl with red hair tied in pigtails is playing with a basket of mud on a beach during sunset. A man and a woman are standing behind her, holding the basket." } ], "revision": "56c70f4d34ca802c96254aea598b7d8e58e73840", "seconds": 394.257830619812, "id": "janus-legacy", "review": { "strength": "重测恢复可读文字；识别双髻、哭泣、巨浪与旧书罗盘。", "issues": "95秒人数和站坐关系错误；175秒虚构书名“The Great Wall”；340与385秒把红发带误成红头发，并漏人、补动作。", "verdict": "初次循环不应当作唯一能力结论；重测仍需要事实核对。" }, "raw_file": "results-hd/janus-legacy.json" }, { "model": "deepseek-ai/Janus-1.3B", "source_sha256": "8b9da3ee510ec190c623ed17c9a0763a8f38c26fda05dc1d7e867e524d2633e8", "status": "success", "query": "Describe these chronological video frames for a faithful video generation prompt. Include visible people, clothing, location, objects, lighting, facial expressions, composition and visual changes. Do not invent dialogue, sounds or family relationships. Maximum 250 words.", "input_timestamps": [ 0, 15, 50, 95, 175, 235, 340, 385 ], "input": "8 still frames, no audio", "backend": "CPU float32, transformers 4.57.6", "outputs": [ { "text": "\nand.\nand.\nI.\nand.\n\n\n\nand 1.\nand.\nand.\n\n\nand.\nand.\nand.\nand.\nand.\nand\nand.\nand.\nand.\nand.\nand.\nand.\nand.\nand.\nand.\n\nand.\n\n\nand.\nand.\nand.\nand.\n\n\n\n\n\n\n\n\nand.\n\nand\nand\nand.\nand.\n\n\n\nand.\nand.\nand. 5.\nand: 5.\nand.\n\n\n\n\n\n\n\n\n\n\nand 5\nand 5\n\nand 5\nand 5. 5\nand 5. 5. 5. 5. 5. 5. 5. 5\n\n\n\n\n\nand 5\nand 5\n5\nand 5\n5 5 5 5 5 5 5 5 5 5. 5 5 5 5 5 5. 5\n5. 5. 5. 5. 5 5 5 5 \n\n5. 5. 5. \n\n\n\n 5 5 5 5 5 5 5\n 5\n5 5 5 5 5 5 5 5 5 \n 5 5 5 5 \n 5 5 5 5. 5. 5. 5. 5." } ], "revision": "56c70f4d34ca802c96254aea598b7d8e58e73840", "adaptation": "CPU float32; language attention uses PyTorch SDPA instead of CUDA-only Flash Attention.", "input_tokens": 4800, "seconds": 568.0505878925323, "id": "janus", "review": { "strength": "完成了CPU生成调用。", "issues": "循环输出and与数字5；不含可用故事或画面信息；兼容版本和单帧复测已完成，见同项目legacy结果。", "verdict": "本次输出不能作为反推提示词。" }, "raw_file": "results-hd/janus.json" }, { "model": "microsoft/kosmos-2-patch14-224", "source_sha256": "8b9da3ee510ec190c623ed17c9a0763a8f38c26fda05dc1d7e867e524d2633e8", "status": "success", "query": " Describe this image in detail:", "input_timestamps": [ 0, 15, 50, 95, 175, 235, 340, 385 ], "input": "8 still frames, no audio", "backend": "CPU float32, transformers 4.57.6", "outputs": [ { "time": 0, "text": "Describe this image in detail: A little girl is sitting on a chair.", "raw": ". the, to and of as in I that' for is was- on’ it with The as at bet he have from by are \" you his “ this said not has an ( but had we her they will my or were their): up about out who one all been she can more would It Describe this image in detail: A little girl is sitting on a chair.", "entities": [ [ "A little girl", [ 31, 44 ], [ [ 0.015625, 0.015625, 0.984375, 0.984375 ] ] ] ] }, { "time": 15, "text": "Describe this image in detail: A young girl is seen crying in a hospital bed. She is wearing a hospital gown and has a bandage on her head. The girl is looking up at the camera with a sad expression. The caption on the image reads: \"The girl is a patient in the hospital. She has a serious illness. She needs your help. Please help her.\" The image is captioned with the Chinese phrase \"\" which means \"help\" in English. The image has been translated into English and is captioned \"的\" (Helping the girl). The caption reads: The girl needs your support. Please donate to help her.", "raw": ". the, to and of as in I that' for is was- on’ it with The as at bet he have from by are \" you his “ this said not has an ( but had we her they will my or were their): up about out who one all been she can more would It Describe this image in detail: A young girl is seen crying in a hospital bed. She is wearing a hospital gown and has a bandage on her head. The girl is looking up at the camera with a sad expression. The caption on the image reads: \"The girl is a patient in the hospital. She has a serious illness. She needs your help. Please help her.\" The image is captioned with the Chinese phrase \"\" which means \"help\" in English. The image has been translated into English and is captioned \"的\" (Helping the girl). The caption reads: The girl needs your support. Please donate to help her.", "entities": [] }, { "time": 50, "text": "Describe this image in detail: A man is standing on a beach, looking out at the ocean. A large wave is crashing on the beach, and the man is watching it with a smile on his face.", "raw": ". the, to and of as in I that' for is was- on’ it with The as at bet he have from by are \" you his “ this said not has an ( but had we her they will my or were their): up about out who one all been she can more would It Describe this image in detail: A man is standing on a beach, looking out at the ocean. A large wave is crashing on the beach, and the man is watching it with a smile on his face.", "entities": [ [ "A large wave", [ 87, 99 ], [ [ 0.015625, 0.015625, 0.984375, 0.265625 ] ] ] ] }, { "time": 95, "text": "Describe this image in detail: A woman in a black dress is standing in front of a house.", "raw": ". the, to and of as in I that' for is was- on’ it with The as at bet he have from by are \" you his “ this said not has an ( but had we her they will my or were their): up about out who one all been she can more would It Describe this image in detail: A woman in a black dress is standing in front of a house.", "entities": [ [ "a black dress", [ 42, 55 ], [ [ 0.296875, 0.390625, 0.640625, 0.640625 ] ] ], [ "a house", [ 80, 87 ], [ [ 0.015625, 0.015625, 0.984375, 0.640625 ] ] ] ] }, { "time": 175, "text": "Describe this image in detail: A man in a suit is holding a leather bag.", "raw": ". the, to and of as in I that' for is was- on’ it with The as at bet he have from by are \" you his “ this said not has an ( but had we her they will my or were their): up about out who one all been she can more would It Describe this image in detail: A man in a suit is holding a leather bag.", "entities": [ [ "a leather bag", [ 58, 71 ], [ [ 0.015625, 0.015625, 0.984375, 0.984375 ] ] ] ] }, { "time": 235, "text": "Describe this image in detail: A little girl with pigtails is sitting on her father's lap. She is wearing a pink dress and has a bow in her hair.", "raw": ". the, to and of as in I that' for is was- on’ it with The as at bet he have from by are \" you his “ this said not has an ( but had we her they will my or were their): up about out who one all been she can more would It Describe this image in detail: A little girl with pigtails is sitting on her father's lap. She is wearing a pink dress and has a bow in her hair.", "entities": [ [ "pigtails", [ 50, 58 ], [ [ 0.609375, 0.140625, 0.765625, 0.359375 ], [ 0.359375, 0.203125, 0.484375, 0.421875 ] ] ], [ "a bow in her hair", [ 127, 144 ], [ [ 0.546875, 0.515625, 0.640625, 0.609375 ] ] ] ] }, { "time": 340, "text": "Describe this image in detail: - Title: - Author: 李 - Series: 三 三人 - Genre: wuxia, historical, fantasy, romance, historical romance, young adult - Publication Date: 2020-05-03 - Language: Chinese - Format: Paperback - Pages: 384 - ISBN-10: 1530404040 - ISBN-13: 978-153040405 - ASIN: B078Y5ZXJ - Page Count: 344 - For Sale: - - -, 三人, 三三人", "raw": ". the, to and of as in I that' for is was- on’ it with The as at bet he have from by are \" you his “ this said not has an ( but had we her they will my or were their): up about out who one all been she can more would It Describe this image in detail: - Title: - Author: 李 - Series: 三 三人 - Genre: wuxia, historical, fantasy, romance, historical romance, young adult - Publication Date: 2020-05-03 - Language: Chinese - Format: Paperback - Pages: 384 - ISBN-10: 1530404040 - ISBN-13: 978-153040405 - ASIN: B078Y5ZXJ - Page Count: 344 - For Sale: - - -, 三人, 三三人", "entities": [] }, { "time": 385, "text": "Describe this image in detail: A family of four is standing in a field. The father is holding a shovel, and the mother is holding the baby. The baby is wearing a pink shirt.", "raw": ". the, to and of as in I that' for is was- on’ it with The as at bet he have from by are \" you his “ this said not has an ( but had we her they will my or were their): up about out who one all been she can more would It Describe this image in detail: A family of four is standing in a field. The father is holding a shovel, and the mother is holding the baby. The baby is wearing a pink shirt.", "entities": [ [ "four", [ 43, 47 ], [ [ 0.015625, 0.015625, 0.984375, 0.984375 ] ] ] ] } ], "revision": "e91cfbcb4ce051b6a55bfb5f96165a3bbf5eb82c", "seconds": 244.36380314826965, "id": "kosmos", "review": { "strength": "50秒识别到海岸与大浪，能够生成较长描述。", "issues": "15秒虚构医院、病服和求助字幕，175秒把旧书罗盘写成皮包，235秒编造粉裙及父女关系。", "verdict": "多处场景、身份和文字幻觉；需逐条核对。" }, "raw_file": "results-hd/kosmos.json" }, { "project": "salesforce/LAVIS", "model": "LAVIS BLIP caption base COCO", "status": "success", "input": "8 independent HD frames, no audio", "backend": "CPU float32 / isolated transformers4.25.1", "adaptation": "Load only the upstream BLIP caption modules, bypass unrelated training/diffusion imports. Relax vendored tokenizer version check; slow BertTokenizer uses local BLIP vocabulary. Original model, preprocessing and generation code retained. Shares BLIP family, not an independent architecture.", "outputs": [ { "time": 0, "text": "a little girl is sitting on the beach" }, { "time": 15, "text": "a little girl crying with tears on her face" }, { "time": 50, "text": "a boat is in the middle of a large wave" }, { "time": 95, "text": "a group of people standing around a wooden table" }, { "time": 175, "text": "a person pointing at a book with a compass on it" }, { "time": 235, "text": "a little girl standing next to a man" }, { "time": 340, "text": "a little girl is playing in the water" }, { "time": 385, "text": "a group of people standing on top of a beach" } ], "seconds": 656.8848178386688, "id": "lavis", "review": { "strength": "识别出哭泣、巨浪、旧书和罗盘，8帧均有输出。", "issues": "把指向泥水的动作概括成玩水（意图猜测）；收获仅剩海滩群像。与BLIP项目共享模型家族，不代表独立架构进步。", "verdict": "适合粗略逐帧索引，不能还原完整因果。" }, "raw_file": "results-hd/lavis.json" }, { "model": "llava-hf/llava-onevision-qwen2-0.5b-ov-hf", "source_sha256": "8b9da3ee510ec190c623ed17c9a0763a8f38c26fda05dc1d7e867e524d2633e8", "status": "success", "query": "Describe these chronological video frames for a faithful video generation prompt. Include visible people, clothing, location, objects, lighting, facial expressions, composition and visual changes. Do not invent dialogue, sounds or family relationships. Maximum 250 words.", "input_timestamps": [ 0, 15, 50, 95, 175, 235, 340, 385 ], "input": "8 independently captioned frames; single 384x384 grid to bound CPU memory", "backend": "CPU float32, transformers 4.57.6", "outputs": [ { "time": 0, "text": "The image depicts a young child, possibly a girl, crouching on a rocky beach. She is wearing a blue and gray outfit with a red bow in her hair. The child is surrounded by three crabs, which are green with orange legs. The background shows a cloudy sky and a body of water, suggesting a coastal setting." }, { "time": 15, "text": "The image shows a young child with a red dot on the forehead, crying with tears streaming down their face. The child is wearing a green garment and is surrounded by water droplets, suggesting they may have been playing in it. The background is blurred, but it appears to be an outdoor setting with natural light." }, { "time": 50, "text": "The image depicts a dramatic scene of a boat navigating through a massive wave, with a flock of birds flying above it. The sky is clear, and the water is a deep blue-green. The boat is small and appears to be a traditional sailboat. The birds are dark and appear to be flying in a flock. The lighting suggests it is either dawn or dusk." }, { "time": 95, "text": "The image depicts a scene from a Chinese drama, featuring a group of characters in a rustic setting. A man is seated at a table, while a woman stands beside him, both engaged in a conversation. The background includes a traditional wooden house with a thatched roof, and the characters are dressed in period-appropriate clothing. The lighting suggests it's daytime, and the overall atmosphere is one of a traditional, rural setting." }, { "time": 175, "text": "The image depicts a person's hand holding an old, leather-bound book with Chinese characters on the cover. Beside the book is a brass compass and a small, round, brass pocket watch. The setting appears to be outdoors, with a natural, earthy background." }, { "time": 235, "text": "The image features a young girl with a red dot on her forehead, dressed in a traditional outfit with a brown and beige color scheme. She is hugging an adult, whose arm is visible in the frame. The background is blurred, suggesting an outdoor setting with natural light." }, { "time": 340, "text": "The image depicts a young child, possibly a girl, wearing a traditional outfit with a red bow in her hair, crouching in shallow water. The child is pointing at something in the water, and there is a text overlay in Chinese characters at the bottom of the image. The setting appears to be outdoors during the day, with natural lighting." }, { "time": 385, "text": "The image depicts a family of four on a beach, with a child playing in a basket of sand. The family members are dressed in casual beachwear, and the setting is a picturesque beach at sunset. The sky is a gradient of warm colors, and the lighting suggests it's either early morning or late afternoon." } ], "revision": "74dd0bf867a4cda7950c17663794267c60cf4b40", "seconds": 329.0219006538391, "id": "llava", "review": { "strength": "0秒描述螃蟹、红发带与海岸；175秒识别旧书和黄铜罗盘。", "issues": "0秒称三只蟹，而画面清楚可见四只；把哭泣解释成可能玩水、凭空增加怀表；不能据独立静帧还原救援和分家因果。", "verdict": "轻量逐帧描述可辅助审阅，需删去推测。" }, "raw_file": "results-hd/llava.json" }, { "project": "OpenBMB/MiniCPM-V", "model": "OpenBMB/MiniCPM-V-2", "status": "success", "input": "8 independently captioned HD frames, no audio", "input_timestamps": [ 0, 15, 50, 95, 175, 235, 340, 385 ], "backend": "CPU float32 / isolated transformers4.44.2 /4threads within shared4core cap", "query": "Describe this image accurately for a video generation prompt. Include visible people, clothing, setting, objects, expression and lighting. Do not invent dialogue, camera movement or relationships. Maximum 80 words.", "adaptation": "Legacy transformer compatibility and independent frames instead of eight-image concatenation. Not an additional independent project when retrying the same checkpoint. SentencePiece reads the same tokenizer.model bytes through Python to support this Windows Unicode path. Empty initial DynamicCache normalized toNone so the upstream legacy generation method consumes image inputs_embeds on the first step.", "outputs": [ { "time": 0, "text": "A young child with red hair ties and a blue shawl is squatting on muddy ground, pointing at crabs. The setting appears to be outdoors during the day under overcast skies; there are no other people or objects in view except for some rocks nearby where more crab shells can also seen scattered around them" }, { "time": 15, "text": "A close-up of a crying child with red dot on forehead, wearing dark clothing. The setting is outdoors under natural lighting; no other people or objects are visible in the frame except for these elements and their expressions/actions related to AI's impact as depicted by text overlaying them" }, { "time": 50, "text": "A boat with people in life jackets sails through a stormy sea, surrounded by dark clouds and waves. The sky is filled on the right side of an AI-generated image that appears to be from '听海小福娃' due its artistic quality but lacks human presence or expression; it conveys emotion without dialogue nor camera movement as per instructions provided for video generation prompts" }, { "time": 95, "text": "A group of people, including an elderly woman and two young men in casual attire. They are gathered around a wooden table with various objects like bags on the ground behind them; one person appears to be looking down or sad while others seem focused ahead as if preparing for departure from their home village set against old-fashioned architecture such" }, { "time": 175, "text": "A person holds a vintage book with an open compass, set against the backdrop of leather and shadows. The text suggests AI-generated content without human involvement in reality or expression due to its inherent complexity & unpredictability" }, { "time": 235, "text": "A young Asian child with red hair and a sad expression is in front of what appears to be an outdoor setting. She wears ragged clothing, including brown clothes over her head that are worn out or torn at the edges indicating poverty-stricken conditions; there's no indication if she has any accessories like jewelry on as it isn’t visible from this angle" }, { "time": 340, "text": "A young child in a ragged outfit crouches over, pointing at something. The setting is outdoors with muddy ground and water around them; the lighting suggests it's daytime or early evening outside an urban area near bodies of fresh-looking waters like riverside areas often seen during rainy seasons when floodwaters recede to reveal such landscapes" }, { "time": 385, "text": "A family of four, including a child in red hair ties and an adult with braces on their wrist digging at the beach. They are wearing casual clothing suitable for outdoor activities under natural lighting conditions during sunset or sunrise time frames indicated by 'sunset' & '@18:05', respectively" } ], "revision": "b9a02dbfcc87e471b13f8d1c6963747db31427db", "seconds": 1028.8035106658936, "id": "minicpm-legacy", "review": { "strength": "修复旧版缓存接口后8帧均有可读输出；识别红发带、蓝色披衣、旧书与打开的罗盘、蹲下指泥水，385秒人数为四。", "issues": "95秒把两名站立女性写成年轻男子；235秒把红带写成红发并添头顶衣物；50秒添救生衣，340秒添淡水河岸/退洪解释；多个时刻谈论AI内容的抽象含义，最后添未经证实的18:05时间。", "verdict": "本次MiniCPM-V-2可提供局部视觉细节，需清除字幕污染、性别和环境补写；与新版本MiniCPM能力无直接等价关系。" }, "raw_file": "results-hd/minicpm-legacy.json" }, { "model": "OpenBMB/MiniCPM-V-2", "source_sha256": "8b9da3ee510ec190c623ed17c9a0763a8f38c26fda05dc1d7e867e524d2633e8", "status": "failed", "query": "Describe these chronological video frames for a faithful video generation prompt. Include visible people, clothing, location, objects, lighting, facial expressions, composition and visual changes. Do not invent dialogue, sounds or family relationships. Maximum 250 words.", "input_timestamps": [ 0, 15, 50, 95, 175, 235, 340, 385 ], "input": "8 still frames, no audio", "backend": "CPU float32, transformers 4.57.6", "outputs": [], "revision": "b9a02dbfcc87e471b13f8d1c6963747db31427db", "error": "ImportError('\\n requires the protobuf library but it was not found in your environment. Check out the instructions on the\\ninstallation page of its repo: https://github.com/protocolbuffers/protobuf/tree/master/python#installation and follow the ones\\nthat match your environment. Please note that you may need to restart your runtime after installation.\\n')", "traceback": "Traceback (most recent call last):\n File \"C:\\Users\\Administrator\\Documents\\ChatGPT\\定时任务\\outputs\\tiktok-prompt-lab\\env\\Lib\\site-packages\\transformers\\tokenization_utils_base.py\", line 2359, in _from_pretrained\n tokenizer = cls(*init_inputs, **init_kwargs)\n ^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^\n File \"C:\\Users\\Administrator\\.cache\\huggingface\\modules\\transformers_modules\\OpenBMB__MiniCPM_hyphen_V_hyphen_2\\modeling_minicpmv.py\", line 396, in __init__\n super().__init__(**kwargs)\n File \"C:\\Users\\Administrator\\Documents\\ChatGPT\\定时任务\\outputs\\tiktok-prompt-lab\\env\\Lib\\site-packages\\transformers\\models\\llama\\tokenization_llama.py\", line 171, in __init__\n self.sp_model = self.get_spm_processor(kwargs.pop(\"from_slow\", False))\n ^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^\n File \"C:\\Users\\Administrator\\Documents\\ChatGPT\\定时任务\\outputs\\tiktok-prompt-lab\\env\\Lib\\site-packages\\transformers\\models\\llama\\tokenization_llama.py\", line 198, in get_spm_processor\n tokenizer.Load(self.vocab_file)\n File \"C:\\Users\\Administrator\\Documents\\ChatGPT\\定时任务\\outputs\\tiktok-prompt-lab\\env\\Lib\\site-packages\\sentencepiece\\__init__.py\", line 961, in Load\n return self.LoadFromFile(model_file)\n ^^^^^^^^^^^^^^^^^^^^^^^^^^^^^\n File \"C:\\Users\\Administrator\\Documents\\ChatGPT\\定时任务\\outputs\\tiktok-prompt-lab\\env\\Lib\\site-packages\\sentencepiece\\__init__.py\", line 316, in LoadFromFile\n return _sentencepiece.SentencePieceProcessor_LoadFromFile(self, arg)\n ^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^\nOSError: Not found: \"C:\\Users\\Administrator\\Documents\\ChatGPT\\定时任务\\outputs\\tiktok-prompt-lab\\models\\OpenBMB__MiniCPM-V-2\\tokenizer.model\": No such file or directory Error #2\n\nDuring handling of the above exception, another exception occurred:\n\nTraceback (most recent call last):\n File \"C:\\Users\\Administrator\\Documents\\ChatGPT\\定时任务\\outputs\\tiktok-prompt-lab\\scripts\\run_extended_models.py\", line 95, in \n model=AutoModel.from_pretrained(dst,trust_remote_code=True,torch_dtype=torch.float32).eval();tokenizer=AutoTokenizer.from_pretrained(dst,trust_remote_code=True)\n ^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^\n File \"C:\\Users\\Administrator\\Documents\\ChatGPT\\定时任务\\outputs\\tiktok-prompt-lab\\env\\Lib\\site-packages\\transformers\\models\\auto\\tokenization_auto.py\", line 1141, in from_pretrained\n return tokenizer_class.from_pretrained(\n ^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^\n File \"C:\\Users\\Administrator\\Documents\\ChatGPT\\定时任务\\outputs\\tiktok-prompt-lab\\env\\Lib\\site-packages\\transformers\\tokenization_utils_base.py\", line 2113, in from_pretrained\n return cls._from_pretrained(\n ^^^^^^^^^^^^^^^^^^^^^\n File \"C:\\Users\\Administrator\\Documents\\ChatGPT\\定时任务\\outputs\\tiktok-prompt-lab\\env\\Lib\\site-packages\\transformers\\tokenization_utils_base.py\", line 2360, in _from_pretrained\n except import_protobuf_decode_error():\n ^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^\n File \"C:\\Users\\Administrator\\Documents\\ChatGPT\\定时任务\\outputs\\tiktok-prompt-lab\\env\\Lib\\site-packages\\transformers\\tokenization_utils_base.py\", line 88, in import_protobuf_decode_error\n raise ImportError(PROTOBUF_IMPORT_ERROR.format(error_message))\nImportError: \n requires the protobuf library but it was not found in your environment. Check out the instructions on the\ninstallation page of its repo: https://github.com/protocolbuffers/protobuf/tree/master/python#installation and follow the ones\nthat match your environment. Please note that you may need to restart your runtime after installation.\n\n", "seconds": 14.59742283821106, "id": "minicpm", "review": {}, "raw_file": "results-hd/minicpm.json" }, { "model": "vikhyatk/moondream2", "source_sha256": "8b9da3ee510ec190c623ed17c9a0763a8f38c26fda05dc1d7e867e524d2633e8", "status": "success", "query": "Describe these chronological video frames for a faithful video generation prompt. Include visible people, clothing, location, objects, lighting, facial expressions, composition and visual changes. Do not invent dialogue, sounds or family relationships. Maximum 250 words.", "input_timestamps": [ 0, 15, 50, 95, 175, 235, 340, 385 ], "input": "8 still frames, no audio", "backend": "CPU float32, transformers 4.57.6", "outputs": [ { "time": 0, "text": "A young child with dark hair styled in pigtails and a small red dot on their forehead is kneeling on a rocky beach, interacting with a group of green crabs. The child is wearing a blue garment and appears to be playing with the crabs. The beach setting appears to be coastal, with rocks and possibly seaweed visible near the water's edge. In the background, a structure, possibly a building or wall, is visible on the left side of the image. The sky is a light, muted color. The child's face is slightly smeared with dirt or crab parts, and they are wearing light brown or tan shoes." }, { "time": 15, "text": "A crying child with the tear-streaked face and the red dot on their forehead is the central focus of this movie poster. The child's eyes are closed and filled with a cry, suggesting distress or pain. They are held by a person, allowing their face to be visible. The child is wearing a dark-colored garment, possibly gray or dark blue, and a dark-colored knotted rope or cord is wrapped around their neck. The background is blurred, drawing the viewer's attention to the child. The poster includes Chinese text that reads \"小福小福\" (pinyin: \"Qiyao Qiyao\") and \"微两个人为生的\" (meaning \" the two babies are born of life\"). The text also mentions \"Artificial Intelligence\" and \"生不知给你\" (meaning \"life without you knows me\"). The overall color scheme" }, { "time": 50, "text": "A dark brown/black boat, possibly a traditional fishing boat, silently glides on the water towards the left side of the frame, heading towards a large wave that is breaking over the horizon. The wave, a dramatic display of dark green, contrasts with the lighter blue of the sky and the surrounding water. The wave appears to be moving towards the boat. The rocky shore in the foreground adds a rugged charm to the scene, and several dark shapes, potentially crabs or other marine life, float on the water near the shore. The image also contains text in Chinese that translates to \"Big wave ahead! Excitement and adventure ahead!\"" }, { "time": 95, "text": "A weathered wooden table is the central focus of the image, where a group of people gather, seemingly engaged in a conversation. A man in a brown jacket is seated at the table, appearing focused on the discussion, while a woman in a blue jacket sits across from him. Three other individuals stand nearby, with one wearing a dark vest and patterned shirt, another in a beige top and dark pants, and a third in a gray top and dark pants. The setting is outdoors, with a rustic wooden building in the background, a birdcage hanging from the roof, and baskets placed on the building's wall. The scene is captured from a slightly low angle, highlighting the gathering and the building in the background. The Chinese text on the image translates to \"AI life is no different from a human's life. We just have to adapt.\" The overall color palette of the image is muted, with the wooden table and building providing the main colors." }, { "time": 175, "text": "A person's hand gently cradles an old, worn leather-bound book with a small metal label on the cover. The book's label contains Chinese characters that translate to \"无理研究\" and \"研究经济\". The book's cover shows signs of aging with a faded, distressed appearance. Next to the book, a compass with its needle pointing towards the cardinal directions is displayed on a dark brown surface. The compass has a round, brass-colored casing and a white face. The dark brown surface appears to be leather or a material designed to look like leather. The image contains text that includes \"AI理电视\", \"研究经济\", and \"研究经济经济经�" }, { "time": 235, "text": "A young child with dark hair styled in pigtails and a red bindi on their forehead is the central focus of the image. The child is wearing a dark brown/gray garment that appears slightly dirty or worn. A portion of an adult's dark blue/gray clothing is visible on the left side of the image. The background is out of focus and appears to be a dirt or dusty area. The child's arms are crossed in front of them, and a text overlay in Chinese characters is visible on the image. The image appears to be a promotional still from a movie or television show." }, { "time": 340, "text": "A young child, possibly a toddler or preschooler, is crouched in muddy water, their small hands gently touching the wet sand. They are wearing a dark, possibly brown or gray, outfit, and have their hair styled in buns with red ribbons. The child's face is visible, with a slight squint or squinting of eyes. The background is blurred, showing only mud and water. The scene appears to be outdoors in a natural environment. The image also contains text in both Chinese and English, reading \"小子子收所体理且有家族\" and \"AI生是不受刑根\", which translates to \"Child's body language has caught the attention of the medical community.\"" }, { "time": 385, "text": "A family of four, including two adults and two children, is seen working together to dig a hole in the beach at sunset. The family consists of two adults, a man and a woman, and two children, a boy and a girl. The boy is using a shovel, while the girl is also using a shovel. They are all wearing sandals or water shoes. The man is wearing a blue shirt, and a woman is wearing a dark-colored tank top and dark-colored pants. It's difficult to determine the exact emotions of each family member, but all members appear engaged and focused on their task. The sunset paints the sky in warm hues of orange and yellow, adding a serene and tranquil atmosphere to the scene. In the background, the calm ocean reflects the sunset, creating a peaceful setting for their outdoor activity. A basket is also visible near the family as they dig." } ], "revision": "5d6c926f44e26b07957b0dd315bbedcb4c17a5fe", "adaptation": "Explicit model.float() and crop tensor float32 cast for CPU; upstream crop normalization still uses bfloat16 before cast.", "settings": { "caption_length": "normal", "temperature": 0, "max_tokens": 160, "actual_parameter_dtype": "torch.float32" }, "seconds": 1292.7028195858002, "id": "moondream", "review": { "strength": "孩子双髻红带、额头红点、旧书与罗盘等可见细节描述较多。", "issues": "把哭泣画面当电影海报，编造大量中文及其译文；把表面材质和背景物件猜测当事实。", "verdict": "视觉描述需交叉检查；字幕解释尤其不可信。" }, "raw_file": "results-hd/moondream.json" }, { "project": "BAAI-DCAI/Bunny", "model": "qnguyen3/nanoLLaVA", "status": "success", "input": "8 independently captioned HD frames, no audio", "input_timestamps": [ 0, 15, 50, 95, 175, 235, 340, 385 ], "backend": "CPU float32 / isolated transformers4.44.2 /4threads within shared4core cap", "query": "Describe this image accurately for a video generation prompt. Include visible people, clothing, setting, objects, expression and lighting. Do not invent dialogue, camera movement or relationships. Maximum 80 words.", "adaptation": "Legacy transformer compatibility and independent frames instead of eight-image concatenation. Not an additional independent project when retrying the same checkpoint. nanoLLaVA is a modified Bunny-based checkpoint; no additional canonical GitHub project claimed. Static dependency checker corrected for the source guarded optional flash_attn import. Availability stays false and actual eager CPU attention is used.", "outputs": [ { "time": 0, "text": "In this image, a young girl is sitting on the ground, surrounded by a group of crabs. She is wearing a blue and gray shirt, a pair of brown pants, and a red bow on her head. The girl's face is partially hidden by a pair of red hair bows. She is holding a crab in her hand, and the crabs are green and brown in color. The setting is a beach with rocks and sand. The girl's clothing is casual, and she is wearing brown shoes. The lighting is natural, and there is a shadow of the girl on the ground" }, { "time": 15, "text": "In this image, a young girl is crying, her eyes wide open and her cheeks red. She has a small nose and her mouth is open, revealing her teeth. Her eyes are closed, and her cheeks are wet, likely from crying. She is holding a green netting, which is tied with a green string. The girl is wearing a green shirt and has a red band around her neck. The setting is a room with a wall on the side of a building. The lighting is natural, with sunlight shining on the girl's face." }, { "time": 50, "text": "This image captures a dramatic scene of a boat navigating through a massive wave in the ocean. The boat, a small fishing vessel, is navigating through the choppy water, with the waves crashing around it. The waves are large and powerful, creating a dramatic backdrop for the boat. The boat is equipped with a mast and a pole, which are essential for its navigation. The boat's cabin is visible, and it seems to be moving through the water, leaving a wake behind it. The reflection of the boat can be seen in the water, adding depth to the scene. The sky above is clear" }, { "time": 95, "text": "This image captures a lively scene of four people gathered around a wooden table. The table is set with a variety of objects including a bowl, a bowl of food, a bowl of rice, and a bowl of soup. The people are engaged in a meal, with one woman holding a bowl of soup. The table is set against a rustic backdrop with a wooden wall and a wooden table. The people are dressed in various outfits, including a woman wearing a brown jacket and a man in a brown jacket. The lighting in the scene is soft, casting a warm glow on the table and the people." }, { "time": 175, "text": "In this image, a man is seen holding a book, which is open and has a white cover. The book is brown and has a black spine. The man is wearing a black shirt and black pants. The setting is outdoors, with a brown leather jacket draped over a brown leather bag. The man's hand is holding the book, and his fingers are visible. The lighting is natural, with sunlight shining on the book." }, { "time": 235, "text": "In this image, a young girl is the main focus, sitting on a wooden bench. She has dark brown hair and is wearing a brown shirt with a button. The shirt has a hole in it, and there's a red ribbon tied around her neck. She is also wearing a brown belt. The girl has a small smile on her face, and her eyes are open. She has a small nose and her mouth is open. The girl is looking at the camera, and her eyes are closed. The background consists of a wooden bench and a wall. The lighting in the image is natural," }, { "time": 340, "text": "In this image, a young girl is playing in the water, her small hands pointing towards the water's surface. She is wearing a brown long-sleeved shirt and a pair of black pants. Her hair is tied in a bun, and she has a red bow in her hair. The girl is surrounded by a group of people, including a man in a green shirt and a woman in a brown jacket. The setting is a muddy river, with the water reflecting the surroundings. The girl's shadow is cast on the ground, and there is a shadow of the girl and a man on the" }, { "time": 385, "text": "This image captures a family of four, including a woman, a man, and a child, engaging in a beachside activity. The family is standing on the sandy beach, with the ocean in the background. The family is dressed in casual beach attire, including a woman wearing a green tank top and a man in a blue shirt. The man is also wearing a belt and has a watch on his wrist. The woman has a red bow in her hair and is wearing a brown hat. The child is wearing a brown hat and a red bow. The family is using a wooden stick to dig a" } ], "revision": "13d60cec183a86755afed64da495fcc2c382ea80", "seconds": 361.5317544937134, "id": "nano", "review": { "strength": "能识别开场蟹、哭泣、渔网和小船面对巨浪。", "issues": "补出手持蟹、屋内背景、围桌吃饭与多个碗；同段描述眼睛既睁开又闭上；235秒添木凳、385秒服装与帽子错误。", "verdict": "Bunny派生检查点的补充试验，不算另一独立GitHub项目；小模型长描述易补入不存在的物体。" }, "raw_file": "results-hd/nano.json" }, { "project": "OFA-Sys/OFA", "model": "OFA-Sys/ofa-base", "status": "success", "input": "8 independent HD frames, resized384x384, no audio", "backend": "CPUfloat32 / transformers4.25.1 upstream OFA /2threads within shared4core cap", "query": " what does the image describe?", "adaptation": "Checkpoint README uses384px and5beams. This follow-up restores those settings after a256px greedy CPU pilot. Same project; no additional project claimed.16newtokens and no_repeat_ngram_size3.", "outputs": [ { "time": 0, "text": " little girl playing with sea turtles on the beach" }, { "time": 15, "text": " a child's face is covered in blood, and it's a sign of" }, { "time": 50, "text": " a sailboat is seen in this undated image." }, { "time": 95, "text": " a man and two women sit at a picnic table in front of a house" }, { "time": 175, "text": " the book of mormon: a true history of the church of jes" }, { "time": 235, "text": " a little girl is so cute, she's so cute. she's a" }, { "time": 340, "text": " this little girl is so cute that she can't stand the water. she" }, { "time": 385, "text": " a little girl and a little boy are playing in the mud, and the" } ], "seconds": 102.7786750793457, "id": "ofa-reference", "review": { "strength": "使用官方模型卡建议的384px与5beam完成复测，保留与256px贪心输出的差异。", "issues": "仍将蟹写成海龟、泪脸写成血脸、旧书写成摩门经；其他描述空泛或截断。", "verdict": "本次测试的是通用预训练ofa-base，不能外推为所有OFA微调检查点的能力；本次原始稿不可直接用。" }, "raw_file": "results-hd/ofa-reference.json" }, { "project": "OFA-Sys/OFA", "model": "OFA-Sys/ofa-base", "status": "success", "input": "8 independently captioned HD frames, no audio", "input_timestamps": [ 0, 15, 50, 95, 175, 235, 340, 385 ], "backend": "CPU float32 / isolated legacy-compatible transformers /4threads within shared4core cap", "query": " what does the image describe?", "source_sha256": "8b9da3ee510ec190c623ed17c9a0763a8f38c26fda05dc1d7e867e524d2633e8", "outputs": [ { "time": 0, "text": " little girl playing in the mud" }, { "time": 15, "text": " a child is seen in this undated image." }, { "time": 50, "text": " a boat in the water" }, { "time": 95, "text": " the game of life: the game" }, { "time": 175, "text": " the book of mormon: journaling edition" }, { "time": 235, "text": " a little girl is a little bit shy." }, { "time": 340, "text": " a little girl is crying because she was born with a broken leg." }, { "time": 385, "text": " the boys are playing in the water" } ], "revision": "71ea7d5aacc9f61a00d9f887f2e3637600124900", "adaptation": "Official upstream OFA module imported into isolated4.25.1 transformers package; CPUfloat32,256x256images,greedygeneration instead of5beam.", "seconds": 43.635417222976685, "id": "ofa", "review": { "strength": "原生 OFA 代码在 CPU 完成8张图的短描述。", "issues": "描述大多非常笼统；把旧书写成摩门经，虚构孩子先天断腿的哭泣原因，未能表达巨浪和关键道具。", "verdict": "运行完成，但本次 base checkpoint 的短描述不适合作为视频反推稿。" }, "raw_file": "results-hd/ofa.json" }, { "model": "Qwen/Qwen2.5-Omni-3B", "source_sha256": "8b9da3ee510ec190c623ed17c9a0763a8f38c26fda05dc1d7e867e524d2633e8", "status": "success", "query": "Describe these chronological video frames for a faithful video generation prompt. Include visible people, clothing, location, objects, lighting, facial expressions, composition and visual changes. Do not invent dialogue, sounds or family relationships. Maximum 250 words.", "input_timestamps": [ 0, 15, 50, 95, 175, 235, 340, 385 ], "input": "8 still frames, no audio", "backend": "CPU float32, transformers 4.57.6", "outputs": [ { "text": "The video sequence appears to depict a series of scenes from a film or a series, likely set in a coastal or rural environment. Here is a chronological description of the frames:\n\n1. **First Frame**: The scene opens with a young child squatting on a sandy beach, surrounded by crabs. The child is dressed in a dirty outfit, and the background shows a rope and some rocks, suggesting a coastal setting. The lighting is natural, indicating daytime.\n\n2. **Second Frame**: The scene transitions to a close-up of the same child, now crying with tears streaming down their face. The child is wearing a patterned outfit, and the background is blurred, focusing attention on the child's emotional state. The lighting remains natural, consistent with the previous scene.\n\n3. **Third Frame**: The scene shifts to a wide shot of a boat sailing on a calm sea, with a stormy sky in the background. The boat is surrounded by a large number of fish, creating a dramatic and intense atmosphere. The lighting is natural, with the stormy sky adding a sense of urgency and danger.\n\n4. **Fourth Frame**: The scene changes to a group of people gathered around a table in a rustic setting, possibly a farmhouse or a village. The characters are engaged in a serious conversation, with one person holding a book titled \"航海记录\" (航海记录,航海日记). The setting is dimly lit, suggesting an evening or nighttime scene. The characters are dressed in period-appropriate clothing, indicating a historical or rural context.\n\n5. **Fifth Frame**: The scene continues with the same group of people, now focusing on a close-up of a hand holding a compass and an old book. The book is open, revealing a" } ], "revision": "f75b40e3da2003cdd6e1829b1f420ca70797c34e", "adaptation": "Only the official Thinker module loaded on CPU; no speech output, no audio input. Eight still frames, not an audio-video understanding test.", "input_tokens": 1044, "seconds": 560.9097821712494, "id": "omni", "review": { "strength": "描述了开场蟹、孩子哭泣以及后续旧书与罗盘。", "issues": "把巨浪画面写成平静海面与大量鱼；把95秒院落围桌和175秒旧书混在一起；350token上限截断。", "verdict": "本次只测Thinker的静帧视觉输入，未测音视频联合理解。" }, "raw_file": "results-hd/omni.json" }, { "project": "ATH-MaaS/Ovis", "model": "AIDC-AI/Ovis2.5-2B", "status": "success", "input": "8 independently captioned HD frames, no audio", "input_timestamps": [ 0, 15, 50, 95, 175, 235, 340, 385 ], "backend": "CPU float32 / isolated legacy-compatible transformers /4threads within shared4core cap", "query": "Describe this image accurately for a video generation prompt. Include visible people, clothing, setting, objects, expression and lighting. Do not invent dialogue, camera movement or relationships. Maximum 80 words.", "source_sha256": "8b9da3ee510ec190c623ed17c9a0763a8f38c26fda05dc1d7e867e524d2633e8", "outputs": [ { "time": 0, "text": "A young girl with pigtails and red ribbons sits on a rocky shore, wearing a tattered blue and gray outfit. She gazes intently at five green crabs on the wet sand. The background features a blurred shoreline with boats and a gray sky. The scene is softly lit, highlighting the girl's focused expression and the crabs' vibrant color." }, { "time": 15, "text": "Close-up of a young child with wet hair and a red bindi on forehead, crying with tears streaming down cheeks. Child holds a green net, wearing a camouflage-patterned shirt. Text overlays in Chinese and English, including \"Who knows where he came from.\" Lighting is soft, highlighting the child's emotional expression." }, { "time": 50, "text": "The image depicts a dramatic scene of a small boat navigating a massive, towering wave. The boat, with a single mast and sail, is dwarfed by the enormous wave, which dominates the background. The water is turbulent, with white foam and dark, ominous clouds swirling around the wave's crest. The foreground features rocky terrain with patches of water, reflecting the scene. The lighting is dramatic, with sunlight illuminating the wave and creating a stark contrast with the dark clouds. No people or clothing details are visible in the image." }, { "time": 95, "text": "The image depicts a rustic outdoor scene with four individuals gathered around a wooden table. Two women stand to the right, dressed in vintage-style clothing, while an older woman sits on the left in a blue jacket. A man sits across from them, wearing a brown jacket. The background features a weathered building with a tiled roof and a window. The scene is illuminated by natural daylight, creating a warm, nostalgic atmosphere. Text overlays suggest a narrative about family and migration." }, { "time": 175, "text": "The image shows a close-up of a person's hands holding an old, worn leather-bound book titled \"航海记事\" (Navy Log) with a faded label. Beside the book lies an open, vintage brass compass with a white face and black markings. The hands are resting on a dark, textured surface, possibly a leather bag or jacket. The lighting is soft and natural, highlighting the aged appearance of the book and compass. The scene suggests a historical or nautical theme, with no visible people or additional objects beyond the book and compass." }, { "time": 235, "text": "A young girl with dark hair styled in two buns with red ribbons sits against a person's leg. She wears a tattered, brown, old-fashioned garment. Her expression is neutral, with a slight hint of curiosity. The background is blurred, suggesting an outdoor setting. The lighting is soft and natural, highlighting her features. Text overlays in Chinese characters appear on the image." }, { "time": 340, "text": "A young girl with dark hair in red ribbons squats in shallow water, pointing at something. She wears a dirty, old-fashioned outfit with a bag slung across her body. Two adults stand nearby, partially visible. The scene is set outdoors during daylight, with soft, warm lighting. Text overlays appear at the top and bottom of the image." }, { "time": 385, "text": "The image depicts a family of four on a beach at sunset. A man and a woman, both in rugged, earth-toned clothing, work together with a child and another adult. They use shovels to dig in the sand, with a large basket nearby. The child, dressed similarly, stands in the center, focused on the task. The warm, golden light of the setting sun casts long shadows, creating a serene atmosphere. The scene suggests a moment of shared labor and familial bonding." } ], "revision": "393c932b2a03e28eb9aaa503e3c4ab3ad384d958", "adaptation": "Official model remote code; CPUfloat32/eager, one frame per inference,120newtokens; noGPU. Ovis thinking disabled and input image long edge448.", "seconds": 500.00583696365356, "id": "ovis", "review": { "strength": "95秒较准确描述四名成人、两女站立和两人坐在桌边；175秒识别旧书/黄铜罗盘，235秒保留成人腿部的存在，340秒识别指水、挎包和两个成人局部。整体逐帧文字可读。", "issues": "0秒四蟹写五蟹；15秒添迷彩衣、未经证实的英文字幕；50秒添帆与桅杆，95秒添迁移叙事；书面文字并非完全准确；385秒仍推断家庭关系，把蹲低的孩子写成站立。", "verdict": "本次若干帧的空间与人物关系描述较稳，可作核对初稿；不是全片时序理解测试，和其他模型的输入/预算条件不同，不能据此给出通用冠军。" }, "raw_file": "results-hd/ovis.json" }, { "source_sha256": "8b9da3ee510ec190c623ed17c9a0763a8f38c26fda05dc1d7e867e524d2633e8", "model": "Qwen/Qwen2.5-VL-3B-Instruct", "backend": "transformers 4.57.6 / torch 2.7.1 CPU", "input_frames": [ { "time": 0, "file": "0000.00.jpg" }, { "time": 15, "file": "0015.00.jpg" }, { "time": 50, "file": "0050.00.jpg" }, { "time": 95, "file": "0095.00.jpg" }, { "time": 175, "file": "0175.00.jpg" }, { "time": 235, "file": "0235.00.jpg" }, { "time": 340, "file": "0340.00.jpg" }, { "time": 385, "file": "0385.00.jpg" } ], "sampling": "8 chronological still frames, no audio", "query": "These images are chronological samples from one video. Describe only visible evidence. Write a detailed generation prompt preserving the subjects, clothing, environment, composition, lighting, facial expressions, major visual changes and shot sequence. Do not invent dialogue, sounds or relationships. State uncertainty about motion between sampled frames. Output 250 words maximum.", "outputs": [ { "text": "The video appears to be a dramatic narrative set in a coastal environment, likely depicting a historical or period piece. The scenes transition through various settings and emotional states of the characters.\n\n**0-15 seconds:** \n- A young child is seen sitting on the beach, wearing a simple outfit with red hair ties. The child looks contemplative or sad, with a slight frown on their face.\n- The scene shifts to a close-up of the child's face, showing a tear rolling down their cheek. The child's expression conveys sadness or distress, with a red dot on their forehead, possibly indicating a mark or injury.\n\n**15-50 seconds:** \n- The child is now standing on the beach, looking out towards the sea. The camera pans to show a large wave crashing onto the shore, creating a dramatic and powerful scene.\n- The child's posture suggests they are observing the waves, perhaps reflecting on something significant.\n\n**50-95 seconds:** \n- The scene transitions to an indoor setting where three women are gathered around a table. They appear to be engaged in a serious conversation, with one woman holding a piece of paper or a document.\n- The room has rustic decor, including hanging baskets and wooden furniture, suggesting a traditional or rural setting.\n\n**95-175 seconds:** \n- The focus shifts back to the beach, where the child is seen interacting with a crab. The child's hands are shown carefully handling the crab, indicating a moment of curiosity or care.\n- The scene then cuts to a close-up of a leather-bound book with a compass on top, suggesting a theme of exploration or discovery.\n\n**175-340 seconds:** \n- The child is again seen on the beach, this time with a more neutral or curious expression. The child's hands are shown holding a small object, possibly a shell or a piece of driftwood.\n- The final scene shows the child and two other individuals, possibly", "seconds": 480.56443309783936 } ], "status": "success", "model_revision": "66285546d2b821cf421d4f5eb2576359d3770cd3", "load_seconds": 15.221346139907837, "input_tokens": 824, "seconds": 496.0073654651642, "id": "qwen25", "review": { "strength": "能组织段落，识别海边短剧氛围、哭泣、巨浪与旧物。", "issues": "编造孩子站在海边看浪和镜头平移；混淆画面顺序；400 token上限处截断。", "verdict": "文字流畅不代表动作或时序可靠。" }, "raw_file": "results-hd/qwen25.json" }, { "source_sha256": "8b9da3ee510ec190c623ed17c9a0763a8f38c26fda05dc1d7e867e524d2633e8", "model": "Qwen/Qwen3-VL-2B-Instruct", "backend": "transformers 4.57.6 / torch 2.7.1 CPU", "input_frames": [ { "time": 0, "file": "0000.00.jpg" }, { "time": 15, "file": "0015.00.jpg" }, { "time": 50, "file": "0050.00.jpg" }, { "time": 95, "file": "0095.00.jpg" }, { "time": 175, "file": "0175.00.jpg" }, { "time": 235, "file": "0235.00.jpg" }, { "time": 340, "file": "0340.00.jpg" }, { "time": 385, "file": "0385.00.jpg" } ], "sampling": "8 chronological still frames, no audio", "query": "These images are chronological samples from one video. Describe only visible evidence. Write a detailed generation prompt preserving the subjects, clothing, environment, composition, lighting, facial expressions, major visual changes and shot sequence. Do not invent dialogue, sounds or relationships. State uncertainty about motion between sampled frames. Output 250 words maximum.", "outputs": [ { "text": "A young girl with two red buns tied with ribbons sits on a rocky shore, dressed in a worn blue jacket and brown pants, her hands gently touching three crabs on the wet sand. The background shows a distant shoreline with a large rope and a building. The scene is dimly lit, suggesting early morning or late evening. At 15 seconds, the girl's face is shown in close-up, her eyes filled with tears, and a red dot is visible on her forehead. The text overlay reads, \"谁知道他从哪飘来的\" (Who knows where he came from). The scene transitions to a wide shot of a massive wave crashing over a rocky beach, with a small boat in the middle of the wave. The wave is powerful, with white foam and dark water. At 95 seconds, a group of people stands around a wooden table in front of a traditional house with a tiled roof. The woman on the left wears a blue headscarf and a dark jacket, while the woman on the right wears a green top. The text overlay reads, \"他家两个儿子以后都要出海\" (His two sons will have to go out to sea). At 175 seconds, a hand holds an old, leather-bound book with the title \"航海记\" (Sea Voyage Record) and a compass. The book is placed on a wooden surface. At 235 seconds, the girl is shown again, now with her hands clasped, and the text reads, \"不给\" (Not giving). At 340 seconds, the girl is crouched in the water, her hands touching the sand, and the text reads, \"小钳子这个说你跟他家了\" (Little钳子, this says you're related to his family). At 385 seconds, the girl is now standing with her hands on the ground, and the text reads, \"小钳子这个说你", "seconds": 271.74323081970215 } ], "status": "success", "model_revision": "89644892e4d85e24eaac8bacfd4f463576704203", "load_seconds": 11.794706106185913, "input_tokens": 621, "seconds": 283.74916100502014, "id": "qwen3", "review": { "strength": "能读出部分中文字幕与红发带、额头红点、木桌、笔记等细节。", "issues": "字幕识别有错，把385秒多人收获描述得不准确；输出达到上限后截断。", "verdict": "细节较丰富，仍需逐帧核对。" }, "raw_file": "results-hd/qwen3.json" }, { "project": "huggingface/smollm", "model": "HuggingFaceTB/SmolVLM2-500M-Video-Instruct", "status": "success", "query": "Describe only what is visible in this image. Include people, clothing, objects, setting and expressions. Do not invent sounds, dialogue or relationships. Maximum 60 words.", "input": "8 independently captioned HD frames; no audio", "backend": "transformers4.57.6 / CPUfloat32 /2threads within shared4core cap", "adaptation": "Same checkpoint as the eight-image looping attempt. Single-image retry, greedy80newtokens; not another project. Original output preserved.", "outputs": [ { "time": 0, "text": " A little girl is sitting on the beach with crabs.", "generated_tokens": 12 }, { "time": 15, "text": " A child with tears in her eyes.", "generated_tokens": 9 }, { "time": 50, "text": " A boat on a beach with a large wave in the background.", "generated_tokens": 14 }, { "time": 95, "text": " The group of people are gathered around a table. The woman on the left is wearing a blue shirt. The woman on the right is wearing a black vest. The man in the middle is wearing a brown jacket. The woman on the left is holding a piece of paper. The woman on the right is holding a cup. The man in the middle is holding a cup. The woman on the left", "generated_tokens": 80 }, { "time": 175, "text": " A person is holding an old leather bound book with a compass in their hand.", "generated_tokens": 17 }, { "time": 235, "text": " A girl with a red bow in her hair.", "generated_tokens": 11 }, { "time": 340, "text": " A little girl in a military uniform is playing in the water.", "generated_tokens": 14 }, { "time": 385, "text": " The poster shows a group of people in a boat, with a woman in a blue shirt and a boy in a green shirt. They are working on a boat, with a woman in a blue shirt and a boy in a green shirt. The boat is in the water, and the people are working together to pull the boat.", "generated_tokens": 67 } ], "seconds": 490.61732602119446, "id": "smolvlm-single", "review": { "strength": "单帧重试识别蟹、流泪、海浪和旧书罗盘；较8帧拼接输出可读。", "issues": "95秒开始重复并加入杯子；340秒虚构军装，385秒写成海报、船上工作；部分输出截断。", "verdict": "接入方式改善了可读性，未解决全部画面错误；同一项目不重复计数。" }, "raw_file": "results-hd/smolvlm-single.json" }, { "source_sha256": "8b9da3ee510ec190c623ed17c9a0763a8f38c26fda05dc1d7e867e524d2633e8", "model": "HuggingFaceTB/SmolVLM2-500M-Video-Instruct", "backend": "transformers 4.57.6 / torch 2.7.1 CPU", "input_frames": [ { "time": 0, "file": "0000.00.jpg" }, { "time": 15, "file": "0015.00.jpg" }, { "time": 50, "file": "0050.00.jpg" }, { "time": 95, "file": "0095.00.jpg" }, { "time": 175, "file": "0175.00.jpg" }, { "time": 235, "file": "0235.00.jpg" }, { "time": 340, "file": "0340.00.jpg" }, { "time": 385, "file": "0385.00.jpg" } ], "sampling": "8 chronological still frames, no audio", "query": "These images are chronological samples from one video. Describe only visible evidence. Write a detailed generation prompt preserving the subjects, clothing, environment, composition, lighting, facial expressions, major visual changes and shot sequence. Do not invent dialogue, sounds or relationships. State uncertainty about motion between sampled frames. Output 250 words maximum.", "outputs": [ { "text": " At 10 seconds:\n\nAt 10 seconds:\n\nThe scene opens with a young girl in a brown outfit, holding a small object in her hand. She is standing on a beach, looking at the water.\n\nAt 10 seconds:\n\nThe girl is now holding a small object in her hand. She is looking at the water.\n\nAt 10 seconds:\n\nThe girl is now holding a small object in her hand. She is looking at the water.\n\nAt 10 seconds:\n\nThe girl is now holding a small object in her hand. She is looking at the water.\n\nAt 10 seconds:\n\nThe girl is now holding a small object in her hand. She is looking at the water.\n\nAt 10 seconds:\n\nThe girl is now holding a small object in her hand. She is looking at the water.\n\nAt 10 seconds:\n\nThe girl is now holding a small object in her hand. She is looking at the water.\n\nAt 10 seconds:\n\nThe girl is now holding a small object in her hand. She is looking at the water.\n\nAt 10 seconds:\n\nThe girl is now holding a small object in her hand. She is looking at the water.\n\nAt 10 seconds:\n\nThe girl is now holding a small object in her hand. She is looking at the water.\n\nAt 10 seconds:\n\nThe girl is now holding a small object in her hand. She is looking at the water.\n\nAt 10 seconds:\n\nThe girl is now holding a small object in her hand. She is looking at the water.\n\nAt 10 seconds:\n\nThe girl is now holding a small object in her hand. She is looking at the water.\n\nAt ", "seconds": 1546.1788432598114 } ], "status": "success", "model_revision": "7b375e1b73b11138ff12fe22c8f2822d8fe03467", "load_seconds": 0.9728209972381592, "input_tokens": 7029, "seconds": 1550.689308166504, "id": "smolvlm", "review": { "strength": "成功在本机完成模型推理，可识别部分儿童与海岸元素。", "issues": "重复 At 10 seconds 和同一句女孩拿东西看海，时间标签与416秒输入不符，400 token截断。", "verdict": "本次输出不可作为完整提示词；运行成功但内容失败。" }, "raw_file": "results-hd/smolvlm.json" }, { "project": "TinyLLaVA/TinyLLaVA_Factory", "model": "Zhang199/TinyLLaVA-Qwen2-0.5B-SigLIP", "status": "success", "input": "8 independently captioned HD frames, no audio", "input_timestamps": [ 0, 15, 50, 95, 175, 235, 340, 385 ], "backend": "CPU float32 / isolated transformers4.44.2 /4threads within shared4core cap", "query": "Describe this image accurately for a video generation prompt. Include visible people, clothing, setting, objects, expression and lighting. Do not invent dialogue, camera movement or relationships. Maximum 80 words.", "adaptation": "Legacy transformer compatibility and independent frames instead of eight-image concatenation. Not an additional independent project when retrying the same checkpoint. Actual upstream factories, model and qwen2_base preprocessing; unrelated training modules not imported. Qwen config supplied from checkpoint metadata and processor from official local SigLIP files. Stateless formatter default hash shim for Python3.12 dataclass compatibility.", "outputs": [ { "time": 0, "text": " A young girl is sitting on the beach, holding a crab in her hand. She is surrounded by several other crab shells, some of which are closer to her, while others are further away. The setting appears to be a beach, with the girl and the crab shells creating a lively scene." }, { "time": 15, "text": " A baby is holding onto a green rope, appearing distressed and crying. The baby is wearing a green shirt and appears to be crying in a dark room. The room is filled with objects, such as a bottle and a bowl, which are placed on the floor. The baby's expression is focused and sad, as they are crying in the dark room." }, { "time": 50, "text": " The image features a large boat floating in the ocean, surrounded by a large wave. The boat is surrounded by a rocky shoreline, and there are several people scattered around the area. Some of them are standing on the shore, while others are walking along the shoreline. The people appear to be enjoying the view of the boat and the ocean." }, { "time": 95, "text": " The image features a group of people gathered around a wooden dining table, engaged in conversation. There are three people in the scene, with one person standing near the left side of the table, another person on the right side, and the third person standing in the middle of the table. \n\nThe table is covered with various items, including a bowl, a cup, and a bottle. There are also two chairs visible in the scene, one on the left side and another on the right side of the table. The overall atmosphere of the scene suggests a casual gathering of friends or family members." }, { "time": 175, "text": " A person is holding a book in their hand, which is placed on a surface. The book appears to be old and has a worn appearance. In the background, there is a person standing, possibly reading or looking at the book. The setting appears to be a room with a wooden table and a couch." }, { "time": 235, "text": " A young girl is sitting in a field, wearing a brown jacket and a red bow. She is looking at the camera, possibly looking at the camera as well. The setting appears to be a rural area, with a dirt road nearby. The girl is surrounded by a few other people, some of whom are standing and others are walking. The lighting in the scene is bright, creating a lively atmosphere." }, { "time": 340, "text": " A young girl is playing in the water, holding a stick in her hand. She is surrounded by a group of people, including a man and a woman, who are watching her play. The setting appears to be a beach, with a few other people scattered around the area. The camera is focused on the girl, capturing her playful moment in the water." }, { "time": 385, "text": " The image features a group of people gathered in a sandy beach setting. A woman is kneeling in the water, holding a shovel, while a child is standing nearby. The group appears to be working together to dig a hole in the sand. \n\nThere are several people in the scene, with some standing closer to the water and others further away. A backpack can be seen on the ground near the center of the scene, and a handbag is placed nearby. The overall atmosphere of the image is one of togetherness and cooperation as the group works together to dig a hole in the sand." } ], "revision": "f8282ca1bec253489167e328d0efe35dbf39a250", "seconds": 330.09008169174194, "id": "tinyllava", "review": { "strength": "CPU成功运行实际上游模型与Qwen2模板；能认出幼童、海边、木桌与书。", "issues": "0秒补出手持蟹；15秒添暗室、瓶碗；50秒把小船写成大船并加岸边游客；95秒人数错误；175秒添沙发；385秒添背包手袋。", "verdict": "本次0.5B逐帧结果出现较多背景补写，原文保留。Python3.12格式器兼容修复不等同于模型训练改变。" }, "raw_file": "results-hd/tinyllava.json" }, { "model": "DAMO-NLP-SG/VideoLLaMA3-2B", "source_sha256": "8b9da3ee510ec190c623ed17c9a0763a8f38c26fda05dc1d7e867e524d2633e8", "status": "success", "query": "Describe these chronological video frames for a faithful video generation prompt. Include visible people, clothing, location, objects, lighting, facial expressions, composition and visual changes. Do not invent dialogue, sounds or family relationships. Maximum 250 words.", "input_timestamps": [ 0, 15, 50, 95, 175, 235, 340, 385 ], "input": "8 still frames, no audio", "backend": "CPU float32, transformers 4.57.6", "outputs": [ { "text": "The video begins with a close-up of a young child, their face partially obscured by tears. The scene transitions to show the same child in a more detailed setting, surrounded by other children and adults who appear to be engaged in some activity involving objects on the ground.\n\nAs the frames progress, various individuals are shown interacting with each other and the environment. Some people wear clothing that suggests an older time period or cultural context. Objects such as books, compasses, and what looks like old-fashioned watches are visible throughout the scenes.\n\nFacial expressions range from serious concentration to concern, indicating emotional undertones within the group's activities. The composition shifts between close-ups and wider shots, capturing different perspectives of the interactions among the characters.\n\nThroughout the sequence, text overlays provide narrative elements, hinting at themes related to history, exploration, and possibly personal growth or discovery. The lighting remains consistent, suggesting an outdoor setting during daylight hours.\n\nIn summary, the video presents a series of interconnected scenes depicting human interaction and engagement with historical artifacts. The visual changes reflect the progression of events and the evolving dynamics among the participants, while the facial expressions convey underlying emotions and motivations driving the actions portrayed." } ], "revision": "f813276879a1879a68bbd6ad8960fbaac444e92a", "adaptation": "Compatibility alias transformers.image_utils.VideoInput → transformers.video_utils.VideoInput; CPU float32/eager; image processor max_tokens=512 across8frames to bound quadratic vision attention memory; original full-resolution attempt interrupted and preserved.", "tensor_shapes": { "input_ids": [ 1, 575 ], "attention_mask": [ 1, 575 ], "pixel_values": [ 480, 588 ], "grid_sizes": [ 8, 3 ], "merge_sizes": [ 8 ] }, "seconds": 213.56096720695496, "id": "videollama3", "review": { "strength": "受限图像输入下成功输出完整段落，提及书、罗盘、面部表情和近远景变化。", "issues": "把哭泣当作开头，漏掉本组实际可见的巨浪；把内容泛化为历史物件与人物互动，另添手表；缺少鲜明海岸情节。", "verdict": "正式复测只有480视觉patch、575总输入tokens，用于避免内存溢出；不能视为完整分辨率或原生连续视频能力上限。" }, "raw_file": "results-hd/videollama3.json" }, { "project": "YoadTew/zero-shot-video-to-text", "status": "success", "input": "8 chronological still frames; no audio", "settings": "upstream CLIPTextGenerator, GPT2-medium + OpenAI CLIP ViT-B/32; CPU float32;8 sentence iterations,20 token target,32 candidates per token,seed0", "adaptation": "CPU-bounded algorithm variant, not original512-candidate/30-iteration benchmark. transformers4.44.2 compatibility imports; local exact GPT2 checkpoint. Original interrupted run preserved.", "outputs": [ { "text": "The first thing you need to know about a good game is how it's played." }, { "text": "A few weeks ago, we posted an article that was based on the fact of how much money is" }, { "text": "The following is from a recent interview with author and journalist, who has been writing about the world of" }, { "text": "A few months back, I was talking to my friend and colleague at the time about how he wanted" }, { "text": "This article is about the character, for other uses see Karkat." }, { "text": "This is a list of all the games that have been released for both consoles and PC." }, { "text": "This article is from our archives and was last updated on August, the day after it became public." }, { "text": "A new study by researchers at the University of Texas has found that people who are more physically active have" } ], "mixed_sorted_captions": [ "The first thing you need to know about a good game is how it's played.", "A few weeks ago, we posted an article that was based on the fact of how much money is", "The following is from a recent interview with author and journalist, who has been writing about the world of", "A few months back, I was talking to my friend and colleague at the time about how he wanted", "This article is about the character, for other uses see Karkat.", "This is a list of all the games that have been released for both consoles and PC.", "This article is from our archives and was last updated on August, the day after it became public.", "A new study by researchers at the University of Texas has found that people who are more physically active have" ], "seconds": 625.6156067848206, "id": "zeroshot-bounded", "review": { "strength": "确实执行上游 CLIPTextGenerator 的视觉引导文本优化并保存8条候选，非Codex代写。", "issues": "8条候选涉及游戏、档案文章、采访、研究等，与女孩、巨浪、罗盘和泥滩没有有效对应；它们是按相似度排序的候选句，不是8个时刻逐一对应的字幕。", "verdict": "本次CPU受限配置没有得到可用的反推文字。仅8轮优化、32候选，不能外推原默认30轮、512候选的质量；原始长运行中断记录另存。" }, "raw_file": "results-hd/zeroshot-bounded.json" }, { "project": "YoadTew/zero-shot-video-to-text", "status": "interrupted_resource_limit", "input": "8 chronological still frames; no audio", "settings": "upstream CLIPTextGenerator, GPT2-medium + OpenAI CLIP ViT-B/32; CPU float32; 30 sentence iterations, 20 token target, seed0", "adaptation": "transformers4.44.2 isolated compatibility path; old generation_logits_process import aliased; GPT2 model/tokenizer redirected to exact downloaded local checkpoint", "outputs": [], "stop_reason": "Stopped default512-candidate optimization after diagnostic confirmed only3/30 sentence iterations; CPU-bounded32-candidate retry planned.", "id": "zeroshot", "review": {}, "raw_file": "results-hd/zeroshot.json" } ], "preflights": [ { "stage": "import/environment preflight ONLY; no model inference", "code": "import videollama2", "exit_code": 0, "stdout": "IMPORT_PROBE_OK\n", "stderr": "C:\\Users\\Administrator\\Documents\\ChatGPT\\定时任务\\outputs\\tiktok-prompt-lab\\env\\Lib\\site-packages\\timm\\models\\layers\\__init__.py:49: FutureWarning: Importing from timm.models.layers is deprecated, please import via timm.layers\n warnings.warn(f\"Importing from {__name__} is deprecated, please import via timm.layers\", FutureWarning)\n", "seconds": 18.431089162826538, "generated_prompt": null, "project": "DAMO-NLP-SG/VideoLLaMA2", "raw_file": "projects/DAMO-NLP-SG__VideoLLaMA2/preflight.json" }, { "stage": "import/environment preflight ONLY; no model inference", "code": "import videollama3", "exit_code": 1, "stdout": "", "stderr": "C:\\Users\\Administrator\\Documents\\ChatGPT\\定时任务\\outputs\\tiktok-prompt-lab\\env\\Lib\\site-packages\\timm\\models\\layers\\__init__.py:49: FutureWarning: Importing from timm.models.layers is deprecated, please import via timm.layers\n warnings.warn(f\"Importing from {__name__} is deprecated, please import via timm.layers\", FutureWarning)\nTraceback (most recent call last):\n File \"\", line 1, in \n File \"C:\\Users\\Administrator\\Documents\\ChatGPT\\定时任务\\outputs\\tiktok-prompt-lab\\projects\\DAMO-NLP-SG__VideoLLaMA3\\repo\\videollama3\\__init__.py\", line 10, in \n from .model import load_pretrained_model\n File \"C:\\Users\\Administrator\\Documents\\ChatGPT\\定时任务\\outputs\\tiktok-prompt-lab\\projects\\DAMO-NLP-SG__VideoLLaMA3\\repo\\videollama3\\model\\__init__.py\", line 25, in \n from .videollama3_qwen2 import Videollama3Qwen2ForCausalLM, Videollama3Qwen2Config\n File \"C:\\Users\\Administrator\\Documents\\ChatGPT\\定时任务\\outputs\\tiktok-prompt-lab\\projects\\DAMO-NLP-SG__VideoLLaMA3\\repo\\videollama3\\model\\videollama3_qwen2.py\", line 27, in \n from .videollama3_arch import Videollama3MetaForCausalLM, Videollama3MetaModel\n File \"C:\\Users\\Administrator\\Documents\\ChatGPT\\定时任务\\outputs\\tiktok-prompt-lab\\projects\\DAMO-NLP-SG__VideoLLaMA3\\repo\\videollama3\\model\\videollama3_arch.py\", line 27, in \n from .encoder import build_vision_encoder\n File \"C:\\Users\\Administrator\\Documents\\ChatGPT\\定时任务\\outputs\\tiktok-prompt-lab\\projects\\DAMO-NLP-SG__VideoLLaMA3\\repo\\videollama3\\model\\encoder.py\", line 9, in \n from .videollama3_encoder import (Videollama3VisionEncoderConfig,\n File \"C:\\Users\\Administrator\\Documents\\ChatGPT\\定时任务\\outputs\\tiktok-prompt-lab\\projects\\DAMO-NLP-SG__VideoLLaMA3\\repo\\videollama3\\model\\videollama3_encoder\\__init__.py\", line 2, in \n from .image_processing_videollama3 import Videollama3ImageProcessor\n File \"C:\\Users\\Administrator\\Documents\\ChatGPT\\定时任务\\outputs\\tiktok-prompt-lab\\projects\\DAMO-NLP-SG__VideoLLaMA3\\repo\\videollama3\\model\\videollama3_encoder\\image_processing_videollama3.py\", line 36, in \n from transformers.image_utils import (\nImportError: cannot import name 'VideoInput' from 'transformers.image_utils' (C:\\Users\\Administrator\\Documents\\ChatGPT\\定时任务\\outputs\\tiktok-prompt-lab\\env\\Lib\\site-packages\\transformers\\image_utils.py)\n", "seconds": 18.222734212875366, "generated_prompt": null, "project": "DAMO-NLP-SG/VideoLLaMA3", "raw_file": "projects/DAMO-NLP-SG__VideoLLaMA3/preflight.json" }, { "stage": "import/environment preflight ONLY; no model inference", "code": "from deepseek_vl2.models import DeepseekVLV2ForCausalLM", "exit_code": 1, "stdout": "Python version is above 3.10, patching the collections module.\n", "stderr": "Traceback (most recent call last):\n File \"\", line 1, in \n File \"C:\\Users\\Administrator\\Documents\\ChatGPT\\定时任务\\outputs\\tiktok-prompt-lab\\projects\\deepseek-ai__DeepSeek-VL2\\repo\\deepseek_vl2\\models\\__init__.py\", line 21, in \n from .modeling_deepseek_vl_v2 import DeepseekVLV2ForCausalLM\n File \"C:\\Users\\Administrator\\Documents\\ChatGPT\\定时任务\\outputs\\tiktok-prompt-lab\\projects\\deepseek-ai__DeepSeek-VL2\\repo\\deepseek_vl2\\models\\modeling_deepseek_vl_v2.py\", line 28, in \n from .modeling_deepseek import DeepseekV2ForCausalLM\n File \"C:\\Users\\Administrator\\Documents\\ChatGPT\\定时任务\\outputs\\tiktok-prompt-lab\\projects\\deepseek-ai__DeepSeek-VL2\\repo\\deepseek_vl2\\models\\modeling_deepseek.py\", line 37, in \n from transformers.models.llama.modeling_llama import (\nImportError: cannot import name 'LlamaFlashAttention2' from 'transformers.models.llama.modeling_llama' (C:\\Users\\Administrator\\Documents\\ChatGPT\\定时任务\\outputs\\tiktok-prompt-lab\\env\\Lib\\site-packages\\transformers\\models\\llama\\modeling_llama.py). Did you mean: 'LlamaAttention'?\n", "seconds": 18.609306573867798, "generated_prompt": null, "project": "deepseek-ai/DeepSeek-VL2", "raw_file": "projects/deepseek-ai__DeepSeek-VL2/preflight.json" }, { "stage": "import/environment preflight ONLY; no model inference", "code": "from janus.models import MultiModalityCausalLM,VLChatProcessor", "exit_code": 0, "stdout": "Python version is above 3.10, patching the collections module.\nIMPORT_PROBE_OK\n", "stderr": "C:\\Users\\Administrator\\Documents\\ChatGPT\\定时任务\\outputs\\tiktok-prompt-lab\\env\\Lib\\site-packages\\transformers\\models\\auto\\image_processing_auto.py:647: FutureWarning: The image_processor_class argument is deprecated and will be removed in v4.42. Please use `slow_image_processor_class`, or `fast_image_processor_class` instead\n warnings.warn(\n", "seconds": 19.881697177886963, "generated_prompt": null, "project": "deepseek-ai/Janus", "raw_file": "projects/deepseek-ai__Janus/preflight.json" }, { "stage": "import/environment preflight ONLY; no model inference", "code": "from transformers import LlavaForConditionalGeneration,AutoProcessor", "exit_code": 0, "stdout": "IMPORT_PROBE_OK\n", "stderr": "", "seconds": 18.18480372428894, "generated_prompt": null, "project": "fpgaminer/joycaption", "raw_file": "projects/fpgaminer__joycaption/preflight.json" }, { "stage": "import/environment preflight ONLY; no model inference", "code": "from transformers import SmolVLMForConditionalGeneration,AutoProcessor;import num2words", "exit_code": 0, "stdout": "IMPORT_PROBE_OK\n", "stderr": "", "seconds": 21.051252603530884, "generated_prompt": null, "project": "huggingface/smollm", "raw_file": "projects/huggingface__smollm/preflight.json" }, { "stage": "import/environment preflight ONLY; no model inference", "code": "from llava.model.builder import load_pretrained_model", "exit_code": 1, "stdout": "Failed to import llava_llama from llava.language_model.llava_llama. Error: cannot import name 'apply_chunking_to_forward' from 'transformers.modeling_utils' (C:\\Users\\Administrator\\Documents\\ChatGPT\\定时任务\\outputs\\tiktok-prompt-lab\\env\\Lib\\site-packages\\transformers\\modeling_utils.py)\nFailed to import llava_qwen from llava.language_model.llava_qwen. Error: cannot import name 'apply_chunking_to_forward' from 'transformers.modeling_utils' (C:\\Users\\Administrator\\Documents\\ChatGPT\\定时任务\\outputs\\tiktok-prompt-lab\\env\\Lib\\site-packages\\transformers\\modeling_utils.py)\nFailed to import llava_mistral from llava.language_model.llava_mistral. Error: cannot import name 'apply_chunking_to_forward' from 'transformers.modeling_utils' (C:\\Users\\Administrator\\Documents\\ChatGPT\\定时任务\\outputs\\tiktok-prompt-lab\\env\\Lib\\site-packages\\transformers\\modeling_utils.py)\nFailed to import llava_mixtral from llava.language_model.llava_mixtral. Error: cannot import name 'apply_chunking_to_forward' from 'transformers.modeling_utils' (C:\\Users\\Administrator\\Documents\\ChatGPT\\定时任务\\outputs\\tiktok-prompt-lab\\env\\Lib\\site-packages\\transformers\\modeling_utils.py)\n", "stderr": "Traceback (most recent call last):\n File \"\", line 1, in \n File \"C:\\Users\\Administrator\\Documents\\ChatGPT\\定时任务\\outputs\\tiktok-prompt-lab\\projects\\lmms-lab__LLaVA-NeXT\\repo\\llava\\__init__.py\", line 1, in \n from .model import LlavaLlamaForCausalLM\nImportError: cannot import name 'LlavaLlamaForCausalLM' from 'llava.model' (C:\\Users\\Administrator\\Documents\\ChatGPT\\定时任务\\outputs\\tiktok-prompt-lab\\projects\\lmms-lab__LLaVA-NeXT\\repo\\llava\\model\\__init__.py)\n", "seconds": 16.846714973449707, "generated_prompt": null, "project": "lmms-lab/LLaVA-NeXT", "raw_file": "projects/lmms-lab__LLaVA-NeXT/preflight.json" }, { "stage": "import/environment preflight ONLY; no model inference", "code": "import moondream", "exit_code": 0, "stdout": "IMPORT_PROBE_OK\n", "stderr": "", "seconds": 0.14481306076049805, "generated_prompt": null, "project": "m87-labs/moondream", "raw_file": "projects/m87-labs__moondream/preflight.json" }, { "stage": "import/environment preflight ONLY; no model inference", "code": "from video_chatgpt.model import VideoChatGPTLlamaForCausalLM", "exit_code": 0, "stdout": "IMPORT_PROBE_OK\n", "stderr": "", "seconds": 15.731270790100098, "generated_prompt": null, "project": "mbzuai-oryx/Video-ChatGPT", "raw_file": "projects/mbzuai-oryx__Video-ChatGPT/preflight.json" }, { "stage": "import/environment preflight ONLY; no model inference", "code": "import generativeimage2text.model", "exit_code": 1, "stdout": "", "stderr": "Traceback (most recent call last):\n File \"\", line 1, in \n File \"C:\\Users\\Administrator\\Documents\\ChatGPT\\定时任务\\outputs\\tiktok-prompt-lab\\projects\\microsoft__GenerativeImage2Text\\repo\\generativeimage2text\\model.py\", line 1, in \n from .torch_common import resize_2d_pos_embed\n File \"C:\\Users\\Administrator\\Documents\\ChatGPT\\定时任务\\outputs\\tiktok-prompt-lab\\projects\\microsoft__GenerativeImage2Text\\repo\\generativeimage2text\\torch_common.py\", line 5, in \n from azfuse import File\nModuleNotFoundError: No module named 'azfuse'\n", "seconds": 5.337850332260132, "generated_prompt": null, "project": "microsoft/GenerativeImage2Text", "raw_file": "projects/microsoft__GenerativeImage2Text/preflight.json" }, { "stage": "import/environment preflight ONLY; no model inference", "code": "import video_to_prompt;print(sorted(video_to_prompt.PROMPT_TEMPLATES))", "exit_code": 0, "stdout": "['booru', 'describe', 'nsfw_check', 'summarize', 'tag']\nIMPORT_PROBE_OK\n", "stderr": "", "seconds": 1.0751540660858154, "generated_prompt": null, "project": "nanofatdog/video-to-prompt", "raw_file": "projects/nanofatdog__video-to-prompt/preflight.json" }, { "stage": "import/environment preflight ONLY; no model inference", "code": "import llava", "exit_code": 0, "stdout": "IMPORT_PROBE_OK\n", "stderr": "", "seconds": 0.1410510540008545, "generated_prompt": null, "project": "NVlabs/VILA", "raw_file": "projects/NVlabs__VILA/preflight.json" }, { "stage": "import/environment preflight ONLY; no model inference", "code": "import app", "exit_code": 1, "stdout": "", "stderr": "Traceback (most recent call last):\n File \"\", line 1, in \n File \"C:\\Users\\Administrator\\Documents\\ChatGPT\\定时任务\\outputs\\tiktok-prompt-lab\\projects\\o-l-l-i__simple-captioner\\repo\\app.py\", line 3, in \n import gradio as gr\nModuleNotFoundError: No module named 'gradio'\n", "seconds": 3.6701316833496094, "generated_prompt": null, "project": "o-l-l-i/simple-captioner", "raw_file": "projects/o-l-l-i__simple-captioner/preflight.json" }, { "stage": "import/environment preflight ONLY; no model inference", "code": "import chat", "exit_code": 0, "stdout": "IMPORT_PROBE_OK\n", "stderr": "", "seconds": 25.491672039031982, "generated_prompt": null, "project": "OpenBMB/MiniCPM-V", "raw_file": "projects/OpenBMB__MiniCPM-V/preflight.json" }, { "stage": "import/environment preflight ONLY; no model inference", "code": "import sys;sys.path.insert(0,\"video_chat2\");import models", "exit_code": 1, "stdout": "", "stderr": "C:\\Users\\Administrator\\Documents\\ChatGPT\\定时任务\\outputs\\tiktok-prompt-lab\\env\\Lib\\site-packages\\timm\\models\\layers\\__init__.py:49: FutureWarning: Importing from timm.models.layers is deprecated, please import via timm.layers\n warnings.warn(f\"Importing from {__name__} is deprecated, please import via timm.layers\", FutureWarning)\nTraceback (most recent call last):\n File \"\", line 1, in \n File \"C:\\Users\\Administrator\\Documents\\ChatGPT\\定时任务\\outputs\\tiktok-prompt-lab\\projects\\OpenGVLab__Ask-Anything\\repo\\video_chat2\\models\\__init__.py\", line 1, in \n from .videochat2_qformer import VideoChat2_qformer\n File \"C:\\Users\\Administrator\\Documents\\ChatGPT\\定时任务\\outputs\\tiktok-prompt-lab\\projects\\OpenGVLab__Ask-Anything\\repo\\video_chat2\\models\\videochat2_qformer.py\", line 9, in \n from .blip2.builder import build_qformer\n File \"C:\\Users\\Administrator\\Documents\\ChatGPT\\定时任务\\outputs\\tiktok-prompt-lab\\projects\\OpenGVLab__Ask-Anything\\repo\\video_chat2\\models\\blip2\\builder.py\", line 6, in \n from .Qformer import BertConfig, BertLMHeadModel\n File \"C:\\Users\\Administrator\\Documents\\ChatGPT\\定时任务\\outputs\\tiktok-prompt-lab\\projects\\OpenGVLab__Ask-Anything\\repo\\video_chat2\\models\\blip2\\Qformer.py\", line 40, in \n from transformers.modeling_utils import (\nImportError: cannot import name 'apply_chunking_to_forward' from 'transformers.modeling_utils' (C:\\Users\\Administrator\\Documents\\ChatGPT\\定时任务\\outputs\\tiktok-prompt-lab\\env\\Lib\\site-packages\\transformers\\modeling_utils.py)\n", "seconds": 20.6755051612854, "generated_prompt": null, "project": "OpenGVLab/Ask-Anything", "raw_file": "projects/OpenGVLab__Ask-Anything/preflight.json" }, { "stage": "import/environment preflight ONLY; no model inference", "code": "import torch;import timm;import decord;import flash_attn", "exit_code": 1, "stdout": "", "stderr": "Traceback (most recent call last):\n File \"\", line 1, in \nModuleNotFoundError: No module named 'flash_attn'\n", "seconds": 23.047945499420166, "generated_prompt": null, "project": "OpenGVLab/InternVideo", "raw_file": "projects/OpenGVLab__InternVideo/preflight.json" }, { "stage": "import/environment preflight ONLY; no model inference", "code": "import torch;import timm;import einops;from transformers import AutoModel,AutoTokenizer;print(\"HF loader dependencies present\")", "exit_code": 0, "stdout": "HF loader dependencies present\nIMPORT_PROBE_OK\n", "stderr": "", "seconds": 16.030609846115112, "generated_prompt": null, "project": "OpenGVLab/InternVL", "raw_file": "projects/OpenGVLab__InternVL/preflight.json" }, { "stage": "import/environment preflight ONLY; no model inference", "code": "import torch;from transformers import AutoModel;import decord;import flash_attn", "exit_code": 1, "stdout": "", "stderr": "Traceback (most recent call last):\n File \"\", line 1, in \nModuleNotFoundError: No module named 'flash_attn'\n", "seconds": 21.227516174316406, "generated_prompt": null, "project": "OpenGVLab/VideoChat-Flash", "raw_file": "projects/OpenGVLab__VideoChat-Flash/preflight.json" }, { "stage": "import/environment preflight ONLY; no model inference", "code": "import torch;from transformers import Qwen2_5_VLForConditionalGeneration;import qwen_vl_utils", "exit_code": 0, "stdout": "IMPORT_PROBE_OK\n", "stderr": "", "seconds": 26.732246160507202, "generated_prompt": null, "project": "OpenGVLab/VideoChat-R1", "raw_file": "projects/OpenGVLab__VideoChat-R1/preflight.json" }, { "stage": "import/environment preflight ONLY; no model inference", "code": "from clip_interrogator import Config,Interrogator", "exit_code": 0, "stdout": "IMPORT_PROBE_OK\n", "stderr": "", "seconds": 19.796399354934692, "generated_prompt": null, "project": "pharmapsychotic/clip-interrogator", "raw_file": "projects/pharmapsychotic__clip-interrogator/preflight.json" }, { "stage": "import/environment preflight ONLY; no model inference", "code": "from ChatUniVi.model.builder import load_pretrained_model", "exit_code": 0, "stdout": "IMPORT_PROBE_OK\n", "stderr": "C:\\Users\\Administrator\\Documents\\ChatGPT\\定时任务\\outputs\\tiktok-prompt-lab\\env\\Lib\\site-packages\\timm\\models\\layers\\__init__.py:49: FutureWarning: Importing from timm.models.layers is deprecated, please import via timm.layers\n warnings.warn(f\"Importing from {__name__} is deprecated, please import via timm.layers\", FutureWarning)\nC:\\Users\\Administrator\\Documents\\ChatGPT\\定时任务\\outputs\\tiktok-prompt-lab\\env\\Lib\\site-packages\\timm\\models\\registry.py:4: FutureWarning: Importing from timm.models.registry is deprecated, please import via timm.models\n warnings.warn(f\"Importing from {__name__} is deprecated, please import via timm.models\", FutureWarning)\nC:\\Users\\Administrator\\Documents\\ChatGPT\\定时任务\\outputs\\tiktok-prompt-lab\\env\\Lib\\site-packages\\timm\\models\\hub.py:4: FutureWarning: Importing from timm.models.hub is deprecated, please import via timm.models\n warnings.warn(f\"Importing from {__name__} is deprecated, please import via timm.models\", FutureWarning)\n", "seconds": 26.58387565612793, "generated_prompt": null, "project": "PKU-YuanGroup/Chat-UniVi", "raw_file": "projects/PKU-YuanGroup__Chat-UniVi/preflight.json" }, { "stage": "import/environment preflight ONLY; no model inference", "code": "from videollava.model.builder import load_pretrained_model", "exit_code": 1, "stdout": "", "stderr": "Traceback (most recent call last):\n File \"\", line 1, in \n File \"C:\\Users\\Administrator\\Documents\\ChatGPT\\定时任务\\outputs\\tiktok-prompt-lab\\projects\\PKU-YuanGroup__Video-LLaVA\\repo\\videollava\\__init__.py\", line 1, in \n from .model import LlavaLlamaForCausalLM\n File \"C:\\Users\\Administrator\\Documents\\ChatGPT\\定时任务\\outputs\\tiktok-prompt-lab\\projects\\PKU-YuanGroup__Video-LLaVA\\repo\\videollava\\model\\__init__.py\", line 1, in \n from .language_model.llava_llama import LlavaLlamaForCausalLM, LlavaConfig\n File \"C:\\Users\\Administrator\\Documents\\ChatGPT\\定时任务\\outputs\\tiktok-prompt-lab\\projects\\PKU-YuanGroup__Video-LLaVA\\repo\\videollava\\model\\language_model\\llava_llama.py\", line 26, in \n from ..llava_arch import LlavaMetaModel, LlavaMetaForCausalLM\n File \"C:\\Users\\Administrator\\Documents\\ChatGPT\\定时任务\\outputs\\tiktok-prompt-lab\\projects\\PKU-YuanGroup__Video-LLaVA\\repo\\videollava\\model\\llava_arch.py\", line 21, in \n from .multimodal_encoder.builder import build_image_tower, build_video_tower\n File \"C:\\Users\\Administrator\\Documents\\ChatGPT\\定时任务\\outputs\\tiktok-prompt-lab\\projects\\PKU-YuanGroup__Video-LLaVA\\repo\\videollava\\model\\multimodal_encoder\\builder.py\", line 3, in \n from .languagebind import LanguageBindImageTower, LanguageBindVideoTower\n File \"C:\\Users\\Administrator\\Documents\\ChatGPT\\定时任务\\outputs\\tiktok-prompt-lab\\projects\\PKU-YuanGroup__Video-LLaVA\\repo\\videollava\\model\\multimodal_encoder\\languagebind\\__init__.py\", line 6, in \n from .image.modeling_image import LanguageBindImage\n File \"C:\\Users\\Administrator\\Documents\\ChatGPT\\定时任务\\outputs\\tiktok-prompt-lab\\projects\\PKU-YuanGroup__Video-LLaVA\\repo\\videollava\\model\\multimodal_encoder\\languagebind\\image\\modeling_image.py\", line 11, in \n from transformers.models.clip.modeling_clip import CLIPMLP, CLIPAttention, CLIPTextEmbeddings, CLIPVisionEmbeddings, \\\nImportError: cannot import name '_expand_mask' from 'transformers.models.clip.modeling_clip' (C:\\Users\\Administrator\\Documents\\ChatGPT\\定时任务\\outputs\\tiktok-prompt-lab\\env\\Lib\\site-packages\\transformers\\models\\clip\\modeling_clip.py)\n", "seconds": 27.328173637390137, "generated_prompt": null, "project": "PKU-YuanGroup/Video-LLaVA", "raw_file": "projects/PKU-YuanGroup__Video-LLaVA/preflight.json" }, { "stage": "import/environment preflight ONLY; no model inference", "code": "from transformers import Qwen2_5OmniForConditionalGeneration,Qwen2_5OmniProcessor", "exit_code": 0, "stdout": "IMPORT_PROBE_OK\n", "stderr": "", "seconds": 31.722358226776123, "generated_prompt": null, "project": "QwenLM/Qwen2.5-Omni", "raw_file": "projects/QwenLM__Qwen2.5-Omni/preflight.json" }, { "stage": "import/environment preflight ONLY; no model inference", "code": "from transformers import Qwen3VLForConditionalGeneration,Qwen2_5_VLForConditionalGeneration;import qwen_vl_utils", "exit_code": 0, "stdout": "IMPORT_PROBE_OK\n", "stderr": "", "seconds": 23.578537702560425, "generated_prompt": null, "project": "QwenLM/Qwen3-VL", "raw_file": "projects/QwenLM__Qwen3-VL/preflight.json" }, { "stage": "import/environment preflight ONLY; no model inference", "code": "from models.blip import blip_decoder", "exit_code": 1, "stdout": "", "stderr": "Traceback (most recent call last):\n File \"\", line 1, in \n File \"C:\\Users\\Administrator\\Documents\\ChatGPT\\定时任务\\outputs\\tiktok-prompt-lab\\projects\\Salesforce__BLIP\\repo\\models\\blip.py\", line 12, in \n from models.med import BertConfig, BertModel, BertLMHeadModel\n File \"C:\\Users\\Administrator\\Documents\\ChatGPT\\定时任务\\outputs\\tiktok-prompt-lab\\projects\\Salesforce__BLIP\\repo\\models\\med.py\", line 39, in \n from transformers.modeling_utils import (\nImportError: cannot import name 'apply_chunking_to_forward' from 'transformers.modeling_utils' (C:\\Users\\Administrator\\Documents\\ChatGPT\\定时任务\\outputs\\tiktok-prompt-lab\\env\\Lib\\site-packages\\transformers\\modeling_utils.py)\n", "seconds": 26.002376556396484, "generated_prompt": null, "project": "Salesforce/BLIP", "raw_file": "projects/Salesforce__BLIP/preflight.json" }, { "stage": "import/environment preflight ONLY; no model inference", "code": "from lavis.models import load_model_and_preprocess", "exit_code": 1, "stdout": "", "stderr": "Traceback (most recent call last):\n File \"C:\\Users\\Administrator\\Documents\\ChatGPT\\定时任务\\outputs\\tiktok-prompt-lab\\env\\Lib\\site-packages\\pandas\\__init__.py\", line 23, in \n __import__(_dependency)\nModuleNotFoundError: No module named 'dateutil'\n\nThe above exception was the direct cause of the following exception:\n\nTraceback (most recent call last):\n File \"\", line 1, in \n File \"C:\\Users\\Administrator\\Documents\\ChatGPT\\定时任务\\outputs\\tiktok-prompt-lab\\projects\\salesforce__LAVIS\\repo\\lavis\\__init__.py\", line 15, in \n from lavis.datasets.builders import *\n File \"C:\\Users\\Administrator\\Documents\\ChatGPT\\定时任务\\outputs\\tiktok-prompt-lab\\projects\\salesforce__LAVIS\\repo\\lavis\\datasets\\builders\\__init__.py\", line 8, in \n from lavis.datasets.builders.base_dataset_builder import load_dataset_config\n File \"C:\\Users\\Administrator\\Documents\\ChatGPT\\定时任务\\outputs\\tiktok-prompt-lab\\projects\\salesforce__LAVIS\\repo\\lavis\\datasets\\builders\\base_dataset_builder.py\", line 13, in \n import lavis.common.utils as utils\n File \"C:\\Users\\Administrator\\Documents\\ChatGPT\\定时任务\\outputs\\tiktok-prompt-lab\\projects\\salesforce__LAVIS\\repo\\lavis\\common\\utils.py\", line 23, in \n import pandas as pd\n File \"C:\\Users\\Administrator\\Documents\\ChatGPT\\定时任务\\outputs\\tiktok-prompt-lab\\env\\Lib\\site-packages\\pandas\\__init__.py\", line 25, in \n raise ImportError(\nImportError: Unable to import required dependency dateutil. Please see the traceback for details.\n", "seconds": 2.1245782375335693, "generated_prompt": null, "project": "salesforce/LAVIS", "raw_file": "projects/salesforce__LAVIS/preflight.json" }, { "stage": "import/environment preflight ONLY; no model inference", "code": "import sys;sys.path.insert(0,\"src\");from cuda_local_vlm_video_captioning import env_check;print(env_check.__file__);import torch;assert torch.cuda.is_available(),\"CUDA unavailable on local host\"", "exit_code": 1, "stdout": "C:\\Users\\Administrator\\Documents\\ChatGPT\\定时任务\\outputs\\tiktok-prompt-lab\\projects\\ssheld__cuda-local-vlm-video-captioning\\repo\\src\\cuda_local_vlm_video_captioning\\env_check.py\n", "stderr": "Traceback (most recent call last):\n File \"\", line 1, in \nAssertionError: CUDA unavailable on local host\n", "seconds": 5.357025146484375, "generated_prompt": null, "project": "ssheld/cuda-local-vlm-video-captioning", "raw_file": "projects/ssheld__cuda-local-vlm-video-captioning/preflight.json" }, { "stage": "import/environment preflight ONLY; no model inference", "code": "from transformers import Glm4vForConditionalGeneration,AutoProcessor", "exit_code": 0, "stdout": "IMPORT_PROBE_OK\n", "stderr": "", "seconds": 39.546640396118164, "generated_prompt": null, "project": "THUDM/GLM-4.1V-Thinking", "raw_file": "projects/THUDM__GLM-4.1V-Thinking/preflight.json" }, { "stage": "import/environment preflight ONLY; no model inference", "code": "import src.pipeline", "exit_code": 1, "stdout": "", "stderr": "Traceback (most recent call last):\n File \"\", line 1, in \n File \"C:\\Users\\Administrator\\Documents\\ChatGPT\\定时任务\\outputs\\tiktok-prompt-lab\\projects\\Venkata-Manoj__videoreverse\\repo\\src\\pipeline.py\", line 17, in \n from src.synthesize import build_blueprint\n File \"C:\\Users\\Administrator\\Documents\\ChatGPT\\定时任务\\outputs\\tiktok-prompt-lab\\projects\\Venkata-Manoj__videoreverse\\repo\\src\\synthesize.py\", line 12, in \n from google import genai\nModuleNotFoundError: No module named 'google'\n", "seconds": 0.6874313354492188, "generated_prompt": null, "project": "Venkata-Manoj/videoreverse", "raw_file": "projects/Venkata-Manoj__videoreverse/preflight.json" }, { "stage": "import/environment preflight ONLY; no model inference", "code": "import minigpt4.models", "exit_code": 1, "stdout": "", "stderr": "Traceback (most recent call last):\n File \"C:\\Users\\Administrator\\Documents\\ChatGPT\\定时任务\\outputs\\tiktok-prompt-lab\\env\\Lib\\site-packages\\pandas\\__init__.py\", line 23, in \n __import__(_dependency)\nModuleNotFoundError: No module named 'dateutil'\n\nThe above exception was the direct cause of the following exception:\n\nTraceback (most recent call last):\n File \"\", line 1, in \n File \"C:\\Users\\Administrator\\Documents\\ChatGPT\\定时任务\\outputs\\tiktok-prompt-lab\\projects\\Vision-CAIR__MiniGPT-4\\repo\\minigpt4\\__init__.py\", line 15, in \n from minigpt4.datasets.builders import *\n File \"C:\\Users\\Administrator\\Documents\\ChatGPT\\定时任务\\outputs\\tiktok-prompt-lab\\projects\\Vision-CAIR__MiniGPT-4\\repo\\minigpt4\\datasets\\builders\\__init__.py\", line 8, in \n from minigpt4.datasets.builders.base_dataset_builder import load_dataset_config\n File \"C:\\Users\\Administrator\\Documents\\ChatGPT\\定时任务\\outputs\\tiktok-prompt-lab\\projects\\Vision-CAIR__MiniGPT-4\\repo\\minigpt4\\datasets\\builders\\base_dataset_builder.py\", line 18, in \n import minigpt4.common.utils as utils\n File \"C:\\Users\\Administrator\\Documents\\ChatGPT\\定时任务\\outputs\\tiktok-prompt-lab\\projects\\Vision-CAIR__MiniGPT-4\\repo\\minigpt4\\common\\utils.py\", line 22, in \n import pandas as pd\n File \"C:\\Users\\Administrator\\Documents\\ChatGPT\\定时任务\\outputs\\tiktok-prompt-lab\\env\\Lib\\site-packages\\pandas\\__init__.py\", line 25, in \n raise ImportError(\nImportError: Unable to import required dependency dateutil. Please see the traceback for details.\n", "seconds": 13.735531091690063, "generated_prompt": null, "project": "Vision-CAIR/MiniGPT-4", "raw_file": "projects/Vision-CAIR__MiniGPT-4/preflight.json" }, { "stage": "import/environment preflight ONLY; no model inference", "code": "from model.CapGenerator import CapGenerator", "exit_code": 1, "stdout": "", "stderr": "Traceback (most recent call last):\n File \"\", line 1, in \n File \"C:\\Users\\Administrator\\Documents\\ChatGPT\\定时任务\\outputs\\tiktok-prompt-lab\\projects\\YoadTew__zero-shot-video-to-text\\repo\\model\\CapGenerator.py\", line 8, in \n from transformers.generation_logits_process import NoRepeatNGramLogitsProcessor, RepetitionPenaltyLogitsProcessor, \\\nModuleNotFoundError: No module named 'transformers.generation_logits_process'\n", "seconds": 34.66739082336426, "generated_prompt": null, "project": "YoadTew/zero-shot-video-to-text", "raw_file": "projects/YoadTew__zero-shot-video-to-text/preflight.json" }, { "stage": "import/environment preflight ONLY; no model inference", "code": "import torch;from transformers import AutoModelForCausalLM,AutoTokenizer;import decord", "exit_code": 0, "stdout": "IMPORT_PROBE_OK\n", "stderr": "", "seconds": 26.656871795654297, "generated_prompt": null, "project": "zai-org/CogVLM2", "raw_file": "projects/zai-org__CogVLM2/preflight.json" } ], "auxiliary": [ { "capability": "depth-anything-v2", "model": "depth-anything/Depth-Anything-V2-Small-hf", "status": "success", "type": "auxiliary evidence/control signal; NOT native prompt generation", "outputs": [ { "time": 0, "depth_map": "auxiliary-results/depth-000.png", "raw_map": "auxiliary-results/depth-000.npy", "min": 0.0, "max": 7.651690483093262, "note": "Relative inverse-depth estimate; values are NOT meters, lens focal length or true camera motion." }, { "time": 15, "depth_map": "auxiliary-results/depth-015.png", "raw_map": "auxiliary-results/depth-015.npy", "min": 0.2065698653459549, "max": 7.989985942840576, "note": "Relative inverse-depth estimate; values are NOT meters, lens focal length or true camera motion." }, { "time": 50, "depth_map": "auxiliary-results/depth-050.png", "raw_map": "auxiliary-results/depth-050.npy", "min": 0.0, "max": 9.543968200683594, "note": "Relative inverse-depth estimate; values are NOT meters, lens focal length or true camera motion." }, { "time": 95, "depth_map": "auxiliary-results/depth-095.png", "raw_map": "auxiliary-results/depth-095.npy", "min": 0.0, "max": 8.520442962646484, "note": "Relative inverse-depth estimate; values are NOT meters, lens focal length or true camera motion." }, { "time": 175, "depth_map": "auxiliary-results/depth-175.png", "raw_map": "auxiliary-results/depth-175.npy", "min": 0.0, "max": 6.343902111053467, "note": "Relative inverse-depth estimate; values are NOT meters, lens focal length or true camera motion." }, { "time": 235, "depth_map": "auxiliary-results/depth-235.png", "raw_map": "auxiliary-results/depth-235.npy", "min": 0.0, "max": 7.544503688812256, "note": "Relative inverse-depth estimate; values are NOT meters, lens focal length or true camera motion." }, { "time": 340, "depth_map": "auxiliary-results/depth-340.png", "raw_map": "auxiliary-results/depth-340.npy", "min": 0.0, "max": 7.5998945236206055, "note": "Relative inverse-depth estimate; values are NOT meters, lens focal length or true camera motion." }, { "time": 385, "depth_map": "auxiliary-results/depth-385.png", "raw_map": "auxiliary-results/depth-385.npy", "min": 0.0, "max": 6.324129104614258, "note": "Relative inverse-depth estimate; values are NOT meters, lens focal length or true camera motion." } ], "seconds": 45.25991082191467, "id": "depth-anything-v2" }, { "capability": "easyocr", "type": "auxiliary evidence extractor; NOT a native video-to-prompt generator", "status": "success", "outputs": [ { "time": 0, "text": [ "《鲂渖乖福建》", "4I生成无不良引导" ] }, { "time": 15, "text": [ "《听海小福娃》", "内容由a生成 纯属虚构 请勿代入现实", "谁知道他从哪飘来的", "4[生成无不良引导" ] }, { "time": 50, "text": [ "《鲂海』福建》", "内容由a1生成 纯属虚构 请勿代入现买", "4生`冠尕良乳导" ] }, { "time": 95, "text": [ "《听海小福娃》", "内容由a1生成 纯属虚构 请勿代入现买", "他家两个兀子以后都要出", "海", "AI生成无不良引导" ] }, { "time": 175, "text": [ "《鲂海小福娃》", "内容由ai生成 纯属虚构 请勿代入现实", "n", "4I生成无不良引导", "杭海记永", "LOI" ] }, { "time": 235, "text": [ "《听海』福建》", "内谷由a1生成 纯属虚构 请勿代入现买", "不给", "4I生成无尕良引导" ] }, { "time": 340, "text": [ "《听海』福毽》", "内容由a[生成 纯属虚构 请勿代入现实", "小钳子这个说你踩他家了", "4[生成无不良引导" ] }, { "time": 385, "text": [ "《鲂海』福毽》", "内谷由a1生成 纯属虚构 请勿代入现实", "4I生成无不良引导" ] } ], "seconds": 313.10020184516907, "id": "easyocr" }, { "capability": "ffmpeg", "type": "auxiliary evidence extractor; NOT a native video-to-prompt generator", "status": "success", "outputs": [ { "time": 5.633333 }, { "time": 8.4 }, { "time": 11.0 }, { "time": 12.633333 }, { "time": 13.4 }, { "time": 14.966667 }, { "time": 17.566667 }, { "time": 19.966667 }, { "time": 21.933333 }, { "time": 22.533333 }, { "time": 25.066667 }, { "time": 29.1 }, { "time": 30.7 }, { "time": 31.733333 }, { "time": 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355, 356, 357, 358, 359, 360, 361, 362, 363, 364, 365, 366, 367, 368, 369, 370, 371, 372, 373, 374, 375, 376, 377, 378, 379, 380, 381, 382, 383, 384, 385, 386, 387, 388, 389, 390, 391, 392, 393, 394, 395, 396, 397, 398, 399 ] }, "decode_seconds": 51.613494873046875 }, "density_prompts": { "84": { "stage": "same-model caption-to-prompt synthesis", "count": 84, "model": "Qwen/Qwen3-0.6B", "input_tokens": 1559, "prompt": "Turn the following timestamped automatically generated image captions into one coherent video generation prompt in English, at most 160 words. Preserve recurring visible subjects, settings, props and the broad chronological sequence. Do not invent dialogue, motivations, relationships, camera moves, or sounds. Do not reproduce nonsensical captions as facts. State that the observations may contain recognition errors.\n\n0.0s: a little girl sitting on the beach with crabs\n5.2s: a little girl is playing with crabs on the beach\n10.5s: a man holding a baby in his arms\n14.6s: a man and a woman are playing with a baby\n19.8s: a woman holding a child in her arms\n25.1s: a woman holding a baby in her arms\n30.3s: a man and woman sitting on a boat in the ocean\n35.5s: a little girl with a red headband and a black jacket\n39.7s: a person holding a bird on their hand\n44.9s: a woman and child are eating food together\n50.1s: a boat is in the water near a wave\n55.3s: a man and woman are riding on a boat\n60.5s: a boat is in the water with a man standing on it\n64.7s: a man in a green jacket is standing near a boat\n69.9s: a man and a little girl sitting on the beach\n75.1s: a man and woman in a scene with the words in chinese\n80.4s: a woman in a black dress and a man in a gray shirt stand in front of a group of people\n85.6s: a woman holding a baby in her arms\n90.8s: a man in a blue jacket and a woman in a white shirt sitting at a table\n95.0s: the movie is about a family and a family\n100.2s: a boat is sitting on the shore of a harbor\n105.4s: a woman with a surprised look on her face\n110.6s: a man holding a small child in his arms\n115.8s: a man holding a little girl in his arms\n120.0s: a man holding a little girl in his arms\n125.2s: a man is bending a boat on the ground\n130.4s: a man in a hat and a jacket is standing next to a wooden wall\n135.7s: a little girl with a big blue eyes\n140.9s: the legend of the condor movie poster\n145.0s: a woman in a brown top and black pants\n150.3s: a man and woman looking at a child\n155.5s: a little girl with a red bow on her head\n160.7s: a man is holding a knife in front of a building\n165.9s: a man is holding a fire in his hand\n170.1s: a man is laying down on the ground\n175.3s: a woman in a black top is riding a motorcycle\n180.5s: a person holding an open book with writing on it\n185.7s: a man and woman looking at a map\n191.0s: a man and woman are sitting at a table\n195.1s: a little girl is playing with a map\n200.3s: a woman and child are looking at a map\n205.6s: a man and a little girl looking at a map\n210.8s: a woman in a brown shirt and black vest is standing in front of a brick wall\n216.0s: a woman holding a baby in her arms\n221.2s: a man and woman sitting on a bench\n225.4s: a man and woman sitting on a rock\n230.6s: a man and woman sitting on a rock\n235.8s: a woman with long hair and a man in a denim jacket\n241.0s: a man and woman walking down a street\n246.2s: a woman with long hair and a black jacket is talking to another woman\n250.4s: a woman standing in front of a wooden door\n255.6s: a man in a green jacket is pointing at something\n260.9s: a woman in a gray top and brown skirt\n266.1s: a little girl is standing in front of a soldier\n271.3s: a man and a young boy standing next to each other men\n275.5s: a little girl with a red bow on her head\n280.7s: a man sitting next to another man on a hill\n285.9s: a little girl is sitting on the ground\n291.1s: a man holding a little girl in his arms\n296.3s: a man holding a small child on his lap\n300.5s: a man and woman looking at a map\n305.7s: a woman and child looking at a map\n310.9s: a man and woman standing next to each other people\n316.2s: a woman in a floral dress and a man in a suit stand next to her\n321.4s: a woman and a man are standing in front of a crowd\n325.5s: a woman with long hair and a jacket is smiling\n330.8s: a woman standing on a beach next to a bucket\n336.0s: a little girl is playing with a dog\n341.2s: a little girl is playing in the water\n346.4s: a man and a little girl are playing in the water\n351.6s: a person pointing at a hole in the ground\n355.8s: a person kneeling down on a beach with a knife\n361.0s: a little girl is smiling and holding a rock\n366.2s: a woman and child are playing in the water\n371.5s: a woman holding a bucket with a sunset in the background\n376.7s: a little girl is making a heart with her hands\n380.8s: two men are holding a bucket of food\n386.1s: a basket full of crabs on the beach\n391.3s: a woman holding a basket of crabs\n396.5s: a little girl with a red bow on her head\n401.7s: a man with a child in his arms\n405.9s: a little girl with a red bow on her head\n411.1s: a man is laughing while another watches\n416.3s: a black shirt with a yellow fist on it", "status": "success", "settings": { "max_new_tokens": 300, "do_sample": false, "enable_thinking": false, "dtype": "float32", "threads": 3 }, "seconds": 166.93493556976318, "output_tokens": 300, "text": "0.0s: A little girl sits on the beach with crabs. \n5.2s: She plays with crabs on the beach. \n10.5s: A man holds a baby in his arms. \n14.6s: A man and woman play with a baby. \n19.8s: A woman holds a child in her arms. \n25.1s: A woman holds a baby in her arms. \n30.3s: A man and woman sit on a boat in the ocean. \n35.5s: A girl with a red headband and black jacket is sitting. \n44.9s: A person holds a bird on their hand. \n50.1s: A woman and child are eating food together. \n55.3s: A man and woman ride on a boat. \n60.5s: A boat is in the water near a wave. \n64.7s: A man in a green jacket is near a boat. \n69.9s: A man and a girl sit on the beach. \n75.1s: A man and woman are in a scene with Chinese words. \n80.4s: A woman in a black dress and a man in a gray shirt are in front of people. \n85.6s: A woman holds a baby in her arms. \n90.8" }, "200": { "stage": "same-model caption-to-prompt synthesis", "count": 200, "model": "Qwen/Qwen3-0.6B", "input_tokens": 3609, "prompt": "Turn the following timestamped automatically generated image captions into one coherent video generation prompt in English, at most 160 words. Preserve recurring visible subjects, settings, props and the broad chronological sequence. Do not invent dialogue, motivations, relationships, camera moves, or sounds. Do not reproduce nonsensical captions as facts. State that the observations may contain recognition errors.\n\n0.0s: a little girl sitting on the beach with crabs\n2.1s: a baby girl is playing with a crab\n4.2s: a little girl is sitting on the beach with a crab\n6.3s: a man and a child playing on the beach\n8.4s: a screenshot of a black background with a white text that reads ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` `\n10.5s: a man holding a baby in his arms\n12.5s: a woman holding a child in her arms\n14.6s: a man and a woman are playing with a baby\n16.7s: a child with a teary face and a green string around his neck\n18.8s: a man holding a small child in his arms\n20.9s: a woman holding a child in her arms\n23.0s: a child crying with tears on her face\n25.1s: a woman holding a baby in her arms\n27.1s: a little girl is holding a dog\n29.2s: a man sitting on a boat looking at another man\n31.3s: a man holding a baby in his arms\n33.4s: a man holding a child on the beach\n35.5s: a little girl with a red headband and a black jacket\n37.6s: a man and woman standing next to each other people\n39.7s: a person holding a bird on their hand\n41.8s: a man standing on top of a boat\n43.8s: a man holding a small child in his arms\n45.9s: a man in a green jacket is standing near the water\n48.0s: a boat is in the water near a wave\n50.1s: a boat is in the water near a wave\n52.2s: a man holding a small child in his arms\n54.3s: a man holding a dog on a boat\n56.4s: a man is standing on a boat in the water\n58.4s: a man holding a dog on the beach\n60.5s: a boat is in the water with a man standing on it\n62.6s: a man is standing in the water with a gun\n64.7s: a man in a green jacket is standing near a boat\n66.8s: a woman and child are on the beach\n68.9s: a little girl with a red bow on her head\n71.0s: a little girl is holding her mother ' s hand\n73.1s: a man is being carried by a woman in a flooded area\n75.1s: a man and woman in a scene with the words in chinese\n77.2s: a man and woman are looking at each other people\n79.3s: the girl in the village china\n81.4s: a man holding a small child in his arms\n83.5s: a group of people standing around a table\n85.6s: a woman holding a baby in her arms\n87.7s: a man and woman in a boat on the water\n89.7s: a person is reaching a star on a table\n91.8s: a woman with a black hair and a man in a gray shirt\n93.9s: a man holding a small child in his arms\n96.0s: the legend of the condor\n98.1s: a woman sitting at a table with a man sitting next to her\n100.2s: a boat is sitting on the shore of a harbor\n102.3s: a woman sitting on a table with a man in the background\n104.4s: a woman with a smile on her face\n106.4s: a man holding a little girl in his arms\n108.5s: a woman sitting at a table with a man looking on\n110.6s: a man holding a small child in his arms\n112.7s: a boat is sitting on the beach\n114.8s: a woman sitting at a table with two other women\n116.9s: a man holding a small child in his arms\n119.0s: a woman sitting at a table with a book\n121.0s: a man holding a baby in his arms\n123.1s: a man and woman are sitting at a table\n125.2s: a man is bending a boat on the ground\n127.3s: a man in a boat with a fishing net\n129.4s: a man and woman are standing on a wall\n131.5s: a man and a little girl are looking at something\n133.6s: a little girl with a big blue eyes\n135.7s: a little girl with a big blue eyes\n137.7s: a man and a little girl are looking at each other people\n139.8s: a man and woman are looking at each other people\n141.9s: a man is holding a knife in his hand\n144.0s: a little girl with a red nose and a man\n146.1s: a little girl with a red nose and a black hair\n148.2s: a man and woman are looking at a child\n150.3s: a man and woman looking at a child\n152.3s: a man and woman are looking at something on the ground\n154.4s: a man with long hair and a knife in his hand\n156.5s: a little girl with a red bow on her head\n158.6s: a man and a little girl are sitting on a bench\n160.7s: a man is holding a knife in front of a building\n162.8s: a person cutting a piece of wood with a knife\n164.9s: a group of people standing around a pile of bricks\n167.0s: two men looking at a bag in a room\n169.0s: a man is leaning on a wooden plank\n171.1s: a man and woman are looking at a shoe\n173.2s: a bag of food sitting on top of a wooden table\n175.3s: a woman in a black top is riding a motorcycle\n177.4s: a woman reading a book while wearing a necklace\n179.5s: a man and woman reading a book while a child looks on\n181.6s: a man reading a book while another watches\n183.6s: two men looking at a map while one looks at the other\n185.7s: a man and woman looking at a map\n187.8s: a person is pointing at a map\n189.9s: a man and woman sitting on a bench\n192.0s: a man and woman sitting at a table looking at a map\n194.1s: a man sitting on a bench reading a book\n196.2s: a man and a little girl are looking at a map\n198.3s: a little girl with a red nose and a black nose\n200.3s: a woman and child are looking at a map\n202.4s: a man and a little girl looking at a map\n204.5s: a little girl with her hands up in the air\n206.6s: a man and a little girl are smiling\n209.7s: a woman in a dress and jacket standing next to a brick\n211.8s: a woman in a dress and a man in a suit stand next to her\n213.9s: a woman in a brown dress holding a brown bag\n216.0s: a woman holding a baby in her arms\n218.1s: a woman is sitting on a bench with two other women\n220.2s: a woman sitting next to a man on a bench\n222.3s: a man and woman sitting on a bench\n224.3s: a man and woman are sitting on a bench\n226.4s: a man and woman looking at each other people\n228.5s: a man and woman sitting on a bench\n230.6s: a man and woman sitting on a rock\n232.7s: a woman in a floral dress is talking to a man\n234.8s: a little girl is holding her mother ' s hand\n236.9s: a woman in a floral dress and a man in a denim jacket\n238.9s: a woman in a floral dress is talking to a man\n241.0s: a man and woman walking down a street\n243.1s: a man and woman are talking in front of a stone wall\n245.2s: a woman with long hair and a black jacket is talking to another woman\n247.3s: a man holding a child on the beach\n249.4s: a woman in a floral shirt and black vest is standing in front of a wooden fence\n251.5s: a man in a green jacket standing next to a truck\n253.6s: a man and a woman standing next to each other men\n255.6s: a man in a green jacket is pointing at something\n257.7s: a little girl with a red bow on her head\n259.8s: a man with a blue shirt and a denim jacket\n261.9s: a woman in a gray top and black pants\n264.0s: a woman with a very long hair and a very face\n266.1s: a little girl is standing in front of a soldier\n268.2s: a man in a denim jacket is looking down at something\n270.2s: a little girl with a red bow on her head\n272.3s: a man in a green jacket and white shirt\n274.4s: a little girl with a red bow on her head\n276.5s: a man in a green jacket holding a dog\n278.6s: a man holding a small dog in his hands\n280.7s: a man sitting next to another man on a hill\n282.8s: a man in a green jacket and a woman in a white shirt\n284.9s: a little girl is sitting on the ground\n286.9s: a little girl is sitting on the ground\n289.0s: a group of people sitting on top of a wooden structure\n291.1s: a man holding a little girl in his arms\n293.2s: a little girl with a surprised look on her face\n295.3s: a man holding a small child in his arms\n297.4s: a man holding a red ribbon in his hand\n299.5s: a man and a little girl are looking at a map\n301.5s: a man and woman looking at a child\n303.6s: a man and a little girl looking at a map\n305.7s: a woman and child looking at a map\n307.8s: a group of people walking on a beach\n309.9s: a man and woman walking together on the beach\n312.0s: a man and a woman standing next to each other men\n314.1s: a group of people standing around a man\n316.2s: a woman in a floral dress and a man in a suit stand next to her\n318.2s: a group of people standing next to each other people\n320.3s: a man and woman walking together in a field\n322.4s: a man in a denim jacket and jeans jacket standing next to a woman\n324.5s: a little girl is walking through a puddle\n326.6s: a little girl with a red bow on her head\n328.7s: a woman is laughing and looking at the camera\n330.8s: a woman standing on a beach next to a bucket\n332.8s: a man and a little girl playing in the water\n334.9s: a man and a child playing in the water\n337.0s: a little girl is playing in the water\n339.1s: a man and woman are playing in the water\n341.2s: a little girl is playing in the water\n343.3s: a man and a little girl are playing in the water\n345.4s: a man in a green jacket is sitting on a rock\n347.5s: a man and a little girl playing in the water\n349.5s: a woman and a child playing in the water\n351.6s: a person pointing at a hole in the ground\n353.7s: a man with a black hair and a denim jacket\n355.8s: a person kneeling down on a beach with a knife\n357.9s: a man is holding a crab on the beach\n360.0s: a man holding a crab in his hands\n362.1s: a man is holding a fish in the water\n364.1s: a man and a young girl are looking at a crab\n366.2s: a woman and child are playing in the water\n368.3s: a man is holding a bucket with a bucket\n370.4s: a woman holding a bucket in her hands\n372.5s: a little girl with a red bow on her head\n374.6s: a little girl is standing on the beach\n376.7s: a little girl is making a heart with her hands\n378.8s: a man kneeling down on a field with a bunch of green grass\n380.8s: two men are holding a bucket of food\n382.9s: a group of people are standing in the water\n385.0s: a group of people are playing in the water\n387.1s: a man holding a basket full of crabs\n389.2s: a man holding a basket full of crabs\n391.3s: a woman holding a basket of crabs\n393.4s: a man and a little girl sitting on a rock\n395.4s: a little girl with a red bow on her head\n397.5s: a woman with long hair and a necklace\n399.6s: a little girl is holding a man ' s hand\n401.7s: a man with a child in his arms\n403.8s: a little girl with a red bow on her head\n405.9s: a little girl with a red bow on her head\n408.0s: a man holding a child in his arms\n410.1s: a little girl is standing on the beach\n412.1s: a man in a green jacket is talking to another man\n414.2s: a black background with a white and yellow logo\n416.3s: a black shirt with a yellow fist on it", "status": "success", "settings": { "max_new_tokens": 300, "do_sample": false, "enable_thinking": false, "dtype": "float32", "threads": 3 }, "seconds": 518.9396183490753, "output_tokens": 300, "text": "0.0s: A little girl sits on the beach with crabs. \n2.1s: A baby girl plays with a crab. \n4.2s: A little girl sits on the beach with a crab. \n6.3s: A man and a child play on the beach. \n8.4s: A screenshot of a black background with a white text reading \" ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` `" }, "400": { "stage": "same-model caption-to-prompt synthesis", "count": 400, "model": "Qwen/Qwen3-0.6B", "input_tokens": 7177, "prompt": "Turn the following timestamped automatically generated image captions into one coherent video generation prompt in English, at most 160 words. Preserve recurring visible subjects, settings, props and the broad chronological sequence. Do not invent dialogue, motivations, relationships, camera moves, or sounds. Do not reproduce nonsensical captions as facts. State that the observations may contain recognition errors.\n\n0.0s: a little girl sitting on the beach with crabs\n1.1s: a little girl is playing with crabs on the beach\n2.1s: a baby girl is playing with a crab\n3.1s: a little girl is playing with crabs on the beach\n4.2s: a little girl is sitting on the beach with a crab\n5.2s: a little girl is playing with crabs on the beach\n6.3s: a man and a child playing on the beach\n7.3s: a man holding a child on the beach\n8.4s: a screenshot of a black background with a white text that reads ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` `\n9.4s: a woman is sitting in the water with a fish\n10.5s: a man holding a baby in his arms\n11.5s: a woman holding a child in her arms\n12.5s: a woman holding a child in her arms\n13.6s: a man and woman are looking at a fish\n14.6s: a man and a woman are playing with a baby\n15.7s: a child crying in the rain\n16.7s: a child with a teary face and a green string around his neck\n17.8s: a man holding a baby while another watches\n18.8s: a man holding a small child in his arms\n19.8s: a woman holding a child in her arms\n20.9s: a woman holding a child in her arms\n21.9s: a man and a woman sitting on a boat\n23.0s: a child crying with tears on her face\n24.0s: a child is crying while being held by a soldier\n25.1s: a woman holding a baby in her arms\n26.1s: a woman holding a baby in her arms\n27.1s: a little girl is holding a dog\n28.2s: a little girl is holding a bird in her hand\n29.2s: a man sitting on a boat looking at another man\n30.3s: a man and woman sitting on a boat in the ocean\n31.3s: a man holding a baby in his arms\n32.4s: a man and woman standing next to each other man\n33.4s: a man holding a child on the beach\n34.4s: a little girl with a red headband\n35.5s: a little girl with a red headband and a black jacket\n36.5s: a little girl with a red nose and a black jacket\n37.6s: a man and woman standing next to each other people\n38.6s: a man and woman are kissing in the middle of a scene\n39.7s: a person holding a bird on their hand\n40.7s: a baby is smiling and looking at the camera\n41.8s: a man standing on top of a boat\n42.8s: a man holding a small child in his arms\n43.8s: a man holding a small child in his arms\n44.9s: a woman and child are eating food together\n45.9s: a man in a green jacket is standing near the water\n47.0s: a boat is in the water near a wave\n48.0s: a boat is in the water near a wave\n49.1s: a boat is in the water near a wave\n50.1s: a boat is in the water near a wave\n51.1s: a man holding a little girl in his arms\n52.2s: a man holding a small child in his arms\n53.2s: a man is sitting on a boat and waving\n54.3s: a man holding a dog on a boat\n55.3s: a man and woman are riding on a boat\n56.4s: a man is standing on a boat in the water\n57.4s: a man is holding a small child in the water\n58.4s: a man holding a dog on the beach\n59.5s: a man holding a little girl on the beach\n60.5s: a boat is in the water with a man standing on it\n61.6s: a man is standing on a rock with a camera\n62.6s: a man is standing in the water with a gun\n63.7s: a man is standing in the water near a boat\n64.7s: a man in a green jacket is standing near a boat\n65.7s: a man holding a child on the beach\n66.8s: a woman and child are on the beach\n67.8s: a little girl crying with her mother\n68.9s: a little girl with a red bow on her head\n69.9s: a man and a little girl sitting on the beach\n71.0s: a little girl is holding her mother ' s hand\n72.0s: a little girl with a red bow on her head\n73.1s: a man is being carried by a woman in a flooded area\n74.1s: a man and woman are hugging in the mud\n75.1s: a man and woman in a scene with the words in chinese\n76.2s: a man and woman are hugging in the street\n77.2s: a man and woman are looking at each other people\n78.3s: a man holding a little girl in his arms\n79.3s: the girl in the village china\n80.4s: a woman in a black dress and a man in a gray shirt stand in front of a group of people\n81.4s: a man holding a small child in his arms\n82.4s: a group of women standing around a table\n83.5s: a group of people standing around a table\n84.5s: a woman with long hair and a jacket is looking at a man\n85.6s: a woman holding a baby in her arms\n86.6s: a woman with long hair and a jacket is talking to another woman\n87.7s: a man and woman in a boat on the water\n88.7s: the cast of the korean drama drama drama drama drama drama drama drama drama drama drama drama drama drama drama drama drama drama drama drama drama drama drama drama drama drama drama drama drama drama drama drama drama drama drama drama drama drama drama drama drama drama drama drama drama drama drama drama drama drama drama drama drama drama drama\n89.7s: a person is reaching a star on a table\n90.8s: a man in a blue jacket and a woman in a white shirt sitting at a table\n91.8s: a woman with a black hair and a man in a gray shirt\n92.9s: a man and woman in a black shirt and jeans\n93.9s: a man holding a small child in his arms\n95.0s: the movie is about a family and a family\n96.0s: the legend of the condor\n97.0s: a man and woman standing next to each other people\n98.1s: a woman sitting at a table with a man sitting next to her\n99.1s: a boat is sitting on the shore of a harbor\n100.2s: a boat is sitting on the shore of a harbor\n101.2s: a woman with long hair and a jacket is sitting at a table\n102.3s: a woman sitting on a table with a man in the background\n103.3s: a man holding a small child in his arms\n104.4s: a woman with a smile on her face\n105.4s: a woman with a surprised look on her face\n106.4s: a man holding a little girl in his arms\n107.5s: a woman in a blue jacket and hat sitting at a table\n108.5s: a woman sitting at a table with a man looking on\n109.6s: a man holding a small child in his arms\n110.6s: a man holding a small child in his arms\n111.7s: a man in a blue jacket sitting at a table\n112.7s: a boat is sitting on the beach\n113.7s: a man holding a small child in his arms\n114.8s: a woman sitting at a table with two other women\n115.8s: a man holding a little girl in his arms\n116.9s: a man holding a small child in his arms\n117.9s: a man holding a small child in his arms\n119.0s: a woman sitting at a table with a book\n120.0s: a man holding a little girl in his arms\n121.0s: a man holding a baby in his arms\n122.1s: a man holding a baby while another watches\n123.1s: a man and woman are sitting at a table\n124.2s: a man holding a baby in his arms\n125.2s: a man is bending a boat on the ground\n126.3s: a man and a woman are sitting on a wall\n127.3s: a man in a boat with a fishing net\n128.3s: a man and a woman are standing near a wall\n129.4s: a man and woman are standing on a wall\n130.4s: a man in a hat and a jacket is standing next to a wooden wall\n131.5s: a man and a little girl are looking at something\n132.5s: a little girl is holding a stuffed animal\n133.6s: a little girl with a big blue eyes\n134.6s: a woman holding a child in her arms\n135.7s: a little girl with a big blue eyes\n136.7s: a little girl with blue eyes looking at the camera\n137.7s: a man and a little girl are looking at each other people\n138.8s: a woman in a gray shirt is crawling on a rock\n139.8s: a man and woman are looking at each other people\n140.9s: the legend of the condor movie poster\n141.9s: a man is holding a knife in his hand\n143.0s: a man holding a child in front of a wall\n144.0s: a little girl with a red nose and a man\n145.0s: a woman in a brown top and black pants\n146.1s: a little girl with a red nose and a black hair\n147.1s: a little girl is standing in front of a wall\n148.2s: a man and woman are looking at a child\n149.2s: a man holding a small child in his arms\n150.3s: a man and woman looking at a child\n151.3s: a man and woman are looking at something on the ground\n152.3s: a man and woman are looking at something on the ground\n153.4s: a man with a knife in his hand\n154.4s: a man with long hair and a knife in his hand\n155.5s: a little girl with a red bow on her head\n156.5s: a little girl with a red bow on her head\n157.6s: a man and a little girl are sitting on a bench\n158.6s: a man and a little girl are sitting on a bench\n159.7s: a man is holding a knife in front of a building\n160.7s: a man is holding a knife in front of a building\n161.7s: a man is pointing at another man\n162.8s: a person cutting a piece of wood with a knife\n163.8s: two men are working on a piece of wood\n164.9s: a group of people standing around a pile of bricks\n165.9s: a man is holding a fire in his hand\n167.0s: two men looking at a bag in a room\n168.0s: a man and woman looking at a bag\n169.0s: a man is leaning on a wooden plank\n170.1s: a man is laying down on the ground\n171.1s: a man and woman are looking at a shoe\n172.2s: a man and woman are looking at something on the ground\n173.2s: a bag of food sitting on top of a wooden table\n174.3s: a person is putting a book on a table\n175.3s: a woman in a black top is riding a motorcycle\n176.3s: a woman is reading a book while wearing a necklace\n177.4s: a woman reading a book while wearing a necklace\n178.4s: a man and woman sitting on a boat\n179.5s: a man and woman reading a book while a child looks on\n180.5s: a person holding an open book with writing on it\n181.6s: a man reading a book while another watches\n182.6s: a man reading a book while another watches\n183.6s: two men looking at a map while one looks at the other\n184.7s: a man is looking at a map while another looks on\n185.7s: a man and woman looking at a map\n186.8s: a man and woman looking at a map\n187.8s: a person is pointing at a map\n188.9s: a man and woman sitting on a bench\n189.9s: a man and woman sitting on a bench\n191.0s: a man and woman are sitting at a table\n192.0s: a man and woman sitting at a table looking at a map\n193.0s: a man and woman sitting at a table\n194.1s: a man sitting on a bench reading a book\n195.1s: a little girl is playing with a map\n196.2s: a man and a little girl are looking at a map\n197.2s: a young boy and a young girl are looking at a map\n198.3s: a little girl with a red nose and a black nose\n199.3s: a little girl is playing with a map\n200.3s: a woman and child are looking at a map\n201.4s: a little girl with a red bow on her head\n202.4s: a man and a little girl looking at a map\n203.5s: a man and a little girl looking at a map\n204.5s: a little girl with her hands up in the air\n205.6s: a man and a little girl looking at a map\n206.6s: a man and a little girl are smiling\n207.6s: a man and a little girl are looking at each other people\n208.7s: a group of people standing around a building\n209.7s: a woman in a dress and jacket standing next to a brick\n210.8s: a woman in a brown shirt and black vest is standing in front of a brick wall\n211.8s: a woman in a dress and a man in a suit stand next to her\n212.9s: a woman with a very big tits is posing\n213.9s: a woman in a brown dress holding a brown bag\n214.9s: two young women in a scene from the movie\n216.0s: a woman holding a baby in her arms\n217.0s: a woman holding a bag with a man standing next to her\n218.1s: a woman is sitting on a bench with two other women\n219.1s: a woman is sitting on a boat with two other women\n220.2s: a woman sitting next to a man on a bench\n221.2s: a man and woman sitting on a bench\n222.3s: a man and woman sitting on a bench\n223.3s: a man and woman sitting on a bench\n224.3s: a man and woman are sitting on a bench\n225.4s: a man and woman sitting on a rock\n226.4s: a man and woman looking at each other people\n227.5s: a man and woman are looking at each other people\n228.5s: a man and woman sitting on a bench\n229.6s: a person holding a piece of paper with writing on it\n230.6s: a man and woman sitting on a rock\n231.6s: a man and woman sitting on a bench\n232.7s: a woman in a floral dress is talking to a man\n233.7s: a woman and a child sitting on a bench\n234.8s: a little girl is holding her mother ' s hand\n235.8s: a woman with long hair and a man in a denim jacket\n236.9s: a woman in a floral dress and a man in a denim jacket\n237.9s: a man and woman standing next to each other people\n238.9s: a woman in a floral dress is talking to a man\n240.0s: a man and woman are standing together in front of a lake\n241.0s: a man and woman walking down a street\n242.1s: a woman in a floral shirt and jacket looking at a man\n243.1s: a man and woman are talking in front of a stone wall\n244.2s: a man and woman standing next to each other people\n245.2s: a woman with long hair and a black jacket is talking to another woman\n246.2s: a woman with long hair and a black jacket is talking to another woman\n247.3s: a man holding a child on the beach\n248.3s: a woman in a dress and jacket is pointing at someone\n249.4s: a woman in a floral shirt and black vest is standing in front of a wooden fence\n250.4s: a woman standing in front of a wooden door\n251.5s: a man in a green jacket standing next to a truck\n252.5s: a man in a green jacket standing next to a boat\n253.6s: a man and a woman standing next to each other men\n254.6s: a man in a green jacket standing next to a woman\n255.6s: a man in a green jacket is pointing at something\n256.7s: a man sitting on the ground next to a wooden boat\n257.7s: a little girl with a red bow on her head\n258.8s: a man with a black jacket and a gray shirt\n259.8s: a man with a blue shirt and a denim jacket\n260.9s: a woman in a gray top and brown skirt\n261.9s: a woman in a gray top and black pants\n262.9s: a woman in a brown shirt and black pants\n264.0s: a woman with a very long hair and a very face\n265.0s: a man with long hair and a denim jacket\n266.1s: a little girl is standing in front of a soldier\n267.1s: a man leaning on a wooden fence\n268.2s: a man in a denim jacket is looking down at something\n269.2s: a little girl with a red bow on her head\n270.2s: a little girl with a red bow on her head\n271.3s: a man and a young boy standing next to each other men\n272.3s: a man in a green jacket and white shirt\n273.4s: a little girl with a big nose and a big nose\n274.4s: a little girl with a red bow on her head\n275.5s: a little girl with a red bow on her head\n276.5s: a man in a green jacket holding a dog\n277.6s: a man with a denim jacket and a denim jacket\n278.6s: a man holding a small dog in his hands\n279.6s: a man in a green jacket is holding a dog\n280.7s: a man sitting next to another man on a hill\n281.7s: a man holding a baby in his arms\n282.8s: a man in a green jacket and a woman in a white shirt\n283.8s: a little girl with a red bow on her head\n284.9s: a little girl is sitting on the ground\n285.9s: a little girl is sitting on the ground\n286.9s: a little girl is sitting on the ground\n288.0s: a group of people sitting on top of a wooden wall\n289.0s: a group of people sitting on top of a wooden structure\n290.1s: a little girl with a red nose and a black hair\n291.1s: a man holding a little girl in his arms\n292.2s: a little girl is looking up at the camera\n293.2s: a little girl with a surprised look on her face\n294.2s: a man and a little girl sitting on a bench\n295.3s: a man holding a small child in his arms\n296.3s: a man holding a small child on his lap\n297.4s: a man holding a red ribbon in his hand\n298.4s: a man and a little girl are looking at a map\n299.5s: a man and a little girl are looking at a map\n300.5s: a man and woman looking at a map\n301.5s: a man and woman looking at a child\n302.6s: a man and a little girl looking at a map\n303.6s: a man and a little girl looking at a map\n304.7s: a woman and a child are looking at a cell\n305.7s: a woman and child looking at a map\n306.8s: a group of people standing on top of a boat\n307.8s: a group of people walking on a beach\n308.9s: a man and woman are standing next to each other people\n309.9s: a man and woman walking together on the beach\n310.9s: a man and woman standing next to each other people\n312.0s: a man and a woman standing next to each other men\n313.0s: a group of people standing next to each other people\n314.1s: a group of people standing around a man\n315.1s: a woman in a floral dress and a man in a black jacket stand next to her\n316.2s: a woman in a floral dress and a man in a suit stand next to her\n317.2s: a group of people standing next to each other people\n318.2s: a group of people standing next to each other people\n319.3s: a woman in a floral dress and a man in a denim jacket\n320.3s: a man and woman walking together in a field\n321.4s: a woman and a man are standing in front of a crowd\n322.4s: a man in a denim jacket and jeans jacket standing next to a woman\n323.5s: a man and woman are looking at each other people\n324.5s: a little girl is walking through a puddle\n325.5s: a woman with long hair and a jacket is smiling\n326.6s: a little girl with a red bow on her head\n327.6s: the cast of the movie ' s korean drama drama drama drama drama drama drama drama drama drama drama drama drama\n328.7s: a woman is laughing and looking at the camera\n329.7s: a woman in a floral shirt is pointing at the camera\n330.8s: a woman standing on a beach next to a bucket\n331.8s: a woman standing on a beach next to a bucket\n332.8s: a man and a little girl playing in the water\n333.9s: a man and a little girl playing in the water\n334.9s: a man and a child playing in the water\n336.0s: a little girl is playing with a dog\n337.0s: a little girl is playing in the water\n338.1s: a little girl is playing in the water\n339.1s: a man and woman are playing in the water\n340.2s: a little girl is playing in the water\n341.2s: a little girl is playing in the water\n342.2s: a little girl is playing in the water\n343.3s: a man and a little girl are playing in the water\n344.3s: a little girl is playing with a fish\n345.4s: a man in a green jacket is sitting on a rock\n346.4s: a man and a little girl are playing in the water\n347.5s: a man and a little girl playing in the water\n348.5s: a man and a little girl playing in the water\n349.5s: a woman and a child playing in the water\n350.6s: a woman and a child playing in the water\n351.6s: a person pointing at a hole in the ground\n352.7s: a man with a jacket on and a jacket on\n353.7s: a man with a black hair and a denim jacket\n354.8s: a man and a woman are sitting on the beach\n355.8s: a person kneeling down on a beach with a knife\n356.8s: a man in a green jacket is sitting on a rock\n357.9s: a man is holding a crab on the beach\n358.9s: a man holding a turtle in his hand\n360.0s: a man holding a crab in his hands\n361.0s: a little girl is smiling and holding a rock\n362.1s: a man is holding a fish in the water\n363.1s: a man kneeling down to a fish on the beach\n364.1s: a man and a young girl are looking at a crab\n365.2s: a woman and child playing in the mud\n366.2s: a woman and child are playing in the water\n367.3s: a woman and child are playing in the water\n368.3s: a man is holding a bucket with a bucket\n369.4s: a man sitting on the beach with a bucket of food\n370.4s: a woman holding a bucket in her hands\n371.5s: a woman holding a bucket with a sunset in the background\n372.5s: a little girl with a red bow on her head\n373.5s: a man in a denim jacket is sitting on the ground\n374.6s: a little girl is standing on the beach\n375.6s: a man in a green jacket holding a wooden box\n376.7s: a little girl is making a heart with her hands\n377.7s: a group of people are standing on the grass\n378.8s: a man kneeling down on a field with a bunch of green grass\n379.8s: a man holding a bowl of food in his hands\n380.8s: two men are holding a bucket of food\n381.9s: a man kneeling down on the ground with a knife\n382.9s: a group of people are standing in the water\n384.0s: a group of people are playing in the water\n385.0s: a group of people are playing in the water\n386.1s: a basket full of crabs on the beach\n387.1s: a man holding a basket full of crabs\n388.1s: a man holding a basket full of crabs\n389.2s: a man holding a basket full of crabs\n390.2s: a woman holding a basket of crabs\n391.3s: a woman holding a basket of crabs\n392.3s: a man and a child are looking at something\n393.4s: a man and a little girl sitting on a rock\n394.4s: a man and a little girl sitting on a beach\n395.4s: a little girl with a red bow on her head\n396.5s: a little girl with a red bow on her head\n397.5s: a woman with long hair and a necklace\n398.6s: a little girl is holding her mother ' s hand\n399.6s: a little girl is holding a man ' s hand\n400.7s: a little boy is standing on the beach\n401.7s: a man with a child in his arms\n402.8s: a little girl with a red bow on her head\n403.8s: a little girl with a red bow on her head\n404.8s: a man holding two baskets of food on a beach\n405.9s: a little girl with a red bow on her head\n406.9s: a little girl with a red bow on her head\n408.0s: a man holding a child in his arms\n409.0s: a little girl is standing on the beach\n410.1s: a little girl is standing on the beach\n411.1s: a man is laughing while another watches\n412.1s: a man in a green jacket is talking to another man\n413.2s: a group of people standing on top of a beach\n414.2s: a black background with a white and yellow logo\n415.3s: a black background with a white and yellow text\n416.3s: a black shirt with a yellow fist on it", "status": "success", "settings": { "max_new_tokens": 300, "do_sample": false, "enable_thinking": false, "dtype": "float32", "threads": 3 }, "seconds": 1172.9838049411774, "output_tokens": 300, "text": "0.0s: A little girl sits on the beach with crabs. \n1.1s: A little girl plays with crabs on the beach. \n2.1s: A baby girl plays with a crab. \n3.1s: A little girl plays with crabs on the beach. \n4.2s: A little girl sits on the beach with a crab. \n5.2s: A little girl plays with crabs on the beach. \n6.3s: A man and a child play on the beach. \n7.3s: A man holds a child on the beach. \n8.4s: A screenshot of a black background with a white text: ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` `" } }, "prompts": [ { "name": "codex-eight-frame-reference-en", "path": "prompts/codex-eight-frame-reference-en.txt", "text": "Vertical cinematic imagery with tactile mud, coarse cloth, weathered wood and softly lit faces. Preserve the following sampled views in order; movement and transitions between them are uncertain.\n\n0s: A small girl squats on a wet, stony shore, looking down at four visible crabs. She has black twin buns, red ribbons and a forehead dot, with worn grey-brown clothing, a blue outer layer and a diagonal cloth strap. Coiled rope and buildings blur behind her.\n15s: Extreme close-up of her wet face, tear-filled eyes and trembling-looking downturned mouth. Her hands touch green fishing netting beneath her chin.\n50s: A tiny wooden boat with an upright mast sits beneath a towering dark green-blue wave. Birdlike silhouettes cross the crest; wet rocks fill the foreground beneath a pale sky.\n95s: Four adults gather around a rough wooden table outside a weathered, tiled-roof house. Include an older woman in a headscarf and two standing women; the man at left is partly cropped.\n175s: Hands frame a closed, worn brown notebook and an open brass compass on a brown surface.\n235s: The girl, now in ragged grey-brown clothes, looks upward beside a cropped blue-clothed adult.\n340s: She crouches in shallow muddy water, pointing downward among nearby adults.\n385s: The crouching girl and three adults gather around a round woven basket with shovels on a tidal flat, backlit by warm low sunlight. Keep character appearance consistent; do not infer relationships, dialogue or unseen actions.\n" }, { "name": "codex-eight-frame-reference-zh", "path": "prompts/codex-eight-frame-reference-zh.txt", "text": "仅依据 0、15、50、95、175、235、340、385 秒这八张静帧整理。以下是 Codex 的受限证据稿，不补入完整视频才有的姓名、分家、超能力、藏物过程或尾钩；因为此前已经审阅全片，这不是盲测。\n\n竖屏电影感画面，保持泥沙、粗布、旧木和潮湿皮肤的材质。按所给静帧的先后排列，帧间动作与转场方式无法确定。\n\n0 秒：幼童女孩蹲在湿润石砾泥滩，低头看前方四只可见螃蟹。黑发双髻、红发带、额头红点，灰褐旧衣配蓝色外层、斜挎布带；后方盘绳与村屋虚化。\n15 秒：湿发与流泪面部大特写，眼眶含泪、嘴角下垂，手触碰下巴附近的绿色渔网。\n50 秒：带直立桅杆的小木船与远高于它的深青蓝巨浪形成尺度对比；浪顶有鸟状剪影，前景湿礁石，天空偏淡。\n95 秒：老旧瓦屋前的院落，四位成年人围着粗木桌；左侧男子被裁切，年长头巾女性坐着，两名女性站立。\n175 秒：手、合着的旧棕色笔记本、打开的黄铜罗盘，置于棕色表面，道具近景。\n235 秒：灰褐破衣女孩在蓝衣成年人的局部身旁抬头看，挎带与红发带延续。\n340 秒：女孩在浅泥水中蹲下并指向地面，身边有成年人局部。\n385 秒：蹲低的女孩与三位成年人围着圆形编织筐，手边有铲子；低角度金色阳光照亮潮滩和人物边缘。\n\n不把静帧推断成完整人物关系、对白、声音或未见动作；不凭空增加雨、伤病、手机、巨兽身份。字幕和标识另行排版，不要求画面模型复刻小字。\n" }, { "name": "codex-full-reference-en", "path": "prompts/codex-full-reference-en.txt", "text": "Create a roughly 416-second vertical 9:16 coastal fantasy family drama as separately generated and edited sequences. Preserve tactile weathered timber, coarse cloth, wet sand and an AI-stylized toddler with large eyes. The girl has dark twin buns, red ribbons and a red forehead dot, with worn gray-brown clothes and a cloth shoulder strap, initially a blue outer layer. Her rescuer has tousled dark hair, a worn blue jacket and gray undershirt. His short-haired companion wears olive green. The protective woman has loosely tied dark hair, a gray-brown sleeveless top, layered necklaces and wrist wraps. The mocking woman wears a patterned brown blouse and dark vest. An older woman wears a dark headscarf. Alternate facial close-ups, reverse angles, prop inserts and wide coastal views with hard cuts. Gray-blue seawater gradually gives way to warm low sunlight and green seaweed.\n0–6s: A toddler on a muddy shore points at crabs. A huge golden crab appears near two seconds. She points toward a wooden boat, followed by a fantastical change in its scale.\n6–9s: An adult points accusingly and grabs the child by the arms. A brief black cut follows; do not invent action hidden by that cut.\n9–18s: On an old wooden fishing boat, a wet girl is lifted in a fishing net. Cut to her tearful face.\n18–38s: The man in a worn blue jacket holds and questions the girl while his companion in olive green reacts with uncertainty. She leans against the rescuer.\n38–51s: The child looks toward the sea and warns the men. Cut to an enormous wave towering over the tiny wooden boat, with birds above the water.\n51–73s: Frightened adults paddle and carry the child toward shore. Spray and an overturned boat establish the danger. Once safe, the child explains that she heard the sea.\n73–89s: At a village courtyard, a woman mocks the extra mouth to feed. The child insists she eats little, and a protective woman defends her.\n89–125s: People gather around a table in front of the old village house to divide family property. Include an insert of keys. A newer motorboat goes to the other household and a ruined wooden boat to the rescuer; he accepts the old boat and commits to caring for the child.\n125–159s: The family examines the beached wooden boat. The girl presses her hand against a plank and reports knocking inside. Adults investigate the hull.\n159–182s: A tool pries open a board. A low viewpoint through the gap reveals a hidden cloth parcel. It is opened to reveal an old notebook and a compass.\n182–210s: A map with a red circle at Black Rock Bay is unfolded. Adults express concern about reefs and tides. The child points at the map and imitates crab claws with her hands.\n210–241s: The mocking woman returns to demand the hidden belongings. The child refuses; the rescuer steps in front of her protectively.\n241–267s: After the woman leaves, the family considers scarce rice and boat repairs. The rescuer rests a hand on the gunwale, visibly worried.\n267–297s: The child insists on the smelly western mudflat rather than the eastern beach chosen by others. The man in green questions her; she repeats her crab-claw gesture and explains the sounds under the mud.\n297–308s: Remembering her wave warning, the rescuer chooses to trust her. Insert the map and compass, then his determined face.\n308–334s: In low golden coastal light, villagers head one way while the family walks toward the western mudflat under mocking looks.\n334–350s: The girl crouches with her face close to wet mud to listen; a companion holds her head back from the water. The first digging attempt seems fruitless.\n350–357s: She points at a tiny bubbling hole. Show a close-up of bubbles, then the adults working with a small spade.\n357–377s: A large crab emerges from the hole. The man in green widens his eyes; the child claps. More crabs are collected.\n377–391s: She indicates another patch beneath green seaweed. Quick harvesting shots alternate with buckets full of crabs and delighted faces.\n391–401s: The child asks for plain white rice instead of thin porridge. Adults respond warmly; she hugs the rescuer’s leg.\n401–412.8s: She says a larger one has not woken yet and spreads her arms. The companion changes from amusement to surprise.\n412.8–413.8s: A tall dark eruption of mud bursts from a hole in the beach. Do not claim that the identity of an unseen creature is established.\n413.8–416.34s: Finish with the observed black promotional end card. A clean reconstruction may omit this card, but that is a declared edit.\nContinuity: preserve twin buns, red ribbons, forehead dot and wardrobe colors; justify wet-to-dry changes with time and setting. Keep wave escape, hidden belongings and mudflat discovery in causal order. Exact audio and focal lengths are unverified; sea ambience and synchronized timber, water and mud sounds are production suggestions, not verified original sound.\nNegative: no identity drift, wardrobe swaps, extra fingers, malformed crab legs or claws, intersecting props, inconsistent water motion, invented violence, forehead-dot injury claims, or oars mistaken for guns." }, { "name": "codex-full-reference-zh", "path": "prompts/codex-full-reference-zh.txt", "text": "制作9:16竖屏海边奇幻家庭短剧，叙事总长约416秒，按以下段落分别生成和剪辑，不要求一次生成整片。写实旧木、粗布、潮湿泥沙与夸张幼童大眼睛相结合。\n角色锁：小满：幼童女孩，黑发双髻、红发带、额头红点、大眼睛；灰褐色破旧粗布衣、布挎带，开场部分有蓝色外衣，获救后头发湿润。；海生：青年男性，凌乱深色头发，旧蓝色外衣、灰色内衫、深色裤子。；二狗：短黑发青年男性，橄榄绿外衣、灰色内衫，表情夸张，后段提两桶蟹。；苏兰：深色头发松散束起，灰褐色无袖粗布上衣、多层项链、腕带与挎带。；王秀梅：长深发，棕色碎花衣、深色马甲。；刘桂香：深色头巾、深色上衣的年长女性。\n9:16竖屏，写实材质与夸张幼童面部比例结合的AI短剧。灰蓝海水、旧木船、粗布衣物、泥滩、沿海村落；后半段以金色低角度阳光和青绿海藻增强丰收感。大量正反打、面部特写、道具插入镜头和硬切。\n0—6秒：幼童在泥滩指向螃蟹与船。约2秒出现巨大的金黄色蟹，随后船只大小发生奇幻变化。 情绪功能：惊奇。\n6—9秒：成年人指责与抓住孩子手臂，随后短暂黑切。不能从抽帧证明黑切间发生的动作。 情绪功能：威胁。\n9—18秒：旧木船上从渔网中救起湿漉漉的女孩，切到流泪面部特写。 情绪功能：脆弱与怜惜。\n18—38秒：蓝衣男子抱着孩子询问来处，绿衣同伴疑惑；幼童依偎。 情绪功能：温柔与悬念。\n38—51秒：女孩看向海面并预警；远景出现远高于木船的巨大海浪与海鸟。 情绪功能：骤然恐惧。\n51—73秒：成年人惊慌划船、携幼童逃往岸边，浪花和翻船画面之后脱险，女孩解释自己听见海水。 情绪功能：危险到暂时安全。\n73—89秒：回到村落院落，女人嘲讽多了一张吃饭的嘴；孩子说自己吃得少，苏兰保护她。 情绪功能：委屈。\n89—125秒：老屋前的院落围桌分家，钥匙插入镜头。新机动船给另一家，海生被分到旧木船；争执后他明确接下船也养孩子。 情绪功能：愤怒到坚定。\n125—159秒：检查搁浅旧船，孩子把手贴在木板上，说里面有敲门声；大人摸索船舱。 情绪功能：担忧到好奇。\n159—182秒：工具撬开旧板，低角度缝隙视角看见藏物；取出布包，打开露出旧笔记与罗盘。 情绪功能：发现。\n182—210秒：摊开有红圈的黑石湾地图，担忧礁石和潮水；幼童指地图并用手比蟹钳。 情绪功能：谜团加深。\n210—241秒：嘲讽者回来索要藏物；孩子和海生拒绝，海生挡在她前面。 情绪功能：对抗与保护。\n241—267秒：嘲讽者离开。家庭谈缺米、旧船维修与赶海，海生扶着船舷思索。 情绪功能：现实压力。\n267—297秒：幼童坚持去臭泥滩而非众人选择的东滩；绿衣男子不解，孩子做蟹钳手势、解释泥下动静。 情绪功能：怀疑与微小希望。\n297—308秒：海生因孩子曾预警海浪而决定相信她，地图与罗盘插入镜头。 情绪功能：信任。\n308—334秒：金色海边晨光，村民往另一边走，主角一行去西泥滩，受到嘲笑。 情绪功能：孤注一掷。\n334—350秒：幼童蹲下贴近泥面听，同伴拉住她不让脸碰水；按她指示挖掘，起初没有收获。 情绪功能：怀疑升高。\n350—357秒：女孩指向细小洞口，泥水冒泡的特写；成年人换小铲挖。 情绪功能：期待。\n357—377秒：大蟹从泥穴露出，绿衣男子惊讶，幼童拍手，继续挖出更多蟹。 情绪功能：惊喜兑现。\n377—391秒：女孩指出另一片青苔下面有更多，众人快速收获，切到装满蟹的桶与笑脸。 情绪功能：丰收释放。\n391—401秒：孩子只想吃白米饭而非稀粥，成年人温柔回应，孩子抱住海生的腿。 情绪功能：温情与归属。\n401—412.8秒：女孩说大的还没醒，双臂张开比大小；同伴先笑后惊讶。 情绪功能：新悬念。\n412.8—413.8秒：泥滩洞口突然喷出高大的黑色泥浆形状；画面不足以认定具体生物已经显露。 情绪功能：惊吓式尾钩。\n413.8—416.34秒：黑底白字推广尾卡，点击下方观看完整剧情。 情绪功能：中断悬念。\n连续性：双髻红带、额头红点与衣物颜色稳定；湿衣到干衣需通过时间与场景变化承接。巨浪、旧船藏物与泥滩收获必须按因果顺序推进。音频的确切声轨与镜头焦距未得到验证，不把拟定的海浪、木板、泥水声当作原片已证实声音。声音制作可用连续海边底噪配合动作瞬态、对白情绪和段落节拍。\n负向：避免身份和服装漂移、儿童成人比例突变、多余手指、蟹肢体数畸变、物体穿模、海水运动不连贯、无依据的暴力细节；不要把额头红点断言为伤口；不要把船桨写成枪。" }, { "name": "luozhilzh-workflow", "path": "prompts/luozhilzh-workflow.txt", "text": "Codex 按 luozhilzh/video-prompt-reverse 工作流执行；输入为人工审阅的400帧、字幕证据与ASR辅助；不是独立模型的原生输出。\n\n【分析块】\n9:16竖屏，写实材质与夸张幼童面部比例结合的AI短剧。灰蓝海水、旧木船、粗布衣物、泥滩、沿海村落；后半段以金色低角度阳光和青绿海藻增强丰收感。大量正反打、面部特写、道具插入镜头和硬切。\n叙事中心是孩子从被排斥到被接纳，海水感知既推动避险，也推动赶海回报。\n\n【还原版·中文】\n制作9:16竖屏海边奇幻家庭短剧，叙事总长约416秒，按以下段落分别生成和剪辑，不要求一次生成整片。写实旧木、粗布、潮湿泥沙与夸张幼童大眼睛相结合。\n角色锁：小满：幼童女孩，黑发双髻、红发带、额头红点、大眼睛；灰褐色破旧粗布衣、布挎带，开场部分有蓝色外衣，获救后头发湿润。；海生：青年男性，凌乱深色头发，旧蓝色外衣、灰色内衫、深色裤子。；二狗：短黑发青年男性，橄榄绿外衣、灰色内衫，表情夸张，后段提两桶蟹。；苏兰：深色头发松散束起，灰褐色无袖粗布上衣、多层项链、腕带与挎带。；王秀梅：长深发，棕色碎花衣、深色马甲。；刘桂香：深色头巾、深色上衣的年长女性。\n9:16竖屏，写实材质与夸张幼童面部比例结合的AI短剧。灰蓝海水、旧木船、粗布衣物、泥滩、沿海村落；后半段以金色低角度阳光和青绿海藻增强丰收感。大量正反打、面部特写、道具插入镜头和硬切。\n0—6秒：幼童在泥滩指向螃蟹与船。约2秒出现巨大的金黄色蟹，随后船只大小发生奇幻变化。 情绪功能：惊奇。\n6—9秒：成年人指责与抓住孩子手臂，随后短暂黑切。不能从抽帧证明黑切间发生的动作。 情绪功能：威胁。\n9—18秒：旧木船上从渔网中救起湿漉漉的女孩，切到流泪面部特写。 情绪功能：脆弱与怜惜。\n18—38秒：蓝衣男子抱着孩子询问来处，绿衣同伴疑惑；幼童依偎。 情绪功能：温柔与悬念。\n38—51秒：女孩看向海面并预警；远景出现远高于木船的巨大海浪与海鸟。 情绪功能：骤然恐惧。\n51—73秒：成年人惊慌划船、携幼童逃往岸边，浪花和翻船画面之后脱险，女孩解释自己听见海水。 情绪功能：危险到暂时安全。\n73—89秒：回到村落院落，女人嘲讽多了一张吃饭的嘴；孩子说自己吃得少，苏兰保护她。 情绪功能：委屈。\n89—125秒：老屋前的院落围桌分家，钥匙插入镜头。新机动船给另一家，海生被分到旧木船；争执后他明确接下船也养孩子。 情绪功能：愤怒到坚定。\n125—159秒：检查搁浅旧船，孩子把手贴在木板上，说里面有敲门声；大人摸索船舱。 情绪功能：担忧到好奇。\n159—182秒：工具撬开旧板，低角度缝隙视角看见藏物；取出布包，打开露出旧笔记与罗盘。 情绪功能：发现。\n182—210秒：摊开有红圈的黑石湾地图，担忧礁石和潮水；幼童指地图并用手比蟹钳。 情绪功能：谜团加深。\n210—241秒：嘲讽者回来索要藏物；孩子和海生拒绝，海生挡在她前面。 情绪功能：对抗与保护。\n241—267秒：嘲讽者离开。家庭谈缺米、旧船维修与赶海，海生扶着船舷思索。 情绪功能：现实压力。\n267—297秒：幼童坚持去臭泥滩而非众人选择的东滩；绿衣男子不解，孩子做蟹钳手势、解释泥下动静。 情绪功能：怀疑与微小希望。\n297—308秒：海生因孩子曾预警海浪而决定相信她，地图与罗盘插入镜头。 情绪功能：信任。\n308—334秒：金色海边晨光，村民往另一边走，主角一行去西泥滩，受到嘲笑。 情绪功能：孤注一掷。\n334—350秒：幼童蹲下贴近泥面听，同伴拉住她不让脸碰水；按她指示挖掘，起初没有收获。 情绪功能：怀疑升高。\n350—357秒：女孩指向细小洞口，泥水冒泡的特写；成年人换小铲挖。 情绪功能：期待。\n357—377秒：大蟹从泥穴露出，绿衣男子惊讶，幼童拍手，继续挖出更多蟹。 情绪功能：惊喜兑现。\n377—391秒：女孩指出另一片青苔下面有更多，众人快速收获，切到装满蟹的桶与笑脸。 情绪功能：丰收释放。\n391—401秒：孩子只想吃白米饭而非稀粥，成年人温柔回应，孩子抱住海生的腿。 情绪功能：温情与归属。\n401—412.8秒：女孩说大的还没醒，双臂张开比大小；同伴先笑后惊讶。 情绪功能：新悬念。\n412.8—413.8秒：泥滩洞口突然喷出高大的黑色泥浆形状；画面不足以认定具体生物已经显露。 情绪功能：惊吓式尾钩。\n413.8—416.34秒：黑底白字推广尾卡，点击下方观看完整剧情。 情绪功能：中断悬念。\n连续性：双髻红带、额头红点与衣物颜色稳定；湿衣到干衣需通过时间与场景变化承接。巨浪、旧船藏物与泥滩收获必须按因果顺序推进。音频的确切声轨与镜头焦距未得到验证，不把拟定的海浪、木板、泥水声当作原片已证实声音。声音制作可用连续海边底噪配合动作瞬态、对白情绪和段落节拍。\n负向：避免身份和服装漂移、儿童成人比例突变、多余手指、蟹肢体数畸变、物体穿模、海水运动不连贯、无依据的暴力细节；不要把额头红点断言为伤口；不要把船桨写成枪。\n\n【还原版·English】\nCreate a roughly 416-second vertical 9:16 coastal fantasy family drama as separately generated and edited sequences. Preserve tactile weathered timber, coarse cloth, wet sand and an AI-stylized toddler with large eyes. The girl has dark twin buns, red ribbons and a red forehead dot, with worn gray-brown clothes and a cloth shoulder strap, initially a blue outer layer. Her rescuer has tousled dark hair, a worn blue jacket and gray undershirt. His short-haired companion wears olive green. The protective woman has loosely tied dark hair, a gray-brown sleeveless top, layered necklaces and wrist wraps. The mocking woman wears a patterned brown blouse and dark vest. An older woman wears a dark headscarf. Alternate facial close-ups, reverse angles, prop inserts and wide coastal views with hard cuts. Gray-blue seawater gradually gives way to warm low sunlight and green seaweed.\n0–6s: A toddler on a muddy shore points at crabs. A huge golden crab appears near two seconds. She points toward a wooden boat, followed by a fantastical change in its scale.\n6–9s: An adult points accusingly and grabs the child by the arms. A brief black cut follows; do not invent action hidden by that cut.\n9–18s: On an old wooden fishing boat, a wet girl is lifted in a fishing net. Cut to her tearful face.\n18–38s: The man in a worn blue jacket holds and questions the girl while his companion in olive green reacts with uncertainty. She leans against the rescuer.\n38–51s: The child looks toward the sea and warns the men. Cut to an enormous wave towering over the tiny wooden boat, with birds above the water.\n51–73s: Frightened adults paddle and carry the child toward shore. Spray and an overturned boat establish the danger. Once safe, the child explains that she heard the sea.\n73–89s: At a village courtyard, a woman mocks the extra mouth to feed. The child insists she eats little, and a protective woman defends her.\n89–125s: People gather around a table to divide family property. Include an insert of keys. A newer motorboat goes to the other household and a ruined wooden boat to the rescuer; he accepts the old boat and commits to caring for the child.\n125–159s: The family examines the beached wooden boat. The girl presses her hand against a plank and reports knocking inside. Adults investigate the hull.\n159–182s: A tool pries open a board. A low viewpoint through the gap reveals a hidden cloth parcel. It is opened to reveal an old notebook and a compass.\n182–210s: A map with a red circle at Black Rock Bay is unfolded. Adults express concern about reefs and tides. The child points at the map and imitates crab claws with her hands.\n210–241s: The mocking woman returns to demand the hidden belongings. The child refuses; the rescuer steps in front of her protectively.\n241–267s: After the woman leaves, the family considers scarce rice and boat repairs. The rescuer rests a hand on the gunwale, visibly worried.\n267–297s: The child insists on the smelly western mudflat rather than the eastern beach chosen by others. The man in green questions her; she repeats her crab-claw gesture and explains the sounds under the mud.\n297–308s: Remembering her wave warning, the rescuer chooses to trust her. Insert the map and compass, then his determined face.\n308–334s: In low golden coastal light, villagers head one way while the family walks toward the western mudflat under mocking looks.\n334–350s: The girl crouches with her face close to wet mud to listen; a companion holds her head back from the water. The first digging attempt seems fruitless.\n350–357s: She points at a tiny bubbling hole. Show a close-up of bubbles, then the adults working with a small spade.\n357–377s: A large crab emerges from the hole. The man in green widens his eyes; the child claps. More crabs are collected.\n377–391s: She indicates another patch beneath green seaweed. Quick harvesting shots alternate with buckets full of crabs and delighted faces.\n391–401s: The child asks for plain white rice instead of thin porridge. Adults respond warmly; she hugs the rescuer’s leg.\n401–412.8s: She says a larger one has not woken yet and spreads her arms. The companion changes from amusement to surprise.\n412.8–413.8s: A tall dark eruption of mud bursts from a hole in the beach. Do not claim that the identity of an unseen creature is established.\n413.8–416.34s: Finish with the observed black promotional end card. A clean reconstruction may omit this card, but that is a declared edit.\nContinuity: preserve twin buns, red ribbons, forehead dot and wardrobe colors; justify wet-to-dry changes with time and setting. Keep wave escape, hidden belongings and mudflat discovery in causal order. Exact audio and focal lengths are unverified; sea ambience and synchronized timber, water and mud sounds are production suggestions, not verified original sound.\nNegative: no identity drift, wardrobe swaps, extra fingers, malformed crab legs or claws, intersecting props, inconsistent water motion, invented violence, forehead-dot injury claims, or oars mistaken for guns.\n\n【运动与一致性分段包】\n段落01 / 0—6秒\n原始锚点：虚构幼童双髻红带、额头红点、灰褐粗布；救助者旧蓝外衣、同伴橄榄绿外衣。保持同一人物比例、服装磨损和道具形制。\n由参考开场建立人物与空间。\n主体动作：幼童在泥滩指向螃蟹与船。约2秒出现巨大的金黄色蟹，随后船只大小发生奇幻变化。\n情绪变化：惊奇。镜头以源帧景别为依据，连续运镜未经验证，不自行添加环绕或航拍。此段含多个切镜，生成时进一步拆成单一主要动作短镜头。\n\n段落02 / 6—9秒\n原始锚点：虚构幼童双髻红带、额头红点、灰褐粗布；救助者旧蓝外衣、同伴橄榄绿外衣。保持同一人物比例、服装磨损和道具形制。\n上一段锚点：承接第01段的故事状态；跨场景用明确硬切，不能让环境瞬间融化。\n主体动作：成年人指责与抓住孩子手臂，随后短暂黑切。不能从抽帧证明黑切间发生的动作。\n情绪变化：威胁。镜头以源帧景别为依据，连续运镜未经验证，不自行添加环绕或航拍。此段含多个切镜，生成时进一步拆成单一主要动作短镜头。\n\n段落03 / 9—18秒\n原始锚点：虚构幼童双髻红带、额头红点、灰褐粗布；救助者旧蓝外衣、同伴橄榄绿外衣。保持同一人物比例、服装磨损和道具形制。\n上一段锚点：承接第02段的故事状态；跨场景用明确硬切，不能让环境瞬间融化。\n主体动作：旧木船上从渔网中救起湿漉漉的女孩，切到流泪面部特写。\n情绪变化：脆弱与怜惜。镜头以源帧景别为依据，连续运镜未经验证，不自行添加环绕或航拍。此段含多个切镜，生成时进一步拆成单一主要动作短镜头。\n\n段落04 / 18—38秒\n原始锚点：虚构幼童双髻红带、额头红点、灰褐粗布；救助者旧蓝外衣、同伴橄榄绿外衣。保持同一人物比例、服装磨损和道具形制。\n上一段锚点：承接第03段的故事状态；跨场景用明确硬切，不能让环境瞬间融化。\n主体动作：蓝衣男子抱着孩子询问来处，绿衣同伴疑惑；幼童依偎。\n情绪变化：温柔与悬念。镜头以源帧景别为依据，连续运镜未经验证，不自行添加环绕或航拍。此段含多个切镜，生成时进一步拆成单一主要动作短镜头。\n\n段落05 / 38—51秒\n原始锚点：虚构幼童双髻红带、额头红点、灰褐粗布；救助者旧蓝外衣、同伴橄榄绿外衣。保持同一人物比例、服装磨损和道具形制。\n上一段锚点：承接第04段的故事状态；跨场景用明确硬切，不能让环境瞬间融化。\n主体动作：女孩看向海面并预警；远景出现远高于木船的巨大海浪与海鸟。\n情绪变化：骤然恐惧。镜头以源帧景别为依据，连续运镜未经验证，不自行添加环绕或航拍。此段含多个切镜，生成时进一步拆成单一主要动作短镜头。\n\n段落06 / 51—73秒\n原始锚点：虚构幼童双髻红带、额头红点、灰褐粗布；救助者旧蓝外衣、同伴橄榄绿外衣。保持同一人物比例、服装磨损和道具形制。\n上一段锚点：承接第05段的故事状态；跨场景用明确硬切，不能让环境瞬间融化。\n主体动作：成年人惊慌划船、携幼童逃往岸边，浪花和翻船画面之后脱险，女孩解释自己听见海水。\n情绪变化：危险到暂时安全。镜头以源帧景别为依据，连续运镜未经验证，不自行添加环绕或航拍。此段含多个切镜，生成时进一步拆成单一主要动作短镜头。\n\n段落07 / 73—89秒\n原始锚点：虚构幼童双髻红带、额头红点、灰褐粗布；救助者旧蓝外衣、同伴橄榄绿外衣。保持同一人物比例、服装磨损和道具形制。\n上一段锚点：承接第06段的故事状态；跨场景用明确硬切，不能让环境瞬间融化。\n主体动作：回到村落院落，女人嘲讽多了一张吃饭的嘴；孩子说自己吃得少，苏兰保护她。\n情绪变化：委屈。镜头以源帧景别为依据，连续运镜未经验证，不自行添加环绕或航拍。此段含多个切镜，生成时进一步拆成单一主要动作短镜头。\n\n段落08 / 89—125秒\n原始锚点：虚构幼童双髻红带、额头红点、灰褐粗布；救助者旧蓝外衣、同伴橄榄绿外衣。保持同一人物比例、服装磨损和道具形制。\n上一段锚点：承接第07段的故事状态；跨场景用明确硬切，不能让环境瞬间融化。\n主体动作：老屋前的院落围桌分家，钥匙插入镜头。新机动船给另一家，海生被分到旧木船；争执后他明确接下船也养孩子。\n情绪变化：愤怒到坚定。镜头以源帧景别为依据，连续运镜未经验证，不自行添加环绕或航拍。此段含多个切镜，生成时进一步拆成单一主要动作短镜头。\n\n段落09 / 125—159秒\n原始锚点：虚构幼童双髻红带、额头红点、灰褐粗布；救助者旧蓝外衣、同伴橄榄绿外衣。保持同一人物比例、服装磨损和道具形制。\n上一段锚点：承接第08段的故事状态；跨场景用明确硬切，不能让环境瞬间融化。\n主体动作：检查搁浅旧船，孩子把手贴在木板上，说里面有敲门声；大人摸索船舱。\n情绪变化：担忧到好奇。镜头以源帧景别为依据，连续运镜未经验证，不自行添加环绕或航拍。此段含多个切镜，生成时进一步拆成单一主要动作短镜头。\n\n段落10 / 159—182秒\n原始锚点：虚构幼童双髻红带、额头红点、灰褐粗布；救助者旧蓝外衣、同伴橄榄绿外衣。保持同一人物比例、服装磨损和道具形制。\n上一段锚点：承接第09段的故事状态；跨场景用明确硬切，不能让环境瞬间融化。\n主体动作：工具撬开旧板，低角度缝隙视角看见藏物；取出布包，打开露出旧笔记与罗盘。\n情绪变化：发现。镜头以源帧景别为依据，连续运镜未经验证，不自行添加环绕或航拍。此段含多个切镜，生成时进一步拆成单一主要动作短镜头。\n\n段落11 / 182—210秒\n原始锚点：虚构幼童双髻红带、额头红点、灰褐粗布；救助者旧蓝外衣、同伴橄榄绿外衣。保持同一人物比例、服装磨损和道具形制。\n上一段锚点：承接第10段的故事状态；跨场景用明确硬切，不能让环境瞬间融化。\n主体动作：摊开有红圈的黑石湾地图，担忧礁石和潮水；幼童指地图并用手比蟹钳。\n情绪变化：谜团加深。镜头以源帧景别为依据，连续运镜未经验证，不自行添加环绕或航拍。此段含多个切镜，生成时进一步拆成单一主要动作短镜头。\n\n段落12 / 210—241秒\n原始锚点：虚构幼童双髻红带、额头红点、灰褐粗布；救助者旧蓝外衣、同伴橄榄绿外衣。保持同一人物比例、服装磨损和道具形制。\n上一段锚点：承接第11段的故事状态；跨场景用明确硬切，不能让环境瞬间融化。\n主体动作：嘲讽者回来索要藏物；孩子和海生拒绝，海生挡在她前面。\n情绪变化：对抗与保护。镜头以源帧景别为依据，连续运镜未经验证，不自行添加环绕或航拍。此段含多个切镜，生成时进一步拆成单一主要动作短镜头。\n\n段落13 / 241—267秒\n原始锚点：虚构幼童双髻红带、额头红点、灰褐粗布；救助者旧蓝外衣、同伴橄榄绿外衣。保持同一人物比例、服装磨损和道具形制。\n上一段锚点：承接第12段的故事状态；跨场景用明确硬切，不能让环境瞬间融化。\n主体动作：嘲讽者离开。家庭谈缺米、旧船维修与赶海，海生扶着船舷思索。\n情绪变化：现实压力。镜头以源帧景别为依据，连续运镜未经验证，不自行添加环绕或航拍。此段含多个切镜，生成时进一步拆成单一主要动作短镜头。\n\n段落14 / 267—297秒\n原始锚点：虚构幼童双髻红带、额头红点、灰褐粗布；救助者旧蓝外衣、同伴橄榄绿外衣。保持同一人物比例、服装磨损和道具形制。\n上一段锚点：承接第13段的故事状态；跨场景用明确硬切，不能让环境瞬间融化。\n主体动作：幼童坚持去臭泥滩而非众人选择的东滩；绿衣男子不解，孩子做蟹钳手势、解释泥下动静。\n情绪变化：怀疑与微小希望。镜头以源帧景别为依据，连续运镜未经验证，不自行添加环绕或航拍。此段含多个切镜，生成时进一步拆成单一主要动作短镜头。\n\n段落15 / 297—308秒\n原始锚点：虚构幼童双髻红带、额头红点、灰褐粗布；救助者旧蓝外衣、同伴橄榄绿外衣。保持同一人物比例、服装磨损和道具形制。\n上一段锚点：承接第14段的故事状态；跨场景用明确硬切，不能让环境瞬间融化。\n主体动作：海生因孩子曾预警海浪而决定相信她，地图与罗盘插入镜头。\n情绪变化：信任。镜头以源帧景别为依据，连续运镜未经验证，不自行添加环绕或航拍。此段含多个切镜，生成时进一步拆成单一主要动作短镜头。\n\n段落16 / 308—334秒\n原始锚点：虚构幼童双髻红带、额头红点、灰褐粗布；救助者旧蓝外衣、同伴橄榄绿外衣。保持同一人物比例、服装磨损和道具形制。\n上一段锚点：承接第15段的故事状态；跨场景用明确硬切，不能让环境瞬间融化。\n主体动作：金色海边晨光，村民往另一边走，主角一行去西泥滩，受到嘲笑。\n情绪变化：孤注一掷。镜头以源帧景别为依据，连续运镜未经验证，不自行添加环绕或航拍。此段含多个切镜，生成时进一步拆成单一主要动作短镜头。\n\n段落17 / 334—350秒\n原始锚点：虚构幼童双髻红带、额头红点、灰褐粗布；救助者旧蓝外衣、同伴橄榄绿外衣。保持同一人物比例、服装磨损和道具形制。\n上一段锚点：承接第16段的故事状态；跨场景用明确硬切，不能让环境瞬间融化。\n主体动作：幼童蹲下贴近泥面听，同伴拉住她不让脸碰水；按她指示挖掘，起初没有收获。\n情绪变化：怀疑升高。镜头以源帧景别为依据，连续运镜未经验证，不自行添加环绕或航拍。此段含多个切镜，生成时进一步拆成单一主要动作短镜头。\n\n段落18 / 350—357秒\n原始锚点：虚构幼童双髻红带、额头红点、灰褐粗布；救助者旧蓝外衣、同伴橄榄绿外衣。保持同一人物比例、服装磨损和道具形制。\n上一段锚点：承接第17段的故事状态；跨场景用明确硬切，不能让环境瞬间融化。\n主体动作：女孩指向细小洞口，泥水冒泡的特写；成年人换小铲挖。\n情绪变化：期待。镜头以源帧景别为依据，连续运镜未经验证，不自行添加环绕或航拍。此段含多个切镜，生成时进一步拆成单一主要动作短镜头。\n\n段落19 / 357—377秒\n原始锚点：虚构幼童双髻红带、额头红点、灰褐粗布；救助者旧蓝外衣、同伴橄榄绿外衣。保持同一人物比例、服装磨损和道具形制。\n上一段锚点：承接第18段的故事状态；跨场景用明确硬切，不能让环境瞬间融化。\n主体动作：大蟹从泥穴露出，绿衣男子惊讶，幼童拍手，继续挖出更多蟹。\n情绪变化：惊喜兑现。镜头以源帧景别为依据，连续运镜未经验证，不自行添加环绕或航拍。此段含多个切镜，生成时进一步拆成单一主要动作短镜头。\n\n段落20 / 377—391秒\n原始锚点：虚构幼童双髻红带、额头红点、灰褐粗布；救助者旧蓝外衣、同伴橄榄绿外衣。保持同一人物比例、服装磨损和道具形制。\n上一段锚点：承接第19段的故事状态；跨场景用明确硬切，不能让环境瞬间融化。\n主体动作：女孩指出另一片青苔下面有更多，众人快速收获，切到装满蟹的桶与笑脸。\n情绪变化：丰收释放。镜头以源帧景别为依据，连续运镜未经验证，不自行添加环绕或航拍。此段含多个切镜，生成时进一步拆成单一主要动作短镜头。\n\n段落21 / 391—401秒\n原始锚点：虚构幼童双髻红带、额头红点、灰褐粗布；救助者旧蓝外衣、同伴橄榄绿外衣。保持同一人物比例、服装磨损和道具形制。\n上一段锚点：承接第20段的故事状态；跨场景用明确硬切，不能让环境瞬间融化。\n主体动作：孩子只想吃白米饭而非稀粥，成年人温柔回应，孩子抱住海生的腿。\n情绪变化：温情与归属。镜头以源帧景别为依据，连续运镜未经验证，不自行添加环绕或航拍。此段含多个切镜，生成时进一步拆成单一主要动作短镜头。\n\n段落22 / 401—412.8秒\n原始锚点：虚构幼童双髻红带、额头红点、灰褐粗布；救助者旧蓝外衣、同伴橄榄绿外衣。保持同一人物比例、服装磨损和道具形制。\n上一段锚点：承接第21段的故事状态；跨场景用明确硬切，不能让环境瞬间融化。\n主体动作：女孩说大的还没醒，双臂张开比大小；同伴先笑后惊讶。\n情绪变化：新悬念。镜头以源帧景别为依据，连续运镜未经验证，不自行添加环绕或航拍。此段含多个切镜，生成时进一步拆成单一主要动作短镜头。\n\n段落23 / 412.8—413.8秒\n原始锚点：虚构幼童双髻红带、额头红点、灰褐粗布；救助者旧蓝外衣、同伴橄榄绿外衣。保持同一人物比例、服装磨损和道具形制。\n上一段锚点：承接第22段的故事状态；跨场景用明确硬切，不能让环境瞬间融化。\n主体动作：泥滩洞口突然喷出高大的黑色泥浆形状；画面不足以认定具体生物已经显露。\n情绪变化：惊吓式尾钩。镜头以源帧景别为依据，连续运镜未经验证，不自行添加环绕或航拍。此段含多个切镜，生成时进一步拆成单一主要动作短镜头。\n\n段落24 / 413.8—416.34秒\n原始锚点：虚构幼童双髻红带、额头红点、灰褐粗布；救助者旧蓝外衣、同伴橄榄绿外衣。保持同一人物比例、服装磨损和道具形制。\n上一段锚点：承接第23段的故事状态；跨场景用明确硬切，不能让环境瞬间融化。\n主体动作：黑底白字推广尾卡，点击下方观看完整剧情。\n情绪变化：中断悬念。镜头以源帧景别为依据，连续运镜未经验证，不自行添加环绕或航拍。此段含多个切镜，生成时进一步拆成单一主要动作短镜头。\n\n【增强版的边界】\n任务1保留原片逻辑。额外运镜、声音和新的情节属于任务2的创作设计，不假装来自原片。\n【三种单变量实验设计】\n构图：仅把结尾拥抱改成更近的中景，其他条件不变。\n光影：仅提高暖色段落的面部补光，其他条件不变。\n风格：仅改为纸偶定格材质，人物关系与事件顺序不变。以上是待生成的变体方案，并未渲染验证。\n【平台通用版】\n每次提交一个短镜头，沿用上方Original Lock并引用上一镜末帧。按目标工具支持的时长拆段；未知seed不填写伪造数值。\n【音频】\n原声没有逐秒听审，字幕与ASR不等于声音验证。制作设计可用持续海风、脚踩泥水、木板撬动和蟹壳轻碰声；具体对白在任务2原创，不冒充原片原句。\n【原创性】\n角色为片中AI虚构角色；本包为反推生成规格，不声称获得原作者提示词。" }, { "name": "videoreverse-google_veo3_1", "path": "prompts/videoreverse-google_veo3_1.txt", "text": "photorealistic coastal fantasy short drama. soft gray daylight then low golden sunlight. A 6.0-second clip showing A toddler on a muddy shore points at crabs. A huge golden crab appears near two seconds. She points toward a wooden boat, followed by a fantastical change in its scale. in weathered coastal village, wooden boats and wet mudflat. Camera: hard-cut edited sequence; continuous camera movement unverified, framed as close-ups, medium reverse angles and relevant wide shots\n\nphotorealistic coastal fantasy short drama. soft gray daylight then low golden sunlight. A 3.0-second clip showing An adult points accusingly and grabs the child by the arms. A brief black cut follows; do not invent action hidden by that cut. in weathered coastal village, wooden boats and wet mudflat. Camera: hard-cut edited sequence; continuous camera movement unverified, framed as close-ups, medium reverse angles and relevant wide shots. gray-blue water, brown cloth, warm late sequences\n\nphotorealistic coastal fantasy short drama. soft gray daylight then low golden sunlight. A 9.0-second clip showing On an old wooden fishing boat, a wet girl is lifted in a fishing net. Cut to her tearful face. in weathered coastal village, wooden boats and wet mudflat. Camera: hard-cut edited sequence; continuous camera movement unverified, framed as close-ups, medium reverse angles and relevant wide shots. gray-blue water, brown cloth, warm late sequences\n\nphotorealistic coastal fantasy short drama. soft gray daylight then low golden sunlight. A 20.0-second clip showing The man in a worn blue jacket holds and questions the girl while his companion in olive green reacts with uncertainty. She leans against the rescuer. in weathered coastal village, wooden boats and wet mudflat. Camera: hard-cut edited sequence; continuous camera movement unverified, framed as close-ups, medium reverse angles and relevant wide shots\n\nphotorealistic coastal fantasy short drama. soft gray daylight then low golden sunlight. A 13.0-second clip showing The child looks toward the sea and warns the men. Cut to an enormous wave towering over the tiny wooden boat, with birds above the water. in weathered coastal village, wooden boats and wet mudflat. Camera: hard-cut edited sequence; continuous camera movement unverified, framed as close-ups, medium reverse angles and relevant wide shots\n\nphotorealistic coastal fantasy short drama. soft gray daylight then low golden sunlight. A 22.0-second clip showing Frightened adults paddle and carry the child toward shore. Spray and an overturned boat establish the danger. Once safe, the child explains that she heard the sea. in weathered coastal village, wooden boats and wet mudflat. Camera: hard-cut edited sequence; continuous camera movement unverified, framed as close-ups, medium reverse angles and relevant wide shots\n\nphotorealistic coastal fantasy short drama. soft gray daylight then low golden sunlight. A 16.0-second clip showing At a village courtyard, a woman mocks the extra mouth to feed. The child insists she eats little, and a protective woman defends her. in weathered coastal village, wooden boats and wet mudflat. Camera: hard-cut edited sequence; continuous camera movement unverified, framed as close-ups, medium reverse angles and relevant wide shots\n\nphotorealistic coastal fantasy short drama. soft gray daylight then low golden sunlight. A 36.0-second clip showing People gather around a table in front of the old village house to divide family property. Include an insert of keys. A newer motorboat goes to the other household and a ruined wooden boat to the rescuer; he accepts the old boat and commits to caring for the child. in weathered coastal village, wooden boats and wet mudflat\n\nphotorealistic coastal fantasy short drama. soft gray daylight then low golden sunlight. A 34.0-second clip showing The family examines the beached wooden boat. The girl presses her hand against a plank and reports knocking inside. Adults investigate the hull. in weathered coastal village, wooden boats and wet mudflat. Camera: hard-cut edited sequence; continuous camera movement unverified, framed as close-ups, medium reverse angles and relevant wide shots\n\nphotorealistic coastal fantasy short drama. soft gray daylight then low golden sunlight. A 23.0-second clip showing A tool pries open a board. A low viewpoint through the gap reveals a hidden cloth parcel. It is opened to reveal an old notebook and a compass. in weathered coastal village, wooden boats and wet mudflat. Camera: hard-cut edited sequence; continuous camera movement unverified, framed as close-ups, medium reverse angles and relevant wide shots\n\nphotorealistic coastal fantasy short drama. soft gray daylight then low golden sunlight. A 28.0-second clip showing A map with a red circle at Black Rock Bay is unfolded. Adults express concern about reefs and tides. The child points at the map and imitates crab claws with her hands. in weathered coastal village, wooden boats and wet mudflat. Camera: hard-cut edited sequence; continuous camera movement unverified, framed as close-ups, medium reverse angles and relevant wide shots\n\nphotorealistic coastal fantasy short drama. soft gray daylight then low golden sunlight. A 31.0-second clip showing The mocking woman returns to demand the hidden belongings. The child refuses; the rescuer steps in front of her protectively. in weathered coastal village, wooden boats and wet mudflat. Camera: hard-cut edited sequence; continuous camera movement unverified, framed as close-ups, medium reverse angles and relevant wide shots. gray-blue water, brown cloth, warm late sequences\n\nphotorealistic coastal fantasy short drama. soft gray daylight then low golden sunlight. A 26.0-second clip showing After the woman leaves, the family considers scarce rice and boat repairs. The rescuer rests a hand on the gunwale, visibly worried. in weathered coastal village, wooden boats and wet mudflat. Camera: hard-cut edited sequence; continuous camera movement unverified, framed as close-ups, medium reverse angles and relevant wide shots\n\nphotorealistic coastal fantasy short drama. soft gray daylight then low golden sunlight. A 30.0-second clip showing The child insists on the smelly western mudflat rather than the eastern beach chosen by others. The man in green questions her; she repeats her crab-claw gesture and explains the sounds under the mud. in weathered coastal village, wooden boats and wet mudflat\n\nphotorealistic coastal fantasy short drama. soft gray daylight then low golden sunlight. A 11.0-second clip showing Remembering her wave warning, the rescuer chooses to trust her. Insert the map and compass, then his determined face. in weathered coastal village, wooden boats and wet mudflat. Camera: hard-cut edited sequence; continuous camera movement unverified, framed as close-ups, medium reverse angles and relevant wide shots. gray-blue water, brown cloth, warm late sequences\n\nphotorealistic coastal fantasy short drama. soft gray daylight then low golden sunlight. A 26.0-second clip showing In low golden coastal light, villagers head one way while the family walks toward the western mudflat under mocking looks. in weathered coastal village, wooden boats and wet mudflat. Camera: hard-cut edited sequence; continuous camera movement unverified, framed as close-ups, medium reverse angles and relevant wide shots. gray-blue water, brown cloth, warm late sequences\n\nphotorealistic coastal fantasy short drama. soft gray daylight then low golden sunlight. A 16.0-second clip showing The girl crouches with her face close to wet mud to listen; a companion holds her head back from the water. The first digging attempt seems fruitless. in weathered coastal village, wooden boats and wet mudflat. Camera: hard-cut edited sequence; continuous camera movement unverified, framed as close-ups, medium reverse angles and relevant wide shots\n\nphotorealistic coastal fantasy short drama. soft gray daylight then low golden sunlight. A 7.0-second clip showing She points at a tiny bubbling hole. Show a close-up of bubbles, then the adults working with a small spade. in weathered coastal village, wooden boats and wet mudflat. Camera: hard-cut edited sequence; continuous camera movement unverified, framed as close-ups, medium reverse angles and relevant wide shots. gray-blue water, brown cloth, warm late sequences\n\nphotorealistic coastal fantasy short drama. soft gray daylight then low golden sunlight. A 20.0-second clip showing A large crab emerges from the hole. The man in green widens his eyes; the child claps. More crabs are collected. in weathered coastal village, wooden boats and wet mudflat. Camera: hard-cut edited sequence; continuous camera movement unverified, framed as close-ups, medium reverse angles and relevant wide shots. gray-blue water, brown cloth, warm late sequences\n\nphotorealistic coastal fantasy short drama. soft gray daylight then low golden sunlight. A 14.0-second clip showing She indicates another patch beneath green seaweed. Quick harvesting shots alternate with buckets full of crabs and delighted faces. in weathered coastal village, wooden boats and wet mudflat. Camera: hard-cut edited sequence; continuous camera movement unverified, framed as close-ups, medium reverse angles and relevant wide shots. gray-blue water, brown cloth, warm late sequences\n\nphotorealistic coastal fantasy short drama. soft gray daylight then low golden sunlight. A 10.0-second clip showing The child asks for plain white rice instead of thin porridge. Adults respond warmly; she hugs the rescuer’s leg. in weathered coastal village, wooden boats and wet mudflat. Camera: hard-cut edited sequence; continuous camera movement unverified, framed as close-ups, medium reverse angles and relevant wide shots. gray-blue water, brown cloth, warm late sequences\n\nphotorealistic coastal fantasy short drama. soft gray daylight then low golden sunlight. A 11.8-second clip showing She says a larger one has not woken yet and spreads her arms. The companion changes from amusement to surprise. in weathered coastal village, wooden boats and wet mudflat. Camera: hard-cut edited sequence; continuous camera movement unverified, framed as close-ups, medium reverse angles and relevant wide shots. gray-blue water, brown cloth, warm late sequences\n\nphotorealistic coastal fantasy short drama. soft gray daylight then low golden sunlight. A 1.0-second clip showing A tall dark eruption of mud bursts from a hole in the beach. Do not claim that the identity of an unseen creature is established. in weathered coastal village, wooden boats and wet mudflat. Camera: hard-cut edited sequence; continuous camera movement unverified, framed as close-ups, medium reverse angles and relevant wide shots. gray-blue water, brown cloth, warm late sequences\n\nphotorealistic coastal fantasy short drama. soft gray daylight then low golden sunlight. A 2.5-second clip showing Finish with the observed black promotional end card. A clean reconstruction may omit this card, but that is a declared edit. in weathered coastal village, wooden boats and wet mudflat. Camera: hard-cut edited sequence; continuous camera movement unverified, framed as close-ups, medium reverse angles and relevant wide shots. gray-blue water, brown cloth, warm late sequences" }, { "name": "videoreverse-haiper_2", "path": "prompts/videoreverse-haiper_2.txt", "text": "photorealistic coastal fantasy short drama footage lasting 6.0s. A toddler on a muddy shore points at crabs. A huge golden crab appears near two seconds\n\nphotorealistic coastal fantasy short drama footage lasting 3.0s. An adult points accusingly and grabs the child by the arms. A brief black cut follows; do not invent action hidden by that cut\n\nphotorealistic coastal fantasy short drama footage lasting 8.0s. On an old wooden fishing boat, a wet girl is lifted in a fishing net. Cut to her tearful face\n\nphotorealistic coastal fantasy short drama footage lasting 8.0s. The man in a worn blue jacket holds and questions the girl while his companion in olive green reacts with uncertainty\n\nphotorealistic coastal fantasy short drama footage lasting 8.0s. The child looks toward the sea and warns the men. Cut to an enormous wave towering over the tiny wooden boat, with birds above the wate\n\nphotorealistic coastal fantasy short drama footage lasting 8.0s. Frightened adults paddle and carry the child toward shore. Spray and an overturned boat establish the danger\n\nphotorealistic coastal fantasy short drama footage lasting 8.0s. At a village courtyard, a woman mocks the extra mouth to feed. The child insists she eats little, and a protective woman defends her\n\nphotorealistic coastal fantasy short drama footage lasting 8.0s. People gather around a table in front of the old village house to divide family property. Include an insert of keys\n\nphotorealistic coastal fantasy short drama footage lasting 8.0s. The family examines the beached wooden boat. The girl presses her hand against a plank and reports knocking inside\n\nphotorealistic coastal fantasy short drama footage lasting 8.0s. A tool pries open a board. A low viewpoint through the gap reveals a hidden cloth parcel\n\nphotorealistic coastal fantasy short drama footage lasting 8.0s. A map with a red circle at Black Rock Bay is unfolded. Adults express concern about reefs and tides\n\nphotorealistic coastal fantasy short drama footage lasting 8.0s. The mocking woman returns to demand the hidden belongings. The child refuses; the rescuer steps in front of her protectively\n\nphotorealistic coastal fantasy short drama footage lasting 8.0s. After the woman leaves, the family considers scarce rice and boat repairs. The rescuer rests a hand on the gunwale, visibly worried\n\nphotorealistic coastal fantasy short drama footage lasting 8.0s. The child insists on the smelly western mudflat rather than the eastern beach chosen by others\n\nphotorealistic coastal fantasy short drama footage lasting 8.0s. Remembering her wave warning, the rescuer chooses to trust her. Insert the map and compass, then his determined face\n\nphotorealistic coastal fantasy short drama footage lasting 8.0s. In low golden coastal light, villagers head one way while the family walks toward the western mudflat under mocking looks\n\nphotorealistic coastal fantasy short drama footage lasting 8.0s. The girl crouches with her face close to wet mud to listen; a companion holds her head back from the water\n\nphotorealistic coastal fantasy short drama footage lasting 7.0s. She points at a tiny bubbling hole. Show a close-up of bubbles, then the adults working with a small spade\n\nphotorealistic coastal fantasy short drama footage lasting 8.0s. A large crab emerges from the hole. The man in green widens his eyes; the child claps. More crabs are collected\n\nphotorealistic coastal fantasy short drama footage lasting 8.0s. She indicates another patch beneath green seaweed. Quick harvesting shots alternate with buckets full of crabs and delighted faces\n\nphotorealistic coastal fantasy short drama footage lasting 8.0s. The child asks for plain white rice instead of thin porridge. Adults respond warmly; she hugs the rescuer’s leg\n\nphotorealistic coastal fantasy short drama footage lasting 8.0s. She says a larger one has not woken yet and spreads her arms. The companion changes from amusement to surprise\n\nphotorealistic coastal fantasy short drama footage lasting 1.0s. A tall dark eruption of mud bursts from a hole in the beach. Do not claim that the identity of an unseen creature is established\n\nphotorealistic coastal fantasy short drama footage lasting 2.5s. Finish with the observed black promotional end card. A clean reconstruction may omit this card, but that is a declared edit" }, { "name": "videoreverse-kling_3_0", "path": "prompts/videoreverse-kling_3_0.txt", "text": "A toddler on a muddy shore points at crabs. A huge golden crab appears near two seconds. She points toward a wooden boat, followed by a fantastical change in its scale., captured via hard-cut edited sequence; continuous camera movement unverified in close-ups, medium reverse angles and relevant wide shots. Location: weathered coastal village, wooden boats and wet mudflat\n\nAn adult points accusingly and grabs the child by the arms. A brief black cut follows; do not invent action hidden by that cut., captured via hard-cut edited sequence; continuous camera movement unverified in close-ups, medium reverse angles and relevant wide shots. Location: weathered coastal village, wooden boats and wet mudflat. Style: photorealistic coastal fantasy short drama\n\nOn an old wooden fishing boat, a wet girl is lifted in a fishing net. Cut to her tearful face., captured via hard-cut edited sequence; continuous camera movement unverified in close-ups, medium reverse angles and relevant wide shots. Location: weathered coastal village, wooden boats and wet mudflat. Style: photorealistic coastal fantasy short drama\n\nThe man in a worn blue jacket holds and questions the girl while his companion in olive green reacts with uncertainty. She leans against the rescuer., captured via hard-cut edited sequence; continuous camera movement unverified in close-ups, medium reverse angles and relevant wide shots. Location: weathered coastal village, wooden boats and wet mudflat\n\nThe child looks toward the sea and warns the men. Cut to an enormous wave towering over the tiny wooden boat, with birds above the water., captured via hard-cut edited sequence; continuous camera movement unverified in close-ups, medium reverse angles and relevant wide shots. Location: weathered coastal village, wooden boats and wet mudflat. Style: photorealistic coastal fantasy short drama\n\nFrightened adults paddle and carry the child toward shore. Spray and an overturned boat establish the danger. Once safe, the child explains that she heard the sea., captured via hard-cut edited sequence; continuous camera movement unverified in close-ups, medium reverse angles and relevant wide shots. Location: weathered coastal village, wooden boats and wet mudflat\n\nAt a village courtyard, a woman mocks the extra mouth to feed. The child insists she eats little, and a protective woman defends her., captured via hard-cut edited sequence; continuous camera movement unverified in close-ups, medium reverse angles and relevant wide shots. Location: weathered coastal village, wooden boats and wet mudflat. Style: photorealistic coastal fantasy short drama\n\nPeople gather around a table in front of the old village house to divide family property. Include an insert of keys. A newer motorboat goes to the other household and a ruined wooden boat to the rescuer; he accepts the old boat and commits to caring for the child., captured via hard-cut edited sequence; continuous camera movement unverified in close-ups, medium reverse angles and relevant wide sho\n\nThe family examines the beached wooden boat. The girl presses her hand against a plank and reports knocking inside. Adults investigate the hull., captured via hard-cut edited sequence; continuous camera movement unverified in close-ups, medium reverse angles and relevant wide shots. Location: weathered coastal village, wooden boats and wet mudflat\n\nA tool pries open a board. A low viewpoint through the gap reveals a hidden cloth parcel. It is opened to reveal an old notebook and a compass., captured via hard-cut edited sequence; continuous camera movement unverified in close-ups, medium reverse angles and relevant wide shots. Location: weathered coastal village, wooden boats and wet mudflat\n\nA map with a red circle at Black Rock Bay is unfolded. Adults express concern about reefs and tides. The child points at the map and imitates crab claws with her hands., captured via hard-cut edited sequence; continuous camera movement unverified in close-ups, medium reverse angles and relevant wide shots. Location: weathered coastal village, wooden boats and wet mudflat\n\nThe mocking woman returns to demand the hidden belongings. The child refuses; the rescuer steps in front of her protectively., captured via hard-cut edited sequence; continuous camera movement unverified in close-ups, medium reverse angles and relevant wide shots. Location: weathered coastal village, wooden boats and wet mudflat. Style: photorealistic coastal fantasy short drama\n\nAfter the woman leaves, the family considers scarce rice and boat repairs. The rescuer rests a hand on the gunwale, visibly worried., captured via hard-cut edited sequence; continuous camera movement unverified in close-ups, medium reverse angles and relevant wide shots. Location: weathered coastal village, wooden boats and wet mudflat. Style: photorealistic coastal fantasy short drama\n\nThe child insists on the smelly western mudflat rather than the eastern beach chosen by others. The man in green questions her; she repeats her crab-claw gesture and explains the sounds under the mud., captured via hard-cut edited sequence; continuous camera movement unverified in close-ups, medium reverse angles and relevant wide shots\n\nRemembering her wave warning, the rescuer chooses to trust her. Insert the map and compass, then his determined face., captured via hard-cut edited sequence; continuous camera movement unverified in close-ups, medium reverse angles and relevant wide shots. Location: weathered coastal village, wooden boats and wet mudflat. Style: photorealistic coastal fantasy short drama\n\nIn low golden coastal light, villagers head one way while the family walks toward the western mudflat under mocking looks., captured via hard-cut edited sequence; continuous camera movement unverified in close-ups, medium reverse angles and relevant wide shots. Location: weathered coastal village, wooden boats and wet mudflat. Style: photorealistic coastal fantasy short drama\n\nThe girl crouches with her face close to wet mud to listen; a companion holds her head back from the water. The first digging attempt seems fruitless., captured via hard-cut edited sequence; continuous camera movement unverified in close-ups, medium reverse angles and relevant wide shots. Location: weathered coastal village, wooden boats and wet mudflat\n\nShe points at a tiny bubbling hole. Show a close-up of bubbles, then the adults working with a small spade., captured via hard-cut edited sequence; continuous camera movement unverified in close-ups, medium reverse angles and relevant wide shots. Location: weathered coastal village, wooden boats and wet mudflat. Style: photorealistic coastal fantasy short drama\n\nA large crab emerges from the hole. The man in green widens his eyes; the child claps. More crabs are collected., captured via hard-cut edited sequence; continuous camera movement unverified in close-ups, medium reverse angles and relevant wide shots. Location: weathered coastal village, wooden boats and wet mudflat. Style: photorealistic coastal fantasy short drama\n\nShe indicates another patch beneath green seaweed. Quick harvesting shots alternate with buckets full of crabs and delighted faces., captured via hard-cut edited sequence; continuous camera movement unverified in close-ups, medium reverse angles and relevant wide shots. Location: weathered coastal village, wooden boats and wet mudflat. Style: photorealistic coastal fantasy short drama\n\nThe child asks for plain white rice instead of thin porridge. Adults respond warmly; she hugs the rescuer’s leg., captured via hard-cut edited sequence; continuous camera movement unverified in close-ups, medium reverse angles and relevant wide shots. Location: weathered coastal village, wooden boats and wet mudflat. Style: photorealistic coastal fantasy short drama\n\nShe says a larger one has not woken yet and spreads her arms. The companion changes from amusement to surprise., captured via hard-cut edited sequence; continuous camera movement unverified in close-ups, medium reverse angles and relevant wide shots. Location: weathered coastal village, wooden boats and wet mudflat. Style: photorealistic coastal fantasy short drama\n\nA tall dark eruption of mud bursts from a hole in the beach. Do not claim that the identity of an unseen creature is established., captured via hard-cut edited sequence; continuous camera movement unverified in close-ups, medium reverse angles and relevant wide shots. Location: weathered coastal village, wooden boats and wet mudflat. Style: photorealistic coastal fantasy short drama\n\nFinish with the observed black promotional end card. A clean reconstruction may omit this card, but that is a declared edit., captured via hard-cut edited sequence; continuous camera movement unverified in close-ups, medium reverse angles and relevant wide shots. Location: weathered coastal village, wooden boats and wet mudflat. Style: photorealistic coastal fantasy short drama" }, { "name": "videoreverse-luma_dream_machine", "path": "prompts/videoreverse-luma_dream_machine.txt", "text": "photorealistic coastal fantasy short drama video, 6.0s. A toddler on a muddy shore points at crabs. A huge golden crab appears near two seconds\n\nphotorealistic coastal fantasy short drama video, 3.0s. An adult points accusingly and grabs the child by the arms. A brief black cut follows; do not invent action hidden by that cut\n\nphotorealistic coastal fantasy short drama video, 9.0s. On an old wooden fishing boat, a wet girl is lifted in a fishing net. Cut to her tearful face\n\nphotorealistic coastal fantasy short drama video, 12.0s. The man in a worn blue jacket holds and questions the girl while his companion in olive green reacts with uncertainty\n\nphotorealistic coastal fantasy short drama video, 12.0s. The child looks toward the sea and warns the men. Cut to an enormous wave towering over the tiny wooden boat, with birds above the water\n\nphotorealistic coastal fantasy short drama video, 12.0s. Frightened adults paddle and carry the child toward shore. Spray and an overturned boat establish the danger\n\nphotorealistic coastal fantasy short drama video, 12.0s. At a village courtyard, a woman mocks the extra mouth to feed. The child insists she eats little, and a protective woman defends her\n\nphotorealistic coastal fantasy short drama video, 12.0s. People gather around a table in front of the old village house to divide family property. Include an insert of keys\n\nphotorealistic coastal fantasy short drama video, 12.0s. The family examines the beached wooden boat. The girl presses her hand against a plank and reports knocking inside\n\nphotorealistic coastal fantasy short drama video, 12.0s. A tool pries open a board. A low viewpoint through the gap reveals a hidden cloth parcel\n\nphotorealistic coastal fantasy short drama video, 12.0s. A map with a red circle at Black Rock Bay is unfolded. Adults express concern about reefs and tides\n\nphotorealistic coastal fantasy short drama video, 12.0s. The mocking woman returns to demand the hidden belongings. The child refuses; the rescuer steps in front of her protectively\n\nphotorealistic coastal fantasy short drama video, 12.0s. After the woman leaves, the family considers scarce rice and boat repairs. The rescuer rests a hand on the gunwale, visibly worried\n\nphotorealistic coastal fantasy short drama video, 12.0s. The child insists on the smelly western mudflat rather than the eastern beach chosen by others\n\nphotorealistic coastal fantasy short drama video, 11.0s. Remembering her wave warning, the rescuer chooses to trust her. Insert the map and compass, then his determined face\n\nphotorealistic coastal fantasy short drama video, 12.0s. In low golden coastal light, villagers head one way while the family walks toward the western mudflat under mocking looks\n\nphotorealistic coastal fantasy short drama video, 12.0s. The girl crouches with her face close to wet mud to listen; a companion holds her head back from the water\n\nphotorealistic coastal fantasy short drama video, 7.0s. She points at a tiny bubbling hole. Show a close-up of bubbles, then the adults working with a small spade\n\nphotorealistic coastal fantasy short drama video, 12.0s. A large crab emerges from the hole. The man in green widens his eyes; the child claps. More crabs are collected\n\nphotorealistic coastal fantasy short drama video, 12.0s. She indicates another patch beneath green seaweed. Quick harvesting shots alternate with buckets full of crabs and delighted faces\n\nphotorealistic coastal fantasy short drama video, 10.0s. The child asks for plain white rice instead of thin porridge. Adults respond warmly; she hugs the rescuer’s leg\n\nphotorealistic coastal fantasy short drama video, 11.8s. She says a larger one has not woken yet and spreads her arms. The companion changes from amusement to surprise\n\nphotorealistic coastal fantasy short drama video, 1.0s. A tall dark eruption of mud bursts from a hole in the beach. Do not claim that the identity of an unseen creature is established\n\nphotorealistic coastal fantasy short drama video, 2.5s. Finish with the observed black promotional end card. A clean reconstruction may omit this card, but that is a declared edit" }, { "name": "videoreverse-luma_ray2", "path": "prompts/videoreverse-luma_ray2.txt", "text": "Cinematic 6.0s clip. A toddler on a muddy shore points at crabs. A huge golden crab appears near two seconds. She points toward a wooden boat, followed by a fantastical change in its scale. in weathered coastal village, wooden boats and wet mudflat\n\nCinematic 3.0s clip. An adult points accusingly and grabs the child by the arms. A brief black cut follows; do not invent action hidden by that cut. in weathered coastal village, wooden boats and wet mudflat. Camera: hard-cut edited sequence; continuous camera movement unverified, close-ups, medium reverse angles and relevant wide shots\n\nCinematic 9.0s clip. On an old wooden fishing boat, a wet girl is lifted in a fishing net. Cut to her tearful face. in weathered coastal village, wooden boats and wet mudflat. Camera: hard-cut edited sequence; continuous camera movement unverified, close-ups, medium reverse angles and relevant wide shots\n\nCinematic 10.0s clip. The man in a worn blue jacket holds and questions the girl while his companion in olive green reacts with uncertainty. She leans against the rescuer. in weathered coastal village, wooden boats and wet mudflat\n\nCinematic 10.0s clip. The child looks toward the sea and warns the men. Cut to an enormous wave towering over the tiny wooden boat, with birds above the water. in weathered coastal village, wooden boats and wet mudflat\n\nCinematic 10.0s clip. Frightened adults paddle and carry the child toward shore. Spray and an overturned boat establish the danger. Once safe, the child explains that she heard the sea. in weathered coastal village, wooden boats and wet mudflat\n\nCinematic 10.0s clip. At a village courtyard, a woman mocks the extra mouth to feed. The child insists she eats little, and a protective woman defends her. in weathered coastal village, wooden boats and wet mudflat. Camera: hard-cut edited sequence; continuous camera movement unverified, close-ups, medium reverse angles and relevant wide shots\n\nCinematic 10.0s clip. People gather around a table in front of the old village house to divide family property. Include an insert of keys. A newer motorboat goes to the other household and a ruined wooden boat to the rescuer; he accepts the old boat and commits to caring for the child. in weathered coastal village, wooden boats and wet mudflat\n\nCinematic 10.0s clip. The family examines the beached wooden boat. The girl presses her hand against a plank and reports knocking inside. Adults investigate the hull. in weathered coastal village, wooden boats and wet mudflat\n\nCinematic 10.0s clip. A tool pries open a board. A low viewpoint through the gap reveals a hidden cloth parcel. It is opened to reveal an old notebook and a compass. in weathered coastal village, wooden boats and wet mudflat\n\nCinematic 10.0s clip. A map with a red circle at Black Rock Bay is unfolded. Adults express concern about reefs and tides. The child points at the map and imitates crab claws with her hands. in weathered coastal village, wooden boats and wet mudflat\n\nCinematic 10.0s clip. The mocking woman returns to demand the hidden belongings. The child refuses; the rescuer steps in front of her protectively. in weathered coastal village, wooden boats and wet mudflat. Camera: hard-cut edited sequence; continuous camera movement unverified, close-ups, medium reverse angles and relevant wide shots\n\nCinematic 10.0s clip. After the woman leaves, the family considers scarce rice and boat repairs. The rescuer rests a hand on the gunwale, visibly worried. in weathered coastal village, wooden boats and wet mudflat. Camera: hard-cut edited sequence; continuous camera movement unverified, close-ups, medium reverse angles and relevant wide shots\n\nCinematic 10.0s clip. The child insists on the smelly western mudflat rather than the eastern beach chosen by others. The man in green questions her; she repeats her crab-claw gesture and explains the sounds under the mud. in weathered coastal village, wooden boats and wet mudflat\n\nCinematic 10.0s clip. Remembering her wave warning, the rescuer chooses to trust her. Insert the map and compass, then his determined face. in weathered coastal village, wooden boats and wet mudflat. Camera: hard-cut edited sequence; continuous camera movement unverified, close-ups, medium reverse angles and relevant wide shots\n\nCinematic 10.0s clip. In low golden coastal light, villagers head one way while the family walks toward the western mudflat under mocking looks. in weathered coastal village, wooden boats and wet mudflat. Camera: hard-cut edited sequence; continuous camera movement unverified, close-ups, medium reverse angles and relevant wide shots\n\nCinematic 10.0s clip. The girl crouches with her face close to wet mud to listen; a companion holds her head back from the water. The first digging attempt seems fruitless. in weathered coastal village, wooden boats and wet mudflat\n\nCinematic 7.0s clip. She points at a tiny bubbling hole. Show a close-up of bubbles, then the adults working with a small spade. in weathered coastal village, wooden boats and wet mudflat. Camera: hard-cut edited sequence; continuous camera movement unverified, close-ups, medium reverse angles and relevant wide shots\n\nCinematic 10.0s clip. A large crab emerges from the hole. The man in green widens his eyes; the child claps. More crabs are collected. in weathered coastal village, wooden boats and wet mudflat. Camera: hard-cut edited sequence; continuous camera movement unverified, close-ups, medium reverse angles and relevant wide shots\n\nCinematic 10.0s clip. She indicates another patch beneath green seaweed. Quick harvesting shots alternate with buckets full of crabs and delighted faces. in weathered coastal village, wooden boats and wet mudflat. Camera: hard-cut edited sequence; continuous camera movement unverified, close-ups, medium reverse angles and relevant wide shots\n\nCinematic 10.0s clip. The child asks for plain white rice instead of thin porridge. Adults respond warmly; she hugs the rescuer’s leg. in weathered coastal village, wooden boats and wet mudflat. Camera: hard-cut edited sequence; continuous camera movement unverified, close-ups, medium reverse angles and relevant wide shots\n\nCinematic 10.0s clip. She says a larger one has not woken yet and spreads her arms. The companion changes from amusement to surprise. in weathered coastal village, wooden boats and wet mudflat. Camera: hard-cut edited sequence; continuous camera movement unverified, close-ups, medium reverse angles and relevant wide shots\n\nCinematic 1.0s clip. A tall dark eruption of mud bursts from a hole in the beach. Do not claim that the identity of an unseen creature is established. in weathered coastal village, wooden boats and wet mudflat. Camera: hard-cut edited sequence; continuous camera movement unverified, close-ups, medium reverse angles and relevant wide shots\n\nCinematic 2.5s clip. Finish with the observed black promotional end card. A clean reconstruction may omit this card, but that is a declared edit. in weathered coastal village, wooden boats and wet mudflat. Camera: hard-cut edited sequence; continuous camera movement unverified, close-ups, medium reverse angles and relevant wide shots" }, { "name": "videoreverse-pika_2", "path": "prompts/videoreverse-pika_2.txt", "text": "coastal fantasy short drama. A toddler on a muddy shore points at crabs. A huge golden crab appears near two seconds. She points toward a wooden boat, followed by a fantastical change in its scale\n\ncoastal fantasy short drama. An adult points accusingly and grabs the child by the arms. A brief black cut follows; do not invent action hidden by that cut. weathered coastal village, wooden boats and wet mudflat\n\ncoastal fantasy short drama. On an old wooden fishing boat, a wet girl is lifted in a fishing net. Cut to her tearful face. weathered coastal village, wooden boats and wet mudflat\n\ncoastal fantasy short drama. The man in a worn blue jacket holds and questions the girl while his companion in olive green reacts with uncertainty. She leans against the rescuer. weathered coastal village, wooden boats and wet mudflat\n\ncoastal fantasy short drama. The child looks toward the sea and warns the men. Cut to an enormous wave towering over the tiny wooden boat, with birds above the water. weathered coastal village, wooden boats and wet mudflat\n\ncoastal fantasy short drama. Frightened adults paddle and carry the child toward shore. Spray and an overturned boat establish the danger. Once safe, the child explains that she heard the sea. weathered coastal village, wooden boats and wet mudflat\n\ncoastal fantasy short drama. At a village courtyard, a woman mocks the extra mouth to feed. The child insists she eats little, and a protective woman defends her. weathered coastal village, wooden boats and wet mudflat\n\ncoastal fantasy short drama. People gather around a table in front of the old village house to divide family property. Include an insert of keys. A newer motorboat goes to the other household and a ruined wooden boat to the rescuer; he accepts the ol\n\ncoastal fantasy short drama. The family examines the beached wooden boat. The girl presses her hand against a plank and reports knocking inside. Adults investigate the hull. weathered coastal village, wooden boats and wet mudflat\n\ncoastal fantasy short drama. A tool pries open a board. A low viewpoint through the gap reveals a hidden cloth parcel. It is opened to reveal an old notebook and a compass. weathered coastal village, wooden boats and wet mudflat\n\ncoastal fantasy short drama. A map with a red circle at Black Rock Bay is unfolded. Adults express concern about reefs and tides. The child points at the map and imitates crab claws with her hands\n\ncoastal fantasy short drama. The mocking woman returns to demand the hidden belongings. The child refuses; the rescuer steps in front of her protectively. weathered coastal village, wooden boats and wet mudflat\n\ncoastal fantasy short drama. After the woman leaves, the family considers scarce rice and boat repairs. The rescuer rests a hand on the gunwale, visibly worried. weathered coastal village, wooden boats and wet mudflat\n\ncoastal fantasy short drama. The child insists on the smelly western mudflat rather than the eastern beach chosen by others. The man in green questions her; she repeats her crab-claw gesture and explains the sounds under the mud\n\ncoastal fantasy short drama. Remembering her wave warning, the rescuer chooses to trust her. Insert the map and compass, then his determined face. weathered coastal village, wooden boats and wet mudflat\n\ncoastal fantasy short drama. In low golden coastal light, villagers head one way while the family walks toward the western mudflat under mocking looks. weathered coastal village, wooden boats and wet mudflat\n\ncoastal fantasy short drama. The girl crouches with her face close to wet mud to listen; a companion holds her head back from the water. The first digging attempt seems fruitless. weathered coastal village, wooden boats and wet mudflat\n\ncoastal fantasy short drama. She points at a tiny bubbling hole. Show a close-up of bubbles, then the adults working with a small spade. weathered coastal village, wooden boats and wet mudflat\n\ncoastal fantasy short drama. A large crab emerges from the hole. The man in green widens his eyes; the child claps. More crabs are collected. weathered coastal village, wooden boats and wet mudflat\n\ncoastal fantasy short drama. She indicates another patch beneath green seaweed. Quick harvesting shots alternate with buckets full of crabs and delighted faces. weathered coastal village, wooden boats and wet mudflat\n\ncoastal fantasy short drama. The child asks for plain white rice instead of thin porridge. Adults respond warmly; she hugs the rescuer’s leg. weathered coastal village, wooden boats and wet mudflat\n\ncoastal fantasy short drama. She says a larger one has not woken yet and spreads her arms. The companion changes from amusement to surprise. weathered coastal village, wooden boats and wet mudflat\n\ncoastal fantasy short drama. A tall dark eruption of mud bursts from a hole in the beach. Do not claim that the identity of an unseen creature is established. weathered coastal village, wooden boats and wet mudflat\n\ncoastal fantasy short drama. Finish with the observed black promotional end card. A clean reconstruction may omit this card, but that is a declared edit. weathered coastal village, wooden boats and wet mudflat" }, { "name": "videoreverse-pika_3_0", "path": "prompts/videoreverse-pika_3_0.txt", "text": "photorealistic coastal fantasy short drama: A toddler on a muddy shore points at crabs. A huge golden crab appears near two seconds. She points toward a wooden boat, followed by a fantastical change in its scale. in weathered coastal village, wooden boats and wet mudflat\n\nphotorealistic coastal fantasy short drama: An adult points accusingly and grabs the child by the arms. A brief black cut follows; do not invent action hidden by that cut. in weathered coastal village, wooden boats and wet mudflat\n\nphotorealistic coastal fantasy short drama: On an old wooden fishing boat, a wet girl is lifted in a fishing net. Cut to her tearful face. in weathered coastal village, wooden boats and wet mudflat\n\nphotorealistic coastal fantasy short drama: The man in a worn blue jacket holds and questions the girl while his companion in olive green reacts with uncertainty. She leans against the rescuer. in weathered coastal village, wooden boats and wet mudflat\n\nphotorealistic coastal fantasy short drama: The child looks toward the sea and warns the men. Cut to an enormous wave towering over the tiny wooden boat, with birds above the water. in weathered coastal village, wooden boats and wet mudflat\n\nphotorealistic coastal fantasy short drama: Frightened adults paddle and carry the child toward shore. Spray and an overturned boat establish the danger. Once safe, the child explains that she heard the sea. in weathered coastal village, wooden boats and wet mudflat\n\nphotorealistic coastal fantasy short drama: At a village courtyard, a woman mocks the extra mouth to feed. The child insists she eats little, and a protective woman defends her. in weathered coastal village, wooden boats and wet mudflat\n\nphotorealistic coastal fantasy short drama: People gather around a table in front of the old village house to divide family property. Include an insert of keys. A newer motorboat goes to the other household and a ruined wooden boat to the rescuer; he accepts the old boat and commits to caring for th\n\nphotorealistic coastal fantasy short drama: The family examines the beached wooden boat. The girl presses her hand against a plank and reports knocking inside. Adults investigate the hull. in weathered coastal village, wooden boats and wet mudflat\n\nphotorealistic coastal fantasy short drama: A tool pries open a board. A low viewpoint through the gap reveals a hidden cloth parcel. It is opened to reveal an old notebook and a compass. in weathered coastal village, wooden boats and wet mudflat\n\nphotorealistic coastal fantasy short drama: A map with a red circle at Black Rock Bay is unfolded. Adults express concern about reefs and tides. The child points at the map and imitates crab claws with her hands. in weathered coastal village, wooden boats and wet mudflat\n\nphotorealistic coastal fantasy short drama: The mocking woman returns to demand the hidden belongings. The child refuses; the rescuer steps in front of her protectively. in weathered coastal village, wooden boats and wet mudflat\n\nphotorealistic coastal fantasy short drama: After the woman leaves, the family considers scarce rice and boat repairs. The rescuer rests a hand on the gunwale, visibly worried. in weathered coastal village, wooden boats and wet mudflat\n\nphotorealistic coastal fantasy short drama: The child insists on the smelly western mudflat rather than the eastern beach chosen by others. The man in green questions her; she repeats her crab-claw gesture and explains the sounds under the mud\n\nphotorealistic coastal fantasy short drama: Remembering her wave warning, the rescuer chooses to trust her. Insert the map and compass, then his determined face. in weathered coastal village, wooden boats and wet mudflat\n\nphotorealistic coastal fantasy short drama: In low golden coastal light, villagers head one way while the family walks toward the western mudflat under mocking looks. in weathered coastal village, wooden boats and wet mudflat\n\nphotorealistic coastal fantasy short drama: The girl crouches with her face close to wet mud to listen; a companion holds her head back from the water. The first digging attempt seems fruitless. in weathered coastal village, wooden boats and wet mudflat\n\nphotorealistic coastal fantasy short drama: She points at a tiny bubbling hole. Show a close-up of bubbles, then the adults working with a small spade. in weathered coastal village, wooden boats and wet mudflat\n\nphotorealistic coastal fantasy short drama: A large crab emerges from the hole. The man in green widens his eyes; the child claps. More crabs are collected. in weathered coastal village, wooden boats and wet mudflat\n\nphotorealistic coastal fantasy short drama: She indicates another patch beneath green seaweed. Quick harvesting shots alternate with buckets full of crabs and delighted faces. in weathered coastal village, wooden boats and wet mudflat\n\nphotorealistic coastal fantasy short drama: The child asks for plain white rice instead of thin porridge. Adults respond warmly; she hugs the rescuer’s leg. in weathered coastal village, wooden boats and wet mudflat\n\nphotorealistic coastal fantasy short drama: She says a larger one has not woken yet and spreads her arms. The companion changes from amusement to surprise. in weathered coastal village, wooden boats and wet mudflat\n\nphotorealistic coastal fantasy short drama: A tall dark eruption of mud bursts from a hole in the beach. Do not claim that the identity of an unseen creature is established. in weathered coastal village, wooden boats and wet mudflat\n\nphotorealistic coastal fantasy short drama: Finish with the observed black promotional end card. A clean reconstruction may omit this card, but that is a declared edit. in weathered coastal village, wooden boats and wet mudflat" }, { "name": "videoreverse-runway_gen4_5", "path": "prompts/videoreverse-runway_gen4_5.txt", "text": "[Camera: hard-cut edited sequence; continuous camera movement unverified | Framing: close-ups, medium reverse angles and relevant wide shots] photorealistic coastal fantasy short drama style video showing A toddler on a muddy shore points at crabs. A huge golden crab appears near two seconds\n\n[Camera: hard-cut edited sequence; continuous camera movement unverified | Framing: close-ups, medium reverse angles and relevant wide shots] photorealistic coastal fantasy short drama style video showing An adult points accusingly and grabs the child by the arms\n\n[Camera: hard-cut edited sequence; continuous camera movement unverified | Framing: close-ups, medium reverse angles and relevant wide shots] photorealistic coastal fantasy short drama style video showing On an old wooden fishing boat, a wet girl is lifted in a fishing net. Cut to her tearful face\n\n[Camera: hard-cut edited sequence; continuous camera movement unverified | Framing: close-ups, medium reverse angles and relevant wide shots] photorealistic coastal fantasy short drama style video showing The man in a worn blue jacket holds and questions the girl while his companion in olive green r\n\n[Camera: hard-cut edited sequence; continuous camera movement unverified | Framing: close-ups, medium reverse angles and relevant wide shots] photorealistic coastal fantasy short drama style video showing The child looks toward the sea and warns the men\n\n[Camera: hard-cut edited sequence; continuous camera movement unverified | Framing: close-ups, medium reverse angles and relevant wide shots] photorealistic coastal fantasy short drama style video showing Frightened adults paddle and carry the child toward shore\n\n[Camera: hard-cut edited sequence; continuous camera movement unverified | Framing: close-ups, medium reverse angles and relevant wide shots] photorealistic coastal fantasy short drama style video showing At a village courtyard, a woman mocks the extra mouth to feed\n\n[Camera: hard-cut edited sequence; continuous camera movement unverified | Framing: close-ups, medium reverse angles and relevant wide shots] photorealistic coastal fantasy short drama style video showing People gather around a table in front of the old village house to divide family property\n\n[Camera: hard-cut edited sequence; continuous camera movement unverified | Framing: close-ups, medium reverse angles and relevant wide shots] photorealistic coastal fantasy short drama style video showing The family examines the beached wooden boat\n\n[Camera: hard-cut edited sequence; continuous camera movement unverified | Framing: close-ups, medium reverse angles and relevant wide shots] photorealistic coastal fantasy short drama style video showing A tool pries open a board. A low viewpoint through the gap reveals a hidden cloth parcel\n\n[Camera: hard-cut edited sequence; continuous camera movement unverified | Framing: close-ups, medium reverse angles and relevant wide shots] photorealistic coastal fantasy short drama style video showing A map with a red circle at Black Rock Bay is unfolded\n\n[Camera: hard-cut edited sequence; continuous camera movement unverified | Framing: close-ups, medium reverse angles and relevant wide shots] photorealistic coastal fantasy short drama style video showing The mocking woman returns to demand the hidden belongings\n\n[Camera: hard-cut edited sequence; continuous camera movement unverified | Framing: close-ups, medium reverse angles and relevant wide shots] photorealistic coastal fantasy short drama style video showing After the woman leaves, the family considers scarce rice and boat repairs\n\n[Camera: hard-cut edited sequence; continuous camera movement unverified | Framing: close-ups, medium reverse angles and relevant wide shots] photorealistic coastal fantasy short drama style video showing The child insists on the smelly western mudflat rather than the eastern beach chosen by others\n\n[Camera: hard-cut edited sequence; continuous camera movement unverified | Framing: close-ups, medium reverse angles and relevant wide shots] photorealistic coastal fantasy short drama style video showing Remembering her wave warning, the rescuer chooses to trust her\n\n[Camera: hard-cut edited sequence; continuous camera movement unverified | Framing: close-ups, medium reverse angles and relevant wide shots] photorealistic coastal fantasy short drama style video showing In low golden coastal light, villagers head one way while the family walks toward the western m\n\n[Camera: hard-cut edited sequence; continuous camera movement unverified | Framing: close-ups, medium reverse angles and relevant wide shots] photorealistic coastal fantasy short drama style video showing The girl crouches with her face close to wet mud to listen; a companion holds her head back fro\n\n[Camera: hard-cut edited sequence; continuous camera movement unverified | Framing: close-ups, medium reverse angles and relevant wide shots] photorealistic coastal fantasy short drama style video showing She points at a tiny bubbling hole\n\n[Camera: hard-cut edited sequence; continuous camera movement unverified | Framing: close-ups, medium reverse angles and relevant wide shots] photorealistic coastal fantasy short drama style video showing A large crab emerges from the hole. The man in green widens his eyes; the child claps\n\n[Camera: hard-cut edited sequence; continuous camera movement unverified | Framing: close-ups, medium reverse angles and relevant wide shots] photorealistic coastal fantasy short drama style video showing She indicates another patch beneath green seaweed\n\n[Camera: hard-cut edited sequence; continuous camera movement unverified | Framing: close-ups, medium reverse angles and relevant wide shots] photorealistic coastal fantasy short drama style video showing The child asks for plain white rice instead of thin porridge\n\n[Camera: hard-cut edited sequence; continuous camera movement unverified | Framing: close-ups, medium reverse angles and relevant wide shots] photorealistic coastal fantasy short drama style video showing She says a larger one has not woken yet and spreads her arms\n\n[Camera: hard-cut edited sequence; continuous camera movement unverified | Framing: close-ups, medium reverse angles and relevant wide shots] photorealistic coastal fantasy short drama style video showing A tall dark eruption of mud bursts from a hole in the beach\n\n[Camera: hard-cut edited sequence; continuous camera movement unverified | Framing: close-ups, medium reverse angles and relevant wide shots] photorealistic coastal fantasy short drama style video showing Finish with the observed black promotional end card" }, { "name": "videoreverse-sora_2", "path": "prompts/videoreverse-sora_2.txt", "text": "A 6.0-second video in photorealistic coastal fantasy short drama. A toddler on a muddy shore points at crabs. A huge golden crab appears near two seconds. She points toward a wooden boat, followed by a fantastical change in its scale. The scene is set in weathered coastal village, wooden boats and wet mudflat, captured with hard-cut edited sequence; continuous camera movement unverified and close-ups, medium reverse angles and relevant wide shots. Lighting: soft gray daylight then low golden sunlight. Color grading: gray-blue water, brown cloth, warm late sequences\n\nA 3.0-second video in photorealistic coastal fantasy short drama. An adult points accusingly and grabs the child by the arms. A brief black cut follows; do not invent action hidden by that cut. The scene is set in weathered coastal village, wooden boats and wet mudflat, captured with hard-cut edited sequence; continuous camera movement unverified and close-ups, medium reverse angles and relevant wide shots. Lighting: soft gray daylight then low golden sunlight. Color grading: gray-blue water, brown cloth, warm late sequences. Exclude: identity drift, extra fingers, incorrect prop continuity\n\nA 9.0-second video in photorealistic coastal fantasy short drama. On an old wooden fishing boat, a wet girl is lifted in a fishing net. Cut to her tearful face. The scene is set in weathered coastal village, wooden boats and wet mudflat, captured with hard-cut edited sequence; continuous camera movement unverified and close-ups, medium reverse angles and relevant wide shots. Lighting: soft gray daylight then low golden sunlight. Color grading: gray-blue water, brown cloth, warm late sequences. Exclude: identity drift, extra fingers, incorrect prop continuity. over the course of, gradually\n\nA 20.0-second video in photorealistic coastal fantasy short drama. The man in a worn blue jacket holds and questions the girl while his companion in olive green reacts with uncertainty. She leans against the rescuer. The scene is set in weathered coastal village, wooden boats and wet mudflat, captured with hard-cut edited sequence; continuous camera movement unverified and close-ups, medium reverse angles and relevant wide shots. Lighting: soft gray daylight then low golden sunlight. Color grading: gray-blue water, brown cloth, warm late sequences\n\nA 13.0-second video in photorealistic coastal fantasy short drama. The child looks toward the sea and warns the men. Cut to an enormous wave towering over the tiny wooden boat, with birds above the water. The scene is set in weathered coastal village, wooden boats and wet mudflat, captured with hard-cut edited sequence; continuous camera movement unverified and close-ups, medium reverse angles and relevant wide shots. Lighting: soft gray daylight then low golden sunlight. Color grading: gray-blue water, brown cloth, warm late sequences\n\nA 22.0-second video in photorealistic coastal fantasy short drama. Frightened adults paddle and carry the child toward shore. Spray and an overturned boat establish the danger. Once safe, the child explains that she heard the sea. The scene is set in weathered coastal village, wooden boats and wet mudflat, captured with hard-cut edited sequence; continuous camera movement unverified and close-ups, medium reverse angles and relevant wide shots. Lighting: soft gray daylight then low golden sunlight. Color grading: gray-blue water, brown cloth, warm late sequences\n\nA 16.0-second video in photorealistic coastal fantasy short drama. At a village courtyard, a woman mocks the extra mouth to feed. The child insists she eats little, and a protective woman defends her. The scene is set in weathered coastal village, wooden boats and wet mudflat, captured with hard-cut edited sequence; continuous camera movement unverified and close-ups, medium reverse angles and relevant wide shots. Lighting: soft gray daylight then low golden sunlight. Color grading: gray-blue water, brown cloth, warm late sequences\n\nA 36.0-second video in photorealistic coastal fantasy short drama. People gather around a table in front of the old village house to divide family property. Include an insert of keys. A newer motorboat goes to the other household and a ruined wooden boat to the rescuer; he accepts the old boat and commits to caring for the child. The scene is set in weathered coastal village, wooden boats and wet mudflat, captured with hard-cut edited sequence; continuous camera movement unverified and close-ups, medium reverse angles and relevant wide shots\n\nA 34.0-second video in photorealistic coastal fantasy short drama. The family examines the beached wooden boat. The girl presses her hand against a plank and reports knocking inside. Adults investigate the hull. The scene is set in weathered coastal village, wooden boats and wet mudflat, captured with hard-cut edited sequence; continuous camera movement unverified and close-ups, medium reverse angles and relevant wide shots. Lighting: soft gray daylight then low golden sunlight. Color grading: gray-blue water, brown cloth, warm late sequences\n\nA 23.0-second video in photorealistic coastal fantasy short drama. A tool pries open a board. A low viewpoint through the gap reveals a hidden cloth parcel. It is opened to reveal an old notebook and a compass. The scene is set in weathered coastal village, wooden boats and wet mudflat, captured with hard-cut edited sequence; continuous camera movement unverified and close-ups, medium reverse angles and relevant wide shots. Lighting: soft gray daylight then low golden sunlight. Color grading: gray-blue water, brown cloth, warm late sequences\n\nA 28.0-second video in photorealistic coastal fantasy short drama. A map with a red circle at Black Rock Bay is unfolded. Adults express concern about reefs and tides. The child points at the map and imitates crab claws with her hands. The scene is set in weathered coastal village, wooden boats and wet mudflat, captured with hard-cut edited sequence; continuous camera movement unverified and close-ups, medium reverse angles and relevant wide shots. Lighting: soft gray daylight then low golden sunlight. Color grading: gray-blue water, brown cloth, warm late sequences\n\nA 31.0-second video in photorealistic coastal fantasy short drama. The mocking woman returns to demand the hidden belongings. The child refuses; the rescuer steps in front of her protectively. The scene is set in weathered coastal village, wooden boats and wet mudflat, captured with hard-cut edited sequence; continuous camera movement unverified and close-ups, medium reverse angles and relevant wide shots. Lighting: soft gray daylight then low golden sunlight. Color grading: gray-blue water, brown cloth, warm late sequences. Exclude: identity drift, extra fingers, incorrect prop continuity\n\nA 26.0-second video in photorealistic coastal fantasy short drama. After the woman leaves, the family considers scarce rice and boat repairs. The rescuer rests a hand on the gunwale, visibly worried. The scene is set in weathered coastal village, wooden boats and wet mudflat, captured with hard-cut edited sequence; continuous camera movement unverified and close-ups, medium reverse angles and relevant wide shots. Lighting: soft gray daylight then low golden sunlight. Color grading: gray-blue water, brown cloth, warm late sequences\n\nA 30.0-second video in photorealistic coastal fantasy short drama. The child insists on the smelly western mudflat rather than the eastern beach chosen by others. The man in green questions her; she repeats her crab-claw gesture and explains the sounds under the mud. The scene is set in weathered coastal village, wooden boats and wet mudflat, captured with hard-cut edited sequence; continuous camera movement unverified and close-ups, medium reverse angles and relevant wide shots. Lighting: soft gray daylight then low golden sunlight\n\nA 11.0-second video in photorealistic coastal fantasy short drama. Remembering her wave warning, the rescuer chooses to trust her. Insert the map and compass, then his determined face. The scene is set in weathered coastal village, wooden boats and wet mudflat, captured with hard-cut edited sequence; continuous camera movement unverified and close-ups, medium reverse angles and relevant wide shots. Lighting: soft gray daylight then low golden sunlight. Color grading: gray-blue water, brown cloth, warm late sequences. Exclude: identity drift, extra fingers, incorrect prop continuity\n\nA 26.0-second video in photorealistic coastal fantasy short drama. In low golden coastal light, villagers head one way while the family walks toward the western mudflat under mocking looks. The scene is set in weathered coastal village, wooden boats and wet mudflat, captured with hard-cut edited sequence; continuous camera movement unverified and close-ups, medium reverse angles and relevant wide shots. Lighting: soft gray daylight then low golden sunlight. Color grading: gray-blue water, brown cloth, warm late sequences. Exclude: identity drift, extra fingers, incorrect prop continuity\n\nA 16.0-second video in photorealistic coastal fantasy short drama. The girl crouches with her face close to wet mud to listen; a companion holds her head back from the water. The first digging attempt seems fruitless. The scene is set in weathered coastal village, wooden boats and wet mudflat, captured with hard-cut edited sequence; continuous camera movement unverified and close-ups, medium reverse angles and relevant wide shots. Lighting: soft gray daylight then low golden sunlight. Color grading: gray-blue water, brown cloth, warm late sequences\n\nA 7.0-second video in photorealistic coastal fantasy short drama. She points at a tiny bubbling hole. Show a close-up of bubbles, then the adults working with a small spade. The scene is set in weathered coastal village, wooden boats and wet mudflat, captured with hard-cut edited sequence; continuous camera movement unverified and close-ups, medium reverse angles and relevant wide shots. Lighting: soft gray daylight then low golden sunlight. Color grading: gray-blue water, brown cloth, warm late sequences. Exclude: identity drift, extra fingers, incorrect prop continuity\n\nA 20.0-second video in photorealistic coastal fantasy short drama. A large crab emerges from the hole. The man in green widens his eyes; the child claps. More crabs are collected. The scene is set in weathered coastal village, wooden boats and wet mudflat, captured with hard-cut edited sequence; continuous camera movement unverified and close-ups, medium reverse angles and relevant wide shots. Lighting: soft gray daylight then low golden sunlight. Color grading: gray-blue water, brown cloth, warm late sequences. Exclude: identity drift, extra fingers, incorrect prop continuity\n\nA 14.0-second video in photorealistic coastal fantasy short drama. She indicates another patch beneath green seaweed. Quick harvesting shots alternate with buckets full of crabs and delighted faces. The scene is set in weathered coastal village, wooden boats and wet mudflat, captured with hard-cut edited sequence; continuous camera movement unverified and close-ups, medium reverse angles and relevant wide shots. Lighting: soft gray daylight then low golden sunlight. Color grading: gray-blue water, brown cloth, warm late sequences\n\nA 10.0-second video in photorealistic coastal fantasy short drama. The child asks for plain white rice instead of thin porridge. Adults respond warmly; she hugs the rescuer’s leg. The scene is set in weathered coastal village, wooden boats and wet mudflat, captured with hard-cut edited sequence; continuous camera movement unverified and close-ups, medium reverse angles and relevant wide shots. Lighting: soft gray daylight then low golden sunlight. Color grading: gray-blue water, brown cloth, warm late sequences. Exclude: identity drift, extra fingers, incorrect prop continuity\n\nA 11.8-second video in photorealistic coastal fantasy short drama. She says a larger one has not woken yet and spreads her arms. The companion changes from amusement to surprise. The scene is set in weathered coastal village, wooden boats and wet mudflat, captured with hard-cut edited sequence; continuous camera movement unverified and close-ups, medium reverse angles and relevant wide shots. Lighting: soft gray daylight then low golden sunlight. Color grading: gray-blue water, brown cloth, warm late sequences. Exclude: identity drift, extra fingers, incorrect prop continuity\n\nA 1.0-second video in photorealistic coastal fantasy short drama. A tall dark eruption of mud bursts from a hole in the beach. Do not claim that the identity of an unseen creature is established. The scene is set in weathered coastal village, wooden boats and wet mudflat, captured with hard-cut edited sequence; continuous camera movement unverified and close-ups, medium reverse angles and relevant wide shots. Lighting: soft gray daylight then low golden sunlight. Color grading: gray-blue water, brown cloth, warm late sequences\n\nA 2.5-second video in photorealistic coastal fantasy short drama. Finish with the observed black promotional end card. A clean reconstruction may omit this card, but that is a declared edit. The scene is set in weathered coastal village, wooden boats and wet mudflat, captured with hard-cut edited sequence; continuous camera movement unverified and close-ups, medium reverse angles and relevant wide shots. Lighting: soft gray daylight then low golden sunlight. Color grading: gray-blue water, brown cloth, warm late sequences. Exclude: identity drift, extra fingers, incorrect prop continuity" }, { "name": "videoreverse-stable_video_diffusion", "path": "prompts/videoreverse-stable_video_diffusion.txt", "text": "photorealistic coastal fantasy short drama, A toddler on a muddy shore points at crabs. A huge golden crab appears near two seconds\n\nphotorealistic coastal fantasy short drama, An adult points accusingly and grabs the child by the arms\n\nphotorealistic coastal fantasy short drama, On an old wooden fishing boat, a wet girl is lifted in a fishing net\n\nphotorealistic coastal fantasy short drama, The man in a worn blue jacket holds and questions the girl while his companion in olive green reacts with\n\nphotorealistic coastal fantasy short drama, The child looks toward the sea and warns the men\n\nphotorealistic coastal fantasy short drama, Frightened adults paddle and carry the child toward shore\n\nphotorealistic coastal fantasy short drama, At a village courtyard, a woman mocks the extra mouth to feed\n\nphotorealistic coastal fantasy short drama, People gather around a table in front of the old village house to divide family property\n\nphotorealistic coastal fantasy short drama, The family examines the beached wooden boat. The girl presses her hand against a plank and reports knockin\n\nphotorealistic coastal fantasy short drama, A tool pries open a board. A low viewpoint through the gap reveals a hidden cloth parcel\n\nphotorealistic coastal fantasy short drama, A map with a red circle at Black Rock Bay is unfolded. Adults express concern about reefs and tides\n\nphotorealistic coastal fantasy short drama, The mocking woman returns to demand the hidden belongings\n\nphotorealistic coastal fantasy short drama, After the woman leaves, the family considers scarce rice and boat repairs\n\nphotorealistic coastal fantasy short drama, The child insists on the smelly western mudflat rather than the eastern beach chosen by others\n\nphotorealistic coastal fantasy short drama, Remembering her wave warning, the rescuer chooses to trust her\n\nphotorealistic coastal fantasy short drama, In low golden coastal light, villagers head one way while the family walks toward the western mudflat unde\n\nphotorealistic coastal fantasy short drama, The girl crouches with her face close to wet mud to listen; a companion holds her head back from the water\n\nphotorealistic coastal fantasy short drama, She points at a tiny bubbling hole. Show a close-up of bubbles, then the adults working with a small spade\n\nphotorealistic coastal fantasy short drama, A large crab emerges from the hole. The man in green widens his eyes; the child claps\n\nphotorealistic coastal fantasy short drama, She indicates another patch beneath green seaweed\n\nphotorealistic coastal fantasy short drama, The child asks for plain white rice instead of thin porridge\n\nphotorealistic coastal fantasy short drama, She says a larger one has not woken yet and spreads her arms\n\nphotorealistic coastal fantasy short drama, A tall dark eruption of mud bursts from a hole in the beach\n\nphotorealistic coastal fantasy short drama, Finish with the observed black promotional end card" }, { "name": "zhengzhentao86-workflow", "path": "prompts/zhengzhentao86-workflow.txt", "text": "Codex 按 zhengzhentao86/reverse-video-prompt 工作流执行；原片是奇幻叙事短剧，不把罗盘、船或蟹改写成带货产品。\n\n【镜头意图】\n1. 蟹与船的尺度变化：快速证明幼童的异常能力。\n2. 湿发泪眼与保护性拥抱：建立脆弱和同情。\n3. 巨浪与小船：用尺度反差证明她的预警有价值。\n4. 分家争执：建立社会压力，接下旧船和孩子构成同一主题。\n5. 撬板、布包、笔记和罗盘：用连续接触动作兑现“船里有声音”的悬念。\n6. 空挖、气泡、出蟹、满桶：每一步是上一步的可见结果。\n7. 白米饭愿望：把超能力回报落到孩子的小需求。\n8. 黑色泥浆喷涌：留下新问题再进入尾卡。\n\n【可直接使用的提示词】\n制作9:16竖屏海边奇幻家庭短剧，叙事总长约416秒，按以下段落分别生成和剪辑，不要求一次生成整片。写实旧木、粗布、潮湿泥沙与夸张幼童大眼睛相结合。\n角色锁：小满：幼童女孩，黑发双髻、红发带、额头红点、大眼睛；灰褐色破旧粗布衣、布挎带，开场部分有蓝色外衣，获救后头发湿润。；海生：青年男性，凌乱深色头发，旧蓝色外衣、灰色内衫、深色裤子。；二狗：短黑发青年男性，橄榄绿外衣、灰色内衫，表情夸张，后段提两桶蟹。；苏兰：深色头发松散束起，灰褐色无袖粗布上衣、多层项链、腕带与挎带。；王秀梅：长深发，棕色碎花衣、深色马甲。；刘桂香：深色头巾、深色上衣的年长女性。\n9:16竖屏，写实材质与夸张幼童面部比例结合的AI短剧。灰蓝海水、旧木船、粗布衣物、泥滩、沿海村落；后半段以金色低角度阳光和青绿海藻增强丰收感。大量正反打、面部特写、道具插入镜头和硬切。\n0—6秒：幼童在泥滩指向螃蟹与船。约2秒出现巨大的金黄色蟹，随后船只大小发生奇幻变化。 情绪功能：惊奇。\n6—9秒：成年人指责与抓住孩子手臂，随后短暂黑切。不能从抽帧证明黑切间发生的动作。 情绪功能：威胁。\n9—18秒：旧木船上从渔网中救起湿漉漉的女孩，切到流泪面部特写。 情绪功能：脆弱与怜惜。\n18—38秒：蓝衣男子抱着孩子询问来处，绿衣同伴疑惑；幼童依偎。 情绪功能：温柔与悬念。\n38—51秒：女孩看向海面并预警；远景出现远高于木船的巨大海浪与海鸟。 情绪功能：骤然恐惧。\n51—73秒：成年人惊慌划船、携幼童逃往岸边，浪花和翻船画面之后脱险，女孩解释自己听见海水。 情绪功能：危险到暂时安全。\n73—89秒：回到村落院落，女人嘲讽多了一张吃饭的嘴；孩子说自己吃得少，苏兰保护她。 情绪功能：委屈。\n89—125秒：老屋前的院落围桌分家，钥匙插入镜头。新机动船给另一家，海生被分到旧木船；争执后他明确接下船也养孩子。 情绪功能：愤怒到坚定。\n125—159秒：检查搁浅旧船，孩子把手贴在木板上，说里面有敲门声；大人摸索船舱。 情绪功能：担忧到好奇。\n159—182秒：工具撬开旧板，低角度缝隙视角看见藏物；取出布包，打开露出旧笔记与罗盘。 情绪功能：发现。\n182—210秒：摊开有红圈的黑石湾地图，担忧礁石和潮水；幼童指地图并用手比蟹钳。 情绪功能：谜团加深。\n210—241秒：嘲讽者回来索要藏物；孩子和海生拒绝，海生挡在她前面。 情绪功能：对抗与保护。\n241—267秒：嘲讽者离开。家庭谈缺米、旧船维修与赶海，海生扶着船舷思索。 情绪功能：现实压力。\n267—297秒：幼童坚持去臭泥滩而非众人选择的东滩；绿衣男子不解，孩子做蟹钳手势、解释泥下动静。 情绪功能：怀疑与微小希望。\n297—308秒：海生因孩子曾预警海浪而决定相信她，地图与罗盘插入镜头。 情绪功能：信任。\n308—334秒：金色海边晨光，村民往另一边走，主角一行去西泥滩，受到嘲笑。 情绪功能：孤注一掷。\n334—350秒：幼童蹲下贴近泥面听，同伴拉住她不让脸碰水；按她指示挖掘，起初没有收获。 情绪功能：怀疑升高。\n350—357秒：女孩指向细小洞口，泥水冒泡的特写；成年人换小铲挖。 情绪功能：期待。\n357—377秒：大蟹从泥穴露出，绿衣男子惊讶，幼童拍手，继续挖出更多蟹。 情绪功能：惊喜兑现。\n377—391秒：女孩指出另一片青苔下面有更多，众人快速收获，切到装满蟹的桶与笑脸。 情绪功能：丰收释放。\n391—401秒：孩子只想吃白米饭而非稀粥，成年人温柔回应，孩子抱住海生的腿。 情绪功能：温情与归属。\n401—412.8秒：女孩说大的还没醒，双臂张开比大小；同伴先笑后惊讶。 情绪功能：新悬念。\n412.8—413.8秒：泥滩洞口突然喷出高大的黑色泥浆形状；画面不足以认定具体生物已经显露。 情绪功能：惊吓式尾钩。\n413.8—416.34秒：黑底白字推广尾卡，点击下方观看完整剧情。 情绪功能：中断悬念。\n连续性：双髻红带、额头红点与衣物颜色稳定；湿衣到干衣需通过时间与场景变化承接。巨浪、旧船藏物与泥滩收获必须按因果顺序推进。音频的确切声轨与镜头焦距未得到验证，不把拟定的海浪、木板、泥水声当作原片已证实声音。声音制作可用连续海边底噪配合动作瞬态、对白情绪和段落节拍。\n负向：避免身份和服装漂移、儿童成人比例突变、多余手指、蟹肢体数畸变、物体穿模、海水运动不连贯、无依据的暴力细节；不要把额头红点断言为伤口；不要把船桨写成枪。\n\n【动作正确性锁】\n渔网必须承托孩子，手掌接触网绳后才能提起；救助者抱持稳定。撬杆尖端实际进入木板缝，另一只手扶住板面，施力后才张开缝隙；布包先取出再解开，笔记与罗盘不能凭空出现。小铲先进入湿泥，泥水与气泡随后变化，蟹从洞口出现而不是从成人掌心生成。桶随收获逐渐装满，不可空桶瞬切为无因满桶。\n【拍摄角色与数量】\n以第三人称叙事观察为主，不加入自拍者的腿、手持手机或镜面摄影者；每镜人数遵循参考帧，不能为了热闹复制角色。\n【现场质感】\n保留旧木裂纹、磨损粗布、湿发、泥手与挖掘时的重心；人物表演跟随惊恐、委屈、坚定、惊喜的顺序。原片具有AI短剧的制作感，不强行套用低码率手机UGC滤镜。\n【反推逻辑与关键要素】\n使用“动作证据→他人反应→现实后果”串联场景。道具服务故事，丰收服务接纳主题；不添加购买CTA。声音的精确起点未知，另行设计时保持环境声连续，让撬板、铲泥、蟹入桶与可见接触时刻同步。" }, { "name": "LunarXuan / negative_prompt", "path": "workflow-results/lunar/negative_prompt.txt", "text": "身份一致性：身份漂移；肢体与面部：多余手指、蟹肢体畸变；服装与道具：粗布变现代礼服、罗盘变枪械；环境连续性：屋内突然叠加巨浪背景；动作与物理：无依据运镜、道具穿模；镜头与剪辑：打乱因果顺序；渲染质量：无意水印、闪烁\n" }, { "name": "LunarXuan / prompt_en", "path": "workflow-results/lunar/prompt_en.txt", "text": "English Positive Prompt\n\nCreate a roughly 416-second vertical 9:16 coastal fantasy family drama as separately generated and edited sequences. Preserve tactile weathered timber, coarse cloth, wet sand and an AI-stylized toddler with large eyes. The girl has dark twin buns, red ribbons and a red forehead dot, with worn gray-brown clothes and a cloth shoulder strap, initially a blue outer layer. Her rescuer has tousled dark hair, a worn blue jacket and gray undershirt. His short-haired companion wears olive green. The protective woman has loosely tied dark hair, a gray-brown sleeveless top, layered necklaces and wrist wraps. The mocking woman wears a patterned brown blouse and dark vest. An older woman wears a dark headscarf. Alternate facial close-ups, reverse angles, prop inserts and wide coastal views with hard cuts. Gray-blue seawater gradually gives way to warm low sunlight and green seaweed.\n0–6s: A toddler on a muddy shore points at crabs. A huge golden crab appears near two seconds. She points toward a wooden boat, followed by a fantastical change in its scale.\n6–9s: An adult points accusingly and grabs the child by the arms. A brief black cut follows; do not invent action hidden by that cut.\n9–18s: On an old wooden fishing boat, a wet girl is lifted in a fishing net. Cut to her tearful face.\n18–38s: The man in a worn blue jacket holds and questions the girl while his companion in olive green reacts with uncertainty. She leans against the rescuer.\n38–51s: The child looks toward the sea and warns the men. Cut to an enormous wave towering over the tiny wooden boat, with birds above the water.\n51–73s: Frightened adults paddle and carry the child toward shore. Spray and an overturned boat establish the danger. Once safe, the child explains that she heard the sea.\n73–89s: At a village courtyard, a woman mocks the extra mouth to feed. The child insists she eats little, and a protective woman defends her.\n89–125s: People gather around a table to divide family property. Include an insert of keys. A newer motorboat goes to the other household and a ruined wooden boat to the rescuer; he accepts the old boat and commits to caring for the child.\n125–159s: The family examines the beached wooden boat. The girl presses her hand against a plank and reports knocking inside. Adults investigate the hull.\n159–182s: A tool pries open a board. A low viewpoint through the gap reveals a hidden cloth parcel. It is opened to reveal an old notebook and a compass.\n182–210s: A map with a red circle at Black Rock Bay is unfolded. Adults express concern about reefs and tides. The child points at the map and imitates crab claws with her hands.\n210–241s: The mocking woman returns to demand the hidden belongings. The child refuses; the rescuer steps in front of her protectively.\n241–267s: After the woman leaves, the family considers scarce rice and boat repairs. The rescuer rests a hand on the gunwale, visibly worried.\n267–297s: The child insists on the smelly western mudflat rather than the eastern beach chosen by others. The man in green questions her; she repeats her crab-claw gesture and explains the sounds under the mud.\n297–308s: Remembering her wave warning, the rescuer chooses to trust her. Insert the map and compass, then his determined face.\n308–334s: In low golden coastal light, villagers head one way while the family walks toward the western mudflat under mocking looks.\n334–350s: The girl crouches with her face close to wet mud to listen; a companion holds her head back from the water. The first digging attempt seems fruitless.\n350–357s: She points at a tiny bubbling hole. Show a close-up of bubbles, then the adults working with a small spade.\n357–377s: A large crab emerges from the hole. The man in green widens his eyes; the child claps. More crabs are collected.\n377–391s: She indicates another patch beneath green seaweed. Quick harvesting shots alternate with buckets full of crabs and delighted faces.\n391–401s: The child asks for plain white rice instead of thin porridge. Adults respond warmly; she hugs the rescuer’s leg.\n401–412.8s: She says a larger one has not woken yet and spreads her arms. The companion changes from amusement to surprise.\n412.8–413.8s: A tall dark eruption of mud bursts from a hole in the beach. Do not claim that the identity of an unseen creature is established.\n413.8–416.34s: Finish with the observed black promotional end card. A clean reconstruction may omit this card, but that is a declared edit.\nContinuity: preserve twin buns, red ribbons, forehead dot and wardrobe colors; justify wet-to-dry changes with time and setting. Keep wave escape, hidden belongings and mudflat discovery in causal order. Exact audio and focal lengths are unverified; sea ambience and synchronized timber, water and mud sounds are production suggestions, not verified original sound.\n\nEnglish Negative Prompt\n\nno identity drift, wardrobe swaps, extra fingers, malformed crab legs or claws, intersecting props, inconsistent water motion, invented violence, forehead-dot injury claims, or oars mistaken for guns.\n" }, { "name": "LunarXuan / prompt_native", "path": "workflow-results/lunar/prompt_native.txt", "text": "通用视频生成提示词：Create a roughly 416-second vertical 9:16 coastal fantasy family drama as separately generated and edited sequences. Preserve tactile weathered timber, coarse cloth, wet sand and an AI-stylized toddler with large eyes. The girl has dark twin buns, red ribbons and a red forehead dot, with worn gray-brown clothes and a cloth shoulder strap, initially a blue outer layer. Her rescuer has tousled dark hair, a worn blue jacket and gray undershirt. His short-haired companion wears olive green. The protective woman has loosely tied dark hair, a gray-brown sleeveless top, layered necklaces and wrist wraps. The mocking woman wears a patterned brown blouse and dark vest. An older woman wears a dark headscarf. Alternate facial close-ups, reverse angles, prop inserts and wide coastal views with hard cuts. Gray-blue seawater gradually gives way to warm low sunlight and green seaweed.\n0–6s: A toddler on a muddy shore points at crabs. A huge golden crab appears near two seconds. She points toward a wooden boat, followed by a fantastical change in its scale.\n6–9s: An adult points accusingly and grabs the child by the arms. A brief black cut follows; do not invent action hidden by that cut.\n9–18s: On an old wooden fishing boat, a wet girl is lifted in a fishing net. Cut to her tearful face.\n18–38s: The man in a worn blue jacket holds and questions the girl while his companion in olive green reacts with uncertainty. She leans against the rescuer.\n38–51s: The child looks toward the sea and warns the men. Cut to an enormous wave towering over the tiny wooden boat, with birds above the water.\n51–73s: Frightened adults paddle and carry the child toward shore. Spray and an overturned boat establish the danger. Once safe, the child explains that she heard the sea.\n73–89s: At a village courtyard, a woman mocks the extra mouth to feed. The child insists she eats little, and a protective woman defends her.\n89–125s: People gather around a table to divide family property. Include an insert of keys. A newer motorboat goes to the other household and a ruined wooden boat to the rescuer; he accepts the old boat and commits to caring for the child.\n125–159s: The family examines the beached wooden boat. The girl presses her hand against a plank and reports knocking inside. Adults investigate the hull.\n159–182s: A tool pries open a board. A low viewpoint through the gap reveals a hidden cloth parcel. It is opened to reveal an old notebook and a compass.\n182–210s: A map with a red circle at Black Rock Bay is unfolded. Adults express concern about reefs and tides. The child points at the map and imitates crab claws with her hands.\n210–241s: The mocking woman returns to demand the hidden belongings. The child refuses; the rescuer steps in front of her protectively.\n241–267s: After the woman leaves, the family considers scarce rice and boat repairs. The rescuer rests a hand on the gunwale, visibly worried.\n267–297s: The child insists on the smelly western mudflat rather than the eastern beach chosen by others. The man in green questions her; she repeats her crab-claw gesture and explains the sounds under the mud.\n297–308s: Remembering her wave warning, the rescuer chooses to trust her. Insert the map and compass, then his determined face.\n308–334s: In low golden coastal light, villagers head one way while the family walks toward the western mudflat under mocking looks.\n334–350s: The girl crouches with her face close to wet mud to listen; a companion holds her head back from the water. The first digging attempt seems fruitless.\n350–357s: She points at a tiny bubbling hole. Show a close-up of bubbles, then the adults working with a small spade.\n357–377s: A large crab emerges from the hole. The man in green widens his eyes; the child claps. More crabs are collected.\n377–391s: She indicates another patch beneath green seaweed. Quick harvesting shots alternate with buckets full of crabs and delighted faces.\n391–401s: The child asks for plain white rice instead of thin porridge. Adults respond warmly; she hugs the rescuer’s leg.\n401–412.8s: She says a larger one has not woken yet and spreads her arms. The companion changes from amusement to surprise.\n412.8–413.8s: A tall dark eruption of mud bursts from a hole in the beach. Do not claim that the identity of an unseen creature is established.\n413.8–416.34s: Finish with the observed black promotional end card. A clean reconstruction may omit this card, but that is a declared edit.\nContinuity: preserve twin buns, red ribbons, forehead dot and wardrobe colors; justify wet-to-dry changes with time and setting. Keep wave escape, hidden belongings and mudflat discovery in causal order. Exact audio and focal lengths are unverified; sea ambience and synchronized timber, water and mud sounds are production suggestions, not verified original sound.\n" }, { "name": "LunarXuan / prompt_zh", "path": "workflow-results/lunar/prompt_zh.txt", "text": "中文正面提示词\n\n生成一段约416.33秒、9:16画幅的视频。只复用参考视频的镜头逻辑、空间关系、视觉方法与节奏，不复刻具体人物、品牌、台词或故事。\n主体原型：被海边家庭接纳、能听见海水动静的虚构幼童；身份锚点：小满：幼童女孩，黑发双髻、红发带、额头红点、大眼睛；灰褐色破旧粗布衣、布挎带，开场部分有蓝色外衣，获救后头发湿润。、海生：青年男性，凌乱深色头发，旧蓝色外衣、灰色内衫、深色裤子。、二狗：短黑发青年男性，橄榄绿外衣、灰色内衫，表情夸张，后段提两桶蟹。、苏兰：深色头发松散束起，灰褐色无袖粗布上衣、多层项链、腕带与挎带。、王秀梅：长深发，棕色碎花衣、深色马甲。、刘桂香：深色头巾、深色上衣的年长女性。；服装材质锚点：旧蓝外衣、灰褐粗布与红发带、橄榄绿外衣；环境：沿海渔村、旧木船、屋内分家桌、西泥滩；前中后景：特写人物或道具；中景家人与旧船；后景海岸和村落；时间与天气：开场灰蓝天光，后段低角度暖色光；准确钟点未知；光线：自然光观感，按参考帧，阴天柔光与后段暖光，不可从成片精确测定，人脸与背景分离；色彩与材质：灰蓝海水、棕木、灰褐粗布、金色低光、绿海藻；视觉风格：9:16竖屏，写实材质与夸张幼童面部比例结合的AI短剧。灰蓝海水、旧木船、粗布衣物、泥滩、沿海村落；后半段以金色低角度阳光和青绿海藻增强丰收感。大量正反打、面部特写、道具插入镜头和硬切。。\n[S01｜0.00-6.00秒] 多景别宏观段落；详见参考帧，第三人称为主，人物特写及道具俯视插入，无法可靠判断，人物、道具与环境按证据帧的前中后景关系，成片景深，具体参数未知。起始：幼童在泥滩指向螃蟹与船。约2秒出现巨大的金黄色蟹，随后船只大小发生奇幻变化。；主体：幼童在泥滩指向螃蟹与船。约2秒出现巨大的金黄色蟹，随后船只大小发生奇幻变化。；轨迹：只保留跨帧有证据的动作方向；表情：惊奇；摄影机：抽样不足以可靠确定连续运镜，未知；光线变化：同一空间保持参考光向；结束：承接下一叙事段落；声音：推进上述事件，不杜撰原句，未验证精确声轨；制作时可另配环境声；衔接：硬切为主。\n[S02｜6.00-9.00秒] 多景别宏观段落；详见参考帧，第三人称为主，人物特写及道具俯视插入，无法可靠判断，人物、道具与环境按证据帧的前中后景关系，成片景深，具体参数未知。起始：成年人指责与抓住孩子手臂，随后短暂黑切。不能从抽帧证明黑切间发生的动作。；主体：成年人指责与抓住孩子手臂，随后短暂黑切。不能从抽帧证明黑切间发生的动作。；轨迹：只保留跨帧有证据的动作方向；表情：威胁；摄影机：抽样不足以可靠确定连续运镜，未知；光线变化：同一空间保持参考光向；结束：承接下一叙事段落；声音：推进上述事件，不杜撰原句，未验证精确声轨；制作时可另配环境声；衔接：硬切为主。\n[S03｜9.00-18.00秒] 多景别宏观段落；详见参考帧，第三人称为主，人物特写及道具俯视插入，无法可靠判断，人物、道具与环境按证据帧的前中后景关系，成片景深，具体参数未知。起始：旧木船上从渔网中救起湿漉漉的女孩，切到流泪面部特写。；主体：旧木船上从渔网中救起湿漉漉的女孩，切到流泪面部特写。；轨迹：只保留跨帧有证据的动作方向；表情：脆弱与怜惜；摄影机：抽样不足以可靠确定连续运镜，未知；光线变化：同一空间保持参考光向；结束：承接下一叙事段落；声音：推进上述事件，不杜撰原句，未验证精确声轨；制作时可另配环境声；衔接：硬切为主。\n[S04｜18.00-38.00秒] 多景别宏观段落；详见参考帧，第三人称为主，人物特写及道具俯视插入，无法可靠判断，人物、道具与环境按证据帧的前中后景关系，成片景深，具体参数未知。起始：蓝衣男子抱着孩子询问来处，绿衣同伴疑惑；幼童依偎。；主体：蓝衣男子抱着孩子询问来处，绿衣同伴疑惑；幼童依偎。；轨迹：只保留跨帧有证据的动作方向；表情：温柔与悬念；摄影机：抽样不足以可靠确定连续运镜，未知；光线变化：同一空间保持参考光向；结束：承接下一叙事段落；声音：推进上述事件，不杜撰原句，未验证精确声轨；制作时可另配环境声；衔接：硬切为主。\n[S05｜38.00-51.00秒] 多景别宏观段落；详见参考帧，第三人称为主，人物特写及道具俯视插入，无法可靠判断，人物、道具与环境按证据帧的前中后景关系，成片景深，具体参数未知。起始：女孩看向海面并预警；远景出现远高于木船的巨大海浪与海鸟。；主体：女孩看向海面并预警；远景出现远高于木船的巨大海浪与海鸟。；轨迹：只保留跨帧有证据的动作方向；表情：骤然恐惧；摄影机：抽样不足以可靠确定连续运镜，未知；光线变化：同一空间保持参考光向；结束：承接下一叙事段落；声音：推进上述事件，不杜撰原句，未验证精确声轨；制作时可另配环境声；衔接：硬切为主。\n[S06｜51.00-73.00秒] 多景别宏观段落；详见参考帧，第三人称为主，人物特写及道具俯视插入，无法可靠判断，人物、道具与环境按证据帧的前中后景关系，成片景深，具体参数未知。起始：成年人惊慌划船、携幼童逃往岸边，浪花和翻船画面之后脱险，女孩解释自己听见海水。；主体：成年人惊慌划船、携幼童逃往岸边，浪花和翻船画面之后脱险，女孩解释自己听见海水。；轨迹：只保留跨帧有证据的动作方向；表情：危险到暂时安全；摄影机：抽样不足以可靠确定连续运镜，未知；光线变化：同一空间保持参考光向；结束：承接下一叙事段落；声音：推进上述事件，不杜撰原句，未验证精确声轨；制作时可另配环境声；衔接：硬切为主。\n[S07｜73.00-89.00秒] 多景别宏观段落；详见参考帧，第三人称为主，人物特写及道具俯视插入，无法可靠判断，人物、道具与环境按证据帧的前中后景关系，成片景深，具体参数未知。起始：回到村落院落，女人嘲讽多了一张吃饭的嘴；孩子说自己吃得少，苏兰保护她。；主体：回到村落院落，女人嘲讽多了一张吃饭的嘴；孩子说自己吃得少，苏兰保护她。；轨迹：只保留跨帧有证据的动作方向；表情：委屈；摄影机：抽样不足以可靠确定连续运镜，未知；光线变化：同一空间保持参考光向；结束：承接下一叙事段落；声音：推进上述事件，不杜撰原句，未验证精确声轨；制作时可另配环境声；衔接：硬切为主。\n[S08｜89.00-125.00秒] 多景别宏观段落；详见参考帧，第三人称为主，人物特写及道具俯视插入，无法可靠判断，人物、道具与环境按证据帧的前中后景关系，成片景深，具体参数未知。起始：屋内围桌分家，钥匙插入镜头。新机动船给另一家，海生被分到旧木船；争执后他明确接下船也养孩子。；主体：屋内围桌分家，钥匙插入镜头。新机动船给另一家，海生被分到旧木船；争执后他明确接下船也养孩子。；轨迹：只保留跨帧有证据的动作方向；表情：愤怒到坚定；摄影机：抽样不足以可靠确定连续运镜，未知；光线变化：同一空间保持参考光向；结束：承接下一叙事段落；声音：推进上述事件，不杜撰原句，未验证精确声轨；制作时可另配环境声；衔接：硬切为主。\n[S09｜125.00-159.00秒] 多景别宏观段落；详见参考帧，第三人称为主，人物特写及道具俯视插入，无法可靠判断，人物、道具与环境按证据帧的前中后景关系，成片景深，具体参数未知。起始：检查搁浅旧船，孩子把手贴在木板上，说里面有敲门声；大人摸索船舱。；主体：检查搁浅旧船，孩子把手贴在木板上，说里面有敲门声；大人摸索船舱。；轨迹：只保留跨帧有证据的动作方向；表情：担忧到好奇；摄影机：抽样不足以可靠确定连续运镜，未知；光线变化：同一空间保持参考光向；结束：承接下一叙事段落；声音：推进上述事件，不杜撰原句，未验证精确声轨；制作时可另配环境声；衔接：硬切为主。\n[S10｜159.00-182.00秒] 多景别宏观段落；详见参考帧，第三人称为主，人物特写及道具俯视插入，无法可靠判断，人物、道具与环境按证据帧的前中后景关系，成片景深，具体参数未知。起始：工具撬开旧板，低角度缝隙视角看见藏物；取出布包，打开露出旧笔记与罗盘。；主体：工具撬开旧板，低角度缝隙视角看见藏物；取出布包，打开露出旧笔记与罗盘。；轨迹：只保留跨帧有证据的动作方向；表情：发现；摄影机：抽样不足以可靠确定连续运镜，未知；光线变化：同一空间保持参考光向；结束：承接下一叙事段落；声音：推进上述事件，不杜撰原句，未验证精确声轨；制作时可另配环境声；衔接：硬切为主。\n[S11｜182.00-210.00秒] 多景别宏观段落；详见参考帧，第三人称为主，人物特写及道具俯视插入，无法可靠判断，人物、道具与环境按证据帧的前中后景关系，成片景深，具体参数未知。起始：摊开有红圈的黑石湾地图，担忧礁石和潮水；幼童指地图并用手比蟹钳。；主体：摊开有红圈的黑石湾地图，担忧礁石和潮水；幼童指地图并用手比蟹钳。；轨迹：只保留跨帧有证据的动作方向；表情：谜团加深；摄影机：抽样不足以可靠确定连续运镜，未知；光线变化：同一空间保持参考光向；结束：承接下一叙事段落；声音：推进上述事件，不杜撰原句，未验证精确声轨；制作时可另配环境声；衔接：硬切为主。\n[S12｜210.00-241.00秒] 多景别宏观段落；详见参考帧，第三人称为主，人物特写及道具俯视插入，无法可靠判断，人物、道具与环境按证据帧的前中后景关系，成片景深，具体参数未知。起始：嘲讽者回来索要藏物；孩子和海生拒绝，海生挡在她前面。；主体：嘲讽者回来索要藏物；孩子和海生拒绝，海生挡在她前面。；轨迹：只保留跨帧有证据的动作方向；表情：对抗与保护；摄影机：抽样不足以可靠确定连续运镜，未知；光线变化：同一空间保持参考光向；结束：承接下一叙事段落；声音：推进上述事件，不杜撰原句，未验证精确声轨；制作时可另配环境声；衔接：硬切为主。\n[S13｜241.00-267.00秒] 多景别宏观段落；详见参考帧，第三人称为主，人物特写及道具俯视插入，无法可靠判断，人物、道具与环境按证据帧的前中后景关系，成片景深，具体参数未知。起始：嘲讽者离开。家庭谈缺米、旧船维修与赶海，海生扶着船舷思索。；主体：嘲讽者离开。家庭谈缺米、旧船维修与赶海，海生扶着船舷思索。；轨迹：只保留跨帧有证据的动作方向；表情：现实压力；摄影机：抽样不足以可靠确定连续运镜，未知；光线变化：同一空间保持参考光向；结束：承接下一叙事段落；声音：推进上述事件，不杜撰原句，未验证精确声轨；制作时可另配环境声；衔接：硬切为主。\n[S14｜267.00-297.00秒] 多景别宏观段落；详见参考帧，第三人称为主，人物特写及道具俯视插入，无法可靠判断，人物、道具与环境按证据帧的前中后景关系，成片景深，具体参数未知。起始：幼童坚持去臭泥滩而非众人选择的东滩；绿衣男子不解，孩子做蟹钳手势、解释泥下动静。；主体：幼童坚持去臭泥滩而非众人选择的东滩；绿衣男子不解，孩子做蟹钳手势、解释泥下动静。；轨迹：只保留跨帧有证据的动作方向；表情：怀疑与微小希望；摄影机：抽样不足以可靠确定连续运镜，未知；光线变化：同一空间保持参考光向；结束：承接下一叙事段落；声音：推进上述事件，不杜撰原句，未验证精确声轨；制作时可另配环境声；衔接：硬切为主。\n[S15｜297.00-308.00秒] 多景别宏观段落；详见参考帧，第三人称为主，人物特写及道具俯视插入，无法可靠判断，人物、道具与环境按证据帧的前中后景关系，成片景深，具体参数未知。起始：海生因孩子曾预警海浪而决定相信她，地图与罗盘插入镜头。；主体：海生因孩子曾预警海浪而决定相信她，地图与罗盘插入镜头。；轨迹：只保留跨帧有证据的动作方向；表情：信任；摄影机：抽样不足以可靠确定连续运镜，未知；光线变化：同一空间保持参考光向；结束：承接下一叙事段落；声音：推进上述事件，不杜撰原句，未验证精确声轨；制作时可另配环境声；衔接：硬切为主。\n[S16｜308.00-334.00秒] 多景别宏观段落；详见参考帧，第三人称为主，人物特写及道具俯视插入，无法可靠判断，人物、道具与环境按证据帧的前中后景关系，成片景深，具体参数未知。起始：金色海边晨光，村民往另一边走，主角一行去西泥滩，受到嘲笑。；主体：金色海边晨光，村民往另一边走，主角一行去西泥滩，受到嘲笑。；轨迹：只保留跨帧有证据的动作方向；表情：孤注一掷；摄影机：抽样不足以可靠确定连续运镜，未知；光线变化：同一空间保持参考光向；结束：承接下一叙事段落；声音：推进上述事件，不杜撰原句，未验证精确声轨；制作时可另配环境声；衔接：硬切为主。\n[S17｜334.00-350.00秒] 多景别宏观段落；详见参考帧，第三人称为主，人物特写及道具俯视插入，无法可靠判断，人物、道具与环境按证据帧的前中后景关系，成片景深，具体参数未知。起始：幼童蹲下贴近泥面听，同伴拉住她不让脸碰水；按她指示挖掘，起初没有收获。；主体：幼童蹲下贴近泥面听，同伴拉住她不让脸碰水；按她指示挖掘，起初没有收获。；轨迹：只保留跨帧有证据的动作方向；表情：怀疑升高；摄影机：抽样不足以可靠确定连续运镜，未知；光线变化：同一空间保持参考光向；结束：承接下一叙事段落；声音：推进上述事件，不杜撰原句，未验证精确声轨；制作时可另配环境声；衔接：硬切为主。\n[S18｜350.00-357.00秒] 多景别宏观段落；详见参考帧，第三人称为主，人物特写及道具俯视插入，无法可靠判断，人物、道具与环境按证据帧的前中后景关系，成片景深，具体参数未知。起始：女孩指向细小洞口，泥水冒泡的特写；成年人换小铲挖。；主体：女孩指向细小洞口，泥水冒泡的特写；成年人换小铲挖。；轨迹：只保留跨帧有证据的动作方向；表情：期待；摄影机：抽样不足以可靠确定连续运镜，未知；光线变化：同一空间保持参考光向；结束：承接下一叙事段落；声音：推进上述事件，不杜撰原句，未验证精确声轨；制作时可另配环境声；衔接：硬切为主。\n[S19｜357.00-377.00秒] 多景别宏观段落；详见参考帧，第三人称为主，人物特写及道具俯视插入，无法可靠判断，人物、道具与环境按证据帧的前中后景关系，成片景深，具体参数未知。起始：大蟹从泥穴露出，绿衣男子惊讶，幼童拍手，继续挖出更多蟹。；主体：大蟹从泥穴露出，绿衣男子惊讶，幼童拍手，继续挖出更多蟹。；轨迹：只保留跨帧有证据的动作方向；表情：惊喜兑现；摄影机：抽样不足以可靠确定连续运镜，未知；光线变化：同一空间保持参考光向；结束：承接下一叙事段落；声音：推进上述事件，不杜撰原句，未验证精确声轨；制作时可另配环境声；衔接：硬切为主。\n[S20｜377.00-391.00秒] 多景别宏观段落；详见参考帧，第三人称为主，人物特写及道具俯视插入，无法可靠判断，人物、道具与环境按证据帧的前中后景关系，成片景深，具体参数未知。起始：女孩指出另一片青苔下面有更多，众人快速收获，切到装满蟹的桶与笑脸。；主体：女孩指出另一片青苔下面有更多，众人快速收获，切到装满蟹的桶与笑脸。；轨迹：只保留跨帧有证据的动作方向；表情：丰收释放；摄影机：抽样不足以可靠确定连续运镜，未知；光线变化：同一空间保持参考光向；结束：承接下一叙事段落；声音：推进上述事件，不杜撰原句，未验证精确声轨；制作时可另配环境声；衔接：硬切为主。\n[S21｜391.00-401.00秒] 多景别宏观段落；详见参考帧，第三人称为主，人物特写及道具俯视插入，无法可靠判断，人物、道具与环境按证据帧的前中后景关系，成片景深，具体参数未知。起始：孩子只想吃白米饭而非稀粥，成年人温柔回应，孩子抱住海生的腿。；主体：孩子只想吃白米饭而非稀粥，成年人温柔回应，孩子抱住海生的腿。；轨迹：只保留跨帧有证据的动作方向；表情：温情与归属；摄影机：抽样不足以可靠确定连续运镜，未知；光线变化：同一空间保持参考光向；结束：承接下一叙事段落；声音：推进上述事件，不杜撰原句，未验证精确声轨；制作时可另配环境声；衔接：硬切为主。\n[S22｜401.00-412.80秒] 多景别宏观段落；详见参考帧，第三人称为主，人物特写及道具俯视插入，无法可靠判断，人物、道具与环境按证据帧的前中后景关系，成片景深，具体参数未知。起始：女孩说大的还没醒，双臂张开比大小；同伴先笑后惊讶。；主体：女孩说大的还没醒，双臂张开比大小；同伴先笑后惊讶。；轨迹：只保留跨帧有证据的动作方向；表情：新悬念；摄影机：抽样不足以可靠确定连续运镜，未知；光线变化：同一空间保持参考光向；结束：承接下一叙事段落；声音：推进上述事件，不杜撰原句，未验证精确声轨；制作时可另配环境声；衔接：硬切为主。\n[S23｜412.80-413.80秒] 多景别宏观段落；详见参考帧，第三人称为主，人物特写及道具俯视插入，无法可靠判断，人物、道具与环境按证据帧的前中后景关系，成片景深，具体参数未知。起始：泥滩洞口突然喷出高大的黑色泥浆形状；画面不足以认定具体生物已经显露。；主体：泥滩洞口突然喷出高大的黑色泥浆形状；画面不足以认定具体生物已经显露。；轨迹：只保留跨帧有证据的动作方向；表情：惊吓式尾钩；摄影机：抽样不足以可靠确定连续运镜，未知；光线变化：同一空间保持参考光向；结束：承接下一叙事段落；声音：推进上述事件，不杜撰原句，未验证精确声轨；制作时可另配环境声；衔接：硬切为主。\n[S24｜413.80-416.33秒] 多景别宏观段落；详见参考帧，第三人称为主，人物特写及道具俯视插入，无法可靠判断，人物、道具与环境按证据帧的前中后景关系，成片景深，具体参数未知。起始：黑底白字推广尾卡，点击下方观看完整剧情。；主体：黑底白字推广尾卡，点击下方观看完整剧情。；轨迹：只保留跨帧有证据的动作方向；表情：中断悬念；摄影机：抽样不足以可靠确定连续运镜，未知；光线变化：同一空间保持参考光向；结束：承接下一叙事段落；声音：推进上述事件，不杜撰原句，未验证精确声轨；制作时可另配环境声；衔接：硬切为主。\n叙事逻辑：惊奇→威胁→获救→灾难→家庭排斥→发现藏物→相信幼童→丰收→归属→尾钩；节奏逻辑：以对话正反打推进，以道具和奇观打断重复；24个宏观段落，并非全部实际切镜清单；全程保持：孩子服装及发型稳定、不要把罗盘换成普通手表、先挖再出蟹、船桨不是枪。\n\n中文负面提示词\n\n身份一致性：身份漂移；肢体与面部：多余手指、蟹肢体畸变；服装与道具：粗布变现代礼服、罗盘变枪械；环境连续性：屋内突然叠加巨浪背景；动作与物理：无依据运镜、道具穿模；镜头与剪辑：打乱因果顺序；渲染质量：无意水印、闪烁\n" } ], "cpu": { "time": "2026-10-14 07:17:32", "total_cpu_percent": 24.5, "shared_allowed_cores": 4, "logical_cores": 16, "task_theoretical_max_percent": 25.0, "worker_pids": [ 3432, 7364 ], "paused_worker_pids": [] }, "creative": [ { "id": "C001", "title": "一粒米唤醒大海", "concept_id": "S01", "concept_index": 0, "version": 0, "genre": "奇观温情", "duration_seconds": 44, "shot_count": 8, "source_id": "results-hd--blip", "source_name": "Salesforce/blip-image-captioning-base", "category": "results-hd", "source_path": "raw-prompts/results-hd--blip.txt", "source_record": "results-hd/blip.json", "source_paths": [ "raw-prompts/results-hd--blip.txt", "project-cases/Salesforce__BLIP/prompt-raw.txt" ], "source_excerpt": "[0 秒]\na little girl is sitting on the beach\n\n[15 秒]\na little girl crying with tears on her face\n\n[50 秒]\na small boat is in the middle of a large wave\n\n[95 秒]\n\n\n[175 秒]\n\n\n[235 秒]\na little girl with a red bow on her head\n\n[340 秒]\na little girl is playing in the water\n\n[385 秒]\na group of people standing on top of a beach", "source_review": { "strength": "快速生成简单名词和场景短句，适合作为粗略索引。", "issues": "95秒和175秒输出为空，缺少院落围桌与笔记罗盘的视觉描述；这些短句也不能串起完整故事。", "verdict": "有描述，不是完整视频提示词。" }, "contribution": "视觉片段型来源：以原文中与原帧相符的海岸、人物、表情或道具作为灵感入口。身份、对白、连续动作、奇幻规则和新剧情由Codex补写，不是该模型的原始能力。", "source_duplicate_of": null, "source_hash": "fcd6e1b5340a5212f56b35cf297ea2e9e197a7b20a82b7824feb73fa0a233867", "body_hash": "161c89fc5b6c1eb430d8b8e18f05be8c572bb2fca7905436db560a73a55e51cc", "author": "Codex, shared writer; not original model output", "fallback": false, "hook": "一粒米悬在女孩掌心上方，身后海面已映出与房屋同高的半透明金色蟹钳虚影；虚影尚未触水，小满屏住呼吸，白米与巨钳构成极端尺度反差。", "rule": "开场巨钳只是没有触水的预告光影；米粒被主动分享后，守护者才真正现身托物，巨钳不夹人。", "shots": [ { "number": 1, "start": 0, "end": 1, "duration": 1, "beat": "惊奇：先看见不可能", "action": "一粒米悬在女孩掌心上方，身后海面已映出与房屋同高的半透明金色蟹钳虚影；虚影尚未触水，小满屏住呼吸，白米与巨钳构成极端尺度反差。", "camera": "24–35mm感中广景或前景近物后景巨物，保留明确大小参照；单一明确机位，不用无目标甩镜；异常动作在画面开始时已经发生。", "performance": "以本镜指定的人物/道具为中心，背景角色不抢动作。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "以潮声、湿泥轻响、旧木或黄铜触碰声中最贴合本镜道具的一声开场；配一个短低频脉冲，随即让出空间，不叠加尖叫。", "transition": "在异常动作最清楚的一刻硬切至下一镜指定动作或反应；不先放片名或黑屏。", "timing": "0.00–0.15秒直接展示钩子关键帧；0.15–0.70秒让异常动作继续；0.70–1.00秒用呼吸或微小停顿准备切入反应。" }, { "number": 2, "start": 1, "end": 4, "duration": 3, "beat": "好奇：理解人物的反应", "action": "切到掌心，米粒沿皮肤纹路滚向一只小蟹；小满先缩手，随后看见小蟹空空的钳子，眼神从惊讶变成犹豫。", "camera": "85mm感道具近特写，轻俯拍，焦点落在本镜指定接触点；人物只保留必要手部或眼睛倒影，不强行切成正面人像。", "performance": "若小满在本镜入画，眼神先落在道具，再转向海生；若为纯道具镜，不额外挤入人脸。海生与孩子交流时保持相近眼平高度。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "保留孩子一次吸气和衣料轻摩擦，环境声变窄，音乐只留很轻的持续音。", "transition": "按人物视线切到问题或缺少之物，前一镜最后一声环境音延续约0.15秒。", "timing": "1–1.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 3, "start": 4, "end": 9, "duration": 5, "beat": "共情：显露一个小缺口", "action": "插入出门前的短回忆：海生掀开米缸，底部只剩细碎米屑；他把缺口碗推到孩子面前，自己把空碗倒扣，装作不饿；下一镜回到泥滩。", "camera": "35mm感中景或中近景，交代角色、目标道具和可行动空间；保持眼线一致。", "performance": "让负责本镜行动的成人先动，孩子随后作出可见反应；避免所有人同时表演。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "空碗、空袋、脚步或木板声选本镜实际存在的一项放近；未出场物件不配声，避免声源误导。", "transition": "用逐渐靠近的风声/物件声引入下一镜；剪切前先让观众认清道具位置。", "timing": "4–5.25秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 4, "start": 9, "end": 15, "duration": 6, "beat": "紧张：让选择有代价", "action": "海风把唯一米粒吹到泥水边；小满扑低护住它，巨蟹的影子遮住所有人，二狗下意识护住孩子。", "camera": "28mm感稍低机位，前景放障碍或关键道具，后景保留退路；缓慢推进，不乱晃。", "performance": "海生或苏兰承担保护动作，孩子的恐惧用呼吸与手指表现；二狗的夸张反应不压过危险信息。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "风与低频逐步增强，声音来自画面可解释方向；临近决定时收低，不盖过呼吸。", "transition": "在角色看向选择对象时切到手部，危险声短暂收低，突出决定。", "timing": "9–10.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 5, "start": 15, "end": 22, "duration": 7, "beat": "信任：人物主动做决定", "action": "小满把米粒轻放进小蟹钳间，摊开空手，没有向大海伸手索取；海生看到她的选择，缓缓放下拦住她的手。", "camera": "65–85mm感手部/道具插入镜头，焦点从指尖过渡到被选择的物件；只做一次明确动作。", "performance": "选择必须由清楚的手部动作落实；其余角色停住，给观众看懂选择的空间。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "对白：小满轻声说“你也饿了吗？”；只配一次明确道具接触声。", "transition": "按动作方向匹配下一镜的变化，避免用白闪遮盖因果。", "timing": "15–16.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 6, "start": 22, "end": 30, "duration": 8, "beat": "释放：回报具有清楚因果", "action": "小蟹敲击泥面，巨钳托起一只干净的旧木箱；箱盖打开，完整米袋与干燥种子出现，海水从箱底排走。", "camera": "28–35mm感中广景，由关键道具向外缓慢拉开，完整看见变化及安全距离。", "performance": "先让道具/环境发生变化，再切或移到人物反应；变化只遵守本故事规则。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "潮声、湿泥轻响、旧木或黄铜触碰声随变化从密变疏，再进入温暖的两三个原创音符；不使用现成热门歌曲歌词。", "transition": "变化完成后停半拍再切脸部；环境音恢复，音乐只抬高一层。", "timing": "22–24.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 7, "start": 30, "end": 38, "duration": 8, "beat": "温暖：给表情留下时间", "action": "苏兰盛出热米饭，小满先给空钳的小蟹放一粒；海生的手轻盖在孩子肩上，三人同时松开紧绷的眉头。", "camera": "50–65mm感面部近景，稳定机位，留出至少半秒无对白微表情。", "performance": "孩子的肩膀放松、视线愿意停留；成人以小动作回应，不用齐声大笑替代情绪。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "对白：苏兰说“这次，大家都能吃饱。”；其余人用目光回应，留半秒安静。", "transition": "由人物最后的目光或手指引向收尾道具，暖光保持一致。", "timing": "30–32.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 8, "start": 38, "end": 44, "duration": 6, "beat": "余味：接回钩子并打开新可能", "action": "碗边那一粒米微微发光，海面远处又浮起一条金色弧线；镜头贴近米粒，圆形高光与开头掌心中的米匹配。", "camera": "85mm感道具近特写，轻俯拍，焦点落在本镜指定接触点；人物只保留必要手部或眼睛倒影，不强行切成正面人像。", "performance": "人物保持结局得到的安全与关系；新的小悬念不撤销已经完成的情绪回报。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "取第一镜的同一种音色作为最后一个轻声提示，让尾音衔接循环；不突然加入无关轰鸣。", "transition": "最后0.3秒保留与开头相似的轮廓/音色，允许无缝循环；不加黑底强制点击卡。", "timing": "38–39.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" } ], "path": "creative/C001--results-hd--blip.txt", "text": "来源文件：raw-prompts/results-hd--blip.txt\n来源名称：Salesforce/blip-image-captioning-base\n实际来源记录：results-hd/blip.json\n原文可用点：快速生成简单名词和场景短句，适合作为粗略索引。\n原文问题/边界：95秒和175秒输出为空，缺少院落围桌与笔记罗盘的视觉描述；这些短句也不能串起完整故事。\n转化方式：视觉片段型来源：以原文中与原帧相符的海岸、人物、表情或道具作为灵感入口。身份、对白、连续动作、奇幻规则和新剧情由Codex补写，不是该模型的原始能力。\n本次选择的新故事：一粒米唤醒大海。所有幻想事件都是二创，不用原文中的误识别冒充事实。\n\n《一粒米唤醒大海》｜奇观温情｜44秒完整剪辑稿\n\n制作目标：44秒，9:16竖屏，8个剪辑镜头，目标1080×1920、24fps。时间表是剪辑设计，不是任一平台API保证；按工具实际支持的片段长度生成，再裁切拼接。此处没有生成视频。\n视觉基调：架空旧式沿海村落，湿泥、粗布、旧木和黄铜具有可触摸的写实材质；幼童面部略带童话般大眼比例。灰蓝海水与褐色村屋为底，红发带是辨识点，幻想光源以局部金色/银色呈现。\n小满：幼童女孩，黑发双髻、左右各一条红发带、额头小红点；灰褐补丁粗布衣、布挎袋、旧布鞋。开场若用蓝披衣，则全片保持，除非镜头明确拍下脱衣。性格敏感、先看大人反应，再敢表达愿望。红点不是伤口，红发带不是红头发。\n海生：青年男性，凌乱黑发，旧蓝外衣、灰内衫、深裤；行动稳，保护孩子时先降到她的眼平高度，不以大喊替代关心。\n苏兰：成年女性，深发松束、灰褐无袖粗布上衣、简单项链与腕布；观察细节，负责托稳道具、递布或摆碗等具体照顾。\n二狗：青年男性，短黑发、橄榄绿外衣；提供轻微喜剧和观众反应，后半段愿意放慢动作参与帮助，不把他写成伤害孩子的反派。\n上述人物只在本镜明确指定时出现。群众只作远处模糊背景，不增加新主角。多人同框时优先保持海生在左、苏兰在后、二狗在右、小满在前中；若换位，用中广景交代，不瞬移。\n环境连续性：泥滩、浅水、旧船和村屋保持同一架空地点。海平线稳定。湿衣不会无故变干。室内暖色由船灯或灶火提供；室外变暖用云隙光或明确的幻想道具光解释，不让44秒凭空跨越数小时。\n人物表情与道具变化分开生成更易核对：每镜最多一个主要幻想动作，真实人物不随道具变形。以上服装、人物名和新动作均属本次二创设定，不声称模型从8帧恢复了全部身份。\n\n核心道具锁：缺口白瓷碗、一粒白米、左钳有白斑的金蟹。先为本片制作一张统一道具参考图，记录缺口、锈斑、左右方向、尺寸；镜头之间沿用同一版本。\n\n本片新规则：开场巨钳只是没有触水的预告光影；米粒被主动分享后，守护者才真正现身托物，巨钳不夹人。 此规则是新创作，不是原片事实。\n\n第一秒视觉钩子：一粒米悬在女孩掌心上方，身后海面已映出与房屋同高的半透明金色蟹钳虚影；虚影尚未触水，小满屏住呼吸，白米与巨钳构成极端尺度反差。\n\n目标情绪路径：惊奇 → 好奇 → 共情 → 紧张 → 信任 → 释放 → 温暖 → 余味。它是创作设计，不是已测得的观众留存数据。\n\n分镜与生成指令（逐镜生成，再按时间码剪辑；全局角色锁及规则与每一镜一起输入）：\n\n镜头01｜00–01秒｜1秒｜惊奇：先看见不可能\n画面与动作：一粒米悬在女孩掌心上方，身后海面已映出与房屋同高的半透明金色蟹钳虚影；虚影尚未触水，小满屏住呼吸，白米与巨钳构成极端尺度反差。\n动作节拍：0.00–0.15秒直接展示钩子关键帧；0.15–0.70秒让异常动作继续；0.70–1.00秒用呼吸或微小停顿准备切入反应。\n构图与镜头：24–35mm感中广景或前景近物后景巨物，保留明确大小参照；单一明确机位，不用无目标甩镜；异常动作在画面开始时已经发生。\n人物表演：以本镜指定的人物/道具为中心，背景角色不抢动作。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：以潮声、湿泥轻响、旧木或黄铜触碰声中最贴合本镜道具的一声开场；配一个短低频脉冲，随即让出空间，不叠加尖叫。\n衔接：在异常动作最清楚的一刻硬切至下一镜指定动作或反应；不先放片名或黑屏。\n\n镜头02｜01–04秒｜3秒｜好奇：理解人物的反应\n画面与动作：切到掌心，米粒沿皮肤纹路滚向一只小蟹；小满先缩手，随后看见小蟹空空的钳子，眼神从惊讶变成犹豫。\n动作节拍：1–1.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：85mm感道具近特写，轻俯拍，焦点落在本镜指定接触点；人物只保留必要手部或眼睛倒影，不强行切成正面人像。\n人物表演：若小满在本镜入画，眼神先落在道具，再转向海生；若为纯道具镜，不额外挤入人脸。海生与孩子交流时保持相近眼平高度。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：保留孩子一次吸气和衣料轻摩擦，环境声变窄，音乐只留很轻的持续音。\n衔接：按人物视线切到问题或缺少之物，前一镜最后一声环境音延续约0.15秒。\n\n镜头03｜04–09秒｜5秒｜共情：显露一个小缺口\n画面与动作：插入出门前的短回忆：海生掀开米缸，底部只剩细碎米屑；他把缺口碗推到孩子面前，自己把空碗倒扣，装作不饿；下一镜回到泥滩。\n动作节拍：4–5.25秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：35mm感中景或中近景，交代角色、目标道具和可行动空间；保持眼线一致。\n人物表演：让负责本镜行动的成人先动，孩子随后作出可见反应；避免所有人同时表演。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：空碗、空袋、脚步或木板声选本镜实际存在的一项放近；未出场物件不配声，避免声源误导。\n衔接：用逐渐靠近的风声/物件声引入下一镜；剪切前先让观众认清道具位置。\n\n镜头04｜09–15秒｜6秒｜紧张：让选择有代价\n画面与动作：海风把唯一米粒吹到泥水边；小满扑低护住它，巨蟹的影子遮住所有人，二狗下意识护住孩子。\n动作节拍：9–10.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：28mm感稍低机位，前景放障碍或关键道具，后景保留退路；缓慢推进，不乱晃。\n人物表演：海生或苏兰承担保护动作，孩子的恐惧用呼吸与手指表现；二狗的夸张反应不压过危险信息。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：风与低频逐步增强，声音来自画面可解释方向；临近决定时收低，不盖过呼吸。\n衔接：在角色看向选择对象时切到手部，危险声短暂收低，突出决定。\n\n镜头05｜15–22秒｜7秒｜信任：人物主动做决定\n画面与动作：小满把米粒轻放进小蟹钳间，摊开空手，没有向大海伸手索取；海生看到她的选择，缓缓放下拦住她的手。\n动作节拍：15–16.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：65–85mm感手部/道具插入镜头，焦点从指尖过渡到被选择的物件；只做一次明确动作。\n人物表演：选择必须由清楚的手部动作落实；其余角色停住，给观众看懂选择的空间。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：对白：小满轻声说“你也饿了吗？”；只配一次明确道具接触声。\n衔接：按动作方向匹配下一镜的变化，避免用白闪遮盖因果。\n\n镜头06｜22–30秒｜8秒｜释放：回报具有清楚因果\n画面与动作：小蟹敲击泥面，巨钳托起一只干净的旧木箱；箱盖打开，完整米袋与干燥种子出现，海水从箱底排走。\n动作节拍：22–24.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：28–35mm感中广景，由关键道具向外缓慢拉开，完整看见变化及安全距离。\n人物表演：先让道具/环境发生变化，再切或移到人物反应；变化只遵守本故事规则。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：潮声、湿泥轻响、旧木或黄铜触碰声随变化从密变疏，再进入温暖的两三个原创音符；不使用现成热门歌曲歌词。\n衔接：变化完成后停半拍再切脸部；环境音恢复，音乐只抬高一层。\n\n镜头07｜30–38秒｜8秒｜温暖：给表情留下时间\n画面与动作：苏兰盛出热米饭，小满先给空钳的小蟹放一粒；海生的手轻盖在孩子肩上，三人同时松开紧绷的眉头。\n动作节拍：30–32.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：50–65mm感面部近景，稳定机位，留出至少半秒无对白微表情。\n人物表演：孩子的肩膀放松、视线愿意停留；成人以小动作回应，不用齐声大笑替代情绪。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：对白：苏兰说“这次，大家都能吃饱。”；其余人用目光回应，留半秒安静。\n衔接：由人物最后的目光或手指引向收尾道具，暖光保持一致。\n\n镜头08｜38–44秒｜6秒｜余味：接回钩子并打开新可能\n画面与动作：碗边那一粒米微微发光，海面远处又浮起一条金色弧线；镜头贴近米粒，圆形高光与开头掌心中的米匹配。\n动作节拍：38–39.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：85mm感道具近特写，轻俯拍，焦点落在本镜指定接触点；人物只保留必要手部或眼睛倒影，不强行切成正面人像。\n人物表演：人物保持结局得到的安全与关系；新的小悬念不撤销已经完成的情绪回报。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：取第一镜的同一种音色作为最后一个轻声提示，让尾音衔接循环；不突然加入无关轰鸣。\n衔接：最后0.3秒保留与开头相似的轮廓/音色，允许无缝循环；不加黑底强制点击卡。\n\n负向与连续性检查：不出现无依据的手机、枪械、医院、现代车辆、书上伪造大段文字、未经设计的影视角色或艺术家署名。保持双髻、红带、额头红点及四名主角身份；不多生手指、蟹腿，不让手与道具穿模，不把罗盘替换成怀表。道具在同一镜内不得随机换材质、数量、左右位置或开合状态。只允许故事规则指定的物件变化；儿童无血腥伤害。所有字幕、可读书名和界面文字后期添加，生成画面不带水印、伪字幕或推广尾卡。\n合成前逐镜核对：人物数与站坐姿；第一帧是否已有异常；动作起点/终点能否接上；道具尺寸是否受控；视线和海平线是否一致；每个回报能否追溯到前一镜的选择。未拍出因果时重做相关镜头，不能靠旁白掩盖。\n\n平台剪辑备选（不是平台时长限制，也不是热度保证）：\nTikTok测试版：保留0–1秒钩子，1–4秒加一行疑问字幕，22–30秒完整展示回报；可将4–9秒背景压成3秒，成片约42秒。\nInstagram Reels测试版：保持道具质感与暖光配色，前1秒无需读字即可理解异常；保留30–38秒表情停顿，以收尾道具作封面，主体仍44秒。\nYouTube Shorts测试版：保持44秒因果链，画外说明最多一句；最后0.3秒与开头形状/声响呼应，避免只留下未兑现的悬念。\n所有字幕建议单行、短句，放在人物面部与关键道具之外；先按实际播放器界面预览遮挡。\n\n可测试的两个开头：A使用第一镜的大/小、静/动反差；B保持同一异常事件，但从小满瞳孔或手中道具切入，再在0.6秒内露出尺度参照。只改变开头一项，其余剪辑保持一致；是否提高留存需要真实成片与实际观看数据，本任务未做此测试。" }, { "id": "C002", "title": "一个人也不许少", "concept_id": "S38", "concept_index": 37, "version": 1, "genre": "群像反转", "duration_seconds": 44, "shot_count": 8, "source_id": "results-hd--bunny", "source_name": "BAAI/Bunny-v1_0-3B", "category": "results-hd", "source_path": "raw-prompts/results-hd--bunny.txt", "source_record": "results-hd/bunny.json", "source_paths": [ "raw-prompts/results-hd--bunny.txt" ], "source_excerpt": "[0 秒]\nA young girl is sitting on the beach, looking down at a group of crabs. She is wearing a blue shirt and brown pants, with a red ribbon in her hair. The girl's face is turned towards the crabs, and she has a curious expression. The crabs are small and brown, with one of them having a red spot on its back. The beach is sandy and there are rocks scattered around. In the background, there is a building with a brown roof. The sky is overcast and gray. The lighting is soft, casting shadows on the sand. The girl's hands are on\n\n[15 秒]\nThe image features a young child, likely a baby, crying with", "source_review": { "strength": "95秒正确指出户外院落和四人围木桌；340秒能描述女孩跪低并指向水面。", "issues": "175秒漏罗盘并补出人物黑衣、金色书扣与日期；235秒添木凳和反复牛仔口袋；385秒人数、衣服、持物和家庭关系错乱。多段120token截断。", "verdict": "有局部场景优势，但描述越长未必越准确；八张独立描述不能补出完整剧情。" }, "contribution": "视觉片段型来源：以原文中与原帧相符的海岸、人物、表情或道具作为灵感入口。身份、对白、连续动作、奇幻规则和新剧情由Codex补写，不是该模型的原始能力。", "source_duplicate_of": null, "source_hash": "cce3c87982d9e311f19970cdbe5108d1e3f16df662345c32357ecca82476ebb1", "body_hash": "3c2ab87c296a8af27a081dca508d605b23af9813049735d1b4372f7a4384703b", "author": "Codex, shared writer; not original model output", "fallback": false, "hook": "岸边站着四个人，水中却只有三个倒影；小满低头发现自己对应的位置空着，倒影空缺立即形成视觉谜题。", "rule": "海面最初漏映一个人；当大家主动给孩子留位，倒影才补齐，不靠人数字幕解释。", "shots": [ { "number": 1, "start": 0, "end": 1, "duration": 1, "beat": "惊奇：先看见不可能", "action": "岸边站着四个人，水中却只有三个倒影；小满低头发现自己对应的位置空着，倒影空缺立即形成视觉谜题。", "camera": "24mm感中广景，四名人物与其水面倒影同时清楚入画；水面占下半部，人物不互相遮挡，稳定机位让空间异常可以一眼辨认。", "performance": "以本镜指定的人物/道具为中心，背景角色不抢动作。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "以潮声、湿泥轻响、旧木或黄铜触碰声中最贴合本镜道具的一声开场；配一个短低频脉冲，随即让出空间，不叠加尖叫。", "transition": "在异常动作最清楚的一刻硬切至下一镜指定动作或反应；不先放片名或黑屏。", "timing": "0.00–0.15秒直接展示钩子关键帧；0.15–0.70秒让异常动作继续；0.70–1.00秒用呼吸或微小停顿准备切入反应。" }, { "number": 2, "start": 1, "end": 4, "duration": 3, "beat": "好奇：理解人物的反应", "action": "她抬起右手，另外三人的倒影都在，只有她的位置仍是一片平水；海生看见她的手慢慢垂下，笑容跟着消失。", "camera": "50mm感的近景，机位降到孩子眼平，向前缓移约一个手掌距离。", "performance": "若小满在本镜入画，眼神先落在道具，再转向海生；若为纯道具镜，不额外挤入人脸。海生与孩子交流时保持相近眼平高度。 本来源版本强调小满的主观感受：先拍她注意到的细节，再拍回应，缩短无信息的成人反应。", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "保留孩子一次吸气和衣料轻摩擦，环境声变窄，音乐只留很轻的持续音。", "transition": "按人物视线切到问题或缺少之物，前一镜最后一声环境音延续约0.15秒。", "timing": "1–1.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 3, "start": 4, "end": 9, "duration": 5, "beat": "共情：显露一个小缺口", "action": "院落里三只碗摆在桌上，第四只还留在柜边；苏兰忙着添饭，二狗坐下才发现小满一直站在门口。", "camera": "35mm感中景或中近景，交代角色、目标道具和可行动空间；保持眼线一致。", "performance": "让负责本镜行动的成人先动，孩子随后作出可见反应；避免所有人同时表演。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "空碗、空袋、脚步或木板声选本镜实际存在的一项放近；未出场物件不配声，避免声源误导。", "transition": "用逐渐靠近的风声/物件声引入下一镜；剪切前先让观众认清道具位置。", "timing": "4–5.25秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 4, "start": 9, "end": 15, "duration": 6, "beat": "紧张：让选择有代价", "action": "潮水把四串脚印冲淡成三串，孩子退到画面边缘，像准备主动退出；海生先看桌子，再看她，终于明白缺少的是行动。", "camera": "28mm感稍低机位，前景放障碍或关键道具，后景保留退路；缓慢推进，不乱晃。", "performance": "海生或苏兰承担保护动作，孩子的恐惧用呼吸与手指表现；二狗的夸张反应不压过危险信息。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "风与低频逐步增强，声音来自画面可解释方向；临近决定时收低，不盖过呼吸。", "transition": "在角色看向选择对象时切到手部，危险声短暂收低，突出决定。", "timing": "9–10.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 5, "start": 15, "end": 22, "duration": 7, "beat": "信任：人物主动做决定", "action": "海生搬出第四把椅子，苏兰摆好第四只碗，二狗把自己的位置向旁边让开；小满被正式请到中间。", "camera": "65–85mm感手部/道具插入镜头，焦点从指尖过渡到被选择的物件；只做一次明确动作。", "performance": "选择必须由清楚的手部动作落实；其余角色停住，给观众看懂选择的空间。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "对白：海生轻声说“数一数，我们有几个人？”；只配一次明确道具接触声。", "transition": "按动作方向匹配下一镜的变化，避免用白闪遮盖因果。", "timing": "15–16.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 6, "start": 22, "end": 30, "duration": 8, "beat": "释放：回报具有清楚因果", "action": "切回海面，第四个倒影从她脚边缓慢亮起，与真实孩子同步抬手；四人和四影全部完整呈现，人数变化清楚可数。", "camera": "28–35mm感中广景，由关键道具向外缓慢拉开，完整看见变化及安全距离。", "performance": "先让道具/环境发生变化，再切或移到人物反应；变化只遵守本故事规则。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "潮声、湿泥轻响、旧木或黄铜触碰声随变化从密变疏，再进入温暖的两三个原创音符；不使用现成热门歌曲歌词。", "transition": "变化完成后停半拍再切脸部；环境音恢复，音乐只抬高一层。", "timing": "22–24.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 7, "start": 30, "end": 38, "duration": 8, "beat": "温暖：给表情留下时间", "action": "他们举碗轻轻相碰，小满先看看每个人，再确认自己的碗也在圆圈中；没有多余旁白，用停顿呈现被接纳。", "camera": "50–65mm感面部近景，稳定机位，留出至少半秒无对白微表情。", "performance": "孩子的肩膀放松、视线愿意停留；成人以小动作回应，不用齐声大笑替代情绪。 本来源版本强调小满的主观感受：先拍她注意到的细节，再拍回应，缩短无信息的成人反应。", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "对白：小满说“四个，一个也不少。”；其余人用目光回应，留半秒安静。", "transition": "由人物最后的目光或手指引向收尾道具，暖光保持一致。", "timing": "30–32.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 8, "start": 38, "end": 44, "duration": 6, "beat": "余味：接回钩子并打开新可能", "action": "水边出现第五个极小蟹影，二狗数到一半愣住；小满主动腾出小碟，把“一个不少”的主题交给下一次选择。", "camera": "以本镜描述的收尾物件构图；最后的形状、光点或运动方向匹配开场关键元素。允许改变景别，但匹配关系必须清楚。", "performance": "人物保持结局得到的安全与关系；新的小悬念不撤销已经完成的情绪回报。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "取第一镜的同一种音色作为最后一个轻声提示，让尾音衔接循环；不突然加入无关轰鸣。", "transition": "最后0.3秒保留与开头相似的轮廓/音色，允许无缝循环；不加黑底强制点击卡。", "timing": "38–39.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" } ], "path": "creative/C002--results-hd--bunny.txt", "text": "来源文件：raw-prompts/results-hd--bunny.txt\n来源名称：BAAI/Bunny-v1_0-3B\n实际来源记录：results-hd/bunny.json\n原文可用点：95秒正确指出户外院落和四人围木桌；340秒能描述女孩跪低并指向水面。\n原文问题/边界：175秒漏罗盘并补出人物黑衣、金色书扣与日期；235秒添木凳和反复牛仔口袋；385秒人数、衣服、持物和家庭关系错乱。多段120token截断。\n转化方式：视觉片段型来源：以原文中与原帧相符的海岸、人物、表情或道具作为灵感入口。身份、对白、连续动作、奇幻规则和新剧情由Codex补写，不是该模型的原始能力。\n本次选择的新故事：一个人也不许少。所有幻想事件都是二创，不用原文中的误识别冒充事实。\n\n《一个人也不许少》｜群像反转｜44秒完整剪辑稿\n\n制作目标：44秒，9:16竖屏，8个剪辑镜头，目标1080×1920、24fps。时间表是剪辑设计，不是任一平台API保证；按工具实际支持的片段长度生成，再裁切拼接。此处没有生成视频。\n视觉基调：架空旧式沿海村落，湿泥、粗布、旧木和黄铜具有可触摸的写实材质；幼童面部略带童话般大眼比例。灰蓝海水与褐色村屋为底，红发带是辨识点，幻想光源以局部金色/银色呈现。\n小满：幼童女孩，黑发双髻、左右各一条红发带、额头小红点；灰褐补丁粗布衣、布挎袋、旧布鞋。开场若用蓝披衣，则全片保持，除非镜头明确拍下脱衣。性格敏感、先看大人反应，再敢表达愿望。红点不是伤口，红发带不是红头发。\n海生：青年男性，凌乱黑发，旧蓝外衣、灰内衫、深裤；行动稳，保护孩子时先降到她的眼平高度，不以大喊替代关心。\n苏兰：成年女性，深发松束、灰褐无袖粗布上衣、简单项链与腕布；观察细节，负责托稳道具、递布或摆碗等具体照顾。\n二狗：青年男性，短黑发、橄榄绿外衣；提供轻微喜剧和观众反应，后半段愿意放慢动作参与帮助，不把他写成伤害孩子的反派。\n上述人物只在本镜明确指定时出现。群众只作远处模糊背景，不增加新主角。多人同框时优先保持海生在左、苏兰在后、二狗在右、小满在前中；若换位，用中广景交代，不瞬移。\n环境连续性：泥滩、浅水、旧船和村屋保持同一架空地点。海平线稳定。湿衣不会无故变干。室内暖色由船灯或灶火提供；室外变暖用云隙光或明确的幻想道具光解释，不让44秒凭空跨越数小时。\n人物表情与道具变化分开生成更易核对：每镜最多一个主要幻想动作，真实人物不随道具变形。以上服装、人物名和新动作均属本次二创设定，不声称模型从8帧恢复了全部身份。\n\n核心道具锁：四只脚印、四只木碗、三人倒影。先为本片制作一张统一道具参考图，记录缺口、锈斑、左右方向、尺寸；镜头之间沿用同一版本。\n\n本片新规则：海面最初漏映一个人；当大家主动给孩子留位，倒影才补齐，不靠人数字幕解释。 此规则是新创作，不是原片事实。\n\n第一秒视觉钩子：岸边站着四个人，水中却只有三个倒影；小满低头发现自己对应的位置空着，倒影空缺立即形成视觉谜题。\n\n目标情绪路径：惊奇 → 好奇 → 共情 → 紧张 → 信任 → 释放 → 温暖 → 余味。它是创作设计，不是已测得的观众留存数据。\n\n分镜与生成指令（逐镜生成，再按时间码剪辑；全局角色锁及规则与每一镜一起输入）：\n\n镜头01｜00–01秒｜1秒｜惊奇：先看见不可能\n画面与动作：岸边站着四个人，水中却只有三个倒影；小满低头发现自己对应的位置空着，倒影空缺立即形成视觉谜题。\n动作节拍：0.00–0.15秒直接展示钩子关键帧；0.15–0.70秒让异常动作继续；0.70–1.00秒用呼吸或微小停顿准备切入反应。\n构图与镜头：24mm感中广景，四名人物与其水面倒影同时清楚入画；水面占下半部，人物不互相遮挡，稳定机位让空间异常可以一眼辨认。\n人物表演：以本镜指定的人物/道具为中心，背景角色不抢动作。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：以潮声、湿泥轻响、旧木或黄铜触碰声中最贴合本镜道具的一声开场；配一个短低频脉冲，随即让出空间，不叠加尖叫。\n衔接：在异常动作最清楚的一刻硬切至下一镜指定动作或反应；不先放片名或黑屏。\n\n镜头02｜01–04秒｜3秒｜好奇：理解人物的反应\n画面与动作：她抬起右手，另外三人的倒影都在，只有她的位置仍是一片平水；海生看见她的手慢慢垂下，笑容跟着消失。\n动作节拍：1–1.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：50mm感的近景，机位降到孩子眼平，向前缓移约一个手掌距离。\n人物表演：若小满在本镜入画，眼神先落在道具，再转向海生；若为纯道具镜，不额外挤入人脸。海生与孩子交流时保持相近眼平高度。 本来源版本强调小满的主观感受：先拍她注意到的细节，再拍回应，缩短无信息的成人反应。\n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：保留孩子一次吸气和衣料轻摩擦，环境声变窄，音乐只留很轻的持续音。\n衔接：按人物视线切到问题或缺少之物，前一镜最后一声环境音延续约0.15秒。\n\n镜头03｜04–09秒｜5秒｜共情：显露一个小缺口\n画面与动作：院落里三只碗摆在桌上，第四只还留在柜边；苏兰忙着添饭，二狗坐下才发现小满一直站在门口。\n动作节拍：4–5.25秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：35mm感中景或中近景，交代角色、目标道具和可行动空间；保持眼线一致。\n人物表演：让负责本镜行动的成人先动，孩子随后作出可见反应；避免所有人同时表演。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：空碗、空袋、脚步或木板声选本镜实际存在的一项放近；未出场物件不配声，避免声源误导。\n衔接：用逐渐靠近的风声/物件声引入下一镜；剪切前先让观众认清道具位置。\n\n镜头04｜09–15秒｜6秒｜紧张：让选择有代价\n画面与动作：潮水把四串脚印冲淡成三串，孩子退到画面边缘，像准备主动退出；海生先看桌子，再看她，终于明白缺少的是行动。\n动作节拍：9–10.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：28mm感稍低机位，前景放障碍或关键道具，后景保留退路；缓慢推进，不乱晃。\n人物表演：海生或苏兰承担保护动作，孩子的恐惧用呼吸与手指表现；二狗的夸张反应不压过危险信息。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：风与低频逐步增强，声音来自画面可解释方向；临近决定时收低，不盖过呼吸。\n衔接：在角色看向选择对象时切到手部，危险声短暂收低，突出决定。\n\n镜头05｜15–22秒｜7秒｜信任：人物主动做决定\n画面与动作：海生搬出第四把椅子，苏兰摆好第四只碗，二狗把自己的位置向旁边让开；小满被正式请到中间。\n动作节拍：15–16.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：65–85mm感手部/道具插入镜头，焦点从指尖过渡到被选择的物件；只做一次明确动作。\n人物表演：选择必须由清楚的手部动作落实；其余角色停住，给观众看懂选择的空间。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：对白：海生轻声说“数一数，我们有几个人？”；只配一次明确道具接触声。\n衔接：按动作方向匹配下一镜的变化，避免用白闪遮盖因果。\n\n镜头06｜22–30秒｜8秒｜释放：回报具有清楚因果\n画面与动作：切回海面，第四个倒影从她脚边缓慢亮起，与真实孩子同步抬手；四人和四影全部完整呈现，人数变化清楚可数。\n动作节拍：22–24.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：28–35mm感中广景，由关键道具向外缓慢拉开，完整看见变化及安全距离。\n人物表演：先让道具/环境发生变化，再切或移到人物反应；变化只遵守本故事规则。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：潮声、湿泥轻响、旧木或黄铜触碰声随变化从密变疏，再进入温暖的两三个原创音符；不使用现成热门歌曲歌词。\n衔接：变化完成后停半拍再切脸部；环境音恢复，音乐只抬高一层。\n\n镜头07｜30–38秒｜8秒｜温暖：给表情留下时间\n画面与动作：他们举碗轻轻相碰，小满先看看每个人，再确认自己的碗也在圆圈中；没有多余旁白，用停顿呈现被接纳。\n动作节拍：30–32.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：50–65mm感面部近景，稳定机位，留出至少半秒无对白微表情。\n人物表演：孩子的肩膀放松、视线愿意停留；成人以小动作回应，不用齐声大笑替代情绪。 本来源版本强调小满的主观感受：先拍她注意到的细节，再拍回应，缩短无信息的成人反应。\n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：对白：小满说“四个，一个也不少。”；其余人用目光回应，留半秒安静。\n衔接：由人物最后的目光或手指引向收尾道具，暖光保持一致。\n\n镜头08｜38–44秒｜6秒｜余味：接回钩子并打开新可能\n画面与动作：水边出现第五个极小蟹影，二狗数到一半愣住；小满主动腾出小碟，把“一个不少”的主题交给下一次选择。\n动作节拍：38–39.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：以本镜描述的收尾物件构图；最后的形状、光点或运动方向匹配开场关键元素。允许改变景别，但匹配关系必须清楚。\n人物表演：人物保持结局得到的安全与关系；新的小悬念不撤销已经完成的情绪回报。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：取第一镜的同一种音色作为最后一个轻声提示，让尾音衔接循环；不突然加入无关轰鸣。\n衔接：最后0.3秒保留与开头相似的轮廓/音色，允许无缝循环；不加黑底强制点击卡。\n\n负向与连续性检查：不出现无依据的手机、枪械、医院、现代车辆、书上伪造大段文字、未经设计的影视角色或艺术家署名。保持双髻、红带、额头红点及四名主角身份；不多生手指、蟹腿，不让手与道具穿模，不把罗盘替换成怀表。道具在同一镜内不得随机换材质、数量、左右位置或开合状态。只允许故事规则指定的物件变化；儿童无血腥伤害。所有字幕、可读书名和界面文字后期添加，生成画面不带水印、伪字幕或推广尾卡。\n合成前逐镜核对：人物数与站坐姿；第一帧是否已有异常；动作起点/终点能否接上；道具尺寸是否受控；视线和海平线是否一致；每个回报能否追溯到前一镜的选择。未拍出因果时重做相关镜头，不能靠旁白掩盖。\n\n平台剪辑备选（不是平台时长限制，也不是热度保证）：\nTikTok测试版：保留0–1秒钩子，1–4秒加一行疑问字幕，22–30秒完整展示回报；可将4–9秒背景压成3秒，成片约42秒。\nInstagram Reels测试版：保持道具质感与暖光配色，前1秒无需读字即可理解异常；保留30–38秒表情停顿，以收尾道具作封面，主体仍44秒。\nYouTube Shorts测试版：保持44秒因果链，画外说明最多一句；最后0.3秒与开头形状/声响呼应，避免只留下未兑现的悬念。\n所有字幕建议单行、短句，放在人物面部与关键道具之外；先按实际播放器界面预览遮挡。\n\n可测试的两个开头：A使用第一镜的大/小、静/动反差；B保持同一异常事件，但从小满瞳孔或手中道具切入，再在0.6秒内露出尺度参照。只改变开头一项，其余剪辑保持一致；是否提高留存需要真实成片与实际观看数据，本任务未做此测试。" }, { "id": "C003", "title": "用盐敲开一堵海浪", "concept_id": "S11", "concept_index": 10, "version": 2, "genre": "超现实ASMR", "duration_seconds": 44, "shot_count": 8, "source_id": "results-hd--clip-interrogator", "source_name": "pharmapsychotic/clip-interrogator", "category": "results-hd", "source_path": "raw-prompts/results-hd--clip-interrogator.txt", "source_record": "results-hd/clip-interrogator.json", "source_paths": [ "raw-prompts/results-hd--clip-interrogator.txt", "project-cases/pharmapsychotic__clip-interrogator/prompt-raw.txt" ], "source_excerpt": "[0 秒]\na little girl sitting on the beach with crabs, crabs, crab, crab monster, queen of the sea mu yanling, kid, mei-ling zhou, mulan, lulu chen, nezha : birth of the demon child, arya stark, tang dynasty, kakar cheung, sam yang, cute little girl, anthropomorphic crab, huge crab\n\n[15 秒]\na child crying in the rain, emotional face shot, cry, people crying, crying eyes closed!, not a single tear, 千 葉 雄 大, noticeable tear on the cheek, emotional face, tear on face, sad look, wet eye in forehead, crying makeup, woman crying, cgsociety 9, sad eyes tears, very emotional\n\n[50 秒]\na boat is in the wate", "source_review": { "strength": "给出情绪、风格和相似视觉标签，能补充哭泣特写等关键词。", "issues": "加入无关人名、影视角色和艺术家标签，且出现相互矛盾的泪水描述。", "verdict": "风格检索器，不能把相似标签当作人物身份或剧情事实。" }, "contribution": "视觉片段型来源：以原文中与原帧相符的海岸、人物、表情或道具作为灵感入口。身份、对白、连续动作、奇幻规则和新剧情由Codex补写，不是该模型的原始能力。", "source_duplicate_of": null, "source_hash": "6ab1c5929dd196da2ad549b29db5d4e874f7292ba030558970f2ce2dc3ee5ed8", "body_hash": "1a22d6fe5adee08f0d98014deebc81b3ddc3df5789a8e29fa51619fb0cbb6cc8", "author": "Codex, shared writer; not original model output", "fallback": false, "hook": "竹勺已碰到高过屋顶的透明盐浪，接触点炸开一圈细小白晶，整面浪墙发出清脆琴音，小满的倒影被放大在晶体里。", "rule": "盐浪只在轻敲时碎成安全细晶；蛮力敲击会让它长高，不能出现玻璃伤人。", "shots": [ { "number": 1, "start": 0, "end": 1, "duration": 1, "beat": "惊奇：先看见不可能", "action": "竹勺已碰到高过屋顶的透明盐浪，接触点炸开一圈细小白晶，整面浪墙发出清脆琴音，小满的倒影被放大在晶体里。", "camera": "85mm感微距，道具占画面约三分之二，人物眼睛或手作为尺度参照；单一明确机位，不用无目标甩镜；异常动作在画面开始时已经发生。", "performance": "以本镜指定的人物/道具为中心，背景角色不抢动作。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "以细小水膜、陶瓷或盐晶的清脆触感声中最贴合本镜道具的一声开场；配一个短低频脉冲，随即让出空间，不叠加尖叫。", "transition": "在异常动作最清楚的一刻硬切至下一镜指定动作或反应；不先放片名或黑屏。", "timing": "0.00–0.15秒直接展示钩子关键帧；0.15–0.70秒让异常动作继续；0.70–1.00秒用呼吸或微小停顿准备切入反应。" }, { "number": 2, "start": 1, "end": 4, "duration": 3, "beat": "好奇：理解人物的反应", "action": "小满用指尖接住一片薄盐晶，盐晶在掌心化成普通盐粒；她由怕转为好奇，闻了闻带海气的风。", "camera": "85mm感道具近特写，轻俯拍，焦点落在本镜指定接触点；人物只保留必要手部或眼睛倒影，不强行切成正面人像。", "performance": "若小满在本镜入画，眼神先落在道具，再转向海生；若为纯道具镜，不额外挤入人脸。海生与孩子交流时保持相近眼平高度。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "保留孩子一次吸气和衣料轻摩擦，环境声变窄，音乐只留很轻的持续音。", "transition": "按人物视线切到问题或缺少之物，前一镜最后一声环境音延续约0.15秒。", "timing": "1–1.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 3, "start": 4, "end": 9, "duration": 5, "beat": "共情：显露一个小缺口", "action": "海生发现盐浪挡住回家小路，二狗举起木棍准备敲开；孩子把装着最后一点食物的布包抱得更紧。", "camera": "35mm感中景或中近景，交代角色、目标道具和可行动空间；保持眼线一致。", "performance": "让负责本镜行动的成人先动，孩子随后作出可见反应；避免所有人同时表演。 本来源版本强调空间关系：镜头开头保留四个角色/道具位置参照，再靠近关键动作，不以密集特写掩盖布局。", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "空碗、空袋、脚步或木板声选本镜实际存在的一项放近；未出场物件不配声，避免声源误导。", "transition": "用逐渐靠近的风声/物件声引入下一镜；剪切前先让观众认清道具位置。", "timing": "4–5.25秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 4, "start": 9, "end": 15, "duration": 6, "beat": "紧张：让选择有代价", "action": "木棍碰到浪脚，盐墙突然长高一层，遮住暖光；四个人退到干燥石阶上，小满注意到竹勺还在微微振动。", "camera": "28mm感稍低机位，前景放障碍或关键道具，后景保留退路；缓慢推进，不乱晃。", "performance": "海生或苏兰承担保护动作，孩子的恐惧用呼吸与手指表现；二狗的夸张反应不压过危险信息。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "风与低频逐步增强，声音来自画面可解释方向；临近决定时收低，不盖过呼吸。", "transition": "在角色看向选择对象时切到手部，危险声短暂收低，突出决定。", "timing": "9–10.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 5, "start": 15, "end": 22, "duration": 7, "beat": "信任：人物主动做决定", "action": "她交出竹勺，让海生握住勺柄，自己用两根手指轻敲三下；苏兰托好布包，二狗收起木棍。", "camera": "65–85mm感手部/道具插入镜头，焦点从指尖过渡到被选择的物件；只做一次明确动作。", "performance": "选择必须由清楚的手部动作落实；其余角色停住，给观众看懂选择的空间。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "对白：小满轻声说“轻一点，它也会疼。”；只配一次明确道具接触声。", "transition": "按动作方向匹配下一镜的变化，避免用白闪遮盖因果。", "timing": "15–16.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 6, "start": 22, "end": 30, "duration": 8, "beat": "释放：回报具有清楚因果", "action": "裂纹顺着温柔节拍延伸，盐浪化为从两侧落下的晶莹细雨，中间露出归家的小径；粒子不穿过人物身体。", "camera": "28–35mm感中广景，由关键道具向外缓慢拉开，完整看见变化及安全距离。", "performance": "先让道具/环境发生变化，再切或移到人物反应；变化只遵守本故事规则。 本来源版本强调空间关系：镜头开头保留四个角色/道具位置参照，再靠近关键动作，不以密集特写掩盖布局。", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "细小水膜、陶瓷或盐晶的清脆触感声随变化从密变疏，再进入温暖的两三个原创音符；不使用现成热门歌曲歌词。", "transition": "变化完成后停半拍再切脸部；环境音恢复，音乐只抬高一层。", "timing": "22–24.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 7, "start": 30, "end": 38, "duration": 8, "beat": "温暖：给表情留下时间", "action": "一家人在屋里煮一小锅饭，海生只撒入指尖一点盐；小满满足地眯眼，巨大的奇观落到一口简单饭香上。", "camera": "35mm感桌边或岸边中景，先交代所有本镜角色，再缓慢靠近小满的表情；不在同一镜里把人数和座位改掉。", "performance": "孩子的肩膀放松、视线愿意停留；成人以小动作回应，不用齐声大笑替代情绪。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "对白：海生说“原来温柔更有力气。”；其余人用目光回应，留半秒安静。", "transition": "由人物最后的目光或手指引向收尾道具，暖光保持一致。", "timing": "30–32.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 8, "start": 38, "end": 44, "duration": 6, "beat": "余味：接回钩子并打开新可能", "action": "碗沿一粒盐晶折射出完整小浪墙，竹勺在旁边轻点一下；声音接回第一秒，镜头停在闪亮的晶面上。", "camera": "85mm感道具近特写，轻俯拍，焦点落在本镜指定接触点；人物只保留必要手部或眼睛倒影，不强行切成正面人像。", "performance": "人物保持结局得到的安全与关系；新的小悬念不撤销已经完成的情绪回报。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "取第一镜的同一种音色作为最后一个轻声提示，让尾音衔接循环；不突然加入无关轰鸣。", "transition": "最后0.3秒保留与开头相似的轮廓/音色，允许无缝循环；不加黑底强制点击卡。", "timing": "38–39.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" } ], "path": "creative/C003--results-hd--clip-interrogator.txt", "text": "来源文件：raw-prompts/results-hd--clip-interrogator.txt\n来源名称：pharmapsychotic/clip-interrogator\n实际来源记录：results-hd/clip-interrogator.json\n原文可用点：给出情绪、风格和相似视觉标签，能补充哭泣特写等关键词。\n原文问题/边界：加入无关人名、影视角色和艺术家标签，且出现相互矛盾的泪水描述。\n转化方式：视觉片段型来源：以原文中与原帧相符的海岸、人物、表情或道具作为灵感入口。身份、对白、连续动作、奇幻规则和新剧情由Codex补写，不是该模型的原始能力。\n本次选择的新故事：用盐敲开一堵海浪。所有幻想事件都是二创，不用原文中的误识别冒充事实。\n\n《用盐敲开一堵海浪》｜超现实ASMR｜44秒完整剪辑稿\n\n制作目标：44秒，9:16竖屏，8个剪辑镜头，目标1080×1920、24fps。时间表是剪辑设计，不是任一平台API保证；按工具实际支持的片段长度生成，再裁切拼接。此处没有生成视频。\n视觉基调：架空旧式沿海村落，湿泥、粗布、旧木和黄铜具有可触摸的写实材质；幼童面部略带童话般大眼比例。灰蓝海水与褐色村屋为底，红发带是辨识点，幻想光源以局部金色/银色呈现。\n小满：幼童女孩，黑发双髻、左右各一条红发带、额头小红点；灰褐补丁粗布衣、布挎袋、旧布鞋。开场若用蓝披衣，则全片保持，除非镜头明确拍下脱衣。性格敏感、先看大人反应，再敢表达愿望。红点不是伤口，红发带不是红头发。\n海生：青年男性，凌乱黑发，旧蓝外衣、灰内衫、深裤；行动稳，保护孩子时先降到她的眼平高度，不以大喊替代关心。\n苏兰：成年女性，深发松束、灰褐无袖粗布上衣、简单项链与腕布；观察细节，负责托稳道具、递布或摆碗等具体照顾。\n二狗：青年男性，短黑发、橄榄绿外衣；提供轻微喜剧和观众反应，后半段愿意放慢动作参与帮助，不把他写成伤害孩子的反派。\n上述人物只在本镜明确指定时出现。群众只作远处模糊背景，不增加新主角。多人同框时优先保持海生在左、苏兰在后、二狗在右、小满在前中；若换位，用中广景交代，不瞬移。\n环境连续性：泥滩、浅水、旧船和村屋保持同一架空地点。海平线稳定。湿衣不会无故变干。室内暖色由船灯或灶火提供；室外变暖用云隙光或明确的幻想道具光解释，不让44秒凭空跨越数小时。\n人物表情与道具变化分开生成更易核对：每镜最多一个主要幻想动作，真实人物不随道具变形。以上服装、人物名和新动作均属本次二创设定，不声称模型从8帧恢复了全部身份。\n\n核心道具锁：盐晶浪墙、竹勺、粗布包。先为本片制作一张统一道具参考图，记录缺口、锈斑、左右方向、尺寸；镜头之间沿用同一版本。\n\n本片新规则：盐浪只在轻敲时碎成安全细晶；蛮力敲击会让它长高，不能出现玻璃伤人。 此规则是新创作，不是原片事实。\n\n第一秒视觉钩子：竹勺已碰到高过屋顶的透明盐浪，接触点炸开一圈细小白晶，整面浪墙发出清脆琴音，小满的倒影被放大在晶体里。\n\n目标情绪路径：惊奇 → 好奇 → 共情 → 紧张 → 信任 → 释放 → 温暖 → 余味。它是创作设计，不是已测得的观众留存数据。\n\n分镜与生成指令（逐镜生成，再按时间码剪辑；全局角色锁及规则与每一镜一起输入）：\n\n镜头01｜00–01秒｜1秒｜惊奇：先看见不可能\n画面与动作：竹勺已碰到高过屋顶的透明盐浪，接触点炸开一圈细小白晶，整面浪墙发出清脆琴音，小满的倒影被放大在晶体里。\n动作节拍：0.00–0.15秒直接展示钩子关键帧；0.15–0.70秒让异常动作继续；0.70–1.00秒用呼吸或微小停顿准备切入反应。\n构图与镜头：85mm感微距，道具占画面约三分之二，人物眼睛或手作为尺度参照；单一明确机位，不用无目标甩镜；异常动作在画面开始时已经发生。\n人物表演：以本镜指定的人物/道具为中心，背景角色不抢动作。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：以细小水膜、陶瓷或盐晶的清脆触感声中最贴合本镜道具的一声开场；配一个短低频脉冲，随即让出空间，不叠加尖叫。\n衔接：在异常动作最清楚的一刻硬切至下一镜指定动作或反应；不先放片名或黑屏。\n\n镜头02｜01–04秒｜3秒｜好奇：理解人物的反应\n画面与动作：小满用指尖接住一片薄盐晶，盐晶在掌心化成普通盐粒；她由怕转为好奇，闻了闻带海气的风。\n动作节拍：1–1.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：85mm感道具近特写，轻俯拍，焦点落在本镜指定接触点；人物只保留必要手部或眼睛倒影，不强行切成正面人像。\n人物表演：若小满在本镜入画，眼神先落在道具，再转向海生；若为纯道具镜，不额外挤入人脸。海生与孩子交流时保持相近眼平高度。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：保留孩子一次吸气和衣料轻摩擦，环境声变窄，音乐只留很轻的持续音。\n衔接：按人物视线切到问题或缺少之物，前一镜最后一声环境音延续约0.15秒。\n\n镜头03｜04–09秒｜5秒｜共情：显露一个小缺口\n画面与动作：海生发现盐浪挡住回家小路，二狗举起木棍准备敲开；孩子把装着最后一点食物的布包抱得更紧。\n动作节拍：4–5.25秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：35mm感中景或中近景，交代角色、目标道具和可行动空间；保持眼线一致。\n人物表演：让负责本镜行动的成人先动，孩子随后作出可见反应；避免所有人同时表演。 本来源版本强调空间关系：镜头开头保留四个角色/道具位置参照，再靠近关键动作，不以密集特写掩盖布局。\n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：空碗、空袋、脚步或木板声选本镜实际存在的一项放近；未出场物件不配声，避免声源误导。\n衔接：用逐渐靠近的风声/物件声引入下一镜；剪切前先让观众认清道具位置。\n\n镜头04｜09–15秒｜6秒｜紧张：让选择有代价\n画面与动作：木棍碰到浪脚，盐墙突然长高一层，遮住暖光；四个人退到干燥石阶上，小满注意到竹勺还在微微振动。\n动作节拍：9–10.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：28mm感稍低机位，前景放障碍或关键道具，后景保留退路；缓慢推进，不乱晃。\n人物表演：海生或苏兰承担保护动作，孩子的恐惧用呼吸与手指表现；二狗的夸张反应不压过危险信息。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：风与低频逐步增强，声音来自画面可解释方向；临近决定时收低，不盖过呼吸。\n衔接：在角色看向选择对象时切到手部，危险声短暂收低，突出决定。\n\n镜头05｜15–22秒｜7秒｜信任：人物主动做决定\n画面与动作：她交出竹勺，让海生握住勺柄，自己用两根手指轻敲三下；苏兰托好布包，二狗收起木棍。\n动作节拍：15–16.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：65–85mm感手部/道具插入镜头，焦点从指尖过渡到被选择的物件；只做一次明确动作。\n人物表演：选择必须由清楚的手部动作落实；其余角色停住，给观众看懂选择的空间。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：对白：小满轻声说“轻一点，它也会疼。”；只配一次明确道具接触声。\n衔接：按动作方向匹配下一镜的变化，避免用白闪遮盖因果。\n\n镜头06｜22–30秒｜8秒｜释放：回报具有清楚因果\n画面与动作：裂纹顺着温柔节拍延伸，盐浪化为从两侧落下的晶莹细雨，中间露出归家的小径；粒子不穿过人物身体。\n动作节拍：22–24.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：28–35mm感中广景，由关键道具向外缓慢拉开，完整看见变化及安全距离。\n人物表演：先让道具/环境发生变化，再切或移到人物反应；变化只遵守本故事规则。 本来源版本强调空间关系：镜头开头保留四个角色/道具位置参照，再靠近关键动作，不以密集特写掩盖布局。\n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：细小水膜、陶瓷或盐晶的清脆触感声随变化从密变疏，再进入温暖的两三个原创音符；不使用现成热门歌曲歌词。\n衔接：变化完成后停半拍再切脸部；环境音恢复，音乐只抬高一层。\n\n镜头07｜30–38秒｜8秒｜温暖：给表情留下时间\n画面与动作：一家人在屋里煮一小锅饭，海生只撒入指尖一点盐；小满满足地眯眼，巨大的奇观落到一口简单饭香上。\n动作节拍：30–32.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：35mm感桌边或岸边中景，先交代所有本镜角色，再缓慢靠近小满的表情；不在同一镜里把人数和座位改掉。\n人物表演：孩子的肩膀放松、视线愿意停留；成人以小动作回应，不用齐声大笑替代情绪。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：对白：海生说“原来温柔更有力气。”；其余人用目光回应，留半秒安静。\n衔接：由人物最后的目光或手指引向收尾道具，暖光保持一致。\n\n镜头08｜38–44秒｜6秒｜余味：接回钩子并打开新可能\n画面与动作：碗沿一粒盐晶折射出完整小浪墙，竹勺在旁边轻点一下；声音接回第一秒，镜头停在闪亮的晶面上。\n动作节拍：38–39.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：85mm感道具近特写，轻俯拍，焦点落在本镜指定接触点；人物只保留必要手部或眼睛倒影，不强行切成正面人像。\n人物表演：人物保持结局得到的安全与关系；新的小悬念不撤销已经完成的情绪回报。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：取第一镜的同一种音色作为最后一个轻声提示，让尾音衔接循环；不突然加入无关轰鸣。\n衔接：最后0.3秒保留与开头相似的轮廓/音色，允许无缝循环；不加黑底强制点击卡。\n\n负向与连续性检查：不出现无依据的手机、枪械、医院、现代车辆、书上伪造大段文字、未经设计的影视角色或艺术家署名。保持双髻、红带、额头红点及四名主角身份；不多生手指、蟹腿，不让手与道具穿模，不把罗盘替换成怀表。道具在同一镜内不得随机换材质、数量、左右位置或开合状态。只允许故事规则指定的物件变化；儿童无血腥伤害。所有字幕、可读书名和界面文字后期添加，生成画面不带水印、伪字幕或推广尾卡。\n合成前逐镜核对：人物数与站坐姿；第一帧是否已有异常；动作起点/终点能否接上；道具尺寸是否受控；视线和海平线是否一致；每个回报能否追溯到前一镜的选择。未拍出因果时重做相关镜头，不能靠旁白掩盖。\n\n平台剪辑备选（不是平台时长限制，也不是热度保证）：\nTikTok测试版：保留0–1秒钩子，1–4秒加一行疑问字幕，22–30秒完整展示回报；可将4–9秒背景压成3秒，成片约42秒。\nInstagram Reels测试版：保持道具质感与暖光配色，前1秒无需读字即可理解异常；保留30–38秒表情停顿，以收尾道具作封面，主体仍44秒。\nYouTube Shorts测试版：保持44秒因果链，画外说明最多一句；最后0.3秒与开头形状/声响呼应，避免只留下未兑现的悬念。\n所有字幕建议单行、短句，放在人物面部与关键道具之外；先按实际播放器界面预览遮挡。\n\n可测试的两个开头：A使用第一镜的大/小、静/动反差；B保持同一异常事件，但从小满瞳孔或手中道具切入，再在0.6秒内露出尺度参照。只改变开头一项，其余剪辑保持一致；是否提高留存需要真实成片与实际观看数据，本任务未做此测试。" }, { "id": "C004", "title": "一根红绳拴住浪尖", "concept_id": "S06", "concept_index": 5, "version": 0, "genre": "奇观反转", "duration_seconds": 44, "shot_count": 8, "source_id": "results-hd--deepseek-legacy", "source_name": "deepseek-ai/deepseek-vl-1.3b-chat", "category": "results-hd", "source_path": "raw-prompts/results-hd--deepseek-legacy.txt", "source_record": "results-hd/deepseek-legacy.json", "source_paths": [ "raw-prompts/results-hd--deepseek-legacy.txt", "project-cases/deepseek-ai__DeepSeek-VL/prompt-raw.txt" ], "source_excerpt": "[0 秒]\nA young girl with pigtails sits on a wet beach, her hands reaching out to touch a group of five crabs. She wears a gray jacket and a blue scarf, and her expression is one of curiosity and wonder.\n\n[15 秒]\nThe image shows a young child with tears streaming down their face, covering their eyes. The child is wearing a green netted garment, and the setting appears to be outdoors, possibly during a rainy day. The child's expression is one of sadness or distress.\n\n[50 秒]\nIn a vast ocean, a lone sailboat navigates through a massive wave, its sails billowing in the wind. The waves, a dark green, ", "source_review": { "strength": "兼容版本加独立单帧后恢复可读描述；识别巨浪、村屋木桌、旧书罗盘以及女孩在成人腿旁。", "issues": "开场四蟹写成五蟹；增加雨、遮眼、军装等细节；385秒将四人写成三口家庭。", "verdict": "比初次循环输出明显可用，但因同时改变版本与输入组织，不能把改善单独归因于其中某一项。" }, "contribution": "视觉片段型来源：以原文中与原帧相符的海岸、人物、表情或道具作为灵感入口。身份、对白、连续动作、奇幻规则和新剧情由Codex补写，不是该模型的原始能力。", "source_duplicate_of": null, "source_hash": "5046d055cb3f1f6092236278d9241859c0845db9abb3d5617506e242723f50e8", "body_hash": "6a010b8e337049c7371c73fbf0c677fb613f0d9f5cd4abca2c25b89c4f68b412", "author": "Codex, shared writer; not original model output", "fallback": false, "hook": "一根细红发带横在巨浪面前，浪尖已被勒成透明蝴蝶结；前景的小满只用两根手指捏着绳尾。", "rule": "红绳不靠蛮力挡海；众人共同握住后，浪才被分成两侧安全水幕。", "shots": [ { "number": 1, "start": 0, "end": 1, "duration": 1, "beat": "惊奇：先看见不可能", "action": "一根细红发带横在巨浪面前，浪尖已被勒成透明蝴蝶结；前景的小满只用两根手指捏着绳尾。", "camera": "24–35mm感中广景或前景近物后景巨物，保留明确大小参照；单一明确机位，不用无目标甩镜；异常动作在画面开始时已经发生。", "performance": "以本镜指定的人物/道具为中心，背景角色不抢动作。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "以潮声、湿泥轻响、旧木或黄铜触碰声中最贴合本镜道具的一声开场；配一个短低频脉冲，随即让出空间，不叠加尖叫。", "transition": "在异常动作最清楚的一刻硬切至下一镜指定动作或反应；不先放片名或黑屏。", "timing": "0.00–0.15秒直接展示钩子关键帧；0.15–0.70秒让异常动作继续；0.70–1.00秒用呼吸或微小停顿准备切入反应。" }, { "number": 2, "start": 1, "end": 4, "duration": 3, "beat": "好奇：理解人物的反应", "action": "红绳把她右侧发髻拉松，海生看见孩子手指发白，立刻跪下托住她的手腕，没有把她推到最前面。", "camera": "50mm感的近景，机位降到孩子眼平，向前缓移约一个手掌距离。", "performance": "若小满在本镜入画，眼神先落在道具，再转向海生；若为纯道具镜，不额外挤入人脸。海生与孩子交流时保持相近眼平高度。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "保留孩子一次吸气和衣料轻摩擦，环境声变窄，音乐只留很轻的持续音。", "transition": "按人物视线切到问题或缺少之物，前一镜最后一声环境音延续约0.15秒。", "timing": "1–1.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 3, "start": 4, "end": 9, "duration": 5, "beat": "共情：显露一个小缺口", "action": "二狗尝试独自抓住绳子，脚下泥水飞溅，绳结反而开始松动；小满回头寻找苏兰，神情第一次显出害怕。", "camera": "35mm感中景或中近景，交代角色、目标道具和可行动空间；保持眼线一致。", "performance": "让负责本镜行动的成人先动，孩子随后作出可见反应；避免所有人同时表演。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "空碗、空袋、脚步或木板声选本镜实际存在的一项放近；未出场物件不配声，避免声源误导。", "transition": "用逐渐靠近的风声/物件声引入下一镜；剪切前先让观众认清道具位置。", "timing": "4–5.25秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 4, "start": 9, "end": 15, "duration": 6, "beat": "紧张：让选择有代价", "action": "浪墙压低，村口石阶即将被阴影吞没；一只空木盆顺着水流滑过，提醒所有人时间正在流失。", "camera": "28mm感稍低机位，前景放障碍或关键道具，后景保留退路；缓慢推进，不乱晃。", "performance": "海生或苏兰承担保护动作，孩子的恐惧用呼吸与手指表现；二狗的夸张反应不压过危险信息。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "风与低频逐步增强，声音来自画面可解释方向；临近决定时收低，不盖过呼吸。", "transition": "在角色看向选择对象时切到手部，危险声短暂收低，突出决定。", "timing": "9–10.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 5, "start": 15, "end": 22, "duration": 7, "beat": "信任：人物主动做决定", "action": "海生把红绳绕过石桩，苏兰与二狗一同握住；小满站在他们身后，把自己的小手盖在三人的手上。", "camera": "65–85mm感手部/道具插入镜头，焦点从指尖过渡到被选择的物件；只做一次明确动作。", "performance": "选择必须由清楚的手部动作落实；其余角色停住，给观众看懂选择的空间。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "对白：海生轻声说“不是我一个人在拉。”；只配一次明确道具接触声。", "transition": "按动作方向匹配下一镜的变化，避免用白闪遮盖因果。", "timing": "15–16.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 6, "start": 22, "end": 30, "duration": 8, "beat": "释放：回报具有清楚因果", "action": "红绳亮起柔和红光，大浪向两侧展开成拱门；门中央留下干燥通道，漂来的木盆安稳停在岸边。", "camera": "28–35mm感中广景，由关键道具向外缓慢拉开，完整看见变化及安全距离。", "performance": "先让道具/环境发生变化，再切或移到人物反应；变化只遵守本故事规则。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "潮声、湿泥轻响、旧木或黄铜触碰声随变化从密变疏，再进入温暖的两三个原创音符；不使用现成热门歌曲歌词。", "transition": "变化完成后停半拍再切脸部；环境音恢复，音乐只抬高一层。", "timing": "22–24.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 7, "start": 30, "end": 38, "duration": 8, "beat": "温暖：给表情留下时间", "action": "众人走过通道，海生把发带重新系回小满的右侧发髻；孩子不再抬头逞强，而是放心牵住他的手。", "camera": "50–65mm感面部近景，稳定机位，留出至少半秒无对白微表情。", "performance": "孩子的肩膀放松、视线愿意停留；成人以小动作回应，不用齐声大笑替代情绪。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "对白：小满说“这次，我们一起回家。”；其余人用目光回应，留半秒安静。", "transition": "由人物最后的目光或手指引向收尾道具，暖光保持一致。", "timing": "30–32.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 8, "start": 38, "end": 44, "duration": 6, "beat": "余味：接回钩子并打开新可能", "action": "发带尾端留下一颗悬空水珠，水珠里还能看到微型浪门；镜头贴近红绳结，与第一秒的浪结形成视觉回环。", "camera": "以本镜描述的收尾物件构图；最后的形状、光点或运动方向匹配开场关键元素。允许改变景别，但匹配关系必须清楚。", "performance": "人物保持结局得到的安全与关系；新的小悬念不撤销已经完成的情绪回报。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "取第一镜的同一种音色作为最后一个轻声提示，让尾音衔接循环；不突然加入无关轰鸣。", "transition": "最后0.3秒保留与开头相似的轮廓/音色，允许无缝循环；不加黑底强制点击卡。", "timing": "38–39.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" } ], "path": "creative/C004--results-hd--deepseek-legacy.txt", "text": "来源文件：raw-prompts/results-hd--deepseek-legacy.txt\n来源名称：deepseek-ai/deepseek-vl-1.3b-chat\n实际来源记录：results-hd/deepseek-legacy.json\n原文可用点：兼容版本加独立单帧后恢复可读描述；识别巨浪、村屋木桌、旧书罗盘以及女孩在成人腿旁。\n原文问题/边界：开场四蟹写成五蟹；增加雨、遮眼、军装等细节；385秒将四人写成三口家庭。\n转化方式：视觉片段型来源：以原文中与原帧相符的海岸、人物、表情或道具作为灵感入口。身份、对白、连续动作、奇幻规则和新剧情由Codex补写，不是该模型的原始能力。\n本次选择的新故事：一根红绳拴住浪尖。所有幻想事件都是二创，不用原文中的误识别冒充事实。\n\n《一根红绳拴住浪尖》｜奇观反转｜44秒完整剪辑稿\n\n制作目标：44秒，9:16竖屏，8个剪辑镜头，目标1080×1920、24fps。时间表是剪辑设计，不是任一平台API保证；按工具实际支持的片段长度生成，再裁切拼接。此处没有生成视频。\n视觉基调：架空旧式沿海村落，湿泥、粗布、旧木和黄铜具有可触摸的写实材质；幼童面部略带童话般大眼比例。灰蓝海水与褐色村屋为底，红发带是辨识点，幻想光源以局部金色/银色呈现。\n小满：幼童女孩，黑发双髻、左右各一条红发带、额头小红点；灰褐补丁粗布衣、布挎袋、旧布鞋。开场若用蓝披衣，则全片保持，除非镜头明确拍下脱衣。性格敏感、先看大人反应，再敢表达愿望。红点不是伤口，红发带不是红头发。\n海生：青年男性，凌乱黑发，旧蓝外衣、灰内衫、深裤；行动稳，保护孩子时先降到她的眼平高度，不以大喊替代关心。\n苏兰：成年女性，深发松束、灰褐无袖粗布上衣、简单项链与腕布；观察细节，负责托稳道具、递布或摆碗等具体照顾。\n二狗：青年男性，短黑发、橄榄绿外衣；提供轻微喜剧和观众反应，后半段愿意放慢动作参与帮助，不把他写成伤害孩子的反派。\n上述人物只在本镜明确指定时出现。群众只作远处模糊背景，不增加新主角。多人同框时优先保持海生在左、苏兰在后、二狗在右、小满在前中；若换位，用中广景交代，不瞬移。\n环境连续性：泥滩、浅水、旧船和村屋保持同一架空地点。海平线稳定。湿衣不会无故变干。室内暖色由船灯或灶火提供；室外变暖用云隙光或明确的幻想道具光解释，不让44秒凭空跨越数小时。\n人物表情与道具变化分开生成更易核对：每镜最多一个主要幻想动作，真实人物不随道具变形。以上服装、人物名和新动作均属本次二创设定，不声称模型从8帧恢复了全部身份。\n\n核心道具锁：小满右侧红发带、石桩、银蓝浪墙。先为本片制作一张统一道具参考图，记录缺口、锈斑、左右方向、尺寸；镜头之间沿用同一版本。\n\n本片新规则：红绳不靠蛮力挡海；众人共同握住后，浪才被分成两侧安全水幕。 此规则是新创作，不是原片事实。\n\n第一秒视觉钩子：一根细红发带横在巨浪面前，浪尖已被勒成透明蝴蝶结；前景的小满只用两根手指捏着绳尾。\n\n目标情绪路径：惊奇 → 好奇 → 共情 → 紧张 → 信任 → 释放 → 温暖 → 余味。它是创作设计，不是已测得的观众留存数据。\n\n分镜与生成指令（逐镜生成，再按时间码剪辑；全局角色锁及规则与每一镜一起输入）：\n\n镜头01｜00–01秒｜1秒｜惊奇：先看见不可能\n画面与动作：一根细红发带横在巨浪面前，浪尖已被勒成透明蝴蝶结；前景的小满只用两根手指捏着绳尾。\n动作节拍：0.00–0.15秒直接展示钩子关键帧；0.15–0.70秒让异常动作继续；0.70–1.00秒用呼吸或微小停顿准备切入反应。\n构图与镜头：24–35mm感中广景或前景近物后景巨物，保留明确大小参照；单一明确机位，不用无目标甩镜；异常动作在画面开始时已经发生。\n人物表演：以本镜指定的人物/道具为中心，背景角色不抢动作。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：以潮声、湿泥轻响、旧木或黄铜触碰声中最贴合本镜道具的一声开场；配一个短低频脉冲，随即让出空间，不叠加尖叫。\n衔接：在异常动作最清楚的一刻硬切至下一镜指定动作或反应；不先放片名或黑屏。\n\n镜头02｜01–04秒｜3秒｜好奇：理解人物的反应\n画面与动作：红绳把她右侧发髻拉松，海生看见孩子手指发白，立刻跪下托住她的手腕，没有把她推到最前面。\n动作节拍：1–1.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：50mm感的近景，机位降到孩子眼平，向前缓移约一个手掌距离。\n人物表演：若小满在本镜入画，眼神先落在道具，再转向海生；若为纯道具镜，不额外挤入人脸。海生与孩子交流时保持相近眼平高度。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：保留孩子一次吸气和衣料轻摩擦，环境声变窄，音乐只留很轻的持续音。\n衔接：按人物视线切到问题或缺少之物，前一镜最后一声环境音延续约0.15秒。\n\n镜头03｜04–09秒｜5秒｜共情：显露一个小缺口\n画面与动作：二狗尝试独自抓住绳子，脚下泥水飞溅，绳结反而开始松动；小满回头寻找苏兰，神情第一次显出害怕。\n动作节拍：4–5.25秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：35mm感中景或中近景，交代角色、目标道具和可行动空间；保持眼线一致。\n人物表演：让负责本镜行动的成人先动，孩子随后作出可见反应；避免所有人同时表演。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：空碗、空袋、脚步或木板声选本镜实际存在的一项放近；未出场物件不配声，避免声源误导。\n衔接：用逐渐靠近的风声/物件声引入下一镜；剪切前先让观众认清道具位置。\n\n镜头04｜09–15秒｜6秒｜紧张：让选择有代价\n画面与动作：浪墙压低，村口石阶即将被阴影吞没；一只空木盆顺着水流滑过，提醒所有人时间正在流失。\n动作节拍：9–10.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：28mm感稍低机位，前景放障碍或关键道具，后景保留退路；缓慢推进，不乱晃。\n人物表演：海生或苏兰承担保护动作，孩子的恐惧用呼吸与手指表现；二狗的夸张反应不压过危险信息。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：风与低频逐步增强，声音来自画面可解释方向；临近决定时收低，不盖过呼吸。\n衔接：在角色看向选择对象时切到手部，危险声短暂收低，突出决定。\n\n镜头05｜15–22秒｜7秒｜信任：人物主动做决定\n画面与动作：海生把红绳绕过石桩，苏兰与二狗一同握住；小满站在他们身后，把自己的小手盖在三人的手上。\n动作节拍：15–16.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：65–85mm感手部/道具插入镜头，焦点从指尖过渡到被选择的物件；只做一次明确动作。\n人物表演：选择必须由清楚的手部动作落实；其余角色停住，给观众看懂选择的空间。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：对白：海生轻声说“不是我一个人在拉。”；只配一次明确道具接触声。\n衔接：按动作方向匹配下一镜的变化，避免用白闪遮盖因果。\n\n镜头06｜22–30秒｜8秒｜释放：回报具有清楚因果\n画面与动作：红绳亮起柔和红光，大浪向两侧展开成拱门；门中央留下干燥通道，漂来的木盆安稳停在岸边。\n动作节拍：22–24.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：28–35mm感中广景，由关键道具向外缓慢拉开，完整看见变化及安全距离。\n人物表演：先让道具/环境发生变化，再切或移到人物反应；变化只遵守本故事规则。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：潮声、湿泥轻响、旧木或黄铜触碰声随变化从密变疏，再进入温暖的两三个原创音符；不使用现成热门歌曲歌词。\n衔接：变化完成后停半拍再切脸部；环境音恢复，音乐只抬高一层。\n\n镜头07｜30–38秒｜8秒｜温暖：给表情留下时间\n画面与动作：众人走过通道，海生把发带重新系回小满的右侧发髻；孩子不再抬头逞强，而是放心牵住他的手。\n动作节拍：30–32.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：50–65mm感面部近景，稳定机位，留出至少半秒无对白微表情。\n人物表演：孩子的肩膀放松、视线愿意停留；成人以小动作回应，不用齐声大笑替代情绪。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：对白：小满说“这次，我们一起回家。”；其余人用目光回应，留半秒安静。\n衔接：由人物最后的目光或手指引向收尾道具，暖光保持一致。\n\n镜头08｜38–44秒｜6秒｜余味：接回钩子并打开新可能\n画面与动作：发带尾端留下一颗悬空水珠，水珠里还能看到微型浪门；镜头贴近红绳结，与第一秒的浪结形成视觉回环。\n动作节拍：38–39.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：以本镜描述的收尾物件构图；最后的形状、光点或运动方向匹配开场关键元素。允许改变景别，但匹配关系必须清楚。\n人物表演：人物保持结局得到的安全与关系；新的小悬念不撤销已经完成的情绪回报。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：取第一镜的同一种音色作为最后一个轻声提示，让尾音衔接循环；不突然加入无关轰鸣。\n衔接：最后0.3秒保留与开头相似的轮廓/音色，允许无缝循环；不加黑底强制点击卡。\n\n负向与连续性检查：不出现无依据的手机、枪械、医院、现代车辆、书上伪造大段文字、未经设计的影视角色或艺术家署名。保持双髻、红带、额头红点及四名主角身份；不多生手指、蟹腿，不让手与道具穿模，不把罗盘替换成怀表。道具在同一镜内不得随机换材质、数量、左右位置或开合状态。只允许故事规则指定的物件变化；儿童无血腥伤害。所有字幕、可读书名和界面文字后期添加，生成画面不带水印、伪字幕或推广尾卡。\n合成前逐镜核对：人物数与站坐姿；第一帧是否已有异常；动作起点/终点能否接上；道具尺寸是否受控；视线和海平线是否一致；每个回报能否追溯到前一镜的选择。未拍出因果时重做相关镜头，不能靠旁白掩盖。\n\n平台剪辑备选（不是平台时长限制，也不是热度保证）：\nTikTok测试版：保留0–1秒钩子，1–4秒加一行疑问字幕，22–30秒完整展示回报；可将4–9秒背景压成3秒，成片约42秒。\nInstagram Reels测试版：保持道具质感与暖光配色，前1秒无需读字即可理解异常；保留30–38秒表情停顿，以收尾道具作封面，主体仍44秒。\nYouTube Shorts测试版：保持44秒因果链，画外说明最多一句；最后0.3秒与开头形状/声响呼应，避免只留下未兑现的悬念。\n所有字幕建议单行、短句，放在人物面部与关键道具之外；先按实际播放器界面预览遮挡。\n\n可测试的两个开头：A使用第一镜的大/小、静/动反差；B保持同一异常事件，但从小满瞳孔或手中道具切入，再在0.6秒内露出尺度参照。只改变开头一项，其余剪辑保持一致；是否提高留存需要真实成片与实际观看数据，本任务未做此测试。" }, { "id": "C005", "title": "海螺只会说谢谢", "concept_id": "S39", "concept_index": 38, "version": 0, "genre": "声音喜剧", "duration_seconds": 44, "shot_count": 8, "source_id": "results-hd--deepseek", "source_name": "deepseek-ai/deepseek-vl-1.3b-chat", "category": "results-hd", "source_path": "raw-prompts/results-hd--deepseek.txt", "source_record": "results-hd/deepseek.json", "source_paths": [ "raw-prompts/results-hd--deepseek.txt" ], "source_excerpt": "\nand language, and the language, and language.\n.\nThe language, including.\nlanguage and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and langua", "source_review": { "strength": "完成了CPU生成调用，原始输出与配置可复查。", "issues": "主要循环输出language和碎片词，没有可用视觉描述；兼容版本和单帧复测已完成，见同项目legacy结果。", "verdict": "本次执行成功，但内容失败。" }, "contribution": "补救型二创：这份原文不能提供可靠完整故事。保留它作为能力比较证据，创作主线回到已核对的全片设定；不能把此处新脚本计为该来源成功理解了视频。", "source_duplicate_of": null, "source_hash": "afc727a65162008fbe676f8f05aa9ea20673578e8d721eb7cdb8127597d988fe", "body_hash": "eac95ad6d01dc718622be3b02ff07286f198f8fafdcaf15bf97daa940d77f638", "author": "Codex, shared writer; not original model output", "fallback": true, "hook": "海螺已经像小扩音器一样跳起来，连续三声“谢谢”把木桌上的米粒震成三个小圆；小满和二狗同时捂住耳朵。", "rule": "海螺只会重复一个词；故事通过谁在什么时候值得被感谢推进，重复不是模型故障伪装。", "shots": [ { "number": 1, "start": 0, "end": 1, "duration": 1, "beat": "惊奇：先看见不可能", "action": "海螺已经像小扩音器一样跳起来，连续三声“谢谢”把木桌上的米粒震成三个小圆；小满和二狗同时捂住耳朵。", "camera": "24–35mm感中广景或前景近物后景巨物，保留明确大小参照；单一明确机位，不用无目标甩镜；异常动作在画面开始时已经发生。", "performance": "以本镜指定的人物/道具为中心，背景角色不抢动作。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "以潮声、湿泥轻响、旧木或黄铜触碰声中最贴合本镜道具的一声开场；配一个短低频脉冲，随即让出空间，不叠加尖叫。", "transition": "在异常动作最清楚的一刻硬切至下一镜指定动作或反应；不先放片名或黑屏。", "timing": "0.00–0.15秒直接展示钩子关键帧；0.15–0.70秒让异常动作继续；0.70–1.00秒用呼吸或微小停顿准备切入反应。" }, { "number": 2, "start": 1, "end": 4, "duration": 3, "beat": "好奇：理解人物的反应", "action": "二狗把海螺反过来，它仍执拗重复同一句；小满不笑了，侧耳分辨每一次尾音似乎都指向不同的人。", "camera": "50mm感的近景，机位降到孩子眼平，向前缓移约一个手掌距离。", "performance": "若小满在本镜入画，眼神先落在道具，再转向海生；若为纯道具镜，不额外挤入人脸。海生与孩子交流时保持相近眼平高度。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "保留孩子一次吸气和衣料轻摩擦，环境声变窄，音乐只留很轻的持续音。", "transition": "按人物视线切到问题或缺少之物，前一镜最后一声环境音延续约0.15秒。", "timing": "1–1.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 3, "start": 4, "end": 9, "duration": 5, "beat": "共情：显露一个小缺口", "action": "海生默默修好孩子布袋，苏兰把破网补齐；每完成一件小事，海螺就响一下，大家却忙得没有注意。", "camera": "35mm感中景或中近景，交代角色、目标道具和可行动空间；保持眼线一致。", "performance": "让负责本镜行动的成人先动，孩子随后作出可见反应；避免所有人同时表演。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "空碗、空袋、脚步或木板声选本镜实际存在的一项放近；未出场物件不配声，避免声源误导。", "transition": "用逐渐靠近的风声/物件声引入下一镜；剪切前先让观众认清道具位置。", "timing": "4–5.25秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 4, "start": 9, "end": 15, "duration": 6, "beat": "紧张：让选择有代价", "action": "小满想让海螺说出宝藏位置，声音忽然卡在半个音节；她失望地坐回凳边，觉得自己的愿望又太多。", "camera": "28mm感稍低机位，前景放障碍或关键道具，后景保留退路；缓慢推进，不乱晃。", "performance": "海生或苏兰承担保护动作，孩子的恐惧用呼吸与手指表现；二狗的夸张反应不压过危险信息。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "风与低频逐步增强，声音来自画面可解释方向；临近决定时收低，不盖过呼吸。", "transition": "在角色看向选择对象时切到手部，危险声短暂收低，突出决定。", "timing": "9–10.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 5, "start": 15, "end": 22, "duration": 7, "beat": "信任：人物主动做决定", "action": "她先向修袋的海生点头致谢，再把干布递给苏兰；二狗接过渔网，认真说出一句不带玩笑的感谢。", "camera": "65–85mm感手部/道具插入镜头，焦点从指尖过渡到被选择的物件；只做一次明确动作。", "performance": "选择必须由清楚的手部动作落实；其余角色停住，给观众看懂选择的空间。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "对白：小满轻声说“这次，该谢谢谁呢？”；只配一次明确道具接触声。", "transition": "按动作方向匹配下一镜的变化，避免用白闪遮盖因果。", "timing": "15–16.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 6, "start": 22, "end": 30, "duration": 8, "beat": "释放：回报具有清楚因果", "action": "海螺不再机械连响，改成四个错落的温柔回声；桌上的圆形米粒光纹合拢，像一朵简单花形。", "camera": "28–35mm感中广景，由关键道具向外缓慢拉开，完整看见变化及安全距离。", "performance": "先让道具/环境发生变化，再切或移到人物反应；变化只遵守本故事规则。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "潮声、湿泥轻响、旧木或黄铜触碰声随变化从密变疏，再进入温暖的两三个原创音符；不使用现成热门歌曲歌词。", "transition": "变化完成后停半拍再切脸部；环境音恢复，音乐只抬高一层。", "timing": "22–24.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 7, "start": 30, "end": 38, "duration": 8, "beat": "温暖：给表情留下时间", "action": "海生把海螺转向小满，也认真谢谢她；孩子愣住半拍后笑起来，第一次知道自己不只是被照顾的人。", "camera": "50–65mm感面部近景，稳定机位，留出至少半秒无对白微表情。", "performance": "孩子的肩膀放松、视线愿意停留；成人以小动作回应，不用齐声大笑替代情绪。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "对白：海生说“也谢谢你，来到这里。”；其余人用目光回应，留半秒安静。", "transition": "由人物最后的目光或手指引向收尾道具，暖光保持一致。", "timing": "30–32.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 8, "start": 38, "end": 44, "duration": 6, "beat": "余味：接回钩子并打开新可能", "action": "门边小蟹敲出三下相同节奏，海螺差点又跳起来；二狗赶紧把它轻轻按住，尾音接回开头形成节奏笑点。", "camera": "以本镜描述的收尾物件构图；最后的形状、光点或运动方向匹配开场关键元素。允许改变景别，但匹配关系必须清楚。", "performance": "人物保持结局得到的安全与关系；新的小悬念不撤销已经完成的情绪回报。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "取第一镜的同一种音色作为最后一个轻声提示，让尾音衔接循环；不突然加入无关轰鸣。", "transition": "最后0.3秒保留与开头相似的轮廓/音色，允许无缝循环；不加黑底强制点击卡。", "timing": "38–39.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" } ], "path": "creative/C005--results-hd--deepseek.txt", "text": "来源文件：raw-prompts/results-hd--deepseek.txt\n来源名称：deepseek-ai/deepseek-vl-1.3b-chat\n实际来源记录：results-hd/deepseek.json\n原文可用点：完成了CPU生成调用，原始输出与配置可复查。\n原文问题/边界：主要循环输出language和碎片词，没有可用视觉描述；兼容版本和单帧复测已完成，见同项目legacy结果。\n转化方式：补救型二创：这份原文不能提供可靠完整故事。保留它作为能力比较证据，创作主线回到已核对的全片设定；不能把此处新脚本计为该来源成功理解了视频。\n本次选择的新故事：海螺只会说谢谢。所有幻想事件都是二创，不用原文中的误识别冒充事实。\n\n《海螺只会说谢谢》｜声音喜剧｜44秒完整剪辑稿\n\n制作目标：44秒，9:16竖屏，8个剪辑镜头，目标1080×1920、24fps。时间表是剪辑设计，不是任一平台API保证；按工具实际支持的片段长度生成，再裁切拼接。此处没有生成视频。\n视觉基调：架空旧式沿海村落，湿泥、粗布、旧木和黄铜具有可触摸的写实材质；幼童面部略带童话般大眼比例。灰蓝海水与褐色村屋为底，红发带是辨识点，幻想光源以局部金色/银色呈现。\n小满：幼童女孩，黑发双髻、左右各一条红发带、额头小红点；灰褐补丁粗布衣、布挎袋、旧布鞋。开场若用蓝披衣，则全片保持，除非镜头明确拍下脱衣。性格敏感、先看大人反应，再敢表达愿望。红点不是伤口，红发带不是红头发。\n海生：青年男性，凌乱黑发，旧蓝外衣、灰内衫、深裤；行动稳，保护孩子时先降到她的眼平高度，不以大喊替代关心。\n苏兰：成年女性，深发松束、灰褐无袖粗布上衣、简单项链与腕布；观察细节，负责托稳道具、递布或摆碗等具体照顾。\n二狗：青年男性，短黑发、橄榄绿外衣；提供轻微喜剧和观众反应，后半段愿意放慢动作参与帮助，不把他写成伤害孩子的反派。\n上述人物只在本镜明确指定时出现。群众只作远处模糊背景，不增加新主角。多人同框时优先保持海生在左、苏兰在后、二狗在右、小满在前中；若换位，用中广景交代，不瞬移。\n环境连续性：泥滩、浅水、旧船和村屋保持同一架空地点。海平线稳定。湿衣不会无故变干。室内暖色由船灯或灶火提供；室外变暖用云隙光或明确的幻想道具光解释，不让44秒凭空跨越数小时。\n人物表情与道具变化分开生成更易核对：每镜最多一个主要幻想动作，真实人物不随道具变形。以上服装、人物名和新动作均属本次二创设定，不声称模型从8帧恢复了全部身份。\n\n核心道具锁：白色海螺、修补渔网、热饭碗。先为本片制作一张统一道具参考图，记录缺口、锈斑、左右方向、尺寸；镜头之间沿用同一版本。\n\n本片新规则：海螺只会重复一个词；故事通过谁在什么时候值得被感谢推进，重复不是模型故障伪装。 此规则是新创作，不是原片事实。\n\n第一秒视觉钩子：海螺已经像小扩音器一样跳起来，连续三声“谢谢”把木桌上的米粒震成三个小圆；小满和二狗同时捂住耳朵。\n\n目标情绪路径：惊奇 → 好奇 → 共情 → 紧张 → 信任 → 释放 → 温暖 → 余味。它是创作设计，不是已测得的观众留存数据。\n\n分镜与生成指令（逐镜生成，再按时间码剪辑；全局角色锁及规则与每一镜一起输入）：\n\n镜头01｜00–01秒｜1秒｜惊奇：先看见不可能\n画面与动作：海螺已经像小扩音器一样跳起来，连续三声“谢谢”把木桌上的米粒震成三个小圆；小满和二狗同时捂住耳朵。\n动作节拍：0.00–0.15秒直接展示钩子关键帧；0.15–0.70秒让异常动作继续；0.70–1.00秒用呼吸或微小停顿准备切入反应。\n构图与镜头：24–35mm感中广景或前景近物后景巨物，保留明确大小参照；单一明确机位，不用无目标甩镜；异常动作在画面开始时已经发生。\n人物表演：以本镜指定的人物/道具为中心，背景角色不抢动作。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：以潮声、湿泥轻响、旧木或黄铜触碰声中最贴合本镜道具的一声开场；配一个短低频脉冲，随即让出空间，不叠加尖叫。\n衔接：在异常动作最清楚的一刻硬切至下一镜指定动作或反应；不先放片名或黑屏。\n\n镜头02｜01–04秒｜3秒｜好奇：理解人物的反应\n画面与动作：二狗把海螺反过来，它仍执拗重复同一句；小满不笑了，侧耳分辨每一次尾音似乎都指向不同的人。\n动作节拍：1–1.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：50mm感的近景，机位降到孩子眼平，向前缓移约一个手掌距离。\n人物表演：若小满在本镜入画，眼神先落在道具，再转向海生；若为纯道具镜，不额外挤入人脸。海生与孩子交流时保持相近眼平高度。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：保留孩子一次吸气和衣料轻摩擦，环境声变窄，音乐只留很轻的持续音。\n衔接：按人物视线切到问题或缺少之物，前一镜最后一声环境音延续约0.15秒。\n\n镜头03｜04–09秒｜5秒｜共情：显露一个小缺口\n画面与动作：海生默默修好孩子布袋，苏兰把破网补齐；每完成一件小事，海螺就响一下，大家却忙得没有注意。\n动作节拍：4–5.25秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：35mm感中景或中近景，交代角色、目标道具和可行动空间；保持眼线一致。\n人物表演：让负责本镜行动的成人先动，孩子随后作出可见反应；避免所有人同时表演。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：空碗、空袋、脚步或木板声选本镜实际存在的一项放近；未出场物件不配声，避免声源误导。\n衔接：用逐渐靠近的风声/物件声引入下一镜；剪切前先让观众认清道具位置。\n\n镜头04｜09–15秒｜6秒｜紧张：让选择有代价\n画面与动作：小满想让海螺说出宝藏位置，声音忽然卡在半个音节；她失望地坐回凳边，觉得自己的愿望又太多。\n动作节拍：9–10.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：28mm感稍低机位，前景放障碍或关键道具，后景保留退路；缓慢推进，不乱晃。\n人物表演：海生或苏兰承担保护动作，孩子的恐惧用呼吸与手指表现；二狗的夸张反应不压过危险信息。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：风与低频逐步增强，声音来自画面可解释方向；临近决定时收低，不盖过呼吸。\n衔接：在角色看向选择对象时切到手部，危险声短暂收低，突出决定。\n\n镜头05｜15–22秒｜7秒｜信任：人物主动做决定\n画面与动作：她先向修袋的海生点头致谢，再把干布递给苏兰；二狗接过渔网，认真说出一句不带玩笑的感谢。\n动作节拍：15–16.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：65–85mm感手部/道具插入镜头，焦点从指尖过渡到被选择的物件；只做一次明确动作。\n人物表演：选择必须由清楚的手部动作落实；其余角色停住，给观众看懂选择的空间。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：对白：小满轻声说“这次，该谢谢谁呢？”；只配一次明确道具接触声。\n衔接：按动作方向匹配下一镜的变化，避免用白闪遮盖因果。\n\n镜头06｜22–30秒｜8秒｜释放：回报具有清楚因果\n画面与动作：海螺不再机械连响，改成四个错落的温柔回声；桌上的圆形米粒光纹合拢，像一朵简单花形。\n动作节拍：22–24.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：28–35mm感中广景，由关键道具向外缓慢拉开，完整看见变化及安全距离。\n人物表演：先让道具/环境发生变化，再切或移到人物反应；变化只遵守本故事规则。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：潮声、湿泥轻响、旧木或黄铜触碰声随变化从密变疏，再进入温暖的两三个原创音符；不使用现成热门歌曲歌词。\n衔接：变化完成后停半拍再切脸部；环境音恢复，音乐只抬高一层。\n\n镜头07｜30–38秒｜8秒｜温暖：给表情留下时间\n画面与动作：海生把海螺转向小满，也认真谢谢她；孩子愣住半拍后笑起来，第一次知道自己不只是被照顾的人。\n动作节拍：30–32.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：50–65mm感面部近景，稳定机位，留出至少半秒无对白微表情。\n人物表演：孩子的肩膀放松、视线愿意停留；成人以小动作回应，不用齐声大笑替代情绪。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：对白：海生说“也谢谢你，来到这里。”；其余人用目光回应，留半秒安静。\n衔接：由人物最后的目光或手指引向收尾道具，暖光保持一致。\n\n镜头08｜38–44秒｜6秒｜余味：接回钩子并打开新可能\n画面与动作：门边小蟹敲出三下相同节奏，海螺差点又跳起来；二狗赶紧把它轻轻按住，尾音接回开头形成节奏笑点。\n动作节拍：38–39.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：以本镜描述的收尾物件构图；最后的形状、光点或运动方向匹配开场关键元素。允许改变景别，但匹配关系必须清楚。\n人物表演：人物保持结局得到的安全与关系；新的小悬念不撤销已经完成的情绪回报。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：取第一镜的同一种音色作为最后一个轻声提示，让尾音衔接循环；不突然加入无关轰鸣。\n衔接：最后0.3秒保留与开头相似的轮廓/音色，允许无缝循环；不加黑底强制点击卡。\n\n负向与连续性检查：不出现无依据的手机、枪械、医院、现代车辆、书上伪造大段文字、未经设计的影视角色或艺术家署名。保持双髻、红带、额头红点及四名主角身份；不多生手指、蟹腿，不让手与道具穿模，不把罗盘替换成怀表。道具在同一镜内不得随机换材质、数量、左右位置或开合状态。只允许故事规则指定的物件变化；儿童无血腥伤害。所有字幕、可读书名和界面文字后期添加，生成画面不带水印、伪字幕或推广尾卡。\n合成前逐镜核对：人物数与站坐姿；第一帧是否已有异常；动作起点/终点能否接上；道具尺寸是否受控；视线和海平线是否一致；每个回报能否追溯到前一镜的选择。未拍出因果时重做相关镜头，不能靠旁白掩盖。\n\n平台剪辑备选（不是平台时长限制，也不是热度保证）：\nTikTok测试版：保留0–1秒钩子，1–4秒加一行疑问字幕，22–30秒完整展示回报；可将4–9秒背景压成3秒，成片约42秒。\nInstagram Reels测试版：保持道具质感与暖光配色，前1秒无需读字即可理解异常；保留30–38秒表情停顿，以收尾道具作封面，主体仍44秒。\nYouTube Shorts测试版：保持44秒因果链，画外说明最多一句；最后0.3秒与开头形状/声响呼应，避免只留下未兑现的悬念。\n所有字幕建议单行、短句，放在人物面部与关键道具之外；先按实际播放器界面预览遮挡。\n\n可测试的两个开头：A使用第一镜的大/小、静/动反差；B保持同一异常事件，但从小满瞳孔或手中道具切入，再在0.6秒内露出尺度参照。只改变开头一项，其余剪辑保持一致；是否提高留存需要真实成片与实际观看数据，本任务未做此测试。" }, { "id": "C006", "title": "泥里长出一朵玻璃花", "concept_id": "S21", "concept_index": 20, "version": 2, "genre": "超现实ASMR", "duration_seconds": 44, "shot_count": 8, "source_id": "results-hd--fastvlm", "source_name": "apple/FastVLM-0.5B", "category": "results-hd", "source_path": "raw-prompts/results-hd--fastvlm.txt", "source_record": "results-hd/fastvlm.json", "source_paths": [ "raw-prompts/results-hd--fastvlm.txt", "project-cases/apple-aiml-research__ml-fastvlm/prompt-raw.txt" ], "source_excerpt": "[0 秒]\nA young child, dressed in a worn, tattered blue jacket and brown pants, sits on a muddy beach, surrounded by the remnants of a shipwreck. The child's expression is one of deep contemplation, as they gaze down at the two crabs on the wet sand. The background is blurred, but the outlines of a shipwreck and the overcast sky are discernible, adding to the somber mood of the scene. The child's hair is tied back with red ribbons, and a small red dot adorns their forehead. The overall atmosphere is one of quiet reflection\n\n[15 秒]\nA young child with tears streaming down their face, wearing a red", "source_review": { "strength": "对旧衣、湿脸、红发带与黄铜罗盘等材质细节有描述；340秒较准确地写出蹲下指向水面。", "issues": "四只蟹写成两只，添沉船残骸；蓝衣成人变灰窗帘；385秒虚构父母关系和绿裙，并漏人；多处重复结束标记。", "verdict": "单帧细节可用，但场景补写和结束控制仍需清理；不应把120token截断当模型最大能力。" }, "contribution": "视觉片段型来源：以原文中与原帧相符的海岸、人物、表情或道具作为灵感入口。身份、对白、连续动作、奇幻规则和新剧情由Codex补写，不是该模型的原始能力。", "source_duplicate_of": null, "source_hash": "ced34ec4dfa8ab7dd5d8f910298e48b533165c66d8fc2d5776542c7455915d5f", "body_hash": "024d086f405395ec194539f804775ca4c16c4410a4031e3b218515a18d86b252", "author": "Codex, shared writer; not original model output", "fallback": false, "hook": "一朵透明花苞已从黑泥中钻出，花瓣内部流着金色海水；竹铲刚靠近，花瓣就像玻璃铃铛一样轻响。", "rule": "花瓣由透明水膜凝成，碎开后回到水，不产生尖锐碎片；花根指向蟹穴。", "shots": [ { "number": 1, "start": 0, "end": 1, "duration": 1, "beat": "惊奇：先看见不可能", "action": "一朵透明花苞已从黑泥中钻出，花瓣内部流着金色海水；竹铲刚靠近，花瓣就像玻璃铃铛一样轻响。", "camera": "85mm感微距，道具占画面约三分之二，人物眼睛或手作为尺度参照；单一明确机位，不用无目标甩镜；异常动作在画面开始时已经发生。", "performance": "以本镜指定的人物/道具为中心，背景角色不抢动作。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "以细小水膜、陶瓷或盐晶的清脆触感声中最贴合本镜道具的一声开场；配一个短低频脉冲，随即让出空间，不叠加尖叫。", "transition": "在异常动作最清楚的一刻硬切至下一镜指定动作或反应；不先放片名或黑屏。", "timing": "0.00–0.15秒直接展示钩子关键帧；0.15–0.70秒让异常动作继续；0.70–1.00秒用呼吸或微小停顿准备切入反应。" }, { "number": 2, "start": 1, "end": 4, "duration": 3, "beat": "好奇：理解人物的反应", "action": "小满趴低观察，海生用掌心挡在她膝前，不让衣袖浸进深水；她从皱鼻嫌臭变成睁大眼睛，专注看清每道水纹。", "camera": "85mm感道具近特写，轻俯拍，焦点落在本镜指定接触点；人物只保留必要手部或眼睛倒影，不强行切成正面人像。", "performance": "若小满在本镜入画，眼神先落在道具，再转向海生；若为纯道具镜，不额外挤入人脸。海生与孩子交流时保持相近眼平高度。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "保留孩子一次吸气和衣料轻摩擦，环境声变窄，音乐只留很轻的持续音。", "transition": "按人物视线切到问题或缺少之物，前一镜最后一声环境音延续约0.15秒。", "timing": "1–1.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 3, "start": 4, "end": 9, "duration": 5, "beat": "共情：显露一个小缺口", "action": "二狗挖了几铲仍一无所获，空筐倒扣在旁边；他想拔走花苞当收获，小满摇头，指向花下细小气泡。", "camera": "35mm感中景或中近景，交代角色、目标道具和可行动空间；保持眼线一致。", "performance": "让负责本镜行动的成人先动，孩子随后作出可见反应；避免所有人同时表演。 本来源版本强调空间关系：镜头开头保留四个角色/道具位置参照，再靠近关键动作，不以密集特写掩盖布局。", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "空碗、空袋、脚步或木板声选本镜实际存在的一项放近；未出场物件不配声，避免声源误导。", "transition": "用逐渐靠近的风声/物件声引入下一镜；剪切前先让观众认清道具位置。", "timing": "4–5.25秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 4, "start": 9, "end": 15, "duration": 6, "beat": "紧张：让选择有代价", "action": "铲子阴影压下来，花瓣立刻合拢，周围亮点也熄灭；小满焦急地伸手，却克制住没有碰花。", "camera": "28mm感稍低机位，前景放障碍或关键道具，后景保留退路；缓慢推进，不乱晃。", "performance": "海生或苏兰承担保护动作，孩子的恐惧用呼吸与手指表现；二狗的夸张反应不压过危险信息。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "风与低频逐步增强，声音来自画面可解释方向；临近决定时收低，不盖过呼吸。", "transition": "在角色看向选择对象时切到手部，危险声短暂收低，突出决定。", "timing": "9–10.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 5, "start": 15, "end": 22, "duration": 7, "beat": "信任：人物主动做决定", "action": "海生把铲子横放到地面，四人一起后退半步，让阳光重新落到花苞上；孩子慢慢张开手，做出等待的姿势。", "camera": "65–85mm感手部/道具插入镜头，焦点从指尖过渡到被选择的物件；只做一次明确动作。", "performance": "选择必须由清楚的手部动作落实；其余角色停住，给观众看懂选择的空间。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "对白：小满轻声说“别挖它，等它开。”；只配一次明确道具接触声。", "transition": "按动作方向匹配下一镜的变化，避免用白闪遮盖因果。", "timing": "15–16.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 6, "start": 22, "end": 30, "duration": 8, "beat": "释放：回报具有清楚因果", "action": "花瓣逐层展开，每响一下，泥面就亮出一个蟹穴轮廓；水膜花瓣融回泥水，留下清楚可挖的安全浅洞。", "camera": "28–35mm感中广景，由关键道具向外缓慢拉开，完整看见变化及安全距离。", "performance": "先让道具/环境发生变化，再切或移到人物反应；变化只遵守本故事规则。 本来源版本强调空间关系：镜头开头保留四个角色/道具位置参照，再靠近关键动作，不以密集特写掩盖布局。", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "细小水膜、陶瓷或盐晶的清脆触感声随变化从密变疏，再进入温暖的两三个原创音符；不使用现成热门歌曲歌词。", "transition": "变化完成后停半拍再切脸部；环境音恢复，音乐只抬高一层。", "timing": "22–24.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 7, "start": 30, "end": 38, "duration": 8, "beat": "温暖：给表情留下时间", "action": "二狗轻轻挖出第一只蟹，朝小满竖拇指；孩子把一小片透明水膜放回泥面，笑得小心又骄傲。", "camera": "50–65mm感面部近景，稳定机位，留出至少半秒无对白微表情。", "performance": "孩子的肩膀放松、视线愿意停留；成人以小动作回应，不用齐声大笑替代情绪。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "对白：小满说“原来泥里也有光。”；其余人用目光回应，留半秒安静。", "transition": "由人物最后的目光或手指引向收尾道具，暖光保持一致。", "timing": "30–32.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 8, "start": 38, "end": 44, "duration": 6, "beat": "余味：接回钩子并打开新可能", "action": "另一处泥泡映出尚未开放的巨大花苞影子；镜头贴近微小亮点，与开场的花瓣高光连成循环。", "camera": "以本镜描述的收尾物件构图；最后的形状、光点或运动方向匹配开场关键元素。允许改变景别，但匹配关系必须清楚。", "performance": "人物保持结局得到的安全与关系；新的小悬念不撤销已经完成的情绪回报。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "取第一镜的同一种音色作为最后一个轻声提示，让尾音衔接循环；不突然加入无关轰鸣。", "transition": "最后0.3秒保留与开头相似的轮廓/音色，允许无缝循环；不加黑底强制点击卡。", "timing": "38–39.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" } ], "path": "creative/C006--results-hd--fastvlm.txt", "text": "来源文件：raw-prompts/results-hd--fastvlm.txt\n来源名称：apple/FastVLM-0.5B\n实际来源记录：results-hd/fastvlm.json\n原文可用点：对旧衣、湿脸、红发带与黄铜罗盘等材质细节有描述；340秒较准确地写出蹲下指向水面。\n原文问题/边界：四只蟹写成两只，添沉船残骸；蓝衣成人变灰窗帘；385秒虚构父母关系和绿裙，并漏人；多处重复结束标记。\n转化方式：视觉片段型来源：以原文中与原帧相符的海岸、人物、表情或道具作为灵感入口。身份、对白、连续动作、奇幻规则和新剧情由Codex补写，不是该模型的原始能力。\n本次选择的新故事：泥里长出一朵玻璃花。所有幻想事件都是二创，不用原文中的误识别冒充事实。\n\n《泥里长出一朵玻璃花》｜超现实ASMR｜44秒完整剪辑稿\n\n制作目标：44秒，9:16竖屏，8个剪辑镜头，目标1080×1920、24fps。时间表是剪辑设计，不是任一平台API保证；按工具实际支持的片段长度生成，再裁切拼接。此处没有生成视频。\n视觉基调：架空旧式沿海村落，湿泥、粗布、旧木和黄铜具有可触摸的写实材质；幼童面部略带童话般大眼比例。灰蓝海水与褐色村屋为底，红发带是辨识点，幻想光源以局部金色/银色呈现。\n小满：幼童女孩，黑发双髻、左右各一条红发带、额头小红点；灰褐补丁粗布衣、布挎袋、旧布鞋。开场若用蓝披衣，则全片保持，除非镜头明确拍下脱衣。性格敏感、先看大人反应，再敢表达愿望。红点不是伤口，红发带不是红头发。\n海生：青年男性，凌乱黑发，旧蓝外衣、灰内衫、深裤；行动稳，保护孩子时先降到她的眼平高度，不以大喊替代关心。\n苏兰：成年女性，深发松束、灰褐无袖粗布上衣、简单项链与腕布；观察细节，负责托稳道具、递布或摆碗等具体照顾。\n二狗：青年男性，短黑发、橄榄绿外衣；提供轻微喜剧和观众反应，后半段愿意放慢动作参与帮助，不把他写成伤害孩子的反派。\n上述人物只在本镜明确指定时出现。群众只作远处模糊背景，不增加新主角。多人同框时优先保持海生在左、苏兰在后、二狗在右、小满在前中；若换位，用中广景交代，不瞬移。\n环境连续性：泥滩、浅水、旧船和村屋保持同一架空地点。海平线稳定。湿衣不会无故变干。室内暖色由船灯或灶火提供；室外变暖用云隙光或明确的幻想道具光解释，不让44秒凭空跨越数小时。\n人物表情与道具变化分开生成更易核对：每镜最多一个主要幻想动作，真实人物不随道具变形。以上服装、人物名和新动作均属本次二创设定，不声称模型从8帧恢复了全部身份。\n\n核心道具锁：透明花苞、竹铲、浅泥水。先为本片制作一张统一道具参考图，记录缺口、锈斑、左右方向、尺寸；镜头之间沿用同一版本。\n\n本片新规则：花瓣由透明水膜凝成，碎开后回到水，不产生尖锐碎片；花根指向蟹穴。 此规则是新创作，不是原片事实。\n\n第一秒视觉钩子：一朵透明花苞已从黑泥中钻出，花瓣内部流着金色海水；竹铲刚靠近，花瓣就像玻璃铃铛一样轻响。\n\n目标情绪路径：惊奇 → 好奇 → 共情 → 紧张 → 信任 → 释放 → 温暖 → 余味。它是创作设计，不是已测得的观众留存数据。\n\n分镜与生成指令（逐镜生成，再按时间码剪辑；全局角色锁及规则与每一镜一起输入）：\n\n镜头01｜00–01秒｜1秒｜惊奇：先看见不可能\n画面与动作：一朵透明花苞已从黑泥中钻出，花瓣内部流着金色海水；竹铲刚靠近，花瓣就像玻璃铃铛一样轻响。\n动作节拍：0.00–0.15秒直接展示钩子关键帧；0.15–0.70秒让异常动作继续；0.70–1.00秒用呼吸或微小停顿准备切入反应。\n构图与镜头：85mm感微距，道具占画面约三分之二，人物眼睛或手作为尺度参照；单一明确机位，不用无目标甩镜；异常动作在画面开始时已经发生。\n人物表演：以本镜指定的人物/道具为中心，背景角色不抢动作。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：以细小水膜、陶瓷或盐晶的清脆触感声中最贴合本镜道具的一声开场；配一个短低频脉冲，随即让出空间，不叠加尖叫。\n衔接：在异常动作最清楚的一刻硬切至下一镜指定动作或反应；不先放片名或黑屏。\n\n镜头02｜01–04秒｜3秒｜好奇：理解人物的反应\n画面与动作：小满趴低观察，海生用掌心挡在她膝前，不让衣袖浸进深水；她从皱鼻嫌臭变成睁大眼睛，专注看清每道水纹。\n动作节拍：1–1.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：85mm感道具近特写，轻俯拍，焦点落在本镜指定接触点；人物只保留必要手部或眼睛倒影，不强行切成正面人像。\n人物表演：若小满在本镜入画，眼神先落在道具，再转向海生；若为纯道具镜，不额外挤入人脸。海生与孩子交流时保持相近眼平高度。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：保留孩子一次吸气和衣料轻摩擦，环境声变窄，音乐只留很轻的持续音。\n衔接：按人物视线切到问题或缺少之物，前一镜最后一声环境音延续约0.15秒。\n\n镜头03｜04–09秒｜5秒｜共情：显露一个小缺口\n画面与动作：二狗挖了几铲仍一无所获，空筐倒扣在旁边；他想拔走花苞当收获，小满摇头，指向花下细小气泡。\n动作节拍：4–5.25秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：35mm感中景或中近景，交代角色、目标道具和可行动空间；保持眼线一致。\n人物表演：让负责本镜行动的成人先动，孩子随后作出可见反应；避免所有人同时表演。 本来源版本强调空间关系：镜头开头保留四个角色/道具位置参照，再靠近关键动作，不以密集特写掩盖布局。\n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：空碗、空袋、脚步或木板声选本镜实际存在的一项放近；未出场物件不配声，避免声源误导。\n衔接：用逐渐靠近的风声/物件声引入下一镜；剪切前先让观众认清道具位置。\n\n镜头04｜09–15秒｜6秒｜紧张：让选择有代价\n画面与动作：铲子阴影压下来，花瓣立刻合拢，周围亮点也熄灭；小满焦急地伸手，却克制住没有碰花。\n动作节拍：9–10.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：28mm感稍低机位，前景放障碍或关键道具，后景保留退路；缓慢推进，不乱晃。\n人物表演：海生或苏兰承担保护动作，孩子的恐惧用呼吸与手指表现；二狗的夸张反应不压过危险信息。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：风与低频逐步增强，声音来自画面可解释方向；临近决定时收低，不盖过呼吸。\n衔接：在角色看向选择对象时切到手部，危险声短暂收低，突出决定。\n\n镜头05｜15–22秒｜7秒｜信任：人物主动做决定\n画面与动作：海生把铲子横放到地面，四人一起后退半步，让阳光重新落到花苞上；孩子慢慢张开手，做出等待的姿势。\n动作节拍：15–16.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：65–85mm感手部/道具插入镜头，焦点从指尖过渡到被选择的物件；只做一次明确动作。\n人物表演：选择必须由清楚的手部动作落实；其余角色停住，给观众看懂选择的空间。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：对白：小满轻声说“别挖它，等它开。”；只配一次明确道具接触声。\n衔接：按动作方向匹配下一镜的变化，避免用白闪遮盖因果。\n\n镜头06｜22–30秒｜8秒｜释放：回报具有清楚因果\n画面与动作：花瓣逐层展开，每响一下，泥面就亮出一个蟹穴轮廓；水膜花瓣融回泥水，留下清楚可挖的安全浅洞。\n动作节拍：22–24.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：28–35mm感中广景，由关键道具向外缓慢拉开，完整看见变化及安全距离。\n人物表演：先让道具/环境发生变化，再切或移到人物反应；变化只遵守本故事规则。 本来源版本强调空间关系：镜头开头保留四个角色/道具位置参照，再靠近关键动作，不以密集特写掩盖布局。\n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：细小水膜、陶瓷或盐晶的清脆触感声随变化从密变疏，再进入温暖的两三个原创音符；不使用现成热门歌曲歌词。\n衔接：变化完成后停半拍再切脸部；环境音恢复，音乐只抬高一层。\n\n镜头07｜30–38秒｜8秒｜温暖：给表情留下时间\n画面与动作：二狗轻轻挖出第一只蟹，朝小满竖拇指；孩子把一小片透明水膜放回泥面，笑得小心又骄傲。\n动作节拍：30–32.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：50–65mm感面部近景，稳定机位，留出至少半秒无对白微表情。\n人物表演：孩子的肩膀放松、视线愿意停留；成人以小动作回应，不用齐声大笑替代情绪。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：对白：小满说“原来泥里也有光。”；其余人用目光回应，留半秒安静。\n衔接：由人物最后的目光或手指引向收尾道具，暖光保持一致。\n\n镜头08｜38–44秒｜6秒｜余味：接回钩子并打开新可能\n画面与动作：另一处泥泡映出尚未开放的巨大花苞影子；镜头贴近微小亮点，与开场的花瓣高光连成循环。\n动作节拍：38–39.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：以本镜描述的收尾物件构图；最后的形状、光点或运动方向匹配开场关键元素。允许改变景别，但匹配关系必须清楚。\n人物表演：人物保持结局得到的安全与关系；新的小悬念不撤销已经完成的情绪回报。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：取第一镜的同一种音色作为最后一个轻声提示，让尾音衔接循环；不突然加入无关轰鸣。\n衔接：最后0.3秒保留与开头相似的轮廓/音色，允许无缝循环；不加黑底强制点击卡。\n\n负向与连续性检查：不出现无依据的手机、枪械、医院、现代车辆、书上伪造大段文字、未经设计的影视角色或艺术家署名。保持双髻、红带、额头红点及四名主角身份；不多生手指、蟹腿，不让手与道具穿模，不把罗盘替换成怀表。道具在同一镜内不得随机换材质、数量、左右位置或开合状态。只允许故事规则指定的物件变化；儿童无血腥伤害。所有字幕、可读书名和界面文字后期添加，生成画面不带水印、伪字幕或推广尾卡。\n合成前逐镜核对：人物数与站坐姿；第一帧是否已有异常；动作起点/终点能否接上；道具尺寸是否受控；视线和海平线是否一致；每个回报能否追溯到前一镜的选择。未拍出因果时重做相关镜头，不能靠旁白掩盖。\n\n平台剪辑备选（不是平台时长限制，也不是热度保证）：\nTikTok测试版：保留0–1秒钩子，1–4秒加一行疑问字幕，22–30秒完整展示回报；可将4–9秒背景压成3秒，成片约42秒。\nInstagram Reels测试版：保持道具质感与暖光配色，前1秒无需读字即可理解异常；保留30–38秒表情停顿，以收尾道具作封面，主体仍44秒。\nYouTube Shorts测试版：保持44秒因果链，画外说明最多一句；最后0.3秒与开头形状/声响呼应，避免只留下未兑现的悬念。\n所有字幕建议单行、短句，放在人物面部与关键道具之外；先按实际播放器界面预览遮挡。\n\n可测试的两个开头：A使用第一镜的大/小、静/动反差；B保持同一异常事件，但从小满瞳孔或手中道具切入，再在0.6秒内露出尺度参照。只改变开头一项，其余剪辑保持一致；是否提高留存需要真实成片与实际观看数据，本任务未做此测试。" }, { "id": "C007", "title": "不会唱歌的螃蟹合唱团", "concept_id": "S07", "concept_index": 6, "version": 0, "genre": "节奏喜剧", "duration_seconds": 44, "shot_count": 8, "source_id": "results-hd--florence", "source_name": "microsoft/Florence-2-base-ft", "category": "results-hd", "source_path": "raw-prompts/results-hd--florence.txt", "source_record": "results-hd/florence.json", "source_paths": [ "raw-prompts/results-hd--florence.txt" ], "source_excerpt": "[0 秒]\nA little girl is sitting on the ground. She has two red bows in her hair. There are four crabs on the sand in front of her. There is a rope behind her. \n\n[15 秒]\nA baby is looking at the camera. The baby has a red dot on his forehead. The eyes are dark and blue. The mouth is closed. The nose is pink. The hands of the baby are touching a green chain link fence. The chain link is green. The little girl has brown hair. The girl has a black shirt on. The shirt is black.\n\n[50 秒]\nA boat is in the water. There are rocks in the ocean. There is a hill behind the water with lots of waves in it. The", "source_review": { "strength": "适合逐帧较详细描述；开场的红发带、蟹、绳子明确。", "issues": "把渔网当绿铁丝网，罗盘当表，收获画面中的物品认成鱼；巨浪程度被弱化。", "verdict": "物体细节有用，但逐帧识别错误会传播到提示词。" }, "contribution": "视觉片段型来源：以原文中与原帧相符的海岸、人物、表情或道具作为灵感入口。身份、对白、连续动作、奇幻规则和新剧情由Codex补写，不是该模型的原始能力。", "source_duplicate_of": null, "source_hash": "5dd4ae95bb04c4aab4798dfb0ae3ad396e6a2c11a3c2d9e99ed5a4b5ecf20981", "body_hash": "3d73e980b7edb454d73a7a2a8a9fdac69e6fb428c04c7ec28f67014741e32cd0", "author": "Codex, shared writer; not original model output", "fallback": false, "hook": "四只小蟹已站在倒扣木桶上同步抬钳，钳子落下的瞬间，桶内弹出一道心电图般的金光，二狗的头发被震得竖起。", "rule": "每只蟹只敲一个不同节奏；孩子把四种声音合在一起，才找出泥下空腔。", "shots": [ { "number": 1, "start": 0, "end": 1, "duration": 1, "beat": "惊奇：先看见不可能", "action": "四只小蟹已站在倒扣木桶上同步抬钳，钳子落下的瞬间，桶内弹出一道心电图般的金光，二狗的头发被震得竖起。", "camera": "24–35mm感中广景或前景近物后景巨物，保留明确大小参照；单一明确机位，不用无目标甩镜；异常动作在画面开始时已经发生。", "performance": "以本镜指定的人物/道具为中心，背景角色不抢动作。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "以潮声、湿泥轻响、旧木或黄铜触碰声中最贴合本镜道具的一声开场；配一个短低频脉冲，随即让出空间，不叠加尖叫。", "transition": "在异常动作最清楚的一刻硬切至下一镜指定动作或反应；不先放片名或黑屏。", "timing": "0.00–0.15秒直接展示钩子关键帧；0.15–0.70秒让异常动作继续；0.70–1.00秒用呼吸或微小停顿准备切入反应。" }, { "number": 2, "start": 1, "end": 4, "duration": 3, "beat": "好奇：理解人物的反应", "action": "小满蹲下认真听，四只蟹却各敲各的，声音乱成一团；二狗想把桶拿走，孩子急忙轻按住桶沿。", "camera": "50mm感的近景，机位降到孩子眼平，向前缓移约一个手掌距离。", "performance": "若小满在本镜入画，眼神先落在道具，再转向海生；若为纯道具镜，不额外挤入人脸。海生与孩子交流时保持相近眼平高度。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "保留孩子一次吸气和衣料轻摩擦，环境声变窄，音乐只留很轻的持续音。", "transition": "按人物视线切到问题或缺少之物，前一镜最后一声环境音延续约0.15秒。", "timing": "1–1.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 3, "start": 4, "end": 9, "duration": 5, "beat": "共情：显露一个小缺口", "action": "海生倒出空粮袋，四周安静下来；小满看着那点米屑，又看着四只忙碌的小蟹，努力分辨每个节拍。", "camera": "35mm感中景或中近景，交代角色、目标道具和可行动空间；保持眼线一致。", "performance": "让负责本镜行动的成人先动，孩子随后作出可见反应；避免所有人同时表演。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "空碗、空袋、脚步或木板声选本镜实际存在的一项放近；未出场物件不配声，避免声源误导。", "transition": "用逐渐靠近的风声/物件声引入下一镜；剪切前先让观众认清道具位置。", "timing": "4–5.25秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 4, "start": 9, "end": 15, "duration": 6, "beat": "紧张：让选择有代价", "action": "二狗模仿蟹的节奏，第一下太响，小蟹齐齐缩进壳边；孩子的笑容收住，她示意大家把脚步也放轻。", "camera": "28mm感稍低机位，前景放障碍或关键道具，后景保留退路；缓慢推进，不乱晃。", "performance": "海生或苏兰承担保护动作，孩子的恐惧用呼吸与手指表现；二狗的夸张反应不压过危险信息。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "风与低频逐步增强，声音来自画面可解释方向；临近决定时收低，不盖过呼吸。", "transition": "在角色看向选择对象时切到手部，危险声短暂收低，突出决定。", "timing": "9–10.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 5, "start": 15, "end": 22, "duration": 7, "beat": "信任：人物主动做决定", "action": "小满先点两下，再停半拍，让四只蟹轮流回应；海生用掌心接住最后一下，节拍终于合拢。", "camera": "65–85mm感手部/道具插入镜头，焦点从指尖过渡到被选择的物件；只做一次明确动作。", "performance": "选择必须由清楚的手部动作落实；其余角色停住，给观众看懂选择的空间。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "对白：小满轻声说“别吵，它们在合唱。”；只配一次明确道具接触声。", "transition": "按动作方向匹配下一镜的变化，避免用白闪遮盖因果。", "timing": "15–16.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 6, "start": 22, "end": 30, "duration": 8, "beat": "释放：回报具有清楚因果", "action": "桶旁泥面按节奏鼓起四个小泡，竹铲轻轻掀开薄泥，露出密集蟹穴；收获的线索来自节奏，而不是凭空掉落。", "camera": "28–35mm感中广景，由关键道具向外缓慢拉开，完整看见变化及安全距离。", "performance": "先让道具/环境发生变化，再切或移到人物反应；变化只遵守本故事规则。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "潮声、湿泥轻响、旧木或黄铜触碰声随变化从密变疏，再进入温暖的两三个原创音符；不使用现成热门歌曲歌词。", "transition": "变化完成后停半拍再切脸部；环境音恢复，音乐只抬高一层。", "timing": "22–24.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 7, "start": 30, "end": 38, "duration": 8, "beat": "温暖：给表情留下时间", "action": "众人笑着收起工具，二狗仍跟不上最后半拍；小满拿他的手指教他轻敲，四只小蟹围成一个小圈。", "camera": "50–65mm感面部近景，稳定机位，留出至少半秒无对白微表情。", "performance": "孩子的肩膀放松、视线愿意停留；成人以小动作回应，不用齐声大笑替代情绪。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "对白：小满说“原来我听懂了。”；其余人用目光回应，留半秒安静。", "transition": "由人物最后的目光或手指引向收尾道具，暖光保持一致。", "timing": "30–32.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 8, "start": 38, "end": 44, "duration": 6, "beat": "余味：接回钩子并打开新可能", "action": "一只大蟹钳从画面外敲下低沉的一拍，所有小蟹整齐回头；最后声音接回开头的桶声，形成可听见的循环。", "camera": "以本镜描述的收尾物件构图；最后的形状、光点或运动方向匹配开场关键元素。允许改变景别，但匹配关系必须清楚。", "performance": "人物保持结局得到的安全与关系；新的小悬念不撤销已经完成的情绪回报。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "取第一镜的同一种音色作为最后一个轻声提示，让尾音衔接循环；不突然加入无关轰鸣。", "transition": "最后0.3秒保留与开头相似的轮廓/音色，允许无缝循环；不加黑底强制点击卡。", "timing": "38–39.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" } ], "path": "creative/C007--results-hd--florence.txt", "text": "来源文件：raw-prompts/results-hd--florence.txt\n来源名称：microsoft/Florence-2-base-ft\n实际来源记录：results-hd/florence.json\n原文可用点：适合逐帧较详细描述；开场的红发带、蟹、绳子明确。\n原文问题/边界：把渔网当绿铁丝网，罗盘当表，收获画面中的物品认成鱼；巨浪程度被弱化。\n转化方式：视觉片段型来源：以原文中与原帧相符的海岸、人物、表情或道具作为灵感入口。身份、对白、连续动作、奇幻规则和新剧情由Codex补写，不是该模型的原始能力。\n本次选择的新故事：不会唱歌的螃蟹合唱团。所有幻想事件都是二创，不用原文中的误识别冒充事实。\n\n《不会唱歌的螃蟹合唱团》｜节奏喜剧｜44秒完整剪辑稿\n\n制作目标：44秒，9:16竖屏，8个剪辑镜头，目标1080×1920、24fps。时间表是剪辑设计，不是任一平台API保证；按工具实际支持的片段长度生成，再裁切拼接。此处没有生成视频。\n视觉基调：架空旧式沿海村落，湿泥、粗布、旧木和黄铜具有可触摸的写实材质；幼童面部略带童话般大眼比例。灰蓝海水与褐色村屋为底，红发带是辨识点，幻想光源以局部金色/银色呈现。\n小满：幼童女孩，黑发双髻、左右各一条红发带、额头小红点；灰褐补丁粗布衣、布挎袋、旧布鞋。开场若用蓝披衣，则全片保持，除非镜头明确拍下脱衣。性格敏感、先看大人反应，再敢表达愿望。红点不是伤口，红发带不是红头发。\n海生：青年男性，凌乱黑发，旧蓝外衣、灰内衫、深裤；行动稳，保护孩子时先降到她的眼平高度，不以大喊替代关心。\n苏兰：成年女性，深发松束、灰褐无袖粗布上衣、简单项链与腕布；观察细节，负责托稳道具、递布或摆碗等具体照顾。\n二狗：青年男性，短黑发、橄榄绿外衣；提供轻微喜剧和观众反应，后半段愿意放慢动作参与帮助，不把他写成伤害孩子的反派。\n上述人物只在本镜明确指定时出现。群众只作远处模糊背景，不增加新主角。多人同框时优先保持海生在左、苏兰在后、二狗在右、小满在前中；若换位，用中广景交代，不瞬移。\n环境连续性：泥滩、浅水、旧船和村屋保持同一架空地点。海平线稳定。湿衣不会无故变干。室内暖色由船灯或灶火提供；室外变暖用云隙光或明确的幻想道具光解释，不让44秒凭空跨越数小时。\n人物表情与道具变化分开生成更易核对：每镜最多一个主要幻想动作，真实人物不随道具变形。以上服装、人物名和新动作均属本次二创设定，不声称模型从8帧恢复了全部身份。\n\n核心道具锁：四只灰绿小蟹、空木桶、竹铲。先为本片制作一张统一道具参考图，记录缺口、锈斑、左右方向、尺寸；镜头之间沿用同一版本。\n\n本片新规则：每只蟹只敲一个不同节奏；孩子把四种声音合在一起，才找出泥下空腔。 此规则是新创作，不是原片事实。\n\n第一秒视觉钩子：四只小蟹已站在倒扣木桶上同步抬钳，钳子落下的瞬间，桶内弹出一道心电图般的金光，二狗的头发被震得竖起。\n\n目标情绪路径：惊奇 → 好奇 → 共情 → 紧张 → 信任 → 释放 → 温暖 → 余味。它是创作设计，不是已测得的观众留存数据。\n\n分镜与生成指令（逐镜生成，再按时间码剪辑；全局角色锁及规则与每一镜一起输入）：\n\n镜头01｜00–01秒｜1秒｜惊奇：先看见不可能\n画面与动作：四只小蟹已站在倒扣木桶上同步抬钳，钳子落下的瞬间，桶内弹出一道心电图般的金光，二狗的头发被震得竖起。\n动作节拍：0.00–0.15秒直接展示钩子关键帧；0.15–0.70秒让异常动作继续；0.70–1.00秒用呼吸或微小停顿准备切入反应。\n构图与镜头：24–35mm感中广景或前景近物后景巨物，保留明确大小参照；单一明确机位，不用无目标甩镜；异常动作在画面开始时已经发生。\n人物表演：以本镜指定的人物/道具为中心，背景角色不抢动作。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：以潮声、湿泥轻响、旧木或黄铜触碰声中最贴合本镜道具的一声开场；配一个短低频脉冲，随即让出空间，不叠加尖叫。\n衔接：在异常动作最清楚的一刻硬切至下一镜指定动作或反应；不先放片名或黑屏。\n\n镜头02｜01–04秒｜3秒｜好奇：理解人物的反应\n画面与动作：小满蹲下认真听，四只蟹却各敲各的，声音乱成一团；二狗想把桶拿走，孩子急忙轻按住桶沿。\n动作节拍：1–1.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：50mm感的近景，机位降到孩子眼平，向前缓移约一个手掌距离。\n人物表演：若小满在本镜入画，眼神先落在道具，再转向海生；若为纯道具镜，不额外挤入人脸。海生与孩子交流时保持相近眼平高度。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：保留孩子一次吸气和衣料轻摩擦，环境声变窄，音乐只留很轻的持续音。\n衔接：按人物视线切到问题或缺少之物，前一镜最后一声环境音延续约0.15秒。\n\n镜头03｜04–09秒｜5秒｜共情：显露一个小缺口\n画面与动作：海生倒出空粮袋，四周安静下来；小满看着那点米屑，又看着四只忙碌的小蟹，努力分辨每个节拍。\n动作节拍：4–5.25秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：35mm感中景或中近景，交代角色、目标道具和可行动空间；保持眼线一致。\n人物表演：让负责本镜行动的成人先动，孩子随后作出可见反应；避免所有人同时表演。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：空碗、空袋、脚步或木板声选本镜实际存在的一项放近；未出场物件不配声，避免声源误导。\n衔接：用逐渐靠近的风声/物件声引入下一镜；剪切前先让观众认清道具位置。\n\n镜头04｜09–15秒｜6秒｜紧张：让选择有代价\n画面与动作：二狗模仿蟹的节奏，第一下太响，小蟹齐齐缩进壳边；孩子的笑容收住，她示意大家把脚步也放轻。\n动作节拍：9–10.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：28mm感稍低机位，前景放障碍或关键道具，后景保留退路；缓慢推进，不乱晃。\n人物表演：海生或苏兰承担保护动作，孩子的恐惧用呼吸与手指表现；二狗的夸张反应不压过危险信息。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：风与低频逐步增强，声音来自画面可解释方向；临近决定时收低，不盖过呼吸。\n衔接：在角色看向选择对象时切到手部，危险声短暂收低，突出决定。\n\n镜头05｜15–22秒｜7秒｜信任：人物主动做决定\n画面与动作：小满先点两下，再停半拍，让四只蟹轮流回应；海生用掌心接住最后一下，节拍终于合拢。\n动作节拍：15–16.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：65–85mm感手部/道具插入镜头，焦点从指尖过渡到被选择的物件；只做一次明确动作。\n人物表演：选择必须由清楚的手部动作落实；其余角色停住，给观众看懂选择的空间。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：对白：小满轻声说“别吵，它们在合唱。”；只配一次明确道具接触声。\n衔接：按动作方向匹配下一镜的变化，避免用白闪遮盖因果。\n\n镜头06｜22–30秒｜8秒｜释放：回报具有清楚因果\n画面与动作：桶旁泥面按节奏鼓起四个小泡，竹铲轻轻掀开薄泥，露出密集蟹穴；收获的线索来自节奏，而不是凭空掉落。\n动作节拍：22–24.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：28–35mm感中广景，由关键道具向外缓慢拉开，完整看见变化及安全距离。\n人物表演：先让道具/环境发生变化，再切或移到人物反应；变化只遵守本故事规则。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：潮声、湿泥轻响、旧木或黄铜触碰声随变化从密变疏，再进入温暖的两三个原创音符；不使用现成热门歌曲歌词。\n衔接：变化完成后停半拍再切脸部；环境音恢复，音乐只抬高一层。\n\n镜头07｜30–38秒｜8秒｜温暖：给表情留下时间\n画面与动作：众人笑着收起工具，二狗仍跟不上最后半拍；小满拿他的手指教他轻敲，四只小蟹围成一个小圈。\n动作节拍：30–32.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：50–65mm感面部近景，稳定机位，留出至少半秒无对白微表情。\n人物表演：孩子的肩膀放松、视线愿意停留；成人以小动作回应，不用齐声大笑替代情绪。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：对白：小满说“原来我听懂了。”；其余人用目光回应，留半秒安静。\n衔接：由人物最后的目光或手指引向收尾道具，暖光保持一致。\n\n镜头08｜38–44秒｜6秒｜余味：接回钩子并打开新可能\n画面与动作：一只大蟹钳从画面外敲下低沉的一拍，所有小蟹整齐回头；最后声音接回开头的桶声，形成可听见的循环。\n动作节拍：38–39.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：以本镜描述的收尾物件构图；最后的形状、光点或运动方向匹配开场关键元素。允许改变景别，但匹配关系必须清楚。\n人物表演：人物保持结局得到的安全与关系；新的小悬念不撤销已经完成的情绪回报。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：取第一镜的同一种音色作为最后一个轻声提示，让尾音衔接循环；不突然加入无关轰鸣。\n衔接：最后0.3秒保留与开头相似的轮廓/音色，允许无缝循环；不加黑底强制点击卡。\n\n负向与连续性检查：不出现无依据的手机、枪械、医院、现代车辆、书上伪造大段文字、未经设计的影视角色或艺术家署名。保持双髻、红带、额头红点及四名主角身份；不多生手指、蟹腿，不让手与道具穿模，不把罗盘替换成怀表。道具在同一镜内不得随机换材质、数量、左右位置或开合状态。只允许故事规则指定的物件变化；儿童无血腥伤害。所有字幕、可读书名和界面文字后期添加，生成画面不带水印、伪字幕或推广尾卡。\n合成前逐镜核对：人物数与站坐姿；第一帧是否已有异常；动作起点/终点能否接上；道具尺寸是否受控；视线和海平线是否一致；每个回报能否追溯到前一镜的选择。未拍出因果时重做相关镜头，不能靠旁白掩盖。\n\n平台剪辑备选（不是平台时长限制，也不是热度保证）：\nTikTok测试版：保留0–1秒钩子，1–4秒加一行疑问字幕，22–30秒完整展示回报；可将4–9秒背景压成3秒，成片约42秒。\nInstagram Reels测试版：保持道具质感与暖光配色，前1秒无需读字即可理解异常；保留30–38秒表情停顿，以收尾道具作封面，主体仍44秒。\nYouTube Shorts测试版：保持44秒因果链，画外说明最多一句；最后0.3秒与开头形状/声响呼应，避免只留下未兑现的悬念。\n所有字幕建议单行、短句，放在人物面部与关键道具之外；先按实际播放器界面预览遮挡。\n\n可测试的两个开头：A使用第一镜的大/小、静/动反差；B保持同一异常事件，但从小满瞳孔或手中道具切入，再在0.6秒内露出尺度参照。只改变开头一项，其余剪辑保持一致；是否提高留存需要真实成片与实际观看数据，本任务未做此测试。" }, { "id": "C008", "title": "掌心里最小的避风港", "concept_id": "S14", "concept_index": 13, "version": 1, "genre": "微缩世界", "duration_seconds": 44, "shot_count": 8, "source_id": "results-hd--gguf-gemma", "source_name": "ggml-org/gemma-3-4b-it-GGUF", "category": "results-hd", "source_path": "raw-prompts/results-hd--gguf-gemma.txt", "source_record": "results-hd/gguf-gemma.json", "source_paths": [ "raw-prompts/results-hd--gguf-gemma.txt", "project-cases/google__gemma_pytorch/prompt-raw.txt" ], "source_excerpt": "Here’s a detailed description of the video frames for a generative AI prompt, aiming for a cinematic and evocative style:\n\n**Frame 1:** A young girl, approximately 3 years old, sits on a rocky beach, surrounded by crabs. She wears a worn, patched-up outfit with a dark shawl and simple shoes. Her hair is styled in two buns with red ribbons. The lighting is overcast and muted. The composition is a medium shot, focusing on the child and the crabs.\n\n**Frame 2:** Close-up of the same girl, now crying with tears streaming down her face. She is entangled in a fishing net. The lighting is slightly bri", "source_review": { "strength": "认出双髻红带、哭泣、渔网、旧书和罗盘。", "issues": "凭空加入闪电与围桌牵手；235秒将蓝衣成年人的局部写成木门；385秒漏人；达到350token上限。", "verdict": "可用视觉片段与明显幻觉并存，不能直接当完整复刻提示词。" }, "contribution": "视觉片段型来源：以原文中与原帧相符的海岸、人物、表情或道具作为灵感入口。身份、对白、连续动作、奇幻规则和新剧情由Codex补写，不是该模型的原始能力。", "source_duplicate_of": null, "source_hash": "17be496df535b5108a4f75e940d348c1aba7f831bdf03845492a791c26d40827", "body_hash": "fecb82ef5aad67be0da24e08c89550016eeebb45f5bd5cc27aa90c6bb0b6978a", "author": "Codex, shared writer; not original model output", "fallback": false, "hook": "海生掌心的小木船已经撑开一间亮灯的小屋，雨滴像玻璃球停在屋檐外；小满的眼睛贴近船舷，映出四张空座位。", "rule": "小船内外尺度不同，但入口始终是船舷；救助者不能用手随意抓取微缩人物。", "shots": [ { "number": 1, "start": 0, "end": 1, "duration": 1, "beat": "惊奇：先看见不可能", "action": "海生掌心的小木船已经撑开一间亮灯的小屋，雨滴像玻璃球停在屋檐外；小满的眼睛贴近船舷，映出四张空座位。", "camera": "85mm感微距，道具占画面约三分之二，人物眼睛或手作为尺度参照；单一明确机位，不用无目标甩镜；异常动作在画面开始时已经发生。", "performance": "以本镜指定的人物/道具为中心，背景角色不抢动作。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "以潮声、湿泥轻响、旧木或黄铜触碰声中最贴合本镜道具的一声开场；配一个短低频脉冲，随即让出空间，不叠加尖叫。", "transition": "在异常动作最清楚的一刻硬切至下一镜指定动作或反应；不先放片名或黑屏。", "timing": "0.00–0.15秒直接展示钩子关键帧；0.15–0.70秒让异常动作继续；0.70–1.00秒用呼吸或微小停顿准备切入反应。" }, { "number": 2, "start": 1, "end": 4, "duration": 3, "beat": "好奇：理解人物的反应", "action": "她轻敲船板，屋内灯光回应一次；二狗把脸凑得太近，呼出的气像大风吹动小窗帘，孩子赶紧示意他后退。", "camera": "50mm感的近景，机位降到孩子眼平，向前缓移约一个手掌距离。", "performance": "若小满在本镜入画，眼神先落在道具，再转向海生；若为纯道具镜，不额外挤入人脸。海生与孩子交流时保持相近眼平高度。 本来源版本强调小满的主观感受：先拍她注意到的细节，再拍回应，缩短无信息的成人反应。", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "保留孩子一次吸气和衣料轻摩擦，环境声变窄，音乐只留很轻的持续音。", "transition": "按人物视线切到问题或缺少之物，前一镜最后一声环境音延续约0.15秒。", "timing": "1–1.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 3, "start": 4, "end": 9, "duration": 5, "beat": "共情：显露一个小缺口", "action": "现实里的旧屋屋顶漏雨，苏兰用盆接水，四个人挤在一小块干地；掌心小屋却温暖明亮，更显现实窘迫。", "camera": "35mm感中景或中近景，交代角色、目标道具和可行动空间；保持眼线一致。", "performance": "让负责本镜行动的成人先动，孩子随后作出可见反应；避免所有人同时表演。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "空碗、空袋、脚步或木板声选本镜实际存在的一项放近；未出场物件不配声，避免声源误导。", "transition": "用逐渐靠近的风声/物件声引入下一镜；剪切前先让观众认清道具位置。", "timing": "4–5.25秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 4, "start": 9, "end": 15, "duration": 6, "beat": "紧张：让选择有代价", "action": "一滴大雨沿海生手腕滑向小船，小屋灯光被水影吞没；小满想用手遮挡，但她的掌心太小。", "camera": "28mm感稍低机位，前景放障碍或关键道具，后景保留退路；缓慢推进，不乱晃。", "performance": "海生或苏兰承担保护动作，孩子的恐惧用呼吸与手指表现；二狗的夸张反应不压过危险信息。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "风与低频逐步增强，声音来自画面可解释方向；临近决定时收低，不盖过呼吸。", "transition": "在角色看向选择对象时切到手部，危险声短暂收低，突出决定。", "timing": "9–10.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 5, "start": 15, "end": 22, "duration": 7, "beat": "信任：人物主动做决定", "action": "海生与苏兰把双手并成屋檐，小满稳稳托住船尾；二狗搬来旧船灯放在中央，让小船获得固定光源。", "camera": "65–85mm感手部/道具插入镜头，焦点从指尖过渡到被选择的物件；只做一次明确动作。", "performance": "选择必须由清楚的手部动作落实；其余角色停住，给观众看懂选择的空间。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "对白：小满轻声说“再小，也能留个位置。”；只配一次明确道具接触声。", "transition": "按动作方向匹配下一镜的变化，避免用白闪遮盖因果。", "timing": "15–16.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 6, "start": 22, "end": 30, "duration": 8, "beat": "释放：回报具有清楚因果", "action": "小船投出一层透明穹顶，刚好罩住四人和接水盆；外面仍下雨，穹顶里滴水停止，空间尺度反转完成。", "camera": "28–35mm感中广景，由关键道具向外缓慢拉开，完整看见变化及安全距离。", "performance": "先让道具/环境发生变化，再切或移到人物反应；变化只遵守本故事规则。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "潮声、湿泥轻响、旧木或黄铜触碰声随变化从密变疏，再进入温暖的两三个原创音符；不使用现成热门歌曲歌词。", "transition": "变化完成后停半拍再切脸部；环境音恢复，音乐只抬高一层。", "timing": "22–24.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 7, "start": 30, "end": 38, "duration": 8, "beat": "温暖：给表情留下时间", "action": "小满靠着海生打个小哈欠，苏兰把湿布移到穹顶外；二狗压低声音，怕惊动掌心里的微小灯火。", "camera": "50–65mm感面部近景，稳定机位，留出至少半秒无对白微表情。", "performance": "孩子的肩膀放松、视线愿意停留；成人以小动作回应，不用齐声大笑替代情绪。 本来源版本强调小满的主观感受：先拍她注意到的细节，再拍回应，缩短无信息的成人反应。", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "对白：海生说“今晚谁也不淋雨。”；其余人用目光回应，留半秒安静。", "transition": "由人物最后的目光或手指引向收尾道具，暖光保持一致。", "timing": "30–32.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 8, "start": 38, "end": 44, "duration": 6, "beat": "余味：接回钩子并打开新可能", "action": "镜头缩回小船窗户，里面出现与现实四人一致的微小剪影；一层世界套一层世界，以窗形光框接回开头。", "camera": "以本镜描述的收尾物件构图；最后的形状、光点或运动方向匹配开场关键元素。允许改变景别，但匹配关系必须清楚。", "performance": "人物保持结局得到的安全与关系；新的小悬念不撤销已经完成的情绪回报。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "取第一镜的同一种音色作为最后一个轻声提示，让尾音衔接循环；不突然加入无关轰鸣。", "transition": "最后0.3秒保留与开头相似的轮廓/音色，允许无缝循环；不加黑底强制点击卡。", "timing": "38–39.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" } ], "path": "creative/C008--results-hd--gguf-gemma.txt", "text": "来源文件：raw-prompts/results-hd--gguf-gemma.txt\n来源名称：ggml-org/gemma-3-4b-it-GGUF\n实际来源记录：results-hd/gguf-gemma.json\n原文可用点：认出双髻红带、哭泣、渔网、旧书和罗盘。\n原文问题/边界：凭空加入闪电与围桌牵手；235秒将蓝衣成年人的局部写成木门；385秒漏人；达到350token上限。\n转化方式：视觉片段型来源：以原文中与原帧相符的海岸、人物、表情或道具作为灵感入口。身份、对白、连续动作、奇幻规则和新剧情由Codex补写，不是该模型的原始能力。\n本次选择的新故事：掌心里最小的避风港。所有幻想事件都是二创，不用原文中的误识别冒充事实。\n\n《掌心里最小的避风港》｜微缩世界｜44秒完整剪辑稿\n\n制作目标：44秒，9:16竖屏，8个剪辑镜头，目标1080×1920、24fps。时间表是剪辑设计，不是任一平台API保证；按工具实际支持的片段长度生成，再裁切拼接。此处没有生成视频。\n视觉基调：架空旧式沿海村落，湿泥、粗布、旧木和黄铜具有可触摸的写实材质；幼童面部略带童话般大眼比例。灰蓝海水与褐色村屋为底，红发带是辨识点，幻想光源以局部金色/银色呈现。\n小满：幼童女孩，黑发双髻、左右各一条红发带、额头小红点；灰褐补丁粗布衣、布挎袋、旧布鞋。开场若用蓝披衣，则全片保持，除非镜头明确拍下脱衣。性格敏感、先看大人反应，再敢表达愿望。红点不是伤口，红发带不是红头发。\n海生：青年男性，凌乱黑发，旧蓝外衣、灰内衫、深裤；行动稳，保护孩子时先降到她的眼平高度，不以大喊替代关心。\n苏兰：成年女性，深发松束、灰褐无袖粗布上衣、简单项链与腕布；观察细节，负责托稳道具、递布或摆碗等具体照顾。\n二狗：青年男性，短黑发、橄榄绿外衣；提供轻微喜剧和观众反应，后半段愿意放慢动作参与帮助，不把他写成伤害孩子的反派。\n上述人物只在本镜明确指定时出现。群众只作远处模糊背景，不增加新主角。多人同框时优先保持海生在左、苏兰在后、二狗在右、小满在前中；若换位，用中广景交代，不瞬移。\n环境连续性：泥滩、浅水、旧船和村屋保持同一架空地点。海平线稳定。湿衣不会无故变干。室内暖色由船灯或灶火提供；室外变暖用云隙光或明确的幻想道具光解释，不让44秒凭空跨越数小时。\n人物表情与道具变化分开生成更易核对：每镜最多一个主要幻想动作，真实人物不随道具变形。以上服装、人物名和新动作均属本次二创设定，不声称模型从8帧恢复了全部身份。\n\n核心道具锁：掌心木船、透明雨滴、旧船灯。先为本片制作一张统一道具参考图，记录缺口、锈斑、左右方向、尺寸；镜头之间沿用同一版本。\n\n本片新规则：小船内外尺度不同，但入口始终是船舷；救助者不能用手随意抓取微缩人物。 此规则是新创作，不是原片事实。\n\n第一秒视觉钩子：海生掌心的小木船已经撑开一间亮灯的小屋，雨滴像玻璃球停在屋檐外；小满的眼睛贴近船舷，映出四张空座位。\n\n目标情绪路径：惊奇 → 好奇 → 共情 → 紧张 → 信任 → 释放 → 温暖 → 余味。它是创作设计，不是已测得的观众留存数据。\n\n分镜与生成指令（逐镜生成，再按时间码剪辑；全局角色锁及规则与每一镜一起输入）：\n\n镜头01｜00–01秒｜1秒｜惊奇：先看见不可能\n画面与动作：海生掌心的小木船已经撑开一间亮灯的小屋，雨滴像玻璃球停在屋檐外；小满的眼睛贴近船舷，映出四张空座位。\n动作节拍：0.00–0.15秒直接展示钩子关键帧；0.15–0.70秒让异常动作继续；0.70–1.00秒用呼吸或微小停顿准备切入反应。\n构图与镜头：85mm感微距，道具占画面约三分之二，人物眼睛或手作为尺度参照；单一明确机位，不用无目标甩镜；异常动作在画面开始时已经发生。\n人物表演：以本镜指定的人物/道具为中心，背景角色不抢动作。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：以潮声、湿泥轻响、旧木或黄铜触碰声中最贴合本镜道具的一声开场；配一个短低频脉冲，随即让出空间，不叠加尖叫。\n衔接：在异常动作最清楚的一刻硬切至下一镜指定动作或反应；不先放片名或黑屏。\n\n镜头02｜01–04秒｜3秒｜好奇：理解人物的反应\n画面与动作：她轻敲船板，屋内灯光回应一次；二狗把脸凑得太近，呼出的气像大风吹动小窗帘，孩子赶紧示意他后退。\n动作节拍：1–1.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：50mm感的近景，机位降到孩子眼平，向前缓移约一个手掌距离。\n人物表演：若小满在本镜入画，眼神先落在道具，再转向海生；若为纯道具镜，不额外挤入人脸。海生与孩子交流时保持相近眼平高度。 本来源版本强调小满的主观感受：先拍她注意到的细节，再拍回应，缩短无信息的成人反应。\n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：保留孩子一次吸气和衣料轻摩擦，环境声变窄，音乐只留很轻的持续音。\n衔接：按人物视线切到问题或缺少之物，前一镜最后一声环境音延续约0.15秒。\n\n镜头03｜04–09秒｜5秒｜共情：显露一个小缺口\n画面与动作：现实里的旧屋屋顶漏雨，苏兰用盆接水，四个人挤在一小块干地；掌心小屋却温暖明亮，更显现实窘迫。\n动作节拍：4–5.25秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：35mm感中景或中近景，交代角色、目标道具和可行动空间；保持眼线一致。\n人物表演：让负责本镜行动的成人先动，孩子随后作出可见反应；避免所有人同时表演。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：空碗、空袋、脚步或木板声选本镜实际存在的一项放近；未出场物件不配声，避免声源误导。\n衔接：用逐渐靠近的风声/物件声引入下一镜；剪切前先让观众认清道具位置。\n\n镜头04｜09–15秒｜6秒｜紧张：让选择有代价\n画面与动作：一滴大雨沿海生手腕滑向小船，小屋灯光被水影吞没；小满想用手遮挡，但她的掌心太小。\n动作节拍：9–10.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：28mm感稍低机位，前景放障碍或关键道具，后景保留退路；缓慢推进，不乱晃。\n人物表演：海生或苏兰承担保护动作，孩子的恐惧用呼吸与手指表现；二狗的夸张反应不压过危险信息。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：风与低频逐步增强，声音来自画面可解释方向；临近决定时收低，不盖过呼吸。\n衔接：在角色看向选择对象时切到手部，危险声短暂收低，突出决定。\n\n镜头05｜15–22秒｜7秒｜信任：人物主动做决定\n画面与动作：海生与苏兰把双手并成屋檐，小满稳稳托住船尾；二狗搬来旧船灯放在中央，让小船获得固定光源。\n动作节拍：15–16.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：65–85mm感手部/道具插入镜头，焦点从指尖过渡到被选择的物件；只做一次明确动作。\n人物表演：选择必须由清楚的手部动作落实；其余角色停住，给观众看懂选择的空间。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：对白：小满轻声说“再小，也能留个位置。”；只配一次明确道具接触声。\n衔接：按动作方向匹配下一镜的变化，避免用白闪遮盖因果。\n\n镜头06｜22–30秒｜8秒｜释放：回报具有清楚因果\n画面与动作：小船投出一层透明穹顶，刚好罩住四人和接水盆；外面仍下雨，穹顶里滴水停止，空间尺度反转完成。\n动作节拍：22–24.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：28–35mm感中广景，由关键道具向外缓慢拉开，完整看见变化及安全距离。\n人物表演：先让道具/环境发生变化，再切或移到人物反应；变化只遵守本故事规则。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：潮声、湿泥轻响、旧木或黄铜触碰声随变化从密变疏，再进入温暖的两三个原创音符；不使用现成热门歌曲歌词。\n衔接：变化完成后停半拍再切脸部；环境音恢复，音乐只抬高一层。\n\n镜头07｜30–38秒｜8秒｜温暖：给表情留下时间\n画面与动作：小满靠着海生打个小哈欠，苏兰把湿布移到穹顶外；二狗压低声音，怕惊动掌心里的微小灯火。\n动作节拍：30–32.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：50–65mm感面部近景，稳定机位，留出至少半秒无对白微表情。\n人物表演：孩子的肩膀放松、视线愿意停留；成人以小动作回应，不用齐声大笑替代情绪。 本来源版本强调小满的主观感受：先拍她注意到的细节，再拍回应，缩短无信息的成人反应。\n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：对白：海生说“今晚谁也不淋雨。”；其余人用目光回应，留半秒安静。\n衔接：由人物最后的目光或手指引向收尾道具，暖光保持一致。\n\n镜头08｜38–44秒｜6秒｜余味：接回钩子并打开新可能\n画面与动作：镜头缩回小船窗户，里面出现与现实四人一致的微小剪影；一层世界套一层世界，以窗形光框接回开头。\n动作节拍：38–39.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：以本镜描述的收尾物件构图；最后的形状、光点或运动方向匹配开场关键元素。允许改变景别，但匹配关系必须清楚。\n人物表演：人物保持结局得到的安全与关系；新的小悬念不撤销已经完成的情绪回报。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：取第一镜的同一种音色作为最后一个轻声提示，让尾音衔接循环；不突然加入无关轰鸣。\n衔接：最后0.3秒保留与开头相似的轮廓/音色，允许无缝循环；不加黑底强制点击卡。\n\n负向与连续性检查：不出现无依据的手机、枪械、医院、现代车辆、书上伪造大段文字、未经设计的影视角色或艺术家署名。保持双髻、红带、额头红点及四名主角身份；不多生手指、蟹腿，不让手与道具穿模，不把罗盘替换成怀表。道具在同一镜内不得随机换材质、数量、左右位置或开合状态。只允许故事规则指定的物件变化；儿童无血腥伤害。所有字幕、可读书名和界面文字后期添加，生成画面不带水印、伪字幕或推广尾卡。\n合成前逐镜核对：人物数与站坐姿；第一帧是否已有异常；动作起点/终点能否接上；道具尺寸是否受控；视线和海平线是否一致；每个回报能否追溯到前一镜的选择。未拍出因果时重做相关镜头，不能靠旁白掩盖。\n\n平台剪辑备选（不是平台时长限制，也不是热度保证）：\nTikTok测试版：保留0–1秒钩子，1–4秒加一行疑问字幕，22–30秒完整展示回报；可将4–9秒背景压成3秒，成片约42秒。\nInstagram Reels测试版：保持道具质感与暖光配色，前1秒无需读字即可理解异常；保留30–38秒表情停顿，以收尾道具作封面，主体仍44秒。\nYouTube Shorts测试版：保持44秒因果链，画外说明最多一句；最后0.3秒与开头形状/声响呼应，避免只留下未兑现的悬念。\n所有字幕建议单行、短句，放在人物面部与关键道具之外；先按实际播放器界面预览遮挡。\n\n可测试的两个开头：A使用第一镜的大/小、静/动反差；B保持同一异常事件，但从小满瞳孔或手中道具切入，再在0.6秒内露出尺度参照。只改变开头一项，其余剪辑保持一致；是否提高留存需要真实成片与实际观看数据，本任务未做此测试。" }, { "id": "C009", "title": "巨蟹只是来还一只鞋", "concept_id": "S16", "concept_index": 15, "version": 2, "genre": "误会反转", "duration_seconds": 44, "shot_count": 8, "source_id": "results-hd--gguf-glm-edge-single", "source_name": "zai-org/glm-edge-v-2b-gguf", "category": "results-hd", "source_path": "raw-prompts/results-hd--gguf-glm-edge-single.txt", "source_record": "results-hd/gguf-glm-edge-single.json", "source_paths": [ "raw-prompts/results-hd--gguf-glm-edge-single.txt", "project-cases/zai-org__GLM-Edge/prompt-raw.txt" ], "source_excerpt": "[0 秒]\nA young girl with two red ribbons in her hair is crouched on a rocky beach, wearing a grey long-sleeve shirt and a blue poncho. She is surrounded by four crabs on the sand, with a coiled rope in the background and a calm sea in the distance. The scene is serene, with a muted color palette that emphasizes the natural setting.\n\n[15 秒]\nA young child with a red dot on their forehead is captured in a moment of distress, holding onto a green net. The child's eyes are teary, and their expression suggests a sense of helplessness or fear. The setting appears to be an outdoor environment, possibly", "source_review": { "strength": "改用独立单帧后成功生成8段；开场四蟹、红发带与蓝披衣正确；340秒指出蹲下指向水面；最后一帧说出四个人。", "issues": "50秒虚构背包人物站在岸边看浪，同时写平静海面；95秒漏一人并把瓦顶写成茅草顶；175秒凭两只手断言两个人、写成手持罗盘；235秒加红腰带；100token处多次截断。", "verdict": "恢复执行不等于恢复全部事实。GLM-Edge仓库本次165 stars，属于小项目补充，不计热门30个门槛。" }, "contribution": "视觉片段型来源：以原文中与原帧相符的海岸、人物、表情或道具作为灵感入口。身份、对白、连续动作、奇幻规则和新剧情由Codex补写，不是该模型的原始能力。", "source_duplicate_of": null, "source_hash": "cabe87ecc5764cf261d9e50220100a8ea5064583c62f0e96af47804f2c8dbfe9", "body_hash": "8b0a188f4695846fdef627d84c09256eef789c5efc23f1198ce75c895711eb47", "author": "Codex, shared writer; not original model output", "fallback": false, "hook": "一只房屋大小的蟹钳已悬在小满头顶，钳缝却夹着一只小小布鞋；观众先看见威胁，再注意到极小的鞋。", "rule": "巨蟹在找失主；它的大动作只接触泥地和物件，不能伤人。", "shots": [ { "number": 1, "start": 0, "end": 1, "duration": 1, "beat": "惊奇：先看见不可能", "action": "一只房屋大小的蟹钳已悬在小满头顶，钳缝却夹着一只小小布鞋；观众先看见威胁，再注意到极小的鞋。", "camera": "24–35mm感中广景或前景近物后景巨物，保留明确大小参照；单一明确机位，不用无目标甩镜；异常动作在画面开始时已经发生。", "performance": "以本镜指定的人物/道具为中心，背景角色不抢动作。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "以潮声、湿泥轻响、旧木或黄铜触碰声中最贴合本镜道具的一声开场；配一个短低频脉冲，随即让出空间，不叠加尖叫。", "transition": "在异常动作最清楚的一刻硬切至下一镜指定动作或反应；不先放片名或黑屏。", "timing": "0.00–0.15秒直接展示钩子关键帧；0.15–0.70秒让异常动作继续；0.70–1.00秒用呼吸或微小停顿准备切入反应。" }, { "number": 2, "start": 1, "end": 4, "duration": 3, "beat": "好奇：理解人物的反应", "action": "海生立刻把孩子护到身后，二狗举起竹铲又不敢靠近；小满低头看自己光着的一只脚，神情突然变了。", "camera": "50mm感的近景，机位降到孩子眼平，向前缓移约一个手掌距离。", "performance": "若小满在本镜入画，眼神先落在道具，再转向海生；若为纯道具镜，不额外挤入人脸。海生与孩子交流时保持相近眼平高度。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "保留孩子一次吸气和衣料轻摩擦，环境声变窄，音乐只留很轻的持续音。", "transition": "按人物视线切到问题或缺少之物，前一镜最后一声环境音延续约0.15秒。", "timing": "1–1.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 3, "start": 4, "end": 9, "duration": 5, "beat": "共情：显露一个小缺口", "action": "她想起鞋滑进泥水的瞬间，画面只用鞋落水的短插入承接；苏兰把她抱上石头，避免她赤脚追向深泥。", "camera": "35mm感中景或中近景，交代角色、目标道具和可行动空间；保持眼线一致。", "performance": "让负责本镜行动的成人先动，孩子随后作出可见反应；避免所有人同时表演。 本来源版本强调空间关系：镜头开头保留四个角色/道具位置参照，再靠近关键动作，不以密集特写掩盖布局。", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "空碗、空袋、脚步或木板声选本镜实际存在的一项放近；未出场物件不配声，避免声源误导。", "transition": "用逐渐靠近的风声/物件声引入下一镜；剪切前先让观众认清道具位置。", "timing": "4–5.25秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 4, "start": 9, "end": 15, "duration": 6, "beat": "紧张：让选择有代价", "action": "巨钳降低，影子覆盖全画面，二狗闭眼准备挡住；小满伸出手，叫停大人，紧张被一丝笃定打断。", "camera": "28mm感稍低机位，前景放障碍或关键道具，后景保留退路；缓慢推进，不乱晃。", "performance": "海生或苏兰承担保护动作，孩子的恐惧用呼吸与手指表现；二狗的夸张反应不压过危险信息。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "风与低频逐步增强，声音来自画面可解释方向；临近决定时收低，不盖过呼吸。", "transition": "在角色看向选择对象时切到手部，危险声短暂收低，突出决定。", "timing": "9–10.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 5, "start": 15, "end": 22, "duration": 7, "beat": "信任：人物主动做决定", "action": "小满把另一只鞋举给巨蟹看，海生仍托住她腰侧；她用空掌心朝上表示请求，没有靠近钳口。", "camera": "65–85mm感手部/道具插入镜头，焦点从指尖过渡到被选择的物件；只做一次明确动作。", "performance": "选择必须由清楚的手部动作落实；其余角色停住，给观众看懂选择的空间。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "对白：小满轻声说“等一下，它拿着我的鞋。”；只配一次明确道具接触声。", "transition": "按动作方向匹配下一镜的变化，避免用白闪遮盖因果。", "timing": "15–16.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 6, "start": 22, "end": 30, "duration": 8, "beat": "释放：回报具有清楚因果", "action": "巨钳缓缓放下小鞋，鞋里倒出一小颗漂亮贝壳；巨蟹退后半步，泥地留下巨大的礼貌距离。", "camera": "28–35mm感中广景，由关键道具向外缓慢拉开，完整看见变化及安全距离。", "performance": "先让道具/环境发生变化，再切或移到人物反应；变化只遵守本故事规则。 本来源版本强调空间关系：镜头开头保留四个角色/道具位置参照，再靠近关键动作，不以密集特写掩盖布局。", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "潮声、湿泥轻响、旧木或黄铜触碰声随变化从密变疏，再进入温暖的两三个原创音符；不使用现成热门歌曲歌词。", "transition": "变化完成后停半拍再切脸部；环境音恢复，音乐只抬高一层。", "timing": "22–24.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 7, "start": 30, "end": 38, "duration": 8, "beat": "温暖：给表情留下时间", "action": "苏兰替孩子穿好鞋，小满向巨蟹鞠一个小躬；二狗偷偷擦汗，发现自己手里的竹铲还拿反了。", "camera": "50–65mm感面部近景，稳定机位，留出至少半秒无对白微表情。", "performance": "孩子的肩膀放松、视线愿意停留；成人以小动作回应，不用齐声大笑替代情绪。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "对白：小满说“谢谢你，没有弄丢。”；其余人用目光回应，留半秒安静。", "transition": "由人物最后的目光或手指引向收尾道具，暖光保持一致。", "timing": "30–32.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 8, "start": 38, "end": 44, "duration": 6, "beat": "余味：接回钩子并打开新可能", "action": "海边又浮出一只钳子，举着二狗掉下的帽子；镜头沿小鞋的弧线回到巨钳，尾钩以喜剧兑现而非新危险收束。", "camera": "以本镜描述的收尾物件构图；最后的形状、光点或运动方向匹配开场关键元素。允许改变景别，但匹配关系必须清楚。", "performance": "人物保持结局得到的安全与关系；新的小悬念不撤销已经完成的情绪回报。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "取第一镜的同一种音色作为最后一个轻声提示，让尾音衔接循环；不突然加入无关轰鸣。", "transition": "最后0.3秒保留与开头相似的轮廓/音色，允许无缝循环；不加黑底强制点击卡。", "timing": "38–39.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" } ], "path": "creative/C009--results-hd--gguf-glm-edge-single.txt", "text": "来源文件：raw-prompts/results-hd--gguf-glm-edge-single.txt\n来源名称：zai-org/glm-edge-v-2b-gguf\n实际来源记录：results-hd/gguf-glm-edge-single.json\n原文可用点：改用独立单帧后成功生成8段；开场四蟹、红发带与蓝披衣正确；340秒指出蹲下指向水面；最后一帧说出四个人。\n原文问题/边界：50秒虚构背包人物站在岸边看浪，同时写平静海面；95秒漏一人并把瓦顶写成茅草顶；175秒凭两只手断言两个人、写成手持罗盘；235秒加红腰带；100token处多次截断。\n转化方式：视觉片段型来源：以原文中与原帧相符的海岸、人物、表情或道具作为灵感入口。身份、对白、连续动作、奇幻规则和新剧情由Codex补写，不是该模型的原始能力。\n本次选择的新故事：巨蟹只是来还一只鞋。所有幻想事件都是二创，不用原文中的误识别冒充事实。\n\n《巨蟹只是来还一只鞋》｜误会反转｜44秒完整剪辑稿\n\n制作目标：44秒，9:16竖屏，8个剪辑镜头，目标1080×1920、24fps。时间表是剪辑设计，不是任一平台API保证；按工具实际支持的片段长度生成，再裁切拼接。此处没有生成视频。\n视觉基调：架空旧式沿海村落，湿泥、粗布、旧木和黄铜具有可触摸的写实材质；幼童面部略带童话般大眼比例。灰蓝海水与褐色村屋为底，红发带是辨识点，幻想光源以局部金色/银色呈现。\n小满：幼童女孩，黑发双髻、左右各一条红发带、额头小红点；灰褐补丁粗布衣、布挎袋、旧布鞋。开场若用蓝披衣，则全片保持，除非镜头明确拍下脱衣。性格敏感、先看大人反应，再敢表达愿望。红点不是伤口，红发带不是红头发。\n海生：青年男性，凌乱黑发，旧蓝外衣、灰内衫、深裤；行动稳，保护孩子时先降到她的眼平高度，不以大喊替代关心。\n苏兰：成年女性，深发松束、灰褐无袖粗布上衣、简单项链与腕布；观察细节，负责托稳道具、递布或摆碗等具体照顾。\n二狗：青年男性，短黑发、橄榄绿外衣；提供轻微喜剧和观众反应，后半段愿意放慢动作参与帮助，不把他写成伤害孩子的反派。\n上述人物只在本镜明确指定时出现。群众只作远处模糊背景，不增加新主角。多人同框时优先保持海生在左、苏兰在后、二狗在右、小满在前中；若换位，用中广景交代，不瞬移。\n环境连续性：泥滩、浅水、旧船和村屋保持同一架空地点。海平线稳定。湿衣不会无故变干。室内暖色由船灯或灶火提供；室外变暖用云隙光或明确的幻想道具光解释，不让44秒凭空跨越数小时。\n人物表情与道具变化分开生成更易核对：每镜最多一个主要幻想动作，真实人物不随道具变形。以上服装、人物名和新动作均属本次二创设定，不声称模型从8帧恢复了全部身份。\n\n核心道具锁：缺一只的旧布鞋、巨蟹白斑左钳。先为本片制作一张统一道具参考图，记录缺口、锈斑、左右方向、尺寸；镜头之间沿用同一版本。\n\n本片新规则：巨蟹在找失主；它的大动作只接触泥地和物件，不能伤人。 此规则是新创作，不是原片事实。\n\n第一秒视觉钩子：一只房屋大小的蟹钳已悬在小满头顶，钳缝却夹着一只小小布鞋；观众先看见威胁，再注意到极小的鞋。\n\n目标情绪路径：惊奇 → 好奇 → 共情 → 紧张 → 信任 → 释放 → 温暖 → 余味。它是创作设计，不是已测得的观众留存数据。\n\n分镜与生成指令（逐镜生成，再按时间码剪辑；全局角色锁及规则与每一镜一起输入）：\n\n镜头01｜00–01秒｜1秒｜惊奇：先看见不可能\n画面与动作：一只房屋大小的蟹钳已悬在小满头顶，钳缝却夹着一只小小布鞋；观众先看见威胁，再注意到极小的鞋。\n动作节拍：0.00–0.15秒直接展示钩子关键帧；0.15–0.70秒让异常动作继续；0.70–1.00秒用呼吸或微小停顿准备切入反应。\n构图与镜头：24–35mm感中广景或前景近物后景巨物，保留明确大小参照；单一明确机位，不用无目标甩镜；异常动作在画面开始时已经发生。\n人物表演：以本镜指定的人物/道具为中心，背景角色不抢动作。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：以潮声、湿泥轻响、旧木或黄铜触碰声中最贴合本镜道具的一声开场；配一个短低频脉冲，随即让出空间，不叠加尖叫。\n衔接：在异常动作最清楚的一刻硬切至下一镜指定动作或反应；不先放片名或黑屏。\n\n镜头02｜01–04秒｜3秒｜好奇：理解人物的反应\n画面与动作：海生立刻把孩子护到身后，二狗举起竹铲又不敢靠近；小满低头看自己光着的一只脚，神情突然变了。\n动作节拍：1–1.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：50mm感的近景，机位降到孩子眼平，向前缓移约一个手掌距离。\n人物表演：若小满在本镜入画，眼神先落在道具，再转向海生；若为纯道具镜，不额外挤入人脸。海生与孩子交流时保持相近眼平高度。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：保留孩子一次吸气和衣料轻摩擦，环境声变窄，音乐只留很轻的持续音。\n衔接：按人物视线切到问题或缺少之物，前一镜最后一声环境音延续约0.15秒。\n\n镜头03｜04–09秒｜5秒｜共情：显露一个小缺口\n画面与动作：她想起鞋滑进泥水的瞬间，画面只用鞋落水的短插入承接；苏兰把她抱上石头，避免她赤脚追向深泥。\n动作节拍：4–5.25秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：35mm感中景或中近景，交代角色、目标道具和可行动空间；保持眼线一致。\n人物表演：让负责本镜行动的成人先动，孩子随后作出可见反应；避免所有人同时表演。 本来源版本强调空间关系：镜头开头保留四个角色/道具位置参照，再靠近关键动作，不以密集特写掩盖布局。\n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：空碗、空袋、脚步或木板声选本镜实际存在的一项放近；未出场物件不配声，避免声源误导。\n衔接：用逐渐靠近的风声/物件声引入下一镜；剪切前先让观众认清道具位置。\n\n镜头04｜09–15秒｜6秒｜紧张：让选择有代价\n画面与动作：巨钳降低，影子覆盖全画面，二狗闭眼准备挡住；小满伸出手，叫停大人，紧张被一丝笃定打断。\n动作节拍：9–10.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：28mm感稍低机位，前景放障碍或关键道具，后景保留退路；缓慢推进，不乱晃。\n人物表演：海生或苏兰承担保护动作，孩子的恐惧用呼吸与手指表现；二狗的夸张反应不压过危险信息。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：风与低频逐步增强，声音来自画面可解释方向；临近决定时收低，不盖过呼吸。\n衔接：在角色看向选择对象时切到手部，危险声短暂收低，突出决定。\n\n镜头05｜15–22秒｜7秒｜信任：人物主动做决定\n画面与动作：小满把另一只鞋举给巨蟹看，海生仍托住她腰侧；她用空掌心朝上表示请求，没有靠近钳口。\n动作节拍：15–16.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：65–85mm感手部/道具插入镜头，焦点从指尖过渡到被选择的物件；只做一次明确动作。\n人物表演：选择必须由清楚的手部动作落实；其余角色停住，给观众看懂选择的空间。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：对白：小满轻声说“等一下，它拿着我的鞋。”；只配一次明确道具接触声。\n衔接：按动作方向匹配下一镜的变化，避免用白闪遮盖因果。\n\n镜头06｜22–30秒｜8秒｜释放：回报具有清楚因果\n画面与动作：巨钳缓缓放下小鞋，鞋里倒出一小颗漂亮贝壳；巨蟹退后半步，泥地留下巨大的礼貌距离。\n动作节拍：22–24.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：28–35mm感中广景，由关键道具向外缓慢拉开，完整看见变化及安全距离。\n人物表演：先让道具/环境发生变化，再切或移到人物反应；变化只遵守本故事规则。 本来源版本强调空间关系：镜头开头保留四个角色/道具位置参照，再靠近关键动作，不以密集特写掩盖布局。\n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：潮声、湿泥轻响、旧木或黄铜触碰声随变化从密变疏，再进入温暖的两三个原创音符；不使用现成热门歌曲歌词。\n衔接：变化完成后停半拍再切脸部；环境音恢复，音乐只抬高一层。\n\n镜头07｜30–38秒｜8秒｜温暖：给表情留下时间\n画面与动作：苏兰替孩子穿好鞋，小满向巨蟹鞠一个小躬；二狗偷偷擦汗，发现自己手里的竹铲还拿反了。\n动作节拍：30–32.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：50–65mm感面部近景，稳定机位，留出至少半秒无对白微表情。\n人物表演：孩子的肩膀放松、视线愿意停留；成人以小动作回应，不用齐声大笑替代情绪。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：对白：小满说“谢谢你，没有弄丢。”；其余人用目光回应，留半秒安静。\n衔接：由人物最后的目光或手指引向收尾道具，暖光保持一致。\n\n镜头08｜38–44秒｜6秒｜余味：接回钩子并打开新可能\n画面与动作：海边又浮出一只钳子，举着二狗掉下的帽子；镜头沿小鞋的弧线回到巨钳，尾钩以喜剧兑现而非新危险收束。\n动作节拍：38–39.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：以本镜描述的收尾物件构图；最后的形状、光点或运动方向匹配开场关键元素。允许改变景别，但匹配关系必须清楚。\n人物表演：人物保持结局得到的安全与关系；新的小悬念不撤销已经完成的情绪回报。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：取第一镜的同一种音色作为最后一个轻声提示，让尾音衔接循环；不突然加入无关轰鸣。\n衔接：最后0.3秒保留与开头相似的轮廓/音色，允许无缝循环；不加黑底强制点击卡。\n\n负向与连续性检查：不出现无依据的手机、枪械、医院、现代车辆、书上伪造大段文字、未经设计的影视角色或艺术家署名。保持双髻、红带、额头红点及四名主角身份；不多生手指、蟹腿，不让手与道具穿模，不把罗盘替换成怀表。道具在同一镜内不得随机换材质、数量、左右位置或开合状态。只允许故事规则指定的物件变化；儿童无血腥伤害。所有字幕、可读书名和界面文字后期添加，生成画面不带水印、伪字幕或推广尾卡。\n合成前逐镜核对：人物数与站坐姿；第一帧是否已有异常；动作起点/终点能否接上；道具尺寸是否受控；视线和海平线是否一致；每个回报能否追溯到前一镜的选择。未拍出因果时重做相关镜头，不能靠旁白掩盖。\n\n平台剪辑备选（不是平台时长限制，也不是热度保证）：\nTikTok测试版：保留0–1秒钩子，1–4秒加一行疑问字幕，22–30秒完整展示回报；可将4–9秒背景压成3秒，成片约42秒。\nInstagram Reels测试版：保持道具质感与暖光配色，前1秒无需读字即可理解异常；保留30–38秒表情停顿，以收尾道具作封面，主体仍44秒。\nYouTube Shorts测试版：保持44秒因果链，画外说明最多一句；最后0.3秒与开头形状/声响呼应，避免只留下未兑现的悬念。\n所有字幕建议单行、短句，放在人物面部与关键道具之外；先按实际播放器界面预览遮挡。\n\n可测试的两个开头：A使用第一镜的大/小、静/动反差；B保持同一异常事件，但从小满瞳孔或手中道具切入，再在0.6秒内露出尺度参照。只改变开头一项，其余剪辑保持一致；是否提高留存需要真实成片与实际观看数据，本任务未做此测试。" }, { "id": "C010", "title": "听见一个看不见的家", "concept_id": "S24", "concept_index": 23, "version": 0, "genre": "声音悬疑", "duration_seconds": 44, "shot_count": 8, "source_id": "results-hd--gguf-granite-single", "source_name": "ibm-granite/granite-vision-3.3-2b-GGUF", "category": "results-hd", "source_path": "raw-prompts/results-hd--gguf-granite-single.txt", "source_record": "results-hd/gguf-granite-single.json", "source_paths": [ "raw-prompts/results-hd--gguf-granite-single.txt", "project-cases/ibm-granite__granite-vision-models/prompt-raw.txt" ], "source_excerpt": "[0 秒]\nA young child with black hair and red bows sits on a rocky beach, surrounded by crabs. The child is wearing a gray robe and has a contemplative expression.\n\n[15 秒]\nA young child with tears in their eyes, wearing a red dot on their forehead, is seen in a close-up shot.\n\n[50 秒]\nA boat sails on a turbulent sea, surrounded by a stormy sky.\n\n[95 秒]\nIn the image, a group of four individuals is gathered around a wooden table in a rustic setting. The person on the left, seated, is wearing a blue shirt and has a serious expression. The person on the right, standing, is dressed in a patterned blou", "source_review": { "strength": "独立单帧避开超上下文错误；8帧均有输出，识别哭泣、书与罗盘、指水动作，95与385秒总人数为四。", "issues": "50秒只剩船与汹涌海面，漏掉巨浪相对于小船的尺度；95秒站坐数量错误；235秒漏身旁成人；385秒把幼童并入“两男两女”且手持物描述错误；部分长句截断。", "verdict": "短描述可作检索标签，但本次不足以组织完整剧情。granite-vision-models仓库本次55 stars，仅作补充，不计热门项目数量。" }, "contribution": "视觉片段型来源：以原文中与原帧相符的海岸、人物、表情或道具作为灵感入口。身份、对白、连续动作、奇幻规则和新剧情由Codex补写，不是该模型的原始能力。", "source_duplicate_of": null, "source_hash": "d208756086235b7a4e84cc632da1ece26216249c8fa136681bdef4552fd1bb52", "body_hash": "2de9128fc638989243799624846fdcfd782f7ebb28761d36d4bbcbdbb426cfa1", "author": "Codex, shared writer; not original model output", "fallback": false, "hook": "空屋里四把椅子已经自行轻轻摇动，却只传来三个人的碗筷声；小满站在门边，第四把椅子的影子像在等待她。", "rule": "海螺回放的不是过去，而是人物尚未落实的温暖愿望；摆好椅子后声音才与现实同步。", "shots": [ { "number": 1, "start": 0, "end": 1, "duration": 1, "beat": "惊奇：先看见不可能", "action": "空屋里四把椅子已经自行轻轻摇动，却只传来三个人的碗筷声；小满站在门边，第四把椅子的影子像在等待她。", "camera": "24–35mm感中广景或前景近物后景巨物，保留明确大小参照；单一明确机位，不用无目标甩镜；异常动作在画面开始时已经发生。", "performance": "以本镜指定的人物/道具为中心，背景角色不抢动作。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "以潮声、湿泥轻响、旧木或黄铜触碰声中最贴合本镜道具的一声开场；配一个短低频脉冲，随即让出空间，不叠加尖叫。", "transition": "在异常动作最清楚的一刻硬切至下一镜指定动作或反应；不先放片名或黑屏。", "timing": "0.00–0.15秒直接展示钩子关键帧；0.15–0.70秒让异常动作继续；0.70–1.00秒用呼吸或微小停顿准备切入反应。" }, { "number": 2, "start": 1, "end": 4, "duration": 3, "beat": "好奇：理解人物的反应", "action": "她举起海螺贴耳，听见模糊笑声，却没有自己的回应；海生看见她停在门槛外，把手里的木板放下。", "camera": "50mm感的近景，机位降到孩子眼平，向前缓移约一个手掌距离。", "performance": "若小满在本镜入画，眼神先落在道具，再转向海生；若为纯道具镜，不额外挤入人脸。海生与孩子交流时保持相近眼平高度。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "保留孩子一次吸气和衣料轻摩擦，环境声变窄，音乐只留很轻的持续音。", "transition": "按人物视线切到问题或缺少之物，前一镜最后一声环境音延续约0.15秒。", "timing": "1–1.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 3, "start": 4, "end": 9, "duration": 5, "beat": "共情：显露一个小缺口", "action": "屋内还未收拾，第四把椅子断了一条腿；苏兰用布擦桌，二狗试着扶椅子，椅脚总会轻晃。", "camera": "35mm感中景或中近景，交代角色、目标道具和可行动空间；保持眼线一致。", "performance": "让负责本镜行动的成人先动，孩子随后作出可见反应；避免所有人同时表演。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "空碗、空袋、脚步或木板声选本镜实际存在的一项放近；未出场物件不配声，避免声源误导。", "transition": "用逐渐靠近的风声/物件声引入下一镜；剪切前先让观众认清道具位置。", "timing": "4–5.25秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 4, "start": 9, "end": 15, "duration": 6, "beat": "紧张：让选择有代价", "action": "海螺里的笑声越来越远，小满把它塞进布袋，假装不在乎；镜头停在她收回的脚尖上，保留失落的半拍。", "camera": "28mm感稍低机位，前景放障碍或关键道具，后景保留退路；缓慢推进，不乱晃。", "performance": "海生或苏兰承担保护动作，孩子的恐惧用呼吸与手指表现；二狗的夸张反应不压过危险信息。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "风与低频逐步增强，声音来自画面可解释方向；临近决定时收低，不盖过呼吸。", "transition": "在角色看向选择对象时切到手部，危险声短暂收低，突出决定。", "timing": "9–10.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 5, "start": 15, "end": 22, "duration": 7, "beat": "信任：人物主动做决定", "action": "海生搬来旧船木板，和二狗一起补好椅腿；苏兰把第四只碗摆上桌，小满终于把海螺拿出来放到自己位置前。", "camera": "65–85mm感手部/道具插入镜头，焦点从指尖过渡到被选择的物件；只做一次明确动作。", "performance": "选择必须由清楚的手部动作落实；其余角色停住，给观众看懂选择的空间。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "对白：海生轻声说“缺的不是一把椅子。”；只配一次明确道具接触声。", "transition": "按动作方向匹配下一镜的变化，避免用白闪遮盖因果。", "timing": "15–16.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 6, "start": 22, "end": 30, "duration": 8, "beat": "释放：回报具有清楚因果", "action": "她坐下的瞬间，海螺中的碗筷声与现实完全重合；空屋的回声消失，只剩四个人真实的呼吸和笑声。", "camera": "28–35mm感中广景，由关键道具向外缓慢拉开，完整看见变化及安全距离。", "performance": "先让道具/环境发生变化，再切或移到人物反应；变化只遵守本故事规则。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "潮声、湿泥轻响、旧木或黄铜触碰声随变化从密变疏，再进入温暖的两三个原创音符；不使用现成热门歌曲歌词。", "transition": "变化完成后停半拍再切脸部；环境音恢复，音乐只抬高一层。", "timing": "22–24.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 7, "start": 30, "end": 38, "duration": 8, "beat": "温暖：给表情留下时间", "action": "小满故意敲一次碗沿，海生也敲一次回应；二狗敲错节拍，苏兰忍着笑替他纠正，孩子的声音终于在其中。", "camera": "50–65mm感面部近景，稳定机位，留出至少半秒无对白微表情。", "performance": "孩子的肩膀放松、视线愿意停留；成人以小动作回应，不用齐声大笑替代情绪。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "对白：海生说“以后都有你的声音。”；其余人用目光回应，留半秒安静。", "transition": "由人物最后的目光或手指引向收尾道具，暖光保持一致。", "timing": "30–32.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 8, "start": 38, "end": 44, "duration": 6, "beat": "余味：接回钩子并打开新可能", "action": "门边多出一只给小蟹准备的小碟，海螺响起很轻的钳声；镜头退回原先空门的位置，但屋里已满是生活。", "camera": "以本镜描述的收尾物件构图；最后的形状、光点或运动方向匹配开场关键元素。允许改变景别，但匹配关系必须清楚。", "performance": "人物保持结局得到的安全与关系；新的小悬念不撤销已经完成的情绪回报。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "取第一镜的同一种音色作为最后一个轻声提示，让尾音衔接循环；不突然加入无关轰鸣。", "transition": "最后0.3秒保留与开头相似的轮廓/音色，允许无缝循环；不加黑底强制点击卡。", "timing": "38–39.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" } ], "path": "creative/C010--results-hd--gguf-granite-single.txt", "text": "来源文件：raw-prompts/results-hd--gguf-granite-single.txt\n来源名称：ibm-granite/granite-vision-3.3-2b-GGUF\n实际来源记录：results-hd/gguf-granite-single.json\n原文可用点：独立单帧避开超上下文错误；8帧均有输出，识别哭泣、书与罗盘、指水动作，95与385秒总人数为四。\n原文问题/边界：50秒只剩船与汹涌海面，漏掉巨浪相对于小船的尺度；95秒站坐数量错误；235秒漏身旁成人；385秒把幼童并入“两男两女”且手持物描述错误；部分长句截断。\n转化方式：视觉片段型来源：以原文中与原帧相符的海岸、人物、表情或道具作为灵感入口。身份、对白、连续动作、奇幻规则和新剧情由Codex补写，不是该模型的原始能力。\n本次选择的新故事：听见一个看不见的家。所有幻想事件都是二创，不用原文中的误识别冒充事实。\n\n《听见一个看不见的家》｜声音悬疑｜44秒完整剪辑稿\n\n制作目标：44秒，9:16竖屏，8个剪辑镜头，目标1080×1920、24fps。时间表是剪辑设计，不是任一平台API保证；按工具实际支持的片段长度生成，再裁切拼接。此处没有生成视频。\n视觉基调：架空旧式沿海村落，湿泥、粗布、旧木和黄铜具有可触摸的写实材质；幼童面部略带童话般大眼比例。灰蓝海水与褐色村屋为底，红发带是辨识点，幻想光源以局部金色/银色呈现。\n小满：幼童女孩，黑发双髻、左右各一条红发带、额头小红点；灰褐补丁粗布衣、布挎袋、旧布鞋。开场若用蓝披衣，则全片保持，除非镜头明确拍下脱衣。性格敏感、先看大人反应，再敢表达愿望。红点不是伤口，红发带不是红头发。\n海生：青年男性，凌乱黑发，旧蓝外衣、灰内衫、深裤；行动稳，保护孩子时先降到她的眼平高度，不以大喊替代关心。\n苏兰：成年女性，深发松束、灰褐无袖粗布上衣、简单项链与腕布；观察细节，负责托稳道具、递布或摆碗等具体照顾。\n二狗：青年男性，短黑发、橄榄绿外衣；提供轻微喜剧和观众反应，后半段愿意放慢动作参与帮助，不把他写成伤害孩子的反派。\n上述人物只在本镜明确指定时出现。群众只作远处模糊背景，不增加新主角。多人同框时优先保持海生在左、苏兰在后、二狗在右、小满在前中；若换位，用中广景交代，不瞬移。\n环境连续性：泥滩、浅水、旧船和村屋保持同一架空地点。海平线稳定。湿衣不会无故变干。室内暖色由船灯或灶火提供；室外变暖用云隙光或明确的幻想道具光解释，不让44秒凭空跨越数小时。\n人物表情与道具变化分开生成更易核对：每镜最多一个主要幻想动作，真实人物不随道具变形。以上服装、人物名和新动作均属本次二创设定，不声称模型从8帧恢复了全部身份。\n\n核心道具锁：空旧屋、海螺、四把不齐的木椅。先为本片制作一张统一道具参考图，记录缺口、锈斑、左右方向、尺寸；镜头之间沿用同一版本。\n\n本片新规则：海螺回放的不是过去，而是人物尚未落实的温暖愿望；摆好椅子后声音才与现实同步。 此规则是新创作，不是原片事实。\n\n第一秒视觉钩子：空屋里四把椅子已经自行轻轻摇动，却只传来三个人的碗筷声；小满站在门边，第四把椅子的影子像在等待她。\n\n目标情绪路径：惊奇 → 好奇 → 共情 → 紧张 → 信任 → 释放 → 温暖 → 余味。它是创作设计，不是已测得的观众留存数据。\n\n分镜与生成指令（逐镜生成，再按时间码剪辑；全局角色锁及规则与每一镜一起输入）：\n\n镜头01｜00–01秒｜1秒｜惊奇：先看见不可能\n画面与动作：空屋里四把椅子已经自行轻轻摇动，却只传来三个人的碗筷声；小满站在门边，第四把椅子的影子像在等待她。\n动作节拍：0.00–0.15秒直接展示钩子关键帧；0.15–0.70秒让异常动作继续；0.70–1.00秒用呼吸或微小停顿准备切入反应。\n构图与镜头：24–35mm感中广景或前景近物后景巨物，保留明确大小参照；单一明确机位，不用无目标甩镜；异常动作在画面开始时已经发生。\n人物表演：以本镜指定的人物/道具为中心，背景角色不抢动作。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：以潮声、湿泥轻响、旧木或黄铜触碰声中最贴合本镜道具的一声开场；配一个短低频脉冲，随即让出空间，不叠加尖叫。\n衔接：在异常动作最清楚的一刻硬切至下一镜指定动作或反应；不先放片名或黑屏。\n\n镜头02｜01–04秒｜3秒｜好奇：理解人物的反应\n画面与动作：她举起海螺贴耳，听见模糊笑声，却没有自己的回应；海生看见她停在门槛外，把手里的木板放下。\n动作节拍：1–1.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：50mm感的近景，机位降到孩子眼平，向前缓移约一个手掌距离。\n人物表演：若小满在本镜入画，眼神先落在道具，再转向海生；若为纯道具镜，不额外挤入人脸。海生与孩子交流时保持相近眼平高度。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：保留孩子一次吸气和衣料轻摩擦，环境声变窄，音乐只留很轻的持续音。\n衔接：按人物视线切到问题或缺少之物，前一镜最后一声环境音延续约0.15秒。\n\n镜头03｜04–09秒｜5秒｜共情：显露一个小缺口\n画面与动作：屋内还未收拾，第四把椅子断了一条腿；苏兰用布擦桌，二狗试着扶椅子，椅脚总会轻晃。\n动作节拍：4–5.25秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：35mm感中景或中近景，交代角色、目标道具和可行动空间；保持眼线一致。\n人物表演：让负责本镜行动的成人先动，孩子随后作出可见反应；避免所有人同时表演。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：空碗、空袋、脚步或木板声选本镜实际存在的一项放近；未出场物件不配声，避免声源误导。\n衔接：用逐渐靠近的风声/物件声引入下一镜；剪切前先让观众认清道具位置。\n\n镜头04｜09–15秒｜6秒｜紧张：让选择有代价\n画面与动作：海螺里的笑声越来越远，小满把它塞进布袋，假装不在乎；镜头停在她收回的脚尖上，保留失落的半拍。\n动作节拍：9–10.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：28mm感稍低机位，前景放障碍或关键道具，后景保留退路；缓慢推进，不乱晃。\n人物表演：海生或苏兰承担保护动作，孩子的恐惧用呼吸与手指表现；二狗的夸张反应不压过危险信息。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：风与低频逐步增强，声音来自画面可解释方向；临近决定时收低，不盖过呼吸。\n衔接：在角色看向选择对象时切到手部，危险声短暂收低，突出决定。\n\n镜头05｜15–22秒｜7秒｜信任：人物主动做决定\n画面与动作：海生搬来旧船木板，和二狗一起补好椅腿；苏兰把第四只碗摆上桌，小满终于把海螺拿出来放到自己位置前。\n动作节拍：15–16.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：65–85mm感手部/道具插入镜头，焦点从指尖过渡到被选择的物件；只做一次明确动作。\n人物表演：选择必须由清楚的手部动作落实；其余角色停住，给观众看懂选择的空间。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：对白：海生轻声说“缺的不是一把椅子。”；只配一次明确道具接触声。\n衔接：按动作方向匹配下一镜的变化，避免用白闪遮盖因果。\n\n镜头06｜22–30秒｜8秒｜释放：回报具有清楚因果\n画面与动作：她坐下的瞬间，海螺中的碗筷声与现实完全重合；空屋的回声消失，只剩四个人真实的呼吸和笑声。\n动作节拍：22–24.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：28–35mm感中广景，由关键道具向外缓慢拉开，完整看见变化及安全距离。\n人物表演：先让道具/环境发生变化，再切或移到人物反应；变化只遵守本故事规则。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：潮声、湿泥轻响、旧木或黄铜触碰声随变化从密变疏，再进入温暖的两三个原创音符；不使用现成热门歌曲歌词。\n衔接：变化完成后停半拍再切脸部；环境音恢复，音乐只抬高一层。\n\n镜头07｜30–38秒｜8秒｜温暖：给表情留下时间\n画面与动作：小满故意敲一次碗沿，海生也敲一次回应；二狗敲错节拍，苏兰忍着笑替他纠正，孩子的声音终于在其中。\n动作节拍：30–32.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：50–65mm感面部近景，稳定机位，留出至少半秒无对白微表情。\n人物表演：孩子的肩膀放松、视线愿意停留；成人以小动作回应，不用齐声大笑替代情绪。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：对白：海生说“以后都有你的声音。”；其余人用目光回应，留半秒安静。\n衔接：由人物最后的目光或手指引向收尾道具，暖光保持一致。\n\n镜头08｜38–44秒｜6秒｜余味：接回钩子并打开新可能\n画面与动作：门边多出一只给小蟹准备的小碟，海螺响起很轻的钳声；镜头退回原先空门的位置，但屋里已满是生活。\n动作节拍：38–39.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：以本镜描述的收尾物件构图；最后的形状、光点或运动方向匹配开场关键元素。允许改变景别，但匹配关系必须清楚。\n人物表演：人物保持结局得到的安全与关系；新的小悬念不撤销已经完成的情绪回报。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：取第一镜的同一种音色作为最后一个轻声提示，让尾音衔接循环；不突然加入无关轰鸣。\n衔接：最后0.3秒保留与开头相似的轮廓/音色，允许无缝循环；不加黑底强制点击卡。\n\n负向与连续性检查：不出现无依据的手机、枪械、医院、现代车辆、书上伪造大段文字、未经设计的影视角色或艺术家署名。保持双髻、红带、额头红点及四名主角身份；不多生手指、蟹腿，不让手与道具穿模，不把罗盘替换成怀表。道具在同一镜内不得随机换材质、数量、左右位置或开合状态。只允许故事规则指定的物件变化；儿童无血腥伤害。所有字幕、可读书名和界面文字后期添加，生成画面不带水印、伪字幕或推广尾卡。\n合成前逐镜核对：人物数与站坐姿；第一帧是否已有异常；动作起点/终点能否接上；道具尺寸是否受控；视线和海平线是否一致；每个回报能否追溯到前一镜的选择。未拍出因果时重做相关镜头，不能靠旁白掩盖。\n\n平台剪辑备选（不是平台时长限制，也不是热度保证）：\nTikTok测试版：保留0–1秒钩子，1–4秒加一行疑问字幕，22–30秒完整展示回报；可将4–9秒背景压成3秒，成片约42秒。\nInstagram Reels测试版：保持道具质感与暖光配色，前1秒无需读字即可理解异常；保留30–38秒表情停顿，以收尾道具作封面，主体仍44秒。\nYouTube Shorts测试版：保持44秒因果链，画外说明最多一句；最后0.3秒与开头形状/声响呼应，避免只留下未兑现的悬念。\n所有字幕建议单行、短句，放在人物面部与关键道具之外；先按实际播放器界面预览遮挡。\n\n可测试的两个开头：A使用第一镜的大/小、静/动反差；B保持同一异常事件，但从小满瞳孔或手中道具切入，再在0.6秒内露出尺度参照。只改变开头一项，其余剪辑保持一致；是否提高留存需要真实成片与实际观看数据，本任务未做此测试。" }, { "id": "C011", "title": "螃蟹排出一张饭桌", "concept_id": "S26", "concept_index": 25, "version": 1, "genre": "喜剧温情", "duration_seconds": 44, "shot_count": 8, "source_id": "results-hd--gguf-joycaption", "source_name": "concedo/llama-joycaption-beta-one-hf-llava-mmproj-gguf", "category": "results-hd", "source_path": "raw-prompts/results-hd--gguf-joycaption.txt", "source_record": "results-hd/gguf-joycaption.json", "source_paths": [ "raw-prompts/results-hd--gguf-joycaption.txt", "project-cases/fpgaminer__joycaption/prompt-raw.txt" ], "source_excerpt": "Photograph of a young Asian girl with dark hair in two red hair buns, wearing a tattered brown dress with a red dot on her forehead, squatting on a muddy beach at sunset. She is focused on a wooden bucket with a metal scoop, holding it with both hands. To her left, an adult man with short black hair, wearing a dark blue shirt and brown pants, is bending over, holding a shovel. To her right, another adult man with short black hair, wearing a brown shirt and dark pants, is also bending over, looking at the bucket. In the background, a third adult woman with dark hair in a bun, wearing a brown dr", "source_review": { "strength": "生成268token完整段落，描述双髻红带、旧衣、海滩和金色光线；人物总量为一童三成人。", "issues": "8帧一起输入却写成一张海滩照片，主要接近最后一帧；没有逐段呈现巨浪和旧书罗盘；添金属勺、茅草房、灰边和错误手部动作；中文被写成日文。", "verdict": "本次多图组织下呈现单图化描述，不能代表它对逐张图像的最佳表现；没有证明这是模型能力还是输入组织造成。" }, "contribution": "视觉片段型来源：以原文中与原帧相符的海岸、人物、表情或道具作为灵感入口。身份、对白、连续动作、奇幻规则和新剧情由Codex补写，不是该模型的原始能力。", "source_duplicate_of": null, "source_hash": "cd499cf8d3efc0db861ce64e6bd9cc0e81225140b2b507e867ce43517e8c8f72", "body_hash": "a31c72eb84cbfe4dec01785ea1a735724ff73d38d5bd766c3abe758838b7d69f", "author": "Codex, shared writer; not original model output", "fallback": false, "hook": "四只小蟹已经各顶着一只迷你碗，整齐走上木桌，碗内热气组成一张更大的饭桌虚影；二狗看得筷子悬在半空。", "rule": "蟹只搬小物件；真正的大桌由人搭好，避免把劳动全部变成无因魔法。", "shots": [ { "number": 1, "start": 0, "end": 1, "duration": 1, "beat": "惊奇：先看见不可能", "action": "四只小蟹已经各顶着一只迷你碗，整齐走上木桌，碗内热气组成一张更大的饭桌虚影；二狗看得筷子悬在半空。", "camera": "24–35mm感中广景或前景近物后景巨物，保留明确大小参照；单一明确机位，不用无目标甩镜；异常动作在画面开始时已经发生。", "performance": "以本镜指定的人物/道具为中心，背景角色不抢动作。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "以潮声、湿泥轻响、旧木或黄铜触碰声中最贴合本镜道具的一声开场；配一个短低频脉冲，随即让出空间，不叠加尖叫。", "transition": "在异常动作最清楚的一刻硬切至下一镜指定动作或反应；不先放片名或黑屏。", "timing": "0.00–0.15秒直接展示钩子关键帧；0.15–0.70秒让异常动作继续；0.70–1.00秒用呼吸或微小停顿准备切入反应。" }, { "number": 2, "start": 1, "end": 4, "duration": 3, "beat": "好奇：理解人物的反应", "action": "小满把自己的碗挪出一个小空位，四只蟹却固执地围成方形；海生发现它们总朝院落里断腿的旧桌看。", "camera": "50mm感的近景，机位降到孩子眼平，向前缓移约一个手掌距离。", "performance": "若小满在本镜入画，眼神先落在道具，再转向海生；若为纯道具镜，不额外挤入人脸。海生与孩子交流时保持相近眼平高度。 本来源版本强调小满的主观感受：先拍她注意到的细节，再拍回应，缩短无信息的成人反应。", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "保留孩子一次吸气和衣料轻摩擦，环境声变窄，音乐只留很轻的持续音。", "transition": "按人物视线切到问题或缺少之物，前一镜最后一声环境音延续约0.15秒。", "timing": "1–1.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 3, "start": 4, "end": 9, "duration": 5, "beat": "共情：显露一个小缺口", "action": "一家人只能蹲在门边吃饭，碗放在石头上摇晃；苏兰护住孩子那碗，海生摸到旧桌断掉的榫头。", "camera": "35mm感中景或中近景，交代角色、目标道具和可行动空间；保持眼线一致。", "performance": "让负责本镜行动的成人先动，孩子随后作出可见反应；避免所有人同时表演。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "空碗、空袋、脚步或木板声选本镜实际存在的一项放近；未出场物件不配声，避免声源误导。", "transition": "用逐渐靠近的风声/物件声引入下一镜；剪切前先让观众认清道具位置。", "timing": "4–5.25秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 4, "start": 9, "end": 15, "duration": 6, "beat": "紧张：让选择有代价", "action": "二狗想用魔法虚影当桌子，碗刚放上去就穿过去，被海生及时接住；小满先吓一跳，再认真指向真实木板。", "camera": "28mm感稍低机位，前景放障碍或关键道具，后景保留退路；缓慢推进，不乱晃。", "performance": "海生或苏兰承担保护动作，孩子的恐惧用呼吸与手指表现；二狗的夸张反应不压过危险信息。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "风与低频逐步增强，声音来自画面可解释方向；临近决定时收低，不盖过呼吸。", "transition": "在角色看向选择对象时切到手部，危险声短暂收低，突出决定。", "timing": "9–10.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 5, "start": 15, "end": 22, "duration": 7, "beat": "信任：人物主动做决定", "action": "四人一起修桌，海生对齐榫头，苏兰扶稳桌面，二狗搬板，小满把小蟹搬来的木楔递过去。", "camera": "65–85mm感手部/道具插入镜头，焦点从指尖过渡到被选择的物件；只做一次明确动作。", "performance": "选择必须由清楚的手部动作落实；其余角色停住，给观众看懂选择的空间。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "对白：小满轻声说“它们也想坐下来。”；只配一次明确道具接触声。", "transition": "按动作方向匹配下一镜的变化，避免用白闪遮盖因果。", "timing": "15–16.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 6, "start": 22, "end": 30, "duration": 8, "beat": "释放：回报具有清楚因果", "action": "木楔入位，旧桌站稳；四只小蟹沿桌角排开，虚影只作为一圈温暖边光出现，所有碗都落在真实桌面上。", "camera": "28–35mm感中广景，由关键道具向外缓慢拉开，完整看见变化及安全距离。", "performance": "先让道具/环境发生变化，再切或移到人物反应；变化只遵守本故事规则。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "潮声、湿泥轻响、旧木或黄铜触碰声随变化从密变疏，再进入温暖的两三个原创音符；不使用现成热门歌曲歌词。", "transition": "变化完成后停半拍再切脸部；环境音恢复，音乐只抬高一层。", "timing": "22–24.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 7, "start": 30, "end": 38, "duration": 8, "beat": "温暖：给表情留下时间", "action": "大家终于平视坐在一张桌边，小满给蟹留小碟；二狗试图跟蟹碰杯，只好用指尖轻点碟沿。", "camera": "35mm感桌边或岸边中景，先交代所有本镜角色，再缓慢靠近小满的表情；不在同一镜里把人数和座位改掉。", "performance": "孩子的肩膀放松、视线愿意停留；成人以小动作回应，不用齐声大笑替代情绪。 本来源版本强调小满的主观感受：先拍她注意到的细节，再拍回应，缩短无信息的成人反应。", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "对白：海生说“那就多留一点位置。”；其余人用目光回应，留半秒安静。", "transition": "由人物最后的目光或手指引向收尾道具，暖光保持一致。", "timing": "30–32.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 8, "start": 38, "end": 44, "duration": 6, "beat": "余味：接回钩子并打开新可能", "action": "一只小蟹把第五个木楔推来，示意还有椅子要修；镜头跟着迷你碗的热气回到开头，喜剧目标继续延伸。", "camera": "以本镜描述的收尾物件构图；最后的形状、光点或运动方向匹配开场关键元素。允许改变景别，但匹配关系必须清楚。", "performance": "人物保持结局得到的安全与关系；新的小悬念不撤销已经完成的情绪回报。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "取第一镜的同一种音色作为最后一个轻声提示，让尾音衔接循环；不突然加入无关轰鸣。", "transition": "最后0.3秒保留与开头相似的轮廓/音色，允许无缝循环；不加黑底强制点击卡。", "timing": "38–39.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" } ], "path": "creative/C011--results-hd--gguf-joycaption.txt", "text": "来源文件：raw-prompts/results-hd--gguf-joycaption.txt\n来源名称：concedo/llama-joycaption-beta-one-hf-llava-mmproj-gguf\n实际来源记录：results-hd/gguf-joycaption.json\n原文可用点：生成268token完整段落，描述双髻红带、旧衣、海滩和金色光线；人物总量为一童三成人。\n原文问题/边界：8帧一起输入却写成一张海滩照片，主要接近最后一帧；没有逐段呈现巨浪和旧书罗盘；添金属勺、茅草房、灰边和错误手部动作；中文被写成日文。\n转化方式：视觉片段型来源：以原文中与原帧相符的海岸、人物、表情或道具作为灵感入口。身份、对白、连续动作、奇幻规则和新剧情由Codex补写，不是该模型的原始能力。\n本次选择的新故事：螃蟹排出一张饭桌。所有幻想事件都是二创，不用原文中的误识别冒充事实。\n\n《螃蟹排出一张饭桌》｜喜剧温情｜44秒完整剪辑稿\n\n制作目标：44秒，9:16竖屏，8个剪辑镜头，目标1080×1920、24fps。时间表是剪辑设计，不是任一平台API保证；按工具实际支持的片段长度生成，再裁切拼接。此处没有生成视频。\n视觉基调：架空旧式沿海村落，湿泥、粗布、旧木和黄铜具有可触摸的写实材质；幼童面部略带童话般大眼比例。灰蓝海水与褐色村屋为底，红发带是辨识点，幻想光源以局部金色/银色呈现。\n小满：幼童女孩，黑发双髻、左右各一条红发带、额头小红点；灰褐补丁粗布衣、布挎袋、旧布鞋。开场若用蓝披衣，则全片保持，除非镜头明确拍下脱衣。性格敏感、先看大人反应，再敢表达愿望。红点不是伤口，红发带不是红头发。\n海生：青年男性，凌乱黑发，旧蓝外衣、灰内衫、深裤；行动稳，保护孩子时先降到她的眼平高度，不以大喊替代关心。\n苏兰：成年女性，深发松束、灰褐无袖粗布上衣、简单项链与腕布；观察细节，负责托稳道具、递布或摆碗等具体照顾。\n二狗：青年男性，短黑发、橄榄绿外衣；提供轻微喜剧和观众反应，后半段愿意放慢动作参与帮助，不把他写成伤害孩子的反派。\n上述人物只在本镜明确指定时出现。群众只作远处模糊背景，不增加新主角。多人同框时优先保持海生在左、苏兰在后、二狗在右、小满在前中；若换位，用中广景交代，不瞬移。\n环境连续性：泥滩、浅水、旧船和村屋保持同一架空地点。海平线稳定。湿衣不会无故变干。室内暖色由船灯或灶火提供；室外变暖用云隙光或明确的幻想道具光解释，不让44秒凭空跨越数小时。\n人物表情与道具变化分开生成更易核对：每镜最多一个主要幻想动作，真实人物不随道具变形。以上服装、人物名和新动作均属本次二创设定，不声称模型从8帧恢复了全部身份。\n\n核心道具锁：四只小蟹、四只空碗、木桌脚。先为本片制作一张统一道具参考图，记录缺口、锈斑、左右方向、尺寸；镜头之间沿用同一版本。\n\n本片新规则：蟹只搬小物件；真正的大桌由人搭好，避免把劳动全部变成无因魔法。 此规则是新创作，不是原片事实。\n\n第一秒视觉钩子：四只小蟹已经各顶着一只迷你碗，整齐走上木桌，碗内热气组成一张更大的饭桌虚影；二狗看得筷子悬在半空。\n\n目标情绪路径：惊奇 → 好奇 → 共情 → 紧张 → 信任 → 释放 → 温暖 → 余味。它是创作设计，不是已测得的观众留存数据。\n\n分镜与生成指令（逐镜生成，再按时间码剪辑；全局角色锁及规则与每一镜一起输入）：\n\n镜头01｜00–01秒｜1秒｜惊奇：先看见不可能\n画面与动作：四只小蟹已经各顶着一只迷你碗，整齐走上木桌，碗内热气组成一张更大的饭桌虚影；二狗看得筷子悬在半空。\n动作节拍：0.00–0.15秒直接展示钩子关键帧；0.15–0.70秒让异常动作继续；0.70–1.00秒用呼吸或微小停顿准备切入反应。\n构图与镜头：24–35mm感中广景或前景近物后景巨物，保留明确大小参照；单一明确机位，不用无目标甩镜；异常动作在画面开始时已经发生。\n人物表演：以本镜指定的人物/道具为中心，背景角色不抢动作。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：以潮声、湿泥轻响、旧木或黄铜触碰声中最贴合本镜道具的一声开场；配一个短低频脉冲，随即让出空间，不叠加尖叫。\n衔接：在异常动作最清楚的一刻硬切至下一镜指定动作或反应；不先放片名或黑屏。\n\n镜头02｜01–04秒｜3秒｜好奇：理解人物的反应\n画面与动作：小满把自己的碗挪出一个小空位，四只蟹却固执地围成方形；海生发现它们总朝院落里断腿的旧桌看。\n动作节拍：1–1.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：50mm感的近景，机位降到孩子眼平，向前缓移约一个手掌距离。\n人物表演：若小满在本镜入画，眼神先落在道具，再转向海生；若为纯道具镜，不额外挤入人脸。海生与孩子交流时保持相近眼平高度。 本来源版本强调小满的主观感受：先拍她注意到的细节，再拍回应，缩短无信息的成人反应。\n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：保留孩子一次吸气和衣料轻摩擦，环境声变窄，音乐只留很轻的持续音。\n衔接：按人物视线切到问题或缺少之物，前一镜最后一声环境音延续约0.15秒。\n\n镜头03｜04–09秒｜5秒｜共情：显露一个小缺口\n画面与动作：一家人只能蹲在门边吃饭，碗放在石头上摇晃；苏兰护住孩子那碗，海生摸到旧桌断掉的榫头。\n动作节拍：4–5.25秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：35mm感中景或中近景，交代角色、目标道具和可行动空间；保持眼线一致。\n人物表演：让负责本镜行动的成人先动，孩子随后作出可见反应；避免所有人同时表演。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：空碗、空袋、脚步或木板声选本镜实际存在的一项放近；未出场物件不配声，避免声源误导。\n衔接：用逐渐靠近的风声/物件声引入下一镜；剪切前先让观众认清道具位置。\n\n镜头04｜09–15秒｜6秒｜紧张：让选择有代价\n画面与动作：二狗想用魔法虚影当桌子，碗刚放上去就穿过去，被海生及时接住；小满先吓一跳，再认真指向真实木板。\n动作节拍：9–10.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：28mm感稍低机位，前景放障碍或关键道具，后景保留退路；缓慢推进，不乱晃。\n人物表演：海生或苏兰承担保护动作，孩子的恐惧用呼吸与手指表现；二狗的夸张反应不压过危险信息。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：风与低频逐步增强，声音来自画面可解释方向；临近决定时收低，不盖过呼吸。\n衔接：在角色看向选择对象时切到手部，危险声短暂收低，突出决定。\n\n镜头05｜15–22秒｜7秒｜信任：人物主动做决定\n画面与动作：四人一起修桌，海生对齐榫头，苏兰扶稳桌面，二狗搬板，小满把小蟹搬来的木楔递过去。\n动作节拍：15–16.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：65–85mm感手部/道具插入镜头，焦点从指尖过渡到被选择的物件；只做一次明确动作。\n人物表演：选择必须由清楚的手部动作落实；其余角色停住，给观众看懂选择的空间。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：对白：小满轻声说“它们也想坐下来。”；只配一次明确道具接触声。\n衔接：按动作方向匹配下一镜的变化，避免用白闪遮盖因果。\n\n镜头06｜22–30秒｜8秒｜释放：回报具有清楚因果\n画面与动作：木楔入位，旧桌站稳；四只小蟹沿桌角排开，虚影只作为一圈温暖边光出现，所有碗都落在真实桌面上。\n动作节拍：22–24.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：28–35mm感中广景，由关键道具向外缓慢拉开，完整看见变化及安全距离。\n人物表演：先让道具/环境发生变化，再切或移到人物反应；变化只遵守本故事规则。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：潮声、湿泥轻响、旧木或黄铜触碰声随变化从密变疏，再进入温暖的两三个原创音符；不使用现成热门歌曲歌词。\n衔接：变化完成后停半拍再切脸部；环境音恢复，音乐只抬高一层。\n\n镜头07｜30–38秒｜8秒｜温暖：给表情留下时间\n画面与动作：大家终于平视坐在一张桌边，小满给蟹留小碟；二狗试图跟蟹碰杯，只好用指尖轻点碟沿。\n动作节拍：30–32.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：35mm感桌边或岸边中景，先交代所有本镜角色，再缓慢靠近小满的表情；不在同一镜里把人数和座位改掉。\n人物表演：孩子的肩膀放松、视线愿意停留；成人以小动作回应，不用齐声大笑替代情绪。 本来源版本强调小满的主观感受：先拍她注意到的细节，再拍回应，缩短无信息的成人反应。\n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：对白：海生说“那就多留一点位置。”；其余人用目光回应，留半秒安静。\n衔接：由人物最后的目光或手指引向收尾道具，暖光保持一致。\n\n镜头08｜38–44秒｜6秒｜余味：接回钩子并打开新可能\n画面与动作：一只小蟹把第五个木楔推来，示意还有椅子要修；镜头跟着迷你碗的热气回到开头，喜剧目标继续延伸。\n动作节拍：38–39.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：以本镜描述的收尾物件构图；最后的形状、光点或运动方向匹配开场关键元素。允许改变景别，但匹配关系必须清楚。\n人物表演：人物保持结局得到的安全与关系；新的小悬念不撤销已经完成的情绪回报。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：取第一镜的同一种音色作为最后一个轻声提示，让尾音衔接循环；不突然加入无关轰鸣。\n衔接：最后0.3秒保留与开头相似的轮廓/音色，允许无缝循环；不加黑底强制点击卡。\n\n负向与连续性检查：不出现无依据的手机、枪械、医院、现代车辆、书上伪造大段文字、未经设计的影视角色或艺术家署名。保持双髻、红带、额头红点及四名主角身份；不多生手指、蟹腿，不让手与道具穿模，不把罗盘替换成怀表。道具在同一镜内不得随机换材质、数量、左右位置或开合状态。只允许故事规则指定的物件变化；儿童无血腥伤害。所有字幕、可读书名和界面文字后期添加，生成画面不带水印、伪字幕或推广尾卡。\n合成前逐镜核对：人物数与站坐姿；第一帧是否已有异常；动作起点/终点能否接上；道具尺寸是否受控；视线和海平线是否一致；每个回报能否追溯到前一镜的选择。未拍出因果时重做相关镜头，不能靠旁白掩盖。\n\n平台剪辑备选（不是平台时长限制，也不是热度保证）：\nTikTok测试版：保留0–1秒钩子，1–4秒加一行疑问字幕，22–30秒完整展示回报；可将4–9秒背景压成3秒，成片约42秒。\nInstagram Reels测试版：保持道具质感与暖光配色，前1秒无需读字即可理解异常；保留30–38秒表情停顿，以收尾道具作封面，主体仍44秒。\nYouTube Shorts测试版：保持44秒因果链，画外说明最多一句；最后0.3秒与开头形状/声响呼应，避免只留下未兑现的悬念。\n所有字幕建议单行、短句，放在人物面部与关键道具之外；先按实际播放器界面预览遮挡。\n\n可测试的两个开头：A使用第一镜的大/小、静/动反差；B保持同一异常事件，但从小满瞳孔或手中道具切入，再在0.6秒内露出尺度参照。只改变开头一项，其余剪辑保持一致；是否提高留存需要真实成片与实际观看数据，本任务未做此测试。" }, { "id": "C012", "title": "书页里游出一轮月亮", "concept_id": "S10", "concept_index": 9, "version": 2, "genre": "纸张奇幻", "duration_seconds": 44, "shot_count": 8, "source_id": "results-hd--gguf-llava15-single-vicuna", "source_name": "second-state/Llava-v1.5-7B-GGUF", "category": "results-hd", "source_path": "raw-prompts/results-hd--gguf-llava15-single-vicuna.txt", "source_record": "results-hd/gguf-llava15-single-vicuna.json", "source_paths": [ "raw-prompts/results-hd--gguf-llava15-single-vicuna.txt", "project-cases/haotian-liu__LLaVA/prompt-raw.txt" ], "source_excerpt": "[0 秒]\n A young girl with pigtails is sitting on the beach, surrounded by several crabs. She is wearing a blue shirt and has a curious expression on her face.\n\n[15 秒]\n A baby with a red dot on its forehead is crying.\n\n[50 秒]\n A boat is floating on the water, and there are several people on it. The boat is surrounded by a few birds, and the scene is set against a backdrop of a large wave.\n\n[95 秒]\n A group of people are sitting around a table, engaged in a game. They are wearing various clothing, including a woman in a brown vest. The table is surrounded by chairs, and there is a bird cage nearby", "source_review": { "strength": "正确调用内置Vicuna格式后8帧均能生成文字；能描述女孩与蟹、哭泣、海浪、小船、书与罗盘，以及海边挖掘。", "issues": "95秒把院落围桌写成游戏；175秒将关闭的笔记写成打开的地图，并添小容器；235秒虚构两部手机；340秒发型、发带颜色、人数不准。", "verdict": "本次LLaVA1.5-7B量化配置提供简短的对象描述，仍需清除虚构道具；旧模板HTTP400不是模型质量问题。" }, "contribution": "视觉片段型来源：以原文中与原帧相符的海岸、人物、表情或道具作为灵感入口。身份、对白、连续动作、奇幻规则和新剧情由Codex补写，不是该模型的原始能力。", "source_duplicate_of": null, "source_hash": "030df47ed138e74a11d7a9a037cc2026e331b3df9f185b9472ccdd754f27f106", "body_hash": "7408aaecc8ca29269c53617b82ad97f0c052da23a0c13ac9803a414165bfcdc7", "author": "Codex, shared writer; not original model output", "fallback": false, "hook": "旧笔记封面裂缝里已经挤出一轮折纸月亮，纸边带着潮水，月亮从手掌大小缓缓升到女孩眼前。", "rule": "书中的路线会化成纸景，但必须有真实岸边灯光才能指向安全位置。", "shots": [ { "number": 1, "start": 0, "end": 1, "duration": 1, "beat": "惊奇：先看见不可能", "action": "旧笔记封面裂缝里已经挤出一轮折纸月亮，纸边带着潮水，月亮从手掌大小缓缓升到女孩眼前。", "camera": "85mm感微距，道具占画面约三分之二，人物眼睛或手作为尺度参照；单一明确机位，不用无目标甩镜；异常动作在画面开始时已经发生。", "performance": "以本镜指定的人物/道具为中心，背景角色不抢动作。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "以纸纤维、折痕与微小潮声中最贴合本镜道具的一声开场；配一个短低频脉冲，随即让出空间，不叠加尖叫。", "transition": "在异常动作最清楚的一刻硬切至下一镜指定动作或反应；不先放片名或黑屏。", "timing": "0.00–0.15秒直接展示钩子关键帧；0.15–0.70秒让异常动作继续；0.70–1.00秒用呼吸或微小停顿准备切入反应。" }, { "number": 2, "start": 1, "end": 4, "duration": 3, "beat": "好奇：理解人物的反应", "action": "小满抬眼，瞳孔映出纸月亮上的折痕；海生小心托着书脊，罗盘针跟着月亮转动，却迟迟不肯停。", "camera": "50mm感的近景，机位降到孩子眼平，向前缓移约一个手掌距离。", "performance": "若小满在本镜入画，眼神先落在道具，再转向海生；若为纯道具镜，不额外挤入人脸。海生与孩子交流时保持相近眼平高度。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "保留孩子一次吸气和衣料轻摩擦，环境声变窄，音乐只留很轻的持续音。", "transition": "按人物视线切到问题或缺少之物，前一镜最后一声环境音延续约0.15秒。", "timing": "1–1.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 3, "start": 4, "end": 9, "duration": 5, "beat": "共情：显露一个小缺口", "action": "书页上的小船被黑色墨潮围住，纸岸边没有一点光；海生翻到磨损的旧页，发现那座小屋与他们的家很像。", "camera": "35mm感中景或中近景，交代角色、目标道具和可行动空间；保持眼线一致。", "performance": "让负责本镜行动的成人先动，孩子随后作出可见反应；避免所有人同时表演。 本来源版本强调空间关系：镜头开头保留四个角色/道具位置参照，再靠近关键动作，不以密集特写掩盖布局。", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "空碗、空袋、脚步或木板声选本镜实际存在的一项放近；未出场物件不配声，避免声源误导。", "transition": "用逐渐靠近的风声/物件声引入下一镜；剪切前先让观众认清道具位置。", "timing": "4–5.25秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 4, "start": 9, "end": 15, "duration": 6, "beat": "紧张：让选择有代价", "action": "一阵风掀起书页，月亮被折成尖角，小船即将被墨水吞掉；小满伸手又停下，怕扯坏薄纸。", "camera": "28mm感稍低机位，前景放障碍或关键道具，后景保留退路；缓慢推进，不乱晃。", "performance": "海生或苏兰承担保护动作，孩子的恐惧用呼吸与手指表现；二狗的夸张反应不压过危险信息。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "风与低频逐步增强，声音来自画面可解释方向；临近决定时收低，不盖过呼吸。", "transition": "在角色看向选择对象时切到手部，危险声短暂收低，突出决定。", "timing": "9–10.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 5, "start": 15, "end": 22, "duration": 7, "beat": "信任：人物主动做决定", "action": "苏兰点亮现实里的船灯，小满把灯放在书边；她用掌心挡风，海生保持书页平稳，让暖光落到纸岸上。", "camera": "65–85mm感手部/道具插入镜头，焦点从指尖过渡到被选择的物件；只做一次明确动作。", "performance": "选择必须由清楚的手部动作落实；其余角色停住，给观众看懂选择的空间。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "对白：小满轻声说“先点灯，再找路。”；只配一次明确道具接触声。", "transition": "按动作方向匹配下一镜的变化，避免用白闪遮盖因果。", "timing": "15–16.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 6, "start": 22, "end": 30, "duration": 8, "beat": "释放：回报具有清楚因果", "action": "墨潮缓缓退去，折纸小船沿着灯光滑进书页里的港湾；纸月亮展开成圆，罗盘终于指向现实的家。", "camera": "28–35mm感中广景，由关键道具向外缓慢拉开，完整看见变化及安全距离。", "performance": "先让道具/环境发生变化，再切或移到人物反应；变化只遵守本故事规则。 本来源版本强调空间关系：镜头开头保留四个角色/道具位置参照，再靠近关键动作，不以密集特写掩盖布局。", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "纸纤维、折痕与微小潮声随变化从密变疏，再进入温暖的两三个原创音符；不使用现成热门歌曲歌词。", "transition": "变化完成后停半拍再切脸部；环境音恢复，音乐只抬高一层。", "timing": "22–24.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 7, "start": 30, "end": 38, "duration": 8, "beat": "温暖：给表情留下时间", "action": "小满在空白页画下四个小点作为家人，不要求模型生成可读文字；海生把那一页郑重夹好，轻轻合书。", "camera": "50–65mm感面部近景，稳定机位，留出至少半秒无对白微表情。", "performance": "孩子的肩膀放松、视线愿意停留；成人以小动作回应，不用齐声大笑替代情绪。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "对白：海生说“月亮也会认得家。”；其余人用目光回应，留半秒安静。", "transition": "由人物最后的目光或手指引向收尾道具，暖光保持一致。", "timing": "30–32.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 8, "start": 38, "end": 44, "duration": 6, "beat": "余味：接回钩子并打开新可能", "action": "合上的书缝留下一弯月光，小纸船的船头探出一点；圆形月光缩回开场尺寸，保留再次展开的期待。", "camera": "以本镜描述的收尾物件构图；最后的形状、光点或运动方向匹配开场关键元素。允许改变景别，但匹配关系必须清楚。", "performance": "人物保持结局得到的安全与关系；新的小悬念不撤销已经完成的情绪回报。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "取第一镜的同一种音色作为最后一个轻声提示，让尾音衔接循环；不突然加入无关轰鸣。", "transition": "最后0.3秒保留与开头相似的轮廓/音色，允许无缝循环；不加黑底强制点击卡。", "timing": "38–39.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" } ], "path": "creative/C012--results-hd--gguf-llava15-single-vicuna.txt", "text": "来源文件：raw-prompts/results-hd--gguf-llava15-single-vicuna.txt\n来源名称：second-state/Llava-v1.5-7B-GGUF\n实际来源记录：results-hd/gguf-llava15-single-vicuna.json\n原文可用点：正确调用内置Vicuna格式后8帧均能生成文字；能描述女孩与蟹、哭泣、海浪、小船、书与罗盘，以及海边挖掘。\n原文问题/边界：95秒把院落围桌写成游戏；175秒将关闭的笔记写成打开的地图，并添小容器；235秒虚构两部手机；340秒发型、发带颜色、人数不准。\n转化方式：视觉片段型来源：以原文中与原帧相符的海岸、人物、表情或道具作为灵感入口。身份、对白、连续动作、奇幻规则和新剧情由Codex补写，不是该模型的原始能力。\n本次选择的新故事：书页里游出一轮月亮。所有幻想事件都是二创，不用原文中的误识别冒充事实。\n\n《书页里游出一轮月亮》｜纸张奇幻｜44秒完整剪辑稿\n\n制作目标：44秒，9:16竖屏，8个剪辑镜头，目标1080×1920、24fps。时间表是剪辑设计，不是任一平台API保证；按工具实际支持的片段长度生成，再裁切拼接。此处没有生成视频。\n视觉基调：架空旧式沿海村落，湿泥、粗布、旧木和黄铜具有可触摸的写实材质；幼童面部略带童话般大眼比例。灰蓝海水与褐色村屋为底，红发带是辨识点，幻想光源以局部金色/银色呈现。\n小满：幼童女孩，黑发双髻、左右各一条红发带、额头小红点；灰褐补丁粗布衣、布挎袋、旧布鞋。开场若用蓝披衣，则全片保持，除非镜头明确拍下脱衣。性格敏感、先看大人反应，再敢表达愿望。红点不是伤口，红发带不是红头发。\n海生：青年男性，凌乱黑发，旧蓝外衣、灰内衫、深裤；行动稳，保护孩子时先降到她的眼平高度，不以大喊替代关心。\n苏兰：成年女性，深发松束、灰褐无袖粗布上衣、简单项链与腕布；观察细节，负责托稳道具、递布或摆碗等具体照顾。\n二狗：青年男性，短黑发、橄榄绿外衣；提供轻微喜剧和观众反应，后半段愿意放慢动作参与帮助，不把他写成伤害孩子的反派。\n上述人物只在本镜明确指定时出现。群众只作远处模糊背景，不增加新主角。多人同框时优先保持海生在左、苏兰在后、二狗在右、小满在前中；若换位，用中广景交代，不瞬移。\n环境连续性：泥滩、浅水、旧船和村屋保持同一架空地点。海平线稳定。湿衣不会无故变干。室内暖色由船灯或灶火提供；室外变暖用云隙光或明确的幻想道具光解释，不让44秒凭空跨越数小时。\n人物表情与道具变化分开生成更易核对：每镜最多一个主要幻想动作，真实人物不随道具变形。以上服装、人物名和新动作均属本次二创设定，不声称模型从8帧恢复了全部身份。\n\n核心道具锁：旧航海笔记、黄铜罗盘、纸月亮。先为本片制作一张统一道具参考图，记录缺口、锈斑、左右方向、尺寸；镜头之间沿用同一版本。\n\n本片新规则：书中的路线会化成纸景，但必须有真实岸边灯光才能指向安全位置。 此规则是新创作，不是原片事实。\n\n第一秒视觉钩子：旧笔记封面裂缝里已经挤出一轮折纸月亮，纸边带着潮水，月亮从手掌大小缓缓升到女孩眼前。\n\n目标情绪路径：惊奇 → 好奇 → 共情 → 紧张 → 信任 → 释放 → 温暖 → 余味。它是创作设计，不是已测得的观众留存数据。\n\n分镜与生成指令（逐镜生成，再按时间码剪辑；全局角色锁及规则与每一镜一起输入）：\n\n镜头01｜00–01秒｜1秒｜惊奇：先看见不可能\n画面与动作：旧笔记封面裂缝里已经挤出一轮折纸月亮，纸边带着潮水，月亮从手掌大小缓缓升到女孩眼前。\n动作节拍：0.00–0.15秒直接展示钩子关键帧；0.15–0.70秒让异常动作继续；0.70–1.00秒用呼吸或微小停顿准备切入反应。\n构图与镜头：85mm感微距，道具占画面约三分之二，人物眼睛或手作为尺度参照；单一明确机位，不用无目标甩镜；异常动作在画面开始时已经发生。\n人物表演：以本镜指定的人物/道具为中心，背景角色不抢动作。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：以纸纤维、折痕与微小潮声中最贴合本镜道具的一声开场；配一个短低频脉冲，随即让出空间，不叠加尖叫。\n衔接：在异常动作最清楚的一刻硬切至下一镜指定动作或反应；不先放片名或黑屏。\n\n镜头02｜01–04秒｜3秒｜好奇：理解人物的反应\n画面与动作：小满抬眼，瞳孔映出纸月亮上的折痕；海生小心托着书脊，罗盘针跟着月亮转动，却迟迟不肯停。\n动作节拍：1–1.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：50mm感的近景，机位降到孩子眼平，向前缓移约一个手掌距离。\n人物表演：若小满在本镜入画，眼神先落在道具，再转向海生；若为纯道具镜，不额外挤入人脸。海生与孩子交流时保持相近眼平高度。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：保留孩子一次吸气和衣料轻摩擦，环境声变窄，音乐只留很轻的持续音。\n衔接：按人物视线切到问题或缺少之物，前一镜最后一声环境音延续约0.15秒。\n\n镜头03｜04–09秒｜5秒｜共情：显露一个小缺口\n画面与动作：书页上的小船被黑色墨潮围住，纸岸边没有一点光；海生翻到磨损的旧页，发现那座小屋与他们的家很像。\n动作节拍：4–5.25秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：35mm感中景或中近景，交代角色、目标道具和可行动空间；保持眼线一致。\n人物表演：让负责本镜行动的成人先动，孩子随后作出可见反应；避免所有人同时表演。 本来源版本强调空间关系：镜头开头保留四个角色/道具位置参照，再靠近关键动作，不以密集特写掩盖布局。\n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：空碗、空袋、脚步或木板声选本镜实际存在的一项放近；未出场物件不配声，避免声源误导。\n衔接：用逐渐靠近的风声/物件声引入下一镜；剪切前先让观众认清道具位置。\n\n镜头04｜09–15秒｜6秒｜紧张：让选择有代价\n画面与动作：一阵风掀起书页，月亮被折成尖角，小船即将被墨水吞掉；小满伸手又停下，怕扯坏薄纸。\n动作节拍：9–10.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：28mm感稍低机位，前景放障碍或关键道具，后景保留退路；缓慢推进，不乱晃。\n人物表演：海生或苏兰承担保护动作，孩子的恐惧用呼吸与手指表现；二狗的夸张反应不压过危险信息。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：风与低频逐步增强，声音来自画面可解释方向；临近决定时收低，不盖过呼吸。\n衔接：在角色看向选择对象时切到手部，危险声短暂收低，突出决定。\n\n镜头05｜15–22秒｜7秒｜信任：人物主动做决定\n画面与动作：苏兰点亮现实里的船灯，小满把灯放在书边；她用掌心挡风，海生保持书页平稳，让暖光落到纸岸上。\n动作节拍：15–16.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：65–85mm感手部/道具插入镜头，焦点从指尖过渡到被选择的物件；只做一次明确动作。\n人物表演：选择必须由清楚的手部动作落实；其余角色停住，给观众看懂选择的空间。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：对白：小满轻声说“先点灯，再找路。”；只配一次明确道具接触声。\n衔接：按动作方向匹配下一镜的变化，避免用白闪遮盖因果。\n\n镜头06｜22–30秒｜8秒｜释放：回报具有清楚因果\n画面与动作：墨潮缓缓退去，折纸小船沿着灯光滑进书页里的港湾；纸月亮展开成圆，罗盘终于指向现实的家。\n动作节拍：22–24.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：28–35mm感中广景，由关键道具向外缓慢拉开，完整看见变化及安全距离。\n人物表演：先让道具/环境发生变化，再切或移到人物反应；变化只遵守本故事规则。 本来源版本强调空间关系：镜头开头保留四个角色/道具位置参照，再靠近关键动作，不以密集特写掩盖布局。\n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：纸纤维、折痕与微小潮声随变化从密变疏，再进入温暖的两三个原创音符；不使用现成热门歌曲歌词。\n衔接：变化完成后停半拍再切脸部；环境音恢复，音乐只抬高一层。\n\n镜头07｜30–38秒｜8秒｜温暖：给表情留下时间\n画面与动作：小满在空白页画下四个小点作为家人，不要求模型生成可读文字；海生把那一页郑重夹好，轻轻合书。\n动作节拍：30–32.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：50–65mm感面部近景，稳定机位，留出至少半秒无对白微表情。\n人物表演：孩子的肩膀放松、视线愿意停留；成人以小动作回应，不用齐声大笑替代情绪。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：对白：海生说“月亮也会认得家。”；其余人用目光回应，留半秒安静。\n衔接：由人物最后的目光或手指引向收尾道具，暖光保持一致。\n\n镜头08｜38–44秒｜6秒｜余味：接回钩子并打开新可能\n画面与动作：合上的书缝留下一弯月光，小纸船的船头探出一点；圆形月光缩回开场尺寸，保留再次展开的期待。\n动作节拍：38–39.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：以本镜描述的收尾物件构图；最后的形状、光点或运动方向匹配开场关键元素。允许改变景别，但匹配关系必须清楚。\n人物表演：人物保持结局得到的安全与关系；新的小悬念不撤销已经完成的情绪回报。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：取第一镜的同一种音色作为最后一个轻声提示，让尾音衔接循环；不突然加入无关轰鸣。\n衔接：最后0.3秒保留与开头相似的轮廓/音色，允许无缝循环；不加黑底强制点击卡。\n\n负向与连续性检查：不出现无依据的手机、枪械、医院、现代车辆、书上伪造大段文字、未经设计的影视角色或艺术家署名。保持双髻、红带、额头红点及四名主角身份；不多生手指、蟹腿，不让手与道具穿模，不把罗盘替换成怀表。道具在同一镜内不得随机换材质、数量、左右位置或开合状态。只允许故事规则指定的物件变化；儿童无血腥伤害。所有字幕、可读书名和界面文字后期添加，生成画面不带水印、伪字幕或推广尾卡。\n合成前逐镜核对：人物数与站坐姿；第一帧是否已有异常；动作起点/终点能否接上；道具尺寸是否受控；视线和海平线是否一致；每个回报能否追溯到前一镜的选择。未拍出因果时重做相关镜头，不能靠旁白掩盖。\n\n平台剪辑备选（不是平台时长限制，也不是热度保证）：\nTikTok测试版：保留0–1秒钩子，1–4秒加一行疑问字幕，22–30秒完整展示回报；可将4–9秒背景压成3秒，成片约42秒。\nInstagram Reels测试版：保持道具质感与暖光配色，前1秒无需读字即可理解异常；保留30–38秒表情停顿，以收尾道具作封面，主体仍44秒。\nYouTube Shorts测试版：保持44秒因果链，画外说明最多一句；最后0.3秒与开头形状/声响呼应，避免只留下未兑现的悬念。\n所有字幕建议单行、短句，放在人物面部与关键道具之外；先按实际播放器界面预览遮挡。\n\n可测试的两个开头：A使用第一镜的大/小、静/动反差；B保持同一异常事件，但从小满瞳孔或手中道具切入，再在0.6秒内露出尺度参照。只改变开头一项，其余剪辑保持一致；是否提高留存需要真实成片与实际观看数据，本任务未做此测试。" }, { "id": "C013", "title": "门后不是海怪", "concept_id": "S29", "concept_index": 28, "version": 0, "genre": "影子反转", "duration_seconds": 44, "shot_count": 8, "source_id": "results-hd--gguf-mobilevlm-single-vicuna", "source_name": "ZiangWu/MobileVLM_V2-1.7B-GGUF", "category": "results-hd", "source_path": "raw-prompts/results-hd--gguf-mobilevlm-single-vicuna.txt", "source_record": "results-hd/gguf-mobilevlm-single-vicuna.json", "source_paths": [ "raw-prompts/results-hd--gguf-mobilevlm-single-vicuna.txt" ], "source_excerpt": "[0 秒]\n A little girl sitting on the beach with crabs.\n\n[15 秒]\n The image captures a young child, who appears to be in distress. The child is wearing a green rope necklace, which is wrapped around their neck, adding a touch of color to the scene. The child's face is covered in tears, and their eyes are wide open, reflecting the intensity of their emotions.\n\nThe background of the image is blurred, but it gives the impression of a room with a window. The window is dark, suggesting\n\n[50 秒]\n The image is a captivating collage of a surfing scene set against a dramatic backdrop of a stormy sky. The c", "source_review": { "strength": "修正模板后不再只循环聊天分隔符，8帧都有正常句子；能识别蟹、幼童、海浪等大类。", "issues": "渔网写成项链、哭泣场景添室内窗；95秒凭空加枪、标牌并漏人；175秒漏罗盘并添翻开的书；235秒把红发带写成红发，添花衣、木栅栏；385秒人物与持物位置失真。", "verdict": "接入已修复，内容仍有大量幻觉。不得把这份原文直接用于忠实复刻；两次单帧模板配置不算两个项目。" }, "contribution": "视觉片段型来源：以原文中与原帧相符的海岸、人物、表情或道具作为灵感入口。身份、对白、连续动作、奇幻规则和新剧情由Codex补写，不是该模型的原始能力。", "source_duplicate_of": null, "source_hash": "d15600ef294aa5f2e0680ff128ea0a89061c27e06bf12120f6c49252f7c06278", "body_hash": "a1b4d117ece787329ebb96026fa25700bfc7d393d226f9bd63d78a63b5befe70", "author": "Codex, shared writer; not original model output", "fallback": false, "hook": "旧木门上已经压着长着巨钳的怪物影子，门缝却轻轻挤进一束扎好的野花；小满与海生同时看向不相称的两者。", "rule": "影子被低角度灯光放大，真实来客体型较小；最后才揭示巨影的光学原因。", "shots": [ { "number": 1, "start": 0, "end": 1, "duration": 1, "beat": "惊奇：先看见不可能", "action": "旧木门上已经压着长着巨钳的怪物影子，门缝却轻轻挤进一束扎好的野花；小满与海生同时看向不相称的两者。", "camera": "24–35mm感中广景或前景近物后景巨物，保留明确大小参照；单一明确机位，不用无目标甩镜；异常动作在画面开始时已经发生。", "performance": "以本镜指定的人物/道具为中心，背景角色不抢动作。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "以潮声、湿泥轻响、旧木或黄铜触碰声中最贴合本镜道具的一声开场；配一个短低频脉冲，随即让出空间，不叠加尖叫。", "transition": "在异常动作最清楚的一刻硬切至下一镜指定动作或反应；不先放片名或黑屏。", "timing": "0.00–0.15秒直接展示钩子关键帧；0.15–0.70秒让异常动作继续；0.70–1.00秒用呼吸或微小停顿准备切入反应。" }, { "number": 2, "start": 1, "end": 4, "duration": 3, "beat": "好奇：理解人物的反应", "action": "二狗举起锅盖挡在胸前，锅盖反光把影子又放大一层；小满注意到门外只传来很轻的沙沙脚步声。", "camera": "50mm感的近景，机位降到孩子眼平，向前缓移约一个手掌距离。", "performance": "若小满在本镜入画，眼神先落在道具，再转向海生；若为纯道具镜，不额外挤入人脸。海生与孩子交流时保持相近眼平高度。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "保留孩子一次吸气和衣料轻摩擦，环境声变窄，音乐只留很轻的持续音。", "transition": "按人物视线切到问题或缺少之物，前一镜最后一声环境音延续约0.15秒。", "timing": "1–1.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 3, "start": 4, "end": 9, "duration": 5, "beat": "共情：显露一个小缺口", "action": "苏兰把破渔网放在桌上，网破处正缺一根绳；门外来客不断轻敲，海生先把孩子护在自己侧后方。", "camera": "35mm感中景或中近景，交代角色、目标道具和可行动空间；保持眼线一致。", "performance": "让负责本镜行动的成人先动，孩子随后作出可见反应；避免所有人同时表演。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "空碗、空袋、脚步或木板声选本镜实际存在的一项放近；未出场物件不配声，避免声源误导。", "transition": "用逐渐靠近的风声/物件声引入下一镜；剪切前先让观众认清道具位置。", "timing": "4–5.25秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 4, "start": 9, "end": 15, "duration": 6, "beat": "紧张：让选择有代价", "action": "锅盖滑动，巨影仿佛向屋里扑来；小满抬手叫停，指向门缝里那束小花和一卷干净细绳。", "camera": "28mm感稍低机位，前景放障碍或关键道具，后景保留退路；缓慢推进，不乱晃。", "performance": "海生或苏兰承担保护动作，孩子的恐惧用呼吸与手指表现；二狗的夸张反应不压过危险信息。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "风与低频逐步增强，声音来自画面可解释方向；临近决定时收低，不盖过呼吸。", "transition": "在角色看向选择对象时切到手部，危险声短暂收低，突出决定。", "timing": "9–10.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 5, "start": 15, "end": 22, "duration": 7, "beat": "信任：人物主动做决定", "action": "海生先移开门边低放的船灯，再缓缓开门；小满站在安全距离观察，二狗仍把锅盖举得很高。", "camera": "65–85mm感手部/道具插入镜头，焦点从指尖过渡到被选择的物件；只做一次明确动作。", "performance": "选择必须由清楚的手部动作落实；其余角色停住，给观众看懂选择的空间。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "对白：小满轻声说“先看看它带了什么。”；只配一次明确道具接触声。", "transition": "按动作方向匹配下一镜的变化，避免用白闪遮盖因果。", "timing": "15–16.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 6, "start": 22, "end": 30, "duration": 8, "beat": "释放：回报具有清楚因果", "action": "门外只有一只小蟹，钳子顶着细绳与海草花；巨大的影子缩回真实大小，紧张转成所有人同时松气。", "camera": "28–35mm感中广景，由关键道具向外缓慢拉开，完整看见变化及安全距离。", "performance": "先让道具/环境发生变化，再切或移到人物反应；变化只遵守本故事规则。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "潮声、湿泥轻响、旧木或黄铜触碰声随变化从密变疏，再进入温暖的两三个原创音符；不使用现成热门歌曲歌词。", "transition": "变化完成后停半拍再切脸部；环境音恢复，音乐只抬高一层。", "timing": "22–24.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 7, "start": 30, "end": 38, "duration": 8, "beat": "温暖：给表情留下时间", "action": "苏兰用细绳补好渔网，孩子给小蟹摆一碟饭；二狗终于放下锅盖，却发现影子只是自己的锅盖造成的第二层夸大。", "camera": "50–65mm感面部近景，稳定机位，留出至少半秒无对白微表情。", "performance": "孩子的肩膀放松、视线愿意停留；成人以小动作回应，不用齐声大笑替代情绪。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "对白：海生说“它也是来帮忙的。”；其余人用目光回应，留半秒安静。", "transition": "由人物最后的目光或手指引向收尾道具，暖光保持一致。", "timing": "30–32.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 8, "start": 38, "end": 44, "duration": 6, "beat": "余味：接回钩子并打开新可能", "action": "船灯又被小蟹轻轻推低，墙上长出一朵巨大花影；尾钩保留奇观，但把恐惧彻底转成玩笑。", "camera": "以本镜描述的收尾物件构图；最后的形状、光点或运动方向匹配开场关键元素。允许改变景别，但匹配关系必须清楚。", "performance": "人物保持结局得到的安全与关系；新的小悬念不撤销已经完成的情绪回报。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "取第一镜的同一种音色作为最后一个轻声提示，让尾音衔接循环；不突然加入无关轰鸣。", "transition": "最后0.3秒保留与开头相似的轮廓/音色，允许无缝循环；不加黑底强制点击卡。", "timing": "38–39.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" } ], "path": "creative/C013--results-hd--gguf-mobilevlm-single-vicuna.txt", "text": "来源文件：raw-prompts/results-hd--gguf-mobilevlm-single-vicuna.txt\n来源名称：ZiangWu/MobileVLM_V2-1.7B-GGUF\n实际来源记录：results-hd/gguf-mobilevlm-single-vicuna.json\n原文可用点：修正模板后不再只循环聊天分隔符，8帧都有正常句子；能识别蟹、幼童、海浪等大类。\n原文问题/边界：渔网写成项链、哭泣场景添室内窗；95秒凭空加枪、标牌并漏人；175秒漏罗盘并添翻开的书；235秒把红发带写成红发，添花衣、木栅栏；385秒人物与持物位置失真。\n转化方式：视觉片段型来源：以原文中与原帧相符的海岸、人物、表情或道具作为灵感入口。身份、对白、连续动作、奇幻规则和新剧情由Codex补写，不是该模型的原始能力。\n本次选择的新故事：门后不是海怪。所有幻想事件都是二创，不用原文中的误识别冒充事实。\n\n《门后不是海怪》｜影子反转｜44秒完整剪辑稿\n\n制作目标：44秒，9:16竖屏，8个剪辑镜头，目标1080×1920、24fps。时间表是剪辑设计，不是任一平台API保证；按工具实际支持的片段长度生成，再裁切拼接。此处没有生成视频。\n视觉基调：架空旧式沿海村落，湿泥、粗布、旧木和黄铜具有可触摸的写实材质；幼童面部略带童话般大眼比例。灰蓝海水与褐色村屋为底，红发带是辨识点，幻想光源以局部金色/银色呈现。\n小满：幼童女孩，黑发双髻、左右各一条红发带、额头小红点；灰褐补丁粗布衣、布挎袋、旧布鞋。开场若用蓝披衣，则全片保持，除非镜头明确拍下脱衣。性格敏感、先看大人反应，再敢表达愿望。红点不是伤口，红发带不是红头发。\n海生：青年男性，凌乱黑发，旧蓝外衣、灰内衫、深裤；行动稳，保护孩子时先降到她的眼平高度，不以大喊替代关心。\n苏兰：成年女性，深发松束、灰褐无袖粗布上衣、简单项链与腕布；观察细节，负责托稳道具、递布或摆碗等具体照顾。\n二狗：青年男性，短黑发、橄榄绿外衣；提供轻微喜剧和观众反应，后半段愿意放慢动作参与帮助，不把他写成伤害孩子的反派。\n上述人物只在本镜明确指定时出现。群众只作远处模糊背景，不增加新主角。多人同框时优先保持海生在左、苏兰在后、二狗在右、小满在前中；若换位，用中广景交代，不瞬移。\n环境连续性：泥滩、浅水、旧船和村屋保持同一架空地点。海平线稳定。湿衣不会无故变干。室内暖色由船灯或灶火提供；室外变暖用云隙光或明确的幻想道具光解释，不让44秒凭空跨越数小时。\n人物表情与道具变化分开生成更易核对：每镜最多一个主要幻想动作，真实人物不随道具变形。以上服装、人物名和新动作均属本次二创设定，不声称模型从8帧恢复了全部身份。\n\n核心道具锁：旧木门、巨大蟹影、补好的渔网。先为本片制作一张统一道具参考图，记录缺口、锈斑、左右方向、尺寸；镜头之间沿用同一版本。\n\n本片新规则：影子被低角度灯光放大，真实来客体型较小；最后才揭示巨影的光学原因。 此规则是新创作，不是原片事实。\n\n第一秒视觉钩子：旧木门上已经压着长着巨钳的怪物影子，门缝却轻轻挤进一束扎好的野花；小满与海生同时看向不相称的两者。\n\n目标情绪路径：惊奇 → 好奇 → 共情 → 紧张 → 信任 → 释放 → 温暖 → 余味。它是创作设计，不是已测得的观众留存数据。\n\n分镜与生成指令（逐镜生成，再按时间码剪辑；全局角色锁及规则与每一镜一起输入）：\n\n镜头01｜00–01秒｜1秒｜惊奇：先看见不可能\n画面与动作：旧木门上已经压着长着巨钳的怪物影子，门缝却轻轻挤进一束扎好的野花；小满与海生同时看向不相称的两者。\n动作节拍：0.00–0.15秒直接展示钩子关键帧；0.15–0.70秒让异常动作继续；0.70–1.00秒用呼吸或微小停顿准备切入反应。\n构图与镜头：24–35mm感中广景或前景近物后景巨物，保留明确大小参照；单一明确机位，不用无目标甩镜；异常动作在画面开始时已经发生。\n人物表演：以本镜指定的人物/道具为中心，背景角色不抢动作。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：以潮声、湿泥轻响、旧木或黄铜触碰声中最贴合本镜道具的一声开场；配一个短低频脉冲，随即让出空间，不叠加尖叫。\n衔接：在异常动作最清楚的一刻硬切至下一镜指定动作或反应；不先放片名或黑屏。\n\n镜头02｜01–04秒｜3秒｜好奇：理解人物的反应\n画面与动作：二狗举起锅盖挡在胸前，锅盖反光把影子又放大一层；小满注意到门外只传来很轻的沙沙脚步声。\n动作节拍：1–1.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：50mm感的近景，机位降到孩子眼平，向前缓移约一个手掌距离。\n人物表演：若小满在本镜入画，眼神先落在道具，再转向海生；若为纯道具镜，不额外挤入人脸。海生与孩子交流时保持相近眼平高度。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：保留孩子一次吸气和衣料轻摩擦，环境声变窄，音乐只留很轻的持续音。\n衔接：按人物视线切到问题或缺少之物，前一镜最后一声环境音延续约0.15秒。\n\n镜头03｜04–09秒｜5秒｜共情：显露一个小缺口\n画面与动作：苏兰把破渔网放在桌上，网破处正缺一根绳；门外来客不断轻敲，海生先把孩子护在自己侧后方。\n动作节拍：4–5.25秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：35mm感中景或中近景，交代角色、目标道具和可行动空间；保持眼线一致。\n人物表演：让负责本镜行动的成人先动，孩子随后作出可见反应；避免所有人同时表演。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：空碗、空袋、脚步或木板声选本镜实际存在的一项放近；未出场物件不配声，避免声源误导。\n衔接：用逐渐靠近的风声/物件声引入下一镜；剪切前先让观众认清道具位置。\n\n镜头04｜09–15秒｜6秒｜紧张：让选择有代价\n画面与动作：锅盖滑动，巨影仿佛向屋里扑来；小满抬手叫停，指向门缝里那束小花和一卷干净细绳。\n动作节拍：9–10.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：28mm感稍低机位，前景放障碍或关键道具，后景保留退路；缓慢推进，不乱晃。\n人物表演：海生或苏兰承担保护动作，孩子的恐惧用呼吸与手指表现；二狗的夸张反应不压过危险信息。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：风与低频逐步增强，声音来自画面可解释方向；临近决定时收低，不盖过呼吸。\n衔接：在角色看向选择对象时切到手部，危险声短暂收低，突出决定。\n\n镜头05｜15–22秒｜7秒｜信任：人物主动做决定\n画面与动作：海生先移开门边低放的船灯，再缓缓开门；小满站在安全距离观察，二狗仍把锅盖举得很高。\n动作节拍：15–16.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：65–85mm感手部/道具插入镜头，焦点从指尖过渡到被选择的物件；只做一次明确动作。\n人物表演：选择必须由清楚的手部动作落实；其余角色停住，给观众看懂选择的空间。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：对白：小满轻声说“先看看它带了什么。”；只配一次明确道具接触声。\n衔接：按动作方向匹配下一镜的变化，避免用白闪遮盖因果。\n\n镜头06｜22–30秒｜8秒｜释放：回报具有清楚因果\n画面与动作：门外只有一只小蟹，钳子顶着细绳与海草花；巨大的影子缩回真实大小，紧张转成所有人同时松气。\n动作节拍：22–24.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：28–35mm感中广景，由关键道具向外缓慢拉开，完整看见变化及安全距离。\n人物表演：先让道具/环境发生变化，再切或移到人物反应；变化只遵守本故事规则。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：潮声、湿泥轻响、旧木或黄铜触碰声随变化从密变疏，再进入温暖的两三个原创音符；不使用现成热门歌曲歌词。\n衔接：变化完成后停半拍再切脸部；环境音恢复，音乐只抬高一层。\n\n镜头07｜30–38秒｜8秒｜温暖：给表情留下时间\n画面与动作：苏兰用细绳补好渔网，孩子给小蟹摆一碟饭；二狗终于放下锅盖，却发现影子只是自己的锅盖造成的第二层夸大。\n动作节拍：30–32.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：50–65mm感面部近景，稳定机位，留出至少半秒无对白微表情。\n人物表演：孩子的肩膀放松、视线愿意停留；成人以小动作回应，不用齐声大笑替代情绪。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：对白：海生说“它也是来帮忙的。”；其余人用目光回应，留半秒安静。\n衔接：由人物最后的目光或手指引向收尾道具，暖光保持一致。\n\n镜头08｜38–44秒｜6秒｜余味：接回钩子并打开新可能\n画面与动作：船灯又被小蟹轻轻推低，墙上长出一朵巨大花影；尾钩保留奇观，但把恐惧彻底转成玩笑。\n动作节拍：38–39.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：以本镜描述的收尾物件构图；最后的形状、光点或运动方向匹配开场关键元素。允许改变景别，但匹配关系必须清楚。\n人物表演：人物保持结局得到的安全与关系；新的小悬念不撤销已经完成的情绪回报。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：取第一镜的同一种音色作为最后一个轻声提示，让尾音衔接循环；不突然加入无关轰鸣。\n衔接：最后0.3秒保留与开头相似的轮廓/音色，允许无缝循环；不加黑底强制点击卡。\n\n负向与连续性检查：不出现无依据的手机、枪械、医院、现代车辆、书上伪造大段文字、未经设计的影视角色或艺术家署名。保持双髻、红带、额头红点及四名主角身份；不多生手指、蟹腿，不让手与道具穿模，不把罗盘替换成怀表。道具在同一镜内不得随机换材质、数量、左右位置或开合状态。只允许故事规则指定的物件变化；儿童无血腥伤害。所有字幕、可读书名和界面文字后期添加，生成画面不带水印、伪字幕或推广尾卡。\n合成前逐镜核对：人物数与站坐姿；第一帧是否已有异常；动作起点/终点能否接上；道具尺寸是否受控；视线和海平线是否一致；每个回报能否追溯到前一镜的选择。未拍出因果时重做相关镜头，不能靠旁白掩盖。\n\n平台剪辑备选（不是平台时长限制，也不是热度保证）：\nTikTok测试版：保留0–1秒钩子，1–4秒加一行疑问字幕，22–30秒完整展示回报；可将4–9秒背景压成3秒，成片约42秒。\nInstagram Reels测试版：保持道具质感与暖光配色，前1秒无需读字即可理解异常；保留30–38秒表情停顿，以收尾道具作封面，主体仍44秒。\nYouTube Shorts测试版：保持44秒因果链，画外说明最多一句；最后0.3秒与开头形状/声响呼应，避免只留下未兑现的悬念。\n所有字幕建议单行、短句，放在人物面部与关键道具之外；先按实际播放器界面预览遮挡。\n\n可测试的两个开头：A使用第一镜的大/小、静/动反差；B保持同一异常事件，但从小满瞳孔或手中道具切入，再在0.6秒内露出尺度参照。只改变开头一项，其余剪辑保持一致；是否提高留存需要真实成片与实际观看数据，本任务未做此测试。" }, { "id": "C014", "title": "同一颗石头退了三次潮", "concept_id": "S35", "concept_index": 34, "version": 0, "genre": "循环悬疑", "duration_seconds": 44, "shot_count": 8, "source_id": 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"strength": "模型成功接受图像并完成解码调用，日志可查。", "issues": "初次只循环聊天分隔标记，缺少可用视觉内容；后续明确模板重试见single-vicuna结果。", "verdict": "本次内容失败，不能当作可交付反推提示词。" }, "contribution": "补救型二创：这份原文不能提供可靠完整故事。保留它作为能力比较证据，创作主线回到已核对的全片设定；不能把此处新脚本计为该来源成功理解了视频。", "source_duplicate_of": null, "source_hash": "5e4bec7fac918bf65e69e4afb671a75594e632b249ad6c9d02fa49af30a4d169", "body_hash": "371a960b3f4104d69c81aa654c7aafd00871eadc7f11356bc053a0e523accf0e", "author": "Codex, shared writer; not original model output", "fallback": true, "hook": "白纹石头已第三次从海生脚边滚回同一个泥洞，浪花也沿完全相同的弧线退去；小满的惊讶表情与上一轮残影错开半拍。", "rule": "同一段潮水最多重复三次；每次只有一处行动改变，最后选择帮助而非抢夺才能退出。", "shots": [ { "number": 1, "start": 0, "end": 1, "duration": 1, "beat": "惊奇：先看见不可能", "action": "白纹石头已第三次从海生脚边滚回同一个泥洞，浪花也沿完全相同的弧线退去；小满的惊讶表情与上一轮残影错开半拍。", "camera": "24–35mm感中广景或前景近物后景巨物，保留明确大小参照；单一明确机位，不用无目标甩镜；异常动作在画面开始时已经发生。", "performance": "以本镜指定的人物/道具为中心，背景角色不抢动作。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "以潮声、湿泥轻响、旧木或黄铜触碰声中最贴合本镜道具的一声开场；配一个短低频脉冲，随即让出空间，不叠加尖叫。", "transition": "在异常动作最清楚的一刻硬切至下一镜指定动作或反应；不先放片名或黑屏。", "timing": "0.00–0.15秒直接展示钩子关键帧；0.15–0.70秒让异常动作继续；0.70–1.00秒用呼吸或微小停顿准备切入反应。" }, { "number": 2, "start": 1, "end": 4, "duration": 3, "beat": "好奇：理解人物的反应", "action": "她用红布在石头旁做标记，二狗伸手捡石，浪又把他的手推回原位；同一声木桶响再次出现，建立明确循环。", "camera": "50mm感的近景，机位降到孩子眼平，向前缓移约一个手掌距离。", "performance": "若小满在本镜入画，眼神先落在道具，再转向海生；若为纯道具镜，不额外挤入人脸。海生与孩子交流时保持相近眼平高度。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "保留孩子一次吸气和衣料轻摩擦，环境声变窄，音乐只留很轻的持续音。", "transition": "按人物视线切到问题或缺少之物，前一镜最后一声环境音延续约0.15秒。", "timing": "1–1.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 3, "start": 4, "end": 9, "duration": 5, "beat": "共情：显露一个小缺口", "action": "第二轮短插入展示二狗急抢发光贝壳，海生追着粮袋跑，小满被落在后面；三人各追目标，谁也没等谁。", "camera": "35mm感中景或中近景，交代角色、目标道具和可行动空间；保持眼线一致。", "performance": "让负责本镜行动的成人先动，孩子随后作出可见反应；避免所有人同时表演。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "空碗、空袋、脚步或木板声选本镜实际存在的一项放近；未出场物件不配声，避免声源误导。", "transition": "用逐渐靠近的风声/物件声引入下一镜；剪切前先让观众认清道具位置。", "timing": "4–5.25秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 4, "start": 9, "end": 15, "duration": 6, "beat": "紧张：让选择有代价", "action": "第三次浪线逼近，红布开始松动，小满伸出的手无人握住；时间只留一轮，小石头在洞口摇摇欲落。", "camera": "28mm感稍低机位，前景放障碍或关键道具，后景保留退路；缓慢推进，不乱晃。", "performance": "海生或苏兰承担保护动作，孩子的恐惧用呼吸与手指表现；二狗的夸张反应不压过危险信息。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "风与低频逐步增强，声音来自画面可解释方向；临近决定时收低，不盖过呼吸。", "transition": "在角色看向选择对象时切到手部，危险声短暂收低，突出决定。", "timing": "9–10.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 5, "start": 15, "end": 22, "duration": 7, "beat": "信任：人物主动做决定", "action": "海生不再追粮袋，转身握住小满，再叫二狗停下；苏兰把红布压稳，四个人第一次站到同一条线上。", "camera": "65–85mm感手部/道具插入镜头，焦点从指尖过渡到被选择的物件；只做一次明确动作。", "performance": "选择必须由清楚的手部动作落实；其余角色停住，给观众看懂选择的空间。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "对白：小满轻声说“这一次，先拉住我。”；只配一次明确道具接触声。", "transition": "按动作方向匹配下一镜的变化，避免用白闪遮盖因果。", "timing": "15–16.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 6, "start": 22, "end": 30, "duration": 8, "beat": "释放：回报具有清楚因果", "action": "石头越过原先的停点，滚向新的浅路；浪声终于改变，循环结束，粮袋顺着正常水流停在近岸。", "camera": "28–35mm感中广景，由关键道具向外缓慢拉开，完整看见变化及安全距离。", "performance": "先让道具/环境发生变化，再切或移到人物反应；变化只遵守本故事规则。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "潮声、湿泥轻响、旧木或黄铜触碰声随变化从密变疏，再进入温暖的两三个原创音符；不使用现成热门歌曲歌词。", "transition": "变化完成后停半拍再切脸部；环境音恢复，音乐只抬高一层。", "timing": "22–24.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 7, "start": 30, "end": 38, "duration": 8, "beat": "温暖：给表情留下时间", "action": "小满捡起白纹石头交给海生，四人一起走而不是各自奔跑；二狗故意踩出一个不同节拍，确认时间真的继续。", "camera": "35mm感桌边或岸边中景，先交代所有本镜角色，再缓慢靠近小满的表情；不在同一镜里把人数和座位改掉。", "performance": "孩子的肩膀放松、视线愿意停留；成人以小动作回应，不用齐声大笑替代情绪。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "对白：海生说“我们终于往前走了。”；其余人用目光回应，留半秒安静。", "transition": "由人物最后的目光或手指引向收尾道具，暖光保持一致。", "timing": "30–32.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 8, "start": 38, "end": 44, "duration": 6, "beat": "余味：接回钩子并打开新可能", "action": "石头被放到窗台，水杯里一圈涟漪像旧浪线；最后只重复一次很轻的桶响，作为观众能辨认的循环签名。", "camera": "以本镜描述的收尾物件构图；最后的形状、光点或运动方向匹配开场关键元素。允许改变景别，但匹配关系必须清楚。", "performance": "人物保持结局得到的安全与关系；新的小悬念不撤销已经完成的情绪回报。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "取第一镜的同一种音色作为最后一个轻声提示，让尾音衔接循环；不突然加入无关轰鸣。", "transition": "最后0.3秒保留与开头相似的轮廓/音色，允许无缝循环；不加黑底强制点击卡。", "timing": "38–39.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" } ], "path": "creative/C014--results-hd--gguf-mobilevlm.txt", "text": "来源文件：raw-prompts/results-hd--gguf-mobilevlm.txt\n来源名称：ZiangWu/MobileVLM_V2-1.7B-GGUF\n实际来源记录：results-hd/gguf-mobilevlm.json\n原文可用点：模型成功接受图像并完成解码调用，日志可查。\n原文问题/边界：初次只循环聊天分隔标记，缺少可用视觉内容；后续明确模板重试见single-vicuna结果。\n转化方式：补救型二创：这份原文不能提供可靠完整故事。保留它作为能力比较证据，创作主线回到已核对的全片设定；不能把此处新脚本计为该来源成功理解了视频。\n本次选择的新故事：同一颗石头退了三次潮。所有幻想事件都是二创，不用原文中的误识别冒充事实。\n\n《同一颗石头退了三次潮》｜循环悬疑｜44秒完整剪辑稿\n\n制作目标：44秒，9:16竖屏，8个剪辑镜头，目标1080×1920、24fps。时间表是剪辑设计，不是任一平台API保证；按工具实际支持的片段长度生成，再裁切拼接。此处没有生成视频。\n视觉基调：架空旧式沿海村落，湿泥、粗布、旧木和黄铜具有可触摸的写实材质；幼童面部略带童话般大眼比例。灰蓝海水与褐色村屋为底，红发带是辨识点，幻想光源以局部金色/银色呈现。\n小满：幼童女孩，黑发双髻、左右各一条红发带、额头小红点；灰褐补丁粗布衣、布挎袋、旧布鞋。开场若用蓝披衣，则全片保持，除非镜头明确拍下脱衣。性格敏感、先看大人反应，再敢表达愿望。红点不是伤口，红发带不是红头发。\n海生：青年男性，凌乱黑发，旧蓝外衣、灰内衫、深裤；行动稳，保护孩子时先降到她的眼平高度，不以大喊替代关心。\n苏兰：成年女性，深发松束、灰褐无袖粗布上衣、简单项链与腕布；观察细节，负责托稳道具、递布或摆碗等具体照顾。\n二狗：青年男性，短黑发、橄榄绿外衣；提供轻微喜剧和观众反应，后半段愿意放慢动作参与帮助，不把他写成伤害孩子的反派。\n上述人物只在本镜明确指定时出现。群众只作远处模糊背景，不增加新主角。多人同框时优先保持海生在左、苏兰在后、二狗在右、小满在前中；若换位，用中广景交代，不瞬移。\n环境连续性：泥滩、浅水、旧船和村屋保持同一架空地点。海平线稳定。湿衣不会无故变干。室内暖色由船灯或灶火提供；室外变暖用云隙光或明确的幻想道具光解释，不让44秒凭空跨越数小时。\n人物表情与道具变化分开生成更易核对：每镜最多一个主要幻想动作，真实人物不随道具变形。以上服装、人物名和新动作均属本次二创设定，不声称模型从8帧恢复了全部身份。\n\n核心道具锁：白纹小石头、三次相同浪线、红布标记。先为本片制作一张统一道具参考图，记录缺口、锈斑、左右方向、尺寸；镜头之间沿用同一版本。\n\n本片新规则：同一段潮水最多重复三次；每次只有一处行动改变，最后选择帮助而非抢夺才能退出。 此规则是新创作，不是原片事实。\n\n第一秒视觉钩子：白纹石头已第三次从海生脚边滚回同一个泥洞，浪花也沿完全相同的弧线退去；小满的惊讶表情与上一轮残影错开半拍。\n\n目标情绪路径：惊奇 → 好奇 → 共情 → 紧张 → 信任 → 释放 → 温暖 → 余味。它是创作设计，不是已测得的观众留存数据。\n\n分镜与生成指令（逐镜生成，再按时间码剪辑；全局角色锁及规则与每一镜一起输入）：\n\n镜头01｜00–01秒｜1秒｜惊奇：先看见不可能\n画面与动作：白纹石头已第三次从海生脚边滚回同一个泥洞，浪花也沿完全相同的弧线退去；小满的惊讶表情与上一轮残影错开半拍。\n动作节拍：0.00–0.15秒直接展示钩子关键帧；0.15–0.70秒让异常动作继续；0.70–1.00秒用呼吸或微小停顿准备切入反应。\n构图与镜头：24–35mm感中广景或前景近物后景巨物，保留明确大小参照；单一明确机位，不用无目标甩镜；异常动作在画面开始时已经发生。\n人物表演：以本镜指定的人物/道具为中心，背景角色不抢动作。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：以潮声、湿泥轻响、旧木或黄铜触碰声中最贴合本镜道具的一声开场；配一个短低频脉冲，随即让出空间，不叠加尖叫。\n衔接：在异常动作最清楚的一刻硬切至下一镜指定动作或反应；不先放片名或黑屏。\n\n镜头02｜01–04秒｜3秒｜好奇：理解人物的反应\n画面与动作：她用红布在石头旁做标记，二狗伸手捡石，浪又把他的手推回原位；同一声木桶响再次出现，建立明确循环。\n动作节拍：1–1.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：50mm感的近景，机位降到孩子眼平，向前缓移约一个手掌距离。\n人物表演：若小满在本镜入画，眼神先落在道具，再转向海生；若为纯道具镜，不额外挤入人脸。海生与孩子交流时保持相近眼平高度。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：保留孩子一次吸气和衣料轻摩擦，环境声变窄，音乐只留很轻的持续音。\n衔接：按人物视线切到问题或缺少之物，前一镜最后一声环境音延续约0.15秒。\n\n镜头03｜04–09秒｜5秒｜共情：显露一个小缺口\n画面与动作：第二轮短插入展示二狗急抢发光贝壳，海生追着粮袋跑，小满被落在后面；三人各追目标，谁也没等谁。\n动作节拍：4–5.25秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：35mm感中景或中近景，交代角色、目标道具和可行动空间；保持眼线一致。\n人物表演：让负责本镜行动的成人先动，孩子随后作出可见反应；避免所有人同时表演。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：空碗、空袋、脚步或木板声选本镜实际存在的一项放近；未出场物件不配声，避免声源误导。\n衔接：用逐渐靠近的风声/物件声引入下一镜；剪切前先让观众认清道具位置。\n\n镜头04｜09–15秒｜6秒｜紧张：让选择有代价\n画面与动作：第三次浪线逼近，红布开始松动，小满伸出的手无人握住；时间只留一轮，小石头在洞口摇摇欲落。\n动作节拍：9–10.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：28mm感稍低机位，前景放障碍或关键道具，后景保留退路；缓慢推进，不乱晃。\n人物表演：海生或苏兰承担保护动作，孩子的恐惧用呼吸与手指表现；二狗的夸张反应不压过危险信息。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：风与低频逐步增强，声音来自画面可解释方向；临近决定时收低，不盖过呼吸。\n衔接：在角色看向选择对象时切到手部，危险声短暂收低，突出决定。\n\n镜头05｜15–22秒｜7秒｜信任：人物主动做决定\n画面与动作：海生不再追粮袋，转身握住小满，再叫二狗停下；苏兰把红布压稳，四个人第一次站到同一条线上。\n动作节拍：15–16.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：65–85mm感手部/道具插入镜头，焦点从指尖过渡到被选择的物件；只做一次明确动作。\n人物表演：选择必须由清楚的手部动作落实；其余角色停住，给观众看懂选择的空间。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：对白：小满轻声说“这一次，先拉住我。”；只配一次明确道具接触声。\n衔接：按动作方向匹配下一镜的变化，避免用白闪遮盖因果。\n\n镜头06｜22–30秒｜8秒｜释放：回报具有清楚因果\n画面与动作：石头越过原先的停点，滚向新的浅路；浪声终于改变，循环结束，粮袋顺着正常水流停在近岸。\n动作节拍：22–24.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：28–35mm感中广景，由关键道具向外缓慢拉开，完整看见变化及安全距离。\n人物表演：先让道具/环境发生变化，再切或移到人物反应；变化只遵守本故事规则。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：潮声、湿泥轻响、旧木或黄铜触碰声随变化从密变疏，再进入温暖的两三个原创音符；不使用现成热门歌曲歌词。\n衔接：变化完成后停半拍再切脸部；环境音恢复，音乐只抬高一层。\n\n镜头07｜30–38秒｜8秒｜温暖：给表情留下时间\n画面与动作：小满捡起白纹石头交给海生，四人一起走而不是各自奔跑；二狗故意踩出一个不同节拍，确认时间真的继续。\n动作节拍：30–32.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：35mm感桌边或岸边中景，先交代所有本镜角色，再缓慢靠近小满的表情；不在同一镜里把人数和座位改掉。\n人物表演：孩子的肩膀放松、视线愿意停留；成人以小动作回应，不用齐声大笑替代情绪。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：对白：海生说“我们终于往前走了。”；其余人用目光回应，留半秒安静。\n衔接：由人物最后的目光或手指引向收尾道具，暖光保持一致。\n\n镜头08｜38–44秒｜6秒｜余味：接回钩子并打开新可能\n画面与动作：石头被放到窗台，水杯里一圈涟漪像旧浪线；最后只重复一次很轻的桶响，作为观众能辨认的循环签名。\n动作节拍：38–39.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：以本镜描述的收尾物件构图；最后的形状、光点或运动方向匹配开场关键元素。允许改变景别，但匹配关系必须清楚。\n人物表演：人物保持结局得到的安全与关系；新的小悬念不撤销已经完成的情绪回报。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：取第一镜的同一种音色作为最后一个轻声提示，让尾音衔接循环；不突然加入无关轰鸣。\n衔接：最后0.3秒保留与开头相似的轮廓/音色，允许无缝循环；不加黑底强制点击卡。\n\n负向与连续性检查：不出现无依据的手机、枪械、医院、现代车辆、书上伪造大段文字、未经设计的影视角色或艺术家署名。保持双髻、红带、额头红点及四名主角身份；不多生手指、蟹腿，不让手与道具穿模，不把罗盘替换成怀表。道具在同一镜内不得随机换材质、数量、左右位置或开合状态。只允许故事规则指定的物件变化；儿童无血腥伤害。所有字幕、可读书名和界面文字后期添加，生成画面不带水印、伪字幕或推广尾卡。\n合成前逐镜核对：人物数与站坐姿；第一帧是否已有异常；动作起点/终点能否接上；道具尺寸是否受控；视线和海平线是否一致；每个回报能否追溯到前一镜的选择。未拍出因果时重做相关镜头，不能靠旁白掩盖。\n\n平台剪辑备选（不是平台时长限制，也不是热度保证）：\nTikTok测试版：保留0–1秒钩子，1–4秒加一行疑问字幕，22–30秒完整展示回报；可将4–9秒背景压成3秒，成片约42秒。\nInstagram Reels测试版：保持道具质感与暖光配色，前1秒无需读字即可理解异常；保留30–38秒表情停顿，以收尾道具作封面，主体仍44秒。\nYouTube Shorts测试版：保持44秒因果链，画外说明最多一句；最后0.3秒与开头形状/声响呼应，避免只留下未兑现的悬念。\n所有字幕建议单行、短句，放在人物面部与关键道具之外；先按实际播放器界面预览遮挡。\n\n可测试的两个开头：A使用第一镜的大/小、静/动反差；B保持同一异常事件，但从小满瞳孔或手中道具切入，再在0.6秒内露出尺度参照。只改变开头一项，其余剪辑保持一致；是否提高留存需要真实成片与实际观看数据，本任务未做此测试。" }, { "id": "C015", "title": "会呼吸的青苔毯", "concept_id": "S31", "concept_index": 30, "version": 2, "genre": "生态奇幻", "duration_seconds": 44, "shot_count": 8, "source_id": "results-hd--gguf-pixtral", "source_name": "ggml-org/pixtral-12b-GGUF", "category": "results-hd", "source_path": "raw-prompts/results-hd--gguf-pixtral.txt", "source_record": "results-hd/gguf-pixtral.json", "source_paths": [ "raw-prompts/results-hd--gguf-pixtral.txt", "project-cases/mistralai__mistral-inference/prompt-raw.txt" ], "source_excerpt": "The video begins with a young girl sitting on the shore, surrounded by several crabs. She is dressed in a dark outfit with red hair accessories, looking curious. Next, the girl is seen crying, with tears streaming down her face, possibly due to the sight of the crabs. The scene shifts to a group of people, including the girl, standing near a body of water. They appear to be preparing to catch crabs, with one person holding a net. The girl is now smiling, seemingly more comfortable with the group. The group works together to catch crabs, with the girl actively participating. The final scene sho", "source_review": { "strength": "生成了完整而简洁的海岸人物与抓蟹段落，没有达到350token上限。", "issues": "假设女孩因蟹而哭，补出准备抓蟹的过程；漏掉巨浪、围桌和旧书罗盘等实际输入。完整叙事的流畅感掩盖了证据遗漏。", "verdict": "本次8静帧输入下过度概括，不适合作为忠实复刻文本。" }, "contribution": "视觉片段型来源：以原文中与原帧相符的海岸、人物、表情或道具作为灵感入口。身份、对白、连续动作、奇幻规则和新剧情由Codex补写，不是该模型的原始能力。", "source_duplicate_of": null, "source_hash": "03b9a4ff39525987de5b4dddc8ffb2933cfed48623e2a58a02b511d00054c13a", "body_hash": "82be82813a6741f82457d8ee418d8ac32cb9bd5aae4e2109b95157abc853e14e", "author": "Codex, shared writer; not original model output", "fallback": false, "hook": "一整片青苔已经像睡着的巨兽背部一样缓慢起伏，小满掌心大小的脚印陷在它中央，边缘冒出一圈金色气泡。", "rule": "青苔的起伏来自泥下气泡；幻想光纹放大这种线索，人物只取需要的收获。", "shots": [ { "number": 1, "start": 0, "end": 1, "duration": 1, "beat": "惊奇：先看见不可能", "action": "一整片青苔已经像睡着的巨兽背部一样缓慢起伏，小满掌心大小的脚印陷在它中央，边缘冒出一圈金色气泡。", "camera": "24–35mm感中广景或前景近物后景巨物，保留明确大小参照；单一明确机位，不用无目标甩镜；异常动作在画面开始时已经发生。", "performance": "以本镜指定的人物/道具为中心，背景角色不抢动作。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "以潮声、湿泥轻响、旧木或黄铜触碰声中最贴合本镜道具的一声开场；配一个短低频脉冲，随即让出空间，不叠加尖叫。", "transition": "在异常动作最清楚的一刻硬切至下一镜指定动作或反应；不先放片名或黑屏。", "timing": "0.00–0.15秒直接展示钩子关键帧；0.15–0.70秒让异常动作继续；0.70–1.00秒用呼吸或微小停顿准备切入反应。" }, { "number": 2, "start": 1, "end": 4, "duration": 3, "beat": "好奇：理解人物的反应", "action": "海生用竹铲轻探边缘，青苔没有破裂；小满把耳朵靠近但不贴水，认真指向起伏最有规律的一点。", "camera": "50mm感的近景，机位降到孩子眼平，向前缓移约一个手掌距离。", "performance": "若小满在本镜入画，眼神先落在道具，再转向海生；若为纯道具镜，不额外挤入人脸。海生与孩子交流时保持相近眼平高度。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "保留孩子一次吸气和衣料轻摩擦，环境声变窄，音乐只留很轻的持续音。", "transition": "按人物视线切到问题或缺少之物，前一镜最后一声环境音延续约0.15秒。", "timing": "1–1.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 3, "start": 4, "end": 9, "duration": 5, "beat": "共情：显露一个小缺口", "action": "二狗把空篮摊给大家看，脸上满是急切；苏兰先扶住小满，再把竹篮放到不挡水流的石边。", "camera": "35mm感中景或中近景，交代角色、目标道具和可行动空间；保持眼线一致。", "performance": "让负责本镜行动的成人先动，孩子随后作出可见反应；避免所有人同时表演。 本来源版本强调空间关系：镜头开头保留四个角色/道具位置参照，再靠近关键动作，不以密集特写掩盖布局。", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "空碗、空袋、脚步或木板声选本镜实际存在的一项放近；未出场物件不配声，避免声源误导。", "transition": "用逐渐靠近的风声/物件声引入下一镜；剪切前先让观众认清道具位置。", "timing": "4–5.25秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 4, "start": 9, "end": 15, "duration": 6, "beat": "紧张：让选择有代价", "action": "远处一串快速脚步逼近，青苔的呼吸节奏变乱，气泡突然停止；孩子抬手示意安静，神情由兴奋转为担忧。", "camera": "28mm感稍低机位，前景放障碍或关键道具，后景保留退路；缓慢推进，不乱晃。", "performance": "海生或苏兰承担保护动作，孩子的恐惧用呼吸与手指表现；二狗的夸张反应不压过危险信息。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "风与低频逐步增强，声音来自画面可解释方向；临近决定时收低，不盖过呼吸。", "transition": "在角色看向选择对象时切到手部，危险声短暂收低，突出决定。", "timing": "9–10.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 5, "start": 15, "end": 22, "duration": 7, "beat": "信任：人物主动做决定", "action": "海生收起大铲，只用小竹片掀开一角；小满用指尖比出很小的范围，二狗也把动作放轻。", "camera": "65–85mm感手部/道具插入镜头，焦点从指尖过渡到被选择的物件；只做一次明确动作。", "performance": "选择必须由清楚的手部动作落实；其余角色停住，给观众看懂选择的空间。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "对白：小满轻声说“轻一点，下面还有家。”；只配一次明确道具接触声。", "transition": "按动作方向匹配下一镜的变化，避免用白闪遮盖因果。", "timing": "15–16.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 6, "start": 22, "end": 30, "duration": 8, "beat": "释放：回报具有清楚因果", "action": "薄毯下面露出一窝蟹，大蟹把更小的蟹护在内侧；众人只收取外侧少量成熟蟹，留下幼蟹与完整水道。", "camera": "28–35mm感中广景，由关键道具向外缓慢拉开，完整看见变化及安全距离。", "performance": "先让道具/环境发生变化，再切或移到人物反应；变化只遵守本故事规则。 本来源版本强调空间关系：镜头开头保留四个角色/道具位置参照，再靠近关键动作，不以密集特写掩盖布局。", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "潮声、湿泥轻响、旧木或黄铜触碰声随变化从密变疏，再进入温暖的两三个原创音符；不使用现成热门歌曲歌词。", "transition": "变化完成后停半拍再切脸部；环境音恢复，音乐只抬高一层。", "timing": "22–24.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 7, "start": 30, "end": 38, "duration": 8, "beat": "温暖：给表情留下时间", "action": "苏兰把青苔轻轻盖回，二狗看见篮里虽不满却足够，安心地笑；小满给泥洞留下一片湿叶作遮挡。", "camera": "50–65mm感面部近景，稳定机位，留出至少半秒无对白微表情。", "performance": "孩子的肩膀放松、视线愿意停留；成人以小动作回应，不用齐声大笑替代情绪。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "对白：二狗说“今天够吃，就够了。”；其余人用目光回应，留半秒安静。", "transition": "由人物最后的目光或手指引向收尾道具，暖光保持一致。", "timing": "30–32.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 8, "start": 38, "end": 44, "duration": 6, "beat": "余味：接回钩子并打开新可能", "action": "青苔恢复平稳呼吸，金色气泡组成一个短暂笑弧；最后一下起伏与第一秒衔接，保留被善待后的生命感。", "camera": "以本镜描述的收尾物件构图；最后的形状、光点或运动方向匹配开场关键元素。允许改变景别，但匹配关系必须清楚。", "performance": "人物保持结局得到的安全与关系；新的小悬念不撤销已经完成的情绪回报。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "取第一镜的同一种音色作为最后一个轻声提示，让尾音衔接循环；不突然加入无关轰鸣。", "transition": "最后0.3秒保留与开头相似的轮廓/音色，允许无缝循环；不加黑底强制点击卡。", "timing": "38–39.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" } ], "path": "creative/C015--results-hd--gguf-pixtral.txt", "text": "来源文件：raw-prompts/results-hd--gguf-pixtral.txt\n来源名称：ggml-org/pixtral-12b-GGUF\n实际来源记录：results-hd/gguf-pixtral.json\n原文可用点：生成了完整而简洁的海岸人物与抓蟹段落，没有达到350token上限。\n原文问题/边界：假设女孩因蟹而哭，补出准备抓蟹的过程；漏掉巨浪、围桌和旧书罗盘等实际输入。完整叙事的流畅感掩盖了证据遗漏。\n转化方式：视觉片段型来源：以原文中与原帧相符的海岸、人物、表情或道具作为灵感入口。身份、对白、连续动作、奇幻规则和新剧情由Codex补写，不是该模型的原始能力。\n本次选择的新故事：会呼吸的青苔毯。所有幻想事件都是二创，不用原文中的误识别冒充事实。\n\n《会呼吸的青苔毯》｜生态奇幻｜44秒完整剪辑稿\n\n制作目标：44秒，9:16竖屏，8个剪辑镜头，目标1080×1920、24fps。时间表是剪辑设计，不是任一平台API保证；按工具实际支持的片段长度生成，再裁切拼接。此处没有生成视频。\n视觉基调：架空旧式沿海村落，湿泥、粗布、旧木和黄铜具有可触摸的写实材质；幼童面部略带童话般大眼比例。灰蓝海水与褐色村屋为底，红发带是辨识点，幻想光源以局部金色/银色呈现。\n小满：幼童女孩，黑发双髻、左右各一条红发带、额头小红点；灰褐补丁粗布衣、布挎袋、旧布鞋。开场若用蓝披衣，则全片保持，除非镜头明确拍下脱衣。性格敏感、先看大人反应，再敢表达愿望。红点不是伤口，红发带不是红头发。\n海生：青年男性，凌乱黑发，旧蓝外衣、灰内衫、深裤；行动稳，保护孩子时先降到她的眼平高度，不以大喊替代关心。\n苏兰：成年女性，深发松束、灰褐无袖粗布上衣、简单项链与腕布；观察细节，负责托稳道具、递布或摆碗等具体照顾。\n二狗：青年男性，短黑发、橄榄绿外衣；提供轻微喜剧和观众反应，后半段愿意放慢动作参与帮助，不把他写成伤害孩子的反派。\n上述人物只在本镜明确指定时出现。群众只作远处模糊背景，不增加新主角。多人同框时优先保持海生在左、苏兰在后、二狗在右、小满在前中；若换位，用中广景交代，不瞬移。\n环境连续性：泥滩、浅水、旧船和村屋保持同一架空地点。海平线稳定。湿衣不会无故变干。室内暖色由船灯或灶火提供；室外变暖用云隙光或明确的幻想道具光解释，不让44秒凭空跨越数小时。\n人物表情与道具变化分开生成更易核对：每镜最多一个主要幻想动作，真实人物不随道具变形。以上服装、人物名和新动作均属本次二创设定，不声称模型从8帧恢复了全部身份。\n\n核心道具锁：青苔薄毯、浅泥洞、竹篮。先为本片制作一张统一道具参考图，记录缺口、锈斑、左右方向、尺寸；镜头之间沿用同一版本。\n\n本片新规则：青苔的起伏来自泥下气泡；幻想光纹放大这种线索，人物只取需要的收获。 此规则是新创作，不是原片事实。\n\n第一秒视觉钩子：一整片青苔已经像睡着的巨兽背部一样缓慢起伏，小满掌心大小的脚印陷在它中央，边缘冒出一圈金色气泡。\n\n目标情绪路径：惊奇 → 好奇 → 共情 → 紧张 → 信任 → 释放 → 温暖 → 余味。它是创作设计，不是已测得的观众留存数据。\n\n分镜与生成指令（逐镜生成，再按时间码剪辑；全局角色锁及规则与每一镜一起输入）：\n\n镜头01｜00–01秒｜1秒｜惊奇：先看见不可能\n画面与动作：一整片青苔已经像睡着的巨兽背部一样缓慢起伏，小满掌心大小的脚印陷在它中央，边缘冒出一圈金色气泡。\n动作节拍：0.00–0.15秒直接展示钩子关键帧；0.15–0.70秒让异常动作继续；0.70–1.00秒用呼吸或微小停顿准备切入反应。\n构图与镜头：24–35mm感中广景或前景近物后景巨物，保留明确大小参照；单一明确机位，不用无目标甩镜；异常动作在画面开始时已经发生。\n人物表演：以本镜指定的人物/道具为中心，背景角色不抢动作。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：以潮声、湿泥轻响、旧木或黄铜触碰声中最贴合本镜道具的一声开场；配一个短低频脉冲，随即让出空间，不叠加尖叫。\n衔接：在异常动作最清楚的一刻硬切至下一镜指定动作或反应；不先放片名或黑屏。\n\n镜头02｜01–04秒｜3秒｜好奇：理解人物的反应\n画面与动作：海生用竹铲轻探边缘，青苔没有破裂；小满把耳朵靠近但不贴水，认真指向起伏最有规律的一点。\n动作节拍：1–1.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：50mm感的近景，机位降到孩子眼平，向前缓移约一个手掌距离。\n人物表演：若小满在本镜入画，眼神先落在道具，再转向海生；若为纯道具镜，不额外挤入人脸。海生与孩子交流时保持相近眼平高度。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：保留孩子一次吸气和衣料轻摩擦，环境声变窄，音乐只留很轻的持续音。\n衔接：按人物视线切到问题或缺少之物，前一镜最后一声环境音延续约0.15秒。\n\n镜头03｜04–09秒｜5秒｜共情：显露一个小缺口\n画面与动作：二狗把空篮摊给大家看，脸上满是急切；苏兰先扶住小满，再把竹篮放到不挡水流的石边。\n动作节拍：4–5.25秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：35mm感中景或中近景，交代角色、目标道具和可行动空间；保持眼线一致。\n人物表演：让负责本镜行动的成人先动，孩子随后作出可见反应；避免所有人同时表演。 本来源版本强调空间关系：镜头开头保留四个角色/道具位置参照，再靠近关键动作，不以密集特写掩盖布局。\n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：空碗、空袋、脚步或木板声选本镜实际存在的一项放近；未出场物件不配声，避免声源误导。\n衔接：用逐渐靠近的风声/物件声引入下一镜；剪切前先让观众认清道具位置。\n\n镜头04｜09–15秒｜6秒｜紧张：让选择有代价\n画面与动作：远处一串快速脚步逼近，青苔的呼吸节奏变乱，气泡突然停止；孩子抬手示意安静，神情由兴奋转为担忧。\n动作节拍：9–10.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：28mm感稍低机位，前景放障碍或关键道具，后景保留退路；缓慢推进，不乱晃。\n人物表演：海生或苏兰承担保护动作，孩子的恐惧用呼吸与手指表现；二狗的夸张反应不压过危险信息。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：风与低频逐步增强，声音来自画面可解释方向；临近决定时收低，不盖过呼吸。\n衔接：在角色看向选择对象时切到手部，危险声短暂收低，突出决定。\n\n镜头05｜15–22秒｜7秒｜信任：人物主动做决定\n画面与动作：海生收起大铲，只用小竹片掀开一角；小满用指尖比出很小的范围，二狗也把动作放轻。\n动作节拍：15–16.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：65–85mm感手部/道具插入镜头，焦点从指尖过渡到被选择的物件；只做一次明确动作。\n人物表演：选择必须由清楚的手部动作落实；其余角色停住，给观众看懂选择的空间。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：对白：小满轻声说“轻一点，下面还有家。”；只配一次明确道具接触声。\n衔接：按动作方向匹配下一镜的变化，避免用白闪遮盖因果。\n\n镜头06｜22–30秒｜8秒｜释放：回报具有清楚因果\n画面与动作：薄毯下面露出一窝蟹，大蟹把更小的蟹护在内侧；众人只收取外侧少量成熟蟹，留下幼蟹与完整水道。\n动作节拍：22–24.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：28–35mm感中广景，由关键道具向外缓慢拉开，完整看见变化及安全距离。\n人物表演：先让道具/环境发生变化，再切或移到人物反应；变化只遵守本故事规则。 本来源版本强调空间关系：镜头开头保留四个角色/道具位置参照，再靠近关键动作，不以密集特写掩盖布局。\n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：潮声、湿泥轻响、旧木或黄铜触碰声随变化从密变疏，再进入温暖的两三个原创音符；不使用现成热门歌曲歌词。\n衔接：变化完成后停半拍再切脸部；环境音恢复，音乐只抬高一层。\n\n镜头07｜30–38秒｜8秒｜温暖：给表情留下时间\n画面与动作：苏兰把青苔轻轻盖回，二狗看见篮里虽不满却足够，安心地笑；小满给泥洞留下一片湿叶作遮挡。\n动作节拍：30–32.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：50–65mm感面部近景，稳定机位，留出至少半秒无对白微表情。\n人物表演：孩子的肩膀放松、视线愿意停留；成人以小动作回应，不用齐声大笑替代情绪。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：对白：二狗说“今天够吃，就够了。”；其余人用目光回应，留半秒安静。\n衔接：由人物最后的目光或手指引向收尾道具，暖光保持一致。\n\n镜头08｜38–44秒｜6秒｜余味：接回钩子并打开新可能\n画面与动作：青苔恢复平稳呼吸，金色气泡组成一个短暂笑弧；最后一下起伏与第一秒衔接，保留被善待后的生命感。\n动作节拍：38–39.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：以本镜描述的收尾物件构图；最后的形状、光点或运动方向匹配开场关键元素。允许改变景别，但匹配关系必须清楚。\n人物表演：人物保持结局得到的安全与关系；新的小悬念不撤销已经完成的情绪回报。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：取第一镜的同一种音色作为最后一个轻声提示，让尾音衔接循环；不突然加入无关轰鸣。\n衔接：最后0.3秒保留与开头相似的轮廓/音色，允许无缝循环；不加黑底强制点击卡。\n\n负向与连续性检查：不出现无依据的手机、枪械、医院、现代车辆、书上伪造大段文字、未经设计的影视角色或艺术家署名。保持双髻、红带、额头红点及四名主角身份；不多生手指、蟹腿，不让手与道具穿模，不把罗盘替换成怀表。道具在同一镜内不得随机换材质、数量、左右位置或开合状态。只允许故事规则指定的物件变化；儿童无血腥伤害。所有字幕、可读书名和界面文字后期添加，生成画面不带水印、伪字幕或推广尾卡。\n合成前逐镜核对：人物数与站坐姿；第一帧是否已有异常；动作起点/终点能否接上；道具尺寸是否受控；视线和海平线是否一致；每个回报能否追溯到前一镜的选择。未拍出因果时重做相关镜头，不能靠旁白掩盖。\n\n平台剪辑备选（不是平台时长限制，也不是热度保证）：\nTikTok测试版：保留0–1秒钩子，1–4秒加一行疑问字幕，22–30秒完整展示回报；可将4–9秒背景压成3秒，成片约42秒。\nInstagram Reels测试版：保持道具质感与暖光配色，前1秒无需读字即可理解异常；保留30–38秒表情停顿，以收尾道具作封面，主体仍44秒。\nYouTube Shorts测试版：保持44秒因果链，画外说明最多一句；最后0.3秒与开头形状/声响呼应，避免只留下未兑现的悬念。\n所有字幕建议单行、短句，放在人物面部与关键道具之外；先按实际播放器界面预览遮挡。\n\n可测试的两个开头：A使用第一镜的大/小、静/动反差；B保持同一异常事件，但从小满瞳孔或手中道具切入，再在0.6秒内露出尺度参照。只改变开头一项，其余剪辑保持一致；是否提高留存需要真实成片与实际观看数据，本任务未做此测试。" }, { "id": "C016", "title": "月光把船桨变成鱼", "concept_id": "S30", "concept_index": 29, "version": 0, "genre": "材质变形", "duration_seconds": 44, "shot_count": 8, "source_id": "results-hd--gguf-xtuner-single", "source_name": "xtuner/llava-phi-3-mini-gguf", "category": "results-hd", "source_path": "raw-prompts/results-hd--gguf-xtuner-single.txt", "source_record": "results-hd/gguf-xtuner-single.json", "source_paths": [ "raw-prompts/results-hd--gguf-xtuner-single.txt", "project-cases/InternLM__xtuner/prompt-raw.txt" ], "source_excerpt": "[0 秒]\nA young child is sitting on a rocky beach, surrounded by small crabs. The child is wearing a blue jacket and red hair ties. The crabs are scattered around the child, some on the ground and some on the rocks. The child is looking down at the crabs, seemingly fascinated by them. In the background, there is a building and a body of water. The child's expression is one of curiosity and wonder.\n\n[15 秒]\nA young child with red paint on their face is crying. The child is holding a green rope in their hands. The background is blurred, but it appears to be a room with a window. The text on the ima", "source_review": { "strength": "单帧调用避开上下文限制，识别女孩、蟹、旧书与罗盘、四人围容器等粗略对象。", "issues": "编造大段中文、摄影者署名和印度地图；关闭的书被写成翻开，另添小杯；巨浪场景添条纹帆、晴空；385秒三成人一童变两成人两童，动作和容器内容也补写。", "verdict": "真实生成8段，但字幕与物件幻觉很多；原文不能直接用作忠实复刻。只代表所测LLaVA-Phi3配置，不代表XTuner训练工具的所有模型。" }, "contribution": "视觉片段型来源：以原文中与原帧相符的海岸、人物、表情或道具作为灵感入口。身份、对白、连续动作、奇幻规则和新剧情由Codex补写，不是该模型的原始能力。", "source_duplicate_of": null, "source_hash": "6ba23cc7963018de7c3b335898e05bd4d99d67b47806c84ef4005edcc220ee3f", "body_hash": "605faf20f33b5c939cb5a681ce5beba9aef0fe428e1b9bee2decca481751d868", "author": "Codex, shared writer; not original model output", "fallback": false, "hook": "木桨在水里的倒影已经甩动鱼尾，真实桨却稳稳握在海生手里；银鱼倒影带着整条水面光带向前游动。", "rule": "只有木桨的倒影变成鱼，实物始终是桨；不能出现枪械或真实动物受伤。", "shots": [ { "number": 1, "start": 0, "end": 1, "duration": 1, "beat": "惊奇：先看见不可能", "action": "木桨在水里的倒影已经甩动鱼尾，真实桨却稳稳握在海生手里；银鱼倒影带着整条水面光带向前游动。", "camera": "24–35mm感中广景或前景近物后景巨物，保留明确大小参照；单一明确机位，不用无目标甩镜；异常动作在画面开始时已经发生。", "performance": "以本镜指定的人物/道具为中心，背景角色不抢动作。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "以潮声、湿泥轻响、旧木或黄铜触碰声中最贴合本镜道具的一声开场；配一个短低频脉冲，随即让出空间，不叠加尖叫。", "transition": "在异常动作最清楚的一刻硬切至下一镜指定动作或反应；不先放片名或黑屏。", "timing": "0.00–0.15秒直接展示钩子关键帧；0.15–0.70秒让异常动作继续；0.70–1.00秒用呼吸或微小停顿准备切入反应。" }, { "number": 2, "start": 1, "end": 4, "duration": 3, "beat": "好奇：理解人物的反应", "action": "小满趴在船舷内侧看，苏兰轻扶她肩膀；二狗把桨抬离水面，鱼影立刻消失，他露出又怕又好奇的表情。", "camera": "50mm感的近景，机位降到孩子眼平，向前缓移约一个手掌距离。", "performance": "若小满在本镜入画，眼神先落在道具，再转向海生；若为纯道具镜，不额外挤入人脸。海生与孩子交流时保持相近眼平高度。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "保留孩子一次吸气和衣料轻摩擦，环境声变窄，音乐只留很轻的持续音。", "transition": "按人物视线切到问题或缺少之物，前一镜最后一声环境音延续约0.15秒。", "timing": "1–1.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 3, "start": 4, "end": 9, "duration": 5, "beat": "共情：显露一个小缺口", "action": "小船停在两条水路交界，雾遮住岸标；海生看着磨损罗盘，指针打转，第一次无法决定往哪边走。", "camera": "35mm感中景或中近景，交代角色、目标道具和可行动空间；保持眼线一致。", "performance": "让负责本镜行动的成人先动，孩子随后作出可见反应；避免所有人同时表演。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "空碗、空袋、脚步或木板声选本镜实际存在的一项放近；未出场物件不配声，避免声源误导。", "transition": "用逐渐靠近的风声/物件声引入下一镜；剪切前先让观众认清道具位置。", "timing": "4–5.25秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 4, "start": 9, "end": 15, "duration": 6, "beat": "紧张：让选择有代价", "action": "二狗急着追鱼，把桨插得太深，水面碎成杂乱亮片；小满指向完整月影，让大家把船先稳住。", "camera": "28mm感稍低机位，前景放障碍或关键道具，后景保留退路；缓慢推进，不乱晃。", "performance": "海生或苏兰承担保护动作，孩子的恐惧用呼吸与手指表现；二狗的夸张反应不压过危险信息。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "风与低频逐步增强，声音来自画面可解释方向；临近决定时收低，不盖过呼吸。", "transition": "在角色看向选择对象时切到手部，危险声短暂收低，突出决定。", "timing": "9–10.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 5, "start": 15, "end": 22, "duration": 7, "beat": "信任：人物主动做决定", "action": "海生轻放木桨，只让一半桨叶接触水；小满闭口屏息，二狗跟着放轻划动，给倒影留出平滑水面。", "camera": "65–85mm感手部/道具插入镜头，焦点从指尖过渡到被选择的物件；只做一次明确动作。", "performance": "选择必须由清楚的手部动作落实；其余角色停住，给观众看懂选择的空间。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "对白：小满轻声说“别抓它，让它带路。”；只配一次明确道具接触声。", "transition": "按动作方向匹配下一镜的变化，避免用白闪遮盖因果。", "timing": "15–16.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 6, "start": 22, "end": 30, "duration": 8, "beat": "释放：回报具有清楚因果", "action": "鱼影重新合拢，沿安全浅水路游向船灯；小船顺着光带靠岸，整个过程不让木桨本体变成武器或动物。", "camera": "28–35mm感中广景，由关键道具向外缓慢拉开，完整看见变化及安全距离。", "performance": "先让道具/环境发生变化，再切或移到人物反应；变化只遵守本故事规则。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "潮声、湿泥轻响、旧木或黄铜触碰声随变化从密变疏，再进入温暖的两三个原创音符；不使用现成热门歌曲歌词。", "transition": "变化完成后停半拍再切脸部；环境音恢复，音乐只抬高一层。", "timing": "22–24.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 7, "start": 30, "end": 38, "duration": 8, "beat": "温暖：给表情留下时间", "action": "上岸后，小满轻拍木桨表示感谢，海生把它挂回船边；苏兰笑着让孩子看倒影，普通木头也能留下特别记忆。", "camera": "50–65mm感面部近景，稳定机位，留出至少半秒无对白微表情。", "performance": "孩子的肩膀放松、视线愿意停留；成人以小动作回应，不用齐声大笑替代情绪。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "对白：海生说“原来一直是同一支桨。”；其余人用目光回应，留半秒安静。", "transition": "由人物最后的目光或手指引向收尾道具，暖光保持一致。", "timing": "30–32.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 8, "start": 38, "end": 44, "duration": 6, "beat": "余味：接回钩子并打开新可能", "action": "水盆里的桨影轻摆一次鱼尾，水面随即恢复平静；银光与第一秒同方向游过，完成材质错觉的循环。", "camera": "以本镜描述的收尾物件构图；最后的形状、光点或运动方向匹配开场关键元素。允许改变景别，但匹配关系必须清楚。", "performance": "人物保持结局得到的安全与关系；新的小悬念不撤销已经完成的情绪回报。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "取第一镜的同一种音色作为最后一个轻声提示，让尾音衔接循环；不突然加入无关轰鸣。", "transition": "最后0.3秒保留与开头相似的轮廓/音色，允许无缝循环；不加黑底强制点击卡。", "timing": "38–39.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" } ], "path": "creative/C016--results-hd--gguf-xtuner-single.txt", "text": "来源文件：raw-prompts/results-hd--gguf-xtuner-single.txt\n来源名称：xtuner/llava-phi-3-mini-gguf\n实际来源记录：results-hd/gguf-xtuner-single.json\n原文可用点：单帧调用避开上下文限制，识别女孩、蟹、旧书与罗盘、四人围容器等粗略对象。\n原文问题/边界：编造大段中文、摄影者署名和印度地图；关闭的书被写成翻开，另添小杯；巨浪场景添条纹帆、晴空；385秒三成人一童变两成人两童，动作和容器内容也补写。\n转化方式：视觉片段型来源：以原文中与原帧相符的海岸、人物、表情或道具作为灵感入口。身份、对白、连续动作、奇幻规则和新剧情由Codex补写，不是该模型的原始能力。\n本次选择的新故事：月光把船桨变成鱼。所有幻想事件都是二创，不用原文中的误识别冒充事实。\n\n《月光把船桨变成鱼》｜材质变形｜44秒完整剪辑稿\n\n制作目标：44秒，9:16竖屏，8个剪辑镜头，目标1080×1920、24fps。时间表是剪辑设计，不是任一平台API保证；按工具实际支持的片段长度生成，再裁切拼接。此处没有生成视频。\n视觉基调：架空旧式沿海村落，湿泥、粗布、旧木和黄铜具有可触摸的写实材质；幼童面部略带童话般大眼比例。灰蓝海水与褐色村屋为底，红发带是辨识点，幻想光源以局部金色/银色呈现。\n小满：幼童女孩，黑发双髻、左右各一条红发带、额头小红点；灰褐补丁粗布衣、布挎袋、旧布鞋。开场若用蓝披衣，则全片保持，除非镜头明确拍下脱衣。性格敏感、先看大人反应，再敢表达愿望。红点不是伤口，红发带不是红头发。\n海生：青年男性，凌乱黑发，旧蓝外衣、灰内衫、深裤；行动稳，保护孩子时先降到她的眼平高度，不以大喊替代关心。\n苏兰：成年女性，深发松束、灰褐无袖粗布上衣、简单项链与腕布；观察细节，负责托稳道具、递布或摆碗等具体照顾。\n二狗：青年男性，短黑发、橄榄绿外衣；提供轻微喜剧和观众反应，后半段愿意放慢动作参与帮助，不把他写成伤害孩子的反派。\n上述人物只在本镜明确指定时出现。群众只作远处模糊背景，不增加新主角。多人同框时优先保持海生在左、苏兰在后、二狗在右、小满在前中；若换位，用中广景交代，不瞬移。\n环境连续性：泥滩、浅水、旧船和村屋保持同一架空地点。海平线稳定。湿衣不会无故变干。室内暖色由船灯或灶火提供；室外变暖用云隙光或明确的幻想道具光解释，不让44秒凭空跨越数小时。\n人物表情与道具变化分开生成更易核对：每镜最多一个主要幻想动作，真实人物不随道具变形。以上服装、人物名和新动作均属本次二创设定，不声称模型从8帧恢复了全部身份。\n\n核心道具锁：旧木桨、银色鱼影、浅水小船。先为本片制作一张统一道具参考图，记录缺口、锈斑、左右方向、尺寸；镜头之间沿用同一版本。\n\n本片新规则：只有木桨的倒影变成鱼，实物始终是桨；不能出现枪械或真实动物受伤。 此规则是新创作，不是原片事实。\n\n第一秒视觉钩子：木桨在水里的倒影已经甩动鱼尾，真实桨却稳稳握在海生手里；银鱼倒影带着整条水面光带向前游动。\n\n目标情绪路径：惊奇 → 好奇 → 共情 → 紧张 → 信任 → 释放 → 温暖 → 余味。它是创作设计，不是已测得的观众留存数据。\n\n分镜与生成指令（逐镜生成，再按时间码剪辑；全局角色锁及规则与每一镜一起输入）：\n\n镜头01｜00–01秒｜1秒｜惊奇：先看见不可能\n画面与动作：木桨在水里的倒影已经甩动鱼尾，真实桨却稳稳握在海生手里；银鱼倒影带着整条水面光带向前游动。\n动作节拍：0.00–0.15秒直接展示钩子关键帧；0.15–0.70秒让异常动作继续；0.70–1.00秒用呼吸或微小停顿准备切入反应。\n构图与镜头：24–35mm感中广景或前景近物后景巨物，保留明确大小参照；单一明确机位，不用无目标甩镜；异常动作在画面开始时已经发生。\n人物表演：以本镜指定的人物/道具为中心，背景角色不抢动作。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：以潮声、湿泥轻响、旧木或黄铜触碰声中最贴合本镜道具的一声开场；配一个短低频脉冲，随即让出空间，不叠加尖叫。\n衔接：在异常动作最清楚的一刻硬切至下一镜指定动作或反应；不先放片名或黑屏。\n\n镜头02｜01–04秒｜3秒｜好奇：理解人物的反应\n画面与动作：小满趴在船舷内侧看，苏兰轻扶她肩膀；二狗把桨抬离水面，鱼影立刻消失，他露出又怕又好奇的表情。\n动作节拍：1–1.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：50mm感的近景，机位降到孩子眼平，向前缓移约一个手掌距离。\n人物表演：若小满在本镜入画，眼神先落在道具，再转向海生；若为纯道具镜，不额外挤入人脸。海生与孩子交流时保持相近眼平高度。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：保留孩子一次吸气和衣料轻摩擦，环境声变窄，音乐只留很轻的持续音。\n衔接：按人物视线切到问题或缺少之物，前一镜最后一声环境音延续约0.15秒。\n\n镜头03｜04–09秒｜5秒｜共情：显露一个小缺口\n画面与动作：小船停在两条水路交界，雾遮住岸标；海生看着磨损罗盘，指针打转，第一次无法决定往哪边走。\n动作节拍：4–5.25秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：35mm感中景或中近景，交代角色、目标道具和可行动空间；保持眼线一致。\n人物表演：让负责本镜行动的成人先动，孩子随后作出可见反应；避免所有人同时表演。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：空碗、空袋、脚步或木板声选本镜实际存在的一项放近；未出场物件不配声，避免声源误导。\n衔接：用逐渐靠近的风声/物件声引入下一镜；剪切前先让观众认清道具位置。\n\n镜头04｜09–15秒｜6秒｜紧张：让选择有代价\n画面与动作：二狗急着追鱼，把桨插得太深，水面碎成杂乱亮片；小满指向完整月影，让大家把船先稳住。\n动作节拍：9–10.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：28mm感稍低机位，前景放障碍或关键道具，后景保留退路；缓慢推进，不乱晃。\n人物表演：海生或苏兰承担保护动作，孩子的恐惧用呼吸与手指表现；二狗的夸张反应不压过危险信息。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：风与低频逐步增强，声音来自画面可解释方向；临近决定时收低，不盖过呼吸。\n衔接：在角色看向选择对象时切到手部，危险声短暂收低，突出决定。\n\n镜头05｜15–22秒｜7秒｜信任：人物主动做决定\n画面与动作：海生轻放木桨，只让一半桨叶接触水；小满闭口屏息，二狗跟着放轻划动，给倒影留出平滑水面。\n动作节拍：15–16.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：65–85mm感手部/道具插入镜头，焦点从指尖过渡到被选择的物件；只做一次明确动作。\n人物表演：选择必须由清楚的手部动作落实；其余角色停住，给观众看懂选择的空间。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：对白：小满轻声说“别抓它，让它带路。”；只配一次明确道具接触声。\n衔接：按动作方向匹配下一镜的变化，避免用白闪遮盖因果。\n\n镜头06｜22–30秒｜8秒｜释放：回报具有清楚因果\n画面与动作：鱼影重新合拢，沿安全浅水路游向船灯；小船顺着光带靠岸，整个过程不让木桨本体变成武器或动物。\n动作节拍：22–24.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：28–35mm感中广景，由关键道具向外缓慢拉开，完整看见变化及安全距离。\n人物表演：先让道具/环境发生变化，再切或移到人物反应；变化只遵守本故事规则。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：潮声、湿泥轻响、旧木或黄铜触碰声随变化从密变疏，再进入温暖的两三个原创音符；不使用现成热门歌曲歌词。\n衔接：变化完成后停半拍再切脸部；环境音恢复，音乐只抬高一层。\n\n镜头07｜30–38秒｜8秒｜温暖：给表情留下时间\n画面与动作：上岸后，小满轻拍木桨表示感谢，海生把它挂回船边；苏兰笑着让孩子看倒影，普通木头也能留下特别记忆。\n动作节拍：30–32.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：50–65mm感面部近景，稳定机位，留出至少半秒无对白微表情。\n人物表演：孩子的肩膀放松、视线愿意停留；成人以小动作回应，不用齐声大笑替代情绪。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：对白：海生说“原来一直是同一支桨。”；其余人用目光回应，留半秒安静。\n衔接：由人物最后的目光或手指引向收尾道具，暖光保持一致。\n\n镜头08｜38–44秒｜6秒｜余味：接回钩子并打开新可能\n画面与动作：水盆里的桨影轻摆一次鱼尾，水面随即恢复平静；银光与第一秒同方向游过，完成材质错觉的循环。\n动作节拍：38–39.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：以本镜描述的收尾物件构图；最后的形状、光点或运动方向匹配开场关键元素。允许改变景别，但匹配关系必须清楚。\n人物表演：人物保持结局得到的安全与关系；新的小悬念不撤销已经完成的情绪回报。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：取第一镜的同一种音色作为最后一个轻声提示，让尾音衔接循环；不突然加入无关轰鸣。\n衔接：最后0.3秒保留与开头相似的轮廓/音色，允许无缝循环；不加黑底强制点击卡。\n\n负向与连续性检查：不出现无依据的手机、枪械、医院、现代车辆、书上伪造大段文字、未经设计的影视角色或艺术家署名。保持双髻、红带、额头红点及四名主角身份；不多生手指、蟹腿，不让手与道具穿模，不把罗盘替换成怀表。道具在同一镜内不得随机换材质、数量、左右位置或开合状态。只允许故事规则指定的物件变化；儿童无血腥伤害。所有字幕、可读书名和界面文字后期添加，生成画面不带水印、伪字幕或推广尾卡。\n合成前逐镜核对：人物数与站坐姿；第一帧是否已有异常；动作起点/终点能否接上；道具尺寸是否受控；视线和海平线是否一致；每个回报能否追溯到前一镜的选择。未拍出因果时重做相关镜头，不能靠旁白掩盖。\n\n平台剪辑备选（不是平台时长限制，也不是热度保证）：\nTikTok测试版：保留0–1秒钩子，1–4秒加一行疑问字幕，22–30秒完整展示回报；可将4–9秒背景压成3秒，成片约42秒。\nInstagram Reels测试版：保持道具质感与暖光配色，前1秒无需读字即可理解异常；保留30–38秒表情停顿，以收尾道具作封面，主体仍44秒。\nYouTube Shorts测试版：保持44秒因果链，画外说明最多一句；最后0.3秒与开头形状/声响呼应，避免只留下未兑现的悬念。\n所有字幕建议单行、短句，放在人物面部与关键道具之外；先按实际播放器界面预览遮挡。\n\n可测试的两个开头：A使用第一镜的大/小、静/动反差；B保持同一异常事件，但从小满瞳孔或手中道具切入，再在0.6秒内露出尺度参照。只改变开头一项，其余剪辑保持一致；是否提高留存需要真实成片与实际观看数据，本任务未做此测试。" }, { "id": "C017", "title": "罗盘为什么指着空碗", "concept_id": "S02", "concept_index": 1, "version": 1, "genre": "道具悬疑", "duration_seconds": 44, "shot_count": 8, "source_id": "results-hd--git", "source_name": "microsoft/git-base-coco", "category": "results-hd", "source_path": "raw-prompts/results-hd--git.txt", "source_record": "results-hd/git.json", "source_paths": [ "raw-prompts/results-hd--git.txt", "project-cases/microsoft__GenerativeImage2Text/prompt-raw.txt" ], "source_excerpt": "[0 秒]\nbaby playing on the beach\n\n[15 秒]\ntears of a crying child\n\n[50 秒]\na boat floating on top of a wave in the ocean.\n\n[95 秒]\na scene from the movie.\n\n[175 秒]\na hand holding an old book and a compass\n\n[235 秒]\na little girl with a bow in her hair.\n\n[340 秒]\na child playing in the mud\n\n[385 秒]\na family playing in the sand.", "source_review": { "strength": "175秒识别出旧书和罗盘，部分物体名称比BLIP更具体。", "issues": "把多人同框推成家庭关系；多数画面仍是通用短句。", "verdict": "适合补道具标签，缺少长视频因果。" }, "contribution": "视觉片段型来源：以原文中与原帧相符的海岸、人物、表情或道具作为灵感入口。身份、对白、连续动作、奇幻规则和新剧情由Codex补写，不是该模型的原始能力。", "source_duplicate_of": null, "source_hash": "5cc9b86361e7fadceeda174dc3c26bde3ac5714900c29fa9c33997a244c0a42c", "body_hash": "b7757abba850db9535fc6e199a0480caaf9b33844a38d5d785606474639c6eab", "author": "Codex, shared writer; not original model output", "fallback": false, "hook": "黄铜罗盘的指针穿出表盘，像一根金色细线直指女孩的空碗；针尖停在碗沿上方，距她手指只有一指宽。", "rule": "罗盘指向最需要被照顾的地方，而非财宝；针只在人物做出选择后稳定。", "shots": [ { "number": 1, "start": 0, "end": 1, "duration": 1, "beat": "惊奇：先看见不可能", "action": "黄铜罗盘的指针穿出表盘，像一根金色细线直指女孩的空碗；针尖停在碗沿上方，距她手指只有一指宽。", "camera": "85mm感微距，道具占画面约三分之二，人物眼睛或手作为尺度参照；单一明确机位，不用无目标甩镜；异常动作在画面开始时已经发生。", "performance": "以本镜指定的人物/道具为中心，背景角色不抢动作。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "以潮声、湿泥轻响、旧木或黄铜触碰声中最贴合本镜道具的一声开场；配一个短低频脉冲，随即让出空间，不叠加尖叫。", "transition": "在异常动作最清楚的一刻硬切至下一镜指定动作或反应；不先放片名或黑屏。", "timing": "0.00–0.15秒直接展示钩子关键帧；0.15–0.70秒让异常动作继续；0.70–1.00秒用呼吸或微小停顿准备切入反应。" }, { "number": 2, "start": 1, "end": 4, "duration": 3, "beat": "好奇：理解人物的反应", "action": "海生转动罗盘，针却逆着他的手回到空碗方向；小满捂住肚子，立刻又把手藏到衣后，怕被发现。", "camera": "50mm感的近景，机位降到孩子眼平，向前缓移约一个手掌距离。", "performance": "若小满在本镜入画，眼神先落在道具，再转向海生；若为纯道具镜，不额外挤入人脸。海生与孩子交流时保持相近眼平高度。 本来源版本强调小满的主观感受：先拍她注意到的细节，再拍回应，缩短无信息的成人反应。", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "保留孩子一次吸气和衣料轻摩擦，环境声变窄，音乐只留很轻的持续音。", "transition": "按人物视线切到问题或缺少之物，前一镜最后一声环境音延续约0.15秒。", "timing": "1–1.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 3, "start": 4, "end": 9, "duration": 5, "beat": "共情：显露一个小缺口", "action": "二狗展开标着金色光点的海图，兴奋地指向远方；海生低头看修不好的旧船，脸上闪过急于翻身的希望。", "camera": "35mm感中景或中近景，交代角色、目标道具和可行动空间；保持眼线一致。", "performance": "让负责本镜行动的成人先动，孩子随后作出可见反应；避免所有人同时表演。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "空碗、空袋、脚步或木板声选本镜实际存在的一项放近；未出场物件不配声，避免声源误导。", "transition": "用逐渐靠近的风声/物件声引入下一镜；剪切前先让观众认清道具位置。", "timing": "4–5.25秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 4, "start": 9, "end": 15, "duration": 6, "beat": "紧张：让选择有代价", "action": "众人把罗盘搬到船头，指针越转越急；远处亮起诱人的金光，孩子被留在岸边，笑容一点点消失。", "camera": "28mm感稍低机位，前景放障碍或关键道具，后景保留退路；缓慢推进，不乱晃。", "performance": "海生或苏兰承担保护动作，孩子的恐惧用呼吸与手指表现；二狗的夸张反应不压过危险信息。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "风与低频逐步增强，声音来自画面可解释方向；临近决定时收低，不盖过呼吸。", "transition": "在角色看向选择对象时切到手部，危险声短暂收低，突出决定。", "timing": "9–10.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 5, "start": 15, "end": 22, "duration": 7, "beat": "信任：人物主动做决定", "action": "海生收起地图，回身抱起空碗，蹲到小满身边；他把罗盘放在两人之间，先决定为孩子煮一顿饭。", "camera": "65–85mm感手部/道具插入镜头，焦点从指尖过渡到被选择的物件；只做一次明确动作。", "performance": "选择必须由清楚的手部动作落实；其余角色停住，给观众看懂选择的空间。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "对白：海生轻声说“它指的不是金子。”；只配一次明确道具接触声。", "transition": "按动作方向匹配下一镜的变化，避免用白闪遮盖因果。", "timing": "15–16.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 6, "start": 22, "end": 30, "duration": 8, "beat": "释放：回报具有清楚因果", "action": "指针立即安静，碗底映出旧船夹层的位置；一块松木板自行翘起，露出保存完好的粮袋，而非金银。", "camera": "28–35mm感中广景，由关键道具向外缓慢拉开，完整看见变化及安全距离。", "performance": "先让道具/环境发生变化，再切或移到人物反应；变化只遵守本故事规则。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "潮声、湿泥轻响、旧木或黄铜触碰声随变化从密变疏，再进入温暖的两三个原创音符；不使用现成热门歌曲歌词。", "transition": "变化完成后停半拍再切脸部；环境音恢复，音乐只抬高一层。", "timing": "22–24.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 7, "start": 30, "end": 38, "duration": 8, "beat": "温暖：给表情留下时间", "action": "一家人围小桌分饭，罗盘摆在正中，指针依次朝每个人轻点；小满终于把自己的碗放进圆圈里。", "camera": "35mm感桌边或岸边中景，先交代所有本镜角色，再缓慢靠近小满的表情；不在同一镜里把人数和座位改掉。", "performance": "孩子的肩膀放松、视线愿意停留；成人以小动作回应，不用齐声大笑替代情绪。 本来源版本强调小满的主观感受：先拍她注意到的细节，再拍回应，缩短无信息的成人反应。", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "对白：小满说“原来，家在这里。”；其余人用目光回应，留半秒安静。", "transition": "由人物最后的目光或手指引向收尾道具，暖光保持一致。", "timing": "30–32.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 8, "start": 38, "end": 44, "duration": 6, "beat": "余味：接回钩子并打开新可能", "action": "最后一粒米落进碗时，指针再次伸出一寸，却指向门外一只饥饿的小蟹；新的选择以同一圆形构图回到开头。", "camera": "以本镜描述的收尾物件构图；最后的形状、光点或运动方向匹配开场关键元素。允许改变景别，但匹配关系必须清楚。", "performance": "人物保持结局得到的安全与关系；新的小悬念不撤销已经完成的情绪回报。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "取第一镜的同一种音色作为最后一个轻声提示，让尾音衔接循环；不突然加入无关轰鸣。", "transition": "最后0.3秒保留与开头相似的轮廓/音色，允许无缝循环；不加黑底强制点击卡。", "timing": "38–39.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" } ], "path": "creative/C017--results-hd--git.txt", "text": "来源文件：raw-prompts/results-hd--git.txt\n来源名称：microsoft/git-base-coco\n实际来源记录：results-hd/git.json\n原文可用点：175秒识别出旧书和罗盘，部分物体名称比BLIP更具体。\n原文问题/边界：把多人同框推成家庭关系；多数画面仍是通用短句。\n转化方式：视觉片段型来源：以原文中与原帧相符的海岸、人物、表情或道具作为灵感入口。身份、对白、连续动作、奇幻规则和新剧情由Codex补写，不是该模型的原始能力。\n本次选择的新故事：罗盘为什么指着空碗。所有幻想事件都是二创，不用原文中的误识别冒充事实。\n\n《罗盘为什么指着空碗》｜道具悬疑｜44秒完整剪辑稿\n\n制作目标：44秒，9:16竖屏，8个剪辑镜头，目标1080×1920、24fps。时间表是剪辑设计，不是任一平台API保证；按工具实际支持的片段长度生成，再裁切拼接。此处没有生成视频。\n视觉基调：架空旧式沿海村落，湿泥、粗布、旧木和黄铜具有可触摸的写实材质；幼童面部略带童话般大眼比例。灰蓝海水与褐色村屋为底，红发带是辨识点，幻想光源以局部金色/银色呈现。\n小满：幼童女孩，黑发双髻、左右各一条红发带、额头小红点；灰褐补丁粗布衣、布挎袋、旧布鞋。开场若用蓝披衣，则全片保持，除非镜头明确拍下脱衣。性格敏感、先看大人反应，再敢表达愿望。红点不是伤口，红发带不是红头发。\n海生：青年男性，凌乱黑发，旧蓝外衣、灰内衫、深裤；行动稳，保护孩子时先降到她的眼平高度，不以大喊替代关心。\n苏兰：成年女性，深发松束、灰褐无袖粗布上衣、简单项链与腕布；观察细节，负责托稳道具、递布或摆碗等具体照顾。\n二狗：青年男性，短黑发、橄榄绿外衣；提供轻微喜剧和观众反应，后半段愿意放慢动作参与帮助，不把他写成伤害孩子的反派。\n上述人物只在本镜明确指定时出现。群众只作远处模糊背景，不增加新主角。多人同框时优先保持海生在左、苏兰在后、二狗在右、小满在前中；若换位，用中广景交代，不瞬移。\n环境连续性：泥滩、浅水、旧船和村屋保持同一架空地点。海平线稳定。湿衣不会无故变干。室内暖色由船灯或灶火提供；室外变暖用云隙光或明确的幻想道具光解释，不让44秒凭空跨越数小时。\n人物表情与道具变化分开生成更易核对：每镜最多一个主要幻想动作，真实人物不随道具变形。以上服装、人物名和新动作均属本次二创设定，不声称模型从8帧恢复了全部身份。\n\n核心道具锁：黄铜罗盘、空白瓷碗、旧船木板。先为本片制作一张统一道具参考图，记录缺口、锈斑、左右方向、尺寸；镜头之间沿用同一版本。\n\n本片新规则：罗盘指向最需要被照顾的地方，而非财宝；针只在人物做出选择后稳定。 此规则是新创作，不是原片事实。\n\n第一秒视觉钩子：黄铜罗盘的指针穿出表盘，像一根金色细线直指女孩的空碗；针尖停在碗沿上方，距她手指只有一指宽。\n\n目标情绪路径：惊奇 → 好奇 → 共情 → 紧张 → 信任 → 释放 → 温暖 → 余味。它是创作设计，不是已测得的观众留存数据。\n\n分镜与生成指令（逐镜生成，再按时间码剪辑；全局角色锁及规则与每一镜一起输入）：\n\n镜头01｜00–01秒｜1秒｜惊奇：先看见不可能\n画面与动作：黄铜罗盘的指针穿出表盘，像一根金色细线直指女孩的空碗；针尖停在碗沿上方，距她手指只有一指宽。\n动作节拍：0.00–0.15秒直接展示钩子关键帧；0.15–0.70秒让异常动作继续；0.70–1.00秒用呼吸或微小停顿准备切入反应。\n构图与镜头：85mm感微距，道具占画面约三分之二，人物眼睛或手作为尺度参照；单一明确机位，不用无目标甩镜；异常动作在画面开始时已经发生。\n人物表演：以本镜指定的人物/道具为中心，背景角色不抢动作。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：以潮声、湿泥轻响、旧木或黄铜触碰声中最贴合本镜道具的一声开场；配一个短低频脉冲，随即让出空间，不叠加尖叫。\n衔接：在异常动作最清楚的一刻硬切至下一镜指定动作或反应；不先放片名或黑屏。\n\n镜头02｜01–04秒｜3秒｜好奇：理解人物的反应\n画面与动作：海生转动罗盘，针却逆着他的手回到空碗方向；小满捂住肚子，立刻又把手藏到衣后，怕被发现。\n动作节拍：1–1.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：50mm感的近景，机位降到孩子眼平，向前缓移约一个手掌距离。\n人物表演：若小满在本镜入画，眼神先落在道具，再转向海生；若为纯道具镜，不额外挤入人脸。海生与孩子交流时保持相近眼平高度。 本来源版本强调小满的主观感受：先拍她注意到的细节，再拍回应，缩短无信息的成人反应。\n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：保留孩子一次吸气和衣料轻摩擦，环境声变窄，音乐只留很轻的持续音。\n衔接：按人物视线切到问题或缺少之物，前一镜最后一声环境音延续约0.15秒。\n\n镜头03｜04–09秒｜5秒｜共情：显露一个小缺口\n画面与动作：二狗展开标着金色光点的海图，兴奋地指向远方；海生低头看修不好的旧船，脸上闪过急于翻身的希望。\n动作节拍：4–5.25秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：35mm感中景或中近景，交代角色、目标道具和可行动空间；保持眼线一致。\n人物表演：让负责本镜行动的成人先动，孩子随后作出可见反应；避免所有人同时表演。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：空碗、空袋、脚步或木板声选本镜实际存在的一项放近；未出场物件不配声，避免声源误导。\n衔接：用逐渐靠近的风声/物件声引入下一镜；剪切前先让观众认清道具位置。\n\n镜头04｜09–15秒｜6秒｜紧张：让选择有代价\n画面与动作：众人把罗盘搬到船头，指针越转越急；远处亮起诱人的金光，孩子被留在岸边，笑容一点点消失。\n动作节拍：9–10.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：28mm感稍低机位，前景放障碍或关键道具，后景保留退路；缓慢推进，不乱晃。\n人物表演：海生或苏兰承担保护动作，孩子的恐惧用呼吸与手指表现；二狗的夸张反应不压过危险信息。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：风与低频逐步增强，声音来自画面可解释方向；临近决定时收低，不盖过呼吸。\n衔接：在角色看向选择对象时切到手部，危险声短暂收低，突出决定。\n\n镜头05｜15–22秒｜7秒｜信任：人物主动做决定\n画面与动作：海生收起地图，回身抱起空碗，蹲到小满身边；他把罗盘放在两人之间，先决定为孩子煮一顿饭。\n动作节拍：15–16.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：65–85mm感手部/道具插入镜头，焦点从指尖过渡到被选择的物件；只做一次明确动作。\n人物表演：选择必须由清楚的手部动作落实；其余角色停住，给观众看懂选择的空间。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：对白：海生轻声说“它指的不是金子。”；只配一次明确道具接触声。\n衔接：按动作方向匹配下一镜的变化，避免用白闪遮盖因果。\n\n镜头06｜22–30秒｜8秒｜释放：回报具有清楚因果\n画面与动作：指针立即安静，碗底映出旧船夹层的位置；一块松木板自行翘起，露出保存完好的粮袋，而非金银。\n动作节拍：22–24.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：28–35mm感中广景，由关键道具向外缓慢拉开，完整看见变化及安全距离。\n人物表演：先让道具/环境发生变化，再切或移到人物反应；变化只遵守本故事规则。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：潮声、湿泥轻响、旧木或黄铜触碰声随变化从密变疏，再进入温暖的两三个原创音符；不使用现成热门歌曲歌词。\n衔接：变化完成后停半拍再切脸部；环境音恢复，音乐只抬高一层。\n\n镜头07｜30–38秒｜8秒｜温暖：给表情留下时间\n画面与动作：一家人围小桌分饭，罗盘摆在正中，指针依次朝每个人轻点；小满终于把自己的碗放进圆圈里。\n动作节拍：30–32.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：35mm感桌边或岸边中景，先交代所有本镜角色，再缓慢靠近小满的表情；不在同一镜里把人数和座位改掉。\n人物表演：孩子的肩膀放松、视线愿意停留；成人以小动作回应，不用齐声大笑替代情绪。 本来源版本强调小满的主观感受：先拍她注意到的细节，再拍回应，缩短无信息的成人反应。\n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：对白：小满说“原来，家在这里。”；其余人用目光回应，留半秒安静。\n衔接：由人物最后的目光或手指引向收尾道具，暖光保持一致。\n\n镜头08｜38–44秒｜6秒｜余味：接回钩子并打开新可能\n画面与动作：最后一粒米落进碗时，指针再次伸出一寸，却指向门外一只饥饿的小蟹；新的选择以同一圆形构图回到开头。\n动作节拍：38–39.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：以本镜描述的收尾物件构图；最后的形状、光点或运动方向匹配开场关键元素。允许改变景别，但匹配关系必须清楚。\n人物表演：人物保持结局得到的安全与关系；新的小悬念不撤销已经完成的情绪回报。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：取第一镜的同一种音色作为最后一个轻声提示，让尾音衔接循环；不突然加入无关轰鸣。\n衔接：最后0.3秒保留与开头相似的轮廓/音色，允许无缝循环；不加黑底强制点击卡。\n\n负向与连续性检查：不出现无依据的手机、枪械、医院、现代车辆、书上伪造大段文字、未经设计的影视角色或艺术家署名。保持双髻、红带、额头红点及四名主角身份；不多生手指、蟹腿，不让手与道具穿模，不把罗盘替换成怀表。道具在同一镜内不得随机换材质、数量、左右位置或开合状态。只允许故事规则指定的物件变化；儿童无血腥伤害。所有字幕、可读书名和界面文字后期添加，生成画面不带水印、伪字幕或推广尾卡。\n合成前逐镜核对：人物数与站坐姿；第一帧是否已有异常；动作起点/终点能否接上；道具尺寸是否受控；视线和海平线是否一致；每个回报能否追溯到前一镜的选择。未拍出因果时重做相关镜头，不能靠旁白掩盖。\n\n平台剪辑备选（不是平台时长限制，也不是热度保证）：\nTikTok测试版：保留0–1秒钩子，1–4秒加一行疑问字幕，22–30秒完整展示回报；可将4–9秒背景压成3秒，成片约42秒。\nInstagram Reels测试版：保持道具质感与暖光配色，前1秒无需读字即可理解异常；保留30–38秒表情停顿，以收尾道具作封面，主体仍44秒。\nYouTube Shorts测试版：保持44秒因果链，画外说明最多一句；最后0.3秒与开头形状/声响呼应，避免只留下未兑现的悬念。\n所有字幕建议单行、短句，放在人物面部与关键道具之外；先按实际播放器界面预览遮挡。\n\n可测试的两个开头：A使用第一镜的大/小、静/动反差；B保持同一异常事件，但从小满瞳孔或手中道具切入，再在0.6秒内露出尺度参照。只改变开头一项，其余剪辑保持一致；是否提高留存需要真实成片与实际观看数据，本任务未做此测试。" }, { "id": "C018", "title": "海平面倒过来的三秒", "concept_id": "S34", "concept_index": 33, "version": 2, "genre": "视错觉奇观", "duration_seconds": 44, "shot_count": 8, "source_id": "results-hd--internvl", "source_name": "OpenGVLab/InternVL2_5-1B", "category": "results-hd", "source_path": "raw-prompts/results-hd--internvl.txt", "source_record": "results-hd/internvl.json", "source_paths": [ "raw-prompts/results-hd--internvl.txt", "project-cases/OpenGVLab__InternVL/prompt-raw.txt" ], "source_excerpt": "The video begins with a young child squatting on a rocky beach, wearing a tattered, old-fashioned outfit with red hair tied in two buns. The background shows a calm sea and a distant shoreline. The child is surrounded by several crabs on the wet sand. The scene transitions to a close-up of the child's hands holding a small, old-fashioned compass, with a rustic house and a large wave in the background. The next scene shows a group of people, including the child, standing around a table in a rustic setting, with a large wave and a boat in the background. The final scene of the first clip shows a", "source_review": { "strength": "能持续描述服装与海岸场景，能输出完整长段落。", "issues": "把不同帧的元素拼接到同一画面：木屋与巨浪背景混在一起；多次凭空重复孩子持书。", "verdict": "明显存在跨帧信息混合。" }, "contribution": "视觉片段型来源：以原文中与原帧相符的海岸、人物、表情或道具作为灵感入口。身份、对白、连续动作、奇幻规则和新剧情由Codex补写，不是该模型的原始能力。", "source_duplicate_of": null, "source_hash": "177599e41be50e79b9e6401860a49350a457ce6468031b7d7308706845d8decc", "body_hash": "a1f801b977035c5abd2350c610caba898e0922625966a3dbaff17677191cdad0", "author": "Codex, shared writer; not original model output", "fallback": false, "hook": "整片海已经悬在四个人头顶，木船倒着从天空滑过；小满的红发带向上飘，画面看似失重，却留着脚边稳定石头。", "rule": "只有倒影世界颠倒，真实岸边保持稳定；反转揭示必须让观众看懂空间关系。", "shots": [ { "number": 1, "start": 0, "end": 1, "duration": 1, "beat": "惊奇：先看见不可能", "action": "整片海已经悬在四个人头顶，木船倒着从天空滑过；小满的红发带向上飘，画面看似失重，却留着脚边稳定石头。", "camera": "24mm感中广景，四名人物与其水面倒影同时清楚入画；水面占下半部，人物不互相遮挡，稳定机位让空间异常可以一眼辨认。", "performance": "以本镜指定的人物/道具为中心，背景角色不抢动作。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "以潮声、湿泥轻响、旧木或黄铜触碰声中最贴合本镜道具的一声开场；配一个短低频脉冲，随即让出空间，不叠加尖叫。", "transition": "在异常动作最清楚的一刻硬切至下一镜指定动作或反应；不先放片名或黑屏。", "timing": "0.00–0.15秒直接展示钩子关键帧；0.15–0.70秒让异常动作继续；0.70–1.00秒用呼吸或微小停顿准备切入反应。" }, { "number": 2, "start": 1, "end": 4, "duration": 3, "beat": "好奇：理解人物的反应", "action": "二狗抬头惊叫，海生却先握住孩子的手；小满注意到他们头顶的船与脚下倒影完全同步，眼神由怕转疑惑。", "camera": "50mm感的近景，机位降到孩子眼平，向前缓移约一个手掌距离。", "performance": "若小满在本镜入画，眼神先落在道具，再转向海生；若为纯道具镜，不额外挤入人脸。海生与孩子交流时保持相近眼平高度。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "保留孩子一次吸气和衣料轻摩擦，环境声变窄，音乐只留很轻的持续音。", "transition": "按人物视线切到问题或缺少之物，前一镜最后一声环境音延续约0.15秒。", "timing": "1–1.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 3, "start": 4, "end": 9, "duration": 5, "beat": "共情：显露一个小缺口", "action": "苏兰把空碗放到浅水里，碗影像月亮落进天空；二狗越躲越乱，误把自己的倒影当成另一个人。", "camera": "35mm感中景或中近景，交代角色、目标道具和可行动空间；保持眼线一致。", "performance": "让负责本镜行动的成人先动，孩子随后作出可见反应；避免所有人同时表演。 本来源版本强调空间关系：镜头开头保留四个角色/道具位置参照，再靠近关键动作，不以密集特写掩盖布局。", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "空碗、空袋、脚步或木板声选本镜实际存在的一项放近；未出场物件不配声，避免声源误导。", "transition": "用逐渐靠近的风声/物件声引入下一镜；剪切前先让观众认清道具位置。", "timing": "4–5.25秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 4, "start": 9, "end": 15, "duration": 6, "beat": "紧张：让选择有代价", "action": "一滴水落下，天空海面碎成巨大波纹，船影瞬间消失；小满迅速指向脚下，示意大家保持不动。", "camera": "28mm感稍低机位，前景放障碍或关键道具，后景保留退路；缓慢推进，不乱晃。", "performance": "海生或苏兰承担保护动作，孩子的恐惧用呼吸与手指表现；二狗的夸张反应不压过危险信息。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "风与低频逐步增强，声音来自画面可解释方向；临近决定时收低，不盖过呼吸。", "transition": "在角色看向选择对象时切到手部，危险声短暂收低，突出决定。", "timing": "9–10.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 5, "start": 15, "end": 22, "duration": 7, "beat": "信任：人物主动做决定", "action": "海生蹲下把镜头前的薄水镜轻轻拨开，小满站在他身后；镜头顺势翻回正常地平线，揭示刚才通过倒影观看。", "camera": "65–85mm感手部/道具插入镜头，焦点从指尖过渡到被选择的物件；只做一次明确动作。", "performance": "选择必须由清楚的手部动作落实；其余角色停住，给观众看懂选择的空间。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "对白：小满轻声说“别抬头，看看脚下。”；只配一次明确道具接触声。", "transition": "按动作方向匹配下一镜的变化，避免用白闪遮盖因果。", "timing": "15–16.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 6, "start": 22, "end": 30, "duration": 8, "beat": "释放：回报具有清楚因果", "action": "真实世界始终安全，旧船就在浅水边，所谓天空海洋只是一层奇幻水镜；二狗发现自己抱紧的是空筐。", "camera": "28–35mm感中广景，由关键道具向外缓慢拉开，完整看见变化及安全距离。", "performance": "先让道具/环境发生变化，再切或移到人物反应；变化只遵守本故事规则。 本来源版本强调空间关系：镜头开头保留四个角色/道具位置参照，再靠近关键动作，不以密集特写掩盖布局。", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "潮声、湿泥轻响、旧木或黄铜触碰声随变化从密变疏，再进入温暖的两三个原创音符；不使用现成热门歌曲歌词。", "transition": "变化完成后停半拍再切脸部；环境音恢复，音乐只抬高一层。", "timing": "22–24.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 7, "start": 30, "end": 38, "duration": 8, "beat": "温暖：给表情留下时间", "action": "小满笑着用碗再造一个小倒影，海生配合做出倒着走的手指小人；惊吓变成一家人的小游戏。", "camera": "35mm感桌边或岸边中景，先交代所有本镜角色，再缓慢靠近小满的表情；不在同一镜里把人数和座位改掉。", "performance": "孩子的肩膀放松、视线愿意停留；成人以小动作回应，不用齐声大笑替代情绪。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "对白：海生说“原来我们一直在岸上。”；其余人用目光回应，留半秒安静。", "transition": "由人物最后的目光或手指引向收尾道具，暖光保持一致。", "timing": "30–32.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 8, "start": 38, "end": 44, "duration": 6, "beat": "余味：接回钩子并打开新可能", "action": "镜头贴近碗内水面，四人再次倒悬在小小天空里；画面回到开头的颠倒构图，但观众已知道其中秘密。", "camera": "以本镜描述的收尾物件构图；最后的形状、光点或运动方向匹配开场关键元素。允许改变景别，但匹配关系必须清楚。", "performance": "人物保持结局得到的安全与关系；新的小悬念不撤销已经完成的情绪回报。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "取第一镜的同一种音色作为最后一个轻声提示，让尾音衔接循环；不突然加入无关轰鸣。", "transition": "最后0.3秒保留与开头相似的轮廓/音色，允许无缝循环；不加黑底强制点击卡。", "timing": "38–39.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" } ], "path": "creative/C018--results-hd--internvl.txt", "text": "来源文件：raw-prompts/results-hd--internvl.txt\n来源名称：OpenGVLab/InternVL2_5-1B\n实际来源记录：results-hd/internvl.json\n原文可用点：能持续描述服装与海岸场景，能输出完整长段落。\n原文问题/边界：把不同帧的元素拼接到同一画面：木屋与巨浪背景混在一起；多次凭空重复孩子持书。\n转化方式：视觉片段型来源：以原文中与原帧相符的海岸、人物、表情或道具作为灵感入口。身份、对白、连续动作、奇幻规则和新剧情由Codex补写，不是该模型的原始能力。\n本次选择的新故事：海平面倒过来的三秒。所有幻想事件都是二创，不用原文中的误识别冒充事实。\n\n《海平面倒过来的三秒》｜视错觉奇观｜44秒完整剪辑稿\n\n制作目标：44秒，9:16竖屏，8个剪辑镜头，目标1080×1920、24fps。时间表是剪辑设计，不是任一平台API保证；按工具实际支持的片段长度生成，再裁切拼接。此处没有生成视频。\n视觉基调：架空旧式沿海村落，湿泥、粗布、旧木和黄铜具有可触摸的写实材质；幼童面部略带童话般大眼比例。灰蓝海水与褐色村屋为底，红发带是辨识点，幻想光源以局部金色/银色呈现。\n小满：幼童女孩，黑发双髻、左右各一条红发带、额头小红点；灰褐补丁粗布衣、布挎袋、旧布鞋。开场若用蓝披衣，则全片保持，除非镜头明确拍下脱衣。性格敏感、先看大人反应，再敢表达愿望。红点不是伤口，红发带不是红头发。\n海生：青年男性，凌乱黑发，旧蓝外衣、灰内衫、深裤；行动稳，保护孩子时先降到她的眼平高度，不以大喊替代关心。\n苏兰：成年女性，深发松束、灰褐无袖粗布上衣、简单项链与腕布；观察细节，负责托稳道具、递布或摆碗等具体照顾。\n二狗：青年男性，短黑发、橄榄绿外衣；提供轻微喜剧和观众反应，后半段愿意放慢动作参与帮助，不把他写成伤害孩子的反派。\n上述人物只在本镜明确指定时出现。群众只作远处模糊背景，不增加新主角。多人同框时优先保持海生在左、苏兰在后、二狗在右、小满在前中；若换位，用中广景交代，不瞬移。\n环境连续性：泥滩、浅水、旧船和村屋保持同一架空地点。海平线稳定。湿衣不会无故变干。室内暖色由船灯或灶火提供；室外变暖用云隙光或明确的幻想道具光解释，不让44秒凭空跨越数小时。\n人物表情与道具变化分开生成更易核对：每镜最多一个主要幻想动作，真实人物不随道具变形。以上服装、人物名和新动作均属本次二创设定，不声称模型从8帧恢复了全部身份。\n\n核心道具锁：倒悬海面、浅水倒影、木船。先为本片制作一张统一道具参考图，记录缺口、锈斑、左右方向、尺寸；镜头之间沿用同一版本。\n\n本片新规则：只有倒影世界颠倒，真实岸边保持稳定；反转揭示必须让观众看懂空间关系。 此规则是新创作，不是原片事实。\n\n第一秒视觉钩子：整片海已经悬在四个人头顶，木船倒着从天空滑过；小满的红发带向上飘，画面看似失重，却留着脚边稳定石头。\n\n目标情绪路径：惊奇 → 好奇 → 共情 → 紧张 → 信任 → 释放 → 温暖 → 余味。它是创作设计，不是已测得的观众留存数据。\n\n分镜与生成指令（逐镜生成，再按时间码剪辑；全局角色锁及规则与每一镜一起输入）：\n\n镜头01｜00–01秒｜1秒｜惊奇：先看见不可能\n画面与动作：整片海已经悬在四个人头顶，木船倒着从天空滑过；小满的红发带向上飘，画面看似失重，却留着脚边稳定石头。\n动作节拍：0.00–0.15秒直接展示钩子关键帧；0.15–0.70秒让异常动作继续；0.70–1.00秒用呼吸或微小停顿准备切入反应。\n构图与镜头：24mm感中广景，四名人物与其水面倒影同时清楚入画；水面占下半部，人物不互相遮挡，稳定机位让空间异常可以一眼辨认。\n人物表演：以本镜指定的人物/道具为中心，背景角色不抢动作。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：以潮声、湿泥轻响、旧木或黄铜触碰声中最贴合本镜道具的一声开场；配一个短低频脉冲，随即让出空间，不叠加尖叫。\n衔接：在异常动作最清楚的一刻硬切至下一镜指定动作或反应；不先放片名或黑屏。\n\n镜头02｜01–04秒｜3秒｜好奇：理解人物的反应\n画面与动作：二狗抬头惊叫，海生却先握住孩子的手；小满注意到他们头顶的船与脚下倒影完全同步，眼神由怕转疑惑。\n动作节拍：1–1.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：50mm感的近景，机位降到孩子眼平，向前缓移约一个手掌距离。\n人物表演：若小满在本镜入画，眼神先落在道具，再转向海生；若为纯道具镜，不额外挤入人脸。海生与孩子交流时保持相近眼平高度。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：保留孩子一次吸气和衣料轻摩擦，环境声变窄，音乐只留很轻的持续音。\n衔接：按人物视线切到问题或缺少之物，前一镜最后一声环境音延续约0.15秒。\n\n镜头03｜04–09秒｜5秒｜共情：显露一个小缺口\n画面与动作：苏兰把空碗放到浅水里，碗影像月亮落进天空；二狗越躲越乱，误把自己的倒影当成另一个人。\n动作节拍：4–5.25秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：35mm感中景或中近景，交代角色、目标道具和可行动空间；保持眼线一致。\n人物表演：让负责本镜行动的成人先动，孩子随后作出可见反应；避免所有人同时表演。 本来源版本强调空间关系：镜头开头保留四个角色/道具位置参照，再靠近关键动作，不以密集特写掩盖布局。\n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：空碗、空袋、脚步或木板声选本镜实际存在的一项放近；未出场物件不配声，避免声源误导。\n衔接：用逐渐靠近的风声/物件声引入下一镜；剪切前先让观众认清道具位置。\n\n镜头04｜09–15秒｜6秒｜紧张：让选择有代价\n画面与动作：一滴水落下，天空海面碎成巨大波纹，船影瞬间消失；小满迅速指向脚下，示意大家保持不动。\n动作节拍：9–10.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：28mm感稍低机位，前景放障碍或关键道具，后景保留退路；缓慢推进，不乱晃。\n人物表演：海生或苏兰承担保护动作，孩子的恐惧用呼吸与手指表现；二狗的夸张反应不压过危险信息。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：风与低频逐步增强，声音来自画面可解释方向；临近决定时收低，不盖过呼吸。\n衔接：在角色看向选择对象时切到手部，危险声短暂收低，突出决定。\n\n镜头05｜15–22秒｜7秒｜信任：人物主动做决定\n画面与动作：海生蹲下把镜头前的薄水镜轻轻拨开，小满站在他身后；镜头顺势翻回正常地平线，揭示刚才通过倒影观看。\n动作节拍：15–16.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：65–85mm感手部/道具插入镜头，焦点从指尖过渡到被选择的物件；只做一次明确动作。\n人物表演：选择必须由清楚的手部动作落实；其余角色停住，给观众看懂选择的空间。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：对白：小满轻声说“别抬头，看看脚下。”；只配一次明确道具接触声。\n衔接：按动作方向匹配下一镜的变化，避免用白闪遮盖因果。\n\n镜头06｜22–30秒｜8秒｜释放：回报具有清楚因果\n画面与动作：真实世界始终安全，旧船就在浅水边，所谓天空海洋只是一层奇幻水镜；二狗发现自己抱紧的是空筐。\n动作节拍：22–24.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：28–35mm感中广景，由关键道具向外缓慢拉开，完整看见变化及安全距离。\n人物表演：先让道具/环境发生变化，再切或移到人物反应；变化只遵守本故事规则。 本来源版本强调空间关系：镜头开头保留四个角色/道具位置参照，再靠近关键动作，不以密集特写掩盖布局。\n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：潮声、湿泥轻响、旧木或黄铜触碰声随变化从密变疏，再进入温暖的两三个原创音符；不使用现成热门歌曲歌词。\n衔接：变化完成后停半拍再切脸部；环境音恢复，音乐只抬高一层。\n\n镜头07｜30–38秒｜8秒｜温暖：给表情留下时间\n画面与动作：小满笑着用碗再造一个小倒影，海生配合做出倒着走的手指小人；惊吓变成一家人的小游戏。\n动作节拍：30–32.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：35mm感桌边或岸边中景，先交代所有本镜角色，再缓慢靠近小满的表情；不在同一镜里把人数和座位改掉。\n人物表演：孩子的肩膀放松、视线愿意停留；成人以小动作回应，不用齐声大笑替代情绪。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：对白：海生说“原来我们一直在岸上。”；其余人用目光回应，留半秒安静。\n衔接：由人物最后的目光或手指引向收尾道具，暖光保持一致。\n\n镜头08｜38–44秒｜6秒｜余味：接回钩子并打开新可能\n画面与动作：镜头贴近碗内水面，四人再次倒悬在小小天空里；画面回到开头的颠倒构图，但观众已知道其中秘密。\n动作节拍：38–39.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：以本镜描述的收尾物件构图；最后的形状、光点或运动方向匹配开场关键元素。允许改变景别，但匹配关系必须清楚。\n人物表演：人物保持结局得到的安全与关系；新的小悬念不撤销已经完成的情绪回报。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：取第一镜的同一种音色作为最后一个轻声提示，让尾音衔接循环；不突然加入无关轰鸣。\n衔接：最后0.3秒保留与开头相似的轮廓/音色，允许无缝循环；不加黑底强制点击卡。\n\n负向与连续性检查：不出现无依据的手机、枪械、医院、现代车辆、书上伪造大段文字、未经设计的影视角色或艺术家署名。保持双髻、红带、额头红点及四名主角身份；不多生手指、蟹腿，不让手与道具穿模，不把罗盘替换成怀表。道具在同一镜内不得随机换材质、数量、左右位置或开合状态。只允许故事规则指定的物件变化；儿童无血腥伤害。所有字幕、可读书名和界面文字后期添加，生成画面不带水印、伪字幕或推广尾卡。\n合成前逐镜核对：人物数与站坐姿；第一帧是否已有异常；动作起点/终点能否接上；道具尺寸是否受控；视线和海平线是否一致；每个回报能否追溯到前一镜的选择。未拍出因果时重做相关镜头，不能靠旁白掩盖。\n\n平台剪辑备选（不是平台时长限制，也不是热度保证）：\nTikTok测试版：保留0–1秒钩子，1–4秒加一行疑问字幕，22–30秒完整展示回报；可将4–9秒背景压成3秒，成片约42秒。\nInstagram Reels测试版：保持道具质感与暖光配色，前1秒无需读字即可理解异常；保留30–38秒表情停顿，以收尾道具作封面，主体仍44秒。\nYouTube Shorts测试版：保持44秒因果链，画外说明最多一句；最后0.3秒与开头形状/声响呼应，避免只留下未兑现的悬念。\n所有字幕建议单行、短句，放在人物面部与关键道具之外；先按实际播放器界面预览遮挡。\n\n可测试的两个开头：A使用第一镜的大/小、静/动反差；B保持同一异常事件，但从小满瞳孔或手中道具切入，再在0.6秒内露出尺度参照。只改变开头一项，其余剪辑保持一致；是否提高留存需要真实成片与实际观看数据，本任务未做此测试。" }, { "id": "C019", "title": "地图会记住每一次善意", "concept_id": "S20", "concept_index": 19, "version": 0, "genre": "道具悬疑", "duration_seconds": 44, "shot_count": 8, "source_id": "results-hd--janus-legacy", "source_name": "deepseek-ai/Janus-1.3B", "category": "results-hd", "source_path": "raw-prompts/results-hd--janus-legacy.txt", "source_record": "results-hd/janus-legacy.json", "source_paths": [ "raw-prompts/results-hd--janus-legacy.txt", "project-cases/deepseek-ai__Janus/prompt-raw.txt" ], "source_excerpt": "[0 秒]\nA young girl with pigtails is squatting on a beach, surrounded by crabs and pebbles. She is wearing a blue scarf and brown pants. The sky is cloudy, and there are ropes and rocks in the background.\n\n[15 秒]\nA crying baby girl wearing a green netted garment, with a red dot on her forehead, and her eyes are wet.\n\n[50 秒]\nA boat floats on the calm waters, surrounded by a rocky shoreline. Birds fly above the waves, and a large wave crashes in the background. The sky is cloudy, and the sun casts a warm glow on the scene.\n\n[95 秒]\nA woman in a black vest and a woman in a blue sweater are sitting ", "source_review": { "strength": "重测恢复可读文字；识别双髻、哭泣、巨浪与旧书罗盘。", "issues": "95秒人数和站坐关系错误；175秒虚构书名“The Great Wall”；340与385秒把红发带误成红头发，并漏人、补动作。", "verdict": "初次循环不应当作唯一能力结论；重测仍需要事实核对。" }, "contribution": "视觉片段型来源：以原文中与原帧相符的海岸、人物、表情或道具作为灵感入口。身份、对白、连续动作、奇幻规则和新剧情由Codex补写，不是该模型的原始能力。", "source_duplicate_of": null, "source_hash": "d907859e5f2dac07f05f4885885f110704609dbbfb46d016ac152ed0a4ca490d", "body_hash": "066e5942ba1ac67cc51a882ebeb0b8e2d17d8e30d1571506a1ecdc9c917bc49a", "author": "Codex, shared writer; not original model output", "fallback": false, "hook": "海图上的红圈已经脱离纸面，像救生圈一样套住一只真实小蟹；蟹在空中轻轻摆腿，小满与二狗同时看呆。", "rule": "地图记录行为而非地名；每帮助一次别人，安全路线才显出一段。", "shots": [ { "number": 1, "start": 0, "end": 1, "duration": 1, "beat": "惊奇：先看见不可能", "action": "海图上的红圈已经脱离纸面，像救生圈一样套住一只真实小蟹；蟹在空中轻轻摆腿，小满与二狗同时看呆。", "camera": "85mm感微距，道具占画面约三分之二，人物眼睛或手作为尺度参照；单一明确机位，不用无目标甩镜；异常动作在画面开始时已经发生。", "performance": "以本镜指定的人物/道具为中心，背景角色不抢动作。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "以潮声、湿泥轻响、旧木或黄铜触碰声中最贴合本镜道具的一声开场；配一个短低频脉冲，随即让出空间，不叠加尖叫。", "transition": "在异常动作最清楚的一刻硬切至下一镜指定动作或反应；不先放片名或黑屏。", "timing": "0.00–0.15秒直接展示钩子关键帧；0.15–0.70秒让异常动作继续；0.70–1.00秒用呼吸或微小停顿准备切入反应。" }, { "number": 2, "start": 1, "end": 4, "duration": 3, "beat": "好奇：理解人物的反应", "action": "海生把海图摊平，小蟹平稳落回湿石台；地图上的金点却后退一格，仿佛在等他们做出下一步。", "camera": "50mm感的近景，机位降到孩子眼平，向前缓移约一个手掌距离。", "performance": "若小满在本镜入画，眼神先落在道具，再转向海生；若为纯道具镜，不额外挤入人脸。海生与孩子交流时保持相近眼平高度。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "保留孩子一次吸气和衣料轻摩擦，环境声变窄，音乐只留很轻的持续音。", "transition": "按人物视线切到问题或缺少之物，前一镜最后一声环境音延续约0.15秒。", "timing": "1–1.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 3, "start": 4, "end": 9, "duration": 5, "beat": "共情：显露一个小缺口", "action": "远处有人急着追逐金光，二狗也想跟去；小满发现另一只小蟹被空绳圈挡住，蹲下替它松开。", "camera": "35mm感中景或中近景，交代角色、目标道具和可行动空间；保持眼线一致。", "performance": "让负责本镜行动的成人先动，孩子随后作出可见反应；避免所有人同时表演。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "空碗、空袋、脚步或木板声选本镜实际存在的一项放近；未出场物件不配声，避免声源误导。", "transition": "用逐渐靠近的风声/物件声引入下一镜；剪切前先让观众认清道具位置。", "timing": "4–5.25秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 4, "start": 9, "end": 15, "duration": 6, "beat": "紧张：让选择有代价", "action": "潮水沿纸边浸来，地图的路不断褪色；海生一手护图、一手护孩子，在赶路与帮忙之间短暂迟疑。", "camera": "28mm感稍低机位，前景放障碍或关键道具，后景保留退路；缓慢推进，不乱晃。", "performance": "海生或苏兰承担保护动作，孩子的恐惧用呼吸与手指表现；二狗的夸张反应不压过危险信息。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "风与低频逐步增强，声音来自画面可解释方向；临近决定时收低，不盖过呼吸。", "transition": "在角色看向选择对象时切到手部，危险声短暂收低，突出决定。", "timing": "9–10.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 5, "start": 15, "end": 22, "duration": 7, "beat": "信任：人物主动做决定", "action": "他把地图交给苏兰，和小满一起扶正被浪冲翻的小木盆；二狗跟着把堵住水沟的旧绳移开。", "camera": "65–85mm感手部/道具插入镜头，焦点从指尖过渡到被选择的物件；只做一次明确动作。", "performance": "选择必须由清楚的手部动作落实；其余角色停住，给观众看懂选择的空间。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "对白：小满轻声说“先帮它，再找宝藏。”；只配一次明确道具接触声。", "transition": "按动作方向匹配下一镜的变化，避免用白闪遮盖因果。", "timing": "15–16.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 6, "start": 22, "end": 30, "duration": 8, "beat": "释放：回报具有清楚因果", "action": "金点沿每个善意动作的位置连成路线，通向近处安全蟹穴；原本像财宝谜题的地图，变成真实行动留下的记录。", "camera": "28–35mm感中广景，由关键道具向外缓慢拉开，完整看见变化及安全距离。", "performance": "先让道具/环境发生变化，再切或移到人物反应；变化只遵守本故事规则。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "潮声、湿泥轻响、旧木或黄铜触碰声随变化从密变疏，再进入温暖的两三个原创音符；不使用现成热门歌曲歌词。", "transition": "变化完成后停半拍再切脸部；环境音恢复，音乐只抬高一层。", "timing": "22–24.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 7, "start": 30, "end": 38, "duration": 8, "beat": "温暖：给表情留下时间", "action": "他们带着适量收获回家，把小蟹轻放回浅水；小满在地图最后一个亮点旁画下四个小圆，不生成文字。", "camera": "50–65mm感面部近景，稳定机位，留出至少半秒无对白微表情。", "performance": "孩子的肩膀放松、视线愿意停留；成人以小动作回应，不用齐声大笑替代情绪。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "对白：海生说“路是这样亮起来的。”；其余人用目光回应，留半秒安静。", "transition": "由人物最后的目光或手指引向收尾道具，暖光保持一致。", "timing": "30–32.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 8, "start": 38, "end": 44, "duration": 6, "beat": "余味：接回钩子并打开新可能", "action": "一只迟到的小蟹从地图背面爬出来，带来新的红圈；镜头落到同样的圆形构图，给下一次善意留一个入口。", "camera": "以本镜描述的收尾物件构图；最后的形状、光点或运动方向匹配开场关键元素。允许改变景别，但匹配关系必须清楚。", "performance": "人物保持结局得到的安全与关系；新的小悬念不撤销已经完成的情绪回报。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "取第一镜的同一种音色作为最后一个轻声提示，让尾音衔接循环；不突然加入无关轰鸣。", "transition": "最后0.3秒保留与开头相似的轮廓/音色，允许无缝循环；不加黑底强制点击卡。", "timing": "38–39.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" } ], "path": "creative/C019--results-hd--janus-legacy.txt", "text": "来源文件：raw-prompts/results-hd--janus-legacy.txt\n来源名称：deepseek-ai/Janus-1.3B\n实际来源记录：results-hd/janus-legacy.json\n原文可用点：重测恢复可读文字；识别双髻、哭泣、巨浪与旧书罗盘。\n原文问题/边界：95秒人数和站坐关系错误；175秒虚构书名“The Great Wall”；340与385秒把红发带误成红头发，并漏人、补动作。\n转化方式：视觉片段型来源：以原文中与原帧相符的海岸、人物、表情或道具作为灵感入口。身份、对白、连续动作、奇幻规则和新剧情由Codex补写，不是该模型的原始能力。\n本次选择的新故事：地图会记住每一次善意。所有幻想事件都是二创，不用原文中的误识别冒充事实。\n\n《地图会记住每一次善意》｜道具悬疑｜44秒完整剪辑稿\n\n制作目标：44秒，9:16竖屏，8个剪辑镜头，目标1080×1920、24fps。时间表是剪辑设计，不是任一平台API保证；按工具实际支持的片段长度生成，再裁切拼接。此处没有生成视频。\n视觉基调：架空旧式沿海村落，湿泥、粗布、旧木和黄铜具有可触摸的写实材质；幼童面部略带童话般大眼比例。灰蓝海水与褐色村屋为底，红发带是辨识点，幻想光源以局部金色/银色呈现。\n小满：幼童女孩，黑发双髻、左右各一条红发带、额头小红点；灰褐补丁粗布衣、布挎袋、旧布鞋。开场若用蓝披衣，则全片保持，除非镜头明确拍下脱衣。性格敏感、先看大人反应，再敢表达愿望。红点不是伤口，红发带不是红头发。\n海生：青年男性，凌乱黑发，旧蓝外衣、灰内衫、深裤；行动稳，保护孩子时先降到她的眼平高度，不以大喊替代关心。\n苏兰：成年女性，深发松束、灰褐无袖粗布上衣、简单项链与腕布；观察细节，负责托稳道具、递布或摆碗等具体照顾。\n二狗：青年男性，短黑发、橄榄绿外衣；提供轻微喜剧和观众反应，后半段愿意放慢动作参与帮助，不把他写成伤害孩子的反派。\n上述人物只在本镜明确指定时出现。群众只作远处模糊背景，不增加新主角。多人同框时优先保持海生在左、苏兰在后、二狗在右、小满在前中；若换位，用中广景交代，不瞬移。\n环境连续性：泥滩、浅水、旧船和村屋保持同一架空地点。海平线稳定。湿衣不会无故变干。室内暖色由船灯或灶火提供；室外变暖用云隙光或明确的幻想道具光解释，不让44秒凭空跨越数小时。\n人物表情与道具变化分开生成更易核对：每镜最多一个主要幻想动作，真实人物不随道具变形。以上服装、人物名和新动作均属本次二创设定，不声称模型从8帧恢复了全部身份。\n\n核心道具锁：无字海图、红圈、会移动的小金点。先为本片制作一张统一道具参考图，记录缺口、锈斑、左右方向、尺寸；镜头之间沿用同一版本。\n\n本片新规则：地图记录行为而非地名；每帮助一次别人，安全路线才显出一段。 此规则是新创作，不是原片事实。\n\n第一秒视觉钩子：海图上的红圈已经脱离纸面，像救生圈一样套住一只真实小蟹；蟹在空中轻轻摆腿，小满与二狗同时看呆。\n\n目标情绪路径：惊奇 → 好奇 → 共情 → 紧张 → 信任 → 释放 → 温暖 → 余味。它是创作设计，不是已测得的观众留存数据。\n\n分镜与生成指令（逐镜生成，再按时间码剪辑；全局角色锁及规则与每一镜一起输入）：\n\n镜头01｜00–01秒｜1秒｜惊奇：先看见不可能\n画面与动作：海图上的红圈已经脱离纸面，像救生圈一样套住一只真实小蟹；蟹在空中轻轻摆腿，小满与二狗同时看呆。\n动作节拍：0.00–0.15秒直接展示钩子关键帧；0.15–0.70秒让异常动作继续；0.70–1.00秒用呼吸或微小停顿准备切入反应。\n构图与镜头：85mm感微距，道具占画面约三分之二，人物眼睛或手作为尺度参照；单一明确机位，不用无目标甩镜；异常动作在画面开始时已经发生。\n人物表演：以本镜指定的人物/道具为中心，背景角色不抢动作。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：以潮声、湿泥轻响、旧木或黄铜触碰声中最贴合本镜道具的一声开场；配一个短低频脉冲，随即让出空间，不叠加尖叫。\n衔接：在异常动作最清楚的一刻硬切至下一镜指定动作或反应；不先放片名或黑屏。\n\n镜头02｜01–04秒｜3秒｜好奇：理解人物的反应\n画面与动作：海生把海图摊平，小蟹平稳落回湿石台；地图上的金点却后退一格，仿佛在等他们做出下一步。\n动作节拍：1–1.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：50mm感的近景，机位降到孩子眼平，向前缓移约一个手掌距离。\n人物表演：若小满在本镜入画，眼神先落在道具，再转向海生；若为纯道具镜，不额外挤入人脸。海生与孩子交流时保持相近眼平高度。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：保留孩子一次吸气和衣料轻摩擦，环境声变窄，音乐只留很轻的持续音。\n衔接：按人物视线切到问题或缺少之物，前一镜最后一声环境音延续约0.15秒。\n\n镜头03｜04–09秒｜5秒｜共情：显露一个小缺口\n画面与动作：远处有人急着追逐金光，二狗也想跟去；小满发现另一只小蟹被空绳圈挡住，蹲下替它松开。\n动作节拍：4–5.25秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：35mm感中景或中近景，交代角色、目标道具和可行动空间；保持眼线一致。\n人物表演：让负责本镜行动的成人先动，孩子随后作出可见反应；避免所有人同时表演。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：空碗、空袋、脚步或木板声选本镜实际存在的一项放近；未出场物件不配声，避免声源误导。\n衔接：用逐渐靠近的风声/物件声引入下一镜；剪切前先让观众认清道具位置。\n\n镜头04｜09–15秒｜6秒｜紧张：让选择有代价\n画面与动作：潮水沿纸边浸来，地图的路不断褪色；海生一手护图、一手护孩子，在赶路与帮忙之间短暂迟疑。\n动作节拍：9–10.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：28mm感稍低机位，前景放障碍或关键道具，后景保留退路；缓慢推进，不乱晃。\n人物表演：海生或苏兰承担保护动作，孩子的恐惧用呼吸与手指表现；二狗的夸张反应不压过危险信息。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：风与低频逐步增强，声音来自画面可解释方向；临近决定时收低，不盖过呼吸。\n衔接：在角色看向选择对象时切到手部，危险声短暂收低，突出决定。\n\n镜头05｜15–22秒｜7秒｜信任：人物主动做决定\n画面与动作：他把地图交给苏兰，和小满一起扶正被浪冲翻的小木盆；二狗跟着把堵住水沟的旧绳移开。\n动作节拍：15–16.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：65–85mm感手部/道具插入镜头，焦点从指尖过渡到被选择的物件；只做一次明确动作。\n人物表演：选择必须由清楚的手部动作落实；其余角色停住，给观众看懂选择的空间。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：对白：小满轻声说“先帮它，再找宝藏。”；只配一次明确道具接触声。\n衔接：按动作方向匹配下一镜的变化，避免用白闪遮盖因果。\n\n镜头06｜22–30秒｜8秒｜释放：回报具有清楚因果\n画面与动作：金点沿每个善意动作的位置连成路线，通向近处安全蟹穴；原本像财宝谜题的地图，变成真实行动留下的记录。\n动作节拍：22–24.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：28–35mm感中广景，由关键道具向外缓慢拉开，完整看见变化及安全距离。\n人物表演：先让道具/环境发生变化，再切或移到人物反应；变化只遵守本故事规则。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：潮声、湿泥轻响、旧木或黄铜触碰声随变化从密变疏，再进入温暖的两三个原创音符；不使用现成热门歌曲歌词。\n衔接：变化完成后停半拍再切脸部；环境音恢复，音乐只抬高一层。\n\n镜头07｜30–38秒｜8秒｜温暖：给表情留下时间\n画面与动作：他们带着适量收获回家，把小蟹轻放回浅水；小满在地图最后一个亮点旁画下四个小圆，不生成文字。\n动作节拍：30–32.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：50–65mm感面部近景，稳定机位，留出至少半秒无对白微表情。\n人物表演：孩子的肩膀放松、视线愿意停留；成人以小动作回应，不用齐声大笑替代情绪。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：对白：海生说“路是这样亮起来的。”；其余人用目光回应，留半秒安静。\n衔接：由人物最后的目光或手指引向收尾道具，暖光保持一致。\n\n镜头08｜38–44秒｜6秒｜余味：接回钩子并打开新可能\n画面与动作：一只迟到的小蟹从地图背面爬出来，带来新的红圈；镜头落到同样的圆形构图，给下一次善意留一个入口。\n动作节拍：38–39.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：以本镜描述的收尾物件构图；最后的形状、光点或运动方向匹配开场关键元素。允许改变景别，但匹配关系必须清楚。\n人物表演：人物保持结局得到的安全与关系；新的小悬念不撤销已经完成的情绪回报。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：取第一镜的同一种音色作为最后一个轻声提示，让尾音衔接循环；不突然加入无关轰鸣。\n衔接：最后0.3秒保留与开头相似的轮廓/音色，允许无缝循环；不加黑底强制点击卡。\n\n负向与连续性检查：不出现无依据的手机、枪械、医院、现代车辆、书上伪造大段文字、未经设计的影视角色或艺术家署名。保持双髻、红带、额头红点及四名主角身份；不多生手指、蟹腿，不让手与道具穿模，不把罗盘替换成怀表。道具在同一镜内不得随机换材质、数量、左右位置或开合状态。只允许故事规则指定的物件变化；儿童无血腥伤害。所有字幕、可读书名和界面文字后期添加，生成画面不带水印、伪字幕或推广尾卡。\n合成前逐镜核对：人物数与站坐姿；第一帧是否已有异常；动作起点/终点能否接上；道具尺寸是否受控；视线和海平线是否一致；每个回报能否追溯到前一镜的选择。未拍出因果时重做相关镜头，不能靠旁白掩盖。\n\n平台剪辑备选（不是平台时长限制，也不是热度保证）：\nTikTok测试版：保留0–1秒钩子，1–4秒加一行疑问字幕，22–30秒完整展示回报；可将4–9秒背景压成3秒，成片约42秒。\nInstagram Reels测试版：保持道具质感与暖光配色，前1秒无需读字即可理解异常；保留30–38秒表情停顿，以收尾道具作封面，主体仍44秒。\nYouTube Shorts测试版：保持44秒因果链，画外说明最多一句；最后0.3秒与开头形状/声响呼应，避免只留下未兑现的悬念。\n所有字幕建议单行、短句，放在人物面部与关键道具之外；先按实际播放器界面预览遮挡。\n\n可测试的两个开头：A使用第一镜的大/小、静/动反差；B保持同一异常事件，但从小满瞳孔或手中道具切入，再在0.6秒内露出尺度参照。只改变开头一项，其余剪辑保持一致；是否提高留存需要真实成片与实际观看数据，本任务未做此测试。" }, { "id": "C020", "title": "海螺只会说谢谢", "concept_id": "S39", "concept_index": 38, "version": 0, "genre": "声音喜剧", "duration_seconds": 44, "shot_count": 8, "source_id": "results-hd--janus", "source_name": "deepseek-ai/Janus-1.3B", "category": "results-hd", "source_path": "raw-prompts/results-hd--janus.txt", "source_record": "results-hd/janus.json", "source_paths": [ "raw-prompts/results-hd--janus.txt" ], "source_excerpt": "\nand.\nand.\nI.\nand.\n\n\n\nand 1.\nand.\nand.\n\n\nand.\nand.\nand.\nand.\nand.\nand\nand.\nand.\nand.\nand.\nand.\nand.\nand.\nand.\nand.\n\nand.\n\n\nand.\nand.\nand.\nand.\n\n\n\n\n\n\n\n\nand.\n\nand\nand\nand.\nand.\n\n\n\nand.\nand.\nand. 5.\nand: 5.\nand.\n\n\n\n\n\n\n\n\n\n\nand 5\nand 5\n\nand 5\nand 5. 5\nand 5. 5. 5. 5. 5. 5. 5. 5\n\n\n\n\n\nand 5\nand 5\n5\nand 5\n5 5 5 5 5 5 5 5 5 5. 5 5 5 5 5 5. 5\n5. 5. 5. 5. 5 5 5 5 \n\n5. 5. 5. \n\n\n\n 5 5 5 5 5 5 5\n 5\n5 5 5 5 5 5 5 5 5 \n 5 5 5 5 \n 5 5 5 5. 5. 5. 5. 5.", "source_review": { "strength": "完成了CPU生成调用。", "issues": "循环输出and与数字5；不含可用故事或画面信息；兼容版本和单帧复测已完成，见同项目legacy结果。", "verdict": "本次输出不能作为反推提示词。" }, "contribution": "补救型二创：这份原文不能提供可靠完整故事。保留它作为能力比较证据，创作主线回到已核对的全片设定；不能把此处新脚本计为该来源成功理解了视频。", "source_duplicate_of": null, "source_hash": "147ccede7d481472c1076b053562fa2df0d95a5ef6cce84bdd3b295c8b542253", "body_hash": "eac95ad6d01dc718622be3b02ff07286f198f8fafdcaf15bf97daa940d77f638", "author": "Codex, shared writer; not original model output", "fallback": true, "hook": "海螺已经像小扩音器一样跳起来，连续三声“谢谢”把木桌上的米粒震成三个小圆；小满和二狗同时捂住耳朵。", "rule": "海螺只会重复一个词；故事通过谁在什么时候值得被感谢推进，重复不是模型故障伪装。", "shots": [ { "number": 1, "start": 0, "end": 1, "duration": 1, "beat": "惊奇：先看见不可能", "action": "海螺已经像小扩音器一样跳起来，连续三声“谢谢”把木桌上的米粒震成三个小圆；小满和二狗同时捂住耳朵。", "camera": "24–35mm感中广景或前景近物后景巨物，保留明确大小参照；单一明确机位，不用无目标甩镜；异常动作在画面开始时已经发生。", "performance": "以本镜指定的人物/道具为中心，背景角色不抢动作。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "以潮声、湿泥轻响、旧木或黄铜触碰声中最贴合本镜道具的一声开场；配一个短低频脉冲，随即让出空间，不叠加尖叫。", "transition": "在异常动作最清楚的一刻硬切至下一镜指定动作或反应；不先放片名或黑屏。", "timing": "0.00–0.15秒直接展示钩子关键帧；0.15–0.70秒让异常动作继续；0.70–1.00秒用呼吸或微小停顿准备切入反应。" }, { "number": 2, "start": 1, "end": 4, "duration": 3, "beat": "好奇：理解人物的反应", "action": "二狗把海螺反过来，它仍执拗重复同一句；小满不笑了，侧耳分辨每一次尾音似乎都指向不同的人。", "camera": "50mm感的近景，机位降到孩子眼平，向前缓移约一个手掌距离。", "performance": "若小满在本镜入画，眼神先落在道具，再转向海生；若为纯道具镜，不额外挤入人脸。海生与孩子交流时保持相近眼平高度。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "保留孩子一次吸气和衣料轻摩擦，环境声变窄，音乐只留很轻的持续音。", "transition": "按人物视线切到问题或缺少之物，前一镜最后一声环境音延续约0.15秒。", "timing": "1–1.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 3, "start": 4, "end": 9, "duration": 5, "beat": "共情：显露一个小缺口", "action": "海生默默修好孩子布袋，苏兰把破网补齐；每完成一件小事，海螺就响一下，大家却忙得没有注意。", "camera": "35mm感中景或中近景，交代角色、目标道具和可行动空间；保持眼线一致。", "performance": "让负责本镜行动的成人先动，孩子随后作出可见反应；避免所有人同时表演。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "空碗、空袋、脚步或木板声选本镜实际存在的一项放近；未出场物件不配声，避免声源误导。", "transition": "用逐渐靠近的风声/物件声引入下一镜；剪切前先让观众认清道具位置。", "timing": "4–5.25秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 4, "start": 9, "end": 15, "duration": 6, "beat": "紧张：让选择有代价", "action": "小满想让海螺说出宝藏位置，声音忽然卡在半个音节；她失望地坐回凳边，觉得自己的愿望又太多。", "camera": "28mm感稍低机位，前景放障碍或关键道具，后景保留退路；缓慢推进，不乱晃。", "performance": "海生或苏兰承担保护动作，孩子的恐惧用呼吸与手指表现；二狗的夸张反应不压过危险信息。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "风与低频逐步增强，声音来自画面可解释方向；临近决定时收低，不盖过呼吸。", "transition": "在角色看向选择对象时切到手部，危险声短暂收低，突出决定。", "timing": "9–10.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 5, "start": 15, "end": 22, "duration": 7, "beat": "信任：人物主动做决定", "action": "她先向修袋的海生点头致谢，再把干布递给苏兰；二狗接过渔网，认真说出一句不带玩笑的感谢。", "camera": "65–85mm感手部/道具插入镜头，焦点从指尖过渡到被选择的物件；只做一次明确动作。", "performance": "选择必须由清楚的手部动作落实；其余角色停住，给观众看懂选择的空间。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "对白：小满轻声说“这次，该谢谢谁呢？”；只配一次明确道具接触声。", "transition": "按动作方向匹配下一镜的变化，避免用白闪遮盖因果。", "timing": "15–16.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 6, "start": 22, "end": 30, "duration": 8, "beat": "释放：回报具有清楚因果", "action": "海螺不再机械连响，改成四个错落的温柔回声；桌上的圆形米粒光纹合拢，像一朵简单花形。", "camera": "28–35mm感中广景，由关键道具向外缓慢拉开，完整看见变化及安全距离。", "performance": "先让道具/环境发生变化，再切或移到人物反应；变化只遵守本故事规则。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "潮声、湿泥轻响、旧木或黄铜触碰声随变化从密变疏，再进入温暖的两三个原创音符；不使用现成热门歌曲歌词。", "transition": "变化完成后停半拍再切脸部；环境音恢复，音乐只抬高一层。", "timing": "22–24.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 7, "start": 30, "end": 38, "duration": 8, "beat": "温暖：给表情留下时间", "action": "海生把海螺转向小满，也认真谢谢她；孩子愣住半拍后笑起来，第一次知道自己不只是被照顾的人。", "camera": "50–65mm感面部近景，稳定机位，留出至少半秒无对白微表情。", "performance": "孩子的肩膀放松、视线愿意停留；成人以小动作回应，不用齐声大笑替代情绪。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "对白：海生说“也谢谢你，来到这里。”；其余人用目光回应，留半秒安静。", "transition": "由人物最后的目光或手指引向收尾道具，暖光保持一致。", "timing": "30–32.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 8, "start": 38, "end": 44, "duration": 6, "beat": "余味：接回钩子并打开新可能", "action": "门边小蟹敲出三下相同节奏，海螺差点又跳起来；二狗赶紧把它轻轻按住，尾音接回开头形成节奏笑点。", "camera": "以本镜描述的收尾物件构图；最后的形状、光点或运动方向匹配开场关键元素。允许改变景别，但匹配关系必须清楚。", "performance": "人物保持结局得到的安全与关系；新的小悬念不撤销已经完成的情绪回报。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "取第一镜的同一种音色作为最后一个轻声提示，让尾音衔接循环；不突然加入无关轰鸣。", "transition": "最后0.3秒保留与开头相似的轮廓/音色，允许无缝循环；不加黑底强制点击卡。", "timing": "38–39.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" } ], "path": "creative/C020--results-hd--janus.txt", "text": "来源文件：raw-prompts/results-hd--janus.txt\n来源名称：deepseek-ai/Janus-1.3B\n实际来源记录：results-hd/janus.json\n原文可用点：完成了CPU生成调用。\n原文问题/边界：循环输出and与数字5；不含可用故事或画面信息；兼容版本和单帧复测已完成，见同项目legacy结果。\n转化方式：补救型二创：这份原文不能提供可靠完整故事。保留它作为能力比较证据，创作主线回到已核对的全片设定；不能把此处新脚本计为该来源成功理解了视频。\n本次选择的新故事：海螺只会说谢谢。所有幻想事件都是二创，不用原文中的误识别冒充事实。\n\n《海螺只会说谢谢》｜声音喜剧｜44秒完整剪辑稿\n\n制作目标：44秒，9:16竖屏，8个剪辑镜头，目标1080×1920、24fps。时间表是剪辑设计，不是任一平台API保证；按工具实际支持的片段长度生成，再裁切拼接。此处没有生成视频。\n视觉基调：架空旧式沿海村落，湿泥、粗布、旧木和黄铜具有可触摸的写实材质；幼童面部略带童话般大眼比例。灰蓝海水与褐色村屋为底，红发带是辨识点，幻想光源以局部金色/银色呈现。\n小满：幼童女孩，黑发双髻、左右各一条红发带、额头小红点；灰褐补丁粗布衣、布挎袋、旧布鞋。开场若用蓝披衣，则全片保持，除非镜头明确拍下脱衣。性格敏感、先看大人反应，再敢表达愿望。红点不是伤口，红发带不是红头发。\n海生：青年男性，凌乱黑发，旧蓝外衣、灰内衫、深裤；行动稳，保护孩子时先降到她的眼平高度，不以大喊替代关心。\n苏兰：成年女性，深发松束、灰褐无袖粗布上衣、简单项链与腕布；观察细节，负责托稳道具、递布或摆碗等具体照顾。\n二狗：青年男性，短黑发、橄榄绿外衣；提供轻微喜剧和观众反应，后半段愿意放慢动作参与帮助，不把他写成伤害孩子的反派。\n上述人物只在本镜明确指定时出现。群众只作远处模糊背景，不增加新主角。多人同框时优先保持海生在左、苏兰在后、二狗在右、小满在前中；若换位，用中广景交代，不瞬移。\n环境连续性：泥滩、浅水、旧船和村屋保持同一架空地点。海平线稳定。湿衣不会无故变干。室内暖色由船灯或灶火提供；室外变暖用云隙光或明确的幻想道具光解释，不让44秒凭空跨越数小时。\n人物表情与道具变化分开生成更易核对：每镜最多一个主要幻想动作，真实人物不随道具变形。以上服装、人物名和新动作均属本次二创设定，不声称模型从8帧恢复了全部身份。\n\n核心道具锁：白色海螺、修补渔网、热饭碗。先为本片制作一张统一道具参考图，记录缺口、锈斑、左右方向、尺寸；镜头之间沿用同一版本。\n\n本片新规则：海螺只会重复一个词；故事通过谁在什么时候值得被感谢推进，重复不是模型故障伪装。 此规则是新创作，不是原片事实。\n\n第一秒视觉钩子：海螺已经像小扩音器一样跳起来，连续三声“谢谢”把木桌上的米粒震成三个小圆；小满和二狗同时捂住耳朵。\n\n目标情绪路径：惊奇 → 好奇 → 共情 → 紧张 → 信任 → 释放 → 温暖 → 余味。它是创作设计，不是已测得的观众留存数据。\n\n分镜与生成指令（逐镜生成，再按时间码剪辑；全局角色锁及规则与每一镜一起输入）：\n\n镜头01｜00–01秒｜1秒｜惊奇：先看见不可能\n画面与动作：海螺已经像小扩音器一样跳起来，连续三声“谢谢”把木桌上的米粒震成三个小圆；小满和二狗同时捂住耳朵。\n动作节拍：0.00–0.15秒直接展示钩子关键帧；0.15–0.70秒让异常动作继续；0.70–1.00秒用呼吸或微小停顿准备切入反应。\n构图与镜头：24–35mm感中广景或前景近物后景巨物，保留明确大小参照；单一明确机位，不用无目标甩镜；异常动作在画面开始时已经发生。\n人物表演：以本镜指定的人物/道具为中心，背景角色不抢动作。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：以潮声、湿泥轻响、旧木或黄铜触碰声中最贴合本镜道具的一声开场；配一个短低频脉冲，随即让出空间，不叠加尖叫。\n衔接：在异常动作最清楚的一刻硬切至下一镜指定动作或反应；不先放片名或黑屏。\n\n镜头02｜01–04秒｜3秒｜好奇：理解人物的反应\n画面与动作：二狗把海螺反过来，它仍执拗重复同一句；小满不笑了，侧耳分辨每一次尾音似乎都指向不同的人。\n动作节拍：1–1.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：50mm感的近景，机位降到孩子眼平，向前缓移约一个手掌距离。\n人物表演：若小满在本镜入画，眼神先落在道具，再转向海生；若为纯道具镜，不额外挤入人脸。海生与孩子交流时保持相近眼平高度。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：保留孩子一次吸气和衣料轻摩擦，环境声变窄，音乐只留很轻的持续音。\n衔接：按人物视线切到问题或缺少之物，前一镜最后一声环境音延续约0.15秒。\n\n镜头03｜04–09秒｜5秒｜共情：显露一个小缺口\n画面与动作：海生默默修好孩子布袋，苏兰把破网补齐；每完成一件小事，海螺就响一下，大家却忙得没有注意。\n动作节拍：4–5.25秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：35mm感中景或中近景，交代角色、目标道具和可行动空间；保持眼线一致。\n人物表演：让负责本镜行动的成人先动，孩子随后作出可见反应；避免所有人同时表演。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：空碗、空袋、脚步或木板声选本镜实际存在的一项放近；未出场物件不配声，避免声源误导。\n衔接：用逐渐靠近的风声/物件声引入下一镜；剪切前先让观众认清道具位置。\n\n镜头04｜09–15秒｜6秒｜紧张：让选择有代价\n画面与动作：小满想让海螺说出宝藏位置，声音忽然卡在半个音节；她失望地坐回凳边，觉得自己的愿望又太多。\n动作节拍：9–10.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：28mm感稍低机位，前景放障碍或关键道具，后景保留退路；缓慢推进，不乱晃。\n人物表演：海生或苏兰承担保护动作，孩子的恐惧用呼吸与手指表现；二狗的夸张反应不压过危险信息。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：风与低频逐步增强，声音来自画面可解释方向；临近决定时收低，不盖过呼吸。\n衔接：在角色看向选择对象时切到手部，危险声短暂收低，突出决定。\n\n镜头05｜15–22秒｜7秒｜信任：人物主动做决定\n画面与动作：她先向修袋的海生点头致谢，再把干布递给苏兰；二狗接过渔网，认真说出一句不带玩笑的感谢。\n动作节拍：15–16.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：65–85mm感手部/道具插入镜头，焦点从指尖过渡到被选择的物件；只做一次明确动作。\n人物表演：选择必须由清楚的手部动作落实；其余角色停住，给观众看懂选择的空间。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：对白：小满轻声说“这次，该谢谢谁呢？”；只配一次明确道具接触声。\n衔接：按动作方向匹配下一镜的变化，避免用白闪遮盖因果。\n\n镜头06｜22–30秒｜8秒｜释放：回报具有清楚因果\n画面与动作：海螺不再机械连响，改成四个错落的温柔回声；桌上的圆形米粒光纹合拢，像一朵简单花形。\n动作节拍：22–24.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：28–35mm感中广景，由关键道具向外缓慢拉开，完整看见变化及安全距离。\n人物表演：先让道具/环境发生变化，再切或移到人物反应；变化只遵守本故事规则。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：潮声、湿泥轻响、旧木或黄铜触碰声随变化从密变疏，再进入温暖的两三个原创音符；不使用现成热门歌曲歌词。\n衔接：变化完成后停半拍再切脸部；环境音恢复，音乐只抬高一层。\n\n镜头07｜30–38秒｜8秒｜温暖：给表情留下时间\n画面与动作：海生把海螺转向小满，也认真谢谢她；孩子愣住半拍后笑起来，第一次知道自己不只是被照顾的人。\n动作节拍：30–32.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：50–65mm感面部近景，稳定机位，留出至少半秒无对白微表情。\n人物表演：孩子的肩膀放松、视线愿意停留；成人以小动作回应，不用齐声大笑替代情绪。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：对白：海生说“也谢谢你，来到这里。”；其余人用目光回应，留半秒安静。\n衔接：由人物最后的目光或手指引向收尾道具，暖光保持一致。\n\n镜头08｜38–44秒｜6秒｜余味：接回钩子并打开新可能\n画面与动作：门边小蟹敲出三下相同节奏，海螺差点又跳起来；二狗赶紧把它轻轻按住，尾音接回开头形成节奏笑点。\n动作节拍：38–39.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：以本镜描述的收尾物件构图；最后的形状、光点或运动方向匹配开场关键元素。允许改变景别，但匹配关系必须清楚。\n人物表演：人物保持结局得到的安全与关系；新的小悬念不撤销已经完成的情绪回报。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：取第一镜的同一种音色作为最后一个轻声提示，让尾音衔接循环；不突然加入无关轰鸣。\n衔接：最后0.3秒保留与开头相似的轮廓/音色，允许无缝循环；不加黑底强制点击卡。\n\n负向与连续性检查：不出现无依据的手机、枪械、医院、现代车辆、书上伪造大段文字、未经设计的影视角色或艺术家署名。保持双髻、红带、额头红点及四名主角身份；不多生手指、蟹腿，不让手与道具穿模，不把罗盘替换成怀表。道具在同一镜内不得随机换材质、数量、左右位置或开合状态。只允许故事规则指定的物件变化；儿童无血腥伤害。所有字幕、可读书名和界面文字后期添加，生成画面不带水印、伪字幕或推广尾卡。\n合成前逐镜核对：人物数与站坐姿；第一帧是否已有异常；动作起点/终点能否接上；道具尺寸是否受控；视线和海平线是否一致；每个回报能否追溯到前一镜的选择。未拍出因果时重做相关镜头，不能靠旁白掩盖。\n\n平台剪辑备选（不是平台时长限制，也不是热度保证）：\nTikTok测试版：保留0–1秒钩子，1–4秒加一行疑问字幕，22–30秒完整展示回报；可将4–9秒背景压成3秒，成片约42秒。\nInstagram Reels测试版：保持道具质感与暖光配色，前1秒无需读字即可理解异常；保留30–38秒表情停顿，以收尾道具作封面，主体仍44秒。\nYouTube Shorts测试版：保持44秒因果链，画外说明最多一句；最后0.3秒与开头形状/声响呼应，避免只留下未兑现的悬念。\n所有字幕建议单行、短句，放在人物面部与关键道具之外；先按实际播放器界面预览遮挡。\n\n可测试的两个开头：A使用第一镜的大/小、静/动反差；B保持同一异常事件，但从小满瞳孔或手中道具切入，再在0.6秒内露出尺度参照。只改变开头一项，其余剪辑保持一致；是否提高留存需要真实成片与实际观看数据，本任务未做此测试。" }, { "id": "C021", "title": "一滴眼泪里的灯塔", "concept_id": "S18", "concept_index": 17, "version": 0, "genre": "微缩救援", "duration_seconds": 44, "shot_count": 8, "source_id": "results-hd--kosmos", "source_name": "microsoft/kosmos-2-patch14-224", "category": "results-hd", "source_path": "raw-prompts/results-hd--kosmos.txt", "source_record": "results-hd/kosmos.json", "source_paths": [ "raw-prompts/results-hd--kosmos.txt", "project-cases/microsoft__unilm/prompt-raw.txt" ], "source_excerpt": "[0 秒]\nDescribe this image in detail: A little girl is sitting on a chair.\n\n[15 秒]\nDescribe this image in detail: A young girl is seen crying in a hospital bed. She is wearing a hospital gown and has a bandage on her head. The girl is looking up at the camera with a sad expression. The caption on the image reads: \"The girl is a patient in the hospital. She has a serious illness. She needs your help. Please help her.\" The image is captioned with the Chinese phrase \"\" which means \"help\" in English. The image has been translated into English and is captioned \"的\" (Helping the girl). The caption rea", "source_review": { "strength": "50秒识别到海岸与大浪，能够生成较长描述。", "issues": "15秒虚构医院、病服和求助字幕，175秒把旧书罗盘写成皮包，235秒编造粉裙及父女关系。", "verdict": "多处场景、身份和文字幻觉；需逐条核对。" }, "contribution": "补救型二创：这份原文不能提供可靠完整故事。保留它作为能力比较证据，创作主线回到已核对的全片设定；不能把此处新脚本计为该来源成功理解了视频。", "source_duplicate_of": null, "source_hash": "b7632cb1399c13628b37a9d64b330987d0ccef61ae5a12ff2f944a34462cf045", "body_hash": "f823bcc1eb0632f054ecb935bef2feda9b717ff62c310dbe84a6921f12d6c2c9", "author": "Codex, shared writer; not original model output", "fallback": true, "hook": "小满睫毛下悬着一颗巨大透明泪珠，泪珠里已旋转着完整灯塔；灯光扫过镜头，远处迷雾中的小船随即亮了一瞬。", "rule": "泪珠保存希望的光；真正的方向来自岸上的人接力点灯，不把哭泣当魔法代价。", "shots": [ { "number": 1, "start": 0, "end": 1, "duration": 1, "beat": "惊奇：先看见不可能", "action": "小满睫毛下悬着一颗巨大透明泪珠，泪珠里已旋转着完整灯塔；灯光扫过镜头，远处迷雾中的小船随即亮了一瞬。", "camera": "85mm感微距，道具占画面约三分之二，人物眼睛或手作为尺度参照；单一明确机位，不用无目标甩镜；异常动作在画面开始时已经发生。", "performance": "以本镜指定的人物/道具为中心，背景角色不抢动作。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "以潮声、湿泥轻响、旧木或黄铜触碰声中最贴合本镜道具的一声开场；配一个短低频脉冲，随即让出空间，不叠加尖叫。", "transition": "在异常动作最清楚的一刻硬切至下一镜指定动作或反应；不先放片名或黑屏。", "timing": "0.00–0.15秒直接展示钩子关键帧；0.15–0.70秒让异常动作继续；0.70–1.00秒用呼吸或微小停顿准备切入反应。" }, { "number": 2, "start": 1, "end": 4, "duration": 3, "beat": "好奇：理解人物的反应", "action": "海生用干净玻璃瓶接住泪珠，动作缓慢，不碰孩子眼睛；小满抹去眼角湿意，目光从难过转为专注。", "camera": "50mm感的近景，机位降到孩子眼平，向前缓移约一个手掌距离。", "performance": "若小满在本镜入画，眼神先落在道具，再转向海生；若为纯道具镜，不额外挤入人脸。海生与孩子交流时保持相近眼平高度。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "保留孩子一次吸气和衣料轻摩擦，环境声变窄，音乐只留很轻的持续音。", "transition": "按人物视线切到问题或缺少之物，前一镜最后一声环境音延续约0.15秒。", "timing": "1–1.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 3, "start": 4, "end": 9, "duration": 5, "beat": "共情：显露一个小缺口", "action": "岸边船灯一盏盏熄灭，二狗眯眼寻找雾中的船；苏兰护着仅存的小火，风把布帘拍得发紧。", "camera": "35mm感中景或中近景，交代角色、目标道具和可行动空间；保持眼线一致。", "performance": "让负责本镜行动的成人先动，孩子随后作出可见反应；避免所有人同时表演。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "空碗、空袋、脚步或木板声选本镜实际存在的一项放近；未出场物件不配声，避免声源误导。", "transition": "用逐渐靠近的风声/物件声引入下一镜；剪切前先让观众认清道具位置。", "timing": "4–5.25秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 4, "start": 9, "end": 15, "duration": 6, "beat": "紧张：让选择有代价", "action": "瓶中的灯塔忽明忽暗，雾里最后一点船影快要消失；小满抱紧瓶身，却发现握得越紧，玻璃越容易被遮住。", "camera": "28mm感稍低机位，前景放障碍或关键道具，后景保留退路；缓慢推进，不乱晃。", "performance": "海生或苏兰承担保护动作，孩子的恐惧用呼吸与手指表现；二狗的夸张反应不压过危险信息。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "风与低频逐步增强，声音来自画面可解释方向；临近决定时收低，不盖过呼吸。", "transition": "在角色看向选择对象时切到手部，危险声短暂收低，突出决定。", "timing": "9–10.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 5, "start": 15, "end": 22, "duration": 7, "beat": "信任：人物主动做决定", "action": "她把瓶子高高举给海生，海生转身让岸边的人逐个点灯；苏兰传火，二狗举灯，动作形成清楚的接力。", "camera": "65–85mm感手部/道具插入镜头，焦点从指尖过渡到被选择的物件；只做一次明确动作。", "performance": "选择必须由清楚的手部动作落实；其余角色停住，给观众看懂选择的空间。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "对白：海生轻声说“别怕，我们看得见你。”；只配一次明确道具接触声。", "transition": "按动作方向匹配下一镜的变化，避免用白闪遮盖因果。", "timing": "15–16.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 6, "start": 22, "end": 30, "duration": 8, "beat": "释放：回报具有清楚因果", "action": "真实船灯与泪珠灯塔连成一条光路，雾中小船顺着光缓缓出现；不展示危险落水，以船头安全入港兑现紧张。", "camera": "28–35mm感中广景，由关键道具向外缓慢拉开，完整看见变化及安全距离。", "performance": "先让道具/环境发生变化，再切或移到人物反应；变化只遵守本故事规则。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "潮声、湿泥轻响、旧木或黄铜触碰声随变化从密变疏，再进入温暖的两三个原创音符；不使用现成热门歌曲歌词。", "transition": "变化完成后停半拍再切脸部；环境音恢复，音乐只抬高一层。", "timing": "22–24.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 7, "start": 30, "end": 38, "duration": 8, "beat": "温暖：给表情留下时间", "action": "小满把瓶子放到桌边，海生擦干她的脸；灯塔已经变小，却仍在瓶底轻轻扫光，像一份被珍惜的勇敢。", "camera": "35mm感桌边或岸边中景，先交代所有本镜角色，再缓慢靠近小满的表情；不在同一镜里把人数和座位改掉。", "performance": "孩子的肩膀放松、视线愿意停留；成人以小动作回应，不用齐声大笑替代情绪。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "对白：海生说“你也照亮了我们。”；其余人用目光回应，留半秒安静。", "transition": "由人物最后的目光或手指引向收尾道具，暖光保持一致。", "timing": "30–32.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 8, "start": 38, "end": 44, "duration": 6, "beat": "余味：接回钩子并打开新可能", "action": "扫光经过玻璃曲面，再次形成睫毛形的弧线；一个很小的光点望向观众，回接第一秒的灯塔闪光。", "camera": "85mm感道具近特写，轻俯拍，焦点落在本镜指定接触点；人物只保留必要手部或眼睛倒影，不强行切成正面人像。", "performance": "人物保持结局得到的安全与关系；新的小悬念不撤销已经完成的情绪回报。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "取第一镜的同一种音色作为最后一个轻声提示，让尾音衔接循环；不突然加入无关轰鸣。", "transition": "最后0.3秒保留与开头相似的轮廓/音色，允许无缝循环；不加黑底强制点击卡。", "timing": "38–39.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" } ], "path": "creative/C021--results-hd--kosmos.txt", "text": "来源文件：raw-prompts/results-hd--kosmos.txt\n来源名称：microsoft/kosmos-2-patch14-224\n实际来源记录：results-hd/kosmos.json\n原文可用点：50秒识别到海岸与大浪，能够生成较长描述。\n原文问题/边界：15秒虚构医院、病服和求助字幕，175秒把旧书罗盘写成皮包，235秒编造粉裙及父女关系。\n转化方式：补救型二创：这份原文不能提供可靠完整故事。保留它作为能力比较证据，创作主线回到已核对的全片设定；不能把此处新脚本计为该来源成功理解了视频。\n本次选择的新故事：一滴眼泪里的灯塔。所有幻想事件都是二创，不用原文中的误识别冒充事实。\n\n《一滴眼泪里的灯塔》｜微缩救援｜44秒完整剪辑稿\n\n制作目标：44秒，9:16竖屏，8个剪辑镜头，目标1080×1920、24fps。时间表是剪辑设计，不是任一平台API保证；按工具实际支持的片段长度生成，再裁切拼接。此处没有生成视频。\n视觉基调：架空旧式沿海村落，湿泥、粗布、旧木和黄铜具有可触摸的写实材质；幼童面部略带童话般大眼比例。灰蓝海水与褐色村屋为底，红发带是辨识点，幻想光源以局部金色/银色呈现。\n小满：幼童女孩，黑发双髻、左右各一条红发带、额头小红点；灰褐补丁粗布衣、布挎袋、旧布鞋。开场若用蓝披衣，则全片保持，除非镜头明确拍下脱衣。性格敏感、先看大人反应，再敢表达愿望。红点不是伤口，红发带不是红头发。\n海生：青年男性，凌乱黑发，旧蓝外衣、灰内衫、深裤；行动稳，保护孩子时先降到她的眼平高度，不以大喊替代关心。\n苏兰：成年女性，深发松束、灰褐无袖粗布上衣、简单项链与腕布；观察细节，负责托稳道具、递布或摆碗等具体照顾。\n二狗：青年男性，短黑发、橄榄绿外衣；提供轻微喜剧和观众反应，后半段愿意放慢动作参与帮助，不把他写成伤害孩子的反派。\n上述人物只在本镜明确指定时出现。群众只作远处模糊背景，不增加新主角。多人同框时优先保持海生在左、苏兰在后、二狗在右、小满在前中；若换位，用中广景交代，不瞬移。\n环境连续性：泥滩、浅水、旧船和村屋保持同一架空地点。海平线稳定。湿衣不会无故变干。室内暖色由船灯或灶火提供；室外变暖用云隙光或明确的幻想道具光解释，不让44秒凭空跨越数小时。\n人物表情与道具变化分开生成更易核对：每镜最多一个主要幻想动作，真实人物不随道具变形。以上服装、人物名和新动作均属本次二创设定，不声称模型从8帧恢复了全部身份。\n\n核心道具锁：泪珠灯塔、玻璃小瓶、旧船灯。先为本片制作一张统一道具参考图，记录缺口、锈斑、左右方向、尺寸；镜头之间沿用同一版本。\n\n本片新规则：泪珠保存希望的光；真正的方向来自岸上的人接力点灯，不把哭泣当魔法代价。 此规则是新创作，不是原片事实。\n\n第一秒视觉钩子：小满睫毛下悬着一颗巨大透明泪珠，泪珠里已旋转着完整灯塔；灯光扫过镜头，远处迷雾中的小船随即亮了一瞬。\n\n目标情绪路径：惊奇 → 好奇 → 共情 → 紧张 → 信任 → 释放 → 温暖 → 余味。它是创作设计，不是已测得的观众留存数据。\n\n分镜与生成指令（逐镜生成，再按时间码剪辑；全局角色锁及规则与每一镜一起输入）：\n\n镜头01｜00–01秒｜1秒｜惊奇：先看见不可能\n画面与动作：小满睫毛下悬着一颗巨大透明泪珠，泪珠里已旋转着完整灯塔；灯光扫过镜头，远处迷雾中的小船随即亮了一瞬。\n动作节拍：0.00–0.15秒直接展示钩子关键帧；0.15–0.70秒让异常动作继续；0.70–1.00秒用呼吸或微小停顿准备切入反应。\n构图与镜头：85mm感微距，道具占画面约三分之二，人物眼睛或手作为尺度参照；单一明确机位，不用无目标甩镜；异常动作在画面开始时已经发生。\n人物表演：以本镜指定的人物/道具为中心，背景角色不抢动作。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：以潮声、湿泥轻响、旧木或黄铜触碰声中最贴合本镜道具的一声开场；配一个短低频脉冲，随即让出空间，不叠加尖叫。\n衔接：在异常动作最清楚的一刻硬切至下一镜指定动作或反应；不先放片名或黑屏。\n\n镜头02｜01–04秒｜3秒｜好奇：理解人物的反应\n画面与动作：海生用干净玻璃瓶接住泪珠，动作缓慢，不碰孩子眼睛；小满抹去眼角湿意，目光从难过转为专注。\n动作节拍：1–1.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：50mm感的近景，机位降到孩子眼平，向前缓移约一个手掌距离。\n人物表演：若小满在本镜入画，眼神先落在道具，再转向海生；若为纯道具镜，不额外挤入人脸。海生与孩子交流时保持相近眼平高度。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：保留孩子一次吸气和衣料轻摩擦，环境声变窄，音乐只留很轻的持续音。\n衔接：按人物视线切到问题或缺少之物，前一镜最后一声环境音延续约0.15秒。\n\n镜头03｜04–09秒｜5秒｜共情：显露一个小缺口\n画面与动作：岸边船灯一盏盏熄灭，二狗眯眼寻找雾中的船；苏兰护着仅存的小火，风把布帘拍得发紧。\n动作节拍：4–5.25秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：35mm感中景或中近景，交代角色、目标道具和可行动空间；保持眼线一致。\n人物表演：让负责本镜行动的成人先动，孩子随后作出可见反应；避免所有人同时表演。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：空碗、空袋、脚步或木板声选本镜实际存在的一项放近；未出场物件不配声，避免声源误导。\n衔接：用逐渐靠近的风声/物件声引入下一镜；剪切前先让观众认清道具位置。\n\n镜头04｜09–15秒｜6秒｜紧张：让选择有代价\n画面与动作：瓶中的灯塔忽明忽暗，雾里最后一点船影快要消失；小满抱紧瓶身，却发现握得越紧，玻璃越容易被遮住。\n动作节拍：9–10.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：28mm感稍低机位，前景放障碍或关键道具，后景保留退路；缓慢推进，不乱晃。\n人物表演：海生或苏兰承担保护动作，孩子的恐惧用呼吸与手指表现；二狗的夸张反应不压过危险信息。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：风与低频逐步增强，声音来自画面可解释方向；临近决定时收低，不盖过呼吸。\n衔接：在角色看向选择对象时切到手部，危险声短暂收低，突出决定。\n\n镜头05｜15–22秒｜7秒｜信任：人物主动做决定\n画面与动作：她把瓶子高高举给海生，海生转身让岸边的人逐个点灯；苏兰传火，二狗举灯，动作形成清楚的接力。\n动作节拍：15–16.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：65–85mm感手部/道具插入镜头，焦点从指尖过渡到被选择的物件；只做一次明确动作。\n人物表演：选择必须由清楚的手部动作落实；其余角色停住，给观众看懂选择的空间。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：对白：海生轻声说“别怕，我们看得见你。”；只配一次明确道具接触声。\n衔接：按动作方向匹配下一镜的变化，避免用白闪遮盖因果。\n\n镜头06｜22–30秒｜8秒｜释放：回报具有清楚因果\n画面与动作：真实船灯与泪珠灯塔连成一条光路，雾中小船顺着光缓缓出现；不展示危险落水，以船头安全入港兑现紧张。\n动作节拍：22–24.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：28–35mm感中广景，由关键道具向外缓慢拉开，完整看见变化及安全距离。\n人物表演：先让道具/环境发生变化，再切或移到人物反应；变化只遵守本故事规则。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：潮声、湿泥轻响、旧木或黄铜触碰声随变化从密变疏，再进入温暖的两三个原创音符；不使用现成热门歌曲歌词。\n衔接：变化完成后停半拍再切脸部；环境音恢复，音乐只抬高一层。\n\n镜头07｜30–38秒｜8秒｜温暖：给表情留下时间\n画面与动作：小满把瓶子放到桌边，海生擦干她的脸；灯塔已经变小，却仍在瓶底轻轻扫光，像一份被珍惜的勇敢。\n动作节拍：30–32.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：35mm感桌边或岸边中景，先交代所有本镜角色，再缓慢靠近小满的表情；不在同一镜里把人数和座位改掉。\n人物表演：孩子的肩膀放松、视线愿意停留；成人以小动作回应，不用齐声大笑替代情绪。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：对白：海生说“你也照亮了我们。”；其余人用目光回应，留半秒安静。\n衔接：由人物最后的目光或手指引向收尾道具，暖光保持一致。\n\n镜头08｜38–44秒｜6秒｜余味：接回钩子并打开新可能\n画面与动作：扫光经过玻璃曲面，再次形成睫毛形的弧线；一个很小的光点望向观众，回接第一秒的灯塔闪光。\n动作节拍：38–39.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：85mm感道具近特写，轻俯拍，焦点落在本镜指定接触点；人物只保留必要手部或眼睛倒影，不强行切成正面人像。\n人物表演：人物保持结局得到的安全与关系；新的小悬念不撤销已经完成的情绪回报。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：取第一镜的同一种音色作为最后一个轻声提示，让尾音衔接循环；不突然加入无关轰鸣。\n衔接：最后0.3秒保留与开头相似的轮廓/音色，允许无缝循环；不加黑底强制点击卡。\n\n负向与连续性检查：不出现无依据的手机、枪械、医院、现代车辆、书上伪造大段文字、未经设计的影视角色或艺术家署名。保持双髻、红带、额头红点及四名主角身份；不多生手指、蟹腿，不让手与道具穿模，不把罗盘替换成怀表。道具在同一镜内不得随机换材质、数量、左右位置或开合状态。只允许故事规则指定的物件变化；儿童无血腥伤害。所有字幕、可读书名和界面文字后期添加，生成画面不带水印、伪字幕或推广尾卡。\n合成前逐镜核对：人物数与站坐姿；第一帧是否已有异常；动作起点/终点能否接上；道具尺寸是否受控；视线和海平线是否一致；每个回报能否追溯到前一镜的选择。未拍出因果时重做相关镜头，不能靠旁白掩盖。\n\n平台剪辑备选（不是平台时长限制，也不是热度保证）：\nTikTok测试版：保留0–1秒钩子，1–4秒加一行疑问字幕，22–30秒完整展示回报；可将4–9秒背景压成3秒，成片约42秒。\nInstagram Reels测试版：保持道具质感与暖光配色，前1秒无需读字即可理解异常；保留30–38秒表情停顿，以收尾道具作封面，主体仍44秒。\nYouTube Shorts测试版：保持44秒因果链，画外说明最多一句；最后0.3秒与开头形状/声响呼应，避免只留下未兑现的悬念。\n所有字幕建议单行、短句，放在人物面部与关键道具之外；先按实际播放器界面预览遮挡。\n\n可测试的两个开头：A使用第一镜的大/小、静/动反差；B保持同一异常事件，但从小满瞳孔或手中道具切入，再在0.6秒内露出尺度参照。只改变开头一项，其余剪辑保持一致；是否提高留存需要真实成片与实际观看数据，本任务未做此测试。" }, { "id": "C022", "title": "旧船有第二颗心", "concept_id": "S05", "concept_index": 4, "version": 0, "genre": "悬疑温情", "duration_seconds": 44, "shot_count": 8, "source_id": "results-hd--lavis", "source_name": "LAVIS BLIP caption base COCO", "category": "results-hd", "source_path": "raw-prompts/results-hd--lavis.txt", "source_record": "results-hd/lavis.json", "source_paths": [ "raw-prompts/results-hd--lavis.txt", "project-cases/salesforce__LAVIS/prompt-raw.txt" ], "source_excerpt": "[0 秒]\na little girl is sitting on the beach\n\n[15 秒]\na little girl crying with tears on her face\n\n[50 秒]\na boat is in the middle of a large wave\n\n[95 秒]\na group of people standing around a wooden table\n\n[175 秒]\na person pointing at a book with a compass on it\n\n[235 秒]\na little girl standing next to a man\n\n[340 秒]\na little girl is playing in the water\n\n[385 秒]\na group of people standing on top of a beach", "source_review": { "strength": "识别出哭泣、巨浪、旧书和罗盘，8帧均有输出。", "issues": "把指向泥水的动作概括成玩水（意图猜测）；收获仅剩海滩群像。与BLIP项目共享模型家族，不代表独立架构进步。", "verdict": "适合粗略逐帧索引，不能还原完整因果。" }, "contribution": "视觉片段型来源：以原文中与原帧相符的海岸、人物、表情或道具作为灵感入口。身份、对白、连续动作、奇幻规则和新剧情由Codex补写，不是该模型的原始能力。", "source_duplicate_of": null, "source_hash": "c49ad152829a5467c8631d57c2b8d4e3649a7fdda582635222eb8a5d6cf47880", "body_hash": "e0dc3277ff7f307d6722fd0a985e3918686ed9e014fcf7a99f021ef0641f51cb", "author": "Codex, shared writer; not original model output", "fallback": false, "hook": "搁浅旧船的木板突然像胸口一样起伏，一枚发光木结在板缝后跳动；小满的掌心刚贴上去，整船轻颤一次。", "rule": "船中敲击声只回应轻柔触碰；用力砸会让光熄灭，倾听才找到藏物。", "shots": [ { "number": 1, "start": 0, "end": 1, "duration": 1, "beat": "惊奇：先看见不可能", "action": "搁浅旧船的木板突然像胸口一样起伏，一枚发光木结在板缝后跳动；小满的掌心刚贴上去，整船轻颤一次。", "camera": "24–35mm感中广景或前景近物后景巨物，保留明确大小参照；单一明确机位，不用无目标甩镜；异常动作在画面开始时已经发生。", "performance": "以本镜指定的人物/道具为中心，背景角色不抢动作。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "以潮声、湿泥轻响、旧木或黄铜触碰声中最贴合本镜道具的一声开场；配一个短低频脉冲，随即让出空间，不叠加尖叫。", "transition": "在异常动作最清楚的一刻硬切至下一镜指定动作或反应；不先放片名或黑屏。", "timing": "0.00–0.15秒直接展示钩子关键帧；0.15–0.70秒让异常动作继续；0.70–1.00秒用呼吸或微小停顿准备切入反应。" }, { "number": 2, "start": 1, "end": 4, "duration": 3, "beat": "好奇：理解人物的反应", "action": "海生把耳朵贴近木板，只听到三下轻敲；小满跟着节奏点指，木结的光逐次回应，眼中出现确定的神情。", "camera": "50mm感的近景，机位降到孩子眼平，向前缓移约一个手掌距离。", "performance": "若小满在本镜入画，眼神先落在道具，再转向海生；若为纯道具镜，不额外挤入人脸。海生与孩子交流时保持相近眼平高度。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "保留孩子一次吸气和衣料轻摩擦，环境声变窄，音乐只留很轻的持续音。", "transition": "按人物视线切到问题或缺少之物，前一镜最后一声环境音延续约0.15秒。", "timing": "1–1.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 3, "start": 4, "end": 9, "duration": 5, "beat": "共情：显露一个小缺口", "action": "二狗看见烂木板，举起锤子准备拆船；海生摸了摸磨损船舷，又看一眼空粮袋，犹豫是否放弃它。", "camera": "35mm感中景或中近景，交代角色、目标道具和可行动空间；保持眼线一致。", "performance": "让负责本镜行动的成人先动，孩子随后作出可见反应；避免所有人同时表演。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "空碗、空袋、脚步或木板声选本镜实际存在的一项放近；未出场物件不配声，避免声源误导。", "transition": "用逐渐靠近的风声/物件声引入下一镜；剪切前先让观众认清道具位置。", "timing": "4–5.25秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 4, "start": 9, "end": 15, "duration": 6, "beat": "紧张：让选择有代价", "action": "第一下重敲落在旁边的废木上，船内的光立刻收缩；小满护住木结，眼睛睁大，空气里只剩最后一下弱心跳。", "camera": "28mm感稍低机位，前景放障碍或关键道具，后景保留退路；缓慢推进，不乱晃。", "performance": "海生或苏兰承担保护动作，孩子的恐惧用呼吸与手指表现；二狗的夸张反应不压过危险信息。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "风与低频逐步增强，声音来自画面可解释方向；临近决定时收低，不盖过呼吸。", "transition": "在角色看向选择对象时切到手部，危险声短暂收低，突出决定。", "timing": "9–10.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 5, "start": 15, "end": 22, "duration": 7, "beat": "信任：人物主动做决定", "action": "海生放下锤子，改用薄木片慢慢撬开松动接缝；小满按三下节拍等待，所有动作都轻下来。", "camera": "65–85mm感手部/道具插入镜头，焦点从指尖过渡到被选择的物件；只做一次明确动作。", "performance": "选择必须由清楚的手部动作落实；其余角色停住，给观众看懂选择的空间。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "对白：小满轻声说“它不是坏了，它在等。”；只配一次明确道具接触声。", "transition": "按动作方向匹配下一镜的变化，避免用白闪遮盖因果。", "timing": "15–16.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 6, "start": 22, "end": 30, "duration": 8, "beat": "释放：回报具有清楚因果", "action": "板缝打开，布包里是一盏完好的旧船灯和一本维修笔记；灯光沿着裂缝逐段亮起，呈现可修好的结构。", "camera": "28–35mm感中广景，由关键道具向外缓慢拉开，完整看见变化及安全距离。", "performance": "先让道具/环境发生变化，再切或移到人物反应；变化只遵守本故事规则。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "潮声、湿泥轻响、旧木或黄铜触碰声随变化从密变疏，再进入温暖的两三个原创音符；不使用现成热门歌曲歌词。", "transition": "变化完成后停半拍再切脸部；环境音恢复，音乐只抬高一层。", "timing": "22–24.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 7, "start": 30, "end": 38, "duration": 8, "beat": "温暖：给表情留下时间", "action": "三人一起把第一块新板按回船腹，小满给船灯擦去灰；海生点头，孩子把脸贴在温暖的灯罩边缘。", "camera": "50–65mm感面部近景，稳定机位，留出至少半秒无对白微表情。", "performance": "孩子的肩膀放松、视线愿意停留；成人以小动作回应，不用齐声大笑替代情绪。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "对白：海生说“这条船，也有人要。”；其余人用目光回应，留半秒安静。", "transition": "由人物最后的目光或手指引向收尾道具，暖光保持一致。", "timing": "30–32.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 8, "start": 38, "end": 44, "duration": 6, "beat": "余味：接回钩子并打开新可能", "action": "船头又传来三下更轻的敲击，一颗新木结亮起；最后一帧停在与开头相同的掌心位置，暗示旅程刚开始。", "camera": "85mm感道具近特写，轻俯拍，焦点落在本镜指定接触点；人物只保留必要手部或眼睛倒影，不强行切成正面人像。", "performance": "人物保持结局得到的安全与关系；新的小悬念不撤销已经完成的情绪回报。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "取第一镜的同一种音色作为最后一个轻声提示，让尾音衔接循环；不突然加入无关轰鸣。", "transition": "最后0.3秒保留与开头相似的轮廓/音色，允许无缝循环；不加黑底强制点击卡。", "timing": "38–39.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" } ], "path": "creative/C022--results-hd--lavis.txt", "text": "来源文件：raw-prompts/results-hd--lavis.txt\n来源名称：LAVIS BLIP caption base COCO\n实际来源记录：results-hd/lavis.json\n原文可用点：识别出哭泣、巨浪、旧书和罗盘，8帧均有输出。\n原文问题/边界：把指向泥水的动作概括成玩水（意图猜测）；收获仅剩海滩群像。与BLIP项目共享模型家族，不代表独立架构进步。\n转化方式：视觉片段型来源：以原文中与原帧相符的海岸、人物、表情或道具作为灵感入口。身份、对白、连续动作、奇幻规则和新剧情由Codex补写，不是该模型的原始能力。\n本次选择的新故事：旧船有第二颗心。所有幻想事件都是二创，不用原文中的误识别冒充事实。\n\n《旧船有第二颗心》｜悬疑温情｜44秒完整剪辑稿\n\n制作目标：44秒，9:16竖屏，8个剪辑镜头，目标1080×1920、24fps。时间表是剪辑设计，不是任一平台API保证；按工具实际支持的片段长度生成，再裁切拼接。此处没有生成视频。\n视觉基调：架空旧式沿海村落，湿泥、粗布、旧木和黄铜具有可触摸的写实材质；幼童面部略带童话般大眼比例。灰蓝海水与褐色村屋为底，红发带是辨识点，幻想光源以局部金色/银色呈现。\n小满：幼童女孩，黑发双髻、左右各一条红发带、额头小红点；灰褐补丁粗布衣、布挎袋、旧布鞋。开场若用蓝披衣，则全片保持，除非镜头明确拍下脱衣。性格敏感、先看大人反应，再敢表达愿望。红点不是伤口，红发带不是红头发。\n海生：青年男性，凌乱黑发，旧蓝外衣、灰内衫、深裤；行动稳，保护孩子时先降到她的眼平高度，不以大喊替代关心。\n苏兰：成年女性，深发松束、灰褐无袖粗布上衣、简单项链与腕布；观察细节，负责托稳道具、递布或摆碗等具体照顾。\n二狗：青年男性，短黑发、橄榄绿外衣；提供轻微喜剧和观众反应，后半段愿意放慢动作参与帮助，不把他写成伤害孩子的反派。\n上述人物只在本镜明确指定时出现。群众只作远处模糊背景，不增加新主角。多人同框时优先保持海生在左、苏兰在后、二狗在右、小满在前中；若换位，用中广景交代，不瞬移。\n环境连续性：泥滩、浅水、旧船和村屋保持同一架空地点。海平线稳定。湿衣不会无故变干。室内暖色由船灯或灶火提供；室外变暖用云隙光或明确的幻想道具光解释，不让44秒凭空跨越数小时。\n人物表情与道具变化分开生成更易核对：每镜最多一个主要幻想动作，真实人物不随道具变形。以上服装、人物名和新动作均属本次二创设定，不声称模型从8帧恢复了全部身份。\n\n核心道具锁：旧船腹板、布包、会发光的木结。先为本片制作一张统一道具参考图，记录缺口、锈斑、左右方向、尺寸；镜头之间沿用同一版本。\n\n本片新规则：船中敲击声只回应轻柔触碰；用力砸会让光熄灭，倾听才找到藏物。 此规则是新创作，不是原片事实。\n\n第一秒视觉钩子：搁浅旧船的木板突然像胸口一样起伏，一枚发光木结在板缝后跳动；小满的掌心刚贴上去，整船轻颤一次。\n\n目标情绪路径：惊奇 → 好奇 → 共情 → 紧张 → 信任 → 释放 → 温暖 → 余味。它是创作设计，不是已测得的观众留存数据。\n\n分镜与生成指令（逐镜生成，再按时间码剪辑；全局角色锁及规则与每一镜一起输入）：\n\n镜头01｜00–01秒｜1秒｜惊奇：先看见不可能\n画面与动作：搁浅旧船的木板突然像胸口一样起伏，一枚发光木结在板缝后跳动；小满的掌心刚贴上去，整船轻颤一次。\n动作节拍：0.00–0.15秒直接展示钩子关键帧；0.15–0.70秒让异常动作继续；0.70–1.00秒用呼吸或微小停顿准备切入反应。\n构图与镜头：24–35mm感中广景或前景近物后景巨物，保留明确大小参照；单一明确机位，不用无目标甩镜；异常动作在画面开始时已经发生。\n人物表演：以本镜指定的人物/道具为中心，背景角色不抢动作。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：以潮声、湿泥轻响、旧木或黄铜触碰声中最贴合本镜道具的一声开场；配一个短低频脉冲，随即让出空间，不叠加尖叫。\n衔接：在异常动作最清楚的一刻硬切至下一镜指定动作或反应；不先放片名或黑屏。\n\n镜头02｜01–04秒｜3秒｜好奇：理解人物的反应\n画面与动作：海生把耳朵贴近木板，只听到三下轻敲；小满跟着节奏点指，木结的光逐次回应，眼中出现确定的神情。\n动作节拍：1–1.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：50mm感的近景，机位降到孩子眼平，向前缓移约一个手掌距离。\n人物表演：若小满在本镜入画，眼神先落在道具，再转向海生；若为纯道具镜，不额外挤入人脸。海生与孩子交流时保持相近眼平高度。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：保留孩子一次吸气和衣料轻摩擦，环境声变窄，音乐只留很轻的持续音。\n衔接：按人物视线切到问题或缺少之物，前一镜最后一声环境音延续约0.15秒。\n\n镜头03｜04–09秒｜5秒｜共情：显露一个小缺口\n画面与动作：二狗看见烂木板，举起锤子准备拆船；海生摸了摸磨损船舷，又看一眼空粮袋，犹豫是否放弃它。\n动作节拍：4–5.25秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：35mm感中景或中近景，交代角色、目标道具和可行动空间；保持眼线一致。\n人物表演：让负责本镜行动的成人先动，孩子随后作出可见反应；避免所有人同时表演。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：空碗、空袋、脚步或木板声选本镜实际存在的一项放近；未出场物件不配声，避免声源误导。\n衔接：用逐渐靠近的风声/物件声引入下一镜；剪切前先让观众认清道具位置。\n\n镜头04｜09–15秒｜6秒｜紧张：让选择有代价\n画面与动作：第一下重敲落在旁边的废木上，船内的光立刻收缩；小满护住木结，眼睛睁大，空气里只剩最后一下弱心跳。\n动作节拍：9–10.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：28mm感稍低机位，前景放障碍或关键道具，后景保留退路；缓慢推进，不乱晃。\n人物表演：海生或苏兰承担保护动作，孩子的恐惧用呼吸与手指表现；二狗的夸张反应不压过危险信息。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：风与低频逐步增强，声音来自画面可解释方向；临近决定时收低，不盖过呼吸。\n衔接：在角色看向选择对象时切到手部，危险声短暂收低，突出决定。\n\n镜头05｜15–22秒｜7秒｜信任：人物主动做决定\n画面与动作：海生放下锤子，改用薄木片慢慢撬开松动接缝；小满按三下节拍等待，所有动作都轻下来。\n动作节拍：15–16.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：65–85mm感手部/道具插入镜头，焦点从指尖过渡到被选择的物件；只做一次明确动作。\n人物表演：选择必须由清楚的手部动作落实；其余角色停住，给观众看懂选择的空间。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：对白：小满轻声说“它不是坏了，它在等。”；只配一次明确道具接触声。\n衔接：按动作方向匹配下一镜的变化，避免用白闪遮盖因果。\n\n镜头06｜22–30秒｜8秒｜释放：回报具有清楚因果\n画面与动作：板缝打开，布包里是一盏完好的旧船灯和一本维修笔记；灯光沿着裂缝逐段亮起，呈现可修好的结构。\n动作节拍：22–24.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：28–35mm感中广景，由关键道具向外缓慢拉开，完整看见变化及安全距离。\n人物表演：先让道具/环境发生变化，再切或移到人物反应；变化只遵守本故事规则。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：潮声、湿泥轻响、旧木或黄铜触碰声随变化从密变疏，再进入温暖的两三个原创音符；不使用现成热门歌曲歌词。\n衔接：变化完成后停半拍再切脸部；环境音恢复，音乐只抬高一层。\n\n镜头07｜30–38秒｜8秒｜温暖：给表情留下时间\n画面与动作：三人一起把第一块新板按回船腹，小满给船灯擦去灰；海生点头，孩子把脸贴在温暖的灯罩边缘。\n动作节拍：30–32.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：50–65mm感面部近景，稳定机位，留出至少半秒无对白微表情。\n人物表演：孩子的肩膀放松、视线愿意停留；成人以小动作回应，不用齐声大笑替代情绪。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：对白：海生说“这条船，也有人要。”；其余人用目光回应，留半秒安静。\n衔接：由人物最后的目光或手指引向收尾道具，暖光保持一致。\n\n镜头08｜38–44秒｜6秒｜余味：接回钩子并打开新可能\n画面与动作：船头又传来三下更轻的敲击，一颗新木结亮起；最后一帧停在与开头相同的掌心位置，暗示旅程刚开始。\n动作节拍：38–39.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：85mm感道具近特写，轻俯拍，焦点落在本镜指定接触点；人物只保留必要手部或眼睛倒影，不强行切成正面人像。\n人物表演：人物保持结局得到的安全与关系；新的小悬念不撤销已经完成的情绪回报。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：取第一镜的同一种音色作为最后一个轻声提示，让尾音衔接循环；不突然加入无关轰鸣。\n衔接：最后0.3秒保留与开头相似的轮廓/音色，允许无缝循环；不加黑底强制点击卡。\n\n负向与连续性检查：不出现无依据的手机、枪械、医院、现代车辆、书上伪造大段文字、未经设计的影视角色或艺术家署名。保持双髻、红带、额头红点及四名主角身份；不多生手指、蟹腿，不让手与道具穿模，不把罗盘替换成怀表。道具在同一镜内不得随机换材质、数量、左右位置或开合状态。只允许故事规则指定的物件变化；儿童无血腥伤害。所有字幕、可读书名和界面文字后期添加，生成画面不带水印、伪字幕或推广尾卡。\n合成前逐镜核对：人物数与站坐姿；第一帧是否已有异常；动作起点/终点能否接上；道具尺寸是否受控；视线和海平线是否一致；每个回报能否追溯到前一镜的选择。未拍出因果时重做相关镜头，不能靠旁白掩盖。\n\n平台剪辑备选（不是平台时长限制，也不是热度保证）：\nTikTok测试版：保留0–1秒钩子，1–4秒加一行疑问字幕，22–30秒完整展示回报；可将4–9秒背景压成3秒，成片约42秒。\nInstagram Reels测试版：保持道具质感与暖光配色，前1秒无需读字即可理解异常；保留30–38秒表情停顿，以收尾道具作封面，主体仍44秒。\nYouTube Shorts测试版：保持44秒因果链，画外说明最多一句；最后0.3秒与开头形状/声响呼应，避免只留下未兑现的悬念。\n所有字幕建议单行、短句，放在人物面部与关键道具之外；先按实际播放器界面预览遮挡。\n\n可测试的两个开头：A使用第一镜的大/小、静/动反差；B保持同一异常事件，但从小满瞳孔或手中道具切入，再在0.6秒内露出尺度参照。只改变开头一项，其余剪辑保持一致；是否提高留存需要真实成片与实际观看数据，本任务未做此测试。" }, { "id": "C023", "title": "罗盘的第五个方向", "concept_id": "S33", "concept_index": 32, "version": 1, "genre": "道具反转", "duration_seconds": 44, "shot_count": 8, "source_id": "results-hd--llava", "source_name": "llava-hf/llava-onevision-qwen2-0.5b-ov-hf", "category": "results-hd", "source_path": "raw-prompts/results-hd--llava.txt", "source_record": "results-hd/llava.json", "source_paths": [ "raw-prompts/results-hd--llava.txt", "project-cases/LLaVA-VL__LLaVA-NeXT/prompt-raw.txt" ], "source_excerpt": "[0 秒]\nThe image depicts a young child, possibly a girl, crouching on a rocky beach. She is wearing a blue and gray outfit with a red bow in her hair. The child is surrounded by three crabs, which are green with orange legs. The background shows a cloudy sky and a body of water, suggesting a coastal setting.\n\n[15 秒]\nThe image shows a young child with a red dot on the forehead, crying with tears streaming down their face. The child is wearing a green garment and is surrounded by water droplets, suggesting they may have been playing in it. The background is blurred, but it appears to be an outdoo", "source_review": { "strength": "0秒描述螃蟹、红发带与海岸；175秒识别旧书和黄铜罗盘。", "issues": "0秒称三只蟹，而画面清楚可见四只；把哭泣解释成可能玩水、凭空增加怀表；不能据独立静帧还原救援和分家因果。", "verdict": "轻量逐帧描述可辅助审阅，需删去推测。" }, "contribution": "视觉片段型来源：以原文中与原帧相符的海岸、人物、表情或道具作为灵感入口。身份、对白、连续动作、奇幻规则和新剧情由Codex补写，不是该模型的原始能力。", "source_duplicate_of": null, "source_hash": "c6913a074b88350eed1408a50147651a884b0af10d4eb8695817d5fbb52af6a0", "body_hash": "5a65ab928470dec15570290a22c8fad82ef2ca2a1883da234c6d5e84323b8320", "author": "Codex, shared writer; not original model output", "fallback": false, "hook": "罗盘的四个方位已裂成五瓣，第五根指针直直指向镜头外一扇亮灯的门；海生转身，女孩却一直望着同一个方向。", "rule": "第五个方向叫“有人等你”，由门口的一盏灯而非地理坐标触发；标签用后期文字。", "shots": [ { "number": 1, "start": 0, "end": 1, "duration": 1, "beat": "惊奇：先看见不可能", "action": "罗盘的四个方位已裂成五瓣，第五根指针直直指向镜头外一扇亮灯的门；海生转身，女孩却一直望着同一个方向。", "camera": "85mm感微距，道具占画面约三分之二，人物眼睛或手作为尺度参照；单一明确机位，不用无目标甩镜；异常动作在画面开始时已经发生。", "performance": "以本镜指定的人物/道具为中心，背景角色不抢动作。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "以潮声、湿泥轻响、旧木或黄铜触碰声中最贴合本镜道具的一声开场；配一个短低频脉冲，随即让出空间，不叠加尖叫。", "transition": "在异常动作最清楚的一刻硬切至下一镜指定动作或反应；不先放片名或黑屏。", "timing": "0.00–0.15秒直接展示钩子关键帧；0.15–0.70秒让异常动作继续；0.70–1.00秒用呼吸或微小停顿准备切入反应。" }, { "number": 2, "start": 1, "end": 4, "duration": 3, "beat": "好奇：理解人物的反应", "action": "二狗把罗盘倒过来，五根针仍拼命指向屋门；小满用指尖轻触第五瓣，红发带与表盘里的红线呼应。", "camera": "85mm感道具近特写，轻俯拍，焦点落在本镜指定接触点；人物只保留必要手部或眼睛倒影，不强行切成正面人像。", "performance": "若小满在本镜入画，眼神先落在道具，再转向海生；若为纯道具镜，不额外挤入人脸。海生与孩子交流时保持相近眼平高度。 本来源版本强调小满的主观感受：先拍她注意到的细节，再拍回应，缩短无信息的成人反应。", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "保留孩子一次吸气和衣料轻摩擦，环境声变窄，音乐只留很轻的持续音。", "transition": "按人物视线切到问题或缺少之物，前一镜最后一声环境音延续约0.15秒。", "timing": "1–1.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 3, "start": 4, "end": 9, "duration": 5, "beat": "共情：显露一个小缺口", "action": "桌上地图画满远海宝藏位置，海生收拾行囊；小满替他装好干布，偷偷把自己小小的空碗往灶边推。", "camera": "35mm感中景或中近景，交代角色、目标道具和可行动空间；保持眼线一致。", "performance": "让负责本镜行动的成人先动，孩子随后作出可见反应；避免所有人同时表演。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "空碗、空袋、脚步或木板声选本镜实际存在的一项放近；未出场物件不配声，避免声源误导。", "transition": "用逐渐靠近的风声/物件声引入下一镜；剪切前先让观众认清道具位置。", "timing": "4–5.25秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 4, "start": 9, "end": 15, "duration": 6, "beat": "紧张：让选择有代价", "action": "屋门的灯被海风吹暗，第五根针也跟着颤抖；海生迈出门槛，孩子强装笑容，手停在半空没有挽留。", "camera": "28mm感稍低机位，前景放障碍或关键道具，后景保留退路；缓慢推进，不乱晃。", "performance": "海生或苏兰承担保护动作，孩子的恐惧用呼吸与手指表现；二狗的夸张反应不压过危险信息。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "风与低频逐步增强，声音来自画面可解释方向；临近决定时收低，不盖过呼吸。", "transition": "在角色看向选择对象时切到手部，危险声短暂收低，突出决定。", "timing": "9–10.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 5, "start": 15, "end": 22, "duration": 7, "beat": "信任：人物主动做决定", "action": "他看到针的变化，放下行囊，先回身护住灯火；小满把红绳递过去，帮助固定晃动的灯罩。", "camera": "65–85mm感手部/道具插入镜头，焦点从指尖过渡到被选择的物件；只做一次明确动作。", "performance": "选择必须由清楚的手部动作落实；其余角色停住，给观众看懂选择的空间。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "对白：海生轻声说“不往远处，往灯亮的地方。”；只配一次明确道具接触声。", "transition": "按动作方向匹配下一镜的变化，避免用白闪遮盖因果。", "timing": "15–16.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 6, "start": 22, "end": 30, "duration": 8, "beat": "释放：回报具有清楚因果", "action": "第五瓣完全展开，映出他们共同修好的旧屋；其余四针不再互相争抢方向，轻轻合拢为一条回岸路线。", "camera": "28–35mm感中广景，由关键道具向外缓慢拉开，完整看见变化及安全距离。", "performance": "先让道具/环境发生变化，再切或移到人物反应；变化只遵守本故事规则。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "潮声、湿泥轻响、旧木或黄铜触碰声随变化从密变疏，再进入温暖的两三个原创音符；不使用现成热门歌曲歌词。", "transition": "变化完成后停半拍再切脸部；环境音恢复，音乐只抬高一层。", "timing": "22–24.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 7, "start": 30, "end": 38, "duration": 8, "beat": "温暖：给表情留下时间", "action": "海生把出海改到翌日，先围桌陪孩子吃饭；小满把第五瓣描成一个小门形，笑容不再勉强。", "camera": "50–65mm感面部近景，稳定机位，留出至少半秒无对白微表情。", "performance": "孩子的肩膀放松、视线愿意停留；成人以小动作回应，不用齐声大笑替代情绪。 本来源版本强调小满的主观感受：先拍她注意到的细节，再拍回应，缩短无信息的成人反应。", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "对白：小满说“第五个方向，叫回家。”；其余人用目光回应，留半秒安静。", "transition": "由人物最后的目光或手指引向收尾道具，暖光保持一致。", "timing": "30–32.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 8, "start": 38, "end": 44, "duration": 6, "beat": "余味：接回钩子并打开新可能", "action": "窗外又有一盏远处船灯亮起，罗盘第五针轻点两次；结尾告诉观众“家”可以接纳更多人，圆盘构图回到开头。", "camera": "以本镜描述的收尾物件构图；最后的形状、光点或运动方向匹配开场关键元素。允许改变景别，但匹配关系必须清楚。", "performance": "人物保持结局得到的安全与关系；新的小悬念不撤销已经完成的情绪回报。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "取第一镜的同一种音色作为最后一个轻声提示，让尾音衔接循环；不突然加入无关轰鸣。", "transition": "最后0.3秒保留与开头相似的轮廓/音色，允许无缝循环；不加黑底强制点击卡。", "timing": "38–39.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" } ], "path": "creative/C023--results-hd--llava.txt", "text": "来源文件：raw-prompts/results-hd--llava.txt\n来源名称：llava-hf/llava-onevision-qwen2-0.5b-ov-hf\n实际来源记录：results-hd/llava.json\n原文可用点：0秒描述螃蟹、红发带与海岸；175秒识别旧书和黄铜罗盘。\n原文问题/边界：0秒称三只蟹，而画面清楚可见四只；把哭泣解释成可能玩水、凭空增加怀表；不能据独立静帧还原救援和分家因果。\n转化方式：视觉片段型来源：以原文中与原帧相符的海岸、人物、表情或道具作为灵感入口。身份、对白、连续动作、奇幻规则和新剧情由Codex补写，不是该模型的原始能力。\n本次选择的新故事：罗盘的第五个方向。所有幻想事件都是二创，不用原文中的误识别冒充事实。\n\n《罗盘的第五个方向》｜道具反转｜44秒完整剪辑稿\n\n制作目标：44秒，9:16竖屏，8个剪辑镜头，目标1080×1920、24fps。时间表是剪辑设计，不是任一平台API保证；按工具实际支持的片段长度生成，再裁切拼接。此处没有生成视频。\n视觉基调：架空旧式沿海村落，湿泥、粗布、旧木和黄铜具有可触摸的写实材质；幼童面部略带童话般大眼比例。灰蓝海水与褐色村屋为底，红发带是辨识点，幻想光源以局部金色/银色呈现。\n小满：幼童女孩，黑发双髻、左右各一条红发带、额头小红点；灰褐补丁粗布衣、布挎袋、旧布鞋。开场若用蓝披衣，则全片保持，除非镜头明确拍下脱衣。性格敏感、先看大人反应，再敢表达愿望。红点不是伤口，红发带不是红头发。\n海生：青年男性，凌乱黑发，旧蓝外衣、灰内衫、深裤；行动稳，保护孩子时先降到她的眼平高度，不以大喊替代关心。\n苏兰：成年女性，深发松束、灰褐无袖粗布上衣、简单项链与腕布；观察细节，负责托稳道具、递布或摆碗等具体照顾。\n二狗：青年男性，短黑发、橄榄绿外衣；提供轻微喜剧和观众反应，后半段愿意放慢动作参与帮助，不把他写成伤害孩子的反派。\n上述人物只在本镜明确指定时出现。群众只作远处模糊背景，不增加新主角。多人同框时优先保持海生在左、苏兰在后、二狗在右、小满在前中；若换位，用中广景交代，不瞬移。\n环境连续性：泥滩、浅水、旧船和村屋保持同一架空地点。海平线稳定。湿衣不会无故变干。室内暖色由船灯或灶火提供；室外变暖用云隙光或明确的幻想道具光解释，不让44秒凭空跨越数小时。\n人物表情与道具变化分开生成更易核对：每镜最多一个主要幻想动作，真实人物不随道具变形。以上服装、人物名和新动作均属本次二创设定，不声称模型从8帧恢复了全部身份。\n\n核心道具锁：五向罗盘、红绳、旧屋门。先为本片制作一张统一道具参考图，记录缺口、锈斑、左右方向、尺寸；镜头之间沿用同一版本。\n\n本片新规则：第五个方向叫“有人等你”，由门口的一盏灯而非地理坐标触发；标签用后期文字。 此规则是新创作，不是原片事实。\n\n第一秒视觉钩子：罗盘的四个方位已裂成五瓣，第五根指针直直指向镜头外一扇亮灯的门；海生转身，女孩却一直望着同一个方向。\n\n目标情绪路径：惊奇 → 好奇 → 共情 → 紧张 → 信任 → 释放 → 温暖 → 余味。它是创作设计，不是已测得的观众留存数据。\n\n分镜与生成指令（逐镜生成，再按时间码剪辑；全局角色锁及规则与每一镜一起输入）：\n\n镜头01｜00–01秒｜1秒｜惊奇：先看见不可能\n画面与动作：罗盘的四个方位已裂成五瓣，第五根指针直直指向镜头外一扇亮灯的门；海生转身，女孩却一直望着同一个方向。\n动作节拍：0.00–0.15秒直接展示钩子关键帧；0.15–0.70秒让异常动作继续；0.70–1.00秒用呼吸或微小停顿准备切入反应。\n构图与镜头：85mm感微距，道具占画面约三分之二，人物眼睛或手作为尺度参照；单一明确机位，不用无目标甩镜；异常动作在画面开始时已经发生。\n人物表演：以本镜指定的人物/道具为中心，背景角色不抢动作。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：以潮声、湿泥轻响、旧木或黄铜触碰声中最贴合本镜道具的一声开场；配一个短低频脉冲，随即让出空间，不叠加尖叫。\n衔接：在异常动作最清楚的一刻硬切至下一镜指定动作或反应；不先放片名或黑屏。\n\n镜头02｜01–04秒｜3秒｜好奇：理解人物的反应\n画面与动作：二狗把罗盘倒过来，五根针仍拼命指向屋门；小满用指尖轻触第五瓣，红发带与表盘里的红线呼应。\n动作节拍：1–1.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：85mm感道具近特写，轻俯拍，焦点落在本镜指定接触点；人物只保留必要手部或眼睛倒影，不强行切成正面人像。\n人物表演：若小满在本镜入画，眼神先落在道具，再转向海生；若为纯道具镜，不额外挤入人脸。海生与孩子交流时保持相近眼平高度。 本来源版本强调小满的主观感受：先拍她注意到的细节，再拍回应，缩短无信息的成人反应。\n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：保留孩子一次吸气和衣料轻摩擦，环境声变窄，音乐只留很轻的持续音。\n衔接：按人物视线切到问题或缺少之物，前一镜最后一声环境音延续约0.15秒。\n\n镜头03｜04–09秒｜5秒｜共情：显露一个小缺口\n画面与动作：桌上地图画满远海宝藏位置，海生收拾行囊；小满替他装好干布，偷偷把自己小小的空碗往灶边推。\n动作节拍：4–5.25秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：35mm感中景或中近景，交代角色、目标道具和可行动空间；保持眼线一致。\n人物表演：让负责本镜行动的成人先动，孩子随后作出可见反应；避免所有人同时表演。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：空碗、空袋、脚步或木板声选本镜实际存在的一项放近；未出场物件不配声，避免声源误导。\n衔接：用逐渐靠近的风声/物件声引入下一镜；剪切前先让观众认清道具位置。\n\n镜头04｜09–15秒｜6秒｜紧张：让选择有代价\n画面与动作：屋门的灯被海风吹暗，第五根针也跟着颤抖；海生迈出门槛，孩子强装笑容，手停在半空没有挽留。\n动作节拍：9–10.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：28mm感稍低机位，前景放障碍或关键道具，后景保留退路；缓慢推进，不乱晃。\n人物表演：海生或苏兰承担保护动作，孩子的恐惧用呼吸与手指表现；二狗的夸张反应不压过危险信息。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：风与低频逐步增强，声音来自画面可解释方向；临近决定时收低，不盖过呼吸。\n衔接：在角色看向选择对象时切到手部，危险声短暂收低，突出决定。\n\n镜头05｜15–22秒｜7秒｜信任：人物主动做决定\n画面与动作：他看到针的变化，放下行囊，先回身护住灯火；小满把红绳递过去，帮助固定晃动的灯罩。\n动作节拍：15–16.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：65–85mm感手部/道具插入镜头，焦点从指尖过渡到被选择的物件；只做一次明确动作。\n人物表演：选择必须由清楚的手部动作落实；其余角色停住，给观众看懂选择的空间。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：对白：海生轻声说“不往远处，往灯亮的地方。”；只配一次明确道具接触声。\n衔接：按动作方向匹配下一镜的变化，避免用白闪遮盖因果。\n\n镜头06｜22–30秒｜8秒｜释放：回报具有清楚因果\n画面与动作：第五瓣完全展开，映出他们共同修好的旧屋；其余四针不再互相争抢方向，轻轻合拢为一条回岸路线。\n动作节拍：22–24.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：28–35mm感中广景，由关键道具向外缓慢拉开，完整看见变化及安全距离。\n人物表演：先让道具/环境发生变化，再切或移到人物反应；变化只遵守本故事规则。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：潮声、湿泥轻响、旧木或黄铜触碰声随变化从密变疏，再进入温暖的两三个原创音符；不使用现成热门歌曲歌词。\n衔接：变化完成后停半拍再切脸部；环境音恢复，音乐只抬高一层。\n\n镜头07｜30–38秒｜8秒｜温暖：给表情留下时间\n画面与动作：海生把出海改到翌日，先围桌陪孩子吃饭；小满把第五瓣描成一个小门形，笑容不再勉强。\n动作节拍：30–32.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：50–65mm感面部近景，稳定机位，留出至少半秒无对白微表情。\n人物表演：孩子的肩膀放松、视线愿意停留；成人以小动作回应，不用齐声大笑替代情绪。 本来源版本强调小满的主观感受：先拍她注意到的细节，再拍回应，缩短无信息的成人反应。\n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：对白：小满说“第五个方向，叫回家。”；其余人用目光回应，留半秒安静。\n衔接：由人物最后的目光或手指引向收尾道具，暖光保持一致。\n\n镜头08｜38–44秒｜6秒｜余味：接回钩子并打开新可能\n画面与动作：窗外又有一盏远处船灯亮起，罗盘第五针轻点两次；结尾告诉观众“家”可以接纳更多人，圆盘构图回到开头。\n动作节拍：38–39.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：以本镜描述的收尾物件构图；最后的形状、光点或运动方向匹配开场关键元素。允许改变景别，但匹配关系必须清楚。\n人物表演：人物保持结局得到的安全与关系；新的小悬念不撤销已经完成的情绪回报。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：取第一镜的同一种音色作为最后一个轻声提示，让尾音衔接循环；不突然加入无关轰鸣。\n衔接：最后0.3秒保留与开头相似的轮廓/音色，允许无缝循环；不加黑底强制点击卡。\n\n负向与连续性检查：不出现无依据的手机、枪械、医院、现代车辆、书上伪造大段文字、未经设计的影视角色或艺术家署名。保持双髻、红带、额头红点及四名主角身份；不多生手指、蟹腿，不让手与道具穿模，不把罗盘替换成怀表。道具在同一镜内不得随机换材质、数量、左右位置或开合状态。只允许故事规则指定的物件变化；儿童无血腥伤害。所有字幕、可读书名和界面文字后期添加，生成画面不带水印、伪字幕或推广尾卡。\n合成前逐镜核对：人物数与站坐姿；第一帧是否已有异常；动作起点/终点能否接上；道具尺寸是否受控；视线和海平线是否一致；每个回报能否追溯到前一镜的选择。未拍出因果时重做相关镜头，不能靠旁白掩盖。\n\n平台剪辑备选（不是平台时长限制，也不是热度保证）：\nTikTok测试版：保留0–1秒钩子，1–4秒加一行疑问字幕，22–30秒完整展示回报；可将4–9秒背景压成3秒，成片约42秒。\nInstagram Reels测试版：保持道具质感与暖光配色，前1秒无需读字即可理解异常；保留30–38秒表情停顿，以收尾道具作封面，主体仍44秒。\nYouTube Shorts测试版：保持44秒因果链，画外说明最多一句；最后0.3秒与开头形状/声响呼应，避免只留下未兑现的悬念。\n所有字幕建议单行、短句，放在人物面部与关键道具之外；先按实际播放器界面预览遮挡。\n\n可测试的两个开头：A使用第一镜的大/小、静/动反差；B保持同一异常事件，但从小满瞳孔或手中道具切入，再在0.6秒内露出尺度参照。只改变开头一项，其余剪辑保持一致；是否提高留存需要真实成片与实际观看数据，本任务未做此测试。" }, { "id": "C024", "title": "大海替她流了一滴泪", "concept_id": "S04", "concept_index": 3, "version": 2, "genre": "情绪奇幻", "duration_seconds": 44, "shot_count": 8, "source_id": "results-hd--minicpm-legacy", "source_name": "OpenBMB/MiniCPM-V-2", "category": "results-hd", "source_path": "raw-prompts/results-hd--minicpm-legacy.txt", "source_record": "results-hd/minicpm-legacy.json", "source_paths": [ "raw-prompts/results-hd--minicpm-legacy.txt", "project-cases/OpenBMB__MiniCPM-V/prompt-raw.txt" ], "source_excerpt": "[0 秒]\nA young child with red hair ties and a blue shawl is squatting on muddy ground, pointing at crabs. The setting appears to be outdoors during the day under overcast skies; there are no other people or objects in view except for some rocks nearby where more crab shells can also seen scattered around them\n\n[15 秒]\nA close-up of a crying child with red dot on forehead, wearing dark clothing. The setting is outdoors under natural lighting; no other people or objects are visible in the frame except for these elements and their expressions/actions related to AI's impact as depicted by text overl", "source_review": { "strength": "修复旧版缓存接口后8帧均有可读输出；识别红发带、蓝色披衣、旧书与打开的罗盘、蹲下指泥水，385秒人数为四。", "issues": "95秒把两名站立女性写成年轻男子；235秒把红带写成红发并添头顶衣物；50秒添救生衣，340秒添淡水河岸/退洪解释；多个时刻谈论AI内容的抽象含义，最后添未经证实的18:05时间。", "verdict": "本次MiniCPM-V-2可提供局部视觉细节，需清除字幕污染、性别和环境补写；与新版本MiniCPM能力无直接等价关系。" }, "contribution": "视觉片段型来源：以原文中与原帧相符的海岸、人物、表情或道具作为灵感入口。身份、对白、连续动作、奇幻规则和新剧情由Codex补写，不是该模型的原始能力。", "source_duplicate_of": null, "source_hash": "3cbbcd550a1dade64d322781bd62a9e4ac96b3f45cbf3c0bac21988b2a6d5f8e", "body_hash": "c49e532ee50efa9524e2c96ab1277324592d71d7705dc35641c67a0bf420f728", "author": "Codex, shared writer; not original model output", "fallback": false, "hook": "一颗泪珠停在小满睫毛边，身后整面海水却已沿着同样的弧线倾斜；泪与巨浪在画面两侧形成镜像。", "rule": "海会放大孩子压抑的情绪；被理解后水会回落，哭泣本身不被惩罚。", "shots": [ { "number": 1, "start": 0, "end": 1, "duration": 1, "beat": "惊奇：先看见不可能", "action": "一颗泪珠停在小满睫毛边，身后整面海水却已沿着同样的弧线倾斜；泪与巨浪在画面两侧形成镜像。", "camera": "24–35mm感中广景或前景近物后景巨物，保留明确大小参照；单一明确机位，不用无目标甩镜；异常动作在画面开始时已经发生。", "performance": "以本镜指定的人物/道具为中心，背景角色不抢动作。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "以潮声、湿泥轻响、旧木或黄铜触碰声中最贴合本镜道具的一声开场；配一个短低频脉冲，随即让出空间，不叠加尖叫。", "transition": "在异常动作最清楚的一刻硬切至下一镜指定动作或反应；不先放片名或黑屏。", "timing": "0.00–0.15秒直接展示钩子关键帧；0.15–0.70秒让异常动作继续；0.70–1.00秒用呼吸或微小停顿准备切入反应。" }, { "number": 2, "start": 1, "end": 4, "duration": 3, "beat": "好奇：理解人物的反应", "action": "小满用袖口硬擦眼睛，浪墙随之出现一道粗糙裂纹；绿色渔网贴着湿衣，她努力把哭声吞回去。", "camera": "50mm感的近景，机位降到孩子眼平，向前缓移约一个手掌距离。", "performance": "若小满在本镜入画，眼神先落在道具，再转向海生；若为纯道具镜，不额外挤入人脸。海生与孩子交流时保持相近眼平高度。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "保留孩子一次吸气和衣料轻摩擦，环境声变窄，音乐只留很轻的持续音。", "transition": "按人物视线切到问题或缺少之物，前一镜最后一声环境音延续约0.15秒。", "timing": "1–1.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 3, "start": 4, "end": 9, "duration": 5, "beat": "共情：显露一个小缺口", "action": "村人把空碗推离桌边，模糊背景中只保留拒绝的手势；海生端着两只碗进门，看到孩子缩在门槛边。", "camera": "35mm感中景或中近景，交代角色、目标道具和可行动空间；保持眼线一致。", "performance": "让负责本镜行动的成人先动，孩子随后作出可见反应；避免所有人同时表演。 本来源版本强调空间关系：镜头开头保留四个角色/道具位置参照，再靠近关键动作，不以密集特写掩盖布局。", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "空碗、空袋、脚步或木板声选本镜实际存在的一项放近；未出场物件不配声，避免声源误导。", "transition": "用逐渐靠近的风声/物件声引入下一镜；剪切前先让观众认清道具位置。", "timing": "4–5.25秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 4, "start": 9, "end": 15, "duration": 6, "beat": "紧张：让选择有代价", "action": "海浪的巨大阴影越过门口，二狗以为危险将至，想把孩子拉开；小满误以为自己又做错事，肩膀越缩越紧。", "camera": "28mm感稍低机位，前景放障碍或关键道具，后景保留退路；缓慢推进，不乱晃。", "performance": "海生或苏兰承担保护动作，孩子的恐惧用呼吸与手指表现；二狗的夸张反应不压过危险信息。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "风与低频逐步增强，声音来自画面可解释方向；临近决定时收低，不盖过呼吸。", "transition": "在角色看向选择对象时切到手部，危险声短暂收低，突出决定。", "timing": "9–10.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 5, "start": 15, "end": 22, "duration": 7, "beat": "信任：人物主动做决定", "action": "海生没有看浪，先把小满的碗放回桌上，再蹲下张开双臂；她终于松开捂住嘴的手，任泪珠掉落。", "camera": "65–85mm感手部/道具插入镜头，焦点从指尖过渡到被选择的物件；只做一次明确动作。", "performance": "选择必须由清楚的手部动作落实；其余角色停住，给观众看懂选择的空间。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "对白：海生轻声说“想哭，就哭出来。”；只配一次明确道具接触声。", "transition": "按动作方向匹配下一镜的变化，避免用白闪遮盖因果。", "timing": "15–16.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 6, "start": 22, "end": 30, "duration": 8, "beat": "释放：回报具有清楚因果", "action": "泪珠落入清水盆，大浪从锋利高墙变成透明雨帘，停在屋外；门内桌椅与孩子保持干燥，压力瞬间解除。", "camera": "28–35mm感中广景，由关键道具向外缓慢拉开，完整看见变化及安全距离。", "performance": "先让道具/环境发生变化，再切或移到人物反应；变化只遵守本故事规则。 本来源版本强调空间关系：镜头开头保留四个角色/道具位置参照，再靠近关键动作，不以密集特写掩盖布局。", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "潮声、湿泥轻响、旧木或黄铜触碰声随变化从密变疏，再进入温暖的两三个原创音符；不使用现成热门歌曲歌词。", "transition": "变化完成后停半拍再切脸部；环境音恢复，音乐只抬高一层。", "timing": "22–24.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 7, "start": 30, "end": 38, "duration": 8, "beat": "温暖：给表情留下时间", "action": "苏兰拿干布轻轻擦她的头发，海生盛好饭；孩子点头时仍带泪，却第一次露出完整笑容。", "camera": "50–65mm感面部近景，稳定机位，留出至少半秒无对白微表情。", "performance": "孩子的肩膀放松、视线愿意停留；成人以小动作回应，不用齐声大笑替代情绪。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "对白：小满说“我不是多余的，对吗？”；其余人用目光回应，留半秒安静。", "transition": "由人物最后的目光或手指引向收尾道具，暖光保持一致。", "timing": "30–32.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 8, "start": 38, "end": 44, "duration": 6, "beat": "余味：接回钩子并打开新可能", "action": "笑意映进水盆，一圈涟漪变成小小的笑脸弧线；镜头回到睫毛上的高光，结尾以温柔而非惊吓完成循环。", "camera": "85mm感道具近特写，轻俯拍，焦点落在本镜指定接触点；人物只保留必要手部或眼睛倒影，不强行切成正面人像。", "performance": "人物保持结局得到的安全与关系；新的小悬念不撤销已经完成的情绪回报。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "取第一镜的同一种音色作为最后一个轻声提示，让尾音衔接循环；不突然加入无关轰鸣。", "transition": "最后0.3秒保留与开头相似的轮廓/音色，允许无缝循环；不加黑底强制点击卡。", "timing": "38–39.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" } ], "path": "creative/C024--results-hd--minicpm-legacy.txt", "text": "来源文件：raw-prompts/results-hd--minicpm-legacy.txt\n来源名称：OpenBMB/MiniCPM-V-2\n实际来源记录：results-hd/minicpm-legacy.json\n原文可用点：修复旧版缓存接口后8帧均有可读输出；识别红发带、蓝色披衣、旧书与打开的罗盘、蹲下指泥水，385秒人数为四。\n原文问题/边界：95秒把两名站立女性写成年轻男子；235秒把红带写成红发并添头顶衣物；50秒添救生衣，340秒添淡水河岸/退洪解释；多个时刻谈论AI内容的抽象含义，最后添未经证实的18:05时间。\n转化方式：视觉片段型来源：以原文中与原帧相符的海岸、人物、表情或道具作为灵感入口。身份、对白、连续动作、奇幻规则和新剧情由Codex补写，不是该模型的原始能力。\n本次选择的新故事：大海替她流了一滴泪。所有幻想事件都是二创，不用原文中的误识别冒充事实。\n\n《大海替她流了一滴泪》｜情绪奇幻｜44秒完整剪辑稿\n\n制作目标：44秒，9:16竖屏，8个剪辑镜头，目标1080×1920、24fps。时间表是剪辑设计，不是任一平台API保证；按工具实际支持的片段长度生成，再裁切拼接。此处没有生成视频。\n视觉基调：架空旧式沿海村落，湿泥、粗布、旧木和黄铜具有可触摸的写实材质；幼童面部略带童话般大眼比例。灰蓝海水与褐色村屋为底，红发带是辨识点，幻想光源以局部金色/银色呈现。\n小满：幼童女孩，黑发双髻、左右各一条红发带、额头小红点；灰褐补丁粗布衣、布挎袋、旧布鞋。开场若用蓝披衣，则全片保持，除非镜头明确拍下脱衣。性格敏感、先看大人反应，再敢表达愿望。红点不是伤口，红发带不是红头发。\n海生：青年男性，凌乱黑发，旧蓝外衣、灰内衫、深裤；行动稳，保护孩子时先降到她的眼平高度，不以大喊替代关心。\n苏兰：成年女性，深发松束、灰褐无袖粗布上衣、简单项链与腕布；观察细节，负责托稳道具、递布或摆碗等具体照顾。\n二狗：青年男性，短黑发、橄榄绿外衣；提供轻微喜剧和观众反应，后半段愿意放慢动作参与帮助，不把他写成伤害孩子的反派。\n上述人物只在本镜明确指定时出现。群众只作远处模糊背景，不增加新主角。多人同框时优先保持海生在左、苏兰在后、二狗在右、小满在前中；若换位，用中广景交代，不瞬移。\n环境连续性：泥滩、浅水、旧船和村屋保持同一架空地点。海平线稳定。湿衣不会无故变干。室内暖色由船灯或灶火提供；室外变暖用云隙光或明确的幻想道具光解释，不让44秒凭空跨越数小时。\n人物表情与道具变化分开生成更易核对：每镜最多一个主要幻想动作，真实人物不随道具变形。以上服装、人物名和新动作均属本次二创设定，不声称模型从8帧恢复了全部身份。\n\n核心道具锁：一颗泪珠、绿色旧渔网、静止浪墙。先为本片制作一张统一道具参考图，记录缺口、锈斑、左右方向、尺寸；镜头之间沿用同一版本。\n\n本片新规则：海会放大孩子压抑的情绪；被理解后水会回落，哭泣本身不被惩罚。 此规则是新创作，不是原片事实。\n\n第一秒视觉钩子：一颗泪珠停在小满睫毛边，身后整面海水却已沿着同样的弧线倾斜；泪与巨浪在画面两侧形成镜像。\n\n目标情绪路径：惊奇 → 好奇 → 共情 → 紧张 → 信任 → 释放 → 温暖 → 余味。它是创作设计，不是已测得的观众留存数据。\n\n分镜与生成指令（逐镜生成，再按时间码剪辑；全局角色锁及规则与每一镜一起输入）：\n\n镜头01｜00–01秒｜1秒｜惊奇：先看见不可能\n画面与动作：一颗泪珠停在小满睫毛边，身后整面海水却已沿着同样的弧线倾斜；泪与巨浪在画面两侧形成镜像。\n动作节拍：0.00–0.15秒直接展示钩子关键帧；0.15–0.70秒让异常动作继续；0.70–1.00秒用呼吸或微小停顿准备切入反应。\n构图与镜头：24–35mm感中广景或前景近物后景巨物，保留明确大小参照；单一明确机位，不用无目标甩镜；异常动作在画面开始时已经发生。\n人物表演：以本镜指定的人物/道具为中心，背景角色不抢动作。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：以潮声、湿泥轻响、旧木或黄铜触碰声中最贴合本镜道具的一声开场；配一个短低频脉冲，随即让出空间，不叠加尖叫。\n衔接：在异常动作最清楚的一刻硬切至下一镜指定动作或反应；不先放片名或黑屏。\n\n镜头02｜01–04秒｜3秒｜好奇：理解人物的反应\n画面与动作：小满用袖口硬擦眼睛，浪墙随之出现一道粗糙裂纹；绿色渔网贴着湿衣，她努力把哭声吞回去。\n动作节拍：1–1.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：50mm感的近景，机位降到孩子眼平，向前缓移约一个手掌距离。\n人物表演：若小满在本镜入画，眼神先落在道具，再转向海生；若为纯道具镜，不额外挤入人脸。海生与孩子交流时保持相近眼平高度。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：保留孩子一次吸气和衣料轻摩擦，环境声变窄，音乐只留很轻的持续音。\n衔接：按人物视线切到问题或缺少之物，前一镜最后一声环境音延续约0.15秒。\n\n镜头03｜04–09秒｜5秒｜共情：显露一个小缺口\n画面与动作：村人把空碗推离桌边，模糊背景中只保留拒绝的手势；海生端着两只碗进门，看到孩子缩在门槛边。\n动作节拍：4–5.25秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：35mm感中景或中近景，交代角色、目标道具和可行动空间；保持眼线一致。\n人物表演：让负责本镜行动的成人先动，孩子随后作出可见反应；避免所有人同时表演。 本来源版本强调空间关系：镜头开头保留四个角色/道具位置参照，再靠近关键动作，不以密集特写掩盖布局。\n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：空碗、空袋、脚步或木板声选本镜实际存在的一项放近；未出场物件不配声，避免声源误导。\n衔接：用逐渐靠近的风声/物件声引入下一镜；剪切前先让观众认清道具位置。\n\n镜头04｜09–15秒｜6秒｜紧张：让选择有代价\n画面与动作：海浪的巨大阴影越过门口，二狗以为危险将至，想把孩子拉开；小满误以为自己又做错事，肩膀越缩越紧。\n动作节拍：9–10.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：28mm感稍低机位，前景放障碍或关键道具，后景保留退路；缓慢推进，不乱晃。\n人物表演：海生或苏兰承担保护动作，孩子的恐惧用呼吸与手指表现；二狗的夸张反应不压过危险信息。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：风与低频逐步增强，声音来自画面可解释方向；临近决定时收低，不盖过呼吸。\n衔接：在角色看向选择对象时切到手部，危险声短暂收低，突出决定。\n\n镜头05｜15–22秒｜7秒｜信任：人物主动做决定\n画面与动作：海生没有看浪，先把小满的碗放回桌上，再蹲下张开双臂；她终于松开捂住嘴的手，任泪珠掉落。\n动作节拍：15–16.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：65–85mm感手部/道具插入镜头，焦点从指尖过渡到被选择的物件；只做一次明确动作。\n人物表演：选择必须由清楚的手部动作落实；其余角色停住，给观众看懂选择的空间。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：对白：海生轻声说“想哭，就哭出来。”；只配一次明确道具接触声。\n衔接：按动作方向匹配下一镜的变化，避免用白闪遮盖因果。\n\n镜头06｜22–30秒｜8秒｜释放：回报具有清楚因果\n画面与动作：泪珠落入清水盆，大浪从锋利高墙变成透明雨帘，停在屋外；门内桌椅与孩子保持干燥，压力瞬间解除。\n动作节拍：22–24.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：28–35mm感中广景，由关键道具向外缓慢拉开，完整看见变化及安全距离。\n人物表演：先让道具/环境发生变化，再切或移到人物反应；变化只遵守本故事规则。 本来源版本强调空间关系：镜头开头保留四个角色/道具位置参照，再靠近关键动作，不以密集特写掩盖布局。\n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：潮声、湿泥轻响、旧木或黄铜触碰声随变化从密变疏，再进入温暖的两三个原创音符；不使用现成热门歌曲歌词。\n衔接：变化完成后停半拍再切脸部；环境音恢复，音乐只抬高一层。\n\n镜头07｜30–38秒｜8秒｜温暖：给表情留下时间\n画面与动作：苏兰拿干布轻轻擦她的头发，海生盛好饭；孩子点头时仍带泪，却第一次露出完整笑容。\n动作节拍：30–32.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：50–65mm感面部近景，稳定机位，留出至少半秒无对白微表情。\n人物表演：孩子的肩膀放松、视线愿意停留；成人以小动作回应，不用齐声大笑替代情绪。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：对白：小满说“我不是多余的，对吗？”；其余人用目光回应，留半秒安静。\n衔接：由人物最后的目光或手指引向收尾道具，暖光保持一致。\n\n镜头08｜38–44秒｜6秒｜余味：接回钩子并打开新可能\n画面与动作：笑意映进水盆，一圈涟漪变成小小的笑脸弧线；镜头回到睫毛上的高光，结尾以温柔而非惊吓完成循环。\n动作节拍：38–39.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：85mm感道具近特写，轻俯拍，焦点落在本镜指定接触点；人物只保留必要手部或眼睛倒影，不强行切成正面人像。\n人物表演：人物保持结局得到的安全与关系；新的小悬念不撤销已经完成的情绪回报。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：取第一镜的同一种音色作为最后一个轻声提示，让尾音衔接循环；不突然加入无关轰鸣。\n衔接：最后0.3秒保留与开头相似的轮廓/音色，允许无缝循环；不加黑底强制点击卡。\n\n负向与连续性检查：不出现无依据的手机、枪械、医院、现代车辆、书上伪造大段文字、未经设计的影视角色或艺术家署名。保持双髻、红带、额头红点及四名主角身份；不多生手指、蟹腿，不让手与道具穿模，不把罗盘替换成怀表。道具在同一镜内不得随机换材质、数量、左右位置或开合状态。只允许故事规则指定的物件变化；儿童无血腥伤害。所有字幕、可读书名和界面文字后期添加，生成画面不带水印、伪字幕或推广尾卡。\n合成前逐镜核对：人物数与站坐姿；第一帧是否已有异常；动作起点/终点能否接上；道具尺寸是否受控；视线和海平线是否一致；每个回报能否追溯到前一镜的选择。未拍出因果时重做相关镜头，不能靠旁白掩盖。\n\n平台剪辑备选（不是平台时长限制，也不是热度保证）：\nTikTok测试版：保留0–1秒钩子，1–4秒加一行疑问字幕，22–30秒完整展示回报；可将4–9秒背景压成3秒，成片约42秒。\nInstagram Reels测试版：保持道具质感与暖光配色，前1秒无需读字即可理解异常；保留30–38秒表情停顿，以收尾道具作封面，主体仍44秒。\nYouTube Shorts测试版：保持44秒因果链，画外说明最多一句；最后0.3秒与开头形状/声响呼应，避免只留下未兑现的悬念。\n所有字幕建议单行、短句，放在人物面部与关键道具之外；先按实际播放器界面预览遮挡。\n\n可测试的两个开头：A使用第一镜的大/小、静/动反差；B保持同一异常事件，但从小满瞳孔或手中道具切入，再在0.6秒内露出尺度参照。只改变开头一项，其余剪辑保持一致；是否提高留存需要真实成片与实际观看数据，本任务未做此测试。" }, { "id": "C025", "title": "信封里装着整片海", "concept_id": "S36", "concept_index": 35, "version": 0, "genre": "纸艺奇观", "duration_seconds": 44, "shot_count": 8, "source_id": "results-hd--moondream", "source_name": "vikhyatk/moondream2", "category": "results-hd", "source_path": "raw-prompts/results-hd--moondream.txt", "source_record": "results-hd/moondream.json", "source_paths": [ "raw-prompts/results-hd--moondream.txt", "project-cases/m87-labs__moondream/prompt-raw.txt" ], "source_excerpt": "[0 秒]\nA young child with dark hair styled in pigtails and a small red dot on their forehead is kneeling on a rocky beach, interacting with a group of green crabs. The child is wearing a blue garment and appears to be playing with the crabs. The beach setting appears to be coastal, with rocks and possibly seaweed visible near the water's edge. In the background, a structure, possibly a building or wall, is visible on the left side of the image. The sky is a light, muted color. The child's face is slightly smeared with dirt or crab parts, and they are wearing light brown or tan shoes.\n\n[15 秒]\nA ", "source_review": { "strength": "孩子双髻红带、额头红点、旧书与罗盘等可见细节描述较多。", "issues": "把哭泣画面当电影海报，编造大量中文及其译文；把表面材质和背景物件猜测当事实。", "verdict": "视觉描述需交叉检查；字幕解释尤其不可信。" }, "contribution": "视觉片段型来源：以原文中与原帧相符的海岸、人物、表情或道具作为灵感入口。身份、对白、连续动作、奇幻规则和新剧情由Codex补写，不是该模型的原始能力。", "source_duplicate_of": null, "source_hash": "9c1846edde8e84fb5b327aeb4c22e6dfdee196f178c698ba0b238ab654e74755", "body_hash": "15245cea0c6fd2d8a6fba0df5767885bbf919dbc9733fe4f826bc9e8afd6dab0", "author": "Codex, shared writer; not original model output", "fallback": false, "hook": "一只巴掌大的旧信封已经撑出横贯屋子的蓝色海平线，纸浪从封口层层展开，小满的脸被蓝光照亮。", "rule": "折纸海只在被小心展开时呈现空间；强拉会褶皱，不产生真正洪水。", "shots": [ { "number": 1, "start": 0, "end": 1, "duration": 1, "beat": "惊奇：先看见不可能", "action": "一只巴掌大的旧信封已经撑出横贯屋子的蓝色海平线，纸浪从封口层层展开，小满的脸被蓝光照亮。", "camera": "85mm感微距，道具占画面约三分之二，人物眼睛或手作为尺度参照；单一明确机位，不用无目标甩镜；异常动作在画面开始时已经发生。", "performance": "以本镜指定的人物/道具为中心，背景角色不抢动作。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "以纸纤维、折痕与微小潮声中最贴合本镜道具的一声开场；配一个短低频脉冲，随即让出空间，不叠加尖叫。", "transition": "在异常动作最清楚的一刻硬切至下一镜指定动作或反应；不先放片名或黑屏。", "timing": "0.00–0.15秒直接展示钩子关键帧；0.15–0.70秒让异常动作继续；0.70–1.00秒用呼吸或微小停顿准备切入反应。" }, { "number": 2, "start": 1, "end": 4, "duration": 3, "beat": "好奇：理解人物的反应", "action": "海生两指夹住信封边，怕撕破发黄纸角；二狗把头绕到背面，发现巨大海景后面仍只是一张薄纸。", "camera": "50mm感的近景，机位降到孩子眼平，向前缓移约一个手掌距离。", "performance": "若小满在本镜入画，眼神先落在道具，再转向海生；若为纯道具镜，不额外挤入人脸。海生与孩子交流时保持相近眼平高度。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "保留孩子一次吸气和衣料轻摩擦，环境声变窄，音乐只留很轻的持续音。", "transition": "按人物视线切到问题或缺少之物，前一镜最后一声环境音延续约0.15秒。", "timing": "1–1.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 3, "start": 4, "end": 9, "duration": 5, "beat": "共情：显露一个小缺口", "action": "苏兰从旧船布包里拿出信封，里面原本没有钱也没有粮；小满先露出失落，又被纸缝里一声微小海鸟声吸引。", "camera": "35mm感中景或中近景，交代角色、目标道具和可行动空间；保持眼线一致。", "performance": "让负责本镜行动的成人先动，孩子随后作出可见反应；避免所有人同时表演。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "空碗、空袋、脚步或木板声选本镜实际存在的一项放近；未出场物件不配声，避免声源误导。", "transition": "用逐渐靠近的风声/物件声引入下一镜；剪切前先让观众认清道具位置。", "timing": "4–5.25秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 4, "start": 9, "end": 15, "duration": 6, "beat": "紧张：让选择有代价", "action": "二狗急着把海面拉大，纸浪出现裂口，船影被折进黑暗；海生制止他，小满把纸角轻轻托回去。", "camera": "28mm感稍低机位，前景放障碍或关键道具，后景保留退路；缓慢推进，不乱晃。", "performance": "海生或苏兰承担保护动作，孩子的恐惧用呼吸与手指表现；二狗的夸张反应不压过危险信息。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "风与低频逐步增强，声音来自画面可解释方向；临近决定时收低，不盖过呼吸。", "transition": "在角色看向选择对象时切到手部，危险声短暂收低，突出决定。", "timing": "9–10.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 5, "start": 15, "end": 22, "duration": 7, "beat": "信任：人物主动做决定", "action": "四人各扶一边，按原有折痕缓慢展开；小满把罗盘放在纸上作镇纸，让海景不再被风掀起。", "camera": "65–85mm感手部/道具插入镜头，焦点从指尖过渡到被选择的物件；只做一次明确动作。", "performance": "选择必须由清楚的手部动作落实；其余角色停住，给观众看懂选择的空间。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "对白：海生轻声说“慢慢打开，它有点旧。”；只配一次明确道具接触声。", "transition": "按动作方向匹配下一镜的变化，避免用白闪遮盖因果。", "timing": "15–16.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 6, "start": 22, "end": 30, "duration": 8, "beat": "释放：回报具有清楚因果", "action": "纸海中显出一条回村路线和搁浅旧船的位置，模型只生成图形；他们发现信封保存的是先辈留下的安全航路。", "camera": "28–35mm感中广景，由关键道具向外缓慢拉开，完整看见变化及安全距离。", "performance": "先让道具/环境发生变化，再切或移到人物反应；变化只遵守本故事规则。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "纸纤维、折痕与微小潮声随变化从密变疏，再进入温暖的两三个原创音符；不使用现成热门歌曲歌词。", "transition": "变化完成后停半拍再切脸部；环境音恢复，音乐只抬高一层。", "timing": "22–24.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 7, "start": 30, "end": 38, "duration": 8, "beat": "温暖：给表情留下时间", "action": "海生把信封妥善装进小满布袋，告诉她一起保管；二狗认真把手擦干才来碰纸，孩子满意地点头。", "camera": "50–65mm感面部近景，稳定机位，留出至少半秒无对白微表情。", "performance": "孩子的肩膀放松、视线愿意停留；成人以小动作回应，不用齐声大笑替代情绪。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "对白：小满说“旧东西也装得下未来。”；其余人用目光回应，留半秒安静。", "transition": "由人物最后的目光或手指引向收尾道具，暖光保持一致。", "timing": "30–32.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 8, "start": 38, "end": 44, "duration": 6, "beat": "余味：接回钩子并打开新可能", "action": "信封封口露出一朵微小纸浪，像在轻轻呼吸；镜头从完整海平线缩回一条纸缝，与开头形成尺度循环。", "camera": "85mm感道具近特写，轻俯拍，焦点落在本镜指定接触点；人物只保留必要手部或眼睛倒影，不强行切成正面人像。", "performance": "人物保持结局得到的安全与关系；新的小悬念不撤销已经完成的情绪回报。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "取第一镜的同一种音色作为最后一个轻声提示，让尾音衔接循环；不突然加入无关轰鸣。", "transition": "最后0.3秒保留与开头相似的轮廓/音色，允许无缝循环；不加黑底强制点击卡。", "timing": "38–39.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" } ], "path": "creative/C025--results-hd--moondream.txt", "text": "来源文件：raw-prompts/results-hd--moondream.txt\n来源名称：vikhyatk/moondream2\n实际来源记录：results-hd/moondream.json\n原文可用点：孩子双髻红带、额头红点、旧书与罗盘等可见细节描述较多。\n原文问题/边界：把哭泣画面当电影海报，编造大量中文及其译文；把表面材质和背景物件猜测当事实。\n转化方式：视觉片段型来源：以原文中与原帧相符的海岸、人物、表情或道具作为灵感入口。身份、对白、连续动作、奇幻规则和新剧情由Codex补写，不是该模型的原始能力。\n本次选择的新故事：信封里装着整片海。所有幻想事件都是二创，不用原文中的误识别冒充事实。\n\n《信封里装着整片海》｜纸艺奇观｜44秒完整剪辑稿\n\n制作目标：44秒，9:16竖屏，8个剪辑镜头，目标1080×1920、24fps。时间表是剪辑设计，不是任一平台API保证；按工具实际支持的片段长度生成，再裁切拼接。此处没有生成视频。\n视觉基调：架空旧式沿海村落，湿泥、粗布、旧木和黄铜具有可触摸的写实材质；幼童面部略带童话般大眼比例。灰蓝海水与褐色村屋为底，红发带是辨识点，幻想光源以局部金色/银色呈现。\n小满：幼童女孩，黑发双髻、左右各一条红发带、额头小红点；灰褐补丁粗布衣、布挎袋、旧布鞋。开场若用蓝披衣，则全片保持，除非镜头明确拍下脱衣。性格敏感、先看大人反应，再敢表达愿望。红点不是伤口，红发带不是红头发。\n海生：青年男性，凌乱黑发，旧蓝外衣、灰内衫、深裤；行动稳，保护孩子时先降到她的眼平高度，不以大喊替代关心。\n苏兰：成年女性，深发松束、灰褐无袖粗布上衣、简单项链与腕布；观察细节，负责托稳道具、递布或摆碗等具体照顾。\n二狗：青年男性，短黑发、橄榄绿外衣；提供轻微喜剧和观众反应，后半段愿意放慢动作参与帮助，不把他写成伤害孩子的反派。\n上述人物只在本镜明确指定时出现。群众只作远处模糊背景，不增加新主角。多人同框时优先保持海生在左、苏兰在后、二狗在右、小满在前中；若换位，用中广景交代，不瞬移。\n环境连续性：泥滩、浅水、旧船和村屋保持同一架空地点。海平线稳定。湿衣不会无故变干。室内暖色由船灯或灶火提供；室外变暖用云隙光或明确的幻想道具光解释，不让44秒凭空跨越数小时。\n人物表情与道具变化分开生成更易核对：每镜最多一个主要幻想动作，真实人物不随道具变形。以上服装、人物名和新动作均属本次二创设定，不声称模型从8帧恢复了全部身份。\n\n核心道具锁：旧信封、蓝色折纸海、布袋。先为本片制作一张统一道具参考图，记录缺口、锈斑、左右方向、尺寸；镜头之间沿用同一版本。\n\n本片新规则：折纸海只在被小心展开时呈现空间；强拉会褶皱，不产生真正洪水。 此规则是新创作，不是原片事实。\n\n第一秒视觉钩子：一只巴掌大的旧信封已经撑出横贯屋子的蓝色海平线，纸浪从封口层层展开，小满的脸被蓝光照亮。\n\n目标情绪路径：惊奇 → 好奇 → 共情 → 紧张 → 信任 → 释放 → 温暖 → 余味。它是创作设计，不是已测得的观众留存数据。\n\n分镜与生成指令（逐镜生成，再按时间码剪辑；全局角色锁及规则与每一镜一起输入）：\n\n镜头01｜00–01秒｜1秒｜惊奇：先看见不可能\n画面与动作：一只巴掌大的旧信封已经撑出横贯屋子的蓝色海平线，纸浪从封口层层展开，小满的脸被蓝光照亮。\n动作节拍：0.00–0.15秒直接展示钩子关键帧；0.15–0.70秒让异常动作继续；0.70–1.00秒用呼吸或微小停顿准备切入反应。\n构图与镜头：85mm感微距，道具占画面约三分之二，人物眼睛或手作为尺度参照；单一明确机位，不用无目标甩镜；异常动作在画面开始时已经发生。\n人物表演：以本镜指定的人物/道具为中心，背景角色不抢动作。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：以纸纤维、折痕与微小潮声中最贴合本镜道具的一声开场；配一个短低频脉冲，随即让出空间，不叠加尖叫。\n衔接：在异常动作最清楚的一刻硬切至下一镜指定动作或反应；不先放片名或黑屏。\n\n镜头02｜01–04秒｜3秒｜好奇：理解人物的反应\n画面与动作：海生两指夹住信封边，怕撕破发黄纸角；二狗把头绕到背面，发现巨大海景后面仍只是一张薄纸。\n动作节拍：1–1.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：50mm感的近景，机位降到孩子眼平，向前缓移约一个手掌距离。\n人物表演：若小满在本镜入画，眼神先落在道具，再转向海生；若为纯道具镜，不额外挤入人脸。海生与孩子交流时保持相近眼平高度。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：保留孩子一次吸气和衣料轻摩擦，环境声变窄，音乐只留很轻的持续音。\n衔接：按人物视线切到问题或缺少之物，前一镜最后一声环境音延续约0.15秒。\n\n镜头03｜04–09秒｜5秒｜共情：显露一个小缺口\n画面与动作：苏兰从旧船布包里拿出信封，里面原本没有钱也没有粮；小满先露出失落，又被纸缝里一声微小海鸟声吸引。\n动作节拍：4–5.25秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：35mm感中景或中近景，交代角色、目标道具和可行动空间；保持眼线一致。\n人物表演：让负责本镜行动的成人先动，孩子随后作出可见反应；避免所有人同时表演。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：空碗、空袋、脚步或木板声选本镜实际存在的一项放近；未出场物件不配声，避免声源误导。\n衔接：用逐渐靠近的风声/物件声引入下一镜；剪切前先让观众认清道具位置。\n\n镜头04｜09–15秒｜6秒｜紧张：让选择有代价\n画面与动作：二狗急着把海面拉大，纸浪出现裂口，船影被折进黑暗；海生制止他，小满把纸角轻轻托回去。\n动作节拍：9–10.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：28mm感稍低机位，前景放障碍或关键道具，后景保留退路；缓慢推进，不乱晃。\n人物表演：海生或苏兰承担保护动作，孩子的恐惧用呼吸与手指表现；二狗的夸张反应不压过危险信息。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：风与低频逐步增强，声音来自画面可解释方向；临近决定时收低，不盖过呼吸。\n衔接：在角色看向选择对象时切到手部，危险声短暂收低，突出决定。\n\n镜头05｜15–22秒｜7秒｜信任：人物主动做决定\n画面与动作：四人各扶一边，按原有折痕缓慢展开；小满把罗盘放在纸上作镇纸，让海景不再被风掀起。\n动作节拍：15–16.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：65–85mm感手部/道具插入镜头，焦点从指尖过渡到被选择的物件；只做一次明确动作。\n人物表演：选择必须由清楚的手部动作落实；其余角色停住，给观众看懂选择的空间。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：对白：海生轻声说“慢慢打开，它有点旧。”；只配一次明确道具接触声。\n衔接：按动作方向匹配下一镜的变化，避免用白闪遮盖因果。\n\n镜头06｜22–30秒｜8秒｜释放：回报具有清楚因果\n画面与动作：纸海中显出一条回村路线和搁浅旧船的位置，模型只生成图形；他们发现信封保存的是先辈留下的安全航路。\n动作节拍：22–24.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：28–35mm感中广景，由关键道具向外缓慢拉开，完整看见变化及安全距离。\n人物表演：先让道具/环境发生变化，再切或移到人物反应；变化只遵守本故事规则。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：纸纤维、折痕与微小潮声随变化从密变疏，再进入温暖的两三个原创音符；不使用现成热门歌曲歌词。\n衔接：变化完成后停半拍再切脸部；环境音恢复，音乐只抬高一层。\n\n镜头07｜30–38秒｜8秒｜温暖：给表情留下时间\n画面与动作：海生把信封妥善装进小满布袋，告诉她一起保管；二狗认真把手擦干才来碰纸，孩子满意地点头。\n动作节拍：30–32.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：50–65mm感面部近景，稳定机位，留出至少半秒无对白微表情。\n人物表演：孩子的肩膀放松、视线愿意停留；成人以小动作回应，不用齐声大笑替代情绪。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：对白：小满说“旧东西也装得下未来。”；其余人用目光回应，留半秒安静。\n衔接：由人物最后的目光或手指引向收尾道具，暖光保持一致。\n\n镜头08｜38–44秒｜6秒｜余味：接回钩子并打开新可能\n画面与动作：信封封口露出一朵微小纸浪，像在轻轻呼吸；镜头从完整海平线缩回一条纸缝，与开头形成尺度循环。\n动作节拍：38–39.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：85mm感道具近特写，轻俯拍，焦点落在本镜指定接触点；人物只保留必要手部或眼睛倒影，不强行切成正面人像。\n人物表演：人物保持结局得到的安全与关系；新的小悬念不撤销已经完成的情绪回报。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：取第一镜的同一种音色作为最后一个轻声提示，让尾音衔接循环；不突然加入无关轰鸣。\n衔接：最后0.3秒保留与开头相似的轮廓/音色，允许无缝循环；不加黑底强制点击卡。\n\n负向与连续性检查：不出现无依据的手机、枪械、医院、现代车辆、书上伪造大段文字、未经设计的影视角色或艺术家署名。保持双髻、红带、额头红点及四名主角身份；不多生手指、蟹腿，不让手与道具穿模，不把罗盘替换成怀表。道具在同一镜内不得随机换材质、数量、左右位置或开合状态。只允许故事规则指定的物件变化；儿童无血腥伤害。所有字幕、可读书名和界面文字后期添加，生成画面不带水印、伪字幕或推广尾卡。\n合成前逐镜核对：人物数与站坐姿；第一帧是否已有异常；动作起点/终点能否接上；道具尺寸是否受控；视线和海平线是否一致；每个回报能否追溯到前一镜的选择。未拍出因果时重做相关镜头，不能靠旁白掩盖。\n\n平台剪辑备选（不是平台时长限制，也不是热度保证）：\nTikTok测试版：保留0–1秒钩子，1–4秒加一行疑问字幕，22–30秒完整展示回报；可将4–9秒背景压成3秒，成片约42秒。\nInstagram Reels测试版：保持道具质感与暖光配色，前1秒无需读字即可理解异常；保留30–38秒表情停顿，以收尾道具作封面，主体仍44秒。\nYouTube Shorts测试版：保持44秒因果链，画外说明最多一句；最后0.3秒与开头形状/声响呼应，避免只留下未兑现的悬念。\n所有字幕建议单行、短句，放在人物面部与关键道具之外；先按实际播放器界面预览遮挡。\n\n可测试的两个开头：A使用第一镜的大/小、静/动反差；B保持同一异常事件，但从小满瞳孔或手中道具切入，再在0.6秒内露出尺度参照。只改变开头一项，其余剪辑保持一致；是否提高留存需要真实成片与实际观看数据，本任务未做此测试。" }, { "id": "C026", "title": "只能带走一阵风", "concept_id": "S19", "concept_index": 18, "version": 1, "genre": "选择奇幻", "duration_seconds": 44, "shot_count": 8, "source_id": "results-hd--nano", "source_name": "qnguyen3/nanoLLaVA", "category": "results-hd", "source_path": "raw-prompts/results-hd--nano.txt", "source_record": "results-hd/nano.json", "source_paths": [ "raw-prompts/results-hd--nano.txt", "project-cases/BAAI-DCAI__Bunny/prompt-raw.txt" ], "source_excerpt": "[0 秒]\nIn this image, a young girl is sitting on the ground, surrounded by a group of crabs. She is wearing a blue and gray shirt, a pair of brown pants, and a red bow on her head. The girl's face is partially hidden by a pair of red hair bows. She is holding a crab in her hand, and the crabs are green and brown in color. The setting is a beach with rocks and sand. The girl's clothing is casual, and she is wearing brown shoes. The lighting is natural, and there is a shadow of the girl on the ground\n\n[15 秒]\nIn this image, a young girl is crying, her eyes wide open and her cheeks red. She has a s", "source_review": { "strength": "能识别开场蟹、哭泣、渔网和小船面对巨浪。", "issues": "补出手持蟹、屋内背景、围桌吃饭与多个碗；同段描述眼睛既睁开又闭上；235秒添木凳、385秒服装与帽子错误。", "verdict": "Bunny派生检查点的补充试验，不算另一独立GitHub项目；小模型长描述易补入不存在的物体。" }, "contribution": "视觉片段型来源：以原文中与原帧相符的海岸、人物、表情或道具作为灵感入口。身份、对白、连续动作、奇幻规则和新剧情由Codex补写，不是该模型的原始能力。", "source_duplicate_of": null, "source_hash": "4f74a0905a2c59f256b87cb9bce1b240929fad005ab33ebd54916f66ecdb3934", "body_hash": "308905a434f32062f9740f2f1bd16c0bf951e2c1abf258e9e4bb7b13ef92b6de", "author": "Codex, shared writer; not original model output", "fallback": false, "hook": "小满解开布口袋，一整阵海风已像透明鲸鱼冲出，却在她面前急停；风的腹部映出四个人的倒影。", "rule": "风团会变成人最想保护的东西的轮廓；只有共同选择，帆才会鼓起。", "shots": [ { "number": 1, "start": 0, "end": 1, "duration": 1, "beat": "惊奇：先看见不可能", "action": "小满解开布口袋，一整阵海风已像透明鲸鱼冲出，却在她面前急停；风的腹部映出四个人的倒影。", "camera": "24–35mm感中广景或前景近物后景巨物，保留明确大小参照；单一明确机位，不用无目标甩镜；异常动作在画面开始时已经发生。", "performance": "以本镜指定的人物/道具为中心，背景角色不抢动作。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "以潮声、湿泥轻响、旧木或黄铜触碰声中最贴合本镜道具的一声开场；配一个短低频脉冲，随即让出空间，不叠加尖叫。", "transition": "在异常动作最清楚的一刻硬切至下一镜指定动作或反应；不先放片名或黑屏。", "timing": "0.00–0.15秒直接展示钩子关键帧；0.15–0.70秒让异常动作继续；0.70–1.00秒用呼吸或微小停顿准备切入反应。" }, { "number": 2, "start": 1, "end": 4, "duration": 3, "beat": "好奇：理解人物的反应", "action": "二狗伸手抓住风尾，手掌直接穿过去，弄得头发乱翘；孩子第一次笑出声，海生却认真看着逐渐沉下的旧帆。", "camera": "50mm感的近景，机位降到孩子眼平，向前缓移约一个手掌距离。", "performance": "若小满在本镜入画，眼神先落在道具，再转向海生；若为纯道具镜，不额外挤入人脸。海生与孩子交流时保持相近眼平高度。 本来源版本强调小满的主观感受：先拍她注意到的细节，再拍回应，缩短无信息的成人反应。", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "保留孩子一次吸气和衣料轻摩擦，环境声变窄，音乐只留很轻的持续音。", "transition": "按人物视线切到问题或缺少之物，前一镜最后一声环境音延续约0.15秒。", "timing": "1–1.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 3, "start": 4, "end": 9, "duration": 5, "beat": "共情：显露一个小缺口", "action": "四人各抱一个空口袋，背后是归不了港的小船；海生想要修船工具，苏兰想要粮食，二狗想着一张干床。", "camera": "35mm感中景或中近景，交代角色、目标道具和可行动空间；保持眼线一致。", "performance": "让负责本镜行动的成人先动，孩子随后作出可见反应；避免所有人同时表演。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "空碗、空袋、脚步或木板声选本镜实际存在的一项放近；未出场物件不配声，避免声源误导。", "transition": "用逐渐靠近的风声/物件声引入下一镜；剪切前先让观众认清道具位置。", "timing": "4–5.25秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 4, "start": 9, "end": 15, "duration": 6, "beat": "紧张：让选择有代价", "action": "各自许出的风团互相冲撞，把帆吹成四个方向；船在浅水原地打转，小满抱着口袋摇摇晃晃。", "camera": "28mm感稍低机位，前景放障碍或关键道具，后景保留退路；缓慢推进，不乱晃。", "performance": "海生或苏兰承担保护动作，孩子的恐惧用呼吸与手指表现；二狗的夸张反应不压过危险信息。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "风与低频逐步增强，声音来自画面可解释方向；临近决定时收低，不盖过呼吸。", "transition": "在角色看向选择对象时切到手部，危险声短暂收低，突出决定。", "timing": "9–10.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 5, "start": 15, "end": 22, "duration": 7, "beat": "信任：人物主动做决定", "action": "她先收回自己的风，把口袋朝向三位大人；海生明白过来，把工具的轮廓也轻轻放回风里。", "camera": "65–85mm感手部/道具插入镜头，焦点从指尖过渡到被选择的物件；只做一次明确动作。", "performance": "选择必须由清楚的手部动作落实；其余角色停住，给观众看懂选择的空间。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "对白：小满轻声说“我想带他们回去。”；只配一次明确道具接触声。", "transition": "按动作方向匹配下一镜的变化，避免用白闪遮盖因果。", "timing": "15–16.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 6, "start": 22, "end": 30, "duration": 8, "beat": "释放：回报具有清楚因果", "action": "四阵风合成一面透明大帆，上面不是财物而是四人的剪影；船终于稳稳向岸靠近，镜头保持航向一致。", "camera": "28–35mm感中广景，由关键道具向外缓慢拉开，完整看见变化及安全距离。", "performance": "先让道具/环境发生变化，再切或移到人物反应；变化只遵守本故事规则。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "潮声、湿泥轻响、旧木或黄铜触碰声随变化从密变疏，再进入温暖的两三个原创音符；不使用现成热门歌曲歌词。", "transition": "变化完成后停半拍再切脸部；环境音恢复，音乐只抬高一层。", "timing": "22–24.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 7, "start": 30, "end": 38, "duration": 8, "beat": "温暖：给表情留下时间", "action": "靠岸后，四人踩上干地，小满把空口袋系好当纪念；二狗摸摸自己依然凌乱的头发，认真说这一阵风很值。", "camera": "35mm感桌边或岸边中景，先交代所有本镜角色，再缓慢靠近小满的表情；不在同一镜里把人数和座位改掉。", "performance": "孩子的肩膀放松、视线愿意停留；成人以小动作回应，不用齐声大笑替代情绪。 本来源版本强调小满的主观感受：先拍她注意到的细节，再拍回应，缩短无信息的成人反应。", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "对白：海生说“那就一个也别落下。”；其余人用目光回应，留半秒安静。", "transition": "由人物最后的目光或手指引向收尾道具，暖光保持一致。", "timing": "30–32.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 8, "start": 38, "end": 44, "duration": 6, "beat": "余味：接回钩子并打开新可能", "action": "口袋角冒出一只迷你风尾，轻轻替女孩理正红发带；尾部弧线回到开场风鲸，留下可以再出发的感觉。", "camera": "以本镜描述的收尾物件构图；最后的形状、光点或运动方向匹配开场关键元素。允许改变景别，但匹配关系必须清楚。", "performance": "人物保持结局得到的安全与关系；新的小悬念不撤销已经完成的情绪回报。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "取第一镜的同一种音色作为最后一个轻声提示，让尾音衔接循环；不突然加入无关轰鸣。", "transition": "最后0.3秒保留与开头相似的轮廓/音色，允许无缝循环；不加黑底强制点击卡。", "timing": "38–39.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" } ], "path": "creative/C026--results-hd--nano.txt", "text": "来源文件：raw-prompts/results-hd--nano.txt\n来源名称：qnguyen3/nanoLLaVA\n实际来源记录：results-hd/nano.json\n原文可用点：能识别开场蟹、哭泣、渔网和小船面对巨浪。\n原文问题/边界：补出手持蟹、屋内背景、围桌吃饭与多个碗；同段描述眼睛既睁开又闭上；235秒添木凳、385秒服装与帽子错误。\n转化方式：视觉片段型来源：以原文中与原帧相符的海岸、人物、表情或道具作为灵感入口。身份、对白、连续动作、奇幻规则和新剧情由Codex补写，不是该模型的原始能力。\n本次选择的新故事：只能带走一阵风。所有幻想事件都是二创，不用原文中的误识别冒充事实。\n\n《只能带走一阵风》｜选择奇幻｜44秒完整剪辑稿\n\n制作目标：44秒，9:16竖屏，8个剪辑镜头，目标1080×1920、24fps。时间表是剪辑设计，不是任一平台API保证；按工具实际支持的片段长度生成，再裁切拼接。此处没有生成视频。\n视觉基调：架空旧式沿海村落，湿泥、粗布、旧木和黄铜具有可触摸的写实材质；幼童面部略带童话般大眼比例。灰蓝海水与褐色村屋为底，红发带是辨识点，幻想光源以局部金色/银色呈现。\n小满：幼童女孩，黑发双髻、左右各一条红发带、额头小红点；灰褐补丁粗布衣、布挎袋、旧布鞋。开场若用蓝披衣，则全片保持，除非镜头明确拍下脱衣。性格敏感、先看大人反应，再敢表达愿望。红点不是伤口，红发带不是红头发。\n海生：青年男性，凌乱黑发，旧蓝外衣、灰内衫、深裤；行动稳，保护孩子时先降到她的眼平高度，不以大喊替代关心。\n苏兰：成年女性，深发松束、灰褐无袖粗布上衣、简单项链与腕布；观察细节，负责托稳道具、递布或摆碗等具体照顾。\n二狗：青年男性，短黑发、橄榄绿外衣；提供轻微喜剧和观众反应，后半段愿意放慢动作参与帮助，不把他写成伤害孩子的反派。\n上述人物只在本镜明确指定时出现。群众只作远处模糊背景，不增加新主角。多人同框时优先保持海生在左、苏兰在后、二狗在右、小满在前中；若换位，用中广景交代，不瞬移。\n环境连续性：泥滩、浅水、旧船和村屋保持同一架空地点。海平线稳定。湿衣不会无故变干。室内暖色由船灯或灶火提供；室外变暖用云隙光或明确的幻想道具光解释，不让44秒凭空跨越数小时。\n人物表情与道具变化分开生成更易核对：每镜最多一个主要幻想动作，真实人物不随道具变形。以上服装、人物名和新动作均属本次二创设定，不声称模型从8帧恢复了全部身份。\n\n核心道具锁：四个布口袋、透明风团、旧帆。先为本片制作一张统一道具参考图，记录缺口、锈斑、左右方向、尺寸；镜头之间沿用同一版本。\n\n本片新规则：风团会变成人最想保护的东西的轮廓；只有共同选择，帆才会鼓起。 此规则是新创作，不是原片事实。\n\n第一秒视觉钩子：小满解开布口袋，一整阵海风已像透明鲸鱼冲出，却在她面前急停；风的腹部映出四个人的倒影。\n\n目标情绪路径：惊奇 → 好奇 → 共情 → 紧张 → 信任 → 释放 → 温暖 → 余味。它是创作设计，不是已测得的观众留存数据。\n\n分镜与生成指令（逐镜生成，再按时间码剪辑；全局角色锁及规则与每一镜一起输入）：\n\n镜头01｜00–01秒｜1秒｜惊奇：先看见不可能\n画面与动作：小满解开布口袋，一整阵海风已像透明鲸鱼冲出，却在她面前急停；风的腹部映出四个人的倒影。\n动作节拍：0.00–0.15秒直接展示钩子关键帧；0.15–0.70秒让异常动作继续；0.70–1.00秒用呼吸或微小停顿准备切入反应。\n构图与镜头：24–35mm感中广景或前景近物后景巨物，保留明确大小参照；单一明确机位，不用无目标甩镜；异常动作在画面开始时已经发生。\n人物表演：以本镜指定的人物/道具为中心，背景角色不抢动作。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：以潮声、湿泥轻响、旧木或黄铜触碰声中最贴合本镜道具的一声开场；配一个短低频脉冲，随即让出空间，不叠加尖叫。\n衔接：在异常动作最清楚的一刻硬切至下一镜指定动作或反应；不先放片名或黑屏。\n\n镜头02｜01–04秒｜3秒｜好奇：理解人物的反应\n画面与动作：二狗伸手抓住风尾，手掌直接穿过去，弄得头发乱翘；孩子第一次笑出声，海生却认真看着逐渐沉下的旧帆。\n动作节拍：1–1.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：50mm感的近景，机位降到孩子眼平，向前缓移约一个手掌距离。\n人物表演：若小满在本镜入画，眼神先落在道具，再转向海生；若为纯道具镜，不额外挤入人脸。海生与孩子交流时保持相近眼平高度。 本来源版本强调小满的主观感受：先拍她注意到的细节，再拍回应，缩短无信息的成人反应。\n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：保留孩子一次吸气和衣料轻摩擦，环境声变窄，音乐只留很轻的持续音。\n衔接：按人物视线切到问题或缺少之物，前一镜最后一声环境音延续约0.15秒。\n\n镜头03｜04–09秒｜5秒｜共情：显露一个小缺口\n画面与动作：四人各抱一个空口袋，背后是归不了港的小船；海生想要修船工具，苏兰想要粮食，二狗想着一张干床。\n动作节拍：4–5.25秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：35mm感中景或中近景，交代角色、目标道具和可行动空间；保持眼线一致。\n人物表演：让负责本镜行动的成人先动，孩子随后作出可见反应；避免所有人同时表演。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：空碗、空袋、脚步或木板声选本镜实际存在的一项放近；未出场物件不配声，避免声源误导。\n衔接：用逐渐靠近的风声/物件声引入下一镜；剪切前先让观众认清道具位置。\n\n镜头04｜09–15秒｜6秒｜紧张：让选择有代价\n画面与动作：各自许出的风团互相冲撞，把帆吹成四个方向；船在浅水原地打转，小满抱着口袋摇摇晃晃。\n动作节拍：9–10.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：28mm感稍低机位，前景放障碍或关键道具，后景保留退路；缓慢推进，不乱晃。\n人物表演：海生或苏兰承担保护动作，孩子的恐惧用呼吸与手指表现；二狗的夸张反应不压过危险信息。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：风与低频逐步增强，声音来自画面可解释方向；临近决定时收低，不盖过呼吸。\n衔接：在角色看向选择对象时切到手部，危险声短暂收低，突出决定。\n\n镜头05｜15–22秒｜7秒｜信任：人物主动做决定\n画面与动作：她先收回自己的风，把口袋朝向三位大人；海生明白过来，把工具的轮廓也轻轻放回风里。\n动作节拍：15–16.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：65–85mm感手部/道具插入镜头，焦点从指尖过渡到被选择的物件；只做一次明确动作。\n人物表演：选择必须由清楚的手部动作落实；其余角色停住，给观众看懂选择的空间。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：对白：小满轻声说“我想带他们回去。”；只配一次明确道具接触声。\n衔接：按动作方向匹配下一镜的变化，避免用白闪遮盖因果。\n\n镜头06｜22–30秒｜8秒｜释放：回报具有清楚因果\n画面与动作：四阵风合成一面透明大帆，上面不是财物而是四人的剪影；船终于稳稳向岸靠近，镜头保持航向一致。\n动作节拍：22–24.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：28–35mm感中广景，由关键道具向外缓慢拉开，完整看见变化及安全距离。\n人物表演：先让道具/环境发生变化，再切或移到人物反应；变化只遵守本故事规则。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：潮声、湿泥轻响、旧木或黄铜触碰声随变化从密变疏，再进入温暖的两三个原创音符；不使用现成热门歌曲歌词。\n衔接：变化完成后停半拍再切脸部；环境音恢复，音乐只抬高一层。\n\n镜头07｜30–38秒｜8秒｜温暖：给表情留下时间\n画面与动作：靠岸后，四人踩上干地，小满把空口袋系好当纪念；二狗摸摸自己依然凌乱的头发，认真说这一阵风很值。\n动作节拍：30–32.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：35mm感桌边或岸边中景，先交代所有本镜角色，再缓慢靠近小满的表情；不在同一镜里把人数和座位改掉。\n人物表演：孩子的肩膀放松、视线愿意停留；成人以小动作回应，不用齐声大笑替代情绪。 本来源版本强调小满的主观感受：先拍她注意到的细节，再拍回应，缩短无信息的成人反应。\n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：对白：海生说“那就一个也别落下。”；其余人用目光回应，留半秒安静。\n衔接：由人物最后的目光或手指引向收尾道具，暖光保持一致。\n\n镜头08｜38–44秒｜6秒｜余味：接回钩子并打开新可能\n画面与动作：口袋角冒出一只迷你风尾，轻轻替女孩理正红发带；尾部弧线回到开场风鲸，留下可以再出发的感觉。\n动作节拍：38–39.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：以本镜描述的收尾物件构图；最后的形状、光点或运动方向匹配开场关键元素。允许改变景别，但匹配关系必须清楚。\n人物表演：人物保持结局得到的安全与关系；新的小悬念不撤销已经完成的情绪回报。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：取第一镜的同一种音色作为最后一个轻声提示，让尾音衔接循环；不突然加入无关轰鸣。\n衔接：最后0.3秒保留与开头相似的轮廓/音色，允许无缝循环；不加黑底强制点击卡。\n\n负向与连续性检查：不出现无依据的手机、枪械、医院、现代车辆、书上伪造大段文字、未经设计的影视角色或艺术家署名。保持双髻、红带、额头红点及四名主角身份；不多生手指、蟹腿，不让手与道具穿模，不把罗盘替换成怀表。道具在同一镜内不得随机换材质、数量、左右位置或开合状态。只允许故事规则指定的物件变化；儿童无血腥伤害。所有字幕、可读书名和界面文字后期添加，生成画面不带水印、伪字幕或推广尾卡。\n合成前逐镜核对：人物数与站坐姿；第一帧是否已有异常；动作起点/终点能否接上；道具尺寸是否受控；视线和海平线是否一致；每个回报能否追溯到前一镜的选择。未拍出因果时重做相关镜头，不能靠旁白掩盖。\n\n平台剪辑备选（不是平台时长限制，也不是热度保证）：\nTikTok测试版：保留0–1秒钩子，1–4秒加一行疑问字幕，22–30秒完整展示回报；可将4–9秒背景压成3秒，成片约42秒。\nInstagram Reels测试版：保持道具质感与暖光配色，前1秒无需读字即可理解异常；保留30–38秒表情停顿，以收尾道具作封面，主体仍44秒。\nYouTube Shorts测试版：保持44秒因果链，画外说明最多一句；最后0.3秒与开头形状/声响呼应，避免只留下未兑现的悬念。\n所有字幕建议单行、短句，放在人物面部与关键道具之外；先按实际播放器界面预览遮挡。\n\n可测试的两个开头：A使用第一镜的大/小、静/动反差；B保持同一异常事件，但从小满瞳孔或手中道具切入，再在0.6秒内露出尺度参照。只改变开头一项，其余剪辑保持一致；是否提高留存需要真实成片与实际观看数据，本任务未做此测试。" }, { "id": "C027", "title": "被大海退回的金子", "concept_id": "S22", "concept_index": 21, "version": 0, "genre": "价值反转", "duration_seconds": 44, "shot_count": 8, "source_id": "results-hd--ofa-reference", "source_name": "OFA-Sys/ofa-base", "category": "results-hd", "source_path": "raw-prompts/results-hd--ofa-reference.txt", "source_record": "results-hd/ofa-reference.json", "source_paths": [ "raw-prompts/results-hd--ofa-reference.txt" ], "source_excerpt": "[0 秒]\n little girl playing with sea turtles on the beach\n\n[15 秒]\n a child's face is covered in blood, and it's a sign of\n\n[50 秒]\n a sailboat is seen in this undated image.\n\n[95 秒]\n a man and two women sit at a picnic table in front of a house\n\n[175 秒]\n the book of mormon: a true history of the church of jes\n\n[235 秒]\n a little girl is so cute, she's so cute. she's a\n\n[340 秒]\n this little girl is so cute that she can't stand the water. she\n\n[385 秒]\n a little girl and a little boy are playing in the mud, and the", "source_review": { "strength": "使用官方模型卡建议的384px与5beam完成复测，保留与256px贪心输出的差异。", "issues": "仍将蟹写成海龟、泪脸写成血脸、旧书写成摩门经；其他描述空泛或截断。", "verdict": "本次测试的是通用预训练ofa-base，不能外推为所有OFA微调检查点的能力；本次原始稿不可直接用。" }, "contribution": "补救型二创：这份原文不能提供可靠完整故事。保留它作为能力比较证据，创作主线回到已核对的全片设定；不能把此处新脚本计为该来源成功理解了视频。", "source_duplicate_of": null, "source_hash": "480a5ee85fa5ff1c403de1fd81d91d5129eb5f8fdee1a36eedacf58888cc3cec", "body_hash": "377c3d00e781a9800e0de95190650ede70212996ae0dc021e2d1aedb1d20d1f0", "author": "Codex, shared writer; not original model output", "fallback": true, "hook": "小满掌心一块金子已经变成液体，逆着重力飞回海面；她另一只手却牢牢抓着海生粗糙的手指。", "rule": "金子在被用来交换陪伴时会退回海里；分享普通食物才让道路出现。", "shots": [ { "number": 1, "start": 0, "end": 1, "duration": 1, "beat": "惊奇：先看见不可能", "action": "小满掌心一块金子已经变成液体，逆着重力飞回海面；她另一只手却牢牢抓着海生粗糙的手指。", "camera": "24–35mm感中广景或前景近物后景巨物，保留明确大小参照；单一明确机位，不用无目标甩镜；异常动作在画面开始时已经发生。", "performance": "以本镜指定的人物/道具为中心，背景角色不抢动作。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "以潮声、湿泥轻响、旧木或黄铜触碰声中最贴合本镜道具的一声开场；配一个短低频脉冲，随即让出空间，不叠加尖叫。", "transition": "在异常动作最清楚的一刻硬切至下一镜指定动作或反应；不先放片名或黑屏。", "timing": "0.00–0.15秒直接展示钩子关键帧；0.15–0.70秒让异常动作继续；0.70–1.00秒用呼吸或微小停顿准备切入反应。" }, { "number": 2, "start": 1, "end": 4, "duration": 3, "beat": "好奇：理解人物的反应", "action": "二狗拿碗去接金光，碗里只落下一滴普通海水；他失望地张嘴，小满却先确认海生的手没有松开。", "camera": "50mm感的近景，机位降到孩子眼平，向前缓移约一个手掌距离。", "performance": "若小满在本镜入画，眼神先落在道具，再转向海生；若为纯道具镜，不额外挤入人脸。海生与孩子交流时保持相近眼平高度。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "保留孩子一次吸气和衣料轻摩擦，环境声变窄，音乐只留很轻的持续音。", "transition": "按人物视线切到问题或缺少之物，前一镜最后一声环境音延续约0.15秒。", "timing": "1–1.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 3, "start": 4, "end": 9, "duration": 5, "beat": "共情：显露一个小缺口", "action": "岸边摆着一个漂亮箱子和一条新船的远影，模糊来客伸手示意孩子过去；海生看一眼空米袋，呼吸短暂停住。", "camera": "35mm感中景或中近景，交代角色、目标道具和可行动空间；保持眼线一致。", "performance": "让负责本镜行动的成人先动，孩子随后作出可见反应；避免所有人同时表演。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "空碗、空袋、脚步或木板声选本镜实际存在的一项放近；未出场物件不配声，避免声源误导。", "transition": "用逐渐靠近的风声/物件声引入下一镜；剪切前先让观众认清道具位置。", "timing": "4–5.25秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 4, "start": 9, "end": 15, "duration": 6, "beat": "紧张：让选择有代价", "action": "金色箱子自己打开，耀眼光线把人物脸切成明暗两半；小满低头准备放开手，不想让大家错过好处。", "camera": "28mm感稍低机位，前景放障碍或关键道具，后景保留退路；缓慢推进，不乱晃。", "performance": "海生或苏兰承担保护动作，孩子的恐惧用呼吸与手指表现；二狗的夸张反应不压过危险信息。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "风与低频逐步增强，声音来自画面可解释方向；临近决定时收低，不盖过呼吸。", "transition": "在角色看向选择对象时切到手部，危险声短暂收低，突出决定。", "timing": "9–10.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 5, "start": 15, "end": 22, "duration": 7, "beat": "信任：人物主动做决定", "action": "海生合上箱盖，把孩子的手重新握紧，再把最后一点米倒进小锅；苏兰加水，二狗收起追逐金子的空碗。", "camera": "65–85mm感手部/道具插入镜头，焦点从指尖过渡到被选择的物件；只做一次明确动作。", "performance": "选择必须由清楚的手部动作落实；其余角色停住，给观众看懂选择的空间。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "对白：海生轻声说“金子买不到这个位置。”；只配一次明确道具接触声。", "transition": "按动作方向匹配下一镜的变化，避免用白闪遮盖因果。", "timing": "15–16.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 6, "start": 22, "end": 30, "duration": 8, "beat": "释放：回报具有清楚因果", "action": "金光全部退入海面，却照出近岸一条安全浅路，路边满是可持续采集的贝与蟹；回报变成能共同劳动的机会。", "camera": "28–35mm感中广景，由关键道具向外缓慢拉开，完整看见变化及安全距离。", "performance": "先让道具/环境发生变化，再切或移到人物反应；变化只遵守本故事规则。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "潮声、湿泥轻响、旧木或黄铜触碰声随变化从密变疏，再进入温暖的两三个原创音符；不使用现成热门歌曲歌词。", "transition": "变化完成后停半拍再切脸部；环境音恢复，音乐只抬高一层。", "timing": "22–24.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 7, "start": 30, "end": 38, "duration": 8, "beat": "温暖：给表情留下时间", "action": "四人围着普通热饭坐下，没有奢华道具；小满把最大的一口留给海生，他笑着又分成四份。", "camera": "35mm感桌边或岸边中景，先交代所有本镜角色，再缓慢靠近小满的表情；不在同一镜里把人数和座位改掉。", "performance": "孩子的肩膀放松、视线愿意停留；成人以小动作回应，不用齐声大笑替代情绪。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "对白：海生说“我们先把饭吃完。”；其余人用目光回应，留半秒安静。", "transition": "由人物最后的目光或手指引向收尾道具，暖光保持一致。", "timing": "30–32.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 8, "start": 38, "end": 44, "duration": 6, "beat": "余味：接回钩子并打开新可能", "action": "窗外金色浪光映进缺口碗，看起来像金子却摸不到；最后一滴水的圆光接回开头，价值反转完整落地。", "camera": "以本镜描述的收尾物件构图；最后的形状、光点或运动方向匹配开场关键元素。允许改变景别，但匹配关系必须清楚。", "performance": "人物保持结局得到的安全与关系；新的小悬念不撤销已经完成的情绪回报。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "取第一镜的同一种音色作为最后一个轻声提示，让尾音衔接循环；不突然加入无关轰鸣。", "transition": "最后0.3秒保留与开头相似的轮廓/音色，允许无缝循环；不加黑底强制点击卡。", "timing": "38–39.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" } ], "path": "creative/C027--results-hd--ofa-reference.txt", "text": "来源文件：raw-prompts/results-hd--ofa-reference.txt\n来源名称：OFA-Sys/ofa-base\n实际来源记录：results-hd/ofa-reference.json\n原文可用点：使用官方模型卡建议的384px与5beam完成复测，保留与256px贪心输出的差异。\n原文问题/边界：仍将蟹写成海龟、泪脸写成血脸、旧书写成摩门经；其他描述空泛或截断。\n转化方式：补救型二创：这份原文不能提供可靠完整故事。保留它作为能力比较证据，创作主线回到已核对的全片设定；不能把此处新脚本计为该来源成功理解了视频。\n本次选择的新故事：被大海退回的金子。所有幻想事件都是二创，不用原文中的误识别冒充事实。\n\n《被大海退回的金子》｜价值反转｜44秒完整剪辑稿\n\n制作目标：44秒，9:16竖屏，8个剪辑镜头，目标1080×1920、24fps。时间表是剪辑设计，不是任一平台API保证；按工具实际支持的片段长度生成，再裁切拼接。此处没有生成视频。\n视觉基调：架空旧式沿海村落，湿泥、粗布、旧木和黄铜具有可触摸的写实材质；幼童面部略带童话般大眼比例。灰蓝海水与褐色村屋为底，红发带是辨识点，幻想光源以局部金色/银色呈现。\n小满：幼童女孩，黑发双髻、左右各一条红发带、额头小红点；灰褐补丁粗布衣、布挎袋、旧布鞋。开场若用蓝披衣，则全片保持，除非镜头明确拍下脱衣。性格敏感、先看大人反应，再敢表达愿望。红点不是伤口，红发带不是红头发。\n海生：青年男性，凌乱黑发，旧蓝外衣、灰内衫、深裤；行动稳，保护孩子时先降到她的眼平高度，不以大喊替代关心。\n苏兰：成年女性，深发松束、灰褐无袖粗布上衣、简单项链与腕布；观察细节，负责托稳道具、递布或摆碗等具体照顾。\n二狗：青年男性，短黑发、橄榄绿外衣；提供轻微喜剧和观众反应，后半段愿意放慢动作参与帮助，不把他写成伤害孩子的反派。\n上述人物只在本镜明确指定时出现。群众只作远处模糊背景，不增加新主角。多人同框时优先保持海生在左、苏兰在后、二狗在右、小满在前中；若换位，用中广景交代，不瞬移。\n环境连续性：泥滩、浅水、旧船和村屋保持同一架空地点。海平线稳定。湿衣不会无故变干。室内暖色由船灯或灶火提供；室外变暖用云隙光或明确的幻想道具光解释，不让44秒凭空跨越数小时。\n人物表情与道具变化分开生成更易核对：每镜最多一个主要幻想动作，真实人物不随道具变形。以上服装、人物名和新动作均属本次二创设定，不声称模型从8帧恢复了全部身份。\n\n核心道具锁：金色石块、空米袋、缺口碗。先为本片制作一张统一道具参考图，记录缺口、锈斑、左右方向、尺寸；镜头之间沿用同一版本。\n\n本片新规则：金子在被用来交换陪伴时会退回海里；分享普通食物才让道路出现。 此规则是新创作，不是原片事实。\n\n第一秒视觉钩子：小满掌心一块金子已经变成液体，逆着重力飞回海面；她另一只手却牢牢抓着海生粗糙的手指。\n\n目标情绪路径：惊奇 → 好奇 → 共情 → 紧张 → 信任 → 释放 → 温暖 → 余味。它是创作设计，不是已测得的观众留存数据。\n\n分镜与生成指令（逐镜生成，再按时间码剪辑；全局角色锁及规则与每一镜一起输入）：\n\n镜头01｜00–01秒｜1秒｜惊奇：先看见不可能\n画面与动作：小满掌心一块金子已经变成液体，逆着重力飞回海面；她另一只手却牢牢抓着海生粗糙的手指。\n动作节拍：0.00–0.15秒直接展示钩子关键帧；0.15–0.70秒让异常动作继续；0.70–1.00秒用呼吸或微小停顿准备切入反应。\n构图与镜头：24–35mm感中广景或前景近物后景巨物，保留明确大小参照；单一明确机位，不用无目标甩镜；异常动作在画面开始时已经发生。\n人物表演：以本镜指定的人物/道具为中心，背景角色不抢动作。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：以潮声、湿泥轻响、旧木或黄铜触碰声中最贴合本镜道具的一声开场；配一个短低频脉冲，随即让出空间，不叠加尖叫。\n衔接：在异常动作最清楚的一刻硬切至下一镜指定动作或反应；不先放片名或黑屏。\n\n镜头02｜01–04秒｜3秒｜好奇：理解人物的反应\n画面与动作：二狗拿碗去接金光，碗里只落下一滴普通海水；他失望地张嘴，小满却先确认海生的手没有松开。\n动作节拍：1–1.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：50mm感的近景，机位降到孩子眼平，向前缓移约一个手掌距离。\n人物表演：若小满在本镜入画，眼神先落在道具，再转向海生；若为纯道具镜，不额外挤入人脸。海生与孩子交流时保持相近眼平高度。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：保留孩子一次吸气和衣料轻摩擦，环境声变窄，音乐只留很轻的持续音。\n衔接：按人物视线切到问题或缺少之物，前一镜最后一声环境音延续约0.15秒。\n\n镜头03｜04–09秒｜5秒｜共情：显露一个小缺口\n画面与动作：岸边摆着一个漂亮箱子和一条新船的远影，模糊来客伸手示意孩子过去；海生看一眼空米袋，呼吸短暂停住。\n动作节拍：4–5.25秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：35mm感中景或中近景，交代角色、目标道具和可行动空间；保持眼线一致。\n人物表演：让负责本镜行动的成人先动，孩子随后作出可见反应；避免所有人同时表演。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：空碗、空袋、脚步或木板声选本镜实际存在的一项放近；未出场物件不配声，避免声源误导。\n衔接：用逐渐靠近的风声/物件声引入下一镜；剪切前先让观众认清道具位置。\n\n镜头04｜09–15秒｜6秒｜紧张：让选择有代价\n画面与动作：金色箱子自己打开，耀眼光线把人物脸切成明暗两半；小满低头准备放开手，不想让大家错过好处。\n动作节拍：9–10.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：28mm感稍低机位，前景放障碍或关键道具，后景保留退路；缓慢推进，不乱晃。\n人物表演：海生或苏兰承担保护动作，孩子的恐惧用呼吸与手指表现；二狗的夸张反应不压过危险信息。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：风与低频逐步增强，声音来自画面可解释方向；临近决定时收低，不盖过呼吸。\n衔接：在角色看向选择对象时切到手部，危险声短暂收低，突出决定。\n\n镜头05｜15–22秒｜7秒｜信任：人物主动做决定\n画面与动作：海生合上箱盖，把孩子的手重新握紧，再把最后一点米倒进小锅；苏兰加水，二狗收起追逐金子的空碗。\n动作节拍：15–16.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：65–85mm感手部/道具插入镜头，焦点从指尖过渡到被选择的物件；只做一次明确动作。\n人物表演：选择必须由清楚的手部动作落实；其余角色停住，给观众看懂选择的空间。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：对白：海生轻声说“金子买不到这个位置。”；只配一次明确道具接触声。\n衔接：按动作方向匹配下一镜的变化，避免用白闪遮盖因果。\n\n镜头06｜22–30秒｜8秒｜释放：回报具有清楚因果\n画面与动作：金光全部退入海面，却照出近岸一条安全浅路，路边满是可持续采集的贝与蟹；回报变成能共同劳动的机会。\n动作节拍：22–24.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：28–35mm感中广景，由关键道具向外缓慢拉开，完整看见变化及安全距离。\n人物表演：先让道具/环境发生变化，再切或移到人物反应；变化只遵守本故事规则。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：潮声、湿泥轻响、旧木或黄铜触碰声随变化从密变疏，再进入温暖的两三个原创音符；不使用现成热门歌曲歌词。\n衔接：变化完成后停半拍再切脸部；环境音恢复，音乐只抬高一层。\n\n镜头07｜30–38秒｜8秒｜温暖：给表情留下时间\n画面与动作：四人围着普通热饭坐下，没有奢华道具；小满把最大的一口留给海生，他笑着又分成四份。\n动作节拍：30–32.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：35mm感桌边或岸边中景，先交代所有本镜角色，再缓慢靠近小满的表情；不在同一镜里把人数和座位改掉。\n人物表演：孩子的肩膀放松、视线愿意停留；成人以小动作回应，不用齐声大笑替代情绪。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：对白：海生说“我们先把饭吃完。”；其余人用目光回应，留半秒安静。\n衔接：由人物最后的目光或手指引向收尾道具，暖光保持一致。\n\n镜头08｜38–44秒｜6秒｜余味：接回钩子并打开新可能\n画面与动作：窗外金色浪光映进缺口碗，看起来像金子却摸不到；最后一滴水的圆光接回开头，价值反转完整落地。\n动作节拍：38–39.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：以本镜描述的收尾物件构图；最后的形状、光点或运动方向匹配开场关键元素。允许改变景别，但匹配关系必须清楚。\n人物表演：人物保持结局得到的安全与关系；新的小悬念不撤销已经完成的情绪回报。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：取第一镜的同一种音色作为最后一个轻声提示，让尾音衔接循环；不突然加入无关轰鸣。\n衔接：最后0.3秒保留与开头相似的轮廓/音色，允许无缝循环；不加黑底强制点击卡。\n\n负向与连续性检查：不出现无依据的手机、枪械、医院、现代车辆、书上伪造大段文字、未经设计的影视角色或艺术家署名。保持双髻、红带、额头红点及四名主角身份；不多生手指、蟹腿，不让手与道具穿模，不把罗盘替换成怀表。道具在同一镜内不得随机换材质、数量、左右位置或开合状态。只允许故事规则指定的物件变化；儿童无血腥伤害。所有字幕、可读书名和界面文字后期添加，生成画面不带水印、伪字幕或推广尾卡。\n合成前逐镜核对：人物数与站坐姿；第一帧是否已有异常；动作起点/终点能否接上；道具尺寸是否受控；视线和海平线是否一致；每个回报能否追溯到前一镜的选择。未拍出因果时重做相关镜头，不能靠旁白掩盖。\n\n平台剪辑备选（不是平台时长限制，也不是热度保证）：\nTikTok测试版：保留0–1秒钩子，1–4秒加一行疑问字幕，22–30秒完整展示回报；可将4–9秒背景压成3秒，成片约42秒。\nInstagram Reels测试版：保持道具质感与暖光配色，前1秒无需读字即可理解异常；保留30–38秒表情停顿，以收尾道具作封面，主体仍44秒。\nYouTube Shorts测试版：保持44秒因果链，画外说明最多一句；最后0.3秒与开头形状/声响呼应，避免只留下未兑现的悬念。\n所有字幕建议单行、短句，放在人物面部与关键道具之外；先按实际播放器界面预览遮挡。\n\n可测试的两个开头：A使用第一镜的大/小、静/动反差；B保持同一异常事件，但从小满瞳孔或手中道具切入，再在0.6秒内露出尺度参照。只改变开头一项，其余剪辑保持一致；是否提高留存需要真实成片与实际观看数据，本任务未做此测试。" }, { "id": "C028", "title": "旧船向天空发芽", "concept_id": "S23", "concept_index": 22, "version": 0, "genre": "生长奇幻", "duration_seconds": 44, "shot_count": 8, "source_id": "results-hd--ofa", "source_name": "OFA-Sys/ofa-base", "category": "results-hd", "source_path": "raw-prompts/results-hd--ofa.txt", "source_record": "results-hd/ofa.json", "source_paths": [ "raw-prompts/results-hd--ofa.txt", "project-cases/OFA-Sys__OFA/prompt-raw.txt" ], "source_excerpt": "[0 秒]\n little girl playing in the mud\n\n[15 秒]\n a child is seen in this undated image.\n\n[50 秒]\n a boat in the water\n\n[95 秒]\n the game of life: the game\n\n[175 秒]\n the book of mormon: journaling edition\n\n[235 秒]\n a little girl is a little bit shy.\n\n[340 秒]\n a little girl is crying because she was born with a broken leg.\n\n[385 秒]\n the boys are playing in the water", "source_review": { "strength": "原生 OFA 代码在 CPU 完成8张图的短描述。", "issues": "描述大多非常笼统；把旧书写成摩门经，虚构孩子先天断腿的哭泣原因，未能表达巨浪和关键道具。", "verdict": "运行完成，但本次 base checkpoint 的短描述不适合作为视频反推稿。" }, "contribution": "补救型二创：这份原文不能提供可靠完整故事。保留它作为能力比较证据，创作主线回到已核对的全片设定；不能把此处新脚本计为该来源成功理解了视频。", "source_duplicate_of": null, "source_hash": "bb468bb267d2443b0914370776aed8a59bb52874bedd20c26b263f0336689ede", "body_hash": "3b2b4d03847972adfce7e7257f9ea63f235db44f97fbdfcd93fc3b858339dc55", "author": "Codex, shared writer; not original model output", "fallback": true, "hook": "破旧船头已经长出一根透明海草桅杆，枝条托着小小月牙形船帆向天空伸展；小满仰头，红发带被上升气流带起。", "rule": "船只沿木纹长出可攀附的绳状枝条；不让人物肢体或衣服发生变形。", "shots": [ { "number": 1, "start": 0, "end": 1, "duration": 1, "beat": "惊奇：先看见不可能", "action": "破旧船头已经长出一根透明海草桅杆，枝条托着小小月牙形船帆向天空伸展；小满仰头，红发带被上升气流带起。", "camera": "24–35mm感中广景或前景近物后景巨物，保留明确大小参照；单一明确机位，不用无目标甩镜；异常动作在画面开始时已经发生。", "performance": "以本镜指定的人物/道具为中心，背景角色不抢动作。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "以潮声、湿泥轻响、旧木或黄铜触碰声中最贴合本镜道具的一声开场；配一个短低频脉冲，随即让出空间，不叠加尖叫。", "transition": "在异常动作最清楚的一刻硬切至下一镜指定动作或反应；不先放片名或黑屏。", "timing": "0.00–0.15秒直接展示钩子关键帧；0.15–0.70秒让异常动作继续；0.70–1.00秒用呼吸或微小停顿准备切入反应。" }, { "number": 2, "start": 1, "end": 4, "duration": 3, "beat": "好奇：理解人物的反应", "action": "海生摸到木纹里尚有温度，听见木板舒展的细响；二狗围着船转一圈，确认不是另一艘船替换了旧船。", "camera": "50mm感的近景，机位降到孩子眼平，向前缓移约一个手掌距离。", "performance": "若小满在本镜入画，眼神先落在道具，再转向海生；若为纯道具镜，不额外挤入人脸。海生与孩子交流时保持相近眼平高度。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "保留孩子一次吸气和衣料轻摩擦，环境声变窄，音乐只留很轻的持续音。", "transition": "按人物视线切到问题或缺少之物，前一镜最后一声环境音延续约0.15秒。", "timing": "1–1.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 3, "start": 4, "end": 9, "duration": 5, "beat": "共情：显露一个小缺口", "action": "船腹有一道大裂缝，苏兰把修补布铺在上面；海生看着不够长的材料，神情沉下来，小满轻抚那株小海草。", "camera": "35mm感中景或中近景，交代角色、目标道具和可行动空间；保持眼线一致。", "performance": "让负责本镜行动的成人先动，孩子随后作出可见反应；避免所有人同时表演。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "空碗、空袋、脚步或木板声选本镜实际存在的一项放近；未出场物件不配声，避免声源误导。", "transition": "用逐渐靠近的风声/物件声引入下一镜；剪切前先让观众认清道具位置。", "timing": "4–5.25秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 4, "start": 9, "end": 15, "duration": 6, "beat": "紧张：让选择有代价", "action": "海草桅杆一度弯折，船头重新垂向泥地；二狗想强行拉直，小满急忙摇头，指出枝条正在寻找支点。", "camera": "28mm感稍低机位，前景放障碍或关键道具，后景保留退路；缓慢推进，不乱晃。", "performance": "海生或苏兰承担保护动作，孩子的恐惧用呼吸与手指表现；二狗的夸张反应不压过危险信息。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "风与低频逐步增强，声音来自画面可解释方向；临近决定时收低，不盖过呼吸。", "transition": "在角色看向选择对象时切到手部，危险声短暂收低，突出决定。", "timing": "9–10.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 5, "start": 15, "end": 22, "duration": 7, "beat": "信任：人物主动做决定", "action": "四人把旧布帆拉成稳定三角，分别守住一角；小满把海草根放进湿木缝中，让它得到真正的水分。", "camera": "65–85mm感手部/道具插入镜头，焦点从指尖过渡到被选择的物件；只做一次明确动作。", "performance": "选择必须由清楚的手部动作落实；其余角色停住，给观众看懂选择的空间。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "对白：小满轻声说“它还想再出一次海。”；只配一次明确道具接触声。", "transition": "按动作方向匹配下一镜的变化，避免用白闪遮盖因果。", "timing": "15–16.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 6, "start": 22, "end": 30, "duration": 8, "beat": "释放：回报具有清楚因果", "action": "枝条沿旧船结构补齐裂缝，展开轻巧叶帆；船没有飞离地面，而是安稳滑入浅水，奇观服务于可理解的修复。", "camera": "28–35mm感中广景，由关键道具向外缓慢拉开，完整看见变化及安全距离。", "performance": "先让道具/环境发生变化，再切或移到人物反应；变化只遵守本故事规则。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "潮声、湿泥轻响、旧木或黄铜触碰声随变化从密变疏，再进入温暖的两三个原创音符；不使用现成热门歌曲歌词。", "transition": "变化完成后停半拍再切脸部；环境音恢复，音乐只抬高一层。", "timing": "22–24.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 7, "start": 30, "end": 38, "duration": 8, "beat": "温暖：给表情留下时间", "action": "海生让孩子坐在安全船舱里，苏兰把空筐放稳；二狗向叶帆行礼，笑着给老船重新出发的尊严。", "camera": "50–65mm感面部近景，稳定机位，留出至少半秒无对白微表情。", "performance": "孩子的肩膀放松、视线愿意停留；成人以小动作回应，不用齐声大笑替代情绪。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "对白：海生说“那我们就陪它。”；其余人用目光回应，留半秒安静。", "transition": "由人物最后的目光或手指引向收尾道具，暖光保持一致。", "timing": "30–32.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 8, "start": 38, "end": 44, "duration": 6, "beat": "余味：接回钩子并打开新可能", "action": "船尾一片叶子上挂着更小的木船形露珠；露珠中的桅杆继续生长，微缩重复与开头的仰视形成回环。", "camera": "以本镜描述的收尾物件构图；最后的形状、光点或运动方向匹配开场关键元素。允许改变景别，但匹配关系必须清楚。", "performance": "人物保持结局得到的安全与关系；新的小悬念不撤销已经完成的情绪回报。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "取第一镜的同一种音色作为最后一个轻声提示，让尾音衔接循环；不突然加入无关轰鸣。", "transition": "最后0.3秒保留与开头相似的轮廓/音色，允许无缝循环；不加黑底强制点击卡。", "timing": "38–39.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" } ], "path": "creative/C028--results-hd--ofa.txt", "text": "来源文件：raw-prompts/results-hd--ofa.txt\n来源名称：OFA-Sys/ofa-base\n实际来源记录：results-hd/ofa.json\n原文可用点：原生 OFA 代码在 CPU 完成8张图的短描述。\n原文问题/边界：描述大多非常笼统；把旧书写成摩门经，虚构孩子先天断腿的哭泣原因，未能表达巨浪和关键道具。\n转化方式：补救型二创：这份原文不能提供可靠完整故事。保留它作为能力比较证据，创作主线回到已核对的全片设定；不能把此处新脚本计为该来源成功理解了视频。\n本次选择的新故事：旧船向天空发芽。所有幻想事件都是二创，不用原文中的误识别冒充事实。\n\n《旧船向天空发芽》｜生长奇幻｜44秒完整剪辑稿\n\n制作目标：44秒，9:16竖屏，8个剪辑镜头，目标1080×1920、24fps。时间表是剪辑设计，不是任一平台API保证；按工具实际支持的片段长度生成，再裁切拼接。此处没有生成视频。\n视觉基调：架空旧式沿海村落，湿泥、粗布、旧木和黄铜具有可触摸的写实材质；幼童面部略带童话般大眼比例。灰蓝海水与褐色村屋为底，红发带是辨识点，幻想光源以局部金色/银色呈现。\n小满：幼童女孩，黑发双髻、左右各一条红发带、额头小红点；灰褐补丁粗布衣、布挎袋、旧布鞋。开场若用蓝披衣，则全片保持，除非镜头明确拍下脱衣。性格敏感、先看大人反应，再敢表达愿望。红点不是伤口，红发带不是红头发。\n海生：青年男性，凌乱黑发，旧蓝外衣、灰内衫、深裤；行动稳，保护孩子时先降到她的眼平高度，不以大喊替代关心。\n苏兰：成年女性，深发松束、灰褐无袖粗布上衣、简单项链与腕布；观察细节，负责托稳道具、递布或摆碗等具体照顾。\n二狗：青年男性，短黑发、橄榄绿外衣；提供轻微喜剧和观众反应，后半段愿意放慢动作参与帮助，不把他写成伤害孩子的反派。\n上述人物只在本镜明确指定时出现。群众只作远处模糊背景，不增加新主角。多人同框时优先保持海生在左、苏兰在后、二狗在右、小满在前中；若换位，用中广景交代，不瞬移。\n环境连续性：泥滩、浅水、旧船和村屋保持同一架空地点。海平线稳定。湿衣不会无故变干。室内暖色由船灯或灶火提供；室外变暖用云隙光或明确的幻想道具光解释，不让44秒凭空跨越数小时。\n人物表情与道具变化分开生成更易核对：每镜最多一个主要幻想动作，真实人物不随道具变形。以上服装、人物名和新动作均属本次二创设定，不声称模型从8帧恢复了全部身份。\n\n核心道具锁：废旧木船、一株海草、旧布帆。先为本片制作一张统一道具参考图，记录缺口、锈斑、左右方向、尺寸；镜头之间沿用同一版本。\n\n本片新规则：船只沿木纹长出可攀附的绳状枝条；不让人物肢体或衣服发生变形。 此规则是新创作，不是原片事实。\n\n第一秒视觉钩子：破旧船头已经长出一根透明海草桅杆，枝条托着小小月牙形船帆向天空伸展；小满仰头，红发带被上升气流带起。\n\n目标情绪路径：惊奇 → 好奇 → 共情 → 紧张 → 信任 → 释放 → 温暖 → 余味。它是创作设计，不是已测得的观众留存数据。\n\n分镜与生成指令（逐镜生成，再按时间码剪辑；全局角色锁及规则与每一镜一起输入）：\n\n镜头01｜00–01秒｜1秒｜惊奇：先看见不可能\n画面与动作：破旧船头已经长出一根透明海草桅杆，枝条托着小小月牙形船帆向天空伸展；小满仰头，红发带被上升气流带起。\n动作节拍：0.00–0.15秒直接展示钩子关键帧；0.15–0.70秒让异常动作继续；0.70–1.00秒用呼吸或微小停顿准备切入反应。\n构图与镜头：24–35mm感中广景或前景近物后景巨物，保留明确大小参照；单一明确机位，不用无目标甩镜；异常动作在画面开始时已经发生。\n人物表演：以本镜指定的人物/道具为中心，背景角色不抢动作。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：以潮声、湿泥轻响、旧木或黄铜触碰声中最贴合本镜道具的一声开场；配一个短低频脉冲，随即让出空间，不叠加尖叫。\n衔接：在异常动作最清楚的一刻硬切至下一镜指定动作或反应；不先放片名或黑屏。\n\n镜头02｜01–04秒｜3秒｜好奇：理解人物的反应\n画面与动作：海生摸到木纹里尚有温度，听见木板舒展的细响；二狗围着船转一圈，确认不是另一艘船替换了旧船。\n动作节拍：1–1.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：50mm感的近景，机位降到孩子眼平，向前缓移约一个手掌距离。\n人物表演：若小满在本镜入画，眼神先落在道具，再转向海生；若为纯道具镜，不额外挤入人脸。海生与孩子交流时保持相近眼平高度。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：保留孩子一次吸气和衣料轻摩擦，环境声变窄，音乐只留很轻的持续音。\n衔接：按人物视线切到问题或缺少之物，前一镜最后一声环境音延续约0.15秒。\n\n镜头03｜04–09秒｜5秒｜共情：显露一个小缺口\n画面与动作：船腹有一道大裂缝，苏兰把修补布铺在上面；海生看着不够长的材料，神情沉下来，小满轻抚那株小海草。\n动作节拍：4–5.25秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：35mm感中景或中近景，交代角色、目标道具和可行动空间；保持眼线一致。\n人物表演：让负责本镜行动的成人先动，孩子随后作出可见反应；避免所有人同时表演。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：空碗、空袋、脚步或木板声选本镜实际存在的一项放近；未出场物件不配声，避免声源误导。\n衔接：用逐渐靠近的风声/物件声引入下一镜；剪切前先让观众认清道具位置。\n\n镜头04｜09–15秒｜6秒｜紧张：让选择有代价\n画面与动作：海草桅杆一度弯折，船头重新垂向泥地；二狗想强行拉直，小满急忙摇头，指出枝条正在寻找支点。\n动作节拍：9–10.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：28mm感稍低机位，前景放障碍或关键道具，后景保留退路；缓慢推进，不乱晃。\n人物表演：海生或苏兰承担保护动作，孩子的恐惧用呼吸与手指表现；二狗的夸张反应不压过危险信息。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：风与低频逐步增强，声音来自画面可解释方向；临近决定时收低，不盖过呼吸。\n衔接：在角色看向选择对象时切到手部，危险声短暂收低，突出决定。\n\n镜头05｜15–22秒｜7秒｜信任：人物主动做决定\n画面与动作：四人把旧布帆拉成稳定三角，分别守住一角；小满把海草根放进湿木缝中，让它得到真正的水分。\n动作节拍：15–16.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：65–85mm感手部/道具插入镜头，焦点从指尖过渡到被选择的物件；只做一次明确动作。\n人物表演：选择必须由清楚的手部动作落实；其余角色停住，给观众看懂选择的空间。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：对白：小满轻声说“它还想再出一次海。”；只配一次明确道具接触声。\n衔接：按动作方向匹配下一镜的变化，避免用白闪遮盖因果。\n\n镜头06｜22–30秒｜8秒｜释放：回报具有清楚因果\n画面与动作：枝条沿旧船结构补齐裂缝，展开轻巧叶帆；船没有飞离地面，而是安稳滑入浅水，奇观服务于可理解的修复。\n动作节拍：22–24.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：28–35mm感中广景，由关键道具向外缓慢拉开，完整看见变化及安全距离。\n人物表演：先让道具/环境发生变化，再切或移到人物反应；变化只遵守本故事规则。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：潮声、湿泥轻响、旧木或黄铜触碰声随变化从密变疏，再进入温暖的两三个原创音符；不使用现成热门歌曲歌词。\n衔接：变化完成后停半拍再切脸部；环境音恢复，音乐只抬高一层。\n\n镜头07｜30–38秒｜8秒｜温暖：给表情留下时间\n画面与动作：海生让孩子坐在安全船舱里，苏兰把空筐放稳；二狗向叶帆行礼，笑着给老船重新出发的尊严。\n动作节拍：30–32.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：50–65mm感面部近景，稳定机位，留出至少半秒无对白微表情。\n人物表演：孩子的肩膀放松、视线愿意停留；成人以小动作回应，不用齐声大笑替代情绪。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：对白：海生说“那我们就陪它。”；其余人用目光回应，留半秒安静。\n衔接：由人物最后的目光或手指引向收尾道具，暖光保持一致。\n\n镜头08｜38–44秒｜6秒｜余味：接回钩子并打开新可能\n画面与动作：船尾一片叶子上挂着更小的木船形露珠；露珠中的桅杆继续生长，微缩重复与开头的仰视形成回环。\n动作节拍：38–39.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：以本镜描述的收尾物件构图；最后的形状、光点或运动方向匹配开场关键元素。允许改变景别，但匹配关系必须清楚。\n人物表演：人物保持结局得到的安全与关系；新的小悬念不撤销已经完成的情绪回报。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：取第一镜的同一种音色作为最后一个轻声提示，让尾音衔接循环；不突然加入无关轰鸣。\n衔接：最后0.3秒保留与开头相似的轮廓/音色，允许无缝循环；不加黑底强制点击卡。\n\n负向与连续性检查：不出现无依据的手机、枪械、医院、现代车辆、书上伪造大段文字、未经设计的影视角色或艺术家署名。保持双髻、红带、额头红点及四名主角身份；不多生手指、蟹腿，不让手与道具穿模，不把罗盘替换成怀表。道具在同一镜内不得随机换材质、数量、左右位置或开合状态。只允许故事规则指定的物件变化；儿童无血腥伤害。所有字幕、可读书名和界面文字后期添加，生成画面不带水印、伪字幕或推广尾卡。\n合成前逐镜核对：人物数与站坐姿；第一帧是否已有异常；动作起点/终点能否接上；道具尺寸是否受控；视线和海平线是否一致；每个回报能否追溯到前一镜的选择。未拍出因果时重做相关镜头，不能靠旁白掩盖。\n\n平台剪辑备选（不是平台时长限制，也不是热度保证）：\nTikTok测试版：保留0–1秒钩子，1–4秒加一行疑问字幕，22–30秒完整展示回报；可将4–9秒背景压成3秒，成片约42秒。\nInstagram Reels测试版：保持道具质感与暖光配色，前1秒无需读字即可理解异常；保留30–38秒表情停顿，以收尾道具作封面，主体仍44秒。\nYouTube Shorts测试版：保持44秒因果链，画外说明最多一句；最后0.3秒与开头形状/声响呼应，避免只留下未兑现的悬念。\n所有字幕建议单行、短句，放在人物面部与关键道具之外；先按实际播放器界面预览遮挡。\n\n可测试的两个开头：A使用第一镜的大/小、静/动反差；B保持同一异常事件，但从小满瞳孔或手中道具切入，再在0.6秒内露出尺度参照。只改变开头一项，其余剪辑保持一致；是否提高留存需要真实成片与实际观看数据，本任务未做此测试。" }, { "id": "C029", "title": "把风暴盛进一只碗", "concept_id": "S03", "concept_index": 2, "version": 1, "genre": "超现实ASMR", "duration_seconds": 44, "shot_count": 8, "source_id": "results-hd--omni", "source_name": "Qwen/Qwen2.5-Omni-3B", "category": "results-hd", "source_path": "raw-prompts/results-hd--omni.txt", "source_record": "results-hd/omni.json", "source_paths": [ "raw-prompts/results-hd--omni.txt", "project-cases/QwenLM__Qwen2.5-Omni/prompt-raw.txt" ], "source_excerpt": "The video sequence appears to depict a series of scenes from a film or a series, likely set in a coastal or rural environment. Here is a chronological description of the frames:\n\n1. **First Frame**: The scene opens with a young child squatting on a sandy beach, surrounded by crabs. The child is dressed in a dirty outfit, and the background shows a rope and some rocks, suggesting a coastal setting. The lighting is natural, indicating daytime.\n\n2. **Second Frame**: The scene transitions to a close-up of the same child, now crying with tears streaming down their face. The child is wearing a patte", "source_review": { "strength": "描述了开场蟹、孩子哭泣以及后续旧书与罗盘。", "issues": "把巨浪画面写成平静海面与大量鱼；把95秒院落围桌和175秒旧书混在一起；350token上限截断。", "verdict": "本次只测Thinker的静帧视觉输入，未测音视频联合理解。" }, "contribution": "视觉片段型来源：以原文中与原帧相符的海岸、人物、表情或道具作为灵感入口。身份、对白、连续动作、奇幻规则和新剧情由Codex补写，不是该模型的原始能力。", "source_duplicate_of": null, "source_hash": "a76925411ab51d6db96359ae4a146019ef92bc3f663ce977e5c43f0021cbd4f8", "body_hash": "41aaa4c2d379c62773881eceb25dfdd259b7a161233225d3072d2c79b0b2f594", "author": "Codex, shared writer; not original model output", "fallback": false, "hook": "陶碗内部已经卷起一堵立体海浪，指甲大小的木船悬在浪尖；一滴水越过碗沿，落地时发出远大于体积的轰鸣。", "rule": "碗内的天气对应握碗人的呼吸；放慢呼吸能平息它，但不能凭空制造食物。", "shots": [ { "number": 1, "start": 0, "end": 1, "duration": 1, "beat": "惊奇：先看见不可能", "action": "陶碗内部已经卷起一堵立体海浪，指甲大小的木船悬在浪尖；一滴水越过碗沿，落地时发出远大于体积的轰鸣。", "camera": "85mm感微距，道具占画面约三分之二，人物眼睛或手作为尺度参照；单一明确机位，不用无目标甩镜；异常动作在画面开始时已经发生。", "performance": "以本镜指定的人物/道具为中心，背景角色不抢动作。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "以细小水膜、陶瓷或盐晶的清脆触感声中最贴合本镜道具的一声开场；配一个短低频脉冲，随即让出空间，不叠加尖叫。", "transition": "在异常动作最清楚的一刻硬切至下一镜指定动作或反应；不先放片名或黑屏。", "timing": "0.00–0.15秒直接展示钩子关键帧；0.15–0.70秒让异常动作继续；0.70–1.00秒用呼吸或微小停顿准备切入反应。" }, { "number": 2, "start": 1, "end": 4, "duration": 3, "beat": "好奇：理解人物的反应", "action": "小满双手发抖，碗中风暴随之抖动；海生靠近时没有抢碗，只把手掌托在她的手下，镜头看见两双手的大小差。", "camera": "50mm感的近景，机位降到孩子眼平，向前缓移约一个手掌距离。", "performance": "若小满在本镜入画，眼神先落在道具，再转向海生；若为纯道具镜，不额外挤入人脸。海生与孩子交流时保持相近眼平高度。 本来源版本强调小满的主观感受：先拍她注意到的细节，再拍回应，缩短无信息的成人反应。", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "保留孩子一次吸气和衣料轻摩擦，环境声变窄，音乐只留很轻的持续音。", "transition": "按人物视线切到问题或缺少之物，前一镜最后一声环境音延续约0.15秒。", "timing": "1–1.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 3, "start": 4, "end": 9, "duration": 5, "beat": "共情：显露一个小缺口", "action": "二狗误以为碗会漏水，拿布猛擦桌面；细碎急促动作让风浪更大，小满的下唇颤抖，几乎要把碗推开。", "camera": "35mm感中景或中近景，交代角色、目标道具和可行动空间；保持眼线一致。", "performance": "让负责本镜行动的成人先动，孩子随后作出可见反应；避免所有人同时表演。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "空碗、空袋、脚步或木板声选本镜实际存在的一项放近；未出场物件不配声，避免声源误导。", "transition": "用逐渐靠近的风声/物件声引入下一镜；剪切前先让观众认清道具位置。", "timing": "4–5.25秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 4, "start": 9, "end": 15, "duration": 6, "beat": "紧张：让选择有代价", "action": "微缩船撞向碗边，浪影在墙上放大成真正的海啸；屋里所有人停住，只有急促呼吸声继续。", "camera": "28mm感稍低机位，前景放障碍或关键道具，后景保留退路；缓慢推进，不乱晃。", "performance": "海生或苏兰承担保护动作，孩子的恐惧用呼吸与手指表现；二狗的夸张反应不压过危险信息。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "风与低频逐步增强，声音来自画面可解释方向；临近决定时收低，不盖过呼吸。", "transition": "在角色看向选择对象时切到手部，危险声短暂收低，突出决定。", "timing": "9–10.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 5, "start": 15, "end": 22, "duration": 7, "beat": "信任：人物主动做决定", "action": "海生蹲低与小满平视，示范缓慢呼气；她先失败一次，再把肩膀放松，双手不再死死扣住碗沿。", "camera": "65–85mm感手部/道具插入镜头，焦点从指尖过渡到被选择的物件；只做一次明确动作。", "performance": "选择必须由清楚的手部动作落实；其余角色停住，给观众看懂选择的空间。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "对白：海生轻声说“跟着我，慢慢呼吸。”；只配一次明确道具接触声。", "transition": "按动作方向匹配下一镜的变化，避免用白闪遮盖因果。", "timing": "15–16.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 6, "start": 22, "end": 30, "duration": 8, "beat": "释放：回报具有清楚因果", "action": "海浪从尖锐折面变成柔软涟漪，小木船稳稳靠岸；水面折射出两人的眼睛，滴水声由密变疏。", "camera": "28–35mm感中广景，由关键道具向外缓慢拉开，完整看见变化及安全距离。", "performance": "先让道具/环境发生变化，再切或移到人物反应；变化只遵守本故事规则。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "细小水膜、陶瓷或盐晶的清脆触感声随变化从密变疏，再进入温暖的两三个原创音符；不使用现成热门歌曲歌词。", "transition": "变化完成后停半拍再切脸部；环境音恢复，音乐只抬高一层。", "timing": "22–24.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 7, "start": 30, "end": 38, "duration": 8, "beat": "温暖：给表情留下时间", "action": "小满把小船捧给二狗看，二狗夸张地踮脚表示自己终于上岸；孩子忍不住笑，房间的阴影变浅。", "camera": "50–65mm感面部近景，稳定机位，留出至少半秒无对白微表情。", "performance": "孩子的肩膀放松、视线愿意停留；成人以小动作回应，不用齐声大笑替代情绪。 本来源版本强调小满的主观感受：先拍她注意到的细节，再拍回应，缩短无信息的成人反应。", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "对白：海生说“原来不是你惹的祸。”；其余人用目光回应，留半秒安静。", "transition": "由人物最后的目光或手指引向收尾道具，暖光保持一致。", "timing": "30–32.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 8, "start": 38, "end": 44, "duration": 6, "beat": "余味：接回钩子并打开新可能", "action": "一声很轻的喷嚏让碗里冒出迷你水龙卷，所有人同时屏住笑；圆形碗口保持与开头一致，为循环留下轻巧笑点。", "camera": "以本镜描述的收尾物件构图；最后的形状、光点或运动方向匹配开场关键元素。允许改变景别，但匹配关系必须清楚。", "performance": "人物保持结局得到的安全与关系；新的小悬念不撤销已经完成的情绪回报。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "取第一镜的同一种音色作为最后一个轻声提示，让尾音衔接循环；不突然加入无关轰鸣。", "transition": "最后0.3秒保留与开头相似的轮廓/音色，允许无缝循环；不加黑底强制点击卡。", "timing": "38–39.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" } ], "path": "creative/C029--results-hd--omni.txt", "text": "来源文件：raw-prompts/results-hd--omni.txt\n来源名称：Qwen/Qwen2.5-Omni-3B\n实际来源记录：results-hd/omni.json\n原文可用点：描述了开场蟹、孩子哭泣以及后续旧书与罗盘。\n原文问题/边界：把巨浪画面写成平静海面与大量鱼；把95秒院落围桌和175秒旧书混在一起；350token上限截断。\n转化方式：视觉片段型来源：以原文中与原帧相符的海岸、人物、表情或道具作为灵感入口。身份、对白、连续动作、奇幻规则和新剧情由Codex补写，不是该模型的原始能力。\n本次选择的新故事：把风暴盛进一只碗。所有幻想事件都是二创，不用原文中的误识别冒充事实。\n\n《把风暴盛进一只碗》｜超现实ASMR｜44秒完整剪辑稿\n\n制作目标：44秒，9:16竖屏，8个剪辑镜头，目标1080×1920、24fps。时间表是剪辑设计，不是任一平台API保证；按工具实际支持的片段长度生成，再裁切拼接。此处没有生成视频。\n视觉基调：架空旧式沿海村落，湿泥、粗布、旧木和黄铜具有可触摸的写实材质；幼童面部略带童话般大眼比例。灰蓝海水与褐色村屋为底，红发带是辨识点，幻想光源以局部金色/银色呈现。\n小满：幼童女孩，黑发双髻、左右各一条红发带、额头小红点；灰褐补丁粗布衣、布挎袋、旧布鞋。开场若用蓝披衣，则全片保持，除非镜头明确拍下脱衣。性格敏感、先看大人反应，再敢表达愿望。红点不是伤口，红发带不是红头发。\n海生：青年男性，凌乱黑发，旧蓝外衣、灰内衫、深裤；行动稳，保护孩子时先降到她的眼平高度，不以大喊替代关心。\n苏兰：成年女性，深发松束、灰褐无袖粗布上衣、简单项链与腕布；观察细节，负责托稳道具、递布或摆碗等具体照顾。\n二狗：青年男性，短黑发、橄榄绿外衣；提供轻微喜剧和观众反应，后半段愿意放慢动作参与帮助，不把他写成伤害孩子的反派。\n上述人物只在本镜明确指定时出现。群众只作远处模糊背景，不增加新主角。多人同框时优先保持海生在左、苏兰在后、二狗在右、小满在前中；若换位，用中广景交代，不瞬移。\n环境连续性：泥滩、浅水、旧船和村屋保持同一架空地点。海平线稳定。湿衣不会无故变干。室内暖色由船灯或灶火提供；室外变暖用云隙光或明确的幻想道具光解释，不让44秒凭空跨越数小时。\n人物表情与道具变化分开生成更易核对：每镜最多一个主要幻想动作，真实人物不随道具变形。以上服装、人物名和新动作均属本次二创设定，不声称模型从8帧恢复了全部身份。\n\n核心道具锁：蓝边陶碗、掌心大小的木船、碗中微缩海浪。先为本片制作一张统一道具参考图，记录缺口、锈斑、左右方向、尺寸；镜头之间沿用同一版本。\n\n本片新规则：碗内的天气对应握碗人的呼吸；放慢呼吸能平息它，但不能凭空制造食物。 此规则是新创作，不是原片事实。\n\n第一秒视觉钩子：陶碗内部已经卷起一堵立体海浪，指甲大小的木船悬在浪尖；一滴水越过碗沿，落地时发出远大于体积的轰鸣。\n\n目标情绪路径：惊奇 → 好奇 → 共情 → 紧张 → 信任 → 释放 → 温暖 → 余味。它是创作设计，不是已测得的观众留存数据。\n\n分镜与生成指令（逐镜生成，再按时间码剪辑；全局角色锁及规则与每一镜一起输入）：\n\n镜头01｜00–01秒｜1秒｜惊奇：先看见不可能\n画面与动作：陶碗内部已经卷起一堵立体海浪，指甲大小的木船悬在浪尖；一滴水越过碗沿，落地时发出远大于体积的轰鸣。\n动作节拍：0.00–0.15秒直接展示钩子关键帧；0.15–0.70秒让异常动作继续；0.70–1.00秒用呼吸或微小停顿准备切入反应。\n构图与镜头：85mm感微距，道具占画面约三分之二，人物眼睛或手作为尺度参照；单一明确机位，不用无目标甩镜；异常动作在画面开始时已经发生。\n人物表演：以本镜指定的人物/道具为中心，背景角色不抢动作。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：以细小水膜、陶瓷或盐晶的清脆触感声中最贴合本镜道具的一声开场；配一个短低频脉冲，随即让出空间，不叠加尖叫。\n衔接：在异常动作最清楚的一刻硬切至下一镜指定动作或反应；不先放片名或黑屏。\n\n镜头02｜01–04秒｜3秒｜好奇：理解人物的反应\n画面与动作：小满双手发抖，碗中风暴随之抖动；海生靠近时没有抢碗，只把手掌托在她的手下，镜头看见两双手的大小差。\n动作节拍：1–1.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：50mm感的近景，机位降到孩子眼平，向前缓移约一个手掌距离。\n人物表演：若小满在本镜入画，眼神先落在道具，再转向海生；若为纯道具镜，不额外挤入人脸。海生与孩子交流时保持相近眼平高度。 本来源版本强调小满的主观感受：先拍她注意到的细节，再拍回应，缩短无信息的成人反应。\n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：保留孩子一次吸气和衣料轻摩擦，环境声变窄，音乐只留很轻的持续音。\n衔接：按人物视线切到问题或缺少之物，前一镜最后一声环境音延续约0.15秒。\n\n镜头03｜04–09秒｜5秒｜共情：显露一个小缺口\n画面与动作：二狗误以为碗会漏水，拿布猛擦桌面；细碎急促动作让风浪更大，小满的下唇颤抖，几乎要把碗推开。\n动作节拍：4–5.25秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：35mm感中景或中近景，交代角色、目标道具和可行动空间；保持眼线一致。\n人物表演：让负责本镜行动的成人先动，孩子随后作出可见反应；避免所有人同时表演。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：空碗、空袋、脚步或木板声选本镜实际存在的一项放近；未出场物件不配声，避免声源误导。\n衔接：用逐渐靠近的风声/物件声引入下一镜；剪切前先让观众认清道具位置。\n\n镜头04｜09–15秒｜6秒｜紧张：让选择有代价\n画面与动作：微缩船撞向碗边，浪影在墙上放大成真正的海啸；屋里所有人停住，只有急促呼吸声继续。\n动作节拍：9–10.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：28mm感稍低机位，前景放障碍或关键道具，后景保留退路；缓慢推进，不乱晃。\n人物表演：海生或苏兰承担保护动作，孩子的恐惧用呼吸与手指表现；二狗的夸张反应不压过危险信息。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：风与低频逐步增强，声音来自画面可解释方向；临近决定时收低，不盖过呼吸。\n衔接：在角色看向选择对象时切到手部，危险声短暂收低，突出决定。\n\n镜头05｜15–22秒｜7秒｜信任：人物主动做决定\n画面与动作：海生蹲低与小满平视，示范缓慢呼气；她先失败一次，再把肩膀放松，双手不再死死扣住碗沿。\n动作节拍：15–16.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：65–85mm感手部/道具插入镜头，焦点从指尖过渡到被选择的物件；只做一次明确动作。\n人物表演：选择必须由清楚的手部动作落实；其余角色停住，给观众看懂选择的空间。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：对白：海生轻声说“跟着我，慢慢呼吸。”；只配一次明确道具接触声。\n衔接：按动作方向匹配下一镜的变化，避免用白闪遮盖因果。\n\n镜头06｜22–30秒｜8秒｜释放：回报具有清楚因果\n画面与动作：海浪从尖锐折面变成柔软涟漪，小木船稳稳靠岸；水面折射出两人的眼睛，滴水声由密变疏。\n动作节拍：22–24.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：28–35mm感中广景，由关键道具向外缓慢拉开，完整看见变化及安全距离。\n人物表演：先让道具/环境发生变化，再切或移到人物反应；变化只遵守本故事规则。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：细小水膜、陶瓷或盐晶的清脆触感声随变化从密变疏，再进入温暖的两三个原创音符；不使用现成热门歌曲歌词。\n衔接：变化完成后停半拍再切脸部；环境音恢复，音乐只抬高一层。\n\n镜头07｜30–38秒｜8秒｜温暖：给表情留下时间\n画面与动作：小满把小船捧给二狗看，二狗夸张地踮脚表示自己终于上岸；孩子忍不住笑，房间的阴影变浅。\n动作节拍：30–32.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：50–65mm感面部近景，稳定机位，留出至少半秒无对白微表情。\n人物表演：孩子的肩膀放松、视线愿意停留；成人以小动作回应，不用齐声大笑替代情绪。 本来源版本强调小满的主观感受：先拍她注意到的细节，再拍回应，缩短无信息的成人反应。\n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：对白：海生说“原来不是你惹的祸。”；其余人用目光回应，留半秒安静。\n衔接：由人物最后的目光或手指引向收尾道具，暖光保持一致。\n\n镜头08｜38–44秒｜6秒｜余味：接回钩子并打开新可能\n画面与动作：一声很轻的喷嚏让碗里冒出迷你水龙卷，所有人同时屏住笑；圆形碗口保持与开头一致，为循环留下轻巧笑点。\n动作节拍：38–39.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：以本镜描述的收尾物件构图；最后的形状、光点或运动方向匹配开场关键元素。允许改变景别，但匹配关系必须清楚。\n人物表演：人物保持结局得到的安全与关系；新的小悬念不撤销已经完成的情绪回报。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：取第一镜的同一种音色作为最后一个轻声提示，让尾音衔接循环；不突然加入无关轰鸣。\n衔接：最后0.3秒保留与开头相似的轮廓/音色，允许无缝循环；不加黑底强制点击卡。\n\n负向与连续性检查：不出现无依据的手机、枪械、医院、现代车辆、书上伪造大段文字、未经设计的影视角色或艺术家署名。保持双髻、红带、额头红点及四名主角身份；不多生手指、蟹腿，不让手与道具穿模，不把罗盘替换成怀表。道具在同一镜内不得随机换材质、数量、左右位置或开合状态。只允许故事规则指定的物件变化；儿童无血腥伤害。所有字幕、可读书名和界面文字后期添加，生成画面不带水印、伪字幕或推广尾卡。\n合成前逐镜核对：人物数与站坐姿；第一帧是否已有异常；动作起点/终点能否接上；道具尺寸是否受控；视线和海平线是否一致；每个回报能否追溯到前一镜的选择。未拍出因果时重做相关镜头，不能靠旁白掩盖。\n\n平台剪辑备选（不是平台时长限制，也不是热度保证）：\nTikTok测试版：保留0–1秒钩子，1–4秒加一行疑问字幕，22–30秒完整展示回报；可将4–9秒背景压成3秒，成片约42秒。\nInstagram Reels测试版：保持道具质感与暖光配色，前1秒无需读字即可理解异常；保留30–38秒表情停顿，以收尾道具作封面，主体仍44秒。\nYouTube Shorts测试版：保持44秒因果链，画外说明最多一句；最后0.3秒与开头形状/声响呼应，避免只留下未兑现的悬念。\n所有字幕建议单行、短句，放在人物面部与关键道具之外；先按实际播放器界面预览遮挡。\n\n可测试的两个开头：A使用第一镜的大/小、静/动反差；B保持同一异常事件，但从小满瞳孔或手中道具切入，再在0.6秒内露出尺度参照。只改变开头一项，其余剪辑保持一致；是否提高留存需要真实成片与实际观看数据，本任务未做此测试。" }, { "id": "C030", "title": "一个人也不许少", "concept_id": "S38", "concept_index": 37, "version": 2, "genre": "群像反转", "duration_seconds": 44, "shot_count": 8, "source_id": "results-hd--ovis", "source_name": "AIDC-AI/Ovis2.5-2B", "category": "results-hd", "source_path": "raw-prompts/results-hd--ovis.txt", "source_record": "results-hd/ovis.json", "source_paths": [ "raw-prompts/results-hd--ovis.txt", "project-cases/ATH-MaaS__Ovis/prompt-raw.txt" ], "source_excerpt": "[0 秒]\nA young girl with pigtails and red ribbons sits on a rocky shore, wearing a tattered blue and gray outfit. She gazes intently at five green crabs on the wet sand. The background features a blurred shoreline with boats and a gray sky. The scene is softly lit, highlighting the girl's focused expression and the crabs' vibrant color.\n\n[15 秒]\nClose-up of a young child with wet hair and a red bindi on forehead, crying with tears streaming down cheeks. Child holds a green net, wearing a camouflage-patterned shirt. Text overlays in Chinese and English, including \"Who knows where he came from.\" L", "source_review": { "strength": "95秒较准确描述四名成人、两女站立和两人坐在桌边；175秒识别旧书/黄铜罗盘，235秒保留成人腿部的存在，340秒识别指水、挎包和两个成人局部。整体逐帧文字可读。", "issues": "0秒四蟹写五蟹；15秒添迷彩衣、未经证实的英文字幕；50秒添帆与桅杆，95秒添迁移叙事；书面文字并非完全准确；385秒仍推断家庭关系，把蹲低的孩子写成站立。", "verdict": "本次若干帧的空间与人物关系描述较稳，可作核对初稿；不是全片时序理解测试，和其他模型的输入/预算条件不同，不能据此给出通用冠军。" }, "contribution": "视觉片段型来源：以原文中与原帧相符的海岸、人物、表情或道具作为灵感入口。身份、对白、连续动作、奇幻规则和新剧情由Codex补写，不是该模型的原始能力。", "source_duplicate_of": null, "source_hash": "98299c14980a7195747cfebe78a4caa7c884d553b92b0918f0b209d1fac2a918", "body_hash": "2fcad83076981ffc4da0807789d0d1c400209a1a686a9c379da45e39c63d61f7", "author": "Codex, shared writer; not original model output", "fallback": false, "hook": "岸边站着四个人，水中却只有三个倒影；小满低头发现自己对应的位置空着，倒影空缺立即形成视觉谜题。", "rule": "海面最初漏映一个人；当大家主动给孩子留位，倒影才补齐，不靠人数字幕解释。", "shots": [ { "number": 1, "start": 0, "end": 1, "duration": 1, "beat": "惊奇：先看见不可能", "action": "岸边站着四个人，水中却只有三个倒影；小满低头发现自己对应的位置空着，倒影空缺立即形成视觉谜题。", "camera": "24mm感中广景，四名人物与其水面倒影同时清楚入画；水面占下半部，人物不互相遮挡，稳定机位让空间异常可以一眼辨认。", "performance": "以本镜指定的人物/道具为中心，背景角色不抢动作。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "以潮声、湿泥轻响、旧木或黄铜触碰声中最贴合本镜道具的一声开场；配一个短低频脉冲，随即让出空间，不叠加尖叫。", "transition": "在异常动作最清楚的一刻硬切至下一镜指定动作或反应；不先放片名或黑屏。", "timing": "0.00–0.15秒直接展示钩子关键帧；0.15–0.70秒让异常动作继续；0.70–1.00秒用呼吸或微小停顿准备切入反应。" }, { "number": 2, "start": 1, "end": 4, "duration": 3, "beat": "好奇：理解人物的反应", "action": "她抬起右手，另外三人的倒影都在，只有她的位置仍是一片平水；海生看见她的手慢慢垂下，笑容跟着消失。", "camera": "50mm感的近景，机位降到孩子眼平，向前缓移约一个手掌距离。", "performance": "若小满在本镜入画，眼神先落在道具，再转向海生；若为纯道具镜，不额外挤入人脸。海生与孩子交流时保持相近眼平高度。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "保留孩子一次吸气和衣料轻摩擦，环境声变窄，音乐只留很轻的持续音。", "transition": "按人物视线切到问题或缺少之物，前一镜最后一声环境音延续约0.15秒。", "timing": "1–1.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 3, "start": 4, "end": 9, "duration": 5, "beat": "共情：显露一个小缺口", "action": "院落里三只碗摆在桌上，第四只还留在柜边；苏兰忙着添饭，二狗坐下才发现小满一直站在门口。", "camera": "35mm感中景或中近景，交代角色、目标道具和可行动空间；保持眼线一致。", "performance": "让负责本镜行动的成人先动，孩子随后作出可见反应；避免所有人同时表演。 本来源版本强调空间关系：镜头开头保留四个角色/道具位置参照，再靠近关键动作，不以密集特写掩盖布局。", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "空碗、空袋、脚步或木板声选本镜实际存在的一项放近；未出场物件不配声，避免声源误导。", "transition": "用逐渐靠近的风声/物件声引入下一镜；剪切前先让观众认清道具位置。", "timing": "4–5.25秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 4, "start": 9, "end": 15, "duration": 6, "beat": "紧张：让选择有代价", "action": "潮水把四串脚印冲淡成三串，孩子退到画面边缘，像准备主动退出；海生先看桌子，再看她，终于明白缺少的是行动。", "camera": "28mm感稍低机位，前景放障碍或关键道具，后景保留退路；缓慢推进，不乱晃。", "performance": "海生或苏兰承担保护动作，孩子的恐惧用呼吸与手指表现；二狗的夸张反应不压过危险信息。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "风与低频逐步增强，声音来自画面可解释方向；临近决定时收低，不盖过呼吸。", "transition": "在角色看向选择对象时切到手部，危险声短暂收低，突出决定。", "timing": "9–10.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 5, "start": 15, "end": 22, "duration": 7, "beat": "信任：人物主动做决定", "action": "海生搬出第四把椅子，苏兰摆好第四只碗，二狗把自己的位置向旁边让开；小满被正式请到中间。", "camera": "65–85mm感手部/道具插入镜头，焦点从指尖过渡到被选择的物件；只做一次明确动作。", "performance": "选择必须由清楚的手部动作落实；其余角色停住，给观众看懂选择的空间。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "对白：海生轻声说“数一数，我们有几个人？”；只配一次明确道具接触声。", "transition": "按动作方向匹配下一镜的变化，避免用白闪遮盖因果。", "timing": "15–16.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 6, "start": 22, "end": 30, "duration": 8, "beat": "释放：回报具有清楚因果", "action": "切回海面，第四个倒影从她脚边缓慢亮起，与真实孩子同步抬手；四人和四影全部完整呈现，人数变化清楚可数。", "camera": "28–35mm感中广景，由关键道具向外缓慢拉开，完整看见变化及安全距离。", "performance": "先让道具/环境发生变化，再切或移到人物反应；变化只遵守本故事规则。 本来源版本强调空间关系：镜头开头保留四个角色/道具位置参照，再靠近关键动作，不以密集特写掩盖布局。", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "潮声、湿泥轻响、旧木或黄铜触碰声随变化从密变疏，再进入温暖的两三个原创音符；不使用现成热门歌曲歌词。", "transition": "变化完成后停半拍再切脸部；环境音恢复，音乐只抬高一层。", "timing": "22–24.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 7, "start": 30, "end": 38, "duration": 8, "beat": "温暖：给表情留下时间", "action": "他们举碗轻轻相碰，小满先看看每个人，再确认自己的碗也在圆圈中；没有多余旁白，用停顿呈现被接纳。", "camera": "50–65mm感面部近景，稳定机位，留出至少半秒无对白微表情。", "performance": "孩子的肩膀放松、视线愿意停留；成人以小动作回应，不用齐声大笑替代情绪。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "对白：小满说“四个，一个也不少。”；其余人用目光回应，留半秒安静。", "transition": "由人物最后的目光或手指引向收尾道具，暖光保持一致。", "timing": "30–32.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 8, "start": 38, "end": 44, "duration": 6, "beat": "余味：接回钩子并打开新可能", "action": "水边出现第五个极小蟹影，二狗数到一半愣住；小满主动腾出小碟，把“一个不少”的主题交给下一次选择。", "camera": "以本镜描述的收尾物件构图；最后的形状、光点或运动方向匹配开场关键元素。允许改变景别，但匹配关系必须清楚。", "performance": "人物保持结局得到的安全与关系；新的小悬念不撤销已经完成的情绪回报。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "取第一镜的同一种音色作为最后一个轻声提示，让尾音衔接循环；不突然加入无关轰鸣。", "transition": "最后0.3秒保留与开头相似的轮廓/音色，允许无缝循环；不加黑底强制点击卡。", "timing": "38–39.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" } ], "path": "creative/C030--results-hd--ovis.txt", "text": "来源文件：raw-prompts/results-hd--ovis.txt\n来源名称：AIDC-AI/Ovis2.5-2B\n实际来源记录：results-hd/ovis.json\n原文可用点：95秒较准确描述四名成人、两女站立和两人坐在桌边；175秒识别旧书/黄铜罗盘，235秒保留成人腿部的存在，340秒识别指水、挎包和两个成人局部。整体逐帧文字可读。\n原文问题/边界：0秒四蟹写五蟹；15秒添迷彩衣、未经证实的英文字幕；50秒添帆与桅杆，95秒添迁移叙事；书面文字并非完全准确；385秒仍推断家庭关系，把蹲低的孩子写成站立。\n转化方式：视觉片段型来源：以原文中与原帧相符的海岸、人物、表情或道具作为灵感入口。身份、对白、连续动作、奇幻规则和新剧情由Codex补写，不是该模型的原始能力。\n本次选择的新故事：一个人也不许少。所有幻想事件都是二创，不用原文中的误识别冒充事实。\n\n《一个人也不许少》｜群像反转｜44秒完整剪辑稿\n\n制作目标：44秒，9:16竖屏，8个剪辑镜头，目标1080×1920、24fps。时间表是剪辑设计，不是任一平台API保证；按工具实际支持的片段长度生成，再裁切拼接。此处没有生成视频。\n视觉基调：架空旧式沿海村落，湿泥、粗布、旧木和黄铜具有可触摸的写实材质；幼童面部略带童话般大眼比例。灰蓝海水与褐色村屋为底，红发带是辨识点，幻想光源以局部金色/银色呈现。\n小满：幼童女孩，黑发双髻、左右各一条红发带、额头小红点；灰褐补丁粗布衣、布挎袋、旧布鞋。开场若用蓝披衣，则全片保持，除非镜头明确拍下脱衣。性格敏感、先看大人反应，再敢表达愿望。红点不是伤口，红发带不是红头发。\n海生：青年男性，凌乱黑发，旧蓝外衣、灰内衫、深裤；行动稳，保护孩子时先降到她的眼平高度，不以大喊替代关心。\n苏兰：成年女性，深发松束、灰褐无袖粗布上衣、简单项链与腕布；观察细节，负责托稳道具、递布或摆碗等具体照顾。\n二狗：青年男性，短黑发、橄榄绿外衣；提供轻微喜剧和观众反应，后半段愿意放慢动作参与帮助，不把他写成伤害孩子的反派。\n上述人物只在本镜明确指定时出现。群众只作远处模糊背景，不增加新主角。多人同框时优先保持海生在左、苏兰在后、二狗在右、小满在前中；若换位，用中广景交代，不瞬移。\n环境连续性：泥滩、浅水、旧船和村屋保持同一架空地点。海平线稳定。湿衣不会无故变干。室内暖色由船灯或灶火提供；室外变暖用云隙光或明确的幻想道具光解释，不让44秒凭空跨越数小时。\n人物表情与道具变化分开生成更易核对：每镜最多一个主要幻想动作，真实人物不随道具变形。以上服装、人物名和新动作均属本次二创设定，不声称模型从8帧恢复了全部身份。\n\n核心道具锁：四只脚印、四只木碗、三人倒影。先为本片制作一张统一道具参考图，记录缺口、锈斑、左右方向、尺寸；镜头之间沿用同一版本。\n\n本片新规则：海面最初漏映一个人；当大家主动给孩子留位，倒影才补齐，不靠人数字幕解释。 此规则是新创作，不是原片事实。\n\n第一秒视觉钩子：岸边站着四个人，水中却只有三个倒影；小满低头发现自己对应的位置空着，倒影空缺立即形成视觉谜题。\n\n目标情绪路径：惊奇 → 好奇 → 共情 → 紧张 → 信任 → 释放 → 温暖 → 余味。它是创作设计，不是已测得的观众留存数据。\n\n分镜与生成指令（逐镜生成，再按时间码剪辑；全局角色锁及规则与每一镜一起输入）：\n\n镜头01｜00–01秒｜1秒｜惊奇：先看见不可能\n画面与动作：岸边站着四个人，水中却只有三个倒影；小满低头发现自己对应的位置空着，倒影空缺立即形成视觉谜题。\n动作节拍：0.00–0.15秒直接展示钩子关键帧；0.15–0.70秒让异常动作继续；0.70–1.00秒用呼吸或微小停顿准备切入反应。\n构图与镜头：24mm感中广景，四名人物与其水面倒影同时清楚入画；水面占下半部，人物不互相遮挡，稳定机位让空间异常可以一眼辨认。\n人物表演：以本镜指定的人物/道具为中心，背景角色不抢动作。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：以潮声、湿泥轻响、旧木或黄铜触碰声中最贴合本镜道具的一声开场；配一个短低频脉冲，随即让出空间，不叠加尖叫。\n衔接：在异常动作最清楚的一刻硬切至下一镜指定动作或反应；不先放片名或黑屏。\n\n镜头02｜01–04秒｜3秒｜好奇：理解人物的反应\n画面与动作：她抬起右手，另外三人的倒影都在，只有她的位置仍是一片平水；海生看见她的手慢慢垂下，笑容跟着消失。\n动作节拍：1–1.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：50mm感的近景，机位降到孩子眼平，向前缓移约一个手掌距离。\n人物表演：若小满在本镜入画，眼神先落在道具，再转向海生；若为纯道具镜，不额外挤入人脸。海生与孩子交流时保持相近眼平高度。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：保留孩子一次吸气和衣料轻摩擦，环境声变窄，音乐只留很轻的持续音。\n衔接：按人物视线切到问题或缺少之物，前一镜最后一声环境音延续约0.15秒。\n\n镜头03｜04–09秒｜5秒｜共情：显露一个小缺口\n画面与动作：院落里三只碗摆在桌上，第四只还留在柜边；苏兰忙着添饭，二狗坐下才发现小满一直站在门口。\n动作节拍：4–5.25秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：35mm感中景或中近景，交代角色、目标道具和可行动空间；保持眼线一致。\n人物表演：让负责本镜行动的成人先动，孩子随后作出可见反应；避免所有人同时表演。 本来源版本强调空间关系：镜头开头保留四个角色/道具位置参照，再靠近关键动作，不以密集特写掩盖布局。\n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：空碗、空袋、脚步或木板声选本镜实际存在的一项放近；未出场物件不配声，避免声源误导。\n衔接：用逐渐靠近的风声/物件声引入下一镜；剪切前先让观众认清道具位置。\n\n镜头04｜09–15秒｜6秒｜紧张：让选择有代价\n画面与动作：潮水把四串脚印冲淡成三串，孩子退到画面边缘，像准备主动退出；海生先看桌子，再看她，终于明白缺少的是行动。\n动作节拍：9–10.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：28mm感稍低机位，前景放障碍或关键道具，后景保留退路；缓慢推进，不乱晃。\n人物表演：海生或苏兰承担保护动作，孩子的恐惧用呼吸与手指表现；二狗的夸张反应不压过危险信息。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：风与低频逐步增强，声音来自画面可解释方向；临近决定时收低，不盖过呼吸。\n衔接：在角色看向选择对象时切到手部，危险声短暂收低，突出决定。\n\n镜头05｜15–22秒｜7秒｜信任：人物主动做决定\n画面与动作：海生搬出第四把椅子，苏兰摆好第四只碗，二狗把自己的位置向旁边让开；小满被正式请到中间。\n动作节拍：15–16.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：65–85mm感手部/道具插入镜头，焦点从指尖过渡到被选择的物件；只做一次明确动作。\n人物表演：选择必须由清楚的手部动作落实；其余角色停住，给观众看懂选择的空间。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：对白：海生轻声说“数一数，我们有几个人？”；只配一次明确道具接触声。\n衔接：按动作方向匹配下一镜的变化，避免用白闪遮盖因果。\n\n镜头06｜22–30秒｜8秒｜释放：回报具有清楚因果\n画面与动作：切回海面，第四个倒影从她脚边缓慢亮起，与真实孩子同步抬手；四人和四影全部完整呈现，人数变化清楚可数。\n动作节拍：22–24.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：28–35mm感中广景，由关键道具向外缓慢拉开，完整看见变化及安全距离。\n人物表演：先让道具/环境发生变化，再切或移到人物反应；变化只遵守本故事规则。 本来源版本强调空间关系：镜头开头保留四个角色/道具位置参照，再靠近关键动作，不以密集特写掩盖布局。\n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：潮声、湿泥轻响、旧木或黄铜触碰声随变化从密变疏，再进入温暖的两三个原创音符；不使用现成热门歌曲歌词。\n衔接：变化完成后停半拍再切脸部；环境音恢复，音乐只抬高一层。\n\n镜头07｜30–38秒｜8秒｜温暖：给表情留下时间\n画面与动作：他们举碗轻轻相碰，小满先看看每个人，再确认自己的碗也在圆圈中；没有多余旁白，用停顿呈现被接纳。\n动作节拍：30–32.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：50–65mm感面部近景，稳定机位，留出至少半秒无对白微表情。\n人物表演：孩子的肩膀放松、视线愿意停留；成人以小动作回应，不用齐声大笑替代情绪。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：对白：小满说“四个，一个也不少。”；其余人用目光回应，留半秒安静。\n衔接：由人物最后的目光或手指引向收尾道具，暖光保持一致。\n\n镜头08｜38–44秒｜6秒｜余味：接回钩子并打开新可能\n画面与动作：水边出现第五个极小蟹影，二狗数到一半愣住；小满主动腾出小碟，把“一个不少”的主题交给下一次选择。\n动作节拍：38–39.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：以本镜描述的收尾物件构图；最后的形状、光点或运动方向匹配开场关键元素。允许改变景别，但匹配关系必须清楚。\n人物表演：人物保持结局得到的安全与关系；新的小悬念不撤销已经完成的情绪回报。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：取第一镜的同一种音色作为最后一个轻声提示，让尾音衔接循环；不突然加入无关轰鸣。\n衔接：最后0.3秒保留与开头相似的轮廓/音色，允许无缝循环；不加黑底强制点击卡。\n\n负向与连续性检查：不出现无依据的手机、枪械、医院、现代车辆、书上伪造大段文字、未经设计的影视角色或艺术家署名。保持双髻、红带、额头红点及四名主角身份；不多生手指、蟹腿，不让手与道具穿模，不把罗盘替换成怀表。道具在同一镜内不得随机换材质、数量、左右位置或开合状态。只允许故事规则指定的物件变化；儿童无血腥伤害。所有字幕、可读书名和界面文字后期添加，生成画面不带水印、伪字幕或推广尾卡。\n合成前逐镜核对：人物数与站坐姿；第一帧是否已有异常；动作起点/终点能否接上；道具尺寸是否受控；视线和海平线是否一致；每个回报能否追溯到前一镜的选择。未拍出因果时重做相关镜头，不能靠旁白掩盖。\n\n平台剪辑备选（不是平台时长限制，也不是热度保证）：\nTikTok测试版：保留0–1秒钩子，1–4秒加一行疑问字幕，22–30秒完整展示回报；可将4–9秒背景压成3秒，成片约42秒。\nInstagram Reels测试版：保持道具质感与暖光配色，前1秒无需读字即可理解异常；保留30–38秒表情停顿，以收尾道具作封面，主体仍44秒。\nYouTube Shorts测试版：保持44秒因果链，画外说明最多一句；最后0.3秒与开头形状/声响呼应，避免只留下未兑现的悬念。\n所有字幕建议单行、短句，放在人物面部与关键道具之外；先按实际播放器界面预览遮挡。\n\n可测试的两个开头：A使用第一镜的大/小、静/动反差；B保持同一异常事件，但从小满瞳孔或手中道具切入，再在0.6秒内露出尺度参照。只改变开头一项，其余剪辑保持一致；是否提高留存需要真实成片与实际观看数据，本任务未做此测试。" }, { "id": "C031", "title": "海底寄来一张饭票", "concept_id": "S12", "concept_index": 11, "version": 0, "genre": "道具悬疑", "duration_seconds": 44, "shot_count": 8, "source_id": "results-hd--qwen25", "source_name": "Qwen/Qwen2.5-VL-3B-Instruct", "category": "results-hd", "source_path": "raw-prompts/results-hd--qwen25.txt", "source_record": "results-hd/qwen25.json", "source_paths": [ "raw-prompts/results-hd--qwen25.txt" ], "source_excerpt": "The video appears to be a dramatic narrative set in a coastal environment, likely depicting a historical or period piece. The scenes transition through various settings and emotional states of the characters.\n\n**0-15 seconds:** \n- A young child is seen sitting on the beach, wearing a simple outfit with red hair ties. The child looks contemplative or sad, with a slight frown on their face.\n- The scene shifts to a close-up of the child's face, showing a tear rolling down their cheek. The child's expression conveys sadness or distress, with a red dot on their forehead, possibly indicating a mark ", "source_review": { "strength": "能组织段落，识别海边短剧氛围、哭泣、巨浪与旧物。", "issues": "编造孩子站在海边看浪和镜头平移；混淆画面顺序；400 token上限处截断。", "verdict": "文字流畅不代表动作或时序可靠。" }, "contribution": "视觉片段型来源：以原文中与原帧相符的海岸、人物、表情或道具作为灵感入口。身份、对白、连续动作、奇幻规则和新剧情由Codex补写，不是该模型的原始能力。", "source_duplicate_of": null, "source_hash": "8fef600b400a91f41e91f37f3121c0f8fe9d3a6aee5441d0f91717cb5a77c268", "body_hash": "60cd86a62d7ee6ce9f7dcecd358e6ede037d7d5625a59a54e45ab8bd6e2bed26", "author": "Codex, shared writer; not original model output", "fallback": false, "hook": "湿信封口已经伸出一只微型蟹钳，举着冒热气的白色票券；明明浸过海水，票券上的饭香却形成清楚的蒸汽小船。", "rule": "票券只对愿意分享饭的人显影；票上画面是原创图形，文字在后期添加。", "shots": [ { "number": 1, "start": 0, "end": 1, "duration": 1, "beat": "惊奇：先看见不可能", "action": "湿信封口已经伸出一只微型蟹钳，举着冒热气的白色票券；明明浸过海水，票券上的饭香却形成清楚的蒸汽小船。", "camera": "85mm感微距，道具占画面约三分之二，人物眼睛或手作为尺度参照；单一明确机位，不用无目标甩镜；异常动作在画面开始时已经发生。", "performance": "以本镜指定的人物/道具为中心，背景角色不抢动作。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "以潮声、湿泥轻响、旧木或黄铜触碰声中最贴合本镜道具的一声开场；配一个短低频脉冲，随即让出空间，不叠加尖叫。", "transition": "在异常动作最清楚的一刻硬切至下一镜指定动作或反应；不先放片名或黑屏。", "timing": "0.00–0.15秒直接展示钩子关键帧；0.15–0.70秒让异常动作继续；0.70–1.00秒用呼吸或微小停顿准备切入反应。" }, { "number": 2, "start": 1, "end": 4, "duration": 3, "beat": "好奇：理解人物的反应", "action": "小满接过票券，海生翻看信封两面找不到地址；孩子把鼻尖凑近蒸汽，肚子不争气地轻响，随后害羞地低头。", "camera": "50mm感的近景，机位降到孩子眼平，向前缓移约一个手掌距离。", "performance": "若小满在本镜入画，眼神先落在道具，再转向海生；若为纯道具镜，不额外挤入人脸。海生与孩子交流时保持相近眼平高度。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "保留孩子一次吸气和衣料轻摩擦，环境声变窄，音乐只留很轻的持续音。", "transition": "按人物视线切到问题或缺少之物，前一镜最后一声环境音延续约0.15秒。", "timing": "1–1.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 3, "start": 4, "end": 9, "duration": 5, "beat": "共情：显露一个小缺口", "action": "二狗把票举向阳光，里面只出现一个空盘；苏兰看着见底米袋，仍摆出四只碗，给门边的小蟹留下一只小碟。", "camera": "35mm感中景或中近景，交代角色、目标道具和可行动空间；保持眼线一致。", "performance": "让负责本镜行动的成人先动，孩子随后作出可见反应；避免所有人同时表演。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "空碗、空袋、脚步或木板声选本镜实际存在的一项放近；未出场物件不配声，避免声源误导。", "transition": "用逐渐靠近的风声/物件声引入下一镜；剪切前先让观众认清道具位置。", "timing": "4–5.25秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 4, "start": 9, "end": 15, "duration": 6, "beat": "紧张：让选择有代价", "action": "村人从远处抛来一枚硬币，票券上的热气忽然消散；小满以为必须把小蟹交出去，手指缩到胸前。", "camera": "28mm感稍低机位，前景放障碍或关键道具，后景保留退路；缓慢推进，不乱晃。", "performance": "海生或苏兰承担保护动作，孩子的恐惧用呼吸与手指表现；二狗的夸张反应不压过危险信息。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "风与低频逐步增强，声音来自画面可解释方向；临近决定时收低，不盖过呼吸。", "transition": "在角色看向选择对象时切到手部，危险声短暂收低，突出决定。", "timing": "9–10.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 5, "start": 15, "end": 22, "duration": 7, "beat": "信任：人物主动做决定", "action": "海生把硬币放回石台，不做交易；小满把自己的米粒分到小碟里，再把票券贴近小蟹。", "camera": "65–85mm感手部/道具插入镜头，焦点从指尖过渡到被选择的物件；只做一次明确动作。", "performance": "选择必须由清楚的手部动作落实；其余角色停住，给观众看懂选择的空间。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "对白：小满轻声说“有你一份，也有它一份。”；只配一次明确道具接触声。", "transition": "按动作方向匹配下一镜的变化，避免用白闪遮盖因果。", "timing": "15–16.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 6, "start": 22, "end": 30, "duration": 8, "beat": "释放：回报具有清楚因果", "action": "空盘图案变成四碗饭与一小碟的金色浮雕，信封展开成防水粮袋；苏兰先接住粮袋，避免食物落入泥水。", "camera": "28–35mm感中广景，由关键道具向外缓慢拉开，完整看见变化及安全距离。", "performance": "先让道具/环境发生变化，再切或移到人物反应；变化只遵守本故事规则。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "潮声、湿泥轻响、旧木或黄铜触碰声随变化从密变疏，再进入温暖的两三个原创音符；不使用现成热门歌曲歌词。", "transition": "变化完成后停半拍再切脸部；环境音恢复，音乐只抬高一层。", "timing": "22–24.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 7, "start": 30, "end": 38, "duration": 8, "beat": "温暖：给表情留下时间", "action": "桌边蒸汽升起，二狗给小蟹认真摆正小碟；小满看看四只碗，再看看自己的碗，确认她没有被忘记。", "camera": "35mm感桌边或岸边中景，先交代所有本镜角色，再缓慢靠近小满的表情；不在同一镜里把人数和座位改掉。", "performance": "孩子的肩膀放松、视线愿意停留；成人以小动作回应，不用齐声大笑替代情绪。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "对白：海生说“这封信没有寄错。”；其余人用目光回应，留半秒安静。", "transition": "由人物最后的目光或手指引向收尾道具，暖光保持一致。", "timing": "30–32.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 8, "start": 38, "end": 44, "duration": 6, "beat": "余味：接回钩子并打开新可能", "action": "信封里又伸出更小的一只钳子，举起一张空票；镜头回到信封口，结尾留下分享可以继续的开放邀请。", "camera": "85mm感道具近特写，轻俯拍，焦点落在本镜指定接触点；人物只保留必要手部或眼睛倒影，不强行切成正面人像。", "performance": "人物保持结局得到的安全与关系；新的小悬念不撤销已经完成的情绪回报。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "取第一镜的同一种音色作为最后一个轻声提示，让尾音衔接循环；不突然加入无关轰鸣。", "transition": "最后0.3秒保留与开头相似的轮廓/音色，允许无缝循环；不加黑底强制点击卡。", "timing": "38–39.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" } ], "path": "creative/C031--results-hd--qwen25.txt", "text": "来源文件：raw-prompts/results-hd--qwen25.txt\n来源名称：Qwen/Qwen2.5-VL-3B-Instruct\n实际来源记录：results-hd/qwen25.json\n原文可用点：能组织段落，识别海边短剧氛围、哭泣、巨浪与旧物。\n原文问题/边界：编造孩子站在海边看浪和镜头平移；混淆画面顺序；400 token上限处截断。\n转化方式：视觉片段型来源：以原文中与原帧相符的海岸、人物、表情或道具作为灵感入口。身份、对白、连续动作、奇幻规则和新剧情由Codex补写，不是该模型的原始能力。\n本次选择的新故事：海底寄来一张饭票。所有幻想事件都是二创，不用原文中的误识别冒充事实。\n\n《海底寄来一张饭票》｜道具悬疑｜44秒完整剪辑稿\n\n制作目标：44秒，9:16竖屏，8个剪辑镜头，目标1080×1920、24fps。时间表是剪辑设计，不是任一平台API保证；按工具实际支持的片段长度生成，再裁切拼接。此处没有生成视频。\n视觉基调：架空旧式沿海村落，湿泥、粗布、旧木和黄铜具有可触摸的写实材质；幼童面部略带童话般大眼比例。灰蓝海水与褐色村屋为底，红发带是辨识点，幻想光源以局部金色/银色呈现。\n小满：幼童女孩，黑发双髻、左右各一条红发带、额头小红点；灰褐补丁粗布衣、布挎袋、旧布鞋。开场若用蓝披衣，则全片保持，除非镜头明确拍下脱衣。性格敏感、先看大人反应，再敢表达愿望。红点不是伤口，红发带不是红头发。\n海生：青年男性，凌乱黑发，旧蓝外衣、灰内衫、深裤；行动稳，保护孩子时先降到她的眼平高度，不以大喊替代关心。\n苏兰：成年女性，深发松束、灰褐无袖粗布上衣、简单项链与腕布；观察细节，负责托稳道具、递布或摆碗等具体照顾。\n二狗：青年男性，短黑发、橄榄绿外衣；提供轻微喜剧和观众反应，后半段愿意放慢动作参与帮助，不把他写成伤害孩子的反派。\n上述人物只在本镜明确指定时出现。群众只作远处模糊背景，不增加新主角。多人同框时优先保持海生在左、苏兰在后、二狗在右、小满在前中；若换位，用中广景交代，不瞬移。\n环境连续性：泥滩、浅水、旧船和村屋保持同一架空地点。海平线稳定。湿衣不会无故变干。室内暖色由船灯或灶火提供；室外变暖用云隙光或明确的幻想道具光解释，不让44秒凭空跨越数小时。\n人物表情与道具变化分开生成更易核对：每镜最多一个主要幻想动作，真实人物不随道具变形。以上服装、人物名和新动作均属本次二创设定，不声称模型从8帧恢复了全部身份。\n\n核心道具锁：湿信封、无字票券、旧船灯。先为本片制作一张统一道具参考图，记录缺口、锈斑、左右方向、尺寸；镜头之间沿用同一版本。\n\n本片新规则：票券只对愿意分享饭的人显影；票上画面是原创图形，文字在后期添加。 此规则是新创作，不是原片事实。\n\n第一秒视觉钩子：湿信封口已经伸出一只微型蟹钳，举着冒热气的白色票券；明明浸过海水，票券上的饭香却形成清楚的蒸汽小船。\n\n目标情绪路径：惊奇 → 好奇 → 共情 → 紧张 → 信任 → 释放 → 温暖 → 余味。它是创作设计，不是已测得的观众留存数据。\n\n分镜与生成指令（逐镜生成，再按时间码剪辑；全局角色锁及规则与每一镜一起输入）：\n\n镜头01｜00–01秒｜1秒｜惊奇：先看见不可能\n画面与动作：湿信封口已经伸出一只微型蟹钳，举着冒热气的白色票券；明明浸过海水，票券上的饭香却形成清楚的蒸汽小船。\n动作节拍：0.00–0.15秒直接展示钩子关键帧；0.15–0.70秒让异常动作继续；0.70–1.00秒用呼吸或微小停顿准备切入反应。\n构图与镜头：85mm感微距，道具占画面约三分之二，人物眼睛或手作为尺度参照；单一明确机位，不用无目标甩镜；异常动作在画面开始时已经发生。\n人物表演：以本镜指定的人物/道具为中心，背景角色不抢动作。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：以潮声、湿泥轻响、旧木或黄铜触碰声中最贴合本镜道具的一声开场；配一个短低频脉冲，随即让出空间，不叠加尖叫。\n衔接：在异常动作最清楚的一刻硬切至下一镜指定动作或反应；不先放片名或黑屏。\n\n镜头02｜01–04秒｜3秒｜好奇：理解人物的反应\n画面与动作：小满接过票券，海生翻看信封两面找不到地址；孩子把鼻尖凑近蒸汽，肚子不争气地轻响，随后害羞地低头。\n动作节拍：1–1.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：50mm感的近景，机位降到孩子眼平，向前缓移约一个手掌距离。\n人物表演：若小满在本镜入画，眼神先落在道具，再转向海生；若为纯道具镜，不额外挤入人脸。海生与孩子交流时保持相近眼平高度。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：保留孩子一次吸气和衣料轻摩擦，环境声变窄，音乐只留很轻的持续音。\n衔接：按人物视线切到问题或缺少之物，前一镜最后一声环境音延续约0.15秒。\n\n镜头03｜04–09秒｜5秒｜共情：显露一个小缺口\n画面与动作：二狗把票举向阳光，里面只出现一个空盘；苏兰看着见底米袋，仍摆出四只碗，给门边的小蟹留下一只小碟。\n动作节拍：4–5.25秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：35mm感中景或中近景，交代角色、目标道具和可行动空间；保持眼线一致。\n人物表演：让负责本镜行动的成人先动，孩子随后作出可见反应；避免所有人同时表演。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：空碗、空袋、脚步或木板声选本镜实际存在的一项放近；未出场物件不配声，避免声源误导。\n衔接：用逐渐靠近的风声/物件声引入下一镜；剪切前先让观众认清道具位置。\n\n镜头04｜09–15秒｜6秒｜紧张：让选择有代价\n画面与动作：村人从远处抛来一枚硬币，票券上的热气忽然消散；小满以为必须把小蟹交出去，手指缩到胸前。\n动作节拍：9–10.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：28mm感稍低机位，前景放障碍或关键道具，后景保留退路；缓慢推进，不乱晃。\n人物表演：海生或苏兰承担保护动作，孩子的恐惧用呼吸与手指表现；二狗的夸张反应不压过危险信息。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：风与低频逐步增强，声音来自画面可解释方向；临近决定时收低，不盖过呼吸。\n衔接：在角色看向选择对象时切到手部，危险声短暂收低，突出决定。\n\n镜头05｜15–22秒｜7秒｜信任：人物主动做决定\n画面与动作：海生把硬币放回石台，不做交易；小满把自己的米粒分到小碟里，再把票券贴近小蟹。\n动作节拍：15–16.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：65–85mm感手部/道具插入镜头，焦点从指尖过渡到被选择的物件；只做一次明确动作。\n人物表演：选择必须由清楚的手部动作落实；其余角色停住，给观众看懂选择的空间。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：对白：小满轻声说“有你一份，也有它一份。”；只配一次明确道具接触声。\n衔接：按动作方向匹配下一镜的变化，避免用白闪遮盖因果。\n\n镜头06｜22–30秒｜8秒｜释放：回报具有清楚因果\n画面与动作：空盘图案变成四碗饭与一小碟的金色浮雕，信封展开成防水粮袋；苏兰先接住粮袋，避免食物落入泥水。\n动作节拍：22–24.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：28–35mm感中广景，由关键道具向外缓慢拉开，完整看见变化及安全距离。\n人物表演：先让道具/环境发生变化，再切或移到人物反应；变化只遵守本故事规则。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：潮声、湿泥轻响、旧木或黄铜触碰声随变化从密变疏，再进入温暖的两三个原创音符；不使用现成热门歌曲歌词。\n衔接：变化完成后停半拍再切脸部；环境音恢复，音乐只抬高一层。\n\n镜头07｜30–38秒｜8秒｜温暖：给表情留下时间\n画面与动作：桌边蒸汽升起，二狗给小蟹认真摆正小碟；小满看看四只碗，再看看自己的碗，确认她没有被忘记。\n动作节拍：30–32.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：35mm感桌边或岸边中景，先交代所有本镜角色，再缓慢靠近小满的表情；不在同一镜里把人数和座位改掉。\n人物表演：孩子的肩膀放松、视线愿意停留；成人以小动作回应，不用齐声大笑替代情绪。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：对白：海生说“这封信没有寄错。”；其余人用目光回应，留半秒安静。\n衔接：由人物最后的目光或手指引向收尾道具，暖光保持一致。\n\n镜头08｜38–44秒｜6秒｜余味：接回钩子并打开新可能\n画面与动作：信封里又伸出更小的一只钳子，举起一张空票；镜头回到信封口，结尾留下分享可以继续的开放邀请。\n动作节拍：38–39.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：85mm感道具近特写，轻俯拍，焦点落在本镜指定接触点；人物只保留必要手部或眼睛倒影，不强行切成正面人像。\n人物表演：人物保持结局得到的安全与关系；新的小悬念不撤销已经完成的情绪回报。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：取第一镜的同一种音色作为最后一个轻声提示，让尾音衔接循环；不突然加入无关轰鸣。\n衔接：最后0.3秒保留与开头相似的轮廓/音色，允许无缝循环；不加黑底强制点击卡。\n\n负向与连续性检查：不出现无依据的手机、枪械、医院、现代车辆、书上伪造大段文字、未经设计的影视角色或艺术家署名。保持双髻、红带、额头红点及四名主角身份；不多生手指、蟹腿，不让手与道具穿模，不把罗盘替换成怀表。道具在同一镜内不得随机换材质、数量、左右位置或开合状态。只允许故事规则指定的物件变化；儿童无血腥伤害。所有字幕、可读书名和界面文字后期添加，生成画面不带水印、伪字幕或推广尾卡。\n合成前逐镜核对：人物数与站坐姿；第一帧是否已有异常；动作起点/终点能否接上；道具尺寸是否受控；视线和海平线是否一致；每个回报能否追溯到前一镜的选择。未拍出因果时重做相关镜头，不能靠旁白掩盖。\n\n平台剪辑备选（不是平台时长限制，也不是热度保证）：\nTikTok测试版：保留0–1秒钩子，1–4秒加一行疑问字幕，22–30秒完整展示回报；可将4–9秒背景压成3秒，成片约42秒。\nInstagram Reels测试版：保持道具质感与暖光配色，前1秒无需读字即可理解异常；保留30–38秒表情停顿，以收尾道具作封面，主体仍44秒。\nYouTube Shorts测试版：保持44秒因果链，画外说明最多一句；最后0.3秒与开头形状/声响呼应，避免只留下未兑现的悬念。\n所有字幕建议单行、短句，放在人物面部与关键道具之外；先按实际播放器界面预览遮挡。\n\n可测试的两个开头：A使用第一镜的大/小、静/动反差；B保持同一异常事件，但从小满瞳孔或手中道具切入，再在0.6秒内露出尺度参照。只改变开头一项，其余剪辑保持一致；是否提高留存需要真实成片与实际观看数据，本任务未做此测试。" }, { "id": "C032", "title": "地图会记住每一次善意", "concept_id": "S20", "concept_index": 19, "version": 1, "genre": "道具悬疑", "duration_seconds": 44, "shot_count": 8, "source_id": "results-hd--qwen3", "source_name": "Qwen/Qwen3-VL-2B-Instruct", "category": "results-hd", "source_path": "raw-prompts/results-hd--qwen3.txt", "source_record": "results-hd/qwen3.json", "source_paths": [ "raw-prompts/results-hd--qwen3.txt", "project-cases/QwenLM__Qwen3-VL/prompt-raw.txt" ], "source_excerpt": "A young girl with two red buns tied with ribbons sits on a rocky shore, dressed in a worn blue jacket and brown pants, her hands gently touching three crabs on the wet sand. The background shows a distant shoreline with a large rope and a building. The scene is dimly lit, suggesting early morning or late evening. At 15 seconds, the girl's face is shown in close-up, her eyes filled with tears, and a red dot is visible on her forehead. The text overlay reads, \"谁知道他从哪飘来的\" (Who knows where he came from). The scene transitions to a wide shot of a massive wave crashing over a rocky beach, with a sma", "source_review": { "strength": "能读出部分中文字幕与红发带、额头红点、木桌、笔记等细节。", "issues": "字幕识别有错，把385秒多人收获描述得不准确；输出达到上限后截断。", "verdict": "细节较丰富，仍需逐帧核对。" }, "contribution": "视觉片段型来源：以原文中与原帧相符的海岸、人物、表情或道具作为灵感入口。身份、对白、连续动作、奇幻规则和新剧情由Codex补写，不是该模型的原始能力。", "source_duplicate_of": null, "source_hash": "1937626c7940bd4a8a3bb84f7f74d5b4a7c1ac6b29eee7ad805662b9f87ab295", "body_hash": "fda2da93715589fc78b0444ac9ae7fe88de089dfb78cbe1048081a0fa64b61a5", "author": "Codex, shared writer; not original model output", "fallback": false, "hook": "海图上的红圈已经脱离纸面，像救生圈一样套住一只真实小蟹；蟹在空中轻轻摆腿，小满与二狗同时看呆。", "rule": "地图记录行为而非地名；每帮助一次别人，安全路线才显出一段。", "shots": [ { "number": 1, "start": 0, "end": 1, "duration": 1, "beat": "惊奇：先看见不可能", "action": "海图上的红圈已经脱离纸面，像救生圈一样套住一只真实小蟹；蟹在空中轻轻摆腿，小满与二狗同时看呆。", "camera": "85mm感微距，道具占画面约三分之二，人物眼睛或手作为尺度参照；单一明确机位，不用无目标甩镜；异常动作在画面开始时已经发生。", "performance": "以本镜指定的人物/道具为中心，背景角色不抢动作。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "以潮声、湿泥轻响、旧木或黄铜触碰声中最贴合本镜道具的一声开场；配一个短低频脉冲，随即让出空间，不叠加尖叫。", "transition": "在异常动作最清楚的一刻硬切至下一镜指定动作或反应；不先放片名或黑屏。", "timing": "0.00–0.15秒直接展示钩子关键帧；0.15–0.70秒让异常动作继续；0.70–1.00秒用呼吸或微小停顿准备切入反应。" }, { "number": 2, "start": 1, "end": 4, "duration": 3, "beat": "好奇：理解人物的反应", "action": "海生把海图摊平，小蟹平稳落回湿石台；地图上的金点却后退一格，仿佛在等他们做出下一步。", "camera": "50mm感的近景，机位降到孩子眼平，向前缓移约一个手掌距离。", "performance": "若小满在本镜入画，眼神先落在道具，再转向海生；若为纯道具镜，不额外挤入人脸。海生与孩子交流时保持相近眼平高度。 本来源版本强调小满的主观感受：先拍她注意到的细节，再拍回应，缩短无信息的成人反应。", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "保留孩子一次吸气和衣料轻摩擦，环境声变窄，音乐只留很轻的持续音。", "transition": "按人物视线切到问题或缺少之物，前一镜最后一声环境音延续约0.15秒。", "timing": "1–1.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 3, "start": 4, "end": 9, "duration": 5, "beat": "共情：显露一个小缺口", "action": "远处有人急着追逐金光，二狗也想跟去；小满发现另一只小蟹被空绳圈挡住，蹲下替它松开。", "camera": "35mm感中景或中近景，交代角色、目标道具和可行动空间；保持眼线一致。", "performance": "让负责本镜行动的成人先动，孩子随后作出可见反应；避免所有人同时表演。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "空碗、空袋、脚步或木板声选本镜实际存在的一项放近；未出场物件不配声，避免声源误导。", "transition": "用逐渐靠近的风声/物件声引入下一镜；剪切前先让观众认清道具位置。", "timing": "4–5.25秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 4, "start": 9, "end": 15, "duration": 6, "beat": "紧张：让选择有代价", "action": "潮水沿纸边浸来，地图的路不断褪色；海生一手护图、一手护孩子，在赶路与帮忙之间短暂迟疑。", "camera": "28mm感稍低机位，前景放障碍或关键道具，后景保留退路；缓慢推进，不乱晃。", "performance": "海生或苏兰承担保护动作，孩子的恐惧用呼吸与手指表现；二狗的夸张反应不压过危险信息。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "风与低频逐步增强，声音来自画面可解释方向；临近决定时收低，不盖过呼吸。", "transition": "在角色看向选择对象时切到手部，危险声短暂收低，突出决定。", "timing": "9–10.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 5, "start": 15, "end": 22, "duration": 7, "beat": "信任：人物主动做决定", "action": "他把地图交给苏兰，和小满一起扶正被浪冲翻的小木盆；二狗跟着把堵住水沟的旧绳移开。", "camera": "65–85mm感手部/道具插入镜头，焦点从指尖过渡到被选择的物件；只做一次明确动作。", "performance": "选择必须由清楚的手部动作落实；其余角色停住，给观众看懂选择的空间。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "对白：小满轻声说“先帮它，再找宝藏。”；只配一次明确道具接触声。", "transition": "按动作方向匹配下一镜的变化，避免用白闪遮盖因果。", "timing": "15–16.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 6, "start": 22, "end": 30, "duration": 8, "beat": "释放：回报具有清楚因果", "action": "金点沿每个善意动作的位置连成路线，通向近处安全蟹穴；原本像财宝谜题的地图，变成真实行动留下的记录。", "camera": "28–35mm感中广景，由关键道具向外缓慢拉开，完整看见变化及安全距离。", "performance": "先让道具/环境发生变化，再切或移到人物反应；变化只遵守本故事规则。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "潮声、湿泥轻响、旧木或黄铜触碰声随变化从密变疏，再进入温暖的两三个原创音符；不使用现成热门歌曲歌词。", "transition": "变化完成后停半拍再切脸部；环境音恢复，音乐只抬高一层。", "timing": "22–24.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 7, "start": 30, "end": 38, "duration": 8, "beat": "温暖：给表情留下时间", "action": "他们带着适量收获回家，把小蟹轻放回浅水；小满在地图最后一个亮点旁画下四个小圆，不生成文字。", "camera": "50–65mm感面部近景，稳定机位，留出至少半秒无对白微表情。", "performance": "孩子的肩膀放松、视线愿意停留；成人以小动作回应，不用齐声大笑替代情绪。 本来源版本强调小满的主观感受：先拍她注意到的细节，再拍回应，缩短无信息的成人反应。", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "对白：海生说“路是这样亮起来的。”；其余人用目光回应，留半秒安静。", "transition": "由人物最后的目光或手指引向收尾道具，暖光保持一致。", "timing": "30–32.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 8, "start": 38, "end": 44, "duration": 6, "beat": "余味：接回钩子并打开新可能", "action": "一只迟到的小蟹从地图背面爬出来，带来新的红圈；镜头落到同样的圆形构图，给下一次善意留一个入口。", "camera": "以本镜描述的收尾物件构图；最后的形状、光点或运动方向匹配开场关键元素。允许改变景别，但匹配关系必须清楚。", "performance": "人物保持结局得到的安全与关系；新的小悬念不撤销已经完成的情绪回报。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "取第一镜的同一种音色作为最后一个轻声提示，让尾音衔接循环；不突然加入无关轰鸣。", "transition": "最后0.3秒保留与开头相似的轮廓/音色，允许无缝循环；不加黑底强制点击卡。", "timing": "38–39.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" } ], "path": "creative/C032--results-hd--qwen3.txt", "text": "来源文件：raw-prompts/results-hd--qwen3.txt\n来源名称：Qwen/Qwen3-VL-2B-Instruct\n实际来源记录：results-hd/qwen3.json\n原文可用点：能读出部分中文字幕与红发带、额头红点、木桌、笔记等细节。\n原文问题/边界：字幕识别有错，把385秒多人收获描述得不准确；输出达到上限后截断。\n转化方式：视觉片段型来源：以原文中与原帧相符的海岸、人物、表情或道具作为灵感入口。身份、对白、连续动作、奇幻规则和新剧情由Codex补写，不是该模型的原始能力。\n本次选择的新故事：地图会记住每一次善意。所有幻想事件都是二创，不用原文中的误识别冒充事实。\n\n《地图会记住每一次善意》｜道具悬疑｜44秒完整剪辑稿\n\n制作目标：44秒，9:16竖屏，8个剪辑镜头，目标1080×1920、24fps。时间表是剪辑设计，不是任一平台API保证；按工具实际支持的片段长度生成，再裁切拼接。此处没有生成视频。\n视觉基调：架空旧式沿海村落，湿泥、粗布、旧木和黄铜具有可触摸的写实材质；幼童面部略带童话般大眼比例。灰蓝海水与褐色村屋为底，红发带是辨识点，幻想光源以局部金色/银色呈现。\n小满：幼童女孩，黑发双髻、左右各一条红发带、额头小红点；灰褐补丁粗布衣、布挎袋、旧布鞋。开场若用蓝披衣，则全片保持，除非镜头明确拍下脱衣。性格敏感、先看大人反应，再敢表达愿望。红点不是伤口，红发带不是红头发。\n海生：青年男性，凌乱黑发，旧蓝外衣、灰内衫、深裤；行动稳，保护孩子时先降到她的眼平高度，不以大喊替代关心。\n苏兰：成年女性，深发松束、灰褐无袖粗布上衣、简单项链与腕布；观察细节，负责托稳道具、递布或摆碗等具体照顾。\n二狗：青年男性，短黑发、橄榄绿外衣；提供轻微喜剧和观众反应，后半段愿意放慢动作参与帮助，不把他写成伤害孩子的反派。\n上述人物只在本镜明确指定时出现。群众只作远处模糊背景，不增加新主角。多人同框时优先保持海生在左、苏兰在后、二狗在右、小满在前中；若换位，用中广景交代，不瞬移。\n环境连续性：泥滩、浅水、旧船和村屋保持同一架空地点。海平线稳定。湿衣不会无故变干。室内暖色由船灯或灶火提供；室外变暖用云隙光或明确的幻想道具光解释，不让44秒凭空跨越数小时。\n人物表情与道具变化分开生成更易核对：每镜最多一个主要幻想动作，真实人物不随道具变形。以上服装、人物名和新动作均属本次二创设定，不声称模型从8帧恢复了全部身份。\n\n核心道具锁：无字海图、红圈、会移动的小金点。先为本片制作一张统一道具参考图，记录缺口、锈斑、左右方向、尺寸；镜头之间沿用同一版本。\n\n本片新规则：地图记录行为而非地名；每帮助一次别人，安全路线才显出一段。 此规则是新创作，不是原片事实。\n\n第一秒视觉钩子：海图上的红圈已经脱离纸面，像救生圈一样套住一只真实小蟹；蟹在空中轻轻摆腿，小满与二狗同时看呆。\n\n目标情绪路径：惊奇 → 好奇 → 共情 → 紧张 → 信任 → 释放 → 温暖 → 余味。它是创作设计，不是已测得的观众留存数据。\n\n分镜与生成指令（逐镜生成，再按时间码剪辑；全局角色锁及规则与每一镜一起输入）：\n\n镜头01｜00–01秒｜1秒｜惊奇：先看见不可能\n画面与动作：海图上的红圈已经脱离纸面，像救生圈一样套住一只真实小蟹；蟹在空中轻轻摆腿，小满与二狗同时看呆。\n动作节拍：0.00–0.15秒直接展示钩子关键帧；0.15–0.70秒让异常动作继续；0.70–1.00秒用呼吸或微小停顿准备切入反应。\n构图与镜头：85mm感微距，道具占画面约三分之二，人物眼睛或手作为尺度参照；单一明确机位，不用无目标甩镜；异常动作在画面开始时已经发生。\n人物表演：以本镜指定的人物/道具为中心，背景角色不抢动作。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：以潮声、湿泥轻响、旧木或黄铜触碰声中最贴合本镜道具的一声开场；配一个短低频脉冲，随即让出空间，不叠加尖叫。\n衔接：在异常动作最清楚的一刻硬切至下一镜指定动作或反应；不先放片名或黑屏。\n\n镜头02｜01–04秒｜3秒｜好奇：理解人物的反应\n画面与动作：海生把海图摊平，小蟹平稳落回湿石台；地图上的金点却后退一格，仿佛在等他们做出下一步。\n动作节拍：1–1.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：50mm感的近景，机位降到孩子眼平，向前缓移约一个手掌距离。\n人物表演：若小满在本镜入画，眼神先落在道具，再转向海生；若为纯道具镜，不额外挤入人脸。海生与孩子交流时保持相近眼平高度。 本来源版本强调小满的主观感受：先拍她注意到的细节，再拍回应，缩短无信息的成人反应。\n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：保留孩子一次吸气和衣料轻摩擦，环境声变窄，音乐只留很轻的持续音。\n衔接：按人物视线切到问题或缺少之物，前一镜最后一声环境音延续约0.15秒。\n\n镜头03｜04–09秒｜5秒｜共情：显露一个小缺口\n画面与动作：远处有人急着追逐金光，二狗也想跟去；小满发现另一只小蟹被空绳圈挡住，蹲下替它松开。\n动作节拍：4–5.25秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：35mm感中景或中近景，交代角色、目标道具和可行动空间；保持眼线一致。\n人物表演：让负责本镜行动的成人先动，孩子随后作出可见反应；避免所有人同时表演。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：空碗、空袋、脚步或木板声选本镜实际存在的一项放近；未出场物件不配声，避免声源误导。\n衔接：用逐渐靠近的风声/物件声引入下一镜；剪切前先让观众认清道具位置。\n\n镜头04｜09–15秒｜6秒｜紧张：让选择有代价\n画面与动作：潮水沿纸边浸来，地图的路不断褪色；海生一手护图、一手护孩子，在赶路与帮忙之间短暂迟疑。\n动作节拍：9–10.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：28mm感稍低机位，前景放障碍或关键道具，后景保留退路；缓慢推进，不乱晃。\n人物表演：海生或苏兰承担保护动作，孩子的恐惧用呼吸与手指表现；二狗的夸张反应不压过危险信息。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：风与低频逐步增强，声音来自画面可解释方向；临近决定时收低，不盖过呼吸。\n衔接：在角色看向选择对象时切到手部，危险声短暂收低，突出决定。\n\n镜头05｜15–22秒｜7秒｜信任：人物主动做决定\n画面与动作：他把地图交给苏兰，和小满一起扶正被浪冲翻的小木盆；二狗跟着把堵住水沟的旧绳移开。\n动作节拍：15–16.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：65–85mm感手部/道具插入镜头，焦点从指尖过渡到被选择的物件；只做一次明确动作。\n人物表演：选择必须由清楚的手部动作落实；其余角色停住，给观众看懂选择的空间。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：对白：小满轻声说“先帮它，再找宝藏。”；只配一次明确道具接触声。\n衔接：按动作方向匹配下一镜的变化，避免用白闪遮盖因果。\n\n镜头06｜22–30秒｜8秒｜释放：回报具有清楚因果\n画面与动作：金点沿每个善意动作的位置连成路线，通向近处安全蟹穴；原本像财宝谜题的地图，变成真实行动留下的记录。\n动作节拍：22–24.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：28–35mm感中广景，由关键道具向外缓慢拉开，完整看见变化及安全距离。\n人物表演：先让道具/环境发生变化，再切或移到人物反应；变化只遵守本故事规则。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：潮声、湿泥轻响、旧木或黄铜触碰声随变化从密变疏，再进入温暖的两三个原创音符；不使用现成热门歌曲歌词。\n衔接：变化完成后停半拍再切脸部；环境音恢复，音乐只抬高一层。\n\n镜头07｜30–38秒｜8秒｜温暖：给表情留下时间\n画面与动作：他们带着适量收获回家，把小蟹轻放回浅水；小满在地图最后一个亮点旁画下四个小圆，不生成文字。\n动作节拍：30–32.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：50–65mm感面部近景，稳定机位，留出至少半秒无对白微表情。\n人物表演：孩子的肩膀放松、视线愿意停留；成人以小动作回应，不用齐声大笑替代情绪。 本来源版本强调小满的主观感受：先拍她注意到的细节，再拍回应，缩短无信息的成人反应。\n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：对白：海生说“路是这样亮起来的。”；其余人用目光回应，留半秒安静。\n衔接：由人物最后的目光或手指引向收尾道具，暖光保持一致。\n\n镜头08｜38–44秒｜6秒｜余味：接回钩子并打开新可能\n画面与动作：一只迟到的小蟹从地图背面爬出来，带来新的红圈；镜头落到同样的圆形构图，给下一次善意留一个入口。\n动作节拍：38–39.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：以本镜描述的收尾物件构图；最后的形状、光点或运动方向匹配开场关键元素。允许改变景别，但匹配关系必须清楚。\n人物表演：人物保持结局得到的安全与关系；新的小悬念不撤销已经完成的情绪回报。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：取第一镜的同一种音色作为最后一个轻声提示，让尾音衔接循环；不突然加入无关轰鸣。\n衔接：最后0.3秒保留与开头相似的轮廓/音色，允许无缝循环；不加黑底强制点击卡。\n\n负向与连续性检查：不出现无依据的手机、枪械、医院、现代车辆、书上伪造大段文字、未经设计的影视角色或艺术家署名。保持双髻、红带、额头红点及四名主角身份；不多生手指、蟹腿，不让手与道具穿模，不把罗盘替换成怀表。道具在同一镜内不得随机换材质、数量、左右位置或开合状态。只允许故事规则指定的物件变化；儿童无血腥伤害。所有字幕、可读书名和界面文字后期添加，生成画面不带水印、伪字幕或推广尾卡。\n合成前逐镜核对：人物数与站坐姿；第一帧是否已有异常；动作起点/终点能否接上；道具尺寸是否受控；视线和海平线是否一致；每个回报能否追溯到前一镜的选择。未拍出因果时重做相关镜头，不能靠旁白掩盖。\n\n平台剪辑备选（不是平台时长限制，也不是热度保证）：\nTikTok测试版：保留0–1秒钩子，1–4秒加一行疑问字幕，22–30秒完整展示回报；可将4–9秒背景压成3秒，成片约42秒。\nInstagram Reels测试版：保持道具质感与暖光配色，前1秒无需读字即可理解异常；保留30–38秒表情停顿，以收尾道具作封面，主体仍44秒。\nYouTube Shorts测试版：保持44秒因果链，画外说明最多一句；最后0.3秒与开头形状/声响呼应，避免只留下未兑现的悬念。\n所有字幕建议单行、短句，放在人物面部与关键道具之外；先按实际播放器界面预览遮挡。\n\n可测试的两个开头：A使用第一镜的大/小、静/动反差；B保持同一异常事件，但从小满瞳孔或手中道具切入，再在0.6秒内露出尺度参照。只改变开头一项，其余剪辑保持一致；是否提高留存需要真实成片与实际观看数据，本任务未做此测试。" }, { "id": "C033", "title": "最后一格潮汐", "concept_id": "S28", "concept_index": 27, "version": 2, "genre": "限时悬疑", "duration_seconds": 44, "shot_count": 8, "source_id": "results-hd--smolvlm-single", "source_name": "HuggingFaceTB/SmolVLM2-500M-Video-Instruct", "category": "results-hd", "source_path": "raw-prompts/results-hd--smolvlm-single.txt", "source_record": "results-hd/smolvlm-single.json", "source_paths": [ "raw-prompts/results-hd--smolvlm-single.txt", "project-cases/huggingface__smollm/prompt-raw.txt" ], "source_excerpt": "[0 秒]\n A little girl is sitting on the beach with crabs.\n\n[15 秒]\n A child with tears in her eyes.\n\n[50 秒]\n A boat on a beach with a large wave in the background.\n\n[95 秒]\n The group of people are gathered around a table. The woman on the left is wearing a blue shirt. The woman on the right is wearing a black vest. The man in the middle is wearing a brown jacket. The woman on the left is holding a piece of paper. The woman on the right is holding a cup. The man in the middle is holding a cup. The woman on the left\n\n[175 秒]\n A person is holding an old leather bound book with a compass in their ha", "source_review": { "strength": "单帧重试识别蟹、流泪、海浪和旧书罗盘；较8帧拼接输出可读。", "issues": "95秒开始重复并加入杯子；340秒虚构军装，385秒写成海报、船上工作；部分输出截断。", "verdict": "接入方式改善了可读性，未解决全部画面错误；同一项目不重复计数。" }, "contribution": "视觉片段型来源：以原文中与原帧相符的海岸、人物、表情或道具作为灵感入口。身份、对白、连续动作、奇幻规则和新剧情由Codex补写，不是该模型的原始能力。", "source_duplicate_of": null, "source_hash": "e78b5bb11bec198aae02eb079315f0641a1ba3a131dbd63615b01d3cf056cfe2", "body_hash": "2e3a50237595804e2b46681dd4d318021efe62c9ad68be9083b5401024ade725", "author": "Codex, shared writer; not original model output", "fallback": false, "hook": "沙漏里的最后一粒沙已经倒着向上飞，远处潮水随它逆流；小满的鞋尖停在两块木板之间，水面像拉紧的弦。", "rule": "每一格沙代表一次浪回落；人物只需完成跨过浅沟的一步，不设复杂超时机制。", "shots": [ { "number": 1, "start": 0, "end": 1, "duration": 1, "beat": "惊奇：先看见不可能", "action": "沙漏里的最后一粒沙已经倒着向上飞，远处潮水随它逆流；小满的鞋尖停在两块木板之间，水面像拉紧的弦。", "camera": "24–35mm感中广景或前景近物后景巨物，保留明确大小参照；单一明确机位，不用无目标甩镜；异常动作在画面开始时已经发生。", "performance": "以本镜指定的人物/道具为中心，背景角色不抢动作。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "以潮声、湿泥轻响、旧木或黄铜触碰声中最贴合本镜道具的一声开场；配一个短低频脉冲，随即让出空间，不叠加尖叫。", "transition": "在异常动作最清楚的一刻硬切至下一镜指定动作或反应；不先放片名或黑屏。", "timing": "0.00–0.15秒直接展示钩子关键帧；0.15–0.70秒让异常动作继续；0.70–1.00秒用呼吸或微小停顿准备切入反应。" }, { "number": 2, "start": 1, "end": 4, "duration": 3, "beat": "好奇：理解人物的反应", "action": "她把沙漏递给海生，指向对岸一只翻身困难的小蟹；海生查看浅沟与木板距离，先把孩子留在稳固的一侧。", "camera": "50mm感的近景，机位降到孩子眼平，向前缓移约一个手掌距离。", "performance": "若小满在本镜入画，眼神先落在道具，再转向海生；若为纯道具镜，不额外挤入人脸。海生与孩子交流时保持相近眼平高度。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "保留孩子一次吸气和衣料轻摩擦，环境声变窄，音乐只留很轻的持续音。", "transition": "按人物视线切到问题或缺少之物，前一镜最后一声环境音延续约0.15秒。", "timing": "1–1.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 3, "start": 4, "end": 9, "duration": 5, "beat": "共情：显露一个小缺口", "action": "二狗急着跳过浅沟，木板轻晃，沙漏猛掉一格；苏兰拉住他袖口，所有人意识到着急反而让时间变少。", "camera": "35mm感中景或中近景，交代角色、目标道具和可行动空间；保持眼线一致。", "performance": "让负责本镜行动的成人先动，孩子随后作出可见反应；避免所有人同时表演。 本来源版本强调空间关系：镜头开头保留四个角色/道具位置参照，再靠近关键动作，不以密集特写掩盖布局。", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "空碗、空袋、脚步或木板声选本镜实际存在的一项放近；未出场物件不配声，避免声源误导。", "transition": "用逐渐靠近的风声/物件声引入下一镜；剪切前先让观众认清道具位置。", "timing": "4–5.25秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 4, "start": 9, "end": 15, "duration": 6, "beat": "紧张：让选择有代价", "action": "潮水抬高，两个木板间的缝隙看起来越来越宽；小满的手在发抖，但她仍盯着沙漏最细的颈口。", "camera": "28mm感稍低机位，前景放障碍或关键道具，后景保留退路；缓慢推进，不乱晃。", "performance": "海生或苏兰承担保护动作，孩子的恐惧用呼吸与手指表现；二狗的夸张反应不压过危险信息。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "风与低频逐步增强，声音来自画面可解释方向；临近决定时收低，不盖过呼吸。", "transition": "在角色看向选择对象时切到手部，危险声短暂收低，突出决定。", "timing": "9–10.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 5, "start": 15, "end": 22, "duration": 7, "beat": "信任：人物主动做决定", "action": "海生放慢动作，先搭牢一块横板，再朝孩子伸手；小满等沙粒停顿的瞬间，把沙漏交给苏兰。", "camera": "65–85mm感手部/道具插入镜头，焦点从指尖过渡到被选择的物件；只做一次明确动作。", "performance": "选择必须由清楚的手部动作落实；其余角色停住，给观众看懂选择的空间。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "对白：小满轻声说“等最后这一格。”；只配一次明确道具接触声。", "transition": "按动作方向匹配下一镜的变化，避免用白闪遮盖因果。", "timing": "15–16.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 6, "start": 22, "end": 30, "duration": 8, "beat": "释放：回报具有清楚因果", "action": "海生跨过横板，轻轻扶正小蟹，再原路回到孩子身边；潮水正好回落，紧张由一次简单而清楚的行动解除。", "camera": "28–35mm感中广景，由关键道具向外缓慢拉开，完整看见变化及安全距离。", "performance": "先让道具/环境发生变化，再切或移到人物反应；变化只遵守本故事规则。 本来源版本强调空间关系：镜头开头保留四个角色/道具位置参照，再靠近关键动作，不以密集特写掩盖布局。", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "潮声、湿泥轻响、旧木或黄铜触碰声随变化从密变疏，再进入温暖的两三个原创音符；不使用现成热门歌曲歌词。", "transition": "变化完成后停半拍再切脸部；环境音恢复，音乐只抬高一层。", "timing": "22–24.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 7, "start": 30, "end": 38, "duration": 8, "beat": "温暖：给表情留下时间", "action": "小满摸摸海生湿掉的袖口，把小布袋里的干布递给他；二狗看着自己尚未踏出的脚，笑着认输。", "camera": "50–65mm感面部近景，稳定机位，留出至少半秒无对白微表情。", "performance": "孩子的肩膀放松、视线愿意停留；成人以小动作回应，不用齐声大笑替代情绪。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "对白：小满说“我知道你会接住我。”；其余人用目光回应，留半秒安静。", "transition": "由人物最后的目光或手指引向收尾道具，暖光保持一致。", "timing": "30–32.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 8, "start": 38, "end": 44, "duration": 6, "beat": "余味：接回钩子并打开新可能", "action": "沙漏底部一粒沙变成小小蟹形光点，缓缓爬向上层；第一秒倒流的异常获得温柔解释，也留下循环入口。", "camera": "以本镜描述的收尾物件构图；最后的形状、光点或运动方向匹配开场关键元素。允许改变景别，但匹配关系必须清楚。", "performance": "人物保持结局得到的安全与关系；新的小悬念不撤销已经完成的情绪回报。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "取第一镜的同一种音色作为最后一个轻声提示，让尾音衔接循环；不突然加入无关轰鸣。", "transition": "最后0.3秒保留与开头相似的轮廓/音色，允许无缝循环；不加黑底强制点击卡。", "timing": "38–39.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" } ], "path": "creative/C033--results-hd--smolvlm-single.txt", "text": "来源文件：raw-prompts/results-hd--smolvlm-single.txt\n来源名称：HuggingFaceTB/SmolVLM2-500M-Video-Instruct\n实际来源记录：results-hd/smolvlm-single.json\n原文可用点：单帧重试识别蟹、流泪、海浪和旧书罗盘；较8帧拼接输出可读。\n原文问题/边界：95秒开始重复并加入杯子；340秒虚构军装，385秒写成海报、船上工作；部分输出截断。\n转化方式：视觉片段型来源：以原文中与原帧相符的海岸、人物、表情或道具作为灵感入口。身份、对白、连续动作、奇幻规则和新剧情由Codex补写，不是该模型的原始能力。\n本次选择的新故事：最后一格潮汐。所有幻想事件都是二创，不用原文中的误识别冒充事实。\n\n《最后一格潮汐》｜限时悬疑｜44秒完整剪辑稿\n\n制作目标：44秒，9:16竖屏，8个剪辑镜头，目标1080×1920、24fps。时间表是剪辑设计，不是任一平台API保证；按工具实际支持的片段长度生成，再裁切拼接。此处没有生成视频。\n视觉基调：架空旧式沿海村落，湿泥、粗布、旧木和黄铜具有可触摸的写实材质；幼童面部略带童话般大眼比例。灰蓝海水与褐色村屋为底，红发带是辨识点，幻想光源以局部金色/银色呈现。\n小满：幼童女孩，黑发双髻、左右各一条红发带、额头小红点；灰褐补丁粗布衣、布挎袋、旧布鞋。开场若用蓝披衣，则全片保持，除非镜头明确拍下脱衣。性格敏感、先看大人反应，再敢表达愿望。红点不是伤口，红发带不是红头发。\n海生：青年男性，凌乱黑发，旧蓝外衣、灰内衫、深裤；行动稳，保护孩子时先降到她的眼平高度，不以大喊替代关心。\n苏兰：成年女性，深发松束、灰褐无袖粗布上衣、简单项链与腕布；观察细节，负责托稳道具、递布或摆碗等具体照顾。\n二狗：青年男性，短黑发、橄榄绿外衣；提供轻微喜剧和观众反应，后半段愿意放慢动作参与帮助，不把他写成伤害孩子的反派。\n上述人物只在本镜明确指定时出现。群众只作远处模糊背景，不增加新主角。多人同框时优先保持海生在左、苏兰在后、二狗在右、小满在前中；若换位，用中广景交代，不瞬移。\n环境连续性：泥滩、浅水、旧船和村屋保持同一架空地点。海平线稳定。湿衣不会无故变干。室内暖色由船灯或灶火提供；室外变暖用云隙光或明确的幻想道具光解释，不让44秒凭空跨越数小时。\n人物表情与道具变化分开生成更易核对：每镜最多一个主要幻想动作，真实人物不随道具变形。以上服装、人物名和新动作均属本次二创设定，不声称模型从8帧恢复了全部身份。\n\n核心道具锁：八格沙漏、木板桥、幼蟹。先为本片制作一张统一道具参考图，记录缺口、锈斑、左右方向、尺寸；镜头之间沿用同一版本。\n\n本片新规则：每一格沙代表一次浪回落；人物只需完成跨过浅沟的一步，不设复杂超时机制。 此规则是新创作，不是原片事实。\n\n第一秒视觉钩子：沙漏里的最后一粒沙已经倒着向上飞，远处潮水随它逆流；小满的鞋尖停在两块木板之间，水面像拉紧的弦。\n\n目标情绪路径：惊奇 → 好奇 → 共情 → 紧张 → 信任 → 释放 → 温暖 → 余味。它是创作设计，不是已测得的观众留存数据。\n\n分镜与生成指令（逐镜生成，再按时间码剪辑；全局角色锁及规则与每一镜一起输入）：\n\n镜头01｜00–01秒｜1秒｜惊奇：先看见不可能\n画面与动作：沙漏里的最后一粒沙已经倒着向上飞，远处潮水随它逆流；小满的鞋尖停在两块木板之间，水面像拉紧的弦。\n动作节拍：0.00–0.15秒直接展示钩子关键帧；0.15–0.70秒让异常动作继续；0.70–1.00秒用呼吸或微小停顿准备切入反应。\n构图与镜头：24–35mm感中广景或前景近物后景巨物，保留明确大小参照；单一明确机位，不用无目标甩镜；异常动作在画面开始时已经发生。\n人物表演：以本镜指定的人物/道具为中心，背景角色不抢动作。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：以潮声、湿泥轻响、旧木或黄铜触碰声中最贴合本镜道具的一声开场；配一个短低频脉冲，随即让出空间，不叠加尖叫。\n衔接：在异常动作最清楚的一刻硬切至下一镜指定动作或反应；不先放片名或黑屏。\n\n镜头02｜01–04秒｜3秒｜好奇：理解人物的反应\n画面与动作：她把沙漏递给海生，指向对岸一只翻身困难的小蟹；海生查看浅沟与木板距离，先把孩子留在稳固的一侧。\n动作节拍：1–1.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：50mm感的近景，机位降到孩子眼平，向前缓移约一个手掌距离。\n人物表演：若小满在本镜入画，眼神先落在道具，再转向海生；若为纯道具镜，不额外挤入人脸。海生与孩子交流时保持相近眼平高度。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：保留孩子一次吸气和衣料轻摩擦，环境声变窄，音乐只留很轻的持续音。\n衔接：按人物视线切到问题或缺少之物，前一镜最后一声环境音延续约0.15秒。\n\n镜头03｜04–09秒｜5秒｜共情：显露一个小缺口\n画面与动作：二狗急着跳过浅沟，木板轻晃，沙漏猛掉一格；苏兰拉住他袖口，所有人意识到着急反而让时间变少。\n动作节拍：4–5.25秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：35mm感中景或中近景，交代角色、目标道具和可行动空间；保持眼线一致。\n人物表演：让负责本镜行动的成人先动，孩子随后作出可见反应；避免所有人同时表演。 本来源版本强调空间关系：镜头开头保留四个角色/道具位置参照，再靠近关键动作，不以密集特写掩盖布局。\n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：空碗、空袋、脚步或木板声选本镜实际存在的一项放近；未出场物件不配声，避免声源误导。\n衔接：用逐渐靠近的风声/物件声引入下一镜；剪切前先让观众认清道具位置。\n\n镜头04｜09–15秒｜6秒｜紧张：让选择有代价\n画面与动作：潮水抬高，两个木板间的缝隙看起来越来越宽；小满的手在发抖，但她仍盯着沙漏最细的颈口。\n动作节拍：9–10.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：28mm感稍低机位，前景放障碍或关键道具，后景保留退路；缓慢推进，不乱晃。\n人物表演：海生或苏兰承担保护动作，孩子的恐惧用呼吸与手指表现；二狗的夸张反应不压过危险信息。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：风与低频逐步增强，声音来自画面可解释方向；临近决定时收低，不盖过呼吸。\n衔接：在角色看向选择对象时切到手部，危险声短暂收低，突出决定。\n\n镜头05｜15–22秒｜7秒｜信任：人物主动做决定\n画面与动作：海生放慢动作，先搭牢一块横板，再朝孩子伸手；小满等沙粒停顿的瞬间，把沙漏交给苏兰。\n动作节拍：15–16.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：65–85mm感手部/道具插入镜头，焦点从指尖过渡到被选择的物件；只做一次明确动作。\n人物表演：选择必须由清楚的手部动作落实；其余角色停住，给观众看懂选择的空间。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：对白：小满轻声说“等最后这一格。”；只配一次明确道具接触声。\n衔接：按动作方向匹配下一镜的变化，避免用白闪遮盖因果。\n\n镜头06｜22–30秒｜8秒｜释放：回报具有清楚因果\n画面与动作：海生跨过横板，轻轻扶正小蟹，再原路回到孩子身边；潮水正好回落，紧张由一次简单而清楚的行动解除。\n动作节拍：22–24.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：28–35mm感中广景，由关键道具向外缓慢拉开，完整看见变化及安全距离。\n人物表演：先让道具/环境发生变化，再切或移到人物反应；变化只遵守本故事规则。 本来源版本强调空间关系：镜头开头保留四个角色/道具位置参照，再靠近关键动作，不以密集特写掩盖布局。\n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：潮声、湿泥轻响、旧木或黄铜触碰声随变化从密变疏，再进入温暖的两三个原创音符；不使用现成热门歌曲歌词。\n衔接：变化完成后停半拍再切脸部；环境音恢复，音乐只抬高一层。\n\n镜头07｜30–38秒｜8秒｜温暖：给表情留下时间\n画面与动作：小满摸摸海生湿掉的袖口，把小布袋里的干布递给他；二狗看着自己尚未踏出的脚，笑着认输。\n动作节拍：30–32.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：50–65mm感面部近景，稳定机位，留出至少半秒无对白微表情。\n人物表演：孩子的肩膀放松、视线愿意停留；成人以小动作回应，不用齐声大笑替代情绪。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：对白：小满说“我知道你会接住我。”；其余人用目光回应，留半秒安静。\n衔接：由人物最后的目光或手指引向收尾道具，暖光保持一致。\n\n镜头08｜38–44秒｜6秒｜余味：接回钩子并打开新可能\n画面与动作：沙漏底部一粒沙变成小小蟹形光点，缓缓爬向上层；第一秒倒流的异常获得温柔解释，也留下循环入口。\n动作节拍：38–39.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：以本镜描述的收尾物件构图；最后的形状、光点或运动方向匹配开场关键元素。允许改变景别，但匹配关系必须清楚。\n人物表演：人物保持结局得到的安全与关系；新的小悬念不撤销已经完成的情绪回报。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：取第一镜的同一种音色作为最后一个轻声提示，让尾音衔接循环；不突然加入无关轰鸣。\n衔接：最后0.3秒保留与开头相似的轮廓/音色，允许无缝循环；不加黑底强制点击卡。\n\n负向与连续性检查：不出现无依据的手机、枪械、医院、现代车辆、书上伪造大段文字、未经设计的影视角色或艺术家署名。保持双髻、红带、额头红点及四名主角身份；不多生手指、蟹腿，不让手与道具穿模，不把罗盘替换成怀表。道具在同一镜内不得随机换材质、数量、左右位置或开合状态。只允许故事规则指定的物件变化；儿童无血腥伤害。所有字幕、可读书名和界面文字后期添加，生成画面不带水印、伪字幕或推广尾卡。\n合成前逐镜核对：人物数与站坐姿；第一帧是否已有异常；动作起点/终点能否接上；道具尺寸是否受控；视线和海平线是否一致；每个回报能否追溯到前一镜的选择。未拍出因果时重做相关镜头，不能靠旁白掩盖。\n\n平台剪辑备选（不是平台时长限制，也不是热度保证）：\nTikTok测试版：保留0–1秒钩子，1–4秒加一行疑问字幕，22–30秒完整展示回报；可将4–9秒背景压成3秒，成片约42秒。\nInstagram Reels测试版：保持道具质感与暖光配色，前1秒无需读字即可理解异常；保留30–38秒表情停顿，以收尾道具作封面，主体仍44秒。\nYouTube Shorts测试版：保持44秒因果链，画外说明最多一句；最后0.3秒与开头形状/声响呼应，避免只留下未兑现的悬念。\n所有字幕建议单行、短句，放在人物面部与关键道具之外；先按实际播放器界面预览遮挡。\n\n可测试的两个开头：A使用第一镜的大/小、静/动反差；B保持同一异常事件，但从小满瞳孔或手中道具切入，再在0.6秒内露出尺度参照。只改变开头一项，其余剪辑保持一致；是否提高留存需要真实成片与实际观看数据，本任务未做此测试。" }, { "id": "C034", "title": "同一颗石头退了三次潮", "concept_id": "S35", "concept_index": 34, "version": 0, "genre": "循环悬疑", "duration_seconds": 44, "shot_count": 8, "source_id": "results-hd--smolvlm", "source_name": "HuggingFaceTB/SmolVLM2-500M-Video-Instruct", "category": "results-hd", "source_path": "raw-prompts/results-hd--smolvlm.txt", "source_record": "results-hd/smolvlm.json", "source_paths": [ "raw-prompts/results-hd--smolvlm.txt" ], "source_excerpt": " At 10 seconds:\n\nAt 10 seconds:\n\nThe scene opens with a young girl in a brown outfit, holding a small object in her hand. She is standing on a beach, looking at the water.\n\nAt 10 seconds:\n\nThe girl is now holding a small object in her hand. She is looking at the water.\n\nAt 10 seconds:\n\nThe girl is now holding a small object in her hand. She is looking at the water.\n\nAt 10 seconds:\n\nThe girl is now holding a small object in her hand. She is looking at the water.\n\nAt 10 seconds:\n\nThe girl is now holding a small object in her hand. She is looking at the water.\n\nAt 10 seconds:\n\nThe girl is now hol", "source_review": { "strength": "成功在本机完成模型推理，可识别部分儿童与海岸元素。", "issues": "重复 At 10 seconds 和同一句女孩拿东西看海，时间标签与416秒输入不符，400 token截断。", "verdict": "本次输出不可作为完整提示词；运行成功但内容失败。" }, "contribution": "补救型二创：这份原文不能提供可靠完整故事。保留它作为能力比较证据，创作主线回到已核对的全片设定；不能把此处新脚本计为该来源成功理解了视频。", "source_duplicate_of": null, "source_hash": "319b3b6ac7f780124f4ee2946f714f93de8ac508be20d4c9db2d5c5c240edc88", "body_hash": "371a960b3f4104d69c81aa654c7aafd00871eadc7f11356bc053a0e523accf0e", "author": "Codex, shared writer; not original model output", "fallback": true, "hook": "白纹石头已第三次从海生脚边滚回同一个泥洞，浪花也沿完全相同的弧线退去；小满的惊讶表情与上一轮残影错开半拍。", "rule": "同一段潮水最多重复三次；每次只有一处行动改变，最后选择帮助而非抢夺才能退出。", "shots": [ { "number": 1, "start": 0, "end": 1, "duration": 1, "beat": "惊奇：先看见不可能", "action": "白纹石头已第三次从海生脚边滚回同一个泥洞，浪花也沿完全相同的弧线退去；小满的惊讶表情与上一轮残影错开半拍。", "camera": "24–35mm感中广景或前景近物后景巨物，保留明确大小参照；单一明确机位，不用无目标甩镜；异常动作在画面开始时已经发生。", "performance": "以本镜指定的人物/道具为中心，背景角色不抢动作。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "以潮声、湿泥轻响、旧木或黄铜触碰声中最贴合本镜道具的一声开场；配一个短低频脉冲，随即让出空间，不叠加尖叫。", "transition": "在异常动作最清楚的一刻硬切至下一镜指定动作或反应；不先放片名或黑屏。", "timing": "0.00–0.15秒直接展示钩子关键帧；0.15–0.70秒让异常动作继续；0.70–1.00秒用呼吸或微小停顿准备切入反应。" }, { "number": 2, "start": 1, "end": 4, "duration": 3, "beat": "好奇：理解人物的反应", "action": "她用红布在石头旁做标记，二狗伸手捡石，浪又把他的手推回原位；同一声木桶响再次出现，建立明确循环。", "camera": "50mm感的近景，机位降到孩子眼平，向前缓移约一个手掌距离。", "performance": "若小满在本镜入画，眼神先落在道具，再转向海生；若为纯道具镜，不额外挤入人脸。海生与孩子交流时保持相近眼平高度。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "保留孩子一次吸气和衣料轻摩擦，环境声变窄，音乐只留很轻的持续音。", "transition": "按人物视线切到问题或缺少之物，前一镜最后一声环境音延续约0.15秒。", "timing": "1–1.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 3, "start": 4, "end": 9, "duration": 5, "beat": "共情：显露一个小缺口", "action": "第二轮短插入展示二狗急抢发光贝壳，海生追着粮袋跑，小满被落在后面；三人各追目标，谁也没等谁。", "camera": "35mm感中景或中近景，交代角色、目标道具和可行动空间；保持眼线一致。", "performance": "让负责本镜行动的成人先动，孩子随后作出可见反应；避免所有人同时表演。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "空碗、空袋、脚步或木板声选本镜实际存在的一项放近；未出场物件不配声，避免声源误导。", "transition": "用逐渐靠近的风声/物件声引入下一镜；剪切前先让观众认清道具位置。", "timing": "4–5.25秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 4, "start": 9, "end": 15, "duration": 6, "beat": "紧张：让选择有代价", "action": "第三次浪线逼近，红布开始松动，小满伸出的手无人握住；时间只留一轮，小石头在洞口摇摇欲落。", "camera": "28mm感稍低机位，前景放障碍或关键道具，后景保留退路；缓慢推进，不乱晃。", "performance": "海生或苏兰承担保护动作，孩子的恐惧用呼吸与手指表现；二狗的夸张反应不压过危险信息。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "风与低频逐步增强，声音来自画面可解释方向；临近决定时收低，不盖过呼吸。", "transition": "在角色看向选择对象时切到手部，危险声短暂收低，突出决定。", "timing": "9–10.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 5, "start": 15, "end": 22, "duration": 7, "beat": "信任：人物主动做决定", "action": "海生不再追粮袋，转身握住小满，再叫二狗停下；苏兰把红布压稳，四个人第一次站到同一条线上。", "camera": "65–85mm感手部/道具插入镜头，焦点从指尖过渡到被选择的物件；只做一次明确动作。", "performance": "选择必须由清楚的手部动作落实；其余角色停住，给观众看懂选择的空间。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "对白：小满轻声说“这一次，先拉住我。”；只配一次明确道具接触声。", "transition": "按动作方向匹配下一镜的变化，避免用白闪遮盖因果。", "timing": "15–16.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 6, "start": 22, "end": 30, "duration": 8, "beat": "释放：回报具有清楚因果", "action": "石头越过原先的停点，滚向新的浅路；浪声终于改变，循环结束，粮袋顺着正常水流停在近岸。", "camera": "28–35mm感中广景，由关键道具向外缓慢拉开，完整看见变化及安全距离。", "performance": "先让道具/环境发生变化，再切或移到人物反应；变化只遵守本故事规则。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "潮声、湿泥轻响、旧木或黄铜触碰声随变化从密变疏，再进入温暖的两三个原创音符；不使用现成热门歌曲歌词。", "transition": "变化完成后停半拍再切脸部；环境音恢复，音乐只抬高一层。", "timing": "22–24.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 7, "start": 30, "end": 38, "duration": 8, "beat": "温暖：给表情留下时间", "action": "小满捡起白纹石头交给海生，四人一起走而不是各自奔跑；二狗故意踩出一个不同节拍，确认时间真的继续。", "camera": "35mm感桌边或岸边中景，先交代所有本镜角色，再缓慢靠近小满的表情；不在同一镜里把人数和座位改掉。", "performance": "孩子的肩膀放松、视线愿意停留；成人以小动作回应，不用齐声大笑替代情绪。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "对白：海生说“我们终于往前走了。”；其余人用目光回应，留半秒安静。", "transition": "由人物最后的目光或手指引向收尾道具，暖光保持一致。", "timing": "30–32.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 8, "start": 38, "end": 44, "duration": 6, "beat": "余味：接回钩子并打开新可能", "action": "石头被放到窗台，水杯里一圈涟漪像旧浪线；最后只重复一次很轻的桶响，作为观众能辨认的循环签名。", "camera": "以本镜描述的收尾物件构图；最后的形状、光点或运动方向匹配开场关键元素。允许改变景别，但匹配关系必须清楚。", "performance": "人物保持结局得到的安全与关系；新的小悬念不撤销已经完成的情绪回报。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "取第一镜的同一种音色作为最后一个轻声提示，让尾音衔接循环；不突然加入无关轰鸣。", "transition": "最后0.3秒保留与开头相似的轮廓/音色，允许无缝循环；不加黑底强制点击卡。", "timing": "38–39.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" } ], "path": "creative/C034--results-hd--smolvlm.txt", "text": "来源文件：raw-prompts/results-hd--smolvlm.txt\n来源名称：HuggingFaceTB/SmolVLM2-500M-Video-Instruct\n实际来源记录：results-hd/smolvlm.json\n原文可用点：成功在本机完成模型推理，可识别部分儿童与海岸元素。\n原文问题/边界：重复 At 10 seconds 和同一句女孩拿东西看海，时间标签与416秒输入不符，400 token截断。\n转化方式：补救型二创：这份原文不能提供可靠完整故事。保留它作为能力比较证据，创作主线回到已核对的全片设定；不能把此处新脚本计为该来源成功理解了视频。\n本次选择的新故事：同一颗石头退了三次潮。所有幻想事件都是二创，不用原文中的误识别冒充事实。\n\n《同一颗石头退了三次潮》｜循环悬疑｜44秒完整剪辑稿\n\n制作目标：44秒，9:16竖屏，8个剪辑镜头，目标1080×1920、24fps。时间表是剪辑设计，不是任一平台API保证；按工具实际支持的片段长度生成，再裁切拼接。此处没有生成视频。\n视觉基调：架空旧式沿海村落，湿泥、粗布、旧木和黄铜具有可触摸的写实材质；幼童面部略带童话般大眼比例。灰蓝海水与褐色村屋为底，红发带是辨识点，幻想光源以局部金色/银色呈现。\n小满：幼童女孩，黑发双髻、左右各一条红发带、额头小红点；灰褐补丁粗布衣、布挎袋、旧布鞋。开场若用蓝披衣，则全片保持，除非镜头明确拍下脱衣。性格敏感、先看大人反应，再敢表达愿望。红点不是伤口，红发带不是红头发。\n海生：青年男性，凌乱黑发，旧蓝外衣、灰内衫、深裤；行动稳，保护孩子时先降到她的眼平高度，不以大喊替代关心。\n苏兰：成年女性，深发松束、灰褐无袖粗布上衣、简单项链与腕布；观察细节，负责托稳道具、递布或摆碗等具体照顾。\n二狗：青年男性，短黑发、橄榄绿外衣；提供轻微喜剧和观众反应，后半段愿意放慢动作参与帮助，不把他写成伤害孩子的反派。\n上述人物只在本镜明确指定时出现。群众只作远处模糊背景，不增加新主角。多人同框时优先保持海生在左、苏兰在后、二狗在右、小满在前中；若换位，用中广景交代，不瞬移。\n环境连续性：泥滩、浅水、旧船和村屋保持同一架空地点。海平线稳定。湿衣不会无故变干。室内暖色由船灯或灶火提供；室外变暖用云隙光或明确的幻想道具光解释，不让44秒凭空跨越数小时。\n人物表情与道具变化分开生成更易核对：每镜最多一个主要幻想动作，真实人物不随道具变形。以上服装、人物名和新动作均属本次二创设定，不声称模型从8帧恢复了全部身份。\n\n核心道具锁：白纹小石头、三次相同浪线、红布标记。先为本片制作一张统一道具参考图，记录缺口、锈斑、左右方向、尺寸；镜头之间沿用同一版本。\n\n本片新规则：同一段潮水最多重复三次；每次只有一处行动改变，最后选择帮助而非抢夺才能退出。 此规则是新创作，不是原片事实。\n\n第一秒视觉钩子：白纹石头已第三次从海生脚边滚回同一个泥洞，浪花也沿完全相同的弧线退去；小满的惊讶表情与上一轮残影错开半拍。\n\n目标情绪路径：惊奇 → 好奇 → 共情 → 紧张 → 信任 → 释放 → 温暖 → 余味。它是创作设计，不是已测得的观众留存数据。\n\n分镜与生成指令（逐镜生成，再按时间码剪辑；全局角色锁及规则与每一镜一起输入）：\n\n镜头01｜00–01秒｜1秒｜惊奇：先看见不可能\n画面与动作：白纹石头已第三次从海生脚边滚回同一个泥洞，浪花也沿完全相同的弧线退去；小满的惊讶表情与上一轮残影错开半拍。\n动作节拍：0.00–0.15秒直接展示钩子关键帧；0.15–0.70秒让异常动作继续；0.70–1.00秒用呼吸或微小停顿准备切入反应。\n构图与镜头：24–35mm感中广景或前景近物后景巨物，保留明确大小参照；单一明确机位，不用无目标甩镜；异常动作在画面开始时已经发生。\n人物表演：以本镜指定的人物/道具为中心，背景角色不抢动作。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：以潮声、湿泥轻响、旧木或黄铜触碰声中最贴合本镜道具的一声开场；配一个短低频脉冲，随即让出空间，不叠加尖叫。\n衔接：在异常动作最清楚的一刻硬切至下一镜指定动作或反应；不先放片名或黑屏。\n\n镜头02｜01–04秒｜3秒｜好奇：理解人物的反应\n画面与动作：她用红布在石头旁做标记，二狗伸手捡石，浪又把他的手推回原位；同一声木桶响再次出现，建立明确循环。\n动作节拍：1–1.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：50mm感的近景，机位降到孩子眼平，向前缓移约一个手掌距离。\n人物表演：若小满在本镜入画，眼神先落在道具，再转向海生；若为纯道具镜，不额外挤入人脸。海生与孩子交流时保持相近眼平高度。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：保留孩子一次吸气和衣料轻摩擦，环境声变窄，音乐只留很轻的持续音。\n衔接：按人物视线切到问题或缺少之物，前一镜最后一声环境音延续约0.15秒。\n\n镜头03｜04–09秒｜5秒｜共情：显露一个小缺口\n画面与动作：第二轮短插入展示二狗急抢发光贝壳，海生追着粮袋跑，小满被落在后面；三人各追目标，谁也没等谁。\n动作节拍：4–5.25秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：35mm感中景或中近景，交代角色、目标道具和可行动空间；保持眼线一致。\n人物表演：让负责本镜行动的成人先动，孩子随后作出可见反应；避免所有人同时表演。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：空碗、空袋、脚步或木板声选本镜实际存在的一项放近；未出场物件不配声，避免声源误导。\n衔接：用逐渐靠近的风声/物件声引入下一镜；剪切前先让观众认清道具位置。\n\n镜头04｜09–15秒｜6秒｜紧张：让选择有代价\n画面与动作：第三次浪线逼近，红布开始松动，小满伸出的手无人握住；时间只留一轮，小石头在洞口摇摇欲落。\n动作节拍：9–10.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：28mm感稍低机位，前景放障碍或关键道具，后景保留退路；缓慢推进，不乱晃。\n人物表演：海生或苏兰承担保护动作，孩子的恐惧用呼吸与手指表现；二狗的夸张反应不压过危险信息。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：风与低频逐步增强，声音来自画面可解释方向；临近决定时收低，不盖过呼吸。\n衔接：在角色看向选择对象时切到手部，危险声短暂收低，突出决定。\n\n镜头05｜15–22秒｜7秒｜信任：人物主动做决定\n画面与动作：海生不再追粮袋，转身握住小满，再叫二狗停下；苏兰把红布压稳，四个人第一次站到同一条线上。\n动作节拍：15–16.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：65–85mm感手部/道具插入镜头，焦点从指尖过渡到被选择的物件；只做一次明确动作。\n人物表演：选择必须由清楚的手部动作落实；其余角色停住，给观众看懂选择的空间。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：对白：小满轻声说“这一次，先拉住我。”；只配一次明确道具接触声。\n衔接：按动作方向匹配下一镜的变化，避免用白闪遮盖因果。\n\n镜头06｜22–30秒｜8秒｜释放：回报具有清楚因果\n画面与动作：石头越过原先的停点，滚向新的浅路；浪声终于改变，循环结束，粮袋顺着正常水流停在近岸。\n动作节拍：22–24.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：28–35mm感中广景，由关键道具向外缓慢拉开，完整看见变化及安全距离。\n人物表演：先让道具/环境发生变化，再切或移到人物反应；变化只遵守本故事规则。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：潮声、湿泥轻响、旧木或黄铜触碰声随变化从密变疏，再进入温暖的两三个原创音符；不使用现成热门歌曲歌词。\n衔接：变化完成后停半拍再切脸部；环境音恢复，音乐只抬高一层。\n\n镜头07｜30–38秒｜8秒｜温暖：给表情留下时间\n画面与动作：小满捡起白纹石头交给海生，四人一起走而不是各自奔跑；二狗故意踩出一个不同节拍，确认时间真的继续。\n动作节拍：30–32.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：35mm感桌边或岸边中景，先交代所有本镜角色，再缓慢靠近小满的表情；不在同一镜里把人数和座位改掉。\n人物表演：孩子的肩膀放松、视线愿意停留；成人以小动作回应，不用齐声大笑替代情绪。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：对白：海生说“我们终于往前走了。”；其余人用目光回应，留半秒安静。\n衔接：由人物最后的目光或手指引向收尾道具，暖光保持一致。\n\n镜头08｜38–44秒｜6秒｜余味：接回钩子并打开新可能\n画面与动作：石头被放到窗台，水杯里一圈涟漪像旧浪线；最后只重复一次很轻的桶响，作为观众能辨认的循环签名。\n动作节拍：38–39.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：以本镜描述的收尾物件构图；最后的形状、光点或运动方向匹配开场关键元素。允许改变景别，但匹配关系必须清楚。\n人物表演：人物保持结局得到的安全与关系；新的小悬念不撤销已经完成的情绪回报。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：取第一镜的同一种音色作为最后一个轻声提示，让尾音衔接循环；不突然加入无关轰鸣。\n衔接：最后0.3秒保留与开头相似的轮廓/音色，允许无缝循环；不加黑底强制点击卡。\n\n负向与连续性检查：不出现无依据的手机、枪械、医院、现代车辆、书上伪造大段文字、未经设计的影视角色或艺术家署名。保持双髻、红带、额头红点及四名主角身份；不多生手指、蟹腿，不让手与道具穿模，不把罗盘替换成怀表。道具在同一镜内不得随机换材质、数量、左右位置或开合状态。只允许故事规则指定的物件变化；儿童无血腥伤害。所有字幕、可读书名和界面文字后期添加，生成画面不带水印、伪字幕或推广尾卡。\n合成前逐镜核对：人物数与站坐姿；第一帧是否已有异常；动作起点/终点能否接上；道具尺寸是否受控；视线和海平线是否一致；每个回报能否追溯到前一镜的选择。未拍出因果时重做相关镜头，不能靠旁白掩盖。\n\n平台剪辑备选（不是平台时长限制，也不是热度保证）：\nTikTok测试版：保留0–1秒钩子，1–4秒加一行疑问字幕，22–30秒完整展示回报；可将4–9秒背景压成3秒，成片约42秒。\nInstagram Reels测试版：保持道具质感与暖光配色，前1秒无需读字即可理解异常；保留30–38秒表情停顿，以收尾道具作封面，主体仍44秒。\nYouTube Shorts测试版：保持44秒因果链，画外说明最多一句；最后0.3秒与开头形状/声响呼应，避免只留下未兑现的悬念。\n所有字幕建议单行、短句，放在人物面部与关键道具之外；先按实际播放器界面预览遮挡。\n\n可测试的两个开头：A使用第一镜的大/小、静/动反差；B保持同一异常事件，但从小满瞳孔或手中道具切入，再在0.6秒内露出尺度参照。只改变开头一项，其余剪辑保持一致；是否提高留存需要真实成片与实际观看数据，本任务未做此测试。" }, { "id": "C035", "title": "她的影子先得到了拥抱", "concept_id": "S13", "concept_index": 12, "version": 1, "genre": "情绪奇幻", "duration_seconds": 44, "shot_count": 8, "source_id": "results-hd--tinyllava", "source_name": "Zhang199/TinyLLaVA-Qwen2-0.5B-SigLIP", "category": "results-hd", "source_path": "raw-prompts/results-hd--tinyllava.txt", "source_record": "results-hd/tinyllava.json", "source_paths": [ "raw-prompts/results-hd--tinyllava.txt", "project-cases/TinyLLaVA__TinyLLaVA_Factory/prompt-raw.txt" ], "source_excerpt": "[0 秒]\n A young girl is sitting on the beach, holding a crab in her hand. She is surrounded by several other crab shells, some of which are closer to her, while others are further away. The setting appears to be a beach, with the girl and the crab shells creating a lively scene.\n\n[15 秒]\n A baby is holding onto a green rope, appearing distressed and crying. The baby is wearing a green shirt and appears to be crying in a dark room. The room is filled with objects, such as a bottle and a bowl, which are placed on the floor. The baby's expression is focused and sad, as they are crying in the dark r", "source_review": { "strength": "CPU成功运行实际上游模型与Qwen2模板；能认出幼童、海边、木桌与书。", "issues": "0秒补出手持蟹；15秒添暗室、瓶碗；50秒把小船写成大船并加岸边游客；95秒人数错误；175秒添沙发；385秒添背包手袋。", "verdict": "本次0.5B逐帧结果出现较多背景补写，原文保留。Python3.12格式器兼容修复不等同于模型训练改变。" }, "contribution": "视觉片段型来源：以原文中与原帧相符的海岸、人物、表情或道具作为灵感入口。身份、对白、连续动作、奇幻规则和新剧情由Codex补写，不是该模型的原始能力。", "source_duplicate_of": null, "source_hash": "7e4b5d5816afdde89519479adbf53dd406229b30216e41775b18e401a2cfa8a6", "body_hash": "9132509ffb3c5fa027598f3d2ab1d52fcc042f9d1a6e9e59a5c00d165ad14e45", "author": "Codex, shared writer; not original model output", "fallback": false, "hook": "地上女孩的影子已经被一个成年人的影子抱住，而真实的小满与海生还隔着两步距离；影子和人之间的错位立刻可见。", "rule": "影子提前表现人物想做却没做的动作；真正行动后，影子才恢复同步。", "shots": [ { "number": 1, "start": 0, "end": 1, "duration": 1, "beat": "惊奇：先看见不可能", "action": "地上女孩的影子已经被一个成年人的影子抱住，而真实的小满与海生还隔着两步距离；影子和人之间的错位立刻可见。", "camera": "24–35mm感中广景或前景近物后景巨物，保留明确大小参照；单一明确机位，不用无目标甩镜；异常动作在画面开始时已经发生。", "performance": "以本镜指定的人物/道具为中心，背景角色不抢动作。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "以潮声、湿泥轻响、旧木或黄铜触碰声中最贴合本镜道具的一声开场；配一个短低频脉冲，随即让出空间，不叠加尖叫。", "transition": "在异常动作最清楚的一刻硬切至下一镜指定动作或反应；不先放片名或黑屏。", "timing": "0.00–0.15秒直接展示钩子关键帧；0.15–0.70秒让异常动作继续；0.70–1.00秒用呼吸或微小停顿准备切入反应。" }, { "number": 2, "start": 1, "end": 4, "duration": 3, "beat": "好奇：理解人物的反应", "action": "小满试探着迈半步，影子却先把脸贴在对方胸前；她抬头观察海生的表情，迅速又把脚收回来。", "camera": "50mm感的近景，机位降到孩子眼平，向前缓移约一个手掌距离。", "performance": "若小满在本镜入画，眼神先落在道具，再转向海生；若为纯道具镜，不额外挤入人脸。海生与孩子交流时保持相近眼平高度。 本来源版本强调小满的主观感受：先拍她注意到的细节，再拍回应，缩短无信息的成人反应。", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "保留孩子一次吸气和衣料轻摩擦，环境声变窄，音乐只留很轻的持续音。", "transition": "按人物视线切到问题或缺少之物，前一镜最后一声环境音延续约0.15秒。", "timing": "1–1.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 3, "start": 4, "end": 9, "duration": 5, "beat": "共情：显露一个小缺口", "action": "村口的人影从两人之间走过，切断拥抱的影子；海生手里抱着旧外衣，想说话又被旁人的目光打断。", "camera": "35mm感中景或中近景，交代角色、目标道具和可行动空间；保持眼线一致。", "performance": "让负责本镜行动的成人先动，孩子随后作出可见反应；避免所有人同时表演。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "空碗、空袋、脚步或木板声选本镜实际存在的一项放近；未出场物件不配声，避免声源误导。", "transition": "用逐渐靠近的风声/物件声引入下一镜；剪切前先让观众认清道具位置。", "timing": "4–5.25秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 4, "start": 9, "end": 15, "duration": 6, "beat": "紧张：让选择有代价", "action": "云遮住太阳，地上的小影子越来越淡；小满握紧空拳，以为连这份拥抱也会消失，嘴角强撑的笑慢慢垮下。", "camera": "28mm感稍低机位，前景放障碍或关键道具，后景保留退路；缓慢推进，不乱晃。", "performance": "海生或苏兰承担保护动作，孩子的恐惧用呼吸与手指表现；二狗的夸张反应不压过危险信息。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "风与低频逐步增强，声音来自画面可解释方向；临近决定时收低，不盖过呼吸。", "transition": "在角色看向选择对象时切到手部，危险声短暂收低，突出决定。", "timing": "9–10.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 5, "start": 15, "end": 22, "duration": 7, "beat": "信任：人物主动做决定", "action": "海生主动跨过两步，把外衣披在她肩上，再张开双臂；小满先确认他的手不会收回，才小心靠过去。", "camera": "65–85mm感手部/道具插入镜头，焦点从指尖过渡到被选择的物件；只做一次明确动作。", "performance": "选择必须由清楚的手部动作落实；其余角色停住，给观众看懂选择的空间。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "对白：小满轻声说“我可以靠近一点吗？”；只配一次明确道具接触声。", "transition": "按动作方向匹配下一镜的变化，避免用白闪遮盖因果。", "timing": "15–16.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 6, "start": 22, "end": 30, "duration": 8, "beat": "释放：回报具有清楚因果", "action": "真正的拥抱发生，云隙透出暖光，影子终于与两人完全重合；世界恢复同步，原先的怪异变成安心。", "camera": "28–35mm感中广景，由关键道具向外缓慢拉开，完整看见变化及安全距离。", "performance": "先让道具/环境发生变化，再切或移到人物反应；变化只遵守本故事规则。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "潮声、湿泥轻响、旧木或黄铜触碰声随变化从密变疏，再进入温暖的两三个原创音符；不使用现成热门歌曲歌词。", "transition": "变化完成后停半拍再切脸部；环境音恢复，音乐只抬高一层。", "timing": "22–24.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 7, "start": 30, "end": 38, "duration": 8, "beat": "温暖：给表情留下时间", "action": "苏兰把小满松开的红发带系好，二狗在旁边张开手臂假装也等拥抱；孩子伸出一只手把他拉近。", "camera": "50–65mm感面部近景，稳定机位，留出至少半秒无对白微表情。", "performance": "孩子的肩膀放松、视线愿意停留；成人以小动作回应，不用齐声大笑替代情绪。 本来源版本强调小满的主观感受：先拍她注意到的细节，再拍回应，缩短无信息的成人反应。", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "对白：海生说“不用问，过来吧。”；其余人用目光回应，留半秒安静。", "transition": "由人物最后的目光或手指引向收尾道具，暖光保持一致。", "timing": "30–32.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 8, "start": 38, "end": 44, "duration": 6, "beat": "余味：接回钩子并打开新可能", "action": "四人的长影刚刚合拢，旁边多出一只举钳的小蟹影；人们尚未低头，影子先腾出一个位置，轻巧地接回开场。", "camera": "以本镜描述的收尾物件构图；最后的形状、光点或运动方向匹配开场关键元素。允许改变景别，但匹配关系必须清楚。", "performance": "人物保持结局得到的安全与关系；新的小悬念不撤销已经完成的情绪回报。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "取第一镜的同一种音色作为最后一个轻声提示，让尾音衔接循环；不突然加入无关轰鸣。", "transition": "最后0.3秒保留与开头相似的轮廓/音色，允许无缝循环；不加黑底强制点击卡。", "timing": "38–39.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" } ], "path": "creative/C035--results-hd--tinyllava.txt", "text": "来源文件：raw-prompts/results-hd--tinyllava.txt\n来源名称：Zhang199/TinyLLaVA-Qwen2-0.5B-SigLIP\n实际来源记录：results-hd/tinyllava.json\n原文可用点：CPU成功运行实际上游模型与Qwen2模板；能认出幼童、海边、木桌与书。\n原文问题/边界：0秒补出手持蟹；15秒添暗室、瓶碗；50秒把小船写成大船并加岸边游客；95秒人数错误；175秒添沙发；385秒添背包手袋。\n转化方式：视觉片段型来源：以原文中与原帧相符的海岸、人物、表情或道具作为灵感入口。身份、对白、连续动作、奇幻规则和新剧情由Codex补写，不是该模型的原始能力。\n本次选择的新故事：她的影子先得到了拥抱。所有幻想事件都是二创，不用原文中的误识别冒充事实。\n\n《她的影子先得到了拥抱》｜情绪奇幻｜44秒完整剪辑稿\n\n制作目标：44秒，9:16竖屏，8个剪辑镜头，目标1080×1920、24fps。时间表是剪辑设计，不是任一平台API保证；按工具实际支持的片段长度生成，再裁切拼接。此处没有生成视频。\n视觉基调：架空旧式沿海村落，湿泥、粗布、旧木和黄铜具有可触摸的写实材质；幼童面部略带童话般大眼比例。灰蓝海水与褐色村屋为底，红发带是辨识点，幻想光源以局部金色/银色呈现。\n小满：幼童女孩，黑发双髻、左右各一条红发带、额头小红点；灰褐补丁粗布衣、布挎袋、旧布鞋。开场若用蓝披衣，则全片保持，除非镜头明确拍下脱衣。性格敏感、先看大人反应，再敢表达愿望。红点不是伤口，红发带不是红头发。\n海生：青年男性，凌乱黑发，旧蓝外衣、灰内衫、深裤；行动稳，保护孩子时先降到她的眼平高度，不以大喊替代关心。\n苏兰：成年女性，深发松束、灰褐无袖粗布上衣、简单项链与腕布；观察细节，负责托稳道具、递布或摆碗等具体照顾。\n二狗：青年男性，短黑发、橄榄绿外衣；提供轻微喜剧和观众反应，后半段愿意放慢动作参与帮助，不把他写成伤害孩子的反派。\n上述人物只在本镜明确指定时出现。群众只作远处模糊背景，不增加新主角。多人同框时优先保持海生在左、苏兰在后、二狗在右、小满在前中；若换位，用中广景交代，不瞬移。\n环境连续性：泥滩、浅水、旧船和村屋保持同一架空地点。海平线稳定。湿衣不会无故变干。室内暖色由船灯或灶火提供；室外变暖用云隙光或明确的幻想道具光解释，不让44秒凭空跨越数小时。\n人物表情与道具变化分开生成更易核对：每镜最多一个主要幻想动作，真实人物不随道具变形。以上服装、人物名和新动作均属本次二创设定，不声称模型从8帧恢复了全部身份。\n\n核心道具锁：夕光长影、门槛、蓝色旧外衣。先为本片制作一张统一道具参考图，记录缺口、锈斑、左右方向、尺寸；镜头之间沿用同一版本。\n\n本片新规则：影子提前表现人物想做却没做的动作；真正行动后，影子才恢复同步。 此规则是新创作，不是原片事实。\n\n第一秒视觉钩子：地上女孩的影子已经被一个成年人的影子抱住，而真实的小满与海生还隔着两步距离；影子和人之间的错位立刻可见。\n\n目标情绪路径：惊奇 → 好奇 → 共情 → 紧张 → 信任 → 释放 → 温暖 → 余味。它是创作设计，不是已测得的观众留存数据。\n\n分镜与生成指令（逐镜生成，再按时间码剪辑；全局角色锁及规则与每一镜一起输入）：\n\n镜头01｜00–01秒｜1秒｜惊奇：先看见不可能\n画面与动作：地上女孩的影子已经被一个成年人的影子抱住，而真实的小满与海生还隔着两步距离；影子和人之间的错位立刻可见。\n动作节拍：0.00–0.15秒直接展示钩子关键帧；0.15–0.70秒让异常动作继续；0.70–1.00秒用呼吸或微小停顿准备切入反应。\n构图与镜头：24–35mm感中广景或前景近物后景巨物，保留明确大小参照；单一明确机位，不用无目标甩镜；异常动作在画面开始时已经发生。\n人物表演：以本镜指定的人物/道具为中心，背景角色不抢动作。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：以潮声、湿泥轻响、旧木或黄铜触碰声中最贴合本镜道具的一声开场；配一个短低频脉冲，随即让出空间，不叠加尖叫。\n衔接：在异常动作最清楚的一刻硬切至下一镜指定动作或反应；不先放片名或黑屏。\n\n镜头02｜01–04秒｜3秒｜好奇：理解人物的反应\n画面与动作：小满试探着迈半步，影子却先把脸贴在对方胸前；她抬头观察海生的表情，迅速又把脚收回来。\n动作节拍：1–1.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：50mm感的近景，机位降到孩子眼平，向前缓移约一个手掌距离。\n人物表演：若小满在本镜入画，眼神先落在道具，再转向海生；若为纯道具镜，不额外挤入人脸。海生与孩子交流时保持相近眼平高度。 本来源版本强调小满的主观感受：先拍她注意到的细节，再拍回应，缩短无信息的成人反应。\n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：保留孩子一次吸气和衣料轻摩擦，环境声变窄，音乐只留很轻的持续音。\n衔接：按人物视线切到问题或缺少之物，前一镜最后一声环境音延续约0.15秒。\n\n镜头03｜04–09秒｜5秒｜共情：显露一个小缺口\n画面与动作：村口的人影从两人之间走过，切断拥抱的影子；海生手里抱着旧外衣，想说话又被旁人的目光打断。\n动作节拍：4–5.25秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：35mm感中景或中近景，交代角色、目标道具和可行动空间；保持眼线一致。\n人物表演：让负责本镜行动的成人先动，孩子随后作出可见反应；避免所有人同时表演。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：空碗、空袋、脚步或木板声选本镜实际存在的一项放近；未出场物件不配声，避免声源误导。\n衔接：用逐渐靠近的风声/物件声引入下一镜；剪切前先让观众认清道具位置。\n\n镜头04｜09–15秒｜6秒｜紧张：让选择有代价\n画面与动作：云遮住太阳，地上的小影子越来越淡；小满握紧空拳，以为连这份拥抱也会消失，嘴角强撑的笑慢慢垮下。\n动作节拍：9–10.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：28mm感稍低机位，前景放障碍或关键道具，后景保留退路；缓慢推进，不乱晃。\n人物表演：海生或苏兰承担保护动作，孩子的恐惧用呼吸与手指表现；二狗的夸张反应不压过危险信息。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：风与低频逐步增强，声音来自画面可解释方向；临近决定时收低，不盖过呼吸。\n衔接：在角色看向选择对象时切到手部，危险声短暂收低，突出决定。\n\n镜头05｜15–22秒｜7秒｜信任：人物主动做决定\n画面与动作：海生主动跨过两步，把外衣披在她肩上，再张开双臂；小满先确认他的手不会收回，才小心靠过去。\n动作节拍：15–16.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：65–85mm感手部/道具插入镜头，焦点从指尖过渡到被选择的物件；只做一次明确动作。\n人物表演：选择必须由清楚的手部动作落实；其余角色停住，给观众看懂选择的空间。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：对白：小满轻声说“我可以靠近一点吗？”；只配一次明确道具接触声。\n衔接：按动作方向匹配下一镜的变化，避免用白闪遮盖因果。\n\n镜头06｜22–30秒｜8秒｜释放：回报具有清楚因果\n画面与动作：真正的拥抱发生，云隙透出暖光，影子终于与两人完全重合；世界恢复同步，原先的怪异变成安心。\n动作节拍：22–24.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：28–35mm感中广景，由关键道具向外缓慢拉开，完整看见变化及安全距离。\n人物表演：先让道具/环境发生变化，再切或移到人物反应；变化只遵守本故事规则。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：潮声、湿泥轻响、旧木或黄铜触碰声随变化从密变疏，再进入温暖的两三个原创音符；不使用现成热门歌曲歌词。\n衔接：变化完成后停半拍再切脸部；环境音恢复，音乐只抬高一层。\n\n镜头07｜30–38秒｜8秒｜温暖：给表情留下时间\n画面与动作：苏兰把小满松开的红发带系好，二狗在旁边张开手臂假装也等拥抱；孩子伸出一只手把他拉近。\n动作节拍：30–32.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：50–65mm感面部近景，稳定机位，留出至少半秒无对白微表情。\n人物表演：孩子的肩膀放松、视线愿意停留；成人以小动作回应，不用齐声大笑替代情绪。 本来源版本强调小满的主观感受：先拍她注意到的细节，再拍回应，缩短无信息的成人反应。\n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：对白：海生说“不用问，过来吧。”；其余人用目光回应，留半秒安静。\n衔接：由人物最后的目光或手指引向收尾道具，暖光保持一致。\n\n镜头08｜38–44秒｜6秒｜余味：接回钩子并打开新可能\n画面与动作：四人的长影刚刚合拢，旁边多出一只举钳的小蟹影；人们尚未低头，影子先腾出一个位置，轻巧地接回开场。\n动作节拍：38–39.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：以本镜描述的收尾物件构图；最后的形状、光点或运动方向匹配开场关键元素。允许改变景别，但匹配关系必须清楚。\n人物表演：人物保持结局得到的安全与关系；新的小悬念不撤销已经完成的情绪回报。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：取第一镜的同一种音色作为最后一个轻声提示，让尾音衔接循环；不突然加入无关轰鸣。\n衔接：最后0.3秒保留与开头相似的轮廓/音色，允许无缝循环；不加黑底强制点击卡。\n\n负向与连续性检查：不出现无依据的手机、枪械、医院、现代车辆、书上伪造大段文字、未经设计的影视角色或艺术家署名。保持双髻、红带、额头红点及四名主角身份；不多生手指、蟹腿，不让手与道具穿模，不把罗盘替换成怀表。道具在同一镜内不得随机换材质、数量、左右位置或开合状态。只允许故事规则指定的物件变化；儿童无血腥伤害。所有字幕、可读书名和界面文字后期添加，生成画面不带水印、伪字幕或推广尾卡。\n合成前逐镜核对：人物数与站坐姿；第一帧是否已有异常；动作起点/终点能否接上；道具尺寸是否受控；视线和海平线是否一致；每个回报能否追溯到前一镜的选择。未拍出因果时重做相关镜头，不能靠旁白掩盖。\n\n平台剪辑备选（不是平台时长限制，也不是热度保证）：\nTikTok测试版：保留0–1秒钩子，1–4秒加一行疑问字幕，22–30秒完整展示回报；可将4–9秒背景压成3秒，成片约42秒。\nInstagram Reels测试版：保持道具质感与暖光配色，前1秒无需读字即可理解异常；保留30–38秒表情停顿，以收尾道具作封面，主体仍44秒。\nYouTube Shorts测试版：保持44秒因果链，画外说明最多一句；最后0.3秒与开头形状/声响呼应，避免只留下未兑现的悬念。\n所有字幕建议单行、短句，放在人物面部与关键道具之外；先按实际播放器界面预览遮挡。\n\n可测试的两个开头：A使用第一镜的大/小、静/动反差；B保持同一异常事件，但从小满瞳孔或手中道具切入，再在0.6秒内露出尺度参照。只改变开头一项，其余剪辑保持一致；是否提高留存需要真实成片与实际观看数据，本任务未做此测试。" }, { "id": "C036", "title": "天空掉下一枚船钥匙", "concept_id": "S09", "concept_index": 8, "version": 2, "genre": "反转短剧", "duration_seconds": 44, "shot_count": 8, "source_id": "results-hd--videollama3", "source_name": "DAMO-NLP-SG/VideoLLaMA3-2B", "category": "results-hd", "source_path": "raw-prompts/results-hd--videollama3.txt", "source_record": "results-hd/videollama3.json", "source_paths": [ "raw-prompts/results-hd--videollama3.txt", "project-cases/DAMO-NLP-SG__VideoLLaMA3/prompt-raw.txt" ], "source_excerpt": "The video begins with a close-up of a young child, their face partially obscured by tears. The scene transitions to show the same child in a more detailed setting, surrounded by other children and adults who appear to be engaged in some activity involving objects on the ground.\n\nAs the frames progress, various individuals are shown interacting with each other and the environment. Some people wear clothing that suggests an older time period or cultural context. Objects such as books, compasses, and what looks like old-fashioned watches are visible throughout the scenes.\n\nFacial expressions rang", "source_review": { "strength": "受限图像输入下成功输出完整段落，提及书、罗盘、面部表情和近远景变化。", "issues": "把哭泣当作开头，漏掉本组实际可见的巨浪；把内容泛化为历史物件与人物互动，另添手表；缺少鲜明海岸情节。", "verdict": "正式复测只有480视觉patch、575总输入tokens，用于避免内存溢出；不能视为完整分辨率或原生连续视频能力上限。" }, "contribution": "视觉片段型来源：以原文中与原帧相符的海岸、人物、表情或道具作为灵感入口。身份、对白、连续动作、奇幻规则和新剧情由Codex补写，不是该模型的原始能力。", "source_duplicate_of": null, "source_hash": "4bbb535eeac6f563dcfcc20c97af66c0a7e5e3be380925a85363d1b2ced6fa68", "body_hash": "2961597ed237b3952b990f87ae2123e82ba0e6b49eeeef0ebdf11c3633dd91df", "author": "Codex, shared writer; not original model output", "fallback": false, "hook": "一枚锈钥匙已悬在半空，钥匙孔中却看见翻涌的大海；海生伸手接住时，空中投下整条大船的影子。", "rule": "钥匙只能打开愿意接纳别人的船；选船与选人必须在同一动作中完成。", "shots": [ { "number": 1, "start": 0, "end": 1, "duration": 1, "beat": "惊奇：先看见不可能", "action": "一枚锈钥匙已悬在半空，钥匙孔中却看见翻涌的大海；海生伸手接住时，空中投下整条大船的影子。", "camera": "24–35mm感中广景或前景近物后景巨物，保留明确大小参照；单一明确机位，不用无目标甩镜；异常动作在画面开始时已经发生。", "performance": "以本镜指定的人物/道具为中心，背景角色不抢动作。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "以潮声、湿泥轻响、旧木或黄铜触碰声中最贴合本镜道具的一声开场；配一个短低频脉冲，随即让出空间，不叠加尖叫。", "transition": "在异常动作最清楚的一刻硬切至下一镜指定动作或反应；不先放片名或黑屏。", "timing": "0.00–0.15秒直接展示钩子关键帧；0.15–0.70秒让异常动作继续；0.70–1.00秒用呼吸或微小停顿准备切入反应。" }, { "number": 2, "start": 1, "end": 4, "duration": 3, "beat": "好奇：理解人物的反应", "action": "院落木桌上摆着新船与旧船两把钥匙，小满站在桌角，伸出的手在众人视线下慢慢缩回。", "camera": "50mm感的近景，机位降到孩子眼平，向前缓移约一个手掌距离。", "performance": "若小满在本镜入画，眼神先落在道具，再转向海生；若为纯道具镜，不额外挤入人脸。海生与孩子交流时保持相近眼平高度。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "保留孩子一次吸气和衣料轻摩擦，环境声变窄，音乐只留很轻的持续音。", "transition": "按人物视线切到问题或缺少之物，前一镜最后一声环境音延续约0.15秒。", "timing": "1–1.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 3, "start": 4, "end": 9, "duration": 5, "beat": "共情：显露一个小缺口", "action": "模糊的村人把新钥匙推走，把旧钥匙扔在孩子面前；海生看着锈迹，二狗欲言又止，空碗被风吹得轻响。", "camera": "35mm感中景或中近景，交代角色、目标道具和可行动空间；保持眼线一致。", "performance": "让负责本镜行动的成人先动，孩子随后作出可见反应；避免所有人同时表演。 本来源版本强调空间关系：镜头开头保留四个角色/道具位置参照，再靠近关键动作，不以密集特写掩盖布局。", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "空碗、空袋、脚步或木板声选本镜实际存在的一项放近；未出场物件不配声，避免声源误导。", "transition": "用逐渐靠近的风声/物件声引入下一镜；剪切前先让观众认清道具位置。", "timing": "4–5.25秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 4, "start": 9, "end": 15, "duration": 6, "beat": "紧张：让选择有代价", "action": "新船在远处亮起诱人船灯，旧船则传来漏水声；小满把旧钥匙捡起，想独自离开，不让大人为难。", "camera": "28mm感稍低机位，前景放障碍或关键道具，后景保留退路；缓慢推进，不乱晃。", "performance": "海生或苏兰承担保护动作，孩子的恐惧用呼吸与手指表现；二狗的夸张反应不压过危险信息。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "风与低频逐步增强，声音来自画面可解释方向；临近决定时收低，不盖过呼吸。", "transition": "在角色看向选择对象时切到手部，危险声短暂收低，突出决定。", "timing": "9–10.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 5, "start": 15, "end": 22, "duration": 7, "beat": "信任：人物主动做决定", "action": "海生握住她的手，把旧钥匙重新放进两人掌心；他先抱孩子上旧船，再将钥匙插进船灯底座。", "camera": "65–85mm感手部/道具插入镜头，焦点从指尖过渡到被选择的物件；只做一次明确动作。", "performance": "选择必须由清楚的手部动作落实；其余角色停住，给观众看懂选择的空间。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "对白：海生轻声说“船旧一点，也能载她。”；只配一次明确道具接触声。", "transition": "按动作方向匹配下一镜的变化，避免用白闪遮盖因果。", "timing": "15–16.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 6, "start": 22, "end": 30, "duration": 8, "beat": "释放：回报具有清楚因果", "action": "旧船灯点亮，船腹的缝隙映出隐藏储物舱；干燥帆布、米袋和修船工具整齐出现，旧船得到重新出发的可能。", "camera": "28–35mm感中广景，由关键道具向外缓慢拉开，完整看见变化及安全距离。", "performance": "先让道具/环境发生变化，再切或移到人物反应；变化只遵守本故事规则。 本来源版本强调空间关系：镜头开头保留四个角色/道具位置参照，再靠近关键动作，不以密集特写掩盖布局。", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "潮声、湿泥轻响、旧木或黄铜触碰声随变化从密变疏，再进入温暖的两三个原创音符；不使用现成热门歌曲歌词。", "transition": "变化完成后停半拍再切脸部；环境音恢复，音乐只抬高一层。", "timing": "22–24.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 7, "start": 30, "end": 38, "duration": 8, "beat": "温暖：给表情留下时间", "action": "海生把钥匙挂到孩子布袋内侧，苏兰给她腾出座位；二狗故意向小小船长敬礼，孩子终于笑开。", "camera": "50–65mm感面部近景，稳定机位，留出至少半秒无对白微表情。", "performance": "孩子的肩膀放松、视线愿意停留；成人以小动作回应，不用齐声大笑替代情绪。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "对白：海生说“这一把，开的是家门。”；其余人用目光回应，留半秒安静。", "transition": "由人物最后的目光或手指引向收尾道具，暖光保持一致。", "timing": "30–32.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 8, "start": 38, "end": 44, "duration": 6, "beat": "余味：接回钩子并打开新可能", "action": "钥匙孔里映出的不再是风浪，而是四人围桌的暖光；镜头穿过钥匙孔，回到第一秒的海形光影。", "camera": "以本镜描述的收尾物件构图；最后的形状、光点或运动方向匹配开场关键元素。允许改变景别，但匹配关系必须清楚。", "performance": "人物保持结局得到的安全与关系；新的小悬念不撤销已经完成的情绪回报。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "取第一镜的同一种音色作为最后一个轻声提示，让尾音衔接循环；不突然加入无关轰鸣。", "transition": "最后0.3秒保留与开头相似的轮廓/音色，允许无缝循环；不加黑底强制点击卡。", "timing": "38–39.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" } ], "path": "creative/C036--results-hd--videollama3.txt", "text": "来源文件：raw-prompts/results-hd--videollama3.txt\n来源名称：DAMO-NLP-SG/VideoLLaMA3-2B\n实际来源记录：results-hd/videollama3.json\n原文可用点：受限图像输入下成功输出完整段落，提及书、罗盘、面部表情和近远景变化。\n原文问题/边界：把哭泣当作开头，漏掉本组实际可见的巨浪；把内容泛化为历史物件与人物互动，另添手表；缺少鲜明海岸情节。\n转化方式：视觉片段型来源：以原文中与原帧相符的海岸、人物、表情或道具作为灵感入口。身份、对白、连续动作、奇幻规则和新剧情由Codex补写，不是该模型的原始能力。\n本次选择的新故事：天空掉下一枚船钥匙。所有幻想事件都是二创，不用原文中的误识别冒充事实。\n\n《天空掉下一枚船钥匙》｜反转短剧｜44秒完整剪辑稿\n\n制作目标：44秒，9:16竖屏，8个剪辑镜头，目标1080×1920、24fps。时间表是剪辑设计，不是任一平台API保证；按工具实际支持的片段长度生成，再裁切拼接。此处没有生成视频。\n视觉基调：架空旧式沿海村落，湿泥、粗布、旧木和黄铜具有可触摸的写实材质；幼童面部略带童话般大眼比例。灰蓝海水与褐色村屋为底，红发带是辨识点，幻想光源以局部金色/银色呈现。\n小满：幼童女孩，黑发双髻、左右各一条红发带、额头小红点；灰褐补丁粗布衣、布挎袋、旧布鞋。开场若用蓝披衣，则全片保持，除非镜头明确拍下脱衣。性格敏感、先看大人反应，再敢表达愿望。红点不是伤口，红发带不是红头发。\n海生：青年男性，凌乱黑发，旧蓝外衣、灰内衫、深裤；行动稳，保护孩子时先降到她的眼平高度，不以大喊替代关心。\n苏兰：成年女性，深发松束、灰褐无袖粗布上衣、简单项链与腕布；观察细节，负责托稳道具、递布或摆碗等具体照顾。\n二狗：青年男性，短黑发、橄榄绿外衣；提供轻微喜剧和观众反应，后半段愿意放慢动作参与帮助，不把他写成伤害孩子的反派。\n上述人物只在本镜明确指定时出现。群众只作远处模糊背景，不增加新主角。多人同框时优先保持海生在左、苏兰在后、二狗在右、小满在前中；若换位，用中广景交代，不瞬移。\n环境连续性：泥滩、浅水、旧船和村屋保持同一架空地点。海平线稳定。湿衣不会无故变干。室内暖色由船灯或灶火提供；室外变暖用云隙光或明确的幻想道具光解释，不让44秒凭空跨越数小时。\n人物表情与道具变化分开生成更易核对：每镜最多一个主要幻想动作，真实人物不随道具变形。以上服装、人物名和新动作均属本次二创设定，不声称模型从8帧恢复了全部身份。\n\n核心道具锁：生锈船钥匙、旧木船、新船远影。先为本片制作一张统一道具参考图，记录缺口、锈斑、左右方向、尺寸；镜头之间沿用同一版本。\n\n本片新规则：钥匙只能打开愿意接纳别人的船；选船与选人必须在同一动作中完成。 此规则是新创作，不是原片事实。\n\n第一秒视觉钩子：一枚锈钥匙已悬在半空，钥匙孔中却看见翻涌的大海；海生伸手接住时，空中投下整条大船的影子。\n\n目标情绪路径：惊奇 → 好奇 → 共情 → 紧张 → 信任 → 释放 → 温暖 → 余味。它是创作设计，不是已测得的观众留存数据。\n\n分镜与生成指令（逐镜生成，再按时间码剪辑；全局角色锁及规则与每一镜一起输入）：\n\n镜头01｜00–01秒｜1秒｜惊奇：先看见不可能\n画面与动作：一枚锈钥匙已悬在半空，钥匙孔中却看见翻涌的大海；海生伸手接住时，空中投下整条大船的影子。\n动作节拍：0.00–0.15秒直接展示钩子关键帧；0.15–0.70秒让异常动作继续；0.70–1.00秒用呼吸或微小停顿准备切入反应。\n构图与镜头：24–35mm感中广景或前景近物后景巨物，保留明确大小参照；单一明确机位，不用无目标甩镜；异常动作在画面开始时已经发生。\n人物表演：以本镜指定的人物/道具为中心，背景角色不抢动作。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：以潮声、湿泥轻响、旧木或黄铜触碰声中最贴合本镜道具的一声开场；配一个短低频脉冲，随即让出空间，不叠加尖叫。\n衔接：在异常动作最清楚的一刻硬切至下一镜指定动作或反应；不先放片名或黑屏。\n\n镜头02｜01–04秒｜3秒｜好奇：理解人物的反应\n画面与动作：院落木桌上摆着新船与旧船两把钥匙，小满站在桌角，伸出的手在众人视线下慢慢缩回。\n动作节拍：1–1.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：50mm感的近景，机位降到孩子眼平，向前缓移约一个手掌距离。\n人物表演：若小满在本镜入画，眼神先落在道具，再转向海生；若为纯道具镜，不额外挤入人脸。海生与孩子交流时保持相近眼平高度。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：保留孩子一次吸气和衣料轻摩擦，环境声变窄，音乐只留很轻的持续音。\n衔接：按人物视线切到问题或缺少之物，前一镜最后一声环境音延续约0.15秒。\n\n镜头03｜04–09秒｜5秒｜共情：显露一个小缺口\n画面与动作：模糊的村人把新钥匙推走，把旧钥匙扔在孩子面前；海生看着锈迹，二狗欲言又止，空碗被风吹得轻响。\n动作节拍：4–5.25秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：35mm感中景或中近景，交代角色、目标道具和可行动空间；保持眼线一致。\n人物表演：让负责本镜行动的成人先动，孩子随后作出可见反应；避免所有人同时表演。 本来源版本强调空间关系：镜头开头保留四个角色/道具位置参照，再靠近关键动作，不以密集特写掩盖布局。\n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：空碗、空袋、脚步或木板声选本镜实际存在的一项放近；未出场物件不配声，避免声源误导。\n衔接：用逐渐靠近的风声/物件声引入下一镜；剪切前先让观众认清道具位置。\n\n镜头04｜09–15秒｜6秒｜紧张：让选择有代价\n画面与动作：新船在远处亮起诱人船灯，旧船则传来漏水声；小满把旧钥匙捡起，想独自离开，不让大人为难。\n动作节拍：9–10.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：28mm感稍低机位，前景放障碍或关键道具，后景保留退路；缓慢推进，不乱晃。\n人物表演：海生或苏兰承担保护动作，孩子的恐惧用呼吸与手指表现；二狗的夸张反应不压过危险信息。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：风与低频逐步增强，声音来自画面可解释方向；临近决定时收低，不盖过呼吸。\n衔接：在角色看向选择对象时切到手部，危险声短暂收低，突出决定。\n\n镜头05｜15–22秒｜7秒｜信任：人物主动做决定\n画面与动作：海生握住她的手，把旧钥匙重新放进两人掌心；他先抱孩子上旧船，再将钥匙插进船灯底座。\n动作节拍：15–16.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：65–85mm感手部/道具插入镜头，焦点从指尖过渡到被选择的物件；只做一次明确动作。\n人物表演：选择必须由清楚的手部动作落实；其余角色停住，给观众看懂选择的空间。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：对白：海生轻声说“船旧一点，也能载她。”；只配一次明确道具接触声。\n衔接：按动作方向匹配下一镜的变化，避免用白闪遮盖因果。\n\n镜头06｜22–30秒｜8秒｜释放：回报具有清楚因果\n画面与动作：旧船灯点亮，船腹的缝隙映出隐藏储物舱；干燥帆布、米袋和修船工具整齐出现，旧船得到重新出发的可能。\n动作节拍：22–24.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：28–35mm感中广景，由关键道具向外缓慢拉开，完整看见变化及安全距离。\n人物表演：先让道具/环境发生变化，再切或移到人物反应；变化只遵守本故事规则。 本来源版本强调空间关系：镜头开头保留四个角色/道具位置参照，再靠近关键动作，不以密集特写掩盖布局。\n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：潮声、湿泥轻响、旧木或黄铜触碰声随变化从密变疏，再进入温暖的两三个原创音符；不使用现成热门歌曲歌词。\n衔接：变化完成后停半拍再切脸部；环境音恢复，音乐只抬高一层。\n\n镜头07｜30–38秒｜8秒｜温暖：给表情留下时间\n画面与动作：海生把钥匙挂到孩子布袋内侧，苏兰给她腾出座位；二狗故意向小小船长敬礼，孩子终于笑开。\n动作节拍：30–32.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：50–65mm感面部近景，稳定机位，留出至少半秒无对白微表情。\n人物表演：孩子的肩膀放松、视线愿意停留；成人以小动作回应，不用齐声大笑替代情绪。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：对白：海生说“这一把，开的是家门。”；其余人用目光回应，留半秒安静。\n衔接：由人物最后的目光或手指引向收尾道具，暖光保持一致。\n\n镜头08｜38–44秒｜6秒｜余味：接回钩子并打开新可能\n画面与动作：钥匙孔里映出的不再是风浪，而是四人围桌的暖光；镜头穿过钥匙孔，回到第一秒的海形光影。\n动作节拍：38–39.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：以本镜描述的收尾物件构图；最后的形状、光点或运动方向匹配开场关键元素。允许改变景别，但匹配关系必须清楚。\n人物表演：人物保持结局得到的安全与关系；新的小悬念不撤销已经完成的情绪回报。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：取第一镜的同一种音色作为最后一个轻声提示，让尾音衔接循环；不突然加入无关轰鸣。\n衔接：最后0.3秒保留与开头相似的轮廓/音色，允许无缝循环；不加黑底强制点击卡。\n\n负向与连续性检查：不出现无依据的手机、枪械、医院、现代车辆、书上伪造大段文字、未经设计的影视角色或艺术家署名。保持双髻、红带、额头红点及四名主角身份；不多生手指、蟹腿，不让手与道具穿模，不把罗盘替换成怀表。道具在同一镜内不得随机换材质、数量、左右位置或开合状态。只允许故事规则指定的物件变化；儿童无血腥伤害。所有字幕、可读书名和界面文字后期添加，生成画面不带水印、伪字幕或推广尾卡。\n合成前逐镜核对：人物数与站坐姿；第一帧是否已有异常；动作起点/终点能否接上；道具尺寸是否受控；视线和海平线是否一致；每个回报能否追溯到前一镜的选择。未拍出因果时重做相关镜头，不能靠旁白掩盖。\n\n平台剪辑备选（不是平台时长限制，也不是热度保证）：\nTikTok测试版：保留0–1秒钩子，1–4秒加一行疑问字幕，22–30秒完整展示回报；可将4–9秒背景压成3秒，成片约42秒。\nInstagram Reels测试版：保持道具质感与暖光配色，前1秒无需读字即可理解异常；保留30–38秒表情停顿，以收尾道具作封面，主体仍44秒。\nYouTube Shorts测试版：保持44秒因果链，画外说明最多一句；最后0.3秒与开头形状/声响呼应，避免只留下未兑现的悬念。\n所有字幕建议单行、短句，放在人物面部与关键道具之外；先按实际播放器界面预览遮挡。\n\n可测试的两个开头：A使用第一镜的大/小、静/动反差；B保持同一异常事件，但从小满瞳孔或手中道具切入，再在0.6秒内露出尺度参照。只改变开头一项，其余剪辑保持一致；是否提高留存需要真实成片与实际观看数据，本任务未做此测试。" }, { "id": "C037", "title": "一场不用赢的海边游戏", "concept_id": "S40", "concept_index": 39, "version": 0, "genre": "游戏规则反转", "duration_seconds": 44, "shot_count": 8, "source_id": "results-hd--zeroshot-bounded", "source_name": "YoadTew/zero-shot-video-to-text", "category": "results-hd", "source_path": "raw-prompts/results-hd--zeroshot-bounded.txt", "source_record": "results-hd/zeroshot-bounded.json", "source_paths": [ "raw-prompts/results-hd--zeroshot-bounded.txt", "project-cases/YoadTew__zero-shot-video-to-text/prompt-raw.txt" ], "source_excerpt": "The first thing you need to know about a good game is how it's played.\n\nA few weeks ago, we posted an article that was based on the fact of how much money is\n\nThe following is from a recent interview with author and journalist, who has been writing about the world of\n\nA few months back, I was talking to my friend and colleague at the time about how he wanted\n\nThis article is about the character, for other uses see Karkat.\n\nThis is a list of all the games that have been released for both consoles and PC.\n\nThis article is from our archives and was last updated on August, the day after it became ", "source_review": { "strength": "确实执行上游 CLIPTextGenerator 的视觉引导文本优化并保存8条候选，非Codex代写。", "issues": "8条候选涉及游戏、档案文章、采访、研究等，与女孩、巨浪、罗盘和泥滩没有有效对应；它们是按相似度排序的候选句，不是8个时刻逐一对应的字幕。", "verdict": "本次CPU受限配置没有得到可用的反推文字。仅8轮优化、32候选，不能外推原默认30轮、512候选的质量；原始长运行中断记录另存。" }, "contribution": "补救型二创：这份原文不能提供可靠完整故事。保留它作为能力比较证据，创作主线回到已核对的全片设定；不能把此处新脚本计为该来源成功理解了视频。", "source_duplicate_of": null, "source_hash": "c05433c2f16315b772cf15b8076edadf7b45192875d8ace69261a7c85f59b879", "body_hash": "12b2ffeb5e179f99752a4cfd0b844a5a135e841f043f4800b00dcd91f3cf6522", "author": "Codex, shared writer; not original model output", "fallback": true, "hook": "泥滩已经升起一张巨大的透明棋盘，四枚贝壳棋子自己奔跑，终点却是一只空饭碗；小满的棋子停在起点发光。", "rule": "棋盘不按抢先到达奖励；所有棋子同时回家才结束，规则通过动作揭示。", "shots": [ { "number": 1, "start": 0, "end": 1, "duration": 1, "beat": "惊奇：先看见不可能", "action": "泥滩已经升起一张巨大的透明棋盘，四枚贝壳棋子自己奔跑，终点却是一只空饭碗；小满的棋子停在起点发光。", "camera": "24–35mm感中广景或前景近物后景巨物，保留明确大小参照；单一明确机位，不用无目标甩镜；异常动作在画面开始时已经发生。", "performance": "以本镜指定的人物/道具为中心，背景角色不抢动作。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "以潮声、湿泥轻响、旧木或黄铜触碰声中最贴合本镜道具的一声开场；配一个短低频脉冲，随即让出空间，不叠加尖叫。", "transition": "在异常动作最清楚的一刻硬切至下一镜指定动作或反应；不先放片名或黑屏。", "timing": "0.00–0.15秒直接展示钩子关键帧；0.15–0.70秒让异常动作继续；0.70–1.00秒用呼吸或微小停顿准备切入反应。" }, { "number": 2, "start": 1, "end": 4, "duration": 3, "beat": "好奇：理解人物的反应", "action": "二狗一口气把自己的棋子推到前面，棋盘立刻长出一段新路，终点反而更远；海生发现这场游戏无法靠抢跑结束。", "camera": "50mm感的近景，机位降到孩子眼平，向前缓移约一个手掌距离。", "performance": "若小满在本镜入画，眼神先落在道具，再转向海生；若为纯道具镜，不额外挤入人脸。海生与孩子交流时保持相近眼平高度。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "保留孩子一次吸气和衣料轻摩擦，环境声变窄，音乐只留很轻的持续音。", "transition": "按人物视线切到问题或缺少之物，前一镜最后一声环境音延续约0.15秒。", "timing": "1–1.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 3, "start": 4, "end": 9, "duration": 5, "beat": "共情：显露一个小缺口", "action": "四人分别尝试追自己的目标，棋盘把他们隔在四角；小满朝海生伸手，却被一格透明波纹轻轻挡住。", "camera": "35mm感中景或中近景，交代角色、目标道具和可行动空间；保持眼线一致。", "performance": "让负责本镜行动的成人先动，孩子随后作出可见反应；避免所有人同时表演。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "空碗、空袋、脚步或木板声选本镜实际存在的一项放近；未出场物件不配声，避免声源误导。", "transition": "用逐渐靠近的风声/物件声引入下一镜；剪切前先让观众认清道具位置。", "timing": "4–5.25秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 4, "start": 9, "end": 15, "duration": 6, "beat": "紧张：让选择有代价", "action": "潮水一格格抹掉身后的路线，二狗急得想跳格；小满看见只有每次等待别人时，棋盘上的光才会稳定。", "camera": "28mm感稍低机位，前景放障碍或关键道具，后景保留退路；缓慢推进，不乱晃。", "performance": "海生或苏兰承担保护动作，孩子的恐惧用呼吸与手指表现；二狗的夸张反应不压过危险信息。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "风与低频逐步增强，声音来自画面可解释方向；临近决定时收低，不盖过呼吸。", "transition": "在角色看向选择对象时切到手部，危险声短暂收低，突出决定。", "timing": "9–10.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 5, "start": 15, "end": 22, "duration": 7, "beat": "信任：人物主动做决定", "action": "海生主动退回一格，等小满的棋子靠近；苏兰和二狗也同步停下，四个人先对齐呼吸，再一起走一步。", "camera": "65–85mm感手部/道具插入镜头，焦点从指尖过渡到被选择的物件；只做一次明确动作。", "performance": "选择必须由清楚的手部动作落实；其余角色停住，给观众看懂选择的空间。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "对白：海生轻声说“这局，不用赢过谁。”；只配一次明确道具接触声。", "transition": "按动作方向匹配下一镜的变化，避免用白闪遮盖因果。", "timing": "15–16.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 6, "start": 22, "end": 30, "duration": 8, "beat": "释放：回报具有清楚因果", "action": "四枚贝壳同时进入中心，棋盘缩回普通泥面，终点空碗旁出现真实安全蟹穴；游戏的奖励是共同找到线索。", "camera": "28–35mm感中广景，由关键道具向外缓慢拉开，完整看见变化及安全距离。", "performance": "先让道具/环境发生变化，再切或移到人物反应；变化只遵守本故事规则。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "潮声、湿泥轻响、旧木或黄铜触碰声随变化从密变疏，再进入温暖的两三个原创音符；不使用现成热门歌曲歌词。", "transition": "变化完成后停半拍再切脸部；环境音恢复，音乐只抬高一层。", "timing": "22–24.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 7, "start": 30, "end": 38, "duration": 8, "beat": "温暖：给表情留下时间", "action": "一家人合作收获，再把四枚贝壳围在饭碗旁作纪念；二狗想宣布自己赢了，看到孩子笑脸后改口说大家赢了。", "camera": "35mm感桌边或岸边中景，先交代所有本镜角色，再缓慢靠近小满的表情；不在同一镜里把人数和座位改掉。", "performance": "孩子的肩膀放松、视线愿意停留；成人以小动作回应，不用齐声大笑替代情绪。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "对白：二狗说“一起到，就算赢。”；其余人用目光回应，留半秒安静。", "transition": "由人物最后的目光或手指引向收尾道具，暖光保持一致。", "timing": "30–32.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 8, "start": 38, "end": 44, "duration": 6, "beat": "余味：接回钩子并打开新可能", "action": "一只小蟹把第五枚贝壳推上桌，棋盘亮起一点新光；镜头回到圆碗与四格起点，留下可以继续的共同游戏。", "camera": "以本镜描述的收尾物件构图；最后的形状、光点或运动方向匹配开场关键元素。允许改变景别，但匹配关系必须清楚。", "performance": "人物保持结局得到的安全与关系；新的小悬念不撤销已经完成的情绪回报。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "取第一镜的同一种音色作为最后一个轻声提示，让尾音衔接循环；不突然加入无关轰鸣。", "transition": "最后0.3秒保留与开头相似的轮廓/音色，允许无缝循环；不加黑底强制点击卡。", "timing": "38–39.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" } ], "path": "creative/C037--results-hd--zeroshot-bounded.txt", "text": "来源文件：raw-prompts/results-hd--zeroshot-bounded.txt\n来源名称：YoadTew/zero-shot-video-to-text\n实际来源记录：results-hd/zeroshot-bounded.json\n原文可用点：确实执行上游 CLIPTextGenerator 的视觉引导文本优化并保存8条候选，非Codex代写。\n原文问题/边界：8条候选涉及游戏、档案文章、采访、研究等，与女孩、巨浪、罗盘和泥滩没有有效对应；它们是按相似度排序的候选句，不是8个时刻逐一对应的字幕。\n转化方式：补救型二创：这份原文不能提供可靠完整故事。保留它作为能力比较证据，创作主线回到已核对的全片设定；不能把此处新脚本计为该来源成功理解了视频。\n本次选择的新故事：一场不用赢的海边游戏。所有幻想事件都是二创，不用原文中的误识别冒充事实。\n\n《一场不用赢的海边游戏》｜游戏规则反转｜44秒完整剪辑稿\n\n制作目标：44秒，9:16竖屏，8个剪辑镜头，目标1080×1920、24fps。时间表是剪辑设计，不是任一平台API保证；按工具实际支持的片段长度生成，再裁切拼接。此处没有生成视频。\n视觉基调：架空旧式沿海村落，湿泥、粗布、旧木和黄铜具有可触摸的写实材质；幼童面部略带童话般大眼比例。灰蓝海水与褐色村屋为底，红发带是辨识点，幻想光源以局部金色/银色呈现。\n小满：幼童女孩，黑发双髻、左右各一条红发带、额头小红点；灰褐补丁粗布衣、布挎袋、旧布鞋。开场若用蓝披衣，则全片保持，除非镜头明确拍下脱衣。性格敏感、先看大人反应，再敢表达愿望。红点不是伤口，红发带不是红头发。\n海生：青年男性，凌乱黑发，旧蓝外衣、灰内衫、深裤；行动稳，保护孩子时先降到她的眼平高度，不以大喊替代关心。\n苏兰：成年女性，深发松束、灰褐无袖粗布上衣、简单项链与腕布；观察细节，负责托稳道具、递布或摆碗等具体照顾。\n二狗：青年男性，短黑发、橄榄绿外衣；提供轻微喜剧和观众反应，后半段愿意放慢动作参与帮助，不把他写成伤害孩子的反派。\n上述人物只在本镜明确指定时出现。群众只作远处模糊背景，不增加新主角。多人同框时优先保持海生在左、苏兰在后、二狗在右、小满在前中；若换位，用中广景交代，不瞬移。\n环境连续性：泥滩、浅水、旧船和村屋保持同一架空地点。海平线稳定。湿衣不会无故变干。室内暖色由船灯或灶火提供；室外变暖用云隙光或明确的幻想道具光解释，不让44秒凭空跨越数小时。\n人物表情与道具变化分开生成更易核对：每镜最多一个主要幻想动作，真实人物不随道具变形。以上服装、人物名和新动作均属本次二创设定，不声称模型从8帧恢复了全部身份。\n\n核心道具锁：四枚贝壳棋子、潮汐棋盘、空碗。先为本片制作一张统一道具参考图，记录缺口、锈斑、左右方向、尺寸；镜头之间沿用同一版本。\n\n本片新规则：棋盘不按抢先到达奖励；所有棋子同时回家才结束，规则通过动作揭示。 此规则是新创作，不是原片事实。\n\n第一秒视觉钩子：泥滩已经升起一张巨大的透明棋盘，四枚贝壳棋子自己奔跑，终点却是一只空饭碗；小满的棋子停在起点发光。\n\n目标情绪路径：惊奇 → 好奇 → 共情 → 紧张 → 信任 → 释放 → 温暖 → 余味。它是创作设计，不是已测得的观众留存数据。\n\n分镜与生成指令（逐镜生成，再按时间码剪辑；全局角色锁及规则与每一镜一起输入）：\n\n镜头01｜00–01秒｜1秒｜惊奇：先看见不可能\n画面与动作：泥滩已经升起一张巨大的透明棋盘，四枚贝壳棋子自己奔跑，终点却是一只空饭碗；小满的棋子停在起点发光。\n动作节拍：0.00–0.15秒直接展示钩子关键帧；0.15–0.70秒让异常动作继续；0.70–1.00秒用呼吸或微小停顿准备切入反应。\n构图与镜头：24–35mm感中广景或前景近物后景巨物，保留明确大小参照；单一明确机位，不用无目标甩镜；异常动作在画面开始时已经发生。\n人物表演：以本镜指定的人物/道具为中心，背景角色不抢动作。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：以潮声、湿泥轻响、旧木或黄铜触碰声中最贴合本镜道具的一声开场；配一个短低频脉冲，随即让出空间，不叠加尖叫。\n衔接：在异常动作最清楚的一刻硬切至下一镜指定动作或反应；不先放片名或黑屏。\n\n镜头02｜01–04秒｜3秒｜好奇：理解人物的反应\n画面与动作：二狗一口气把自己的棋子推到前面，棋盘立刻长出一段新路，终点反而更远；海生发现这场游戏无法靠抢跑结束。\n动作节拍：1–1.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：50mm感的近景，机位降到孩子眼平，向前缓移约一个手掌距离。\n人物表演：若小满在本镜入画，眼神先落在道具，再转向海生；若为纯道具镜，不额外挤入人脸。海生与孩子交流时保持相近眼平高度。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：保留孩子一次吸气和衣料轻摩擦，环境声变窄，音乐只留很轻的持续音。\n衔接：按人物视线切到问题或缺少之物，前一镜最后一声环境音延续约0.15秒。\n\n镜头03｜04–09秒｜5秒｜共情：显露一个小缺口\n画面与动作：四人分别尝试追自己的目标，棋盘把他们隔在四角；小满朝海生伸手，却被一格透明波纹轻轻挡住。\n动作节拍：4–5.25秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：35mm感中景或中近景，交代角色、目标道具和可行动空间；保持眼线一致。\n人物表演：让负责本镜行动的成人先动，孩子随后作出可见反应；避免所有人同时表演。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：空碗、空袋、脚步或木板声选本镜实际存在的一项放近；未出场物件不配声，避免声源误导。\n衔接：用逐渐靠近的风声/物件声引入下一镜；剪切前先让观众认清道具位置。\n\n镜头04｜09–15秒｜6秒｜紧张：让选择有代价\n画面与动作：潮水一格格抹掉身后的路线，二狗急得想跳格；小满看见只有每次等待别人时，棋盘上的光才会稳定。\n动作节拍：9–10.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：28mm感稍低机位，前景放障碍或关键道具，后景保留退路；缓慢推进，不乱晃。\n人物表演：海生或苏兰承担保护动作，孩子的恐惧用呼吸与手指表现；二狗的夸张反应不压过危险信息。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：风与低频逐步增强，声音来自画面可解释方向；临近决定时收低，不盖过呼吸。\n衔接：在角色看向选择对象时切到手部，危险声短暂收低，突出决定。\n\n镜头05｜15–22秒｜7秒｜信任：人物主动做决定\n画面与动作：海生主动退回一格，等小满的棋子靠近；苏兰和二狗也同步停下，四个人先对齐呼吸，再一起走一步。\n动作节拍：15–16.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：65–85mm感手部/道具插入镜头，焦点从指尖过渡到被选择的物件；只做一次明确动作。\n人物表演：选择必须由清楚的手部动作落实；其余角色停住，给观众看懂选择的空间。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：对白：海生轻声说“这局，不用赢过谁。”；只配一次明确道具接触声。\n衔接：按动作方向匹配下一镜的变化，避免用白闪遮盖因果。\n\n镜头06｜22–30秒｜8秒｜释放：回报具有清楚因果\n画面与动作：四枚贝壳同时进入中心，棋盘缩回普通泥面，终点空碗旁出现真实安全蟹穴；游戏的奖励是共同找到线索。\n动作节拍：22–24.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：28–35mm感中广景，由关键道具向外缓慢拉开，完整看见变化及安全距离。\n人物表演：先让道具/环境发生变化，再切或移到人物反应；变化只遵守本故事规则。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：潮声、湿泥轻响、旧木或黄铜触碰声随变化从密变疏，再进入温暖的两三个原创音符；不使用现成热门歌曲歌词。\n衔接：变化完成后停半拍再切脸部；环境音恢复，音乐只抬高一层。\n\n镜头07｜30–38秒｜8秒｜温暖：给表情留下时间\n画面与动作：一家人合作收获，再把四枚贝壳围在饭碗旁作纪念；二狗想宣布自己赢了，看到孩子笑脸后改口说大家赢了。\n动作节拍：30–32.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：35mm感桌边或岸边中景，先交代所有本镜角色，再缓慢靠近小满的表情；不在同一镜里把人数和座位改掉。\n人物表演：孩子的肩膀放松、视线愿意停留；成人以小动作回应，不用齐声大笑替代情绪。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：对白：二狗说“一起到，就算赢。”；其余人用目光回应，留半秒安静。\n衔接：由人物最后的目光或手指引向收尾道具，暖光保持一致。\n\n镜头08｜38–44秒｜6秒｜余味：接回钩子并打开新可能\n画面与动作：一只小蟹把第五枚贝壳推上桌，棋盘亮起一点新光；镜头回到圆碗与四格起点，留下可以继续的共同游戏。\n动作节拍：38–39.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：以本镜描述的收尾物件构图；最后的形状、光点或运动方向匹配开场关键元素。允许改变景别，但匹配关系必须清楚。\n人物表演：人物保持结局得到的安全与关系；新的小悬念不撤销已经完成的情绪回报。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：取第一镜的同一种音色作为最后一个轻声提示，让尾音衔接循环；不突然加入无关轰鸣。\n衔接：最后0.3秒保留与开头相似的轮廓/音色，允许无缝循环；不加黑底强制点击卡。\n\n负向与连续性检查：不出现无依据的手机、枪械、医院、现代车辆、书上伪造大段文字、未经设计的影视角色或艺术家署名。保持双髻、红带、额头红点及四名主角身份；不多生手指、蟹腿，不让手与道具穿模，不把罗盘替换成怀表。道具在同一镜内不得随机换材质、数量、左右位置或开合状态。只允许故事规则指定的物件变化；儿童无血腥伤害。所有字幕、可读书名和界面文字后期添加，生成画面不带水印、伪字幕或推广尾卡。\n合成前逐镜核对：人物数与站坐姿；第一帧是否已有异常；动作起点/终点能否接上；道具尺寸是否受控；视线和海平线是否一致；每个回报能否追溯到前一镜的选择。未拍出因果时重做相关镜头，不能靠旁白掩盖。\n\n平台剪辑备选（不是平台时长限制，也不是热度保证）：\nTikTok测试版：保留0–1秒钩子，1–4秒加一行疑问字幕，22–30秒完整展示回报；可将4–9秒背景压成3秒，成片约42秒。\nInstagram Reels测试版：保持道具质感与暖光配色，前1秒无需读字即可理解异常；保留30–38秒表情停顿，以收尾道具作封面，主体仍44秒。\nYouTube Shorts测试版：保持44秒因果链，画外说明最多一句；最后0.3秒与开头形状/声响呼应，避免只留下未兑现的悬念。\n所有字幕建议单行、短句，放在人物面部与关键道具之外；先按实际播放器界面预览遮挡。\n\n可测试的两个开头：A使用第一镜的大/小、静/动反差；B保持同一异常事件，但从小满瞳孔或手中道具切入，再在0.6秒内露出尺度参照。只改变开头一项，其余剪辑保持一致；是否提高留存需要真实成片与实际观看数据，本任务未做此测试。" }, { "id": "C038", "title": "旧船有第二颗心", "concept_id": "S05", "concept_index": 4, "version": 0, "genre": "悬疑温情", "duration_seconds": 44, "shot_count": 8, "source_id": "adapted-results--app-a1111", "source_name": "BLIP base COCO native decoder", "category": "adapted-results", "source_path": "raw-prompts/adapted-results--app-a1111.txt", "source_record": "adapted-results/app-a1111.json", "source_paths": [ "raw-prompts/adapted-results--app-a1111.txt", "project-cases/AUTOMATIC1111__stable-diffusion-webui/prompt-raw.txt" ], "source_excerpt": "[0 秒]\na little girl is sitting on the beach\n\n[15 秒]\na little girl crying with tears on her face\n\n[50 秒]\na boat is in the middle of a large wave\n\n[95 秒]\na group of people standing around a wooden table\n\n[175 秒]\na person pointing at a book with a compass on it\n\n[235 秒]\na little girl standing next to a man\n\n[340 秒]\na little girl is playing in the water\n\n[385 秒]\na group of people standing on top of a beach", "source_review": { "strength": "识别哭泣、巨浪、围桌、旧书和罗盘。", "issues": "没有描述开场蟹；把泥滩听声写成玩水；缺少连续剧情。", "verdict": "实际测试原生 BLIP 描述函数，未运行完整 WebUI 或 CLIP 风格排序。" }, "contribution": "视觉片段型来源：以原文中与原帧相符的海岸、人物、表情或道具作为灵感入口。身份、对白、连续动作、奇幻规则和新剧情由Codex补写，不是该模型的原始能力。", "source_duplicate_of": "C022", "source_hash": "c49ad152829a5467c8631d57c2b8d4e3649a7fdda582635222eb8a5d6cf47880", "body_hash": "e0dc3277ff7f307d6722fd0a985e3918686ed9e014fcf7a99f021ef0641f51cb", "author": "Codex, shared writer; not original model output", "fallback": false, "hook": "搁浅旧船的木板突然像胸口一样起伏，一枚发光木结在板缝后跳动；小满的掌心刚贴上去，整船轻颤一次。", "rule": "船中敲击声只回应轻柔触碰；用力砸会让光熄灭，倾听才找到藏物。", "shots": [ { "number": 1, "start": 0, "end": 1, "duration": 1, "beat": "惊奇：先看见不可能", "action": "搁浅旧船的木板突然像胸口一样起伏，一枚发光木结在板缝后跳动；小满的掌心刚贴上去，整船轻颤一次。", "camera": "24–35mm感中广景或前景近物后景巨物，保留明确大小参照；单一明确机位，不用无目标甩镜；异常动作在画面开始时已经发生。", "performance": "以本镜指定的人物/道具为中心，背景角色不抢动作。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "以潮声、湿泥轻响、旧木或黄铜触碰声中最贴合本镜道具的一声开场；配一个短低频脉冲，随即让出空间，不叠加尖叫。", "transition": "在异常动作最清楚的一刻硬切至下一镜指定动作或反应；不先放片名或黑屏。", "timing": "0.00–0.15秒直接展示钩子关键帧；0.15–0.70秒让异常动作继续；0.70–1.00秒用呼吸或微小停顿准备切入反应。" }, { "number": 2, "start": 1, "end": 4, "duration": 3, "beat": "好奇：理解人物的反应", "action": "海生把耳朵贴近木板，只听到三下轻敲；小满跟着节奏点指，木结的光逐次回应，眼中出现确定的神情。", "camera": "50mm感的近景，机位降到孩子眼平，向前缓移约一个手掌距离。", "performance": "若小满在本镜入画，眼神先落在道具，再转向海生；若为纯道具镜，不额外挤入人脸。海生与孩子交流时保持相近眼平高度。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "保留孩子一次吸气和衣料轻摩擦，环境声变窄，音乐只留很轻的持续音。", "transition": "按人物视线切到问题或缺少之物，前一镜最后一声环境音延续约0.15秒。", "timing": "1–1.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 3, "start": 4, "end": 9, "duration": 5, "beat": "共情：显露一个小缺口", "action": "二狗看见烂木板，举起锤子准备拆船；海生摸了摸磨损船舷，又看一眼空粮袋，犹豫是否放弃它。", "camera": "35mm感中景或中近景，交代角色、目标道具和可行动空间；保持眼线一致。", "performance": "让负责本镜行动的成人先动，孩子随后作出可见反应；避免所有人同时表演。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "空碗、空袋、脚步或木板声选本镜实际存在的一项放近；未出场物件不配声，避免声源误导。", "transition": "用逐渐靠近的风声/物件声引入下一镜；剪切前先让观众认清道具位置。", "timing": "4–5.25秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 4, "start": 9, "end": 15, "duration": 6, "beat": "紧张：让选择有代价", "action": "第一下重敲落在旁边的废木上，船内的光立刻收缩；小满护住木结，眼睛睁大，空气里只剩最后一下弱心跳。", "camera": "28mm感稍低机位，前景放障碍或关键道具，后景保留退路；缓慢推进，不乱晃。", "performance": "海生或苏兰承担保护动作，孩子的恐惧用呼吸与手指表现；二狗的夸张反应不压过危险信息。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "风与低频逐步增强，声音来自画面可解释方向；临近决定时收低，不盖过呼吸。", "transition": "在角色看向选择对象时切到手部，危险声短暂收低，突出决定。", "timing": "9–10.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 5, "start": 15, "end": 22, "duration": 7, "beat": "信任：人物主动做决定", "action": "海生放下锤子，改用薄木片慢慢撬开松动接缝；小满按三下节拍等待，所有动作都轻下来。", "camera": "65–85mm感手部/道具插入镜头，焦点从指尖过渡到被选择的物件；只做一次明确动作。", "performance": "选择必须由清楚的手部动作落实；其余角色停住，给观众看懂选择的空间。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "对白：小满轻声说“它不是坏了，它在等。”；只配一次明确道具接触声。", "transition": "按动作方向匹配下一镜的变化，避免用白闪遮盖因果。", "timing": "15–16.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 6, "start": 22, "end": 30, "duration": 8, "beat": "释放：回报具有清楚因果", "action": "板缝打开，布包里是一盏完好的旧船灯和一本维修笔记；灯光沿着裂缝逐段亮起，呈现可修好的结构。", "camera": "28–35mm感中广景，由关键道具向外缓慢拉开，完整看见变化及安全距离。", "performance": "先让道具/环境发生变化，再切或移到人物反应；变化只遵守本故事规则。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "潮声、湿泥轻响、旧木或黄铜触碰声随变化从密变疏，再进入温暖的两三个原创音符；不使用现成热门歌曲歌词。", "transition": "变化完成后停半拍再切脸部；环境音恢复，音乐只抬高一层。", "timing": "22–24.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 7, "start": 30, "end": 38, "duration": 8, "beat": "温暖：给表情留下时间", "action": "三人一起把第一块新板按回船腹，小满给船灯擦去灰；海生点头，孩子把脸贴在温暖的灯罩边缘。", "camera": "50–65mm感面部近景，稳定机位，留出至少半秒无对白微表情。", "performance": "孩子的肩膀放松、视线愿意停留；成人以小动作回应，不用齐声大笑替代情绪。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "对白：海生说“这条船，也有人要。”；其余人用目光回应，留半秒安静。", "transition": "由人物最后的目光或手指引向收尾道具，暖光保持一致。", "timing": "30–32.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 8, "start": 38, "end": 44, "duration": 6, "beat": "余味：接回钩子并打开新可能", "action": "船头又传来三下更轻的敲击，一颗新木结亮起；最后一帧停在与开头相同的掌心位置，暗示旅程刚开始。", "camera": "85mm感道具近特写，轻俯拍，焦点落在本镜指定接触点；人物只保留必要手部或眼睛倒影，不强行切成正面人像。", "performance": "人物保持结局得到的安全与关系；新的小悬念不撤销已经完成的情绪回报。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "取第一镜的同一种音色作为最后一个轻声提示，让尾音衔接循环；不突然加入无关轰鸣。", "transition": "最后0.3秒保留与开头相似的轮廓/音色，允许无缝循环；不加黑底强制点击卡。", "timing": "38–39.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" } ], "path": "creative/C038--adapted-results--app-a1111.txt", "text": "来源文件：raw-prompts/adapted-results--app-a1111.txt\n来源名称：BLIP base COCO native decoder\n实际来源记录：adapted-results/app-a1111.json\n原文可用点：识别哭泣、巨浪、围桌、旧书和罗盘。\n原文问题/边界：没有描述开场蟹；把泥滩听声写成玩水；缺少连续剧情。\n转化方式：视觉片段型来源：以原文中与原帧相符的海岸、人物、表情或道具作为灵感入口。身份、对白、连续动作、奇幻规则和新剧情由Codex补写，不是该模型的原始能力。\n本次选择的新故事：旧船有第二颗心。所有幻想事件都是二创，不用原文中的误识别冒充事实。\n原文去重：与C022的文字列表完全相同（仅忽略空白），故沿用相同故事与调度；仍单独保存当前来源的完整TXT。\n\n《旧船有第二颗心》｜悬疑温情｜44秒完整剪辑稿\n\n制作目标：44秒，9:16竖屏，8个剪辑镜头，目标1080×1920、24fps。时间表是剪辑设计，不是任一平台API保证；按工具实际支持的片段长度生成，再裁切拼接。此处没有生成视频。\n视觉基调：架空旧式沿海村落，湿泥、粗布、旧木和黄铜具有可触摸的写实材质；幼童面部略带童话般大眼比例。灰蓝海水与褐色村屋为底，红发带是辨识点，幻想光源以局部金色/银色呈现。\n小满：幼童女孩，黑发双髻、左右各一条红发带、额头小红点；灰褐补丁粗布衣、布挎袋、旧布鞋。开场若用蓝披衣，则全片保持，除非镜头明确拍下脱衣。性格敏感、先看大人反应，再敢表达愿望。红点不是伤口，红发带不是红头发。\n海生：青年男性，凌乱黑发，旧蓝外衣、灰内衫、深裤；行动稳，保护孩子时先降到她的眼平高度，不以大喊替代关心。\n苏兰：成年女性，深发松束、灰褐无袖粗布上衣、简单项链与腕布；观察细节，负责托稳道具、递布或摆碗等具体照顾。\n二狗：青年男性，短黑发、橄榄绿外衣；提供轻微喜剧和观众反应，后半段愿意放慢动作参与帮助，不把他写成伤害孩子的反派。\n上述人物只在本镜明确指定时出现。群众只作远处模糊背景，不增加新主角。多人同框时优先保持海生在左、苏兰在后、二狗在右、小满在前中；若换位，用中广景交代，不瞬移。\n环境连续性：泥滩、浅水、旧船和村屋保持同一架空地点。海平线稳定。湿衣不会无故变干。室内暖色由船灯或灶火提供；室外变暖用云隙光或明确的幻想道具光解释，不让44秒凭空跨越数小时。\n人物表情与道具变化分开生成更易核对：每镜最多一个主要幻想动作，真实人物不随道具变形。以上服装、人物名和新动作均属本次二创设定，不声称模型从8帧恢复了全部身份。\n\n核心道具锁：旧船腹板、布包、会发光的木结。先为本片制作一张统一道具参考图，记录缺口、锈斑、左右方向、尺寸；镜头之间沿用同一版本。\n\n本片新规则：船中敲击声只回应轻柔触碰；用力砸会让光熄灭，倾听才找到藏物。 此规则是新创作，不是原片事实。\n\n第一秒视觉钩子：搁浅旧船的木板突然像胸口一样起伏，一枚发光木结在板缝后跳动；小满的掌心刚贴上去，整船轻颤一次。\n\n目标情绪路径：惊奇 → 好奇 → 共情 → 紧张 → 信任 → 释放 → 温暖 → 余味。它是创作设计，不是已测得的观众留存数据。\n\n分镜与生成指令（逐镜生成，再按时间码剪辑；全局角色锁及规则与每一镜一起输入）：\n\n镜头01｜00–01秒｜1秒｜惊奇：先看见不可能\n画面与动作：搁浅旧船的木板突然像胸口一样起伏，一枚发光木结在板缝后跳动；小满的掌心刚贴上去，整船轻颤一次。\n动作节拍：0.00–0.15秒直接展示钩子关键帧；0.15–0.70秒让异常动作继续；0.70–1.00秒用呼吸或微小停顿准备切入反应。\n构图与镜头：24–35mm感中广景或前景近物后景巨物，保留明确大小参照；单一明确机位，不用无目标甩镜；异常动作在画面开始时已经发生。\n人物表演：以本镜指定的人物/道具为中心，背景角色不抢动作。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：以潮声、湿泥轻响、旧木或黄铜触碰声中最贴合本镜道具的一声开场；配一个短低频脉冲，随即让出空间，不叠加尖叫。\n衔接：在异常动作最清楚的一刻硬切至下一镜指定动作或反应；不先放片名或黑屏。\n\n镜头02｜01–04秒｜3秒｜好奇：理解人物的反应\n画面与动作：海生把耳朵贴近木板，只听到三下轻敲；小满跟着节奏点指，木结的光逐次回应，眼中出现确定的神情。\n动作节拍：1–1.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：50mm感的近景，机位降到孩子眼平，向前缓移约一个手掌距离。\n人物表演：若小满在本镜入画，眼神先落在道具，再转向海生；若为纯道具镜，不额外挤入人脸。海生与孩子交流时保持相近眼平高度。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：保留孩子一次吸气和衣料轻摩擦，环境声变窄，音乐只留很轻的持续音。\n衔接：按人物视线切到问题或缺少之物，前一镜最后一声环境音延续约0.15秒。\n\n镜头03｜04–09秒｜5秒｜共情：显露一个小缺口\n画面与动作：二狗看见烂木板，举起锤子准备拆船；海生摸了摸磨损船舷，又看一眼空粮袋，犹豫是否放弃它。\n动作节拍：4–5.25秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：35mm感中景或中近景，交代角色、目标道具和可行动空间；保持眼线一致。\n人物表演：让负责本镜行动的成人先动，孩子随后作出可见反应；避免所有人同时表演。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：空碗、空袋、脚步或木板声选本镜实际存在的一项放近；未出场物件不配声，避免声源误导。\n衔接：用逐渐靠近的风声/物件声引入下一镜；剪切前先让观众认清道具位置。\n\n镜头04｜09–15秒｜6秒｜紧张：让选择有代价\n画面与动作：第一下重敲落在旁边的废木上，船内的光立刻收缩；小满护住木结，眼睛睁大，空气里只剩最后一下弱心跳。\n动作节拍：9–10.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：28mm感稍低机位，前景放障碍或关键道具，后景保留退路；缓慢推进，不乱晃。\n人物表演：海生或苏兰承担保护动作，孩子的恐惧用呼吸与手指表现；二狗的夸张反应不压过危险信息。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：风与低频逐步增强，声音来自画面可解释方向；临近决定时收低，不盖过呼吸。\n衔接：在角色看向选择对象时切到手部，危险声短暂收低，突出决定。\n\n镜头05｜15–22秒｜7秒｜信任：人物主动做决定\n画面与动作：海生放下锤子，改用薄木片慢慢撬开松动接缝；小满按三下节拍等待，所有动作都轻下来。\n动作节拍：15–16.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：65–85mm感手部/道具插入镜头，焦点从指尖过渡到被选择的物件；只做一次明确动作。\n人物表演：选择必须由清楚的手部动作落实；其余角色停住，给观众看懂选择的空间。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：对白：小满轻声说“它不是坏了，它在等。”；只配一次明确道具接触声。\n衔接：按动作方向匹配下一镜的变化，避免用白闪遮盖因果。\n\n镜头06｜22–30秒｜8秒｜释放：回报具有清楚因果\n画面与动作：板缝打开，布包里是一盏完好的旧船灯和一本维修笔记；灯光沿着裂缝逐段亮起，呈现可修好的结构。\n动作节拍：22–24.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：28–35mm感中广景，由关键道具向外缓慢拉开，完整看见变化及安全距离。\n人物表演：先让道具/环境发生变化，再切或移到人物反应；变化只遵守本故事规则。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：潮声、湿泥轻响、旧木或黄铜触碰声随变化从密变疏，再进入温暖的两三个原创音符；不使用现成热门歌曲歌词。\n衔接：变化完成后停半拍再切脸部；环境音恢复，音乐只抬高一层。\n\n镜头07｜30–38秒｜8秒｜温暖：给表情留下时间\n画面与动作：三人一起把第一块新板按回船腹，小满给船灯擦去灰；海生点头，孩子把脸贴在温暖的灯罩边缘。\n动作节拍：30–32.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：50–65mm感面部近景，稳定机位，留出至少半秒无对白微表情。\n人物表演：孩子的肩膀放松、视线愿意停留；成人以小动作回应，不用齐声大笑替代情绪。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：对白：海生说“这条船，也有人要。”；其余人用目光回应，留半秒安静。\n衔接：由人物最后的目光或手指引向收尾道具，暖光保持一致。\n\n镜头08｜38–44秒｜6秒｜余味：接回钩子并打开新可能\n画面与动作：船头又传来三下更轻的敲击，一颗新木结亮起；最后一帧停在与开头相同的掌心位置，暗示旅程刚开始。\n动作节拍：38–39.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：85mm感道具近特写，轻俯拍，焦点落在本镜指定接触点；人物只保留必要手部或眼睛倒影，不强行切成正面人像。\n人物表演：人物保持结局得到的安全与关系；新的小悬念不撤销已经完成的情绪回报。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：取第一镜的同一种音色作为最后一个轻声提示，让尾音衔接循环；不突然加入无关轰鸣。\n衔接：最后0.3秒保留与开头相似的轮廓/音色，允许无缝循环；不加黑底强制点击卡。\n\n负向与连续性检查：不出现无依据的手机、枪械、医院、现代车辆、书上伪造大段文字、未经设计的影视角色或艺术家署名。保持双髻、红带、额头红点及四名主角身份；不多生手指、蟹腿，不让手与道具穿模，不把罗盘替换成怀表。道具在同一镜内不得随机换材质、数量、左右位置或开合状态。只允许故事规则指定的物件变化；儿童无血腥伤害。所有字幕、可读书名和界面文字后期添加，生成画面不带水印、伪字幕或推广尾卡。\n合成前逐镜核对：人物数与站坐姿；第一帧是否已有异常；动作起点/终点能否接上；道具尺寸是否受控；视线和海平线是否一致；每个回报能否追溯到前一镜的选择。未拍出因果时重做相关镜头，不能靠旁白掩盖。\n\n平台剪辑备选（不是平台时长限制，也不是热度保证）：\nTikTok测试版：保留0–1秒钩子，1–4秒加一行疑问字幕，22–30秒完整展示回报；可将4–9秒背景压成3秒，成片约42秒。\nInstagram Reels测试版：保持道具质感与暖光配色，前1秒无需读字即可理解异常；保留30–38秒表情停顿，以收尾道具作封面，主体仍44秒。\nYouTube Shorts测试版：保持44秒因果链，画外说明最多一句；最后0.3秒与开头形状/声响呼应，避免只留下未兑现的悬念。\n所有字幕建议单行、短句，放在人物面部与关键道具之外；先按实际播放器界面预览遮挡。\n\n可测试的两个开头：A使用第一镜的大/小、静/动反差；B保持同一异常事件，但从小满瞳孔或手中道具切入，再在0.6秒内露出尺度参照。只改变开头一项，其余剪辑保持一致；是否提高留存需要真实成片与实际观看数据，本任务未做此测试。" }, { "id": "C039", "title": "只有泥滩知道她的名字", "concept_id": "S08", "concept_index": 7, "version": 2, "genre": "归属奇幻", "duration_seconds": 44, "shot_count": 8, "source_id": "adapted-results--app-comfy-florence", "source_name": "microsoft/Florence-2-base-ft", "category": "adapted-results", "source_path": "raw-prompts/adapted-results--app-comfy-florence.txt", "source_record": "adapted-results/app-comfy-florence.json", "source_paths": [ "raw-prompts/adapted-results--app-comfy-florence.txt", "project-cases/kijai__ComfyUI-Florence2/prompt-raw.txt" ], "source_excerpt": "[0 秒]\nA little girl is sitting on the ground. She has two red bows in her hair. There are four crabs in front of her. There is a rope behind her. \n\n[15 秒]\nA baby is looking at the camera. The baby has a red dot on his forehead. The eyes are dark and blue. The mouth is closed. The nose is pink. The hands of the baby are touching a green chain link fence. The chain link is green. The little girl has brown hair. The girl has a black dress on. The words on the image are in Chinese.\n\n[50 秒]\nA boat is in the water. There are rocks in the ocean. There is a hill behind the water with lots of birds on ", "source_review": { "strength": "识别四只蟹、红发带、额头红点和服装。", "issues": "渔网变铁丝网，巨浪变山坡，罗盘变手表；收获场面的人与物有误。", "verdict": "已修复像素重复缩放问题，修复前黑图输出只作接入失败档案。" }, "contribution": "视觉片段型来源：以原文中与原帧相符的海岸、人物、表情或道具作为灵感入口。身份、对白、连续动作、奇幻规则和新剧情由Codex补写，不是该模型的原始能力。", "source_duplicate_of": null, "source_hash": "112e9d1c343a86e40835f7edcf4496d6981a5fb5c326177eeba04e0fb34932c6", "body_hash": "9797504da9bec0acf15c5294858c9613e9c46e710347f164ccf57937de0f277d", "author": "Codex, shared writer; not original model output", "fallback": false, "hook": "小满脚下的泥水已经隆起四个发光脚印，其中最小的一串从她脚边一直跑向远处，像有另一个自己提前回家。", "rule": "泥滩只回应真实陪伴的脚步；名字由光点组成，文字由后期字幕呈现。", "shots": [ { "number": 1, "start": 0, "end": 1, "duration": 1, "beat": "惊奇：先看见不可能", "action": "小满脚下的泥水已经隆起四个发光脚印，其中最小的一串从她脚边一直跑向远处，像有另一个自己提前回家。", "camera": "24–35mm感中广景或前景近物后景巨物，保留明确大小参照；单一明确机位，不用无目标甩镜；异常动作在画面开始时已经发生。", "performance": "以本镜指定的人物/道具为中心，背景角色不抢动作。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "以潮声、湿泥轻响、旧木或黄铜触碰声中最贴合本镜道具的一声开场；配一个短低频脉冲，随即让出空间，不叠加尖叫。", "transition": "在异常动作最清楚的一刻硬切至下一镜指定动作或反应；不先放片名或黑屏。", "timing": "0.00–0.15秒直接展示钩子关键帧；0.15–0.70秒让异常动作继续；0.70–1.00秒用呼吸或微小停顿准备切入反应。" }, { "number": 2, "start": 1, "end": 4, "duration": 3, "beat": "好奇：理解人物的反应", "action": "她追上半步又停住，小布袋碰在膝边；海生回头伸手，脚印却在两人之间忽然熄灭一截。", "camera": "50mm感的近景，机位降到孩子眼平，向前缓移约一个手掌距离。", "performance": "若小满在本镜入画，眼神先落在道具，再转向海生；若为纯道具镜，不额外挤入人脸。海生与孩子交流时保持相近眼平高度。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "保留孩子一次吸气和衣料轻摩擦，环境声变窄，音乐只留很轻的持续音。", "transition": "按人物视线切到问题或缺少之物，前一镜最后一声环境音延续约0.15秒。", "timing": "1–1.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 3, "start": 4, "end": 9, "duration": 5, "beat": "共情：显露一个小缺口", "action": "村口人群走得很快，孩子的小脚印被大脚印盖住；她低头站在原地，手指捏紧布袋的破线头。", "camera": "35mm感中景或中近景，交代角色、目标道具和可行动空间；保持眼线一致。", "performance": "让负责本镜行动的成人先动，孩子随后作出可见反应；避免所有人同时表演。 本来源版本强调空间关系：镜头开头保留四个角色/道具位置参照，再靠近关键动作，不以密集特写掩盖布局。", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "空碗、空袋、脚步或木板声选本镜实际存在的一项放近；未出场物件不配声，避免声源误导。", "transition": "用逐渐靠近的风声/物件声引入下一镜；剪切前先让观众认清道具位置。", "timing": "4–5.25秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 4, "start": 9, "end": 15, "duration": 6, "beat": "紧张：让选择有代价", "action": "潮水开始漫过浅脚印，唯一发光的那一串也将消失；小满伸手去擦泥，越急越看不清方向。", "camera": "28mm感稍低机位，前景放障碍或关键道具，后景保留退路；缓慢推进，不乱晃。", "performance": "海生或苏兰承担保护动作，孩子的恐惧用呼吸与手指表现；二狗的夸张反应不压过危险信息。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "风与低频逐步增强，声音来自画面可解释方向；临近决定时收低，不盖过呼吸。", "transition": "在角色看向选择对象时切到手部，危险声短暂收低，突出决定。", "timing": "9–10.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 5, "start": 15, "end": 22, "duration": 7, "beat": "信任：人物主动做决定", "action": "海生、苏兰和二狗同时放慢脚步，回到孩子两侧；四人不说话，并排踩下新的一步。", "camera": "65–85mm感手部/道具插入镜头，焦点从指尖过渡到被选择的物件；只做一次明确动作。", "performance": "选择必须由清楚的手部动作落实；其余角色停住，给观众看懂选择的空间。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "对白：小满轻声说“你们慢一点，等我。”；只配一次明确道具接触声。", "transition": "按动作方向匹配下一镜的变化，避免用白闪遮盖因果。", "timing": "15–16.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 6, "start": 22, "end": 30, "duration": 8, "beat": "释放：回报具有清楚因果", "action": "四串脚印亮起，彼此相接，形成一条通往旧屋的温暖光路；被潮水盖住的痕迹也重新浮出。", "camera": "28–35mm感中广景，由关键道具向外缓慢拉开，完整看见变化及安全距离。", "performance": "先让道具/环境发生变化，再切或移到人物反应；变化只遵守本故事规则。 本来源版本强调空间关系：镜头开头保留四个角色/道具位置参照，再靠近关键动作，不以密集特写掩盖布局。", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "潮声、湿泥轻响、旧木或黄铜触碰声随变化从密变疏，再进入温暖的两三个原创音符；不使用现成热门歌曲歌词。", "transition": "变化完成后停半拍再切脸部；环境音恢复，音乐只抬高一层。", "timing": "22–24.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 7, "start": 30, "end": 38, "duration": 8, "beat": "温暖：给表情留下时间", "action": "小满不再追着别人跑，牵着海生稳稳走在中间；苏兰接过她的小布袋，给她空出一只可以摆动的手。", "camera": "50–65mm感面部近景，稳定机位，留出至少半秒无对白微表情。", "performance": "孩子的肩膀放松、视线愿意停留；成人以小动作回应，不用齐声大笑替代情绪。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "对白：海生说“我们一直在等你。”；其余人用目光回应，留半秒安静。", "transition": "由人物最后的目光或手指引向收尾道具，暖光保持一致。", "timing": "30–32.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 8, "start": 38, "end": 44, "duration": 6, "beat": "余味：接回钩子并打开新可能", "action": "旧屋门前出现第五串极小蟹足印，轻轻加入光路；镜头落回最小的脚印，与开头相接，留下欢迎新成员的余味。", "camera": "以本镜描述的收尾物件构图；最后的形状、光点或运动方向匹配开场关键元素。允许改变景别，但匹配关系必须清楚。", "performance": "人物保持结局得到的安全与关系；新的小悬念不撤销已经完成的情绪回报。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "取第一镜的同一种音色作为最后一个轻声提示，让尾音衔接循环；不突然加入无关轰鸣。", "transition": "最后0.3秒保留与开头相似的轮廓/音色，允许无缝循环；不加黑底强制点击卡。", "timing": "38–39.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" } ], "path": "creative/C039--adapted-results--app-comfy-florence.txt", "text": "来源文件：raw-prompts/adapted-results--app-comfy-florence.txt\n来源名称：microsoft/Florence-2-base-ft\n实际来源记录：adapted-results/app-comfy-florence.json\n原文可用点：识别四只蟹、红发带、额头红点和服装。\n原文问题/边界：渔网变铁丝网，巨浪变山坡，罗盘变手表；收获场面的人与物有误。\n转化方式：视觉片段型来源：以原文中与原帧相符的海岸、人物、表情或道具作为灵感入口。身份、对白、连续动作、奇幻规则和新剧情由Codex补写，不是该模型的原始能力。\n本次选择的新故事：只有泥滩知道她的名字。所有幻想事件都是二创，不用原文中的误识别冒充事实。\n\n《只有泥滩知道她的名字》｜归属奇幻｜44秒完整剪辑稿\n\n制作目标：44秒，9:16竖屏，8个剪辑镜头，目标1080×1920、24fps。时间表是剪辑设计，不是任一平台API保证；按工具实际支持的片段长度生成，再裁切拼接。此处没有生成视频。\n视觉基调：架空旧式沿海村落，湿泥、粗布、旧木和黄铜具有可触摸的写实材质；幼童面部略带童话般大眼比例。灰蓝海水与褐色村屋为底，红发带是辨识点，幻想光源以局部金色/银色呈现。\n小满：幼童女孩，黑发双髻、左右各一条红发带、额头小红点；灰褐补丁粗布衣、布挎袋、旧布鞋。开场若用蓝披衣，则全片保持，除非镜头明确拍下脱衣。性格敏感、先看大人反应，再敢表达愿望。红点不是伤口，红发带不是红头发。\n海生：青年男性，凌乱黑发，旧蓝外衣、灰内衫、深裤；行动稳，保护孩子时先降到她的眼平高度，不以大喊替代关心。\n苏兰：成年女性，深发松束、灰褐无袖粗布上衣、简单项链与腕布；观察细节，负责托稳道具、递布或摆碗等具体照顾。\n二狗：青年男性，短黑发、橄榄绿外衣；提供轻微喜剧和观众反应，后半段愿意放慢动作参与帮助，不把他写成伤害孩子的反派。\n上述人物只在本镜明确指定时出现。群众只作远处模糊背景，不增加新主角。多人同框时优先保持海生在左、苏兰在后、二狗在右、小满在前中；若换位，用中广景交代，不瞬移。\n环境连续性：泥滩、浅水、旧船和村屋保持同一架空地点。海平线稳定。湿衣不会无故变干。室内暖色由船灯或灶火提供；室外变暖用云隙光或明确的幻想道具光解释，不让44秒凭空跨越数小时。\n人物表情与道具变化分开生成更易核对：每镜最多一个主要幻想动作，真实人物不随道具变形。以上服装、人物名和新动作均属本次二创设定，不声称模型从8帧恢复了全部身份。\n\n核心道具锁：浅水泥滩、四串脚印、红色小布袋。先为本片制作一张统一道具参考图，记录缺口、锈斑、左右方向、尺寸；镜头之间沿用同一版本。\n\n本片新规则：泥滩只回应真实陪伴的脚步；名字由光点组成，文字由后期字幕呈现。 此规则是新创作，不是原片事实。\n\n第一秒视觉钩子：小满脚下的泥水已经隆起四个发光脚印，其中最小的一串从她脚边一直跑向远处，像有另一个自己提前回家。\n\n目标情绪路径：惊奇 → 好奇 → 共情 → 紧张 → 信任 → 释放 → 温暖 → 余味。它是创作设计，不是已测得的观众留存数据。\n\n分镜与生成指令（逐镜生成，再按时间码剪辑；全局角色锁及规则与每一镜一起输入）：\n\n镜头01｜00–01秒｜1秒｜惊奇：先看见不可能\n画面与动作：小满脚下的泥水已经隆起四个发光脚印，其中最小的一串从她脚边一直跑向远处，像有另一个自己提前回家。\n动作节拍：0.00–0.15秒直接展示钩子关键帧；0.15–0.70秒让异常动作继续；0.70–1.00秒用呼吸或微小停顿准备切入反应。\n构图与镜头：24–35mm感中广景或前景近物后景巨物，保留明确大小参照；单一明确机位，不用无目标甩镜；异常动作在画面开始时已经发生。\n人物表演：以本镜指定的人物/道具为中心，背景角色不抢动作。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：以潮声、湿泥轻响、旧木或黄铜触碰声中最贴合本镜道具的一声开场；配一个短低频脉冲，随即让出空间，不叠加尖叫。\n衔接：在异常动作最清楚的一刻硬切至下一镜指定动作或反应；不先放片名或黑屏。\n\n镜头02｜01–04秒｜3秒｜好奇：理解人物的反应\n画面与动作：她追上半步又停住，小布袋碰在膝边；海生回头伸手，脚印却在两人之间忽然熄灭一截。\n动作节拍：1–1.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：50mm感的近景，机位降到孩子眼平，向前缓移约一个手掌距离。\n人物表演：若小满在本镜入画，眼神先落在道具，再转向海生；若为纯道具镜，不额外挤入人脸。海生与孩子交流时保持相近眼平高度。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：保留孩子一次吸气和衣料轻摩擦，环境声变窄，音乐只留很轻的持续音。\n衔接：按人物视线切到问题或缺少之物，前一镜最后一声环境音延续约0.15秒。\n\n镜头03｜04–09秒｜5秒｜共情：显露一个小缺口\n画面与动作：村口人群走得很快，孩子的小脚印被大脚印盖住；她低头站在原地，手指捏紧布袋的破线头。\n动作节拍：4–5.25秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：35mm感中景或中近景，交代角色、目标道具和可行动空间；保持眼线一致。\n人物表演：让负责本镜行动的成人先动，孩子随后作出可见反应；避免所有人同时表演。 本来源版本强调空间关系：镜头开头保留四个角色/道具位置参照，再靠近关键动作，不以密集特写掩盖布局。\n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：空碗、空袋、脚步或木板声选本镜实际存在的一项放近；未出场物件不配声，避免声源误导。\n衔接：用逐渐靠近的风声/物件声引入下一镜；剪切前先让观众认清道具位置。\n\n镜头04｜09–15秒｜6秒｜紧张：让选择有代价\n画面与动作：潮水开始漫过浅脚印，唯一发光的那一串也将消失；小满伸手去擦泥，越急越看不清方向。\n动作节拍：9–10.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：28mm感稍低机位，前景放障碍或关键道具，后景保留退路；缓慢推进，不乱晃。\n人物表演：海生或苏兰承担保护动作，孩子的恐惧用呼吸与手指表现；二狗的夸张反应不压过危险信息。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：风与低频逐步增强，声音来自画面可解释方向；临近决定时收低，不盖过呼吸。\n衔接：在角色看向选择对象时切到手部，危险声短暂收低，突出决定。\n\n镜头05｜15–22秒｜7秒｜信任：人物主动做决定\n画面与动作：海生、苏兰和二狗同时放慢脚步，回到孩子两侧；四人不说话，并排踩下新的一步。\n动作节拍：15–16.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：65–85mm感手部/道具插入镜头，焦点从指尖过渡到被选择的物件；只做一次明确动作。\n人物表演：选择必须由清楚的手部动作落实；其余角色停住，给观众看懂选择的空间。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：对白：小满轻声说“你们慢一点，等我。”；只配一次明确道具接触声。\n衔接：按动作方向匹配下一镜的变化，避免用白闪遮盖因果。\n\n镜头06｜22–30秒｜8秒｜释放：回报具有清楚因果\n画面与动作：四串脚印亮起，彼此相接，形成一条通往旧屋的温暖光路；被潮水盖住的痕迹也重新浮出。\n动作节拍：22–24.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：28–35mm感中广景，由关键道具向外缓慢拉开，完整看见变化及安全距离。\n人物表演：先让道具/环境发生变化，再切或移到人物反应；变化只遵守本故事规则。 本来源版本强调空间关系：镜头开头保留四个角色/道具位置参照，再靠近关键动作，不以密集特写掩盖布局。\n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：潮声、湿泥轻响、旧木或黄铜触碰声随变化从密变疏，再进入温暖的两三个原创音符；不使用现成热门歌曲歌词。\n衔接：变化完成后停半拍再切脸部；环境音恢复，音乐只抬高一层。\n\n镜头07｜30–38秒｜8秒｜温暖：给表情留下时间\n画面与动作：小满不再追着别人跑，牵着海生稳稳走在中间；苏兰接过她的小布袋，给她空出一只可以摆动的手。\n动作节拍：30–32.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：50–65mm感面部近景，稳定机位，留出至少半秒无对白微表情。\n人物表演：孩子的肩膀放松、视线愿意停留；成人以小动作回应，不用齐声大笑替代情绪。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：对白：海生说“我们一直在等你。”；其余人用目光回应，留半秒安静。\n衔接：由人物最后的目光或手指引向收尾道具，暖光保持一致。\n\n镜头08｜38–44秒｜6秒｜余味：接回钩子并打开新可能\n画面与动作：旧屋门前出现第五串极小蟹足印，轻轻加入光路；镜头落回最小的脚印，与开头相接，留下欢迎新成员的余味。\n动作节拍：38–39.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：以本镜描述的收尾物件构图；最后的形状、光点或运动方向匹配开场关键元素。允许改变景别，但匹配关系必须清楚。\n人物表演：人物保持结局得到的安全与关系；新的小悬念不撤销已经完成的情绪回报。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：取第一镜的同一种音色作为最后一个轻声提示，让尾音衔接循环；不突然加入无关轰鸣。\n衔接：最后0.3秒保留与开头相似的轮廓/音色，允许无缝循环；不加黑底强制点击卡。\n\n负向与连续性检查：不出现无依据的手机、枪械、医院、现代车辆、书上伪造大段文字、未经设计的影视角色或艺术家署名。保持双髻、红带、额头红点及四名主角身份；不多生手指、蟹腿，不让手与道具穿模，不把罗盘替换成怀表。道具在同一镜内不得随机换材质、数量、左右位置或开合状态。只允许故事规则指定的物件变化；儿童无血腥伤害。所有字幕、可读书名和界面文字后期添加，生成画面不带水印、伪字幕或推广尾卡。\n合成前逐镜核对：人物数与站坐姿；第一帧是否已有异常；动作起点/终点能否接上；道具尺寸是否受控；视线和海平线是否一致；每个回报能否追溯到前一镜的选择。未拍出因果时重做相关镜头，不能靠旁白掩盖。\n\n平台剪辑备选（不是平台时长限制，也不是热度保证）：\nTikTok测试版：保留0–1秒钩子，1–4秒加一行疑问字幕，22–30秒完整展示回报；可将4–9秒背景压成3秒，成片约42秒。\nInstagram Reels测试版：保持道具质感与暖光配色，前1秒无需读字即可理解异常；保留30–38秒表情停顿，以收尾道具作封面，主体仍44秒。\nYouTube Shorts测试版：保持44秒因果链，画外说明最多一句；最后0.3秒与开头形状/声响呼应，避免只留下未兑现的悬念。\n所有字幕建议单行、短句，放在人物面部与关键道具之外；先按实际播放器界面预览遮挡。\n\n可测试的两个开头：A使用第一镜的大/小、静/动反差；B保持同一异常事件，但从小满瞳孔或手中道具切入，再在0.6秒内露出尺度参照。只改变开头一项，其余剪辑保持一致；是否提高留存需要真实成片与实际观看数据，本任务未做此测试。" }, { "id": "C040", "title": "把嘲笑收进一枚贝壳", "concept_id": "S15", "concept_index": 14, "version": 0, "genre": "声音反转", "duration_seconds": 44, "shot_count": 8, "source_id": "adapted-results--app-fooocus", "source_name": "BLIP base COCO native decoder", "category": "adapted-results", "source_path": "raw-prompts/adapted-results--app-fooocus.txt", "source_record": "adapted-results/app-fooocus.json", "source_paths": [ "raw-prompts/adapted-results--app-fooocus.txt", "project-cases/lllyasviel__Fooocus/prompt-raw.txt" ], "source_excerpt": "[0 秒]\nsmall child sitting on a beach playing with snakes\n\n[15 秒]\nthe baby girl is crying and holding a chains on her face\n\n[50 秒]\na boat is in a body of water\n\n[95 秒]\na chinese movie is shown with an asian man playing a game\n\n[175 秒]\nsomeone is opening the cover to a book\n\n[235 秒]\na little girl standing by some jeans holding a cell phone\n\n[340 秒]\na girl that is kneeling down on the ground\n\n[385 秒]\nthree asian families playing in the water", "source_review": { "strength": "识别哭泣、跪地和打开书等粗略元素。", "issues": "本次采样把蟹写成蛇，虚构手机、游戏与三个家庭；巨浪只剩普通水面。", "verdict": "一次固定种子采样结果，不能推断整个项目永远较差。" }, "contribution": "视觉片段型来源：以原文中与原帧相符的海岸、人物、表情或道具作为灵感入口。身份、对白、连续动作、奇幻规则和新剧情由Codex补写，不是该模型的原始能力。", "source_duplicate_of": null, "source_hash": "15697a17e06f0d505b40bc9c62a4bda6f60077a14dba55d3277d396471e5a895", "body_hash": "e299099e0e2d4f12f801b987ded7a8fc481d138fe96c3523f5bf02fbc576af50", "author": "Codex, shared writer; not original model output", "fallback": false, "hook": "贝壳口已喷出一串黑灰色小泡泡，每个泡泡都挤着滑稽的皱眉影子；小满捂住耳朵，泡泡却围着她旋转。", "rule": "贝壳把恶意语气变成无害泡泡；只有真诚回应能让泡泡变成暖光，不能生成原片对白。", "shots": [ { "number": 1, "start": 0, "end": 1, "duration": 1, "beat": "惊奇：先看见不可能", "action": "贝壳口已喷出一串黑灰色小泡泡，每个泡泡都挤着滑稽的皱眉影子；小满捂住耳朵，泡泡却围着她旋转。", "camera": "24–35mm感中广景或前景近物后景巨物，保留明确大小参照；单一明确机位，不用无目标甩镜；异常动作在画面开始时已经发生。", "performance": "以本镜指定的人物/道具为中心，背景角色不抢动作。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "以潮声、湿泥轻响、旧木或黄铜触碰声中最贴合本镜道具的一声开场；配一个短低频脉冲，随即让出空间，不叠加尖叫。", "transition": "在异常动作最清楚的一刻硬切至下一镜指定动作或反应；不先放片名或黑屏。", "timing": "0.00–0.15秒直接展示钩子关键帧；0.15–0.70秒让异常动作继续；0.70–1.00秒用呼吸或微小停顿准备切入反应。" }, { "number": 2, "start": 1, "end": 4, "duration": 3, "beat": "好奇：理解人物的反应", "action": "二狗拿贝壳贴耳，被夸张的嘲笑回声吓得后仰；小满低头把布袋藏到背后，仿佛连贫穷也要藏起来。", "camera": "50mm感的近景，机位降到孩子眼平，向前缓移约一个手掌距离。", "performance": "若小满在本镜入画，眼神先落在道具，再转向海生；若为纯道具镜，不额外挤入人脸。海生与孩子交流时保持相近眼平高度。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "保留孩子一次吸气和衣料轻摩擦，环境声变窄，音乐只留很轻的持续音。", "transition": "按人物视线切到问题或缺少之物，前一镜最后一声环境音延续约0.15秒。", "timing": "1–1.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 3, "start": 4, "end": 9, "duration": 5, "beat": "共情：显露一个小缺口", "action": "海生端来四只缺口碗，一只一只摆好；画外传来模糊窃笑，不呈现具体辱骂词，孩子把自己的碗往边上挪。", "camera": "35mm感中景或中近景，交代角色、目标道具和可行动空间；保持眼线一致。", "performance": "让负责本镜行动的成人先动，孩子随后作出可见反应；避免所有人同时表演。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "空碗、空袋、脚步或木板声选本镜实际存在的一项放近；未出场物件不配声，避免声源误导。", "transition": "用逐渐靠近的风声/物件声引入下一镜；剪切前先让观众认清道具位置。", "timing": "4–5.25秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 4, "start": 9, "end": 15, "duration": 6, "beat": "紧张：让选择有代价", "action": "泡泡越聚越密，几乎挡住屋门的灯；苏兰伸手去赶，泡泡又从指缝绕回来，气氛由滑稽转为压迫。", "camera": "28mm感稍低机位，前景放障碍或关键道具，后景保留退路；缓慢推进，不乱晃。", "performance": "海生或苏兰承担保护动作，孩子的恐惧用呼吸与手指表现；二狗的夸张反应不压过危险信息。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "风与低频逐步增强，声音来自画面可解释方向；临近决定时收低，不盖过呼吸。", "transition": "在角色看向选择对象时切到手部，危险声短暂收低，突出决定。", "timing": "9–10.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 5, "start": 15, "end": 22, "duration": 7, "beat": "信任：人物主动做决定", "action": "海生对着贝壳轻声说出接纳的话，小满抬起眼；他把她的碗移回正中央，用行动让话落地。", "camera": "65–85mm感手部/道具插入镜头，焦点从指尖过渡到被选择的物件；只做一次明确动作。", "performance": "选择必须由清楚的手部动作落实；其余角色停住，给观众看懂选择的空间。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "对白：海生轻声说“别把那些话带回家。”；只配一次明确道具接触声。", "transition": "按动作方向匹配下一镜的变化，避免用白闪遮盖因果。", "timing": "15–16.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 6, "start": 22, "end": 30, "duration": 8, "beat": "释放：回报具有清楚因果", "action": "最近的黑泡泡先变透明，再点亮一颗金色小光；变化沿泡泡传开，屋门像挂满柔和灯串。", "camera": "28–35mm感中广景，由关键道具向外缓慢拉开，完整看见变化及安全距离。", "performance": "先让道具/环境发生变化，再切或移到人物反应；变化只遵守本故事规则。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "潮声、湿泥轻响、旧木或黄铜触碰声随变化从密变疏，再进入温暖的两三个原创音符；不使用现成热门歌曲歌词。", "transition": "变化完成后停半拍再切脸部；环境音恢复，音乐只抬高一层。", "timing": "22–24.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 7, "start": 30, "end": 38, "duration": 8, "beat": "温暖：给表情留下时间", "action": "小满选中一颗暖光放在布袋口，二狗把空贝壳当话筒唱一个滑稽单音；孩子笑到肩膀终于放松。", "camera": "50–65mm感面部近景，稳定机位，留出至少半秒无对白微表情。", "performance": "孩子的肩膀放松、视线愿意停留；成人以小动作回应，不用齐声大笑替代情绪。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "对白：小满说“我们留这一句就好。”；其余人用目光回应，留半秒安静。", "transition": "由人物最后的目光或手指引向收尾道具，暖光保持一致。", "timing": "30–32.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 8, "start": 38, "end": 44, "duration": 6, "beat": "余味：接回钩子并打开新可能", "action": "最后一个小泡泡里出现海生张开手的剪影；镜头钻回螺旋壳口，只留下那句接纳的尾音，与开头形成声音对照。", "camera": "以本镜描述的收尾物件构图；最后的形状、光点或运动方向匹配开场关键元素。允许改变景别，但匹配关系必须清楚。", "performance": "人物保持结局得到的安全与关系；新的小悬念不撤销已经完成的情绪回报。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "取第一镜的同一种音色作为最后一个轻声提示，让尾音衔接循环；不突然加入无关轰鸣。", "transition": "最后0.3秒保留与开头相似的轮廓/音色，允许无缝循环；不加黑底强制点击卡。", "timing": "38–39.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" } ], "path": "creative/C040--adapted-results--app-fooocus.txt", "text": "来源文件：raw-prompts/adapted-results--app-fooocus.txt\n来源名称：BLIP base COCO native decoder\n实际来源记录：adapted-results/app-fooocus.json\n原文可用点：识别哭泣、跪地和打开书等粗略元素。\n原文问题/边界：本次采样把蟹写成蛇，虚构手机、游戏与三个家庭；巨浪只剩普通水面。\n转化方式：视觉片段型来源：以原文中与原帧相符的海岸、人物、表情或道具作为灵感入口。身份、对白、连续动作、奇幻规则和新剧情由Codex补写，不是该模型的原始能力。\n本次选择的新故事：把嘲笑收进一枚贝壳。所有幻想事件都是二创，不用原文中的误识别冒充事实。\n\n《把嘲笑收进一枚贝壳》｜声音反转｜44秒完整剪辑稿\n\n制作目标：44秒，9:16竖屏，8个剪辑镜头，目标1080×1920、24fps。时间表是剪辑设计，不是任一平台API保证；按工具实际支持的片段长度生成，再裁切拼接。此处没有生成视频。\n视觉基调：架空旧式沿海村落，湿泥、粗布、旧木和黄铜具有可触摸的写实材质；幼童面部略带童话般大眼比例。灰蓝海水与褐色村屋为底，红发带是辨识点，幻想光源以局部金色/银色呈现。\n小满：幼童女孩，黑发双髻、左右各一条红发带、额头小红点；灰褐补丁粗布衣、布挎袋、旧布鞋。开场若用蓝披衣，则全片保持，除非镜头明确拍下脱衣。性格敏感、先看大人反应，再敢表达愿望。红点不是伤口，红发带不是红头发。\n海生：青年男性，凌乱黑发，旧蓝外衣、灰内衫、深裤；行动稳，保护孩子时先降到她的眼平高度，不以大喊替代关心。\n苏兰：成年女性，深发松束、灰褐无袖粗布上衣、简单项链与腕布；观察细节，负责托稳道具、递布或摆碗等具体照顾。\n二狗：青年男性，短黑发、橄榄绿外衣；提供轻微喜剧和观众反应，后半段愿意放慢动作参与帮助，不把他写成伤害孩子的反派。\n上述人物只在本镜明确指定时出现。群众只作远处模糊背景，不增加新主角。多人同框时优先保持海生在左、苏兰在后、二狗在右、小满在前中；若换位，用中广景交代，不瞬移。\n环境连续性：泥滩、浅水、旧船和村屋保持同一架空地点。海平线稳定。湿衣不会无故变干。室内暖色由船灯或灶火提供；室外变暖用云隙光或明确的幻想道具光解释，不让44秒凭空跨越数小时。\n人物表情与道具变化分开生成更易核对：每镜最多一个主要幻想动作，真实人物不随道具变形。以上服装、人物名和新动作均属本次二创设定，不声称模型从8帧恢复了全部身份。\n\n核心道具锁：螺旋贝壳、空布袋、四只饭碗。先为本片制作一张统一道具参考图，记录缺口、锈斑、左右方向、尺寸；镜头之间沿用同一版本。\n\n本片新规则：贝壳把恶意语气变成无害泡泡；只有真诚回应能让泡泡变成暖光，不能生成原片对白。 此规则是新创作，不是原片事实。\n\n第一秒视觉钩子：贝壳口已喷出一串黑灰色小泡泡，每个泡泡都挤着滑稽的皱眉影子；小满捂住耳朵，泡泡却围着她旋转。\n\n目标情绪路径：惊奇 → 好奇 → 共情 → 紧张 → 信任 → 释放 → 温暖 → 余味。它是创作设计，不是已测得的观众留存数据。\n\n分镜与生成指令（逐镜生成，再按时间码剪辑；全局角色锁及规则与每一镜一起输入）：\n\n镜头01｜00–01秒｜1秒｜惊奇：先看见不可能\n画面与动作：贝壳口已喷出一串黑灰色小泡泡，每个泡泡都挤着滑稽的皱眉影子；小满捂住耳朵，泡泡却围着她旋转。\n动作节拍：0.00–0.15秒直接展示钩子关键帧；0.15–0.70秒让异常动作继续；0.70–1.00秒用呼吸或微小停顿准备切入反应。\n构图与镜头：24–35mm感中广景或前景近物后景巨物，保留明确大小参照；单一明确机位，不用无目标甩镜；异常动作在画面开始时已经发生。\n人物表演：以本镜指定的人物/道具为中心，背景角色不抢动作。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：以潮声、湿泥轻响、旧木或黄铜触碰声中最贴合本镜道具的一声开场；配一个短低频脉冲，随即让出空间，不叠加尖叫。\n衔接：在异常动作最清楚的一刻硬切至下一镜指定动作或反应；不先放片名或黑屏。\n\n镜头02｜01–04秒｜3秒｜好奇：理解人物的反应\n画面与动作：二狗拿贝壳贴耳，被夸张的嘲笑回声吓得后仰；小满低头把布袋藏到背后，仿佛连贫穷也要藏起来。\n动作节拍：1–1.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：50mm感的近景，机位降到孩子眼平，向前缓移约一个手掌距离。\n人物表演：若小满在本镜入画，眼神先落在道具，再转向海生；若为纯道具镜，不额外挤入人脸。海生与孩子交流时保持相近眼平高度。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：保留孩子一次吸气和衣料轻摩擦，环境声变窄，音乐只留很轻的持续音。\n衔接：按人物视线切到问题或缺少之物，前一镜最后一声环境音延续约0.15秒。\n\n镜头03｜04–09秒｜5秒｜共情：显露一个小缺口\n画面与动作：海生端来四只缺口碗，一只一只摆好；画外传来模糊窃笑，不呈现具体辱骂词，孩子把自己的碗往边上挪。\n动作节拍：4–5.25秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：35mm感中景或中近景，交代角色、目标道具和可行动空间；保持眼线一致。\n人物表演：让负责本镜行动的成人先动，孩子随后作出可见反应；避免所有人同时表演。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：空碗、空袋、脚步或木板声选本镜实际存在的一项放近；未出场物件不配声，避免声源误导。\n衔接：用逐渐靠近的风声/物件声引入下一镜；剪切前先让观众认清道具位置。\n\n镜头04｜09–15秒｜6秒｜紧张：让选择有代价\n画面与动作：泡泡越聚越密，几乎挡住屋门的灯；苏兰伸手去赶，泡泡又从指缝绕回来，气氛由滑稽转为压迫。\n动作节拍：9–10.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：28mm感稍低机位，前景放障碍或关键道具，后景保留退路；缓慢推进，不乱晃。\n人物表演：海生或苏兰承担保护动作，孩子的恐惧用呼吸与手指表现；二狗的夸张反应不压过危险信息。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：风与低频逐步增强，声音来自画面可解释方向；临近决定时收低，不盖过呼吸。\n衔接：在角色看向选择对象时切到手部，危险声短暂收低，突出决定。\n\n镜头05｜15–22秒｜7秒｜信任：人物主动做决定\n画面与动作：海生对着贝壳轻声说出接纳的话，小满抬起眼；他把她的碗移回正中央，用行动让话落地。\n动作节拍：15–16.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：65–85mm感手部/道具插入镜头，焦点从指尖过渡到被选择的物件；只做一次明确动作。\n人物表演：选择必须由清楚的手部动作落实；其余角色停住，给观众看懂选择的空间。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：对白：海生轻声说“别把那些话带回家。”；只配一次明确道具接触声。\n衔接：按动作方向匹配下一镜的变化，避免用白闪遮盖因果。\n\n镜头06｜22–30秒｜8秒｜释放：回报具有清楚因果\n画面与动作：最近的黑泡泡先变透明，再点亮一颗金色小光；变化沿泡泡传开，屋门像挂满柔和灯串。\n动作节拍：22–24.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：28–35mm感中广景，由关键道具向外缓慢拉开，完整看见变化及安全距离。\n人物表演：先让道具/环境发生变化，再切或移到人物反应；变化只遵守本故事规则。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：潮声、湿泥轻响、旧木或黄铜触碰声随变化从密变疏，再进入温暖的两三个原创音符；不使用现成热门歌曲歌词。\n衔接：变化完成后停半拍再切脸部；环境音恢复，音乐只抬高一层。\n\n镜头07｜30–38秒｜8秒｜温暖：给表情留下时间\n画面与动作：小满选中一颗暖光放在布袋口，二狗把空贝壳当话筒唱一个滑稽单音；孩子笑到肩膀终于放松。\n动作节拍：30–32.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：50–65mm感面部近景，稳定机位，留出至少半秒无对白微表情。\n人物表演：孩子的肩膀放松、视线愿意停留；成人以小动作回应，不用齐声大笑替代情绪。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：对白：小满说“我们留这一句就好。”；其余人用目光回应，留半秒安静。\n衔接：由人物最后的目光或手指引向收尾道具，暖光保持一致。\n\n镜头08｜38–44秒｜6秒｜余味：接回钩子并打开新可能\n画面与动作：最后一个小泡泡里出现海生张开手的剪影；镜头钻回螺旋壳口，只留下那句接纳的尾音，与开头形成声音对照。\n动作节拍：38–39.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：以本镜描述的收尾物件构图；最后的形状、光点或运动方向匹配开场关键元素。允许改变景别，但匹配关系必须清楚。\n人物表演：人物保持结局得到的安全与关系；新的小悬念不撤销已经完成的情绪回报。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：取第一镜的同一种音色作为最后一个轻声提示，让尾音衔接循环；不突然加入无关轰鸣。\n衔接：最后0.3秒保留与开头相似的轮廓/音色，允许无缝循环；不加黑底强制点击卡。\n\n负向与连续性检查：不出现无依据的手机、枪械、医院、现代车辆、书上伪造大段文字、未经设计的影视角色或艺术家署名。保持双髻、红带、额头红点及四名主角身份；不多生手指、蟹腿，不让手与道具穿模，不把罗盘替换成怀表。道具在同一镜内不得随机换材质、数量、左右位置或开合状态。只允许故事规则指定的物件变化；儿童无血腥伤害。所有字幕、可读书名和界面文字后期添加，生成画面不带水印、伪字幕或推广尾卡。\n合成前逐镜核对：人物数与站坐姿；第一帧是否已有异常；动作起点/终点能否接上；道具尺寸是否受控；视线和海平线是否一致；每个回报能否追溯到前一镜的选择。未拍出因果时重做相关镜头，不能靠旁白掩盖。\n\n平台剪辑备选（不是平台时长限制，也不是热度保证）：\nTikTok测试版：保留0–1秒钩子，1–4秒加一行疑问字幕，22–30秒完整展示回报；可将4–9秒背景压成3秒，成片约42秒。\nInstagram Reels测试版：保持道具质感与暖光配色，前1秒无需读字即可理解异常；保留30–38秒表情停顿，以收尾道具作封面，主体仍44秒。\nYouTube Shorts测试版：保持44秒因果链，画外说明最多一句；最后0.3秒与开头形状/声响呼应，避免只留下未兑现的悬念。\n所有字幕建议单行、短句，放在人物面部与关键道具之外；先按实际播放器界面预览遮挡。\n\n可测试的两个开头：A使用第一镜的大/小、静/动反差；B保持同一异常事件，但从小满瞳孔或手中道具切入，再在0.6秒内露出尺度参照。只改变开头一项，其余剪辑保持一致；是否提高留存需要真实成片与实际观看数据，本任务未做此测试。" }, { "id": "C041", "title": "一个不肯破的泡泡", "concept_id": "S32", "concept_index": 31, "version": 1, "genre": "感官悬念", "duration_seconds": 44, "shot_count": 8, "source_id": "adapted-results--app-onetrainer", "source_name": "Salesforce/blip-image-captioning-base", "category": "adapted-results", "source_path": "raw-prompts/adapted-results--app-onetrainer.txt", "source_record": "adapted-results/app-onetrainer.json", "source_paths": [ "raw-prompts/adapted-results--app-onetrainer.txt", "project-cases/Nerogar__OneTrainer/prompt-raw.txt" ], "source_excerpt": "[0 秒]\na little girl sitting on the beach with crabs\n\n[15 秒]\na child crying in the rain\n\n[50 秒]\na boat is in the water near a wave\n\n[95 秒]\nthe movie is about a family and a family\n\n[175 秒]\na person is holding a book and a compass\n\n[235 秒]\na little girl is holding her mother ' s hand\n\n[340 秒]\na little girl is playing in the water\n\n[385 秒]\na group of people are playing in the water", "source_review": { "strength": "识别开场蟹、海浪、旧书罗盘。", "issues": "增加下雨、母亲及家庭关系，把赶海写成玩水。", "verdict": "真实调用 BLIP 描述函数；此测试的 base 权重替换已标明。" }, "contribution": "视觉片段型来源：以原文中与原帧相符的海岸、人物、表情或道具作为灵感入口。身份、对白、连续动作、奇幻规则和新剧情由Codex补写，不是该模型的原始能力。", "source_duplicate_of": null, "source_hash": "7edb7edcd488e660add7d75cb9d73eb848217437b06ff0847901adb1725cc5ba", "body_hash": "da50f34395827ccc46a3b1b91f1d4ca25b13078b209caa6fcabb90bf5407e3f0", "author": "Codex, shared writer; not original model output", "fallback": false, "hook": "泥水中的一个泡泡已经长到女孩脸那么大，里面浮着一碗热米饭；竹铲落在泡面上，却像碰到柔软鼓皮般被弹回。", "rule": "泡泡保存尚未说出口的愿望；被认真倾听后才能落入碗中，不需要用力戳破。", "shots": [ { "number": 1, "start": 0, "end": 1, "duration": 1, "beat": "惊奇：先看见不可能", "action": "泥水中的一个泡泡已经长到女孩脸那么大，里面浮着一碗热米饭；竹铲落在泡面上，却像碰到柔软鼓皮般被弹回。", "camera": "85mm感微距，道具占画面约三分之二，人物眼睛或手作为尺度参照；单一明确机位，不用无目标甩镜；异常动作在画面开始时已经发生。", "performance": "以本镜指定的人物/道具为中心，背景角色不抢动作。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "以细小水膜、陶瓷或盐晶的清脆触感声中最贴合本镜道具的一声开场；配一个短低频脉冲，随即让出空间，不叠加尖叫。", "transition": "在异常动作最清楚的一刻硬切至下一镜指定动作或反应；不先放片名或黑屏。", "timing": "0.00–0.15秒直接展示钩子关键帧；0.15–0.70秒让异常动作继续；0.70–1.00秒用呼吸或微小停顿准备切入反应。" }, { "number": 2, "start": 1, "end": 4, "duration": 3, "beat": "好奇：理解人物的反应", "action": "小满盯着泡泡，喉咙轻动一下，立刻装作没有看见；海生蹲到她旁边，把手里的空勺藏到背后。", "camera": "50mm感的近景，机位降到孩子眼平，向前缓移约一个手掌距离。", "performance": "若小满在本镜入画，眼神先落在道具，再转向海生；若为纯道具镜，不额外挤入人脸。海生与孩子交流时保持相近眼平高度。 本来源版本强调小满的主观感受：先拍她注意到的细节，再拍回应，缩短无信息的成人反应。", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "保留孩子一次吸气和衣料轻摩擦，环境声变窄，音乐只留很轻的持续音。", "transition": "按人物视线切到问题或缺少之物，前一镜最后一声环境音延续约0.15秒。", "timing": "1–1.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 3, "start": 4, "end": 9, "duration": 5, "beat": "共情：显露一个小缺口", "action": "二狗猜泡泡里一定有珍珠，兴奋地拿碗去接；泡泡中的饭影却慢慢暗下，小满把自己的手收回衣袖。", "camera": "35mm感中景或中近景，交代角色、目标道具和可行动空间；保持眼线一致。", "performance": "让负责本镜行动的成人先动，孩子随后作出可见反应；避免所有人同时表演。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "空碗、空袋、脚步或木板声选本镜实际存在的一项放近；未出场物件不配声，避免声源误导。", "transition": "用逐渐靠近的风声/物件声引入下一镜；剪切前先让观众认清道具位置。", "timing": "4–5.25秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 4, "start": 9, "end": 15, "duration": 6, "beat": "紧张：让选择有代价", "action": "风吹来，泡泡被拉得细长，仿佛随时会断；苏兰挡风，海生叫停所有关于财宝的猜测，留出一段安静。", "camera": "28mm感稍低机位，前景放障碍或关键道具，后景保留退路；缓慢推进，不乱晃。", "performance": "海生或苏兰承担保护动作，孩子的恐惧用呼吸与手指表现；二狗的夸张反应不压过危险信息。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "风与低频逐步增强，声音来自画面可解释方向；临近决定时收低，不盖过呼吸。", "transition": "在角色看向选择对象时切到手部，危险声短暂收低，突出决定。", "timing": "9–10.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 5, "start": 15, "end": 22, "duration": 7, "beat": "信任：人物主动做决定", "action": "海生看着小满的眼睛，让她慢慢说愿望；孩子先摇头，终于轻声说出只想吃热饭，肩膀随之松开。", "camera": "65–85mm感手部/道具插入镜头，焦点从指尖过渡到被选择的物件；只做一次明确动作。", "performance": "选择必须由清楚的手部动作落实；其余角色停住，给观众看懂选择的空间。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "对白：海生轻声说“你想要什么？慢慢说。”；只配一次明确道具接触声。", "transition": "按动作方向匹配下一镜的变化，避免用白闪遮盖因果。", "timing": "15–16.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 6, "start": 22, "end": 30, "duration": 8, "beat": "释放：回报具有清楚因果", "action": "泡泡缩成一颗温暖水珠，落入缺口碗，倒映出近处藏着米袋的旧船夹层；愿望带来线索，而非直接凭空变出熟饭。", "camera": "28–35mm感中广景，由关键道具向外缓慢拉开，完整看见变化及安全距离。", "performance": "先让道具/环境发生变化，再切或移到人物反应；变化只遵守本故事规则。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "细小水膜、陶瓷或盐晶的清脆触感声随变化从密变疏，再进入温暖的两三个原创音符；不使用现成热门歌曲歌词。", "transition": "变化完成后停半拍再切脸部；环境音恢复，音乐只抬高一层。", "timing": "22–24.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 7, "start": 30, "end": 38, "duration": 8, "beat": "温暖：给表情留下时间", "action": "屋里饭锅揭盖，真正蒸汽升起，小满小心捧碗；二狗尝试用手接蒸汽，逗得孩子笑出第一声。", "camera": "50–65mm感面部近景，稳定机位，留出至少半秒无对白微表情。", "performance": "孩子的肩膀放松、视线愿意停留；成人以小动作回应，不用齐声大笑替代情绪。 本来源版本强调小满的主观感受：先拍她注意到的细节，再拍回应，缩短无信息的成人反应。", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "对白：小满说“我只是想吃一碗热饭。”；其余人用目光回应，留半秒安静。", "transition": "由人物最后的目光或手指引向收尾道具，暖光保持一致。", "timing": "30–32.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 8, "start": 38, "end": 44, "duration": 6, "beat": "余味：接回钩子并打开新可能", "action": "碗上蒸汽凝成很小的泡泡，里面映出四人围桌；它轻轻碰到镜头，画面回到最初的圆形水膜。", "camera": "以本镜描述的收尾物件构图；最后的形状、光点或运动方向匹配开场关键元素。允许改变景别，但匹配关系必须清楚。", "performance": "人物保持结局得到的安全与关系；新的小悬念不撤销已经完成的情绪回报。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "取第一镜的同一种音色作为最后一个轻声提示，让尾音衔接循环；不突然加入无关轰鸣。", "transition": "最后0.3秒保留与开头相似的轮廓/音色，允许无缝循环；不加黑底强制点击卡。", "timing": "38–39.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" } ], "path": "creative/C041--adapted-results--app-onetrainer.txt", "text": "来源文件：raw-prompts/adapted-results--app-onetrainer.txt\n来源名称：Salesforce/blip-image-captioning-base\n实际来源记录：adapted-results/app-onetrainer.json\n原文可用点：识别开场蟹、海浪、旧书罗盘。\n原文问题/边界：增加下雨、母亲及家庭关系，把赶海写成玩水。\n转化方式：视觉片段型来源：以原文中与原帧相符的海岸、人物、表情或道具作为灵感入口。身份、对白、连续动作、奇幻规则和新剧情由Codex补写，不是该模型的原始能力。\n本次选择的新故事：一个不肯破的泡泡。所有幻想事件都是二创，不用原文中的误识别冒充事实。\n\n《一个不肯破的泡泡》｜感官悬念｜44秒完整剪辑稿\n\n制作目标：44秒，9:16竖屏，8个剪辑镜头，目标1080×1920、24fps。时间表是剪辑设计，不是任一平台API保证；按工具实际支持的片段长度生成，再裁切拼接。此处没有生成视频。\n视觉基调：架空旧式沿海村落，湿泥、粗布、旧木和黄铜具有可触摸的写实材质；幼童面部略带童话般大眼比例。灰蓝海水与褐色村屋为底，红发带是辨识点，幻想光源以局部金色/银色呈现。\n小满：幼童女孩，黑发双髻、左右各一条红发带、额头小红点；灰褐补丁粗布衣、布挎袋、旧布鞋。开场若用蓝披衣，则全片保持，除非镜头明确拍下脱衣。性格敏感、先看大人反应，再敢表达愿望。红点不是伤口，红发带不是红头发。\n海生：青年男性，凌乱黑发，旧蓝外衣、灰内衫、深裤；行动稳，保护孩子时先降到她的眼平高度，不以大喊替代关心。\n苏兰：成年女性，深发松束、灰褐无袖粗布上衣、简单项链与腕布；观察细节，负责托稳道具、递布或摆碗等具体照顾。\n二狗：青年男性，短黑发、橄榄绿外衣；提供轻微喜剧和观众反应，后半段愿意放慢动作参与帮助，不把他写成伤害孩子的反派。\n上述人物只在本镜明确指定时出现。群众只作远处模糊背景，不增加新主角。多人同框时优先保持海生在左、苏兰在后、二狗在右、小满在前中；若换位，用中广景交代，不瞬移。\n环境连续性：泥滩、浅水、旧船和村屋保持同一架空地点。海平线稳定。湿衣不会无故变干。室内暖色由船灯或灶火提供；室外变暖用云隙光或明确的幻想道具光解释，不让44秒凭空跨越数小时。\n人物表情与道具变化分开生成更易核对：每镜最多一个主要幻想动作，真实人物不随道具变形。以上服装、人物名和新动作均属本次二创设定，不声称模型从8帧恢复了全部身份。\n\n核心道具锁：金色泥泡、缺口碗、空饭勺。先为本片制作一张统一道具参考图，记录缺口、锈斑、左右方向、尺寸；镜头之间沿用同一版本。\n\n本片新规则：泡泡保存尚未说出口的愿望；被认真倾听后才能落入碗中，不需要用力戳破。 此规则是新创作，不是原片事实。\n\n第一秒视觉钩子：泥水中的一个泡泡已经长到女孩脸那么大，里面浮着一碗热米饭；竹铲落在泡面上，却像碰到柔软鼓皮般被弹回。\n\n目标情绪路径：惊奇 → 好奇 → 共情 → 紧张 → 信任 → 释放 → 温暖 → 余味。它是创作设计，不是已测得的观众留存数据。\n\n分镜与生成指令（逐镜生成，再按时间码剪辑；全局角色锁及规则与每一镜一起输入）：\n\n镜头01｜00–01秒｜1秒｜惊奇：先看见不可能\n画面与动作：泥水中的一个泡泡已经长到女孩脸那么大，里面浮着一碗热米饭；竹铲落在泡面上，却像碰到柔软鼓皮般被弹回。\n动作节拍：0.00–0.15秒直接展示钩子关键帧；0.15–0.70秒让异常动作继续；0.70–1.00秒用呼吸或微小停顿准备切入反应。\n构图与镜头：85mm感微距，道具占画面约三分之二，人物眼睛或手作为尺度参照；单一明确机位，不用无目标甩镜；异常动作在画面开始时已经发生。\n人物表演：以本镜指定的人物/道具为中心，背景角色不抢动作。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：以细小水膜、陶瓷或盐晶的清脆触感声中最贴合本镜道具的一声开场；配一个短低频脉冲，随即让出空间，不叠加尖叫。\n衔接：在异常动作最清楚的一刻硬切至下一镜指定动作或反应；不先放片名或黑屏。\n\n镜头02｜01–04秒｜3秒｜好奇：理解人物的反应\n画面与动作：小满盯着泡泡，喉咙轻动一下，立刻装作没有看见；海生蹲到她旁边，把手里的空勺藏到背后。\n动作节拍：1–1.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：50mm感的近景，机位降到孩子眼平，向前缓移约一个手掌距离。\n人物表演：若小满在本镜入画，眼神先落在道具，再转向海生；若为纯道具镜，不额外挤入人脸。海生与孩子交流时保持相近眼平高度。 本来源版本强调小满的主观感受：先拍她注意到的细节，再拍回应，缩短无信息的成人反应。\n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：保留孩子一次吸气和衣料轻摩擦，环境声变窄，音乐只留很轻的持续音。\n衔接：按人物视线切到问题或缺少之物，前一镜最后一声环境音延续约0.15秒。\n\n镜头03｜04–09秒｜5秒｜共情：显露一个小缺口\n画面与动作：二狗猜泡泡里一定有珍珠，兴奋地拿碗去接；泡泡中的饭影却慢慢暗下，小满把自己的手收回衣袖。\n动作节拍：4–5.25秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：35mm感中景或中近景，交代角色、目标道具和可行动空间；保持眼线一致。\n人物表演：让负责本镜行动的成人先动，孩子随后作出可见反应；避免所有人同时表演。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：空碗、空袋、脚步或木板声选本镜实际存在的一项放近；未出场物件不配声，避免声源误导。\n衔接：用逐渐靠近的风声/物件声引入下一镜；剪切前先让观众认清道具位置。\n\n镜头04｜09–15秒｜6秒｜紧张：让选择有代价\n画面与动作：风吹来，泡泡被拉得细长，仿佛随时会断；苏兰挡风，海生叫停所有关于财宝的猜测，留出一段安静。\n动作节拍：9–10.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：28mm感稍低机位，前景放障碍或关键道具，后景保留退路；缓慢推进，不乱晃。\n人物表演：海生或苏兰承担保护动作，孩子的恐惧用呼吸与手指表现；二狗的夸张反应不压过危险信息。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：风与低频逐步增强，声音来自画面可解释方向；临近决定时收低，不盖过呼吸。\n衔接：在角色看向选择对象时切到手部，危险声短暂收低，突出决定。\n\n镜头05｜15–22秒｜7秒｜信任：人物主动做决定\n画面与动作：海生看着小满的眼睛，让她慢慢说愿望；孩子先摇头，终于轻声说出只想吃热饭，肩膀随之松开。\n动作节拍：15–16.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：65–85mm感手部/道具插入镜头，焦点从指尖过渡到被选择的物件；只做一次明确动作。\n人物表演：选择必须由清楚的手部动作落实；其余角色停住，给观众看懂选择的空间。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：对白：海生轻声说“你想要什么？慢慢说。”；只配一次明确道具接触声。\n衔接：按动作方向匹配下一镜的变化，避免用白闪遮盖因果。\n\n镜头06｜22–30秒｜8秒｜释放：回报具有清楚因果\n画面与动作：泡泡缩成一颗温暖水珠，落入缺口碗，倒映出近处藏着米袋的旧船夹层；愿望带来线索，而非直接凭空变出熟饭。\n动作节拍：22–24.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：28–35mm感中广景，由关键道具向外缓慢拉开，完整看见变化及安全距离。\n人物表演：先让道具/环境发生变化，再切或移到人物反应；变化只遵守本故事规则。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：细小水膜、陶瓷或盐晶的清脆触感声随变化从密变疏，再进入温暖的两三个原创音符；不使用现成热门歌曲歌词。\n衔接：变化完成后停半拍再切脸部；环境音恢复，音乐只抬高一层。\n\n镜头07｜30–38秒｜8秒｜温暖：给表情留下时间\n画面与动作：屋里饭锅揭盖，真正蒸汽升起，小满小心捧碗；二狗尝试用手接蒸汽，逗得孩子笑出第一声。\n动作节拍：30–32.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：50–65mm感面部近景，稳定机位，留出至少半秒无对白微表情。\n人物表演：孩子的肩膀放松、视线愿意停留；成人以小动作回应，不用齐声大笑替代情绪。 本来源版本强调小满的主观感受：先拍她注意到的细节，再拍回应，缩短无信息的成人反应。\n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：对白：小满说“我只是想吃一碗热饭。”；其余人用目光回应，留半秒安静。\n衔接：由人物最后的目光或手指引向收尾道具，暖光保持一致。\n\n镜头08｜38–44秒｜6秒｜余味：接回钩子并打开新可能\n画面与动作：碗上蒸汽凝成很小的泡泡，里面映出四人围桌；它轻轻碰到镜头，画面回到最初的圆形水膜。\n动作节拍：38–39.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：以本镜描述的收尾物件构图；最后的形状、光点或运动方向匹配开场关键元素。允许改变景别，但匹配关系必须清楚。\n人物表演：人物保持结局得到的安全与关系；新的小悬念不撤销已经完成的情绪回报。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：取第一镜的同一种音色作为最后一个轻声提示，让尾音衔接循环；不突然加入无关轰鸣。\n衔接：最后0.3秒保留与开头相似的轮廓/音色，允许无缝循环；不加黑底强制点击卡。\n\n负向与连续性检查：不出现无依据的手机、枪械、医院、现代车辆、书上伪造大段文字、未经设计的影视角色或艺术家署名。保持双髻、红带、额头红点及四名主角身份；不多生手指、蟹腿，不让手与道具穿模，不把罗盘替换成怀表。道具在同一镜内不得随机换材质、数量、左右位置或开合状态。只允许故事规则指定的物件变化；儿童无血腥伤害。所有字幕、可读书名和界面文字后期添加，生成画面不带水印、伪字幕或推广尾卡。\n合成前逐镜核对：人物数与站坐姿；第一帧是否已有异常；动作起点/终点能否接上；道具尺寸是否受控；视线和海平线是否一致；每个回报能否追溯到前一镜的选择。未拍出因果时重做相关镜头，不能靠旁白掩盖。\n\n平台剪辑备选（不是平台时长限制，也不是热度保证）：\nTikTok测试版：保留0–1秒钩子，1–4秒加一行疑问字幕，22–30秒完整展示回报；可将4–9秒背景压成3秒，成片约42秒。\nInstagram Reels测试版：保持道具质感与暖光配色，前1秒无需读字即可理解异常；保留30–38秒表情停顿，以收尾道具作封面，主体仍44秒。\nYouTube Shorts测试版：保持44秒因果链，画外说明最多一句；最后0.3秒与开头形状/声响呼应，避免只留下未兑现的悬念。\n所有字幕建议单行、短句，放在人物面部与关键道具之外；先按实际播放器界面预览遮挡。\n\n可测试的两个开头：A使用第一镜的大/小、静/动反差；B保持同一异常事件，但从小满瞳孔或手中道具切入，再在0.6秒内露出尺度参照。只改变开头一项，其余剪辑保持一致；是否提高留存需要真实成片与实际观看数据，本任务未做此测试。" }, { "id": "C042", "title": "旧船有第二颗心", "concept_id": "S05", "concept_index": 4, "version": 0, "genre": "悬疑温情", "duration_seconds": 44, "shot_count": 8, "source_id": "adapted-results--app-sd-scripts", "source_name": "BLIP base COCO native decoder", "category": "adapted-results", "source_path": "raw-prompts/adapted-results--app-sd-scripts.txt", "source_record": "adapted-results/app-sd-scripts.json", "source_paths": [ "raw-prompts/adapted-results--app-sd-scripts.txt", "project-cases/kohya-ss__sd-scripts/prompt-raw.txt" ], "source_excerpt": "[0.0 秒]\na little girl is sitting on the beach\n\n[15.0 秒]\na little girl crying with tears on her face\n\n[50.0 秒]\na boat is in the middle of a large wave\n\n[95.0 秒]\na group of people standing around a wooden table\n\n[175.0 秒]\na person pointing at a book with a compass on it\n\n[235.0 秒]\na little girl standing next to a man\n\n[340.0 秒]\na little girl is playing in the water\n\n[385.0 秒]\na group of people standing on top of a beach", "source_review": { "strength": "8 个描述与本次 A1111 完全一致，识别关键物体。", "issues": "相同权重和解码设置没有带来独立语义能力；同样把听声写成玩水。", "verdict": "真实运行原生 main 和 BLIP 解码器及文本文件写出；不要把一致输出当成两票独立佐证。" }, "contribution": "视觉片段型来源：以原文中与原帧相符的海岸、人物、表情或道具作为灵感入口。身份、对白、连续动作、奇幻规则和新剧情由Codex补写，不是该模型的原始能力。", "source_duplicate_of": "C022", "source_hash": "c49ad152829a5467c8631d57c2b8d4e3649a7fdda582635222eb8a5d6cf47880", "body_hash": "e0dc3277ff7f307d6722fd0a985e3918686ed9e014fcf7a99f021ef0641f51cb", "author": "Codex, shared writer; not original model output", "fallback": false, "hook": "搁浅旧船的木板突然像胸口一样起伏，一枚发光木结在板缝后跳动；小满的掌心刚贴上去，整船轻颤一次。", "rule": "船中敲击声只回应轻柔触碰；用力砸会让光熄灭，倾听才找到藏物。", "shots": [ { "number": 1, "start": 0, "end": 1, "duration": 1, "beat": "惊奇：先看见不可能", "action": "搁浅旧船的木板突然像胸口一样起伏，一枚发光木结在板缝后跳动；小满的掌心刚贴上去，整船轻颤一次。", "camera": "24–35mm感中广景或前景近物后景巨物，保留明确大小参照；单一明确机位，不用无目标甩镜；异常动作在画面开始时已经发生。", "performance": "以本镜指定的人物/道具为中心，背景角色不抢动作。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "以潮声、湿泥轻响、旧木或黄铜触碰声中最贴合本镜道具的一声开场；配一个短低频脉冲，随即让出空间，不叠加尖叫。", "transition": "在异常动作最清楚的一刻硬切至下一镜指定动作或反应；不先放片名或黑屏。", "timing": "0.00–0.15秒直接展示钩子关键帧；0.15–0.70秒让异常动作继续；0.70–1.00秒用呼吸或微小停顿准备切入反应。" }, { "number": 2, "start": 1, "end": 4, "duration": 3, "beat": "好奇：理解人物的反应", "action": "海生把耳朵贴近木板，只听到三下轻敲；小满跟着节奏点指，木结的光逐次回应，眼中出现确定的神情。", "camera": "50mm感的近景，机位降到孩子眼平，向前缓移约一个手掌距离。", "performance": "若小满在本镜入画，眼神先落在道具，再转向海生；若为纯道具镜，不额外挤入人脸。海生与孩子交流时保持相近眼平高度。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "保留孩子一次吸气和衣料轻摩擦，环境声变窄，音乐只留很轻的持续音。", "transition": "按人物视线切到问题或缺少之物，前一镜最后一声环境音延续约0.15秒。", "timing": "1–1.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 3, "start": 4, "end": 9, "duration": 5, "beat": "共情：显露一个小缺口", "action": "二狗看见烂木板，举起锤子准备拆船；海生摸了摸磨损船舷，又看一眼空粮袋，犹豫是否放弃它。", "camera": "35mm感中景或中近景，交代角色、目标道具和可行动空间；保持眼线一致。", "performance": "让负责本镜行动的成人先动，孩子随后作出可见反应；避免所有人同时表演。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "空碗、空袋、脚步或木板声选本镜实际存在的一项放近；未出场物件不配声，避免声源误导。", "transition": "用逐渐靠近的风声/物件声引入下一镜；剪切前先让观众认清道具位置。", "timing": "4–5.25秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 4, "start": 9, "end": 15, "duration": 6, "beat": "紧张：让选择有代价", "action": "第一下重敲落在旁边的废木上，船内的光立刻收缩；小满护住木结，眼睛睁大，空气里只剩最后一下弱心跳。", "camera": "28mm感稍低机位，前景放障碍或关键道具，后景保留退路；缓慢推进，不乱晃。", "performance": "海生或苏兰承担保护动作，孩子的恐惧用呼吸与手指表现；二狗的夸张反应不压过危险信息。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "风与低频逐步增强，声音来自画面可解释方向；临近决定时收低，不盖过呼吸。", "transition": "在角色看向选择对象时切到手部，危险声短暂收低，突出决定。", "timing": "9–10.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 5, "start": 15, "end": 22, "duration": 7, "beat": "信任：人物主动做决定", "action": "海生放下锤子，改用薄木片慢慢撬开松动接缝；小满按三下节拍等待，所有动作都轻下来。", "camera": "65–85mm感手部/道具插入镜头，焦点从指尖过渡到被选择的物件；只做一次明确动作。", "performance": "选择必须由清楚的手部动作落实；其余角色停住，给观众看懂选择的空间。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "对白：小满轻声说“它不是坏了，它在等。”；只配一次明确道具接触声。", "transition": "按动作方向匹配下一镜的变化，避免用白闪遮盖因果。", "timing": "15–16.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 6, "start": 22, "end": 30, "duration": 8, "beat": "释放：回报具有清楚因果", "action": "板缝打开，布包里是一盏完好的旧船灯和一本维修笔记；灯光沿着裂缝逐段亮起，呈现可修好的结构。", "camera": "28–35mm感中广景，由关键道具向外缓慢拉开，完整看见变化及安全距离。", "performance": "先让道具/环境发生变化，再切或移到人物反应；变化只遵守本故事规则。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "潮声、湿泥轻响、旧木或黄铜触碰声随变化从密变疏，再进入温暖的两三个原创音符；不使用现成热门歌曲歌词。", "transition": "变化完成后停半拍再切脸部；环境音恢复，音乐只抬高一层。", "timing": "22–24.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 7, "start": 30, "end": 38, "duration": 8, "beat": "温暖：给表情留下时间", "action": "三人一起把第一块新板按回船腹，小满给船灯擦去灰；海生点头，孩子把脸贴在温暖的灯罩边缘。", "camera": "50–65mm感面部近景，稳定机位，留出至少半秒无对白微表情。", "performance": "孩子的肩膀放松、视线愿意停留；成人以小动作回应，不用齐声大笑替代情绪。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "对白：海生说“这条船，也有人要。”；其余人用目光回应，留半秒安静。", "transition": "由人物最后的目光或手指引向收尾道具，暖光保持一致。", "timing": "30–32.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 8, "start": 38, "end": 44, "duration": 6, "beat": "余味：接回钩子并打开新可能", "action": "船头又传来三下更轻的敲击，一颗新木结亮起；最后一帧停在与开头相同的掌心位置，暗示旅程刚开始。", "camera": "85mm感道具近特写，轻俯拍，焦点落在本镜指定接触点；人物只保留必要手部或眼睛倒影，不强行切成正面人像。", "performance": "人物保持结局得到的安全与关系；新的小悬念不撤销已经完成的情绪回报。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "取第一镜的同一种音色作为最后一个轻声提示，让尾音衔接循环；不突然加入无关轰鸣。", "transition": "最后0.3秒保留与开头相似的轮廓/音色，允许无缝循环；不加黑底强制点击卡。", "timing": "38–39.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" } ], "path": "creative/C042--adapted-results--app-sd-scripts.txt", "text": "来源文件：raw-prompts/adapted-results--app-sd-scripts.txt\n来源名称：BLIP base COCO native decoder\n实际来源记录：adapted-results/app-sd-scripts.json\n原文可用点：8 个描述与本次 A1111 完全一致，识别关键物体。\n原文问题/边界：相同权重和解码设置没有带来独立语义能力；同样把听声写成玩水。\n转化方式：视觉片段型来源：以原文中与原帧相符的海岸、人物、表情或道具作为灵感入口。身份、对白、连续动作、奇幻规则和新剧情由Codex补写，不是该模型的原始能力。\n本次选择的新故事：旧船有第二颗心。所有幻想事件都是二创，不用原文中的误识别冒充事实。\n原文去重：与C022的文字列表完全相同（仅忽略空白），故沿用相同故事与调度；仍单独保存当前来源的完整TXT。\n\n《旧船有第二颗心》｜悬疑温情｜44秒完整剪辑稿\n\n制作目标：44秒，9:16竖屏，8个剪辑镜头，目标1080×1920、24fps。时间表是剪辑设计，不是任一平台API保证；按工具实际支持的片段长度生成，再裁切拼接。此处没有生成视频。\n视觉基调：架空旧式沿海村落，湿泥、粗布、旧木和黄铜具有可触摸的写实材质；幼童面部略带童话般大眼比例。灰蓝海水与褐色村屋为底，红发带是辨识点，幻想光源以局部金色/银色呈现。\n小满：幼童女孩，黑发双髻、左右各一条红发带、额头小红点；灰褐补丁粗布衣、布挎袋、旧布鞋。开场若用蓝披衣，则全片保持，除非镜头明确拍下脱衣。性格敏感、先看大人反应，再敢表达愿望。红点不是伤口，红发带不是红头发。\n海生：青年男性，凌乱黑发，旧蓝外衣、灰内衫、深裤；行动稳，保护孩子时先降到她的眼平高度，不以大喊替代关心。\n苏兰：成年女性，深发松束、灰褐无袖粗布上衣、简单项链与腕布；观察细节，负责托稳道具、递布或摆碗等具体照顾。\n二狗：青年男性，短黑发、橄榄绿外衣；提供轻微喜剧和观众反应，后半段愿意放慢动作参与帮助，不把他写成伤害孩子的反派。\n上述人物只在本镜明确指定时出现。群众只作远处模糊背景，不增加新主角。多人同框时优先保持海生在左、苏兰在后、二狗在右、小满在前中；若换位，用中广景交代，不瞬移。\n环境连续性：泥滩、浅水、旧船和村屋保持同一架空地点。海平线稳定。湿衣不会无故变干。室内暖色由船灯或灶火提供；室外变暖用云隙光或明确的幻想道具光解释，不让44秒凭空跨越数小时。\n人物表情与道具变化分开生成更易核对：每镜最多一个主要幻想动作，真实人物不随道具变形。以上服装、人物名和新动作均属本次二创设定，不声称模型从8帧恢复了全部身份。\n\n核心道具锁：旧船腹板、布包、会发光的木结。先为本片制作一张统一道具参考图，记录缺口、锈斑、左右方向、尺寸；镜头之间沿用同一版本。\n\n本片新规则：船中敲击声只回应轻柔触碰；用力砸会让光熄灭，倾听才找到藏物。 此规则是新创作，不是原片事实。\n\n第一秒视觉钩子：搁浅旧船的木板突然像胸口一样起伏，一枚发光木结在板缝后跳动；小满的掌心刚贴上去，整船轻颤一次。\n\n目标情绪路径：惊奇 → 好奇 → 共情 → 紧张 → 信任 → 释放 → 温暖 → 余味。它是创作设计，不是已测得的观众留存数据。\n\n分镜与生成指令（逐镜生成，再按时间码剪辑；全局角色锁及规则与每一镜一起输入）：\n\n镜头01｜00–01秒｜1秒｜惊奇：先看见不可能\n画面与动作：搁浅旧船的木板突然像胸口一样起伏，一枚发光木结在板缝后跳动；小满的掌心刚贴上去，整船轻颤一次。\n动作节拍：0.00–0.15秒直接展示钩子关键帧；0.15–0.70秒让异常动作继续；0.70–1.00秒用呼吸或微小停顿准备切入反应。\n构图与镜头：24–35mm感中广景或前景近物后景巨物，保留明确大小参照；单一明确机位，不用无目标甩镜；异常动作在画面开始时已经发生。\n人物表演：以本镜指定的人物/道具为中心，背景角色不抢动作。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：以潮声、湿泥轻响、旧木或黄铜触碰声中最贴合本镜道具的一声开场；配一个短低频脉冲，随即让出空间，不叠加尖叫。\n衔接：在异常动作最清楚的一刻硬切至下一镜指定动作或反应；不先放片名或黑屏。\n\n镜头02｜01–04秒｜3秒｜好奇：理解人物的反应\n画面与动作：海生把耳朵贴近木板，只听到三下轻敲；小满跟着节奏点指，木结的光逐次回应，眼中出现确定的神情。\n动作节拍：1–1.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：50mm感的近景，机位降到孩子眼平，向前缓移约一个手掌距离。\n人物表演：若小满在本镜入画，眼神先落在道具，再转向海生；若为纯道具镜，不额外挤入人脸。海生与孩子交流时保持相近眼平高度。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：保留孩子一次吸气和衣料轻摩擦，环境声变窄，音乐只留很轻的持续音。\n衔接：按人物视线切到问题或缺少之物，前一镜最后一声环境音延续约0.15秒。\n\n镜头03｜04–09秒｜5秒｜共情：显露一个小缺口\n画面与动作：二狗看见烂木板，举起锤子准备拆船；海生摸了摸磨损船舷，又看一眼空粮袋，犹豫是否放弃它。\n动作节拍：4–5.25秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：35mm感中景或中近景，交代角色、目标道具和可行动空间；保持眼线一致。\n人物表演：让负责本镜行动的成人先动，孩子随后作出可见反应；避免所有人同时表演。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：空碗、空袋、脚步或木板声选本镜实际存在的一项放近；未出场物件不配声，避免声源误导。\n衔接：用逐渐靠近的风声/物件声引入下一镜；剪切前先让观众认清道具位置。\n\n镜头04｜09–15秒｜6秒｜紧张：让选择有代价\n画面与动作：第一下重敲落在旁边的废木上，船内的光立刻收缩；小满护住木结，眼睛睁大，空气里只剩最后一下弱心跳。\n动作节拍：9–10.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：28mm感稍低机位，前景放障碍或关键道具，后景保留退路；缓慢推进，不乱晃。\n人物表演：海生或苏兰承担保护动作，孩子的恐惧用呼吸与手指表现；二狗的夸张反应不压过危险信息。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：风与低频逐步增强，声音来自画面可解释方向；临近决定时收低，不盖过呼吸。\n衔接：在角色看向选择对象时切到手部，危险声短暂收低，突出决定。\n\n镜头05｜15–22秒｜7秒｜信任：人物主动做决定\n画面与动作：海生放下锤子，改用薄木片慢慢撬开松动接缝；小满按三下节拍等待，所有动作都轻下来。\n动作节拍：15–16.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：65–85mm感手部/道具插入镜头，焦点从指尖过渡到被选择的物件；只做一次明确动作。\n人物表演：选择必须由清楚的手部动作落实；其余角色停住，给观众看懂选择的空间。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：对白：小满轻声说“它不是坏了，它在等。”；只配一次明确道具接触声。\n衔接：按动作方向匹配下一镜的变化，避免用白闪遮盖因果。\n\n镜头06｜22–30秒｜8秒｜释放：回报具有清楚因果\n画面与动作：板缝打开，布包里是一盏完好的旧船灯和一本维修笔记；灯光沿着裂缝逐段亮起，呈现可修好的结构。\n动作节拍：22–24.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：28–35mm感中广景，由关键道具向外缓慢拉开，完整看见变化及安全距离。\n人物表演：先让道具/环境发生变化，再切或移到人物反应；变化只遵守本故事规则。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：潮声、湿泥轻响、旧木或黄铜触碰声随变化从密变疏，再进入温暖的两三个原创音符；不使用现成热门歌曲歌词。\n衔接：变化完成后停半拍再切脸部；环境音恢复，音乐只抬高一层。\n\n镜头07｜30–38秒｜8秒｜温暖：给表情留下时间\n画面与动作：三人一起把第一块新板按回船腹，小满给船灯擦去灰；海生点头，孩子把脸贴在温暖的灯罩边缘。\n动作节拍：30–32.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：50–65mm感面部近景，稳定机位，留出至少半秒无对白微表情。\n人物表演：孩子的肩膀放松、视线愿意停留；成人以小动作回应，不用齐声大笑替代情绪。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：对白：海生说“这条船，也有人要。”；其余人用目光回应，留半秒安静。\n衔接：由人物最后的目光或手指引向收尾道具，暖光保持一致。\n\n镜头08｜38–44秒｜6秒｜余味：接回钩子并打开新可能\n画面与动作：船头又传来三下更轻的敲击，一颗新木结亮起；最后一帧停在与开头相同的掌心位置，暗示旅程刚开始。\n动作节拍：38–39.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：85mm感道具近特写，轻俯拍，焦点落在本镜指定接触点；人物只保留必要手部或眼睛倒影，不强行切成正面人像。\n人物表演：人物保持结局得到的安全与关系；新的小悬念不撤销已经完成的情绪回报。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：取第一镜的同一种音色作为最后一个轻声提示，让尾音衔接循环；不突然加入无关轰鸣。\n衔接：最后0.3秒保留与开头相似的轮廓/音色，允许无缝循环；不加黑底强制点击卡。\n\n负向与连续性检查：不出现无依据的手机、枪械、医院、现代车辆、书上伪造大段文字、未经设计的影视角色或艺术家署名。保持双髻、红带、额头红点及四名主角身份；不多生手指、蟹腿，不让手与道具穿模，不把罗盘替换成怀表。道具在同一镜内不得随机换材质、数量、左右位置或开合状态。只允许故事规则指定的物件变化；儿童无血腥伤害。所有字幕、可读书名和界面文字后期添加，生成画面不带水印、伪字幕或推广尾卡。\n合成前逐镜核对：人物数与站坐姿；第一帧是否已有异常；动作起点/终点能否接上；道具尺寸是否受控；视线和海平线是否一致；每个回报能否追溯到前一镜的选择。未拍出因果时重做相关镜头，不能靠旁白掩盖。\n\n平台剪辑备选（不是平台时长限制，也不是热度保证）：\nTikTok测试版：保留0–1秒钩子，1–4秒加一行疑问字幕，22–30秒完整展示回报；可将4–9秒背景压成3秒，成片约42秒。\nInstagram Reels测试版：保持道具质感与暖光配色，前1秒无需读字即可理解异常；保留30–38秒表情停顿，以收尾道具作封面，主体仍44秒。\nYouTube Shorts测试版：保持44秒因果链，画外说明最多一句；最后0.3秒与开头形状/声响呼应，避免只留下未兑现的悬念。\n所有字幕建议单行、短句，放在人物面部与关键道具之外；先按实际播放器界面预览遮挡。\n\n可测试的两个开头：A使用第一镜的大/小、静/动反差；B保持同一异常事件，但从小满瞳孔或手中道具切入，再在0.6秒内露出尺度参照。只改变开头一项，其余剪辑保持一致；是否提高留存需要真实成片与实际观看数据，本任务未做此测试。" }, { "id": "C043", "title": "把月亮寄养在饭碗里", "concept_id": "S37", "concept_index": 36, "version": 0, "genre": "超现实ASMR", "duration_seconds": 44, "shot_count": 8, "source_id": "adapted-results--app-sdnext", "source_name": "microsoft/Florence-2-base-ft", "category": "adapted-results", "source_path": "raw-prompts/adapted-results--app-sdnext.txt", "source_record": "adapted-results/app-sdnext.json", "source_paths": [ "raw-prompts/adapted-results--app-sdnext.txt", "project-cases/vladmandic__sdnext/prompt-raw.txt" ], "source_excerpt": "[0 秒]\nA little girl is sitting on the ground. She has two red bows in her hair. She is wearing a blue jacket and pants. There are four crabs in front of her. \n\n[15 秒]\nA young Asian child is looking into the camera. The child has dark brown hair and dark blue eyes. There is a red dot on the forehead of the child's face. A green chain link fence is around the child. Two hands are visible on either side of the fence.\n\n[50 秒]\nA picture of a boat in the water. The boat is small and has a tall pole on the top of it. There is a large wave in front of the boat. There are many rocks in the body of ", "source_review": { "strength": "识别四蟹、巨浪和房屋前的围桌；本次较另两条 Florence 路径保留更多正确场景。", "issues": "仍把渔网写成铁丝网、罗盘写成怀表；院落人数错误，缺少连续动作。", "verdict": "3 beam 的一次运行，输入处理和解码均有差异，不能只归因于项目品牌。" }, "contribution": "视觉片段型来源：以原文中与原帧相符的海岸、人物、表情或道具作为灵感入口。身份、对白、连续动作、奇幻规则和新剧情由Codex补写，不是该模型的原始能力。", "source_duplicate_of": null, "source_hash": "f0792647a655e285e606c07f4b9047d2166021f55dc7fbe71cc97eb20d3e83da", "body_hash": "11dcbb8693f37273c7edf2824f38de126b3f49834dc0eccab92a8b4ebad6da0e", "author": "Codex, shared writer; not original model output", "fallback": false, "hook": "一轮手掌大小的月亮已经软软落进饭碗，表面像糯米团一样轻颤，勺尖碰一下就荡出一圈银色海浪。", "rule": "月亮是可触碰的发光投影与蒸汽结合，普通米饭仍在碗底；不描写吞食真实天体。", "shots": [ { "number": 1, "start": 0, "end": 1, "duration": 1, "beat": "惊奇：先看见不可能", "action": "一轮手掌大小的月亮已经软软落进饭碗，表面像糯米团一样轻颤，勺尖碰一下就荡出一圈银色海浪。", "camera": "85mm感微距，道具占画面约三分之二，人物眼睛或手作为尺度参照；单一明确机位，不用无目标甩镜；异常动作在画面开始时已经发生。", "performance": "以本镜指定的人物/道具为中心，背景角色不抢动作。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "以细小水膜、陶瓷或盐晶的清脆触感声中最贴合本镜道具的一声开场；配一个短低频脉冲，随即让出空间，不叠加尖叫。", "transition": "在异常动作最清楚的一刻硬切至下一镜指定动作或反应；不先放片名或黑屏。", "timing": "0.00–0.15秒直接展示钩子关键帧；0.15–0.70秒让异常动作继续；0.70–1.00秒用呼吸或微小停顿准备切入反应。" }, { "number": 2, "start": 1, "end": 4, "duration": 3, "beat": "好奇：理解人物的反应", "action": "小满把碗捧近，月亮缩成一团，光也变弱；海生发现她的手很冷，先拿干布包住碗底，而不是急着触碰月亮。", "camera": "50mm感的近景，机位降到孩子眼平，向前缓移约一个手掌距离。", "performance": "若小满在本镜入画，眼神先落在道具，再转向海生；若为纯道具镜，不额外挤入人脸。海生与孩子交流时保持相近眼平高度。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "保留孩子一次吸气和衣料轻摩擦，环境声变窄，音乐只留很轻的持续音。", "transition": "按人物视线切到问题或缺少之物，前一镜最后一声环境音延续约0.15秒。", "timing": "1–1.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 3, "start": 4, "end": 9, "duration": 5, "beat": "共情：显露一个小缺口", "action": "屋外海风吹得门帘发响，孩子坐在门边不敢占温暖位置；苏兰把自己的椅子挪出半边，小满仍轻轻摇头。", "camera": "35mm感中景或中近景，交代角色、目标道具和可行动空间；保持眼线一致。", "performance": "让负责本镜行动的成人先动，孩子随后作出可见反应；避免所有人同时表演。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "空碗、空袋、脚步或木板声选本镜实际存在的一项放近；未出场物件不配声，避免声源误导。", "transition": "用逐渐靠近的风声/物件声引入下一镜；剪切前先让观众认清道具位置。", "timing": "4–5.25秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 4, "start": 9, "end": 15, "duration": 6, "beat": "紧张：让选择有代价", "action": "一阵风吹进屋，碗中月亮几乎熄灭；二狗慌忙用锅盖盖住，又发现盖住后所有光都消失了。", "camera": "28mm感稍低机位，前景放障碍或关键道具，后景保留退路；缓慢推进，不乱晃。", "performance": "海生或苏兰承担保护动作，孩子的恐惧用呼吸与手指表现；二狗的夸张反应不压过危险信息。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "风与低频逐步增强，声音来自画面可解释方向；临近决定时收低，不盖过呼吸。", "transition": "在角色看向选择对象时切到手部，危险声短暂收低，突出决定。", "timing": "9–10.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 5, "start": 15, "end": 22, "duration": 7, "beat": "信任：人物主动做决定", "action": "海生把锅盖移开，让小满坐到桌中间；苏兰添一勺热饭，四个人围住碗，用温度而非封闭去保护它。", "camera": "65–85mm感手部/道具插入镜头，焦点从指尖过渡到被选择的物件；只做一次明确动作。", "performance": "选择必须由清楚的手部动作落实；其余角色停住，给观众看懂选择的空间。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "对白：小满轻声说“今晚，让它也暖一点。”；只配一次明确道具接触声。", "transition": "按动作方向匹配下一镜的变化，避免用白闪遮盖因果。", "timing": "15–16.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 6, "start": 22, "end": 30, "duration": 8, "beat": "释放：回报具有清楚因果", "action": "蒸汽托起月亮，银光在每个人脸上停留一瞬，窗外真正的月亮也从云后出现；屋内外光线温柔呼应。", "camera": "28–35mm感中广景，由关键道具向外缓慢拉开，完整看见变化及安全距离。", "performance": "先让道具/环境发生变化，再切或移到人物反应；变化只遵守本故事规则。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "细小水膜、陶瓷或盐晶的清脆触感声随变化从密变疏，再进入温暖的两三个原创音符；不使用现成热门歌曲歌词。", "transition": "变化完成后停半拍再切脸部；环境音恢复，音乐只抬高一层。", "timing": "22–24.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 7, "start": 30, "end": 38, "duration": 8, "beat": "温暖：给表情留下时间", "action": "小满终于把脚缩进干布里，放心吃一口普通米饭；二狗给月亮留一把迷你勺，孩子笑着纠正他的笨办法。", "camera": "50–65mm感面部近景，稳定机位，留出至少半秒无对白微表情。", "performance": "孩子的肩膀放松、视线愿意停留；成人以小动作回应，不用齐声大笑替代情绪。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "对白：海生说“原来不是只有我怕冷。”；其余人用目光回应，留半秒安静。", "transition": "由人物最后的目光或手指引向收尾道具，暖光保持一致。", "timing": "30–32.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 8, "start": 38, "end": 44, "duration": 6, "beat": "余味：接回钩子并打开新可能", "action": "软月亮轻轻弹一下，勺尖涟漪与第一秒完全同向；以细腻碗声、蒸汽和光泽构成可循环的感官尾帧。", "camera": "85mm感道具近特写，轻俯拍，焦点落在本镜指定接触点；人物只保留必要手部或眼睛倒影，不强行切成正面人像。", "performance": "人物保持结局得到的安全与关系；新的小悬念不撤销已经完成的情绪回报。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "取第一镜的同一种音色作为最后一个轻声提示，让尾音衔接循环；不突然加入无关轰鸣。", "transition": "最后0.3秒保留与开头相似的轮廓/音色，允许无缝循环；不加黑底强制点击卡。", "timing": "38–39.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" } ], "path": "creative/C043--adapted-results--app-sdnext.txt", "text": "来源文件：raw-prompts/adapted-results--app-sdnext.txt\n来源名称：microsoft/Florence-2-base-ft\n实际来源记录：adapted-results/app-sdnext.json\n原文可用点：识别四蟹、巨浪和房屋前的围桌；本次较另两条 Florence 路径保留更多正确场景。\n原文问题/边界：仍把渔网写成铁丝网、罗盘写成怀表；院落人数错误，缺少连续动作。\n转化方式：视觉片段型来源：以原文中与原帧相符的海岸、人物、表情或道具作为灵感入口。身份、对白、连续动作、奇幻规则和新剧情由Codex补写，不是该模型的原始能力。\n本次选择的新故事：把月亮寄养在饭碗里。所有幻想事件都是二创，不用原文中的误识别冒充事实。\n\n《把月亮寄养在饭碗里》｜超现实ASMR｜44秒完整剪辑稿\n\n制作目标：44秒，9:16竖屏，8个剪辑镜头，目标1080×1920、24fps。时间表是剪辑设计，不是任一平台API保证；按工具实际支持的片段长度生成，再裁切拼接。此处没有生成视频。\n视觉基调：架空旧式沿海村落，湿泥、粗布、旧木和黄铜具有可触摸的写实材质；幼童面部略带童话般大眼比例。灰蓝海水与褐色村屋为底，红发带是辨识点，幻想光源以局部金色/银色呈现。\n小满：幼童女孩，黑发双髻、左右各一条红发带、额头小红点；灰褐补丁粗布衣、布挎袋、旧布鞋。开场若用蓝披衣，则全片保持，除非镜头明确拍下脱衣。性格敏感、先看大人反应，再敢表达愿望。红点不是伤口，红发带不是红头发。\n海生：青年男性，凌乱黑发，旧蓝外衣、灰内衫、深裤；行动稳，保护孩子时先降到她的眼平高度，不以大喊替代关心。\n苏兰：成年女性，深发松束、灰褐无袖粗布上衣、简单项链与腕布；观察细节，负责托稳道具、递布或摆碗等具体照顾。\n二狗：青年男性，短黑发、橄榄绿外衣；提供轻微喜剧和观众反应，后半段愿意放慢动作参与帮助，不把他写成伤害孩子的反派。\n上述人物只在本镜明确指定时出现。群众只作远处模糊背景，不增加新主角。多人同框时优先保持海生在左、苏兰在后、二狗在右、小满在前中；若换位，用中广景交代，不瞬移。\n环境连续性：泥滩、浅水、旧船和村屋保持同一架空地点。海平线稳定。湿衣不会无故变干。室内暖色由船灯或灶火提供；室外变暖用云隙光或明确的幻想道具光解释，不让44秒凭空跨越数小时。\n人物表情与道具变化分开生成更易核对：每镜最多一个主要幻想动作，真实人物不随道具变形。以上服装、人物名和新动作均属本次二创设定，不声称模型从8帧恢复了全部身份。\n\n核心道具锁：蓝边饭碗、软糯月亮、竹勺。先为本片制作一张统一道具参考图，记录缺口、锈斑、左右方向、尺寸；镜头之间沿用同一版本。\n\n本片新规则：月亮是可触碰的发光投影与蒸汽结合，普通米饭仍在碗底；不描写吞食真实天体。 此规则是新创作，不是原片事实。\n\n第一秒视觉钩子：一轮手掌大小的月亮已经软软落进饭碗，表面像糯米团一样轻颤，勺尖碰一下就荡出一圈银色海浪。\n\n目标情绪路径：惊奇 → 好奇 → 共情 → 紧张 → 信任 → 释放 → 温暖 → 余味。它是创作设计，不是已测得的观众留存数据。\n\n分镜与生成指令（逐镜生成，再按时间码剪辑；全局角色锁及规则与每一镜一起输入）：\n\n镜头01｜00–01秒｜1秒｜惊奇：先看见不可能\n画面与动作：一轮手掌大小的月亮已经软软落进饭碗，表面像糯米团一样轻颤，勺尖碰一下就荡出一圈银色海浪。\n动作节拍：0.00–0.15秒直接展示钩子关键帧；0.15–0.70秒让异常动作继续；0.70–1.00秒用呼吸或微小停顿准备切入反应。\n构图与镜头：85mm感微距，道具占画面约三分之二，人物眼睛或手作为尺度参照；单一明确机位，不用无目标甩镜；异常动作在画面开始时已经发生。\n人物表演：以本镜指定的人物/道具为中心，背景角色不抢动作。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：以细小水膜、陶瓷或盐晶的清脆触感声中最贴合本镜道具的一声开场；配一个短低频脉冲，随即让出空间，不叠加尖叫。\n衔接：在异常动作最清楚的一刻硬切至下一镜指定动作或反应；不先放片名或黑屏。\n\n镜头02｜01–04秒｜3秒｜好奇：理解人物的反应\n画面与动作：小满把碗捧近，月亮缩成一团，光也变弱；海生发现她的手很冷，先拿干布包住碗底，而不是急着触碰月亮。\n动作节拍：1–1.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：50mm感的近景，机位降到孩子眼平，向前缓移约一个手掌距离。\n人物表演：若小满在本镜入画，眼神先落在道具，再转向海生；若为纯道具镜，不额外挤入人脸。海生与孩子交流时保持相近眼平高度。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：保留孩子一次吸气和衣料轻摩擦，环境声变窄，音乐只留很轻的持续音。\n衔接：按人物视线切到问题或缺少之物，前一镜最后一声环境音延续约0.15秒。\n\n镜头03｜04–09秒｜5秒｜共情：显露一个小缺口\n画面与动作：屋外海风吹得门帘发响，孩子坐在门边不敢占温暖位置；苏兰把自己的椅子挪出半边，小满仍轻轻摇头。\n动作节拍：4–5.25秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：35mm感中景或中近景，交代角色、目标道具和可行动空间；保持眼线一致。\n人物表演：让负责本镜行动的成人先动，孩子随后作出可见反应；避免所有人同时表演。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：空碗、空袋、脚步或木板声选本镜实际存在的一项放近；未出场物件不配声，避免声源误导。\n衔接：用逐渐靠近的风声/物件声引入下一镜；剪切前先让观众认清道具位置。\n\n镜头04｜09–15秒｜6秒｜紧张：让选择有代价\n画面与动作：一阵风吹进屋，碗中月亮几乎熄灭；二狗慌忙用锅盖盖住，又发现盖住后所有光都消失了。\n动作节拍：9–10.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：28mm感稍低机位，前景放障碍或关键道具，后景保留退路；缓慢推进，不乱晃。\n人物表演：海生或苏兰承担保护动作，孩子的恐惧用呼吸与手指表现；二狗的夸张反应不压过危险信息。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：风与低频逐步增强，声音来自画面可解释方向；临近决定时收低，不盖过呼吸。\n衔接：在角色看向选择对象时切到手部，危险声短暂收低，突出决定。\n\n镜头05｜15–22秒｜7秒｜信任：人物主动做决定\n画面与动作：海生把锅盖移开，让小满坐到桌中间；苏兰添一勺热饭，四个人围住碗，用温度而非封闭去保护它。\n动作节拍：15–16.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：65–85mm感手部/道具插入镜头，焦点从指尖过渡到被选择的物件；只做一次明确动作。\n人物表演：选择必须由清楚的手部动作落实；其余角色停住，给观众看懂选择的空间。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：对白：小满轻声说“今晚，让它也暖一点。”；只配一次明确道具接触声。\n衔接：按动作方向匹配下一镜的变化，避免用白闪遮盖因果。\n\n镜头06｜22–30秒｜8秒｜释放：回报具有清楚因果\n画面与动作：蒸汽托起月亮，银光在每个人脸上停留一瞬，窗外真正的月亮也从云后出现；屋内外光线温柔呼应。\n动作节拍：22–24.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：28–35mm感中广景，由关键道具向外缓慢拉开，完整看见变化及安全距离。\n人物表演：先让道具/环境发生变化，再切或移到人物反应；变化只遵守本故事规则。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：细小水膜、陶瓷或盐晶的清脆触感声随变化从密变疏，再进入温暖的两三个原创音符；不使用现成热门歌曲歌词。\n衔接：变化完成后停半拍再切脸部；环境音恢复，音乐只抬高一层。\n\n镜头07｜30–38秒｜8秒｜温暖：给表情留下时间\n画面与动作：小满终于把脚缩进干布里，放心吃一口普通米饭；二狗给月亮留一把迷你勺，孩子笑着纠正他的笨办法。\n动作节拍：30–32.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：50–65mm感面部近景，稳定机位，留出至少半秒无对白微表情。\n人物表演：孩子的肩膀放松、视线愿意停留；成人以小动作回应，不用齐声大笑替代情绪。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：对白：海生说“原来不是只有我怕冷。”；其余人用目光回应，留半秒安静。\n衔接：由人物最后的目光或手指引向收尾道具，暖光保持一致。\n\n镜头08｜38–44秒｜6秒｜余味：接回钩子并打开新可能\n画面与动作：软月亮轻轻弹一下，勺尖涟漪与第一秒完全同向；以细腻碗声、蒸汽和光泽构成可循环的感官尾帧。\n动作节拍：38–39.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：85mm感道具近特写，轻俯拍，焦点落在本镜指定接触点；人物只保留必要手部或眼睛倒影，不强行切成正面人像。\n人物表演：人物保持结局得到的安全与关系；新的小悬念不撤销已经完成的情绪回报。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：取第一镜的同一种音色作为最后一个轻声提示，让尾音衔接循环；不突然加入无关轰鸣。\n衔接：最后0.3秒保留与开头相似的轮廓/音色，允许无缝循环；不加黑底强制点击卡。\n\n负向与连续性检查：不出现无依据的手机、枪械、医院、现代车辆、书上伪造大段文字、未经设计的影视角色或艺术家署名。保持双髻、红带、额头红点及四名主角身份；不多生手指、蟹腿，不让手与道具穿模，不把罗盘替换成怀表。道具在同一镜内不得随机换材质、数量、左右位置或开合状态。只允许故事规则指定的物件变化；儿童无血腥伤害。所有字幕、可读书名和界面文字后期添加，生成画面不带水印、伪字幕或推广尾卡。\n合成前逐镜核对：人物数与站坐姿；第一帧是否已有异常；动作起点/终点能否接上；道具尺寸是否受控；视线和海平线是否一致；每个回报能否追溯到前一镜的选择。未拍出因果时重做相关镜头，不能靠旁白掩盖。\n\n平台剪辑备选（不是平台时长限制，也不是热度保证）：\nTikTok测试版：保留0–1秒钩子，1–4秒加一行疑问字幕，22–30秒完整展示回报；可将4–9秒背景压成3秒，成片约42秒。\nInstagram Reels测试版：保持道具质感与暖光配色，前1秒无需读字即可理解异常；保留30–38秒表情停顿，以收尾道具作封面，主体仍44秒。\nYouTube Shorts测试版：保持44秒因果链，画外说明最多一句；最后0.3秒与开头形状/声响呼应，避免只留下未兑现的悬念。\n所有字幕建议单行、短句，放在人物面部与关键道具之外；先按实际播放器界面预览遮挡。\n\n可测试的两个开头：A使用第一镜的大/小、静/动反差；B保持同一异常事件，但从小满瞳孔或手中道具切入，再在0.6秒内露出尺度参照。只改变开头一项，其余剪辑保持一致；是否提高留存需要真实成片与实际观看数据，本任务未做此测试。" }, { "id": "C044", "title": "不会唱歌的螃蟹合唱团", "concept_id": "S07", "concept_index": 6, "version": 0, "genre": "节奏喜剧", "duration_seconds": 44, "shot_count": 8, "source_id": "adapted-results--app-taggui", "source_name": "microsoft/Florence-2-base-ft", "category": "adapted-results", "source_path": "raw-prompts/adapted-results--app-taggui.txt", "source_record": "adapted-results/app-taggui.json", "source_paths": [ "raw-prompts/adapted-results--app-taggui.txt", "project-cases/jhc13__taggui/prompt-raw.txt" ], "source_excerpt": "[0 秒]\nA little girl is sitting on the ground. She has two red bows in her hair. There are four crabs on the sand in front of her. There is a rope behind her.\n\n[15 秒]\nA baby is looking at the camera. The baby has a red dot on his forehead. The eyes are dark and blue. The mouth is closed. The nose is pink. The hands of the baby are touching a green chain link fence. The chain link is green. The little girl has brown hair. The girl has a black shirt on. The shirt is black.\n\n[50 秒]\nA boat is in the water. There are rocks in the ocean. There is a hill behind the water with lots of waves in it. Ther", "source_review": { "strength": "识别四只蟹、红带与前院木桌等细节。", "issues": "铁丝网、山坡、手表和鱼等错误与 Florence 其他接入路径相近。", "verdict": "真实测试 caption 类方法；共享 Florence 权重，不代表新视觉模型。" }, "contribution": "视觉片段型来源：以原文中与原帧相符的海岸、人物、表情或道具作为灵感入口。身份、对白、连续动作、奇幻规则和新剧情由Codex补写，不是该模型的原始能力。", "source_duplicate_of": "C007", "source_hash": "5dd4ae95bb04c4aab4798dfb0ae3ad396e6a2c11a3c2d9e99ed5a4b5ecf20981", "body_hash": "3d73e980b7edb454d73a7a2a8a9fdac69e6fb428c04c7ec28f67014741e32cd0", "author": "Codex, shared writer; not original model output", "fallback": false, "hook": "四只小蟹已站在倒扣木桶上同步抬钳，钳子落下的瞬间，桶内弹出一道心电图般的金光，二狗的头发被震得竖起。", "rule": "每只蟹只敲一个不同节奏；孩子把四种声音合在一起，才找出泥下空腔。", "shots": [ { "number": 1, "start": 0, "end": 1, "duration": 1, "beat": "惊奇：先看见不可能", "action": "四只小蟹已站在倒扣木桶上同步抬钳，钳子落下的瞬间，桶内弹出一道心电图般的金光，二狗的头发被震得竖起。", "camera": "24–35mm感中广景或前景近物后景巨物，保留明确大小参照；单一明确机位，不用无目标甩镜；异常动作在画面开始时已经发生。", "performance": "以本镜指定的人物/道具为中心，背景角色不抢动作。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "以潮声、湿泥轻响、旧木或黄铜触碰声中最贴合本镜道具的一声开场；配一个短低频脉冲，随即让出空间，不叠加尖叫。", "transition": "在异常动作最清楚的一刻硬切至下一镜指定动作或反应；不先放片名或黑屏。", "timing": "0.00–0.15秒直接展示钩子关键帧；0.15–0.70秒让异常动作继续；0.70–1.00秒用呼吸或微小停顿准备切入反应。" }, { "number": 2, "start": 1, "end": 4, "duration": 3, "beat": "好奇：理解人物的反应", "action": "小满蹲下认真听，四只蟹却各敲各的，声音乱成一团；二狗想把桶拿走，孩子急忙轻按住桶沿。", "camera": "50mm感的近景，机位降到孩子眼平，向前缓移约一个手掌距离。", "performance": "若小满在本镜入画，眼神先落在道具，再转向海生；若为纯道具镜，不额外挤入人脸。海生与孩子交流时保持相近眼平高度。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "保留孩子一次吸气和衣料轻摩擦，环境声变窄，音乐只留很轻的持续音。", "transition": "按人物视线切到问题或缺少之物，前一镜最后一声环境音延续约0.15秒。", "timing": "1–1.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 3, "start": 4, "end": 9, "duration": 5, "beat": "共情：显露一个小缺口", "action": "海生倒出空粮袋，四周安静下来；小满看着那点米屑，又看着四只忙碌的小蟹，努力分辨每个节拍。", "camera": "35mm感中景或中近景，交代角色、目标道具和可行动空间；保持眼线一致。", "performance": "让负责本镜行动的成人先动，孩子随后作出可见反应；避免所有人同时表演。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "空碗、空袋、脚步或木板声选本镜实际存在的一项放近；未出场物件不配声，避免声源误导。", "transition": "用逐渐靠近的风声/物件声引入下一镜；剪切前先让观众认清道具位置。", "timing": "4–5.25秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 4, "start": 9, "end": 15, "duration": 6, "beat": "紧张：让选择有代价", "action": "二狗模仿蟹的节奏，第一下太响，小蟹齐齐缩进壳边；孩子的笑容收住，她示意大家把脚步也放轻。", "camera": "28mm感稍低机位，前景放障碍或关键道具，后景保留退路；缓慢推进，不乱晃。", "performance": "海生或苏兰承担保护动作，孩子的恐惧用呼吸与手指表现；二狗的夸张反应不压过危险信息。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "风与低频逐步增强，声音来自画面可解释方向；临近决定时收低，不盖过呼吸。", "transition": "在角色看向选择对象时切到手部，危险声短暂收低，突出决定。", "timing": "9–10.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 5, "start": 15, "end": 22, "duration": 7, "beat": "信任：人物主动做决定", "action": "小满先点两下，再停半拍，让四只蟹轮流回应；海生用掌心接住最后一下，节拍终于合拢。", "camera": "65–85mm感手部/道具插入镜头，焦点从指尖过渡到被选择的物件；只做一次明确动作。", "performance": "选择必须由清楚的手部动作落实；其余角色停住，给观众看懂选择的空间。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "对白：小满轻声说“别吵，它们在合唱。”；只配一次明确道具接触声。", "transition": "按动作方向匹配下一镜的变化，避免用白闪遮盖因果。", "timing": "15–16.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 6, "start": 22, "end": 30, "duration": 8, "beat": "释放：回报具有清楚因果", "action": "桶旁泥面按节奏鼓起四个小泡，竹铲轻轻掀开薄泥，露出密集蟹穴；收获的线索来自节奏，而不是凭空掉落。", "camera": "28–35mm感中广景，由关键道具向外缓慢拉开，完整看见变化及安全距离。", "performance": "先让道具/环境发生变化，再切或移到人物反应；变化只遵守本故事规则。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "潮声、湿泥轻响、旧木或黄铜触碰声随变化从密变疏，再进入温暖的两三个原创音符；不使用现成热门歌曲歌词。", "transition": "变化完成后停半拍再切脸部；环境音恢复，音乐只抬高一层。", "timing": "22–24.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 7, "start": 30, "end": 38, "duration": 8, "beat": "温暖：给表情留下时间", "action": "众人笑着收起工具，二狗仍跟不上最后半拍；小满拿他的手指教他轻敲，四只小蟹围成一个小圈。", "camera": "50–65mm感面部近景，稳定机位，留出至少半秒无对白微表情。", "performance": "孩子的肩膀放松、视线愿意停留；成人以小动作回应，不用齐声大笑替代情绪。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "对白：小满说“原来我听懂了。”；其余人用目光回应，留半秒安静。", "transition": "由人物最后的目光或手指引向收尾道具，暖光保持一致。", "timing": "30–32.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 8, "start": 38, "end": 44, "duration": 6, "beat": "余味：接回钩子并打开新可能", "action": "一只大蟹钳从画面外敲下低沉的一拍，所有小蟹整齐回头；最后声音接回开头的桶声，形成可听见的循环。", "camera": "以本镜描述的收尾物件构图；最后的形状、光点或运动方向匹配开场关键元素。允许改变景别，但匹配关系必须清楚。", "performance": "人物保持结局得到的安全与关系；新的小悬念不撤销已经完成的情绪回报。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "取第一镜的同一种音色作为最后一个轻声提示，让尾音衔接循环；不突然加入无关轰鸣。", "transition": "最后0.3秒保留与开头相似的轮廓/音色，允许无缝循环；不加黑底强制点击卡。", "timing": "38–39.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" } ], "path": "creative/C044--adapted-results--app-taggui.txt", "text": "来源文件：raw-prompts/adapted-results--app-taggui.txt\n来源名称：microsoft/Florence-2-base-ft\n实际来源记录：adapted-results/app-taggui.json\n原文可用点：识别四只蟹、红带与前院木桌等细节。\n原文问题/边界：铁丝网、山坡、手表和鱼等错误与 Florence 其他接入路径相近。\n转化方式：视觉片段型来源：以原文中与原帧相符的海岸、人物、表情或道具作为灵感入口。身份、对白、连续动作、奇幻规则和新剧情由Codex补写，不是该模型的原始能力。\n本次选择的新故事：不会唱歌的螃蟹合唱团。所有幻想事件都是二创，不用原文中的误识别冒充事实。\n原文去重：与C007的文字列表完全相同（仅忽略空白），故沿用相同故事与调度；仍单独保存当前来源的完整TXT。\n\n《不会唱歌的螃蟹合唱团》｜节奏喜剧｜44秒完整剪辑稿\n\n制作目标：44秒，9:16竖屏，8个剪辑镜头，目标1080×1920、24fps。时间表是剪辑设计，不是任一平台API保证；按工具实际支持的片段长度生成，再裁切拼接。此处没有生成视频。\n视觉基调：架空旧式沿海村落，湿泥、粗布、旧木和黄铜具有可触摸的写实材质；幼童面部略带童话般大眼比例。灰蓝海水与褐色村屋为底，红发带是辨识点，幻想光源以局部金色/银色呈现。\n小满：幼童女孩，黑发双髻、左右各一条红发带、额头小红点；灰褐补丁粗布衣、布挎袋、旧布鞋。开场若用蓝披衣，则全片保持，除非镜头明确拍下脱衣。性格敏感、先看大人反应，再敢表达愿望。红点不是伤口，红发带不是红头发。\n海生：青年男性，凌乱黑发，旧蓝外衣、灰内衫、深裤；行动稳，保护孩子时先降到她的眼平高度，不以大喊替代关心。\n苏兰：成年女性，深发松束、灰褐无袖粗布上衣、简单项链与腕布；观察细节，负责托稳道具、递布或摆碗等具体照顾。\n二狗：青年男性，短黑发、橄榄绿外衣；提供轻微喜剧和观众反应，后半段愿意放慢动作参与帮助，不把他写成伤害孩子的反派。\n上述人物只在本镜明确指定时出现。群众只作远处模糊背景，不增加新主角。多人同框时优先保持海生在左、苏兰在后、二狗在右、小满在前中；若换位，用中广景交代，不瞬移。\n环境连续性：泥滩、浅水、旧船和村屋保持同一架空地点。海平线稳定。湿衣不会无故变干。室内暖色由船灯或灶火提供；室外变暖用云隙光或明确的幻想道具光解释，不让44秒凭空跨越数小时。\n人物表情与道具变化分开生成更易核对：每镜最多一个主要幻想动作，真实人物不随道具变形。以上服装、人物名和新动作均属本次二创设定，不声称模型从8帧恢复了全部身份。\n\n核心道具锁：四只灰绿小蟹、空木桶、竹铲。先为本片制作一张统一道具参考图，记录缺口、锈斑、左右方向、尺寸；镜头之间沿用同一版本。\n\n本片新规则：每只蟹只敲一个不同节奏；孩子把四种声音合在一起，才找出泥下空腔。 此规则是新创作，不是原片事实。\n\n第一秒视觉钩子：四只小蟹已站在倒扣木桶上同步抬钳，钳子落下的瞬间，桶内弹出一道心电图般的金光，二狗的头发被震得竖起。\n\n目标情绪路径：惊奇 → 好奇 → 共情 → 紧张 → 信任 → 释放 → 温暖 → 余味。它是创作设计，不是已测得的观众留存数据。\n\n分镜与生成指令（逐镜生成，再按时间码剪辑；全局角色锁及规则与每一镜一起输入）：\n\n镜头01｜00–01秒｜1秒｜惊奇：先看见不可能\n画面与动作：四只小蟹已站在倒扣木桶上同步抬钳，钳子落下的瞬间，桶内弹出一道心电图般的金光，二狗的头发被震得竖起。\n动作节拍：0.00–0.15秒直接展示钩子关键帧；0.15–0.70秒让异常动作继续；0.70–1.00秒用呼吸或微小停顿准备切入反应。\n构图与镜头：24–35mm感中广景或前景近物后景巨物，保留明确大小参照；单一明确机位，不用无目标甩镜；异常动作在画面开始时已经发生。\n人物表演：以本镜指定的人物/道具为中心，背景角色不抢动作。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：以潮声、湿泥轻响、旧木或黄铜触碰声中最贴合本镜道具的一声开场；配一个短低频脉冲，随即让出空间，不叠加尖叫。\n衔接：在异常动作最清楚的一刻硬切至下一镜指定动作或反应；不先放片名或黑屏。\n\n镜头02｜01–04秒｜3秒｜好奇：理解人物的反应\n画面与动作：小满蹲下认真听，四只蟹却各敲各的，声音乱成一团；二狗想把桶拿走，孩子急忙轻按住桶沿。\n动作节拍：1–1.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：50mm感的近景，机位降到孩子眼平，向前缓移约一个手掌距离。\n人物表演：若小满在本镜入画，眼神先落在道具，再转向海生；若为纯道具镜，不额外挤入人脸。海生与孩子交流时保持相近眼平高度。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：保留孩子一次吸气和衣料轻摩擦，环境声变窄，音乐只留很轻的持续音。\n衔接：按人物视线切到问题或缺少之物，前一镜最后一声环境音延续约0.15秒。\n\n镜头03｜04–09秒｜5秒｜共情：显露一个小缺口\n画面与动作：海生倒出空粮袋，四周安静下来；小满看着那点米屑，又看着四只忙碌的小蟹，努力分辨每个节拍。\n动作节拍：4–5.25秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：35mm感中景或中近景，交代角色、目标道具和可行动空间；保持眼线一致。\n人物表演：让负责本镜行动的成人先动，孩子随后作出可见反应；避免所有人同时表演。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：空碗、空袋、脚步或木板声选本镜实际存在的一项放近；未出场物件不配声，避免声源误导。\n衔接：用逐渐靠近的风声/物件声引入下一镜；剪切前先让观众认清道具位置。\n\n镜头04｜09–15秒｜6秒｜紧张：让选择有代价\n画面与动作：二狗模仿蟹的节奏，第一下太响，小蟹齐齐缩进壳边；孩子的笑容收住，她示意大家把脚步也放轻。\n动作节拍：9–10.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：28mm感稍低机位，前景放障碍或关键道具，后景保留退路；缓慢推进，不乱晃。\n人物表演：海生或苏兰承担保护动作，孩子的恐惧用呼吸与手指表现；二狗的夸张反应不压过危险信息。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：风与低频逐步增强，声音来自画面可解释方向；临近决定时收低，不盖过呼吸。\n衔接：在角色看向选择对象时切到手部，危险声短暂收低，突出决定。\n\n镜头05｜15–22秒｜7秒｜信任：人物主动做决定\n画面与动作：小满先点两下，再停半拍，让四只蟹轮流回应；海生用掌心接住最后一下，节拍终于合拢。\n动作节拍：15–16.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：65–85mm感手部/道具插入镜头，焦点从指尖过渡到被选择的物件；只做一次明确动作。\n人物表演：选择必须由清楚的手部动作落实；其余角色停住，给观众看懂选择的空间。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：对白：小满轻声说“别吵，它们在合唱。”；只配一次明确道具接触声。\n衔接：按动作方向匹配下一镜的变化，避免用白闪遮盖因果。\n\n镜头06｜22–30秒｜8秒｜释放：回报具有清楚因果\n画面与动作：桶旁泥面按节奏鼓起四个小泡，竹铲轻轻掀开薄泥，露出密集蟹穴；收获的线索来自节奏，而不是凭空掉落。\n动作节拍：22–24.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：28–35mm感中广景，由关键道具向外缓慢拉开，完整看见变化及安全距离。\n人物表演：先让道具/环境发生变化，再切或移到人物反应；变化只遵守本故事规则。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：潮声、湿泥轻响、旧木或黄铜触碰声随变化从密变疏，再进入温暖的两三个原创音符；不使用现成热门歌曲歌词。\n衔接：变化完成后停半拍再切脸部；环境音恢复，音乐只抬高一层。\n\n镜头07｜30–38秒｜8秒｜温暖：给表情留下时间\n画面与动作：众人笑着收起工具，二狗仍跟不上最后半拍；小满拿他的手指教他轻敲，四只小蟹围成一个小圈。\n动作节拍：30–32.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：50–65mm感面部近景，稳定机位，留出至少半秒无对白微表情。\n人物表演：孩子的肩膀放松、视线愿意停留；成人以小动作回应，不用齐声大笑替代情绪。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：对白：小满说“原来我听懂了。”；其余人用目光回应，留半秒安静。\n衔接：由人物最后的目光或手指引向收尾道具，暖光保持一致。\n\n镜头08｜38–44秒｜6秒｜余味：接回钩子并打开新可能\n画面与动作：一只大蟹钳从画面外敲下低沉的一拍，所有小蟹整齐回头；最后声音接回开头的桶声，形成可听见的循环。\n动作节拍：38–39.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：以本镜描述的收尾物件构图；最后的形状、光点或运动方向匹配开场关键元素。允许改变景别，但匹配关系必须清楚。\n人物表演：人物保持结局得到的安全与关系；新的小悬念不撤销已经完成的情绪回报。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：取第一镜的同一种音色作为最后一个轻声提示，让尾音衔接循环；不突然加入无关轰鸣。\n衔接：最后0.3秒保留与开头相似的轮廓/音色，允许无缝循环；不加黑底强制点击卡。\n\n负向与连续性检查：不出现无依据的手机、枪械、医院、现代车辆、书上伪造大段文字、未经设计的影视角色或艺术家署名。保持双髻、红带、额头红点及四名主角身份；不多生手指、蟹腿，不让手与道具穿模，不把罗盘替换成怀表。道具在同一镜内不得随机换材质、数量、左右位置或开合状态。只允许故事规则指定的物件变化；儿童无血腥伤害。所有字幕、可读书名和界面文字后期添加，生成画面不带水印、伪字幕或推广尾卡。\n合成前逐镜核对：人物数与站坐姿；第一帧是否已有异常；动作起点/终点能否接上；道具尺寸是否受控；视线和海平线是否一致；每个回报能否追溯到前一镜的选择。未拍出因果时重做相关镜头，不能靠旁白掩盖。\n\n平台剪辑备选（不是平台时长限制，也不是热度保证）：\nTikTok测试版：保留0–1秒钩子，1–4秒加一行疑问字幕，22–30秒完整展示回报；可将4–9秒背景压成3秒，成片约42秒。\nInstagram Reels测试版：保持道具质感与暖光配色，前1秒无需读字即可理解异常；保留30–38秒表情停顿，以收尾道具作封面，主体仍44秒。\nYouTube Shorts测试版：保持44秒因果链，画外说明最多一句；最后0.3秒与开头形状/声响呼应，避免只留下未兑现的悬念。\n所有字幕建议单行、短句，放在人物面部与关键道具之外；先按实际播放器界面预览遮挡。\n\n可测试的两个开头：A使用第一镜的大/小、静/动反差；B保持同一异常事件，但从小满瞳孔或手中道具切入，再在0.6秒内露出尺度参照。只改变开头一项，其余剪辑保持一致；是否提高留存需要真实成片与实际观看数据，本任务未做此测试。" }, { "id": "C045", "title": "大海替他们按下暂停", "concept_id": "S25", "concept_index": 24, "version": 2, "genre": "时间奇幻", "duration_seconds": 44, "shot_count": 8, "source_id": "adapted-results--imooooc", "source_name": "imooooc", "category": "adapted-results", "source_path": "raw-prompts/adapted-results--imooooc.txt", "source_record": "adapted-results/imooooc.json", "source_paths": [ "raw-prompts/adapted-results--imooooc.txt", "project-cases/imooooc__video-to-prompt/prompt-raw.txt" ], "source_excerpt": "0-3s: A young girl with pigtails crouches on a rocky shore, her hands reaching toward three crabs on the wet sand. The camera is a wide, low-angle shot, establishing a close-up on her face and the crabs. The lighting is soft and natural, suggesting early morning or late afternoon. The mood is quiet and contemplative.\n3-7s: The girl's eyes widen as she looks down at the crabs, her expression shifting from curiosity to sadness. The camera slowly pushes in, focusing on her face and the crabs. The lighting remains soft, with a gentle glow on her skin. The mood is melancholic and introspective.\n7-1", "source_review": {}, "contribution": "视觉片段型来源：以原文中与原帧相符的海岸、人物、表情或道具作为灵感入口。身份、对白、连续动作、奇幻规则和新剧情由Codex补写，不是该模型的原始能力。", "source_duplicate_of": null, "source_hash": "4b8ffe5cbfdaefdbd16a42a6b8e00d1d0d14b3b46fbdc22f7190e5bdcedb16c5", "body_hash": "ce03d4010a1ae1284b53a2748ab15b49aed495f3c67ce7b23c950b78ea25bbc5", "author": "Codex, shared writer; not original model output", "fallback": false, "hook": "巨浪已停在半空，每一滴水都悬成锋利却透明的珠链；小满一只松开的鞋带漂在水滴之间，时间似乎只容她眨一次眼。", "rule": "故事中的暂停只持续一次缓慢呼吸，用慢动作与插入镜延展为剪辑时间；人物只能完成一次关键救助，不能无限行动。", "shots": [ { "number": 1, "start": 0, "end": 1, "duration": 1, "beat": "惊奇：先看见不可能", "action": "巨浪已停在半空，每一滴水都悬成锋利却透明的珠链；小满一只松开的鞋带漂在水滴之间，时间似乎只容她眨一次眼。", "camera": "24–35mm感中广景或前景近物后景巨物，保留明确大小参照；单一明确机位，不用无目标甩镜；异常动作在画面开始时已经发生。", "performance": "以本镜指定的人物/道具为中心，背景角色不抢动作。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "以潮声、湿泥轻响、旧木或黄铜触碰声中最贴合本镜道具的一声开场；配一个短低频脉冲，随即让出空间，不叠加尖叫。", "transition": "在异常动作最清楚的一刻硬切至下一镜指定动作或反应；不先放片名或黑屏。", "timing": "0.00–0.15秒直接展示钩子关键帧；0.15–0.70秒让异常动作继续；0.70–1.00秒用呼吸或微小停顿准备切入反应。" }, { "number": 2, "start": 1, "end": 4, "duration": 3, "beat": "好奇：理解人物的反应", "action": "海生发现罗盘针停止了，胸口却仍在缓慢起伏；小满伸手碰一滴水，水珠只是轻微震动，提醒暂停即将结束。", "camera": "50mm感的近景，机位降到孩子眼平，向前缓移约一个手掌距离。", "performance": "若小满在本镜入画，眼神先落在道具，再转向海生；若为纯道具镜，不额外挤入人脸。海生与孩子交流时保持相近眼平高度。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "保留孩子一次吸气和衣料轻摩擦，环境声变窄，音乐只留很轻的持续音。", "transition": "按人物视线切到问题或缺少之物，前一镜最后一声环境音延续约0.15秒。", "timing": "1–1.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 3, "start": 4, "end": 9, "duration": 5, "beat": "共情：显露一个小缺口", "action": "一只装粮食的木箱滑向水边，另一侧孩子脚下的木板松动；海生的目光在粮箱与孩子之间来回一次。", "camera": "35mm感中景或中近景，交代角色、目标道具和可行动空间；保持眼线一致。", "performance": "让负责本镜行动的成人先动，孩子随后作出可见反应；避免所有人同时表演。 本来源版本强调空间关系：镜头开头保留四个角色/道具位置参照，再靠近关键动作，不以密集特写掩盖布局。", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "空碗、空袋、脚步或木板声选本镜实际存在的一项放近；未出场物件不配声，避免声源误导。", "transition": "用逐渐靠近的风声/物件声引入下一镜；剪切前先让观众认清道具位置。", "timing": "4–5.25秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 4, "start": 9, "end": 15, "duration": 6, "beat": "紧张：让选择有代价", "action": "暂停中的水珠开始有节奏地向下移动，二狗伸出的手来不及同时够到两边；镜头明确展示两个目标间的距离。", "camera": "28mm感稍低机位，前景放障碍或关键道具，后景保留退路；缓慢推进，不乱晃。", "performance": "海生或苏兰承担保护动作，孩子的恐惧用呼吸与手指表现；二狗的夸张反应不压过危险信息。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "风与低频逐步增强，声音来自画面可解释方向；临近决定时收低，不盖过呼吸。", "transition": "在角色看向选择对象时切到手部，危险声短暂收低，突出决定。", "timing": "9–10.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 5, "start": 15, "end": 22, "duration": 7, "beat": "信任：人物主动做决定", "action": "海生放弃粮箱，跨一步握住小满的手，把她拉到稳固石阶；苏兰接住孩子肩膀，动作只做这一次选择。", "camera": "65–85mm感手部/道具插入镜头，焦点从指尖过渡到被选择的物件；只做一次明确动作。", "performance": "选择必须由清楚的手部动作落实；其余角色停住，给观众看懂选择的空间。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "对白：海生轻声说“先把你拉住。”；只配一次明确道具接触声。", "transition": "按动作方向匹配下一镜的变化，避免用白闪遮盖因果。", "timing": "15–16.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 6, "start": 22, "end": 30, "duration": 8, "beat": "释放：回报具有清楚因果", "action": "时间恢复，大浪从石阶下退去；漂走的粮箱被一只巨蟹钳推回浅水，因先救人而得到意外回报。", "camera": "28–35mm感中广景，由关键道具向外缓慢拉开，完整看见变化及安全距离。", "performance": "先让道具/环境发生变化，再切或移到人物反应；变化只遵守本故事规则。 本来源版本强调空间关系：镜头开头保留四个角色/道具位置参照，再靠近关键动作，不以密集特写掩盖布局。", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "潮声、湿泥轻响、旧木或黄铜触碰声随变化从密变疏，再进入温暖的两三个原创音符；不使用现成热门歌曲歌词。", "transition": "变化完成后停半拍再切脸部；环境音恢复，音乐只抬高一层。", "timing": "22–24.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 7, "start": 30, "end": 38, "duration": 8, "beat": "温暖：给表情留下时间", "action": "海生替小满系紧鞋带，孩子看着他空空的手掌，又把自己的手放进去；罗盘针重新平稳转动。", "camera": "50–65mm感面部近景，稳定机位，留出至少半秒无对白微表情。", "performance": "孩子的肩膀放松、视线愿意停留；成人以小动作回应，不用齐声大笑替代情绪。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "对白：小满说“有你在，我不怕了。”；其余人用目光回应，留半秒安静。", "transition": "由人物最后的目光或手指引向收尾道具，暖光保持一致。", "timing": "30–32.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 8, "start": 38, "end": 44, "duration": 6, "beat": "余味：接回钩子并打开新可能", "action": "鞋带末端留下一滴慢半拍落下的海水；它在碰地前停一瞬，回到开场悬滴的画面，留一点余韵。", "camera": "以本镜描述的收尾物件构图；最后的形状、光点或运动方向匹配开场关键元素。允许改变景别，但匹配关系必须清楚。", "performance": "人物保持结局得到的安全与关系；新的小悬念不撤销已经完成的情绪回报。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "取第一镜的同一种音色作为最后一个轻声提示，让尾音衔接循环；不突然加入无关轰鸣。", "transition": "最后0.3秒保留与开头相似的轮廓/音色，允许无缝循环；不加黑底强制点击卡。", "timing": "38–39.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" } ], "path": "creative/C045--adapted-results--imooooc.txt", "text": "来源文件：raw-prompts/adapted-results--imooooc.txt\n来源名称：imooooc\n实际来源记录：adapted-results/imooooc.json\n原文可用点：详见原文及逐帧对照。\n原文问题/边界：来源中的具体字幕、人物关系和物体名称仍须参照原帧复核。\n转化方式：视觉片段型来源：以原文中与原帧相符的海岸、人物、表情或道具作为灵感入口。身份、对白、连续动作、奇幻规则和新剧情由Codex补写，不是该模型的原始能力。\n本次选择的新故事：大海替他们按下暂停。所有幻想事件都是二创，不用原文中的误识别冒充事实。\n\n《大海替他们按下暂停》｜时间奇幻｜44秒完整剪辑稿\n\n制作目标：44秒，9:16竖屏，8个剪辑镜头，目标1080×1920、24fps。时间表是剪辑设计，不是任一平台API保证；按工具实际支持的片段长度生成，再裁切拼接。此处没有生成视频。\n视觉基调：架空旧式沿海村落，湿泥、粗布、旧木和黄铜具有可触摸的写实材质；幼童面部略带童话般大眼比例。灰蓝海水与褐色村屋为底，红发带是辨识点，幻想光源以局部金色/银色呈现。\n小满：幼童女孩，黑发双髻、左右各一条红发带、额头小红点；灰褐补丁粗布衣、布挎袋、旧布鞋。开场若用蓝披衣，则全片保持，除非镜头明确拍下脱衣。性格敏感、先看大人反应，再敢表达愿望。红点不是伤口，红发带不是红头发。\n海生：青年男性，凌乱黑发，旧蓝外衣、灰内衫、深裤；行动稳，保护孩子时先降到她的眼平高度，不以大喊替代关心。\n苏兰：成年女性，深发松束、灰褐无袖粗布上衣、简单项链与腕布；观察细节，负责托稳道具、递布或摆碗等具体照顾。\n二狗：青年男性，短黑发、橄榄绿外衣；提供轻微喜剧和观众反应，后半段愿意放慢动作参与帮助，不把他写成伤害孩子的反派。\n上述人物只在本镜明确指定时出现。群众只作远处模糊背景，不增加新主角。多人同框时优先保持海生在左、苏兰在后、二狗在右、小满在前中；若换位，用中广景交代，不瞬移。\n环境连续性：泥滩、浅水、旧船和村屋保持同一架空地点。海平线稳定。湿衣不会无故变干。室内暖色由船灯或灶火提供；室外变暖用云隙光或明确的幻想道具光解释，不让44秒凭空跨越数小时。\n人物表情与道具变化分开生成更易核对：每镜最多一个主要幻想动作，真实人物不随道具变形。以上服装、人物名和新动作均属本次二创设定，不声称模型从8帧恢复了全部身份。\n\n核心道具锁：静止浪滴、黄铜罗盘、松开的鞋带。先为本片制作一张统一道具参考图，记录缺口、锈斑、左右方向、尺寸；镜头之间沿用同一版本。\n\n本片新规则：故事中的暂停只持续一次缓慢呼吸，用慢动作与插入镜延展为剪辑时间；人物只能完成一次关键救助，不能无限行动。 此规则是新创作，不是原片事实。\n\n第一秒视觉钩子：巨浪已停在半空，每一滴水都悬成锋利却透明的珠链；小满一只松开的鞋带漂在水滴之间，时间似乎只容她眨一次眼。\n\n目标情绪路径：惊奇 → 好奇 → 共情 → 紧张 → 信任 → 释放 → 温暖 → 余味。它是创作设计，不是已测得的观众留存数据。\n\n分镜与生成指令（逐镜生成，再按时间码剪辑；全局角色锁及规则与每一镜一起输入）：\n\n镜头01｜00–01秒｜1秒｜惊奇：先看见不可能\n画面与动作：巨浪已停在半空，每一滴水都悬成锋利却透明的珠链；小满一只松开的鞋带漂在水滴之间，时间似乎只容她眨一次眼。\n动作节拍：0.00–0.15秒直接展示钩子关键帧；0.15–0.70秒让异常动作继续；0.70–1.00秒用呼吸或微小停顿准备切入反应。\n构图与镜头：24–35mm感中广景或前景近物后景巨物，保留明确大小参照；单一明确机位，不用无目标甩镜；异常动作在画面开始时已经发生。\n人物表演：以本镜指定的人物/道具为中心，背景角色不抢动作。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：以潮声、湿泥轻响、旧木或黄铜触碰声中最贴合本镜道具的一声开场；配一个短低频脉冲，随即让出空间，不叠加尖叫。\n衔接：在异常动作最清楚的一刻硬切至下一镜指定动作或反应；不先放片名或黑屏。\n\n镜头02｜01–04秒｜3秒｜好奇：理解人物的反应\n画面与动作：海生发现罗盘针停止了，胸口却仍在缓慢起伏；小满伸手碰一滴水，水珠只是轻微震动，提醒暂停即将结束。\n动作节拍：1–1.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：50mm感的近景，机位降到孩子眼平，向前缓移约一个手掌距离。\n人物表演：若小满在本镜入画，眼神先落在道具，再转向海生；若为纯道具镜，不额外挤入人脸。海生与孩子交流时保持相近眼平高度。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：保留孩子一次吸气和衣料轻摩擦，环境声变窄，音乐只留很轻的持续音。\n衔接：按人物视线切到问题或缺少之物，前一镜最后一声环境音延续约0.15秒。\n\n镜头03｜04–09秒｜5秒｜共情：显露一个小缺口\n画面与动作：一只装粮食的木箱滑向水边，另一侧孩子脚下的木板松动；海生的目光在粮箱与孩子之间来回一次。\n动作节拍：4–5.25秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：35mm感中景或中近景，交代角色、目标道具和可行动空间；保持眼线一致。\n人物表演：让负责本镜行动的成人先动，孩子随后作出可见反应；避免所有人同时表演。 本来源版本强调空间关系：镜头开头保留四个角色/道具位置参照，再靠近关键动作，不以密集特写掩盖布局。\n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：空碗、空袋、脚步或木板声选本镜实际存在的一项放近；未出场物件不配声，避免声源误导。\n衔接：用逐渐靠近的风声/物件声引入下一镜；剪切前先让观众认清道具位置。\n\n镜头04｜09–15秒｜6秒｜紧张：让选择有代价\n画面与动作：暂停中的水珠开始有节奏地向下移动，二狗伸出的手来不及同时够到两边；镜头明确展示两个目标间的距离。\n动作节拍：9–10.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：28mm感稍低机位，前景放障碍或关键道具，后景保留退路；缓慢推进，不乱晃。\n人物表演：海生或苏兰承担保护动作，孩子的恐惧用呼吸与手指表现；二狗的夸张反应不压过危险信息。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：风与低频逐步增强，声音来自画面可解释方向；临近决定时收低，不盖过呼吸。\n衔接：在角色看向选择对象时切到手部，危险声短暂收低，突出决定。\n\n镜头05｜15–22秒｜7秒｜信任：人物主动做决定\n画面与动作：海生放弃粮箱，跨一步握住小满的手，把她拉到稳固石阶；苏兰接住孩子肩膀，动作只做这一次选择。\n动作节拍：15–16.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：65–85mm感手部/道具插入镜头，焦点从指尖过渡到被选择的物件；只做一次明确动作。\n人物表演：选择必须由清楚的手部动作落实；其余角色停住，给观众看懂选择的空间。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：对白：海生轻声说“先把你拉住。”；只配一次明确道具接触声。\n衔接：按动作方向匹配下一镜的变化，避免用白闪遮盖因果。\n\n镜头06｜22–30秒｜8秒｜释放：回报具有清楚因果\n画面与动作：时间恢复，大浪从石阶下退去；漂走的粮箱被一只巨蟹钳推回浅水，因先救人而得到意外回报。\n动作节拍：22–24.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：28–35mm感中广景，由关键道具向外缓慢拉开，完整看见变化及安全距离。\n人物表演：先让道具/环境发生变化，再切或移到人物反应；变化只遵守本故事规则。 本来源版本强调空间关系：镜头开头保留四个角色/道具位置参照，再靠近关键动作，不以密集特写掩盖布局。\n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：潮声、湿泥轻响、旧木或黄铜触碰声随变化从密变疏，再进入温暖的两三个原创音符；不使用现成热门歌曲歌词。\n衔接：变化完成后停半拍再切脸部；环境音恢复，音乐只抬高一层。\n\n镜头07｜30–38秒｜8秒｜温暖：给表情留下时间\n画面与动作：海生替小满系紧鞋带，孩子看着他空空的手掌，又把自己的手放进去；罗盘针重新平稳转动。\n动作节拍：30–32.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：50–65mm感面部近景，稳定机位，留出至少半秒无对白微表情。\n人物表演：孩子的肩膀放松、视线愿意停留；成人以小动作回应，不用齐声大笑替代情绪。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：对白：小满说“有你在，我不怕了。”；其余人用目光回应，留半秒安静。\n衔接：由人物最后的目光或手指引向收尾道具，暖光保持一致。\n\n镜头08｜38–44秒｜6秒｜余味：接回钩子并打开新可能\n画面与动作：鞋带末端留下一滴慢半拍落下的海水；它在碰地前停一瞬，回到开场悬滴的画面，留一点余韵。\n动作节拍：38–39.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：以本镜描述的收尾物件构图；最后的形状、光点或运动方向匹配开场关键元素。允许改变景别，但匹配关系必须清楚。\n人物表演：人物保持结局得到的安全与关系；新的小悬念不撤销已经完成的情绪回报。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：取第一镜的同一种音色作为最后一个轻声提示，让尾音衔接循环；不突然加入无关轰鸣。\n衔接：最后0.3秒保留与开头相似的轮廓/音色，允许无缝循环；不加黑底强制点击卡。\n\n负向与连续性检查：不出现无依据的手机、枪械、医院、现代车辆、书上伪造大段文字、未经设计的影视角色或艺术家署名。保持双髻、红带、额头红点及四名主角身份；不多生手指、蟹腿，不让手与道具穿模，不把罗盘替换成怀表。道具在同一镜内不得随机换材质、数量、左右位置或开合状态。只允许故事规则指定的物件变化；儿童无血腥伤害。所有字幕、可读书名和界面文字后期添加，生成画面不带水印、伪字幕或推广尾卡。\n合成前逐镜核对：人物数与站坐姿；第一帧是否已有异常；动作起点/终点能否接上；道具尺寸是否受控；视线和海平线是否一致；每个回报能否追溯到前一镜的选择。未拍出因果时重做相关镜头，不能靠旁白掩盖。\n\n平台剪辑备选（不是平台时长限制，也不是热度保证）：\nTikTok测试版：保留0–1秒钩子，1–4秒加一行疑问字幕，22–30秒完整展示回报；可将4–9秒背景压成3秒，成片约42秒。\nInstagram Reels测试版：保持道具质感与暖光配色，前1秒无需读字即可理解异常；保留30–38秒表情停顿，以收尾道具作封面，主体仍44秒。\nYouTube Shorts测试版：保持44秒因果链，画外说明最多一句；最后0.3秒与开头形状/声响呼应，避免只留下未兑现的悬念。\n所有字幕建议单行、短句，放在人物面部与关键道具之外；先按实际播放器界面预览遮挡。\n\n可测试的两个开头：A使用第一镜的大/小、静/动反差；B保持同一异常事件，但从小满瞳孔或手中道具切入，再在0.6秒内露出尺度参照。只改变开头一项，其余剪辑保持一致；是否提高留存需要真实成片与实际观看数据，本任务未做此测试。" }, { "id": "C046", "title": "风把她的名字还回来", "concept_id": "S27", "concept_index": 26, "version": 0, "genre": "身份情绪", "duration_seconds": 44, "shot_count": 8, "source_id": "adapted-results--nanofatdog", "source_name": "nanofatdog", "category": "adapted-results", "source_path": "raw-prompts/adapted-results--nanofatdog.txt", "source_record": "adapted-results/nanofatdog.json", "source_paths": [ "raw-prompts/adapted-results--nanofatdog.txt", "project-cases/nanofatdog__video-to-prompt/prompt-raw.txt" ], "source_excerpt": "A cinematic, emotionally charged scene from a drama unfolds on a desolate, rocky shoreline under a muted, overcast sky. The central subject is a young girl with dark hair styled in two pigtails with red ribbons, wearing a worn, dark blue denim jacket over a light-colored shirt and dark trousers. She is crouched on the wet, pebbled ground, her hands gently touching the shells of three crabs that are scattered in front of her. Her expression is one of quiet, intense focus, her gaze fixed on the crabs. The background reveals a dilapidated, weathered wooden structure, possibly a boat or pier, with", "source_review": {}, "contribution": "视觉片段型来源：以原文中与原帧相符的海岸、人物、表情或道具作为灵感入口。身份、对白、连续动作、奇幻规则和新剧情由Codex补写，不是该模型的原始能力。", "source_duplicate_of": null, "source_hash": "534e26e7ac4397eddf24d9c5243bd8eb9ec36cd304797618fbf0840d66880288", "body_hash": "0458d41bf953c645c57acd0a81cfd453dddfe3d18154b29bc73e9e7cf7587aa2", "author": "Codex, shared writer; not original model output", "fallback": false, "hook": "两条红发带已经从女孩发髻上飞起，在空中拧成一道明亮声波；风铃骤然安静，只剩她名字的第一声回音。", "rule": "风声中的名字由后期人声完成；红绳只呈现形状与光，不让模型生成文字。", "shots": [ { "number": 1, "start": 0, "end": 1, "duration": 1, "beat": "惊奇：先看见不可能", "action": "两条红发带已经从女孩发髻上飞起，在空中拧成一道明亮声波；风铃骤然安静，只剩她名字的第一声回音。", "camera": "24–35mm感中广景或前景近物后景巨物，保留明确大小参照；单一明确机位，不用无目标甩镜；异常动作在画面开始时已经发生。", "performance": "以本镜指定的人物/道具为中心，背景角色不抢动作。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "以潮声、湿泥轻响、旧木或黄铜触碰声中最贴合本镜道具的一声开场；配一个短低频脉冲，随即让出空间，不叠加尖叫。", "transition": "在异常动作最清楚的一刻硬切至下一镜指定动作或反应；不先放片名或黑屏。", "timing": "0.00–0.15秒直接展示钩子关键帧；0.15–0.70秒让异常动作继续；0.70–1.00秒用呼吸或微小停顿准备切入反应。" }, { "number": 2, "start": 1, "end": 4, "duration": 3, "beat": "好奇：理解人物的反应", "action": "小满抬手想抓发带，却迟疑着放下；海生没有替她追，先蹲下认真问她名字，让她看见有人愿意听。", "camera": "50mm感的近景，机位降到孩子眼平，向前缓移约一个手掌距离。", "performance": "若小满在本镜入画，眼神先落在道具，再转向海生；若为纯道具镜，不额外挤入人脸。海生与孩子交流时保持相近眼平高度。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "保留孩子一次吸气和衣料轻摩擦，环境声变窄，音乐只留很轻的持续音。", "transition": "按人物视线切到问题或缺少之物，前一镜最后一声环境音延续约0.15秒。", "timing": "1–1.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 3, "start": 4, "end": 9, "duration": 5, "beat": "共情：显露一个小缺口", "action": "村人远影从旁边经过，用含混语气叫她“那个孩子”；小满把头埋进旧布袋，手指捏住没有名字的袋口。", "camera": "35mm感中景或中近景，交代角色、目标道具和可行动空间；保持眼线一致。", "performance": "让负责本镜行动的成人先动，孩子随后作出可见反应；避免所有人同时表演。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "空碗、空袋、脚步或木板声选本镜实际存在的一项放近；未出场物件不配声，避免声源误导。", "transition": "用逐渐靠近的风声/物件声引入下一镜；剪切前先让观众认清道具位置。", "timing": "4–5.25秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 4, "start": 9, "end": 15, "duration": 6, "beat": "紧张：让选择有代价", "action": "风忽然变大，红发带被吹向灰暗海面；二狗跑出半步又停住，发现发带总在小满不开口时继续远离。", "camera": "28mm感稍低机位，前景放障碍或关键道具，后景保留退路；缓慢推进，不乱晃。", "performance": "海生或苏兰承担保护动作，孩子的恐惧用呼吸与手指表现；二狗的夸张反应不压过危险信息。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "风与低频逐步增强，声音来自画面可解释方向；临近决定时收低，不盖过呼吸。", "transition": "在角色看向选择对象时切到手部，危险声短暂收低，突出决定。", "timing": "9–10.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 5, "start": 15, "end": 22, "duration": 7, "beat": "信任：人物主动做决定", "action": "小满抬起头，清楚说出自己的名字；海生、苏兰和二狗各自温柔重复一次，三声回应不重叠。", "camera": "65–85mm感手部/道具插入镜头，焦点从指尖过渡到被选择的物件；只做一次明确动作。", "performance": "选择必须由清楚的手部动作落实；其余角色停住，给观众看懂选择的空间。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "对白：小满轻声说“我叫小满，不叫麻烦。”；只配一次明确道具接触声。", "transition": "按动作方向匹配下一镜的变化，避免用白闪遮盖因果。", "timing": "15–16.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 6, "start": 22, "end": 30, "duration": 8, "beat": "释放：回报具有清楚因果", "action": "红发带沿声音的方向飞回，在她双髻上重新系好；风铃恢复轻响，灰冷空气中第一次出现稳定暖光。", "camera": "28–35mm感中广景，由关键道具向外缓慢拉开，完整看见变化及安全距离。", "performance": "先让道具/环境发生变化，再切或移到人物反应；变化只遵守本故事规则。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "潮声、湿泥轻响、旧木或黄铜触碰声随变化从密变疏，再进入温暖的两三个原创音符；不使用现成热门歌曲歌词。", "transition": "变化完成后停半拍再切脸部；环境音恢复，音乐只抬高一层。", "timing": "22–24.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 7, "start": 30, "end": 38, "duration": 8, "beat": "温暖：给表情留下时间", "action": "苏兰从屋门口叫她吃饭，小满先停一下确认是在叫自己，随后小跑两步牵上海生；眼神由防备转为明亮。", "camera": "50–65mm感面部近景，稳定机位，留出至少半秒无对白微表情。", "performance": "孩子的肩膀放松、视线愿意停留；成人以小动作回应，不用齐声大笑替代情绪。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "对白：苏兰说“小满，回家吃饭了。”；其余人用目光回应，留半秒安静。", "transition": "由人物最后的目光或手指引向收尾道具，暖光保持一致。", "timing": "30–32.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 8, "start": 38, "end": 44, "duration": 6, "beat": "余味：接回钩子并打开新可能", "action": "风轻轻提起布袋角，像替她挥手；名字最后一个音节与开场声波相接，画面停在不再松动的红结上。", "camera": "以本镜描述的收尾物件构图；最后的形状、光点或运动方向匹配开场关键元素。允许改变景别，但匹配关系必须清楚。", "performance": "人物保持结局得到的安全与关系；新的小悬念不撤销已经完成的情绪回报。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "取第一镜的同一种音色作为最后一个轻声提示，让尾音衔接循环；不突然加入无关轰鸣。", "transition": "最后0.3秒保留与开头相似的轮廓/音色，允许无缝循环；不加黑底强制点击卡。", "timing": "38–39.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" } ], "path": "creative/C046--adapted-results--nanofatdog.txt", "text": "来源文件：raw-prompts/adapted-results--nanofatdog.txt\n来源名称：nanofatdog\n实际来源记录：adapted-results/nanofatdog.json\n原文可用点：详见原文及逐帧对照。\n原文问题/边界：来源中的具体字幕、人物关系和物体名称仍须参照原帧复核。\n转化方式：视觉片段型来源：以原文中与原帧相符的海岸、人物、表情或道具作为灵感入口。身份、对白、连续动作、奇幻规则和新剧情由Codex补写，不是该模型的原始能力。\n本次选择的新故事：风把她的名字还回来。所有幻想事件都是二创，不用原文中的误识别冒充事实。\n\n《风把她的名字还回来》｜身份情绪｜44秒完整剪辑稿\n\n制作目标：44秒，9:16竖屏，8个剪辑镜头，目标1080×1920、24fps。时间表是剪辑设计，不是任一平台API保证；按工具实际支持的片段长度生成，再裁切拼接。此处没有生成视频。\n视觉基调：架空旧式沿海村落，湿泥、粗布、旧木和黄铜具有可触摸的写实材质；幼童面部略带童话般大眼比例。灰蓝海水与褐色村屋为底，红发带是辨识点，幻想光源以局部金色/银色呈现。\n小满：幼童女孩，黑发双髻、左右各一条红发带、额头小红点；灰褐补丁粗布衣、布挎袋、旧布鞋。开场若用蓝披衣，则全片保持，除非镜头明确拍下脱衣。性格敏感、先看大人反应，再敢表达愿望。红点不是伤口，红发带不是红头发。\n海生：青年男性，凌乱黑发，旧蓝外衣、灰内衫、深裤；行动稳，保护孩子时先降到她的眼平高度，不以大喊替代关心。\n苏兰：成年女性，深发松束、灰褐无袖粗布上衣、简单项链与腕布；观察细节，负责托稳道具、递布或摆碗等具体照顾。\n二狗：青年男性，短黑发、橄榄绿外衣；提供轻微喜剧和观众反应，后半段愿意放慢动作参与帮助，不把他写成伤害孩子的反派。\n上述人物只在本镜明确指定时出现。群众只作远处模糊背景，不增加新主角。多人同框时优先保持海生在左、苏兰在后、二狗在右、小满在前中；若换位，用中广景交代，不瞬移。\n环境连续性：泥滩、浅水、旧船和村屋保持同一架空地点。海平线稳定。湿衣不会无故变干。室内暖色由船灯或灶火提供；室外变暖用云隙光或明确的幻想道具光解释，不让44秒凭空跨越数小时。\n人物表情与道具变化分开生成更易核对：每镜最多一个主要幻想动作，真实人物不随道具变形。以上服装、人物名和新动作均属本次二创设定，不声称模型从8帧恢复了全部身份。\n\n核心道具锁：褪色红发带、小布袋、旧屋风铃。先为本片制作一张统一道具参考图，记录缺口、锈斑、左右方向、尺寸；镜头之间沿用同一版本。\n\n本片新规则：风声中的名字由后期人声完成；红绳只呈现形状与光，不让模型生成文字。 此规则是新创作，不是原片事实。\n\n第一秒视觉钩子：两条红发带已经从女孩发髻上飞起，在空中拧成一道明亮声波；风铃骤然安静，只剩她名字的第一声回音。\n\n目标情绪路径：惊奇 → 好奇 → 共情 → 紧张 → 信任 → 释放 → 温暖 → 余味。它是创作设计，不是已测得的观众留存数据。\n\n分镜与生成指令（逐镜生成，再按时间码剪辑；全局角色锁及规则与每一镜一起输入）：\n\n镜头01｜00–01秒｜1秒｜惊奇：先看见不可能\n画面与动作：两条红发带已经从女孩发髻上飞起，在空中拧成一道明亮声波；风铃骤然安静，只剩她名字的第一声回音。\n动作节拍：0.00–0.15秒直接展示钩子关键帧；0.15–0.70秒让异常动作继续；0.70–1.00秒用呼吸或微小停顿准备切入反应。\n构图与镜头：24–35mm感中广景或前景近物后景巨物，保留明确大小参照；单一明确机位，不用无目标甩镜；异常动作在画面开始时已经发生。\n人物表演：以本镜指定的人物/道具为中心，背景角色不抢动作。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：以潮声、湿泥轻响、旧木或黄铜触碰声中最贴合本镜道具的一声开场；配一个短低频脉冲，随即让出空间，不叠加尖叫。\n衔接：在异常动作最清楚的一刻硬切至下一镜指定动作或反应；不先放片名或黑屏。\n\n镜头02｜01–04秒｜3秒｜好奇：理解人物的反应\n画面与动作：小满抬手想抓发带，却迟疑着放下；海生没有替她追，先蹲下认真问她名字，让她看见有人愿意听。\n动作节拍：1–1.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：50mm感的近景，机位降到孩子眼平，向前缓移约一个手掌距离。\n人物表演：若小满在本镜入画，眼神先落在道具，再转向海生；若为纯道具镜，不额外挤入人脸。海生与孩子交流时保持相近眼平高度。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：保留孩子一次吸气和衣料轻摩擦，环境声变窄，音乐只留很轻的持续音。\n衔接：按人物视线切到问题或缺少之物，前一镜最后一声环境音延续约0.15秒。\n\n镜头03｜04–09秒｜5秒｜共情：显露一个小缺口\n画面与动作：村人远影从旁边经过，用含混语气叫她“那个孩子”；小满把头埋进旧布袋，手指捏住没有名字的袋口。\n动作节拍：4–5.25秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：35mm感中景或中近景，交代角色、目标道具和可行动空间；保持眼线一致。\n人物表演：让负责本镜行动的成人先动，孩子随后作出可见反应；避免所有人同时表演。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：空碗、空袋、脚步或木板声选本镜实际存在的一项放近；未出场物件不配声，避免声源误导。\n衔接：用逐渐靠近的风声/物件声引入下一镜；剪切前先让观众认清道具位置。\n\n镜头04｜09–15秒｜6秒｜紧张：让选择有代价\n画面与动作：风忽然变大，红发带被吹向灰暗海面；二狗跑出半步又停住，发现发带总在小满不开口时继续远离。\n动作节拍：9–10.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：28mm感稍低机位，前景放障碍或关键道具，后景保留退路；缓慢推进，不乱晃。\n人物表演：海生或苏兰承担保护动作，孩子的恐惧用呼吸与手指表现；二狗的夸张反应不压过危险信息。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：风与低频逐步增强，声音来自画面可解释方向；临近决定时收低，不盖过呼吸。\n衔接：在角色看向选择对象时切到手部，危险声短暂收低，突出决定。\n\n镜头05｜15–22秒｜7秒｜信任：人物主动做决定\n画面与动作：小满抬起头，清楚说出自己的名字；海生、苏兰和二狗各自温柔重复一次，三声回应不重叠。\n动作节拍：15–16.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：65–85mm感手部/道具插入镜头，焦点从指尖过渡到被选择的物件；只做一次明确动作。\n人物表演：选择必须由清楚的手部动作落实；其余角色停住，给观众看懂选择的空间。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：对白：小满轻声说“我叫小满，不叫麻烦。”；只配一次明确道具接触声。\n衔接：按动作方向匹配下一镜的变化，避免用白闪遮盖因果。\n\n镜头06｜22–30秒｜8秒｜释放：回报具有清楚因果\n画面与动作：红发带沿声音的方向飞回，在她双髻上重新系好；风铃恢复轻响，灰冷空气中第一次出现稳定暖光。\n动作节拍：22–24.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：28–35mm感中广景，由关键道具向外缓慢拉开，完整看见变化及安全距离。\n人物表演：先让道具/环境发生变化，再切或移到人物反应；变化只遵守本故事规则。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：潮声、湿泥轻响、旧木或黄铜触碰声随变化从密变疏，再进入温暖的两三个原创音符；不使用现成热门歌曲歌词。\n衔接：变化完成后停半拍再切脸部；环境音恢复，音乐只抬高一层。\n\n镜头07｜30–38秒｜8秒｜温暖：给表情留下时间\n画面与动作：苏兰从屋门口叫她吃饭，小满先停一下确认是在叫自己，随后小跑两步牵上海生；眼神由防备转为明亮。\n动作节拍：30–32.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：50–65mm感面部近景，稳定机位，留出至少半秒无对白微表情。\n人物表演：孩子的肩膀放松、视线愿意停留；成人以小动作回应，不用齐声大笑替代情绪。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：对白：苏兰说“小满，回家吃饭了。”；其余人用目光回应，留半秒安静。\n衔接：由人物最后的目光或手指引向收尾道具，暖光保持一致。\n\n镜头08｜38–44秒｜6秒｜余味：接回钩子并打开新可能\n画面与动作：风轻轻提起布袋角，像替她挥手；名字最后一个音节与开场声波相接，画面停在不再松动的红结上。\n动作节拍：38–39.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：以本镜描述的收尾物件构图；最后的形状、光点或运动方向匹配开场关键元素。允许改变景别，但匹配关系必须清楚。\n人物表演：人物保持结局得到的安全与关系；新的小悬念不撤销已经完成的情绪回报。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：取第一镜的同一种音色作为最后一个轻声提示，让尾音衔接循环；不突然加入无关轰鸣。\n衔接：最后0.3秒保留与开头相似的轮廓/音色，允许无缝循环；不加黑底强制点击卡。\n\n负向与连续性检查：不出现无依据的手机、枪械、医院、现代车辆、书上伪造大段文字、未经设计的影视角色或艺术家署名。保持双髻、红带、额头红点及四名主角身份；不多生手指、蟹腿，不让手与道具穿模，不把罗盘替换成怀表。道具在同一镜内不得随机换材质、数量、左右位置或开合状态。只允许故事规则指定的物件变化；儿童无血腥伤害。所有字幕、可读书名和界面文字后期添加，生成画面不带水印、伪字幕或推广尾卡。\n合成前逐镜核对：人物数与站坐姿；第一帧是否已有异常；动作起点/终点能否接上；道具尺寸是否受控；视线和海平线是否一致；每个回报能否追溯到前一镜的选择。未拍出因果时重做相关镜头，不能靠旁白掩盖。\n\n平台剪辑备选（不是平台时长限制，也不是热度保证）：\nTikTok测试版：保留0–1秒钩子，1–4秒加一行疑问字幕，22–30秒完整展示回报；可将4–9秒背景压成3秒，成片约42秒。\nInstagram Reels测试版：保持道具质感与暖光配色，前1秒无需读字即可理解异常；保留30–38秒表情停顿，以收尾道具作封面，主体仍44秒。\nYouTube Shorts测试版：保持44秒因果链，画外说明最多一句；最后0.3秒与开头形状/声响呼应，避免只留下未兑现的悬念。\n所有字幕建议单行、短句，放在人物面部与关键道具之外；先按实际播放器界面预览遮挡。\n\n可测试的两个开头：A使用第一镜的大/小、静/动反差；B保持同一异常事件，但从小满瞳孔或手中道具切入，再在0.6秒内露出尺度参照。只改变开头一项，其余剪辑保持一致；是否提高留存需要真实成片与实际观看数据，本任务未做此测试。" }, { "id": "C047", "title": "白米饭里藏着星空", "concept_id": "S17", "concept_index": 16, "version": 1, "genre": "感官温情", "duration_seconds": 44, "shot_count": 8, "source_id": "adapted-results--simple-captioner", "source_name": "simple-captioner", "category": "adapted-results", "source_path": "raw-prompts/adapted-results--simple-captioner.txt", "source_record": "adapted-results/simple-captioner.json", "source_paths": [ "raw-prompts/adapted-results--simple-captioner.txt", "project-cases/o-l-l-i__simple-captioner/prompt-raw.txt" ], "source_excerpt": "[0 秒]\nBased on the image provided, this is a still from the Chinese television series **\"The Sea of Ghosts\" (听海小孤娃)**.\n\nHere is a detailed description of the media:\n\n- **Title:** The title of the series is **《听海小孤娃》** (Līng Hǎi Xiǎo Gū Wā), which translates to \"The Little Ghost Girl of the Sea\" or \"The Sea of Ghosts.\"\n- **Genre:**\n\n[15 秒]\nThis image is a screenshot of a video clip from the Chinese internet series *Listen to the Sea, Little Sister* (听海小福娃). The scene shows a young child with tears in their eyes, with the text overlay \"Who knows where he came from\" (谁知道他从哪飘来的). The image is ", "source_review": {}, "contribution": "视觉片段型来源：以原文中与原帧相符的海岸、人物、表情或道具作为灵感入口。身份、对白、连续动作、奇幻规则和新剧情由Codex补写，不是该模型的原始能力。", "source_duplicate_of": null, "source_hash": "6e4480574081b0793e5a49770896e853a63de97f0a1571c3e3f0b5c357bfa50a", "body_hash": "94ce208873e1b144e5b6f24849a9a0ffbaaa792154e97b5ab43890f2278725d2", "author": "Codex, shared writer; not original model output", "fallback": false, "hook": "筷子拨开热米饭，碗里已经显出一片旋转星空；一粒米升起像小月亮，蒸汽穿过星光，小满的眼睛突然亮起来。", "rule": "米粒呈现每个人曾做过的善意片段；星光只是投影，食物保持真实质感。", "shots": [ { "number": 1, "start": 0, "end": 1, "duration": 1, "beat": "惊奇：先看见不可能", "action": "筷子拨开热米饭，碗里已经显出一片旋转星空；一粒米升起像小月亮，蒸汽穿过星光，小满的眼睛突然亮起来。", "camera": "85mm感微距，道具占画面约三分之二，人物眼睛或手作为尺度参照；单一明确机位，不用无目标甩镜；异常动作在画面开始时已经发生。", "performance": "以本镜指定的人物/道具为中心，背景角色不抢动作。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "以细小水膜、陶瓷或盐晶的清脆触感声中最贴合本镜道具的一声开场；配一个短低频脉冲，随即让出空间，不叠加尖叫。", "transition": "在异常动作最清楚的一刻硬切至下一镜指定动作或反应；不先放片名或黑屏。", "timing": "0.00–0.15秒直接展示钩子关键帧；0.15–0.70秒让异常动作继续；0.70–1.00秒用呼吸或微小停顿准备切入反应。" }, { "number": 2, "start": 1, "end": 4, "duration": 3, "beat": "好奇：理解人物的反应", "action": "她伸出筷子又停住，怕把星空碰碎；海生笑着把碗推近，示范轻轻夹起一粒普通米，让奇观与真实食物并存。", "camera": "50mm感的近景，机位降到孩子眼平，向前缓移约一个手掌距离。", "performance": "若小满在本镜入画，眼神先落在道具，再转向海生；若为纯道具镜，不额外挤入人脸。海生与孩子交流时保持相近眼平高度。 本来源版本强调小满的主观感受：先拍她注意到的细节，再拍回应，缩短无信息的成人反应。", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "保留孩子一次吸气和衣料轻摩擦，环境声变窄，音乐只留很轻的持续音。", "transition": "按人物视线切到问题或缺少之物，前一镜最后一声环境音延续约0.15秒。", "timing": "1–1.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 3, "start": 4, "end": 9, "duration": 5, "beat": "共情：显露一个小缺口", "action": "米粒光点里映出海生修船、苏兰护住孩子、二狗挖泥的微小剪影；小满看着自己空白的一颗星，悄悄低下头。", "camera": "35mm感中景或中近景，交代角色、目标道具和可行动空间；保持眼线一致。", "performance": "让负责本镜行动的成人先动，孩子随后作出可见反应；避免所有人同时表演。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "空碗、空袋、脚步或木板声选本镜实际存在的一项放近；未出场物件不配声，避免声源误导。", "transition": "用逐渐靠近的风声/物件声引入下一镜；剪切前先让观众认清道具位置。", "timing": "4–5.25秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 4, "start": 9, "end": 15, "duration": 6, "beat": "紧张：让选择有代价", "action": "她把发光米推给别人，自己的碗底渐渐暗下来；海生注意到她误以为自己没有贡献，放下筷子等她抬头。", "camera": "28mm感稍低机位，前景放障碍或关键道具，后景保留退路；缓慢推进，不乱晃。", "performance": "海生或苏兰承担保护动作，孩子的恐惧用呼吸与手指表现；二狗的夸张反应不压过危险信息。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "风与低频逐步增强，声音来自画面可解释方向；临近决定时收低，不盖过呼吸。", "transition": "在角色看向选择对象时切到手部，危险声短暂收低，突出决定。", "timing": "9–10.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 5, "start": 15, "end": 22, "duration": 7, "beat": "信任：人物主动做决定", "action": "小满把第一口米分给门边的小蟹，原本空白的星点开始跳动；她没有许愿，只做了一个很小的分享动作。", "camera": "65–85mm感手部/道具插入镜头，焦点从指尖过渡到被选择的物件；只做一次明确动作。", "performance": "选择必须由清楚的手部动作落实；其余角色停住，给观众看懂选择的空间。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "对白：海生轻声说“这一粒，也有你的份。”；只配一次明确道具接触声。", "transition": "按动作方向匹配下一镜的变化，避免用白闪遮盖因果。", "timing": "15–16.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 6, "start": 22, "end": 30, "duration": 8, "beat": "释放：回报具有清楚因果", "action": "整碗星光连成四人和小蟹围桌的轮廓，窗外海面也出现对应星影；镜头拉开，奇观始终围绕一张小桌。", "camera": "28–35mm感中广景，由关键道具向外缓慢拉开，完整看见变化及安全距离。", "performance": "先让道具/环境发生变化，再切或移到人物反应；变化只遵守本故事规则。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "细小水膜、陶瓷或盐晶的清脆触感声随变化从密变疏，再进入温暖的两三个原创音符；不使用现成热门歌曲歌词。", "transition": "变化完成后停半拍再切脸部；环境音恢复，音乐只抬高一层。", "timing": "22–24.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 7, "start": 30, "end": 38, "duration": 8, "beat": "温暖：给表情留下时间", "action": "大家开始吃饭，不再停在神奇现象上；小满嚼着米饭笑，海生把最后一勺添给她，表情比星光更温暖。", "camera": "35mm感桌边或岸边中景，先交代所有本镜角色，再缓慢靠近小满的表情；不在同一镜里把人数和座位改掉。", "performance": "孩子的肩膀放松、视线愿意停留；成人以小动作回应，不用齐声大笑替代情绪。 本来源版本强调小满的主观感受：先拍她注意到的细节，再拍回应，缩短无信息的成人反应。", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "对白：小满说“我想把今天记住。”；其余人用目光回应，留半秒安静。", "transition": "由人物最后的目光或手指引向收尾道具，暖光保持一致。", "timing": "30–32.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 8, "start": 38, "end": 44, "duration": 6, "beat": "余味：接回钩子并打开新可能", "action": "筷尖一粒米的高光变成开场的小月亮，轻轻落回饭面；以咀嚼声和蒸汽完成柔和循环。", "camera": "以本镜描述的收尾物件构图；最后的形状、光点或运动方向匹配开场关键元素。允许改变景别，但匹配关系必须清楚。", "performance": "人物保持结局得到的安全与关系；新的小悬念不撤销已经完成的情绪回报。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "取第一镜的同一种音色作为最后一个轻声提示，让尾音衔接循环；不突然加入无关轰鸣。", "transition": "最后0.3秒保留与开头相似的轮廓/音色，允许无缝循环；不加黑底强制点击卡。", "timing": "38–39.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" } ], "path": "creative/C047--adapted-results--simple-captioner.txt", "text": "来源文件：raw-prompts/adapted-results--simple-captioner.txt\n来源名称：simple-captioner\n实际来源记录：adapted-results/simple-captioner.json\n原文可用点：详见原文及逐帧对照。\n原文问题/边界：来源中的具体字幕、人物关系和物体名称仍须参照原帧复核。\n转化方式：视觉片段型来源：以原文中与原帧相符的海岸、人物、表情或道具作为灵感入口。身份、对白、连续动作、奇幻规则和新剧情由Codex补写，不是该模型的原始能力。\n本次选择的新故事：白米饭里藏着星空。所有幻想事件都是二创，不用原文中的误识别冒充事实。\n\n《白米饭里藏着星空》｜感官温情｜44秒完整剪辑稿\n\n制作目标：44秒，9:16竖屏，8个剪辑镜头，目标1080×1920、24fps。时间表是剪辑设计，不是任一平台API保证；按工具实际支持的片段长度生成，再裁切拼接。此处没有生成视频。\n视觉基调：架空旧式沿海村落，湿泥、粗布、旧木和黄铜具有可触摸的写实材质；幼童面部略带童话般大眼比例。灰蓝海水与褐色村屋为底，红发带是辨识点，幻想光源以局部金色/银色呈现。\n小满：幼童女孩，黑发双髻、左右各一条红发带、额头小红点；灰褐补丁粗布衣、布挎袋、旧布鞋。开场若用蓝披衣，则全片保持，除非镜头明确拍下脱衣。性格敏感、先看大人反应，再敢表达愿望。红点不是伤口，红发带不是红头发。\n海生：青年男性，凌乱黑发，旧蓝外衣、灰内衫、深裤；行动稳，保护孩子时先降到她的眼平高度，不以大喊替代关心。\n苏兰：成年女性，深发松束、灰褐无袖粗布上衣、简单项链与腕布；观察细节，负责托稳道具、递布或摆碗等具体照顾。\n二狗：青年男性，短黑发、橄榄绿外衣；提供轻微喜剧和观众反应，后半段愿意放慢动作参与帮助，不把他写成伤害孩子的反派。\n上述人物只在本镜明确指定时出现。群众只作远处模糊背景，不增加新主角。多人同框时优先保持海生在左、苏兰在后、二狗在右、小满在前中；若换位，用中广景交代，不瞬移。\n环境连续性：泥滩、浅水、旧船和村屋保持同一架空地点。海平线稳定。湿衣不会无故变干。室内暖色由船灯或灶火提供；室外变暖用云隙光或明确的幻想道具光解释，不让44秒凭空跨越数小时。\n人物表情与道具变化分开生成更易核对：每镜最多一个主要幻想动作，真实人物不随道具变形。以上服装、人物名和新动作均属本次二创设定，不声称模型从8帧恢复了全部身份。\n\n核心道具锁：白瓷饭碗、热米饭、一粒发光米。先为本片制作一张统一道具参考图，记录缺口、锈斑、左右方向、尺寸；镜头之间沿用同一版本。\n\n本片新规则：米粒呈现每个人曾做过的善意片段；星光只是投影，食物保持真实质感。 此规则是新创作，不是原片事实。\n\n第一秒视觉钩子：筷子拨开热米饭，碗里已经显出一片旋转星空；一粒米升起像小月亮，蒸汽穿过星光，小满的眼睛突然亮起来。\n\n目标情绪路径：惊奇 → 好奇 → 共情 → 紧张 → 信任 → 释放 → 温暖 → 余味。它是创作设计，不是已测得的观众留存数据。\n\n分镜与生成指令（逐镜生成，再按时间码剪辑；全局角色锁及规则与每一镜一起输入）：\n\n镜头01｜00–01秒｜1秒｜惊奇：先看见不可能\n画面与动作：筷子拨开热米饭，碗里已经显出一片旋转星空；一粒米升起像小月亮，蒸汽穿过星光，小满的眼睛突然亮起来。\n动作节拍：0.00–0.15秒直接展示钩子关键帧；0.15–0.70秒让异常动作继续；0.70–1.00秒用呼吸或微小停顿准备切入反应。\n构图与镜头：85mm感微距，道具占画面约三分之二，人物眼睛或手作为尺度参照；单一明确机位，不用无目标甩镜；异常动作在画面开始时已经发生。\n人物表演：以本镜指定的人物/道具为中心，背景角色不抢动作。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：以细小水膜、陶瓷或盐晶的清脆触感声中最贴合本镜道具的一声开场；配一个短低频脉冲，随即让出空间，不叠加尖叫。\n衔接：在异常动作最清楚的一刻硬切至下一镜指定动作或反应；不先放片名或黑屏。\n\n镜头02｜01–04秒｜3秒｜好奇：理解人物的反应\n画面与动作：她伸出筷子又停住，怕把星空碰碎；海生笑着把碗推近，示范轻轻夹起一粒普通米，让奇观与真实食物并存。\n动作节拍：1–1.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：50mm感的近景，机位降到孩子眼平，向前缓移约一个手掌距离。\n人物表演：若小满在本镜入画，眼神先落在道具，再转向海生；若为纯道具镜，不额外挤入人脸。海生与孩子交流时保持相近眼平高度。 本来源版本强调小满的主观感受：先拍她注意到的细节，再拍回应，缩短无信息的成人反应。\n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：保留孩子一次吸气和衣料轻摩擦，环境声变窄，音乐只留很轻的持续音。\n衔接：按人物视线切到问题或缺少之物，前一镜最后一声环境音延续约0.15秒。\n\n镜头03｜04–09秒｜5秒｜共情：显露一个小缺口\n画面与动作：米粒光点里映出海生修船、苏兰护住孩子、二狗挖泥的微小剪影；小满看着自己空白的一颗星，悄悄低下头。\n动作节拍：4–5.25秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：35mm感中景或中近景，交代角色、目标道具和可行动空间；保持眼线一致。\n人物表演：让负责本镜行动的成人先动，孩子随后作出可见反应；避免所有人同时表演。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：空碗、空袋、脚步或木板声选本镜实际存在的一项放近；未出场物件不配声，避免声源误导。\n衔接：用逐渐靠近的风声/物件声引入下一镜；剪切前先让观众认清道具位置。\n\n镜头04｜09–15秒｜6秒｜紧张：让选择有代价\n画面与动作：她把发光米推给别人，自己的碗底渐渐暗下来；海生注意到她误以为自己没有贡献，放下筷子等她抬头。\n动作节拍：9–10.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：28mm感稍低机位，前景放障碍或关键道具，后景保留退路；缓慢推进，不乱晃。\n人物表演：海生或苏兰承担保护动作，孩子的恐惧用呼吸与手指表现；二狗的夸张反应不压过危险信息。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：风与低频逐步增强，声音来自画面可解释方向；临近决定时收低，不盖过呼吸。\n衔接：在角色看向选择对象时切到手部，危险声短暂收低，突出决定。\n\n镜头05｜15–22秒｜7秒｜信任：人物主动做决定\n画面与动作：小满把第一口米分给门边的小蟹，原本空白的星点开始跳动；她没有许愿，只做了一个很小的分享动作。\n动作节拍：15–16.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：65–85mm感手部/道具插入镜头，焦点从指尖过渡到被选择的物件；只做一次明确动作。\n人物表演：选择必须由清楚的手部动作落实；其余角色停住，给观众看懂选择的空间。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：对白：海生轻声说“这一粒，也有你的份。”；只配一次明确道具接触声。\n衔接：按动作方向匹配下一镜的变化，避免用白闪遮盖因果。\n\n镜头06｜22–30秒｜8秒｜释放：回报具有清楚因果\n画面与动作：整碗星光连成四人和小蟹围桌的轮廓，窗外海面也出现对应星影；镜头拉开，奇观始终围绕一张小桌。\n动作节拍：22–24.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：28–35mm感中广景，由关键道具向外缓慢拉开，完整看见变化及安全距离。\n人物表演：先让道具/环境发生变化，再切或移到人物反应；变化只遵守本故事规则。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：细小水膜、陶瓷或盐晶的清脆触感声随变化从密变疏，再进入温暖的两三个原创音符；不使用现成热门歌曲歌词。\n衔接：变化完成后停半拍再切脸部；环境音恢复，音乐只抬高一层。\n\n镜头07｜30–38秒｜8秒｜温暖：给表情留下时间\n画面与动作：大家开始吃饭，不再停在神奇现象上；小满嚼着米饭笑，海生把最后一勺添给她，表情比星光更温暖。\n动作节拍：30–32.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：35mm感桌边或岸边中景，先交代所有本镜角色，再缓慢靠近小满的表情；不在同一镜里把人数和座位改掉。\n人物表演：孩子的肩膀放松、视线愿意停留；成人以小动作回应，不用齐声大笑替代情绪。 本来源版本强调小满的主观感受：先拍她注意到的细节，再拍回应，缩短无信息的成人反应。\n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：对白：小满说“我想把今天记住。”；其余人用目光回应，留半秒安静。\n衔接：由人物最后的目光或手指引向收尾道具，暖光保持一致。\n\n镜头08｜38–44秒｜6秒｜余味：接回钩子并打开新可能\n画面与动作：筷尖一粒米的高光变成开场的小月亮，轻轻落回饭面；以咀嚼声和蒸汽完成柔和循环。\n动作节拍：38–39.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：以本镜描述的收尾物件构图；最后的形状、光点或运动方向匹配开场关键元素。允许改变景别，但匹配关系必须清楚。\n人物表演：人物保持结局得到的安全与关系；新的小悬念不撤销已经完成的情绪回报。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：取第一镜的同一种音色作为最后一个轻声提示，让尾音衔接循环；不突然加入无关轰鸣。\n衔接：最后0.3秒保留与开头相似的轮廓/音色，允许无缝循环；不加黑底强制点击卡。\n\n负向与连续性检查：不出现无依据的手机、枪械、医院、现代车辆、书上伪造大段文字、未经设计的影视角色或艺术家署名。保持双髻、红带、额头红点及四名主角身份；不多生手指、蟹腿，不让手与道具穿模，不把罗盘替换成怀表。道具在同一镜内不得随机换材质、数量、左右位置或开合状态。只允许故事规则指定的物件变化；儿童无血腥伤害。所有字幕、可读书名和界面文字后期添加，生成画面不带水印、伪字幕或推广尾卡。\n合成前逐镜核对：人物数与站坐姿；第一帧是否已有异常；动作起点/终点能否接上；道具尺寸是否受控；视线和海平线是否一致；每个回报能否追溯到前一镜的选择。未拍出因果时重做相关镜头，不能靠旁白掩盖。\n\n平台剪辑备选（不是平台时长限制，也不是热度保证）：\nTikTok测试版：保留0–1秒钩子，1–4秒加一行疑问字幕，22–30秒完整展示回报；可将4–9秒背景压成3秒，成片约42秒。\nInstagram Reels测试版：保持道具质感与暖光配色，前1秒无需读字即可理解异常；保留30–38秒表情停顿，以收尾道具作封面，主体仍44秒。\nYouTube Shorts测试版：保持44秒因果链，画外说明最多一句；最后0.3秒与开头形状/声响呼应，避免只留下未兑现的悬念。\n所有字幕建议单行、短句，放在人物面部与关键道具之外；先按实际播放器界面预览遮挡。\n\n可测试的两个开头：A使用第一镜的大/小、静/动反差；B保持同一异常事件，但从小满瞳孔或手中道具切入，再在0.6秒内露出尺度参照。只改变开头一项，其余剪辑保持一致；是否提高留存需要真实成片与实际观看数据，本任务未做此测试。" }, { "id": "C048", "title": "泥里长出一朵玻璃花", "concept_id": "S21", "concept_index": 20, "version": 0, "genre": "超现实ASMR", "duration_seconds": 44, "shot_count": 8, "source_id": "density--200-gemma-prompt", "source_name": "ggml-org/gemma-3-4b-it-GGUF", "category": "density", "source_path": "raw-prompts/density--200-gemma-prompt.txt", "source_record": "density/200-gemma-prompt.json", "source_paths": [ "raw-prompts/density--200-gemma-prompt.txt" ], "source_excerpt": "Generate a cinematic video depicting a coastal scene with recurring elements of a little girl, crabs, and a man. The video begins with a little girl (approximately 6 years old) sitting on a sandy beach, interacting with several crabs. Transition to a baby girl playfully engaging with a crab. The scene expands to show a man and child playing on the beach. A black background with a white text appears briefly, then fades. A man is seen holding a baby, followed by a woman holding a child. The little girl briefly displays a teary face with a green string around her neck. The sequence continues w", "source_review": { "strength": "来自同一抽帧池的自动描述汇总。", "issues": "本次六份摘要均未忠实完成全片，包含循环、截断或识别噪声继承。" }, "contribution": "补救型二创：这份原文不能提供可靠完整故事。保留它作为能力比较证据，创作主线回到已核对的全片设定；不能把此处新脚本计为该来源成功理解了视频。", "source_duplicate_of": null, "source_hash": "357ade4e75c4de6d381de3e33e262540692f90c832ec1fcafccc236e2009920e", "body_hash": "f2150ff2a81a47def3ce759c9c6b642d4255acf07a3eccf0e397bc429e7849c7", "author": "Codex, shared writer; not original model output", "fallback": true, "hook": "一朵透明花苞已从黑泥中钻出，花瓣内部流着金色海水；竹铲刚靠近，花瓣就像玻璃铃铛一样轻响。", "rule": "花瓣由透明水膜凝成，碎开后回到水，不产生尖锐碎片；花根指向蟹穴。", "shots": [ { "number": 1, "start": 0, "end": 1, "duration": 1, "beat": "惊奇：先看见不可能", "action": "一朵透明花苞已从黑泥中钻出，花瓣内部流着金色海水；竹铲刚靠近，花瓣就像玻璃铃铛一样轻响。", "camera": "85mm感微距，道具占画面约三分之二，人物眼睛或手作为尺度参照；单一明确机位，不用无目标甩镜；异常动作在画面开始时已经发生。", "performance": "以本镜指定的人物/道具为中心，背景角色不抢动作。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "以细小水膜、陶瓷或盐晶的清脆触感声中最贴合本镜道具的一声开场；配一个短低频脉冲，随即让出空间，不叠加尖叫。", "transition": "在异常动作最清楚的一刻硬切至下一镜指定动作或反应；不先放片名或黑屏。", "timing": "0.00–0.15秒直接展示钩子关键帧；0.15–0.70秒让异常动作继续；0.70–1.00秒用呼吸或微小停顿准备切入反应。" }, { "number": 2, "start": 1, "end": 4, "duration": 3, "beat": "好奇：理解人物的反应", "action": "小满趴低观察，海生用掌心挡在她膝前，不让衣袖浸进深水；她从皱鼻嫌臭变成睁大眼睛，专注看清每道水纹。", "camera": "85mm感道具近特写，轻俯拍，焦点落在本镜指定接触点；人物只保留必要手部或眼睛倒影，不强行切成正面人像。", "performance": "若小满在本镜入画，眼神先落在道具，再转向海生；若为纯道具镜，不额外挤入人脸。海生与孩子交流时保持相近眼平高度。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "保留孩子一次吸气和衣料轻摩擦，环境声变窄，音乐只留很轻的持续音。", "transition": "按人物视线切到问题或缺少之物，前一镜最后一声环境音延续约0.15秒。", "timing": "1–1.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 3, "start": 4, "end": 9, "duration": 5, "beat": "共情：显露一个小缺口", "action": "二狗挖了几铲仍一无所获，空筐倒扣在旁边；他想拔走花苞当收获，小满摇头，指向花下细小气泡。", "camera": "35mm感中景或中近景，交代角色、目标道具和可行动空间；保持眼线一致。", "performance": "让负责本镜行动的成人先动，孩子随后作出可见反应；避免所有人同时表演。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "空碗、空袋、脚步或木板声选本镜实际存在的一项放近；未出场物件不配声，避免声源误导。", "transition": "用逐渐靠近的风声/物件声引入下一镜；剪切前先让观众认清道具位置。", "timing": "4–5.25秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 4, "start": 9, "end": 15, "duration": 6, "beat": "紧张：让选择有代价", "action": "铲子阴影压下来，花瓣立刻合拢，周围亮点也熄灭；小满焦急地伸手，却克制住没有碰花。", "camera": "28mm感稍低机位，前景放障碍或关键道具，后景保留退路；缓慢推进，不乱晃。", "performance": "海生或苏兰承担保护动作，孩子的恐惧用呼吸与手指表现；二狗的夸张反应不压过危险信息。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "风与低频逐步增强，声音来自画面可解释方向；临近决定时收低，不盖过呼吸。", "transition": "在角色看向选择对象时切到手部，危险声短暂收低，突出决定。", "timing": "9–10.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 5, "start": 15, "end": 22, "duration": 7, "beat": "信任：人物主动做决定", "action": "海生把铲子横放到地面，四人一起后退半步，让阳光重新落到花苞上；孩子慢慢张开手，做出等待的姿势。", "camera": "65–85mm感手部/道具插入镜头，焦点从指尖过渡到被选择的物件；只做一次明确动作。", "performance": "选择必须由清楚的手部动作落实；其余角色停住，给观众看懂选择的空间。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "对白：小满轻声说“别挖它，等它开。”；只配一次明确道具接触声。", "transition": "按动作方向匹配下一镜的变化，避免用白闪遮盖因果。", "timing": "15–16.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 6, "start": 22, "end": 30, "duration": 8, "beat": "释放：回报具有清楚因果", "action": "花瓣逐层展开，每响一下，泥面就亮出一个蟹穴轮廓；水膜花瓣融回泥水，留下清楚可挖的安全浅洞。", "camera": "28–35mm感中广景，由关键道具向外缓慢拉开，完整看见变化及安全距离。", "performance": "先让道具/环境发生变化，再切或移到人物反应；变化只遵守本故事规则。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "细小水膜、陶瓷或盐晶的清脆触感声随变化从密变疏，再进入温暖的两三个原创音符；不使用现成热门歌曲歌词。", "transition": "变化完成后停半拍再切脸部；环境音恢复，音乐只抬高一层。", "timing": "22–24.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 7, "start": 30, "end": 38, "duration": 8, "beat": "温暖：给表情留下时间", "action": "二狗轻轻挖出第一只蟹，朝小满竖拇指；孩子把一小片透明水膜放回泥面，笑得小心又骄傲。", "camera": "50–65mm感面部近景，稳定机位，留出至少半秒无对白微表情。", "performance": "孩子的肩膀放松、视线愿意停留；成人以小动作回应，不用齐声大笑替代情绪。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "对白：小满说“原来泥里也有光。”；其余人用目光回应，留半秒安静。", "transition": "由人物最后的目光或手指引向收尾道具，暖光保持一致。", "timing": "30–32.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 8, "start": 38, "end": 44, "duration": 6, "beat": "余味：接回钩子并打开新可能", "action": "另一处泥泡映出尚未开放的巨大花苞影子；镜头贴近微小亮点，与开场的花瓣高光连成循环。", "camera": "以本镜描述的收尾物件构图；最后的形状、光点或运动方向匹配开场关键元素。允许改变景别，但匹配关系必须清楚。", "performance": "人物保持结局得到的安全与关系；新的小悬念不撤销已经完成的情绪回报。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "取第一镜的同一种音色作为最后一个轻声提示，让尾音衔接循环；不突然加入无关轰鸣。", "transition": "最后0.3秒保留与开头相似的轮廓/音色，允许无缝循环；不加黑底强制点击卡。", "timing": "38–39.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" } ], "path": "creative/C048--density--200-gemma-prompt.txt", "text": "来源文件：raw-prompts/density--200-gemma-prompt.txt\n来源名称：ggml-org/gemma-3-4b-it-GGUF\n实际来源记录：density/200-gemma-prompt.json\n原文可用点：来自同一抽帧池的自动描述汇总。\n原文问题/边界：本次六份摘要均未忠实完成全片，包含循环、截断或识别噪声继承。\n转化方式：补救型二创：这份原文不能提供可靠完整故事。保留它作为能力比较证据，创作主线回到已核对的全片设定；不能把此处新脚本计为该来源成功理解了视频。\n本次选择的新故事：泥里长出一朵玻璃花。所有幻想事件都是二创，不用原文中的误识别冒充事实。\n\n《泥里长出一朵玻璃花》｜超现实ASMR｜44秒完整剪辑稿\n\n制作目标：44秒，9:16竖屏，8个剪辑镜头，目标1080×1920、24fps。时间表是剪辑设计，不是任一平台API保证；按工具实际支持的片段长度生成，再裁切拼接。此处没有生成视频。\n视觉基调：架空旧式沿海村落，湿泥、粗布、旧木和黄铜具有可触摸的写实材质；幼童面部略带童话般大眼比例。灰蓝海水与褐色村屋为底，红发带是辨识点，幻想光源以局部金色/银色呈现。\n小满：幼童女孩，黑发双髻、左右各一条红发带、额头小红点；灰褐补丁粗布衣、布挎袋、旧布鞋。开场若用蓝披衣，则全片保持，除非镜头明确拍下脱衣。性格敏感、先看大人反应，再敢表达愿望。红点不是伤口，红发带不是红头发。\n海生：青年男性，凌乱黑发，旧蓝外衣、灰内衫、深裤；行动稳，保护孩子时先降到她的眼平高度，不以大喊替代关心。\n苏兰：成年女性，深发松束、灰褐无袖粗布上衣、简单项链与腕布；观察细节，负责托稳道具、递布或摆碗等具体照顾。\n二狗：青年男性，短黑发、橄榄绿外衣；提供轻微喜剧和观众反应，后半段愿意放慢动作参与帮助，不把他写成伤害孩子的反派。\n上述人物只在本镜明确指定时出现。群众只作远处模糊背景，不增加新主角。多人同框时优先保持海生在左、苏兰在后、二狗在右、小满在前中；若换位，用中广景交代，不瞬移。\n环境连续性：泥滩、浅水、旧船和村屋保持同一架空地点。海平线稳定。湿衣不会无故变干。室内暖色由船灯或灶火提供；室外变暖用云隙光或明确的幻想道具光解释，不让44秒凭空跨越数小时。\n人物表情与道具变化分开生成更易核对：每镜最多一个主要幻想动作，真实人物不随道具变形。以上服装、人物名和新动作均属本次二创设定，不声称模型从8帧恢复了全部身份。\n\n核心道具锁：透明花苞、竹铲、浅泥水。先为本片制作一张统一道具参考图，记录缺口、锈斑、左右方向、尺寸；镜头之间沿用同一版本。\n\n本片新规则：花瓣由透明水膜凝成，碎开后回到水，不产生尖锐碎片；花根指向蟹穴。 此规则是新创作，不是原片事实。\n\n第一秒视觉钩子：一朵透明花苞已从黑泥中钻出，花瓣内部流着金色海水；竹铲刚靠近，花瓣就像玻璃铃铛一样轻响。\n\n目标情绪路径：惊奇 → 好奇 → 共情 → 紧张 → 信任 → 释放 → 温暖 → 余味。它是创作设计，不是已测得的观众留存数据。\n\n分镜与生成指令（逐镜生成，再按时间码剪辑；全局角色锁及规则与每一镜一起输入）：\n\n镜头01｜00–01秒｜1秒｜惊奇：先看见不可能\n画面与动作：一朵透明花苞已从黑泥中钻出，花瓣内部流着金色海水；竹铲刚靠近，花瓣就像玻璃铃铛一样轻响。\n动作节拍：0.00–0.15秒直接展示钩子关键帧；0.15–0.70秒让异常动作继续；0.70–1.00秒用呼吸或微小停顿准备切入反应。\n构图与镜头：85mm感微距，道具占画面约三分之二，人物眼睛或手作为尺度参照；单一明确机位，不用无目标甩镜；异常动作在画面开始时已经发生。\n人物表演：以本镜指定的人物/道具为中心，背景角色不抢动作。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：以细小水膜、陶瓷或盐晶的清脆触感声中最贴合本镜道具的一声开场；配一个短低频脉冲，随即让出空间，不叠加尖叫。\n衔接：在异常动作最清楚的一刻硬切至下一镜指定动作或反应；不先放片名或黑屏。\n\n镜头02｜01–04秒｜3秒｜好奇：理解人物的反应\n画面与动作：小满趴低观察，海生用掌心挡在她膝前，不让衣袖浸进深水；她从皱鼻嫌臭变成睁大眼睛，专注看清每道水纹。\n动作节拍：1–1.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：85mm感道具近特写，轻俯拍，焦点落在本镜指定接触点；人物只保留必要手部或眼睛倒影，不强行切成正面人像。\n人物表演：若小满在本镜入画，眼神先落在道具，再转向海生；若为纯道具镜，不额外挤入人脸。海生与孩子交流时保持相近眼平高度。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：保留孩子一次吸气和衣料轻摩擦，环境声变窄，音乐只留很轻的持续音。\n衔接：按人物视线切到问题或缺少之物，前一镜最后一声环境音延续约0.15秒。\n\n镜头03｜04–09秒｜5秒｜共情：显露一个小缺口\n画面与动作：二狗挖了几铲仍一无所获，空筐倒扣在旁边；他想拔走花苞当收获，小满摇头，指向花下细小气泡。\n动作节拍：4–5.25秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：35mm感中景或中近景，交代角色、目标道具和可行动空间；保持眼线一致。\n人物表演：让负责本镜行动的成人先动，孩子随后作出可见反应；避免所有人同时表演。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：空碗、空袋、脚步或木板声选本镜实际存在的一项放近；未出场物件不配声，避免声源误导。\n衔接：用逐渐靠近的风声/物件声引入下一镜；剪切前先让观众认清道具位置。\n\n镜头04｜09–15秒｜6秒｜紧张：让选择有代价\n画面与动作：铲子阴影压下来，花瓣立刻合拢，周围亮点也熄灭；小满焦急地伸手，却克制住没有碰花。\n动作节拍：9–10.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：28mm感稍低机位，前景放障碍或关键道具，后景保留退路；缓慢推进，不乱晃。\n人物表演：海生或苏兰承担保护动作，孩子的恐惧用呼吸与手指表现；二狗的夸张反应不压过危险信息。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：风与低频逐步增强，声音来自画面可解释方向；临近决定时收低，不盖过呼吸。\n衔接：在角色看向选择对象时切到手部，危险声短暂收低，突出决定。\n\n镜头05｜15–22秒｜7秒｜信任：人物主动做决定\n画面与动作：海生把铲子横放到地面，四人一起后退半步，让阳光重新落到花苞上；孩子慢慢张开手，做出等待的姿势。\n动作节拍：15–16.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：65–85mm感手部/道具插入镜头，焦点从指尖过渡到被选择的物件；只做一次明确动作。\n人物表演：选择必须由清楚的手部动作落实；其余角色停住，给观众看懂选择的空间。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：对白：小满轻声说“别挖它，等它开。”；只配一次明确道具接触声。\n衔接：按动作方向匹配下一镜的变化，避免用白闪遮盖因果。\n\n镜头06｜22–30秒｜8秒｜释放：回报具有清楚因果\n画面与动作：花瓣逐层展开，每响一下，泥面就亮出一个蟹穴轮廓；水膜花瓣融回泥水，留下清楚可挖的安全浅洞。\n动作节拍：22–24.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：28–35mm感中广景，由关键道具向外缓慢拉开，完整看见变化及安全距离。\n人物表演：先让道具/环境发生变化，再切或移到人物反应；变化只遵守本故事规则。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：细小水膜、陶瓷或盐晶的清脆触感声随变化从密变疏，再进入温暖的两三个原创音符；不使用现成热门歌曲歌词。\n衔接：变化完成后停半拍再切脸部；环境音恢复，音乐只抬高一层。\n\n镜头07｜30–38秒｜8秒｜温暖：给表情留下时间\n画面与动作：二狗轻轻挖出第一只蟹，朝小满竖拇指；孩子把一小片透明水膜放回泥面，笑得小心又骄傲。\n动作节拍：30–32.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：50–65mm感面部近景，稳定机位，留出至少半秒无对白微表情。\n人物表演：孩子的肩膀放松、视线愿意停留；成人以小动作回应，不用齐声大笑替代情绪。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：对白：小满说“原来泥里也有光。”；其余人用目光回应，留半秒安静。\n衔接：由人物最后的目光或手指引向收尾道具，暖光保持一致。\n\n镜头08｜38–44秒｜6秒｜余味：接回钩子并打开新可能\n画面与动作：另一处泥泡映出尚未开放的巨大花苞影子；镜头贴近微小亮点，与开场的花瓣高光连成循环。\n动作节拍：38–39.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：以本镜描述的收尾物件构图；最后的形状、光点或运动方向匹配开场关键元素。允许改变景别，但匹配关系必须清楚。\n人物表演：人物保持结局得到的安全与关系；新的小悬念不撤销已经完成的情绪回报。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：取第一镜的同一种音色作为最后一个轻声提示，让尾音衔接循环；不突然加入无关轰鸣。\n衔接：最后0.3秒保留与开头相似的轮廓/音色，允许无缝循环；不加黑底强制点击卡。\n\n负向与连续性检查：不出现无依据的手机、枪械、医院、现代车辆、书上伪造大段文字、未经设计的影视角色或艺术家署名。保持双髻、红带、额头红点及四名主角身份；不多生手指、蟹腿，不让手与道具穿模，不把罗盘替换成怀表。道具在同一镜内不得随机换材质、数量、左右位置或开合状态。只允许故事规则指定的物件变化；儿童无血腥伤害。所有字幕、可读书名和界面文字后期添加，生成画面不带水印、伪字幕或推广尾卡。\n合成前逐镜核对：人物数与站坐姿；第一帧是否已有异常；动作起点/终点能否接上；道具尺寸是否受控；视线和海平线是否一致；每个回报能否追溯到前一镜的选择。未拍出因果时重做相关镜头，不能靠旁白掩盖。\n\n平台剪辑备选（不是平台时长限制，也不是热度保证）：\nTikTok测试版：保留0–1秒钩子，1–4秒加一行疑问字幕，22–30秒完整展示回报；可将4–9秒背景压成3秒，成片约42秒。\nInstagram Reels测试版：保持道具质感与暖光配色，前1秒无需读字即可理解异常；保留30–38秒表情停顿，以收尾道具作封面，主体仍44秒。\nYouTube Shorts测试版：保持44秒因果链，画外说明最多一句；最后0.3秒与开头形状/声响呼应，避免只留下未兑现的悬念。\n所有字幕建议单行、短句，放在人物面部与关键道具之外；先按实际播放器界面预览遮挡。\n\n可测试的两个开头：A使用第一镜的大/小、静/动反差；B保持同一异常事件，但从小满瞳孔或手中道具切入，再在0.6秒内露出尺度参照。只改变开头一项，其余剪辑保持一致；是否提高留存需要真实成片与实际观看数据，本任务未做此测试。" }, { "id": "C049", "title": "海螺只会说谢谢", "concept_id": "S39", "concept_index": 38, "version": 0, "genre": "声音喜剧", "duration_seconds": 44, "shot_count": 8, "source_id": "density--200-prompt", "source_name": "Qwen/Qwen3-0.6B", "category": "density", "source_path": "raw-prompts/density--200-prompt.txt", "source_record": "density/200-prompt.json", "source_paths": [ "raw-prompts/density--200-prompt.txt" ], "source_excerpt": "0.0s: A little girl sits on the beach with crabs. \n2.1s: A baby girl plays with a crab. \n4.2s: A little girl sits on the beach with a crab. \n6.3s: A man and a child play on the beach. \n8.4s: A screenshot of a black background with a white text reading \" ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ", "source_review": { "strength": "来自同一抽帧池的自动描述汇总。", "issues": "本次六份摘要均未忠实完成全片，包含循环、截断或识别噪声继承。" }, "contribution": "补救型二创：这份原文不能提供可靠完整故事。保留它作为能力比较证据，创作主线回到已核对的全片设定；不能把此处新脚本计为该来源成功理解了视频。", "source_duplicate_of": null, "source_hash": "c7182dee45193c48432d21c45fa9c79bf3f62dfef5e1cee8982d9cf2bd8fdd2a", "body_hash": "eac95ad6d01dc718622be3b02ff07286f198f8fafdcaf15bf97daa940d77f638", "author": "Codex, shared writer; not original model output", "fallback": true, "hook": "海螺已经像小扩音器一样跳起来，连续三声“谢谢”把木桌上的米粒震成三个小圆；小满和二狗同时捂住耳朵。", "rule": "海螺只会重复一个词；故事通过谁在什么时候值得被感谢推进，重复不是模型故障伪装。", "shots": [ { "number": 1, "start": 0, "end": 1, "duration": 1, "beat": "惊奇：先看见不可能", "action": "海螺已经像小扩音器一样跳起来，连续三声“谢谢”把木桌上的米粒震成三个小圆；小满和二狗同时捂住耳朵。", "camera": "24–35mm感中广景或前景近物后景巨物，保留明确大小参照；单一明确机位，不用无目标甩镜；异常动作在画面开始时已经发生。", "performance": "以本镜指定的人物/道具为中心，背景角色不抢动作。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "以潮声、湿泥轻响、旧木或黄铜触碰声中最贴合本镜道具的一声开场；配一个短低频脉冲，随即让出空间，不叠加尖叫。", "transition": "在异常动作最清楚的一刻硬切至下一镜指定动作或反应；不先放片名或黑屏。", "timing": "0.00–0.15秒直接展示钩子关键帧；0.15–0.70秒让异常动作继续；0.70–1.00秒用呼吸或微小停顿准备切入反应。" }, { "number": 2, "start": 1, "end": 4, "duration": 3, "beat": "好奇：理解人物的反应", "action": "二狗把海螺反过来，它仍执拗重复同一句；小满不笑了，侧耳分辨每一次尾音似乎都指向不同的人。", "camera": "50mm感的近景，机位降到孩子眼平，向前缓移约一个手掌距离。", "performance": "若小满在本镜入画，眼神先落在道具，再转向海生；若为纯道具镜，不额外挤入人脸。海生与孩子交流时保持相近眼平高度。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "保留孩子一次吸气和衣料轻摩擦，环境声变窄，音乐只留很轻的持续音。", "transition": "按人物视线切到问题或缺少之物，前一镜最后一声环境音延续约0.15秒。", "timing": "1–1.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 3, "start": 4, "end": 9, "duration": 5, "beat": "共情：显露一个小缺口", "action": "海生默默修好孩子布袋，苏兰把破网补齐；每完成一件小事，海螺就响一下，大家却忙得没有注意。", "camera": "35mm感中景或中近景，交代角色、目标道具和可行动空间；保持眼线一致。", "performance": "让负责本镜行动的成人先动，孩子随后作出可见反应；避免所有人同时表演。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "空碗、空袋、脚步或木板声选本镜实际存在的一项放近；未出场物件不配声，避免声源误导。", "transition": "用逐渐靠近的风声/物件声引入下一镜；剪切前先让观众认清道具位置。", "timing": "4–5.25秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 4, "start": 9, "end": 15, "duration": 6, "beat": "紧张：让选择有代价", "action": "小满想让海螺说出宝藏位置，声音忽然卡在半个音节；她失望地坐回凳边，觉得自己的愿望又太多。", "camera": "28mm感稍低机位，前景放障碍或关键道具，后景保留退路；缓慢推进，不乱晃。", "performance": "海生或苏兰承担保护动作，孩子的恐惧用呼吸与手指表现；二狗的夸张反应不压过危险信息。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "风与低频逐步增强，声音来自画面可解释方向；临近决定时收低，不盖过呼吸。", "transition": "在角色看向选择对象时切到手部，危险声短暂收低，突出决定。", "timing": "9–10.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 5, "start": 15, "end": 22, "duration": 7, "beat": "信任：人物主动做决定", "action": "她先向修袋的海生点头致谢，再把干布递给苏兰；二狗接过渔网，认真说出一句不带玩笑的感谢。", "camera": "65–85mm感手部/道具插入镜头，焦点从指尖过渡到被选择的物件；只做一次明确动作。", "performance": "选择必须由清楚的手部动作落实；其余角色停住，给观众看懂选择的空间。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "对白：小满轻声说“这次，该谢谢谁呢？”；只配一次明确道具接触声。", "transition": "按动作方向匹配下一镜的变化，避免用白闪遮盖因果。", "timing": "15–16.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 6, "start": 22, "end": 30, "duration": 8, "beat": "释放：回报具有清楚因果", "action": "海螺不再机械连响，改成四个错落的温柔回声；桌上的圆形米粒光纹合拢，像一朵简单花形。", "camera": "28–35mm感中广景，由关键道具向外缓慢拉开，完整看见变化及安全距离。", "performance": "先让道具/环境发生变化，再切或移到人物反应；变化只遵守本故事规则。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "潮声、湿泥轻响、旧木或黄铜触碰声随变化从密变疏，再进入温暖的两三个原创音符；不使用现成热门歌曲歌词。", "transition": "变化完成后停半拍再切脸部；环境音恢复，音乐只抬高一层。", "timing": "22–24.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 7, "start": 30, "end": 38, "duration": 8, "beat": "温暖：给表情留下时间", "action": "海生把海螺转向小满，也认真谢谢她；孩子愣住半拍后笑起来，第一次知道自己不只是被照顾的人。", "camera": "50–65mm感面部近景，稳定机位，留出至少半秒无对白微表情。", "performance": "孩子的肩膀放松、视线愿意停留；成人以小动作回应，不用齐声大笑替代情绪。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "对白：海生说“也谢谢你，来到这里。”；其余人用目光回应，留半秒安静。", "transition": "由人物最后的目光或手指引向收尾道具，暖光保持一致。", "timing": "30–32.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 8, "start": 38, "end": 44, "duration": 6, "beat": "余味：接回钩子并打开新可能", "action": "门边小蟹敲出三下相同节奏，海螺差点又跳起来；二狗赶紧把它轻轻按住，尾音接回开头形成节奏笑点。", "camera": "以本镜描述的收尾物件构图；最后的形状、光点或运动方向匹配开场关键元素。允许改变景别，但匹配关系必须清楚。", "performance": "人物保持结局得到的安全与关系；新的小悬念不撤销已经完成的情绪回报。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "取第一镜的同一种音色作为最后一个轻声提示，让尾音衔接循环；不突然加入无关轰鸣。", "transition": "最后0.3秒保留与开头相似的轮廓/音色，允许无缝循环；不加黑底强制点击卡。", "timing": "38–39.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" } ], "path": "creative/C049--density--200-prompt.txt", "text": "来源文件：raw-prompts/density--200-prompt.txt\n来源名称：Qwen/Qwen3-0.6B\n实际来源记录：density/200-prompt.json\n原文可用点：来自同一抽帧池的自动描述汇总。\n原文问题/边界：本次六份摘要均未忠实完成全片，包含循环、截断或识别噪声继承。\n转化方式：补救型二创：这份原文不能提供可靠完整故事。保留它作为能力比较证据，创作主线回到已核对的全片设定；不能把此处新脚本计为该来源成功理解了视频。\n本次选择的新故事：海螺只会说谢谢。所有幻想事件都是二创，不用原文中的误识别冒充事实。\n\n《海螺只会说谢谢》｜声音喜剧｜44秒完整剪辑稿\n\n制作目标：44秒，9:16竖屏，8个剪辑镜头，目标1080×1920、24fps。时间表是剪辑设计，不是任一平台API保证；按工具实际支持的片段长度生成，再裁切拼接。此处没有生成视频。\n视觉基调：架空旧式沿海村落，湿泥、粗布、旧木和黄铜具有可触摸的写实材质；幼童面部略带童话般大眼比例。灰蓝海水与褐色村屋为底，红发带是辨识点，幻想光源以局部金色/银色呈现。\n小满：幼童女孩，黑发双髻、左右各一条红发带、额头小红点；灰褐补丁粗布衣、布挎袋、旧布鞋。开场若用蓝披衣，则全片保持，除非镜头明确拍下脱衣。性格敏感、先看大人反应，再敢表达愿望。红点不是伤口，红发带不是红头发。\n海生：青年男性，凌乱黑发，旧蓝外衣、灰内衫、深裤；行动稳，保护孩子时先降到她的眼平高度，不以大喊替代关心。\n苏兰：成年女性，深发松束、灰褐无袖粗布上衣、简单项链与腕布；观察细节，负责托稳道具、递布或摆碗等具体照顾。\n二狗：青年男性，短黑发、橄榄绿外衣；提供轻微喜剧和观众反应，后半段愿意放慢动作参与帮助，不把他写成伤害孩子的反派。\n上述人物只在本镜明确指定时出现。群众只作远处模糊背景，不增加新主角。多人同框时优先保持海生在左、苏兰在后、二狗在右、小满在前中；若换位，用中广景交代，不瞬移。\n环境连续性：泥滩、浅水、旧船和村屋保持同一架空地点。海平线稳定。湿衣不会无故变干。室内暖色由船灯或灶火提供；室外变暖用云隙光或明确的幻想道具光解释，不让44秒凭空跨越数小时。\n人物表情与道具变化分开生成更易核对：每镜最多一个主要幻想动作，真实人物不随道具变形。以上服装、人物名和新动作均属本次二创设定，不声称模型从8帧恢复了全部身份。\n\n核心道具锁：白色海螺、修补渔网、热饭碗。先为本片制作一张统一道具参考图，记录缺口、锈斑、左右方向、尺寸；镜头之间沿用同一版本。\n\n本片新规则：海螺只会重复一个词；故事通过谁在什么时候值得被感谢推进，重复不是模型故障伪装。 此规则是新创作，不是原片事实。\n\n第一秒视觉钩子：海螺已经像小扩音器一样跳起来，连续三声“谢谢”把木桌上的米粒震成三个小圆；小满和二狗同时捂住耳朵。\n\n目标情绪路径：惊奇 → 好奇 → 共情 → 紧张 → 信任 → 释放 → 温暖 → 余味。它是创作设计，不是已测得的观众留存数据。\n\n分镜与生成指令（逐镜生成，再按时间码剪辑；全局角色锁及规则与每一镜一起输入）：\n\n镜头01｜00–01秒｜1秒｜惊奇：先看见不可能\n画面与动作：海螺已经像小扩音器一样跳起来，连续三声“谢谢”把木桌上的米粒震成三个小圆；小满和二狗同时捂住耳朵。\n动作节拍：0.00–0.15秒直接展示钩子关键帧；0.15–0.70秒让异常动作继续；0.70–1.00秒用呼吸或微小停顿准备切入反应。\n构图与镜头：24–35mm感中广景或前景近物后景巨物，保留明确大小参照；单一明确机位，不用无目标甩镜；异常动作在画面开始时已经发生。\n人物表演：以本镜指定的人物/道具为中心，背景角色不抢动作。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：以潮声、湿泥轻响、旧木或黄铜触碰声中最贴合本镜道具的一声开场；配一个短低频脉冲，随即让出空间，不叠加尖叫。\n衔接：在异常动作最清楚的一刻硬切至下一镜指定动作或反应；不先放片名或黑屏。\n\n镜头02｜01–04秒｜3秒｜好奇：理解人物的反应\n画面与动作：二狗把海螺反过来，它仍执拗重复同一句；小满不笑了，侧耳分辨每一次尾音似乎都指向不同的人。\n动作节拍：1–1.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：50mm感的近景，机位降到孩子眼平，向前缓移约一个手掌距离。\n人物表演：若小满在本镜入画，眼神先落在道具，再转向海生；若为纯道具镜，不额外挤入人脸。海生与孩子交流时保持相近眼平高度。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：保留孩子一次吸气和衣料轻摩擦，环境声变窄，音乐只留很轻的持续音。\n衔接：按人物视线切到问题或缺少之物，前一镜最后一声环境音延续约0.15秒。\n\n镜头03｜04–09秒｜5秒｜共情：显露一个小缺口\n画面与动作：海生默默修好孩子布袋，苏兰把破网补齐；每完成一件小事，海螺就响一下，大家却忙得没有注意。\n动作节拍：4–5.25秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：35mm感中景或中近景，交代角色、目标道具和可行动空间；保持眼线一致。\n人物表演：让负责本镜行动的成人先动，孩子随后作出可见反应；避免所有人同时表演。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：空碗、空袋、脚步或木板声选本镜实际存在的一项放近；未出场物件不配声，避免声源误导。\n衔接：用逐渐靠近的风声/物件声引入下一镜；剪切前先让观众认清道具位置。\n\n镜头04｜09–15秒｜6秒｜紧张：让选择有代价\n画面与动作：小满想让海螺说出宝藏位置，声音忽然卡在半个音节；她失望地坐回凳边，觉得自己的愿望又太多。\n动作节拍：9–10.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：28mm感稍低机位，前景放障碍或关键道具，后景保留退路；缓慢推进，不乱晃。\n人物表演：海生或苏兰承担保护动作，孩子的恐惧用呼吸与手指表现；二狗的夸张反应不压过危险信息。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：风与低频逐步增强，声音来自画面可解释方向；临近决定时收低，不盖过呼吸。\n衔接：在角色看向选择对象时切到手部，危险声短暂收低，突出决定。\n\n镜头05｜15–22秒｜7秒｜信任：人物主动做决定\n画面与动作：她先向修袋的海生点头致谢，再把干布递给苏兰；二狗接过渔网，认真说出一句不带玩笑的感谢。\n动作节拍：15–16.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：65–85mm感手部/道具插入镜头，焦点从指尖过渡到被选择的物件；只做一次明确动作。\n人物表演：选择必须由清楚的手部动作落实；其余角色停住，给观众看懂选择的空间。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：对白：小满轻声说“这次，该谢谢谁呢？”；只配一次明确道具接触声。\n衔接：按动作方向匹配下一镜的变化，避免用白闪遮盖因果。\n\n镜头06｜22–30秒｜8秒｜释放：回报具有清楚因果\n画面与动作：海螺不再机械连响，改成四个错落的温柔回声；桌上的圆形米粒光纹合拢，像一朵简单花形。\n动作节拍：22–24.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：28–35mm感中广景，由关键道具向外缓慢拉开，完整看见变化及安全距离。\n人物表演：先让道具/环境发生变化，再切或移到人物反应；变化只遵守本故事规则。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：潮声、湿泥轻响、旧木或黄铜触碰声随变化从密变疏，再进入温暖的两三个原创音符；不使用现成热门歌曲歌词。\n衔接：变化完成后停半拍再切脸部；环境音恢复，音乐只抬高一层。\n\n镜头07｜30–38秒｜8秒｜温暖：给表情留下时间\n画面与动作：海生把海螺转向小满，也认真谢谢她；孩子愣住半拍后笑起来，第一次知道自己不只是被照顾的人。\n动作节拍：30–32.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：50–65mm感面部近景，稳定机位，留出至少半秒无对白微表情。\n人物表演：孩子的肩膀放松、视线愿意停留；成人以小动作回应，不用齐声大笑替代情绪。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：对白：海生说“也谢谢你，来到这里。”；其余人用目光回应，留半秒安静。\n衔接：由人物最后的目光或手指引向收尾道具，暖光保持一致。\n\n镜头08｜38–44秒｜6秒｜余味：接回钩子并打开新可能\n画面与动作：门边小蟹敲出三下相同节奏，海螺差点又跳起来；二狗赶紧把它轻轻按住，尾音接回开头形成节奏笑点。\n动作节拍：38–39.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：以本镜描述的收尾物件构图；最后的形状、光点或运动方向匹配开场关键元素。允许改变景别，但匹配关系必须清楚。\n人物表演：人物保持结局得到的安全与关系；新的小悬念不撤销已经完成的情绪回报。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：取第一镜的同一种音色作为最后一个轻声提示，让尾音衔接循环；不突然加入无关轰鸣。\n衔接：最后0.3秒保留与开头相似的轮廓/音色，允许无缝循环；不加黑底强制点击卡。\n\n负向与连续性检查：不出现无依据的手机、枪械、医院、现代车辆、书上伪造大段文字、未经设计的影视角色或艺术家署名。保持双髻、红带、额头红点及四名主角身份；不多生手指、蟹腿，不让手与道具穿模，不把罗盘替换成怀表。道具在同一镜内不得随机换材质、数量、左右位置或开合状态。只允许故事规则指定的物件变化；儿童无血腥伤害。所有字幕、可读书名和界面文字后期添加，生成画面不带水印、伪字幕或推广尾卡。\n合成前逐镜核对：人物数与站坐姿；第一帧是否已有异常；动作起点/终点能否接上；道具尺寸是否受控；视线和海平线是否一致；每个回报能否追溯到前一镜的选择。未拍出因果时重做相关镜头，不能靠旁白掩盖。\n\n平台剪辑备选（不是平台时长限制，也不是热度保证）：\nTikTok测试版：保留0–1秒钩子，1–4秒加一行疑问字幕，22–30秒完整展示回报；可将4–9秒背景压成3秒，成片约42秒。\nInstagram Reels测试版：保持道具质感与暖光配色，前1秒无需读字即可理解异常；保留30–38秒表情停顿，以收尾道具作封面，主体仍44秒。\nYouTube Shorts测试版：保持44秒因果链，画外说明最多一句；最后0.3秒与开头形状/声响呼应，避免只留下未兑现的悬念。\n所有字幕建议单行、短句，放在人物面部与关键道具之外；先按实际播放器界面预览遮挡。\n\n可测试的两个开头：A使用第一镜的大/小、静/动反差；B保持同一异常事件，但从小满瞳孔或手中道具切入，再在0.6秒内露出尺度参照。只改变开头一项，其余剪辑保持一致；是否提高留存需要真实成片与实际观看数据，本任务未做此测试。" }, { "id": "C050", "title": "会呼吸的青苔毯", "concept_id": "S31", "concept_index": 30, "version": 0, "genre": "生态奇幻", "duration_seconds": 44, "shot_count": 8, "source_id": "density--400-gemma-prompt", "source_name": "ggml-org/gemma-3-4b-it-GGUF", "category": "density", "source_path": "raw-prompts/density--400-gemma-prompt.txt", "source_record": "density/400-gemma-prompt.json", "source_paths": [ "raw-prompts/density--400-gemma-prompt.txt" ], "source_excerpt": "Generate a cinematic video depicting a family enjoying a sunny beach day. Initially, a little girl (approximately 5 years old) sits on the sand, intently observing and interacting with several crabs. She playfully pushes them around with her hands. A man and child are also present, engaging in similar activities. Transition to a shot of a black background with the text “` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` `” – a brief, static visual element. The scene shifts to a woman sitting in the water with a fish, followed by a man holding a baby. A", "source_review": { "strength": "来自同一抽帧池的自动描述汇总。", "issues": "本次六份摘要均未忠实完成全片，包含循环、截断或识别噪声继承。" }, "contribution": "补救型二创：这份原文不能提供可靠完整故事。保留它作为能力比较证据，创作主线回到已核对的全片设定；不能把此处新脚本计为该来源成功理解了视频。", "source_duplicate_of": null, "source_hash": "28bdd926c585d6bb104d1ac4ccd3fcbaed08dc0fc154d7540d1fdc2e3cd3c18d", "body_hash": "c458971a5505c857bbb1f2d5d0b978a823099496b9e5f4cf03ceb2feece38c18", "author": "Codex, shared writer; not original model output", "fallback": true, "hook": "一整片青苔已经像睡着的巨兽背部一样缓慢起伏，小满掌心大小的脚印陷在它中央，边缘冒出一圈金色气泡。", "rule": "青苔的起伏来自泥下气泡；幻想光纹放大这种线索，人物只取需要的收获。", "shots": [ { "number": 1, "start": 0, "end": 1, "duration": 1, "beat": "惊奇：先看见不可能", "action": "一整片青苔已经像睡着的巨兽背部一样缓慢起伏，小满掌心大小的脚印陷在它中央，边缘冒出一圈金色气泡。", "camera": "24–35mm感中广景或前景近物后景巨物，保留明确大小参照；单一明确机位，不用无目标甩镜；异常动作在画面开始时已经发生。", "performance": "以本镜指定的人物/道具为中心，背景角色不抢动作。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "以潮声、湿泥轻响、旧木或黄铜触碰声中最贴合本镜道具的一声开场；配一个短低频脉冲，随即让出空间，不叠加尖叫。", "transition": "在异常动作最清楚的一刻硬切至下一镜指定动作或反应；不先放片名或黑屏。", "timing": "0.00–0.15秒直接展示钩子关键帧；0.15–0.70秒让异常动作继续；0.70–1.00秒用呼吸或微小停顿准备切入反应。" }, { "number": 2, "start": 1, "end": 4, "duration": 3, "beat": "好奇：理解人物的反应", "action": "海生用竹铲轻探边缘，青苔没有破裂；小满把耳朵靠近但不贴水，认真指向起伏最有规律的一点。", "camera": "50mm感的近景，机位降到孩子眼平，向前缓移约一个手掌距离。", "performance": "若小满在本镜入画，眼神先落在道具，再转向海生；若为纯道具镜，不额外挤入人脸。海生与孩子交流时保持相近眼平高度。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "保留孩子一次吸气和衣料轻摩擦，环境声变窄，音乐只留很轻的持续音。", "transition": "按人物视线切到问题或缺少之物，前一镜最后一声环境音延续约0.15秒。", "timing": "1–1.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 3, "start": 4, "end": 9, "duration": 5, "beat": "共情：显露一个小缺口", "action": "二狗把空篮摊给大家看，脸上满是急切；苏兰先扶住小满，再把竹篮放到不挡水流的石边。", "camera": "35mm感中景或中近景，交代角色、目标道具和可行动空间；保持眼线一致。", "performance": "让负责本镜行动的成人先动，孩子随后作出可见反应；避免所有人同时表演。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "空碗、空袋、脚步或木板声选本镜实际存在的一项放近；未出场物件不配声，避免声源误导。", "transition": "用逐渐靠近的风声/物件声引入下一镜；剪切前先让观众认清道具位置。", "timing": "4–5.25秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 4, "start": 9, "end": 15, "duration": 6, "beat": "紧张：让选择有代价", "action": "远处一串快速脚步逼近，青苔的呼吸节奏变乱，气泡突然停止；孩子抬手示意安静，神情由兴奋转为担忧。", "camera": "28mm感稍低机位，前景放障碍或关键道具，后景保留退路；缓慢推进，不乱晃。", "performance": "海生或苏兰承担保护动作，孩子的恐惧用呼吸与手指表现；二狗的夸张反应不压过危险信息。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "风与低频逐步增强，声音来自画面可解释方向；临近决定时收低，不盖过呼吸。", "transition": "在角色看向选择对象时切到手部，危险声短暂收低，突出决定。", "timing": "9–10.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 5, "start": 15, "end": 22, "duration": 7, "beat": "信任：人物主动做决定", "action": "海生收起大铲，只用小竹片掀开一角；小满用指尖比出很小的范围，二狗也把动作放轻。", "camera": "65–85mm感手部/道具插入镜头，焦点从指尖过渡到被选择的物件；只做一次明确动作。", "performance": "选择必须由清楚的手部动作落实；其余角色停住，给观众看懂选择的空间。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "对白：小满轻声说“轻一点，下面还有家。”；只配一次明确道具接触声。", "transition": "按动作方向匹配下一镜的变化，避免用白闪遮盖因果。", "timing": "15–16.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 6, "start": 22, "end": 30, "duration": 8, "beat": "释放：回报具有清楚因果", "action": "薄毯下面露出一窝蟹，大蟹把更小的蟹护在内侧；众人只收取外侧少量成熟蟹，留下幼蟹与完整水道。", "camera": "28–35mm感中广景，由关键道具向外缓慢拉开，完整看见变化及安全距离。", "performance": "先让道具/环境发生变化，再切或移到人物反应；变化只遵守本故事规则。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "潮声、湿泥轻响、旧木或黄铜触碰声随变化从密变疏，再进入温暖的两三个原创音符；不使用现成热门歌曲歌词。", "transition": "变化完成后停半拍再切脸部；环境音恢复，音乐只抬高一层。", "timing": "22–24.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 7, "start": 30, "end": 38, "duration": 8, "beat": "温暖：给表情留下时间", "action": "苏兰把青苔轻轻盖回，二狗看见篮里虽不满却足够，安心地笑；小满给泥洞留下一片湿叶作遮挡。", "camera": "50–65mm感面部近景，稳定机位，留出至少半秒无对白微表情。", "performance": "孩子的肩膀放松、视线愿意停留；成人以小动作回应，不用齐声大笑替代情绪。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "对白：二狗说“今天够吃，就够了。”；其余人用目光回应，留半秒安静。", "transition": "由人物最后的目光或手指引向收尾道具，暖光保持一致。", "timing": "30–32.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 8, "start": 38, "end": 44, "duration": 6, "beat": "余味：接回钩子并打开新可能", "action": "青苔恢复平稳呼吸，金色气泡组成一个短暂笑弧；最后一下起伏与第一秒衔接，保留被善待后的生命感。", "camera": "以本镜描述的收尾物件构图；最后的形状、光点或运动方向匹配开场关键元素。允许改变景别，但匹配关系必须清楚。", "performance": "人物保持结局得到的安全与关系；新的小悬念不撤销已经完成的情绪回报。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "取第一镜的同一种音色作为最后一个轻声提示，让尾音衔接循环；不突然加入无关轰鸣。", "transition": "最后0.3秒保留与开头相似的轮廓/音色，允许无缝循环；不加黑底强制点击卡。", "timing": "38–39.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" } ], "path": "creative/C050--density--400-gemma-prompt.txt", "text": "来源文件：raw-prompts/density--400-gemma-prompt.txt\n来源名称：ggml-org/gemma-3-4b-it-GGUF\n实际来源记录：density/400-gemma-prompt.json\n原文可用点：来自同一抽帧池的自动描述汇总。\n原文问题/边界：本次六份摘要均未忠实完成全片，包含循环、截断或识别噪声继承。\n转化方式：补救型二创：这份原文不能提供可靠完整故事。保留它作为能力比较证据，创作主线回到已核对的全片设定；不能把此处新脚本计为该来源成功理解了视频。\n本次选择的新故事：会呼吸的青苔毯。所有幻想事件都是二创，不用原文中的误识别冒充事实。\n\n《会呼吸的青苔毯》｜生态奇幻｜44秒完整剪辑稿\n\n制作目标：44秒，9:16竖屏，8个剪辑镜头，目标1080×1920、24fps。时间表是剪辑设计，不是任一平台API保证；按工具实际支持的片段长度生成，再裁切拼接。此处没有生成视频。\n视觉基调：架空旧式沿海村落，湿泥、粗布、旧木和黄铜具有可触摸的写实材质；幼童面部略带童话般大眼比例。灰蓝海水与褐色村屋为底，红发带是辨识点，幻想光源以局部金色/银色呈现。\n小满：幼童女孩，黑发双髻、左右各一条红发带、额头小红点；灰褐补丁粗布衣、布挎袋、旧布鞋。开场若用蓝披衣，则全片保持，除非镜头明确拍下脱衣。性格敏感、先看大人反应，再敢表达愿望。红点不是伤口，红发带不是红头发。\n海生：青年男性，凌乱黑发，旧蓝外衣、灰内衫、深裤；行动稳，保护孩子时先降到她的眼平高度，不以大喊替代关心。\n苏兰：成年女性，深发松束、灰褐无袖粗布上衣、简单项链与腕布；观察细节，负责托稳道具、递布或摆碗等具体照顾。\n二狗：青年男性，短黑发、橄榄绿外衣；提供轻微喜剧和观众反应，后半段愿意放慢动作参与帮助，不把他写成伤害孩子的反派。\n上述人物只在本镜明确指定时出现。群众只作远处模糊背景，不增加新主角。多人同框时优先保持海生在左、苏兰在后、二狗在右、小满在前中；若换位，用中广景交代，不瞬移。\n环境连续性：泥滩、浅水、旧船和村屋保持同一架空地点。海平线稳定。湿衣不会无故变干。室内暖色由船灯或灶火提供；室外变暖用云隙光或明确的幻想道具光解释，不让44秒凭空跨越数小时。\n人物表情与道具变化分开生成更易核对：每镜最多一个主要幻想动作，真实人物不随道具变形。以上服装、人物名和新动作均属本次二创设定，不声称模型从8帧恢复了全部身份。\n\n核心道具锁：青苔薄毯、浅泥洞、竹篮。先为本片制作一张统一道具参考图，记录缺口、锈斑、左右方向、尺寸；镜头之间沿用同一版本。\n\n本片新规则：青苔的起伏来自泥下气泡；幻想光纹放大这种线索，人物只取需要的收获。 此规则是新创作，不是原片事实。\n\n第一秒视觉钩子：一整片青苔已经像睡着的巨兽背部一样缓慢起伏，小满掌心大小的脚印陷在它中央，边缘冒出一圈金色气泡。\n\n目标情绪路径：惊奇 → 好奇 → 共情 → 紧张 → 信任 → 释放 → 温暖 → 余味。它是创作设计，不是已测得的观众留存数据。\n\n分镜与生成指令（逐镜生成，再按时间码剪辑；全局角色锁及规则与每一镜一起输入）：\n\n镜头01｜00–01秒｜1秒｜惊奇：先看见不可能\n画面与动作：一整片青苔已经像睡着的巨兽背部一样缓慢起伏，小满掌心大小的脚印陷在它中央，边缘冒出一圈金色气泡。\n动作节拍：0.00–0.15秒直接展示钩子关键帧；0.15–0.70秒让异常动作继续；0.70–1.00秒用呼吸或微小停顿准备切入反应。\n构图与镜头：24–35mm感中广景或前景近物后景巨物，保留明确大小参照；单一明确机位，不用无目标甩镜；异常动作在画面开始时已经发生。\n人物表演：以本镜指定的人物/道具为中心，背景角色不抢动作。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：以潮声、湿泥轻响、旧木或黄铜触碰声中最贴合本镜道具的一声开场；配一个短低频脉冲，随即让出空间，不叠加尖叫。\n衔接：在异常动作最清楚的一刻硬切至下一镜指定动作或反应；不先放片名或黑屏。\n\n镜头02｜01–04秒｜3秒｜好奇：理解人物的反应\n画面与动作：海生用竹铲轻探边缘，青苔没有破裂；小满把耳朵靠近但不贴水，认真指向起伏最有规律的一点。\n动作节拍：1–1.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：50mm感的近景，机位降到孩子眼平，向前缓移约一个手掌距离。\n人物表演：若小满在本镜入画，眼神先落在道具，再转向海生；若为纯道具镜，不额外挤入人脸。海生与孩子交流时保持相近眼平高度。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：保留孩子一次吸气和衣料轻摩擦，环境声变窄，音乐只留很轻的持续音。\n衔接：按人物视线切到问题或缺少之物，前一镜最后一声环境音延续约0.15秒。\n\n镜头03｜04–09秒｜5秒｜共情：显露一个小缺口\n画面与动作：二狗把空篮摊给大家看，脸上满是急切；苏兰先扶住小满，再把竹篮放到不挡水流的石边。\n动作节拍：4–5.25秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：35mm感中景或中近景，交代角色、目标道具和可行动空间；保持眼线一致。\n人物表演：让负责本镜行动的成人先动，孩子随后作出可见反应；避免所有人同时表演。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：空碗、空袋、脚步或木板声选本镜实际存在的一项放近；未出场物件不配声，避免声源误导。\n衔接：用逐渐靠近的风声/物件声引入下一镜；剪切前先让观众认清道具位置。\n\n镜头04｜09–15秒｜6秒｜紧张：让选择有代价\n画面与动作：远处一串快速脚步逼近，青苔的呼吸节奏变乱，气泡突然停止；孩子抬手示意安静，神情由兴奋转为担忧。\n动作节拍：9–10.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：28mm感稍低机位，前景放障碍或关键道具，后景保留退路；缓慢推进，不乱晃。\n人物表演：海生或苏兰承担保护动作，孩子的恐惧用呼吸与手指表现；二狗的夸张反应不压过危险信息。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：风与低频逐步增强，声音来自画面可解释方向；临近决定时收低，不盖过呼吸。\n衔接：在角色看向选择对象时切到手部，危险声短暂收低，突出决定。\n\n镜头05｜15–22秒｜7秒｜信任：人物主动做决定\n画面与动作：海生收起大铲，只用小竹片掀开一角；小满用指尖比出很小的范围，二狗也把动作放轻。\n动作节拍：15–16.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：65–85mm感手部/道具插入镜头，焦点从指尖过渡到被选择的物件；只做一次明确动作。\n人物表演：选择必须由清楚的手部动作落实；其余角色停住，给观众看懂选择的空间。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：对白：小满轻声说“轻一点，下面还有家。”；只配一次明确道具接触声。\n衔接：按动作方向匹配下一镜的变化，避免用白闪遮盖因果。\n\n镜头06｜22–30秒｜8秒｜释放：回报具有清楚因果\n画面与动作：薄毯下面露出一窝蟹，大蟹把更小的蟹护在内侧；众人只收取外侧少量成熟蟹，留下幼蟹与完整水道。\n动作节拍：22–24.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：28–35mm感中广景，由关键道具向外缓慢拉开，完整看见变化及安全距离。\n人物表演：先让道具/环境发生变化，再切或移到人物反应；变化只遵守本故事规则。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：潮声、湿泥轻响、旧木或黄铜触碰声随变化从密变疏，再进入温暖的两三个原创音符；不使用现成热门歌曲歌词。\n衔接：变化完成后停半拍再切脸部；环境音恢复，音乐只抬高一层。\n\n镜头07｜30–38秒｜8秒｜温暖：给表情留下时间\n画面与动作：苏兰把青苔轻轻盖回，二狗看见篮里虽不满却足够，安心地笑；小满给泥洞留下一片湿叶作遮挡。\n动作节拍：30–32.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：50–65mm感面部近景，稳定机位，留出至少半秒无对白微表情。\n人物表演：孩子的肩膀放松、视线愿意停留；成人以小动作回应，不用齐声大笑替代情绪。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：对白：二狗说“今天够吃，就够了。”；其余人用目光回应，留半秒安静。\n衔接：由人物最后的目光或手指引向收尾道具，暖光保持一致。\n\n镜头08｜38–44秒｜6秒｜余味：接回钩子并打开新可能\n画面与动作：青苔恢复平稳呼吸，金色气泡组成一个短暂笑弧；最后一下起伏与第一秒衔接，保留被善待后的生命感。\n动作节拍：38–39.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：以本镜描述的收尾物件构图；最后的形状、光点或运动方向匹配开场关键元素。允许改变景别，但匹配关系必须清楚。\n人物表演：人物保持结局得到的安全与关系；新的小悬念不撤销已经完成的情绪回报。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：取第一镜的同一种音色作为最后一个轻声提示，让尾音衔接循环；不突然加入无关轰鸣。\n衔接：最后0.3秒保留与开头相似的轮廓/音色，允许无缝循环；不加黑底强制点击卡。\n\n负向与连续性检查：不出现无依据的手机、枪械、医院、现代车辆、书上伪造大段文字、未经设计的影视角色或艺术家署名。保持双髻、红带、额头红点及四名主角身份；不多生手指、蟹腿，不让手与道具穿模，不把罗盘替换成怀表。道具在同一镜内不得随机换材质、数量、左右位置或开合状态。只允许故事规则指定的物件变化；儿童无血腥伤害。所有字幕、可读书名和界面文字后期添加，生成画面不带水印、伪字幕或推广尾卡。\n合成前逐镜核对：人物数与站坐姿；第一帧是否已有异常；动作起点/终点能否接上；道具尺寸是否受控；视线和海平线是否一致；每个回报能否追溯到前一镜的选择。未拍出因果时重做相关镜头，不能靠旁白掩盖。\n\n平台剪辑备选（不是平台时长限制，也不是热度保证）：\nTikTok测试版：保留0–1秒钩子，1–4秒加一行疑问字幕，22–30秒完整展示回报；可将4–9秒背景压成3秒，成片约42秒。\nInstagram Reels测试版：保持道具质感与暖光配色，前1秒无需读字即可理解异常；保留30–38秒表情停顿，以收尾道具作封面，主体仍44秒。\nYouTube Shorts测试版：保持44秒因果链，画外说明最多一句；最后0.3秒与开头形状/声响呼应，避免只留下未兑现的悬念。\n所有字幕建议单行、短句，放在人物面部与关键道具之外；先按实际播放器界面预览遮挡。\n\n可测试的两个开头：A使用第一镜的大/小、静/动反差；B保持同一异常事件，但从小满瞳孔或手中道具切入，再在0.6秒内露出尺度参照。只改变开头一项，其余剪辑保持一致；是否提高留存需要真实成片与实际观看数据，本任务未做此测试。" }, { "id": "C051", "title": "同一颗石头退了三次潮", "concept_id": "S35", "concept_index": 34, "version": 0, "genre": "循环悬疑", "duration_seconds": 44, "shot_count": 8, "source_id": "density--400-prompt", "source_name": "Qwen/Qwen3-0.6B", "category": "density", "source_path": "raw-prompts/density--400-prompt.txt", "source_record": "density/400-prompt.json", "source_paths": [ "raw-prompts/density--400-prompt.txt" ], "source_excerpt": "0.0s: A little girl sits on the beach with crabs. \n1.1s: A little girl plays with crabs on the beach. \n2.1s: A baby girl plays with a crab. \n3.1s: A little girl plays with crabs on the beach. \n4.2s: A little girl sits on the beach with a crab. \n5.2s: A little girl plays with crabs on the beach. \n6.3s: A man and a child play on the beach. \n7.3s: A man holds a child on the beach. \n8.4s: A screenshot of a black background with a white text: ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ` ", "source_review": { "strength": "来自同一抽帧池的自动描述汇总。", "issues": "本次六份摘要均未忠实完成全片，包含循环、截断或识别噪声继承。" }, "contribution": "补救型二创：这份原文不能提供可靠完整故事。保留它作为能力比较证据，创作主线回到已核对的全片设定；不能把此处新脚本计为该来源成功理解了视频。", "source_duplicate_of": null, "source_hash": "7fb366dadb79ea47136e9b72016d8d6ea7599fa6c1afba54696be9655039d94d", "body_hash": "371a960b3f4104d69c81aa654c7aafd00871eadc7f11356bc053a0e523accf0e", "author": "Codex, shared writer; not original model output", "fallback": true, "hook": "白纹石头已第三次从海生脚边滚回同一个泥洞，浪花也沿完全相同的弧线退去；小满的惊讶表情与上一轮残影错开半拍。", "rule": "同一段潮水最多重复三次；每次只有一处行动改变，最后选择帮助而非抢夺才能退出。", "shots": [ { "number": 1, "start": 0, "end": 1, "duration": 1, "beat": "惊奇：先看见不可能", "action": "白纹石头已第三次从海生脚边滚回同一个泥洞，浪花也沿完全相同的弧线退去；小满的惊讶表情与上一轮残影错开半拍。", "camera": "24–35mm感中广景或前景近物后景巨物，保留明确大小参照；单一明确机位，不用无目标甩镜；异常动作在画面开始时已经发生。", "performance": "以本镜指定的人物/道具为中心，背景角色不抢动作。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "以潮声、湿泥轻响、旧木或黄铜触碰声中最贴合本镜道具的一声开场；配一个短低频脉冲，随即让出空间，不叠加尖叫。", "transition": "在异常动作最清楚的一刻硬切至下一镜指定动作或反应；不先放片名或黑屏。", "timing": "0.00–0.15秒直接展示钩子关键帧；0.15–0.70秒让异常动作继续；0.70–1.00秒用呼吸或微小停顿准备切入反应。" }, { "number": 2, "start": 1, "end": 4, "duration": 3, "beat": "好奇：理解人物的反应", "action": "她用红布在石头旁做标记，二狗伸手捡石，浪又把他的手推回原位；同一声木桶响再次出现，建立明确循环。", "camera": "50mm感的近景，机位降到孩子眼平，向前缓移约一个手掌距离。", "performance": "若小满在本镜入画，眼神先落在道具，再转向海生；若为纯道具镜，不额外挤入人脸。海生与孩子交流时保持相近眼平高度。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "保留孩子一次吸气和衣料轻摩擦，环境声变窄，音乐只留很轻的持续音。", "transition": "按人物视线切到问题或缺少之物，前一镜最后一声环境音延续约0.15秒。", "timing": "1–1.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 3, "start": 4, "end": 9, "duration": 5, "beat": "共情：显露一个小缺口", "action": "第二轮短插入展示二狗急抢发光贝壳，海生追着粮袋跑，小满被落在后面；三人各追目标，谁也没等谁。", "camera": "35mm感中景或中近景，交代角色、目标道具和可行动空间；保持眼线一致。", "performance": "让负责本镜行动的成人先动，孩子随后作出可见反应；避免所有人同时表演。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "空碗、空袋、脚步或木板声选本镜实际存在的一项放近；未出场物件不配声，避免声源误导。", "transition": "用逐渐靠近的风声/物件声引入下一镜；剪切前先让观众认清道具位置。", "timing": "4–5.25秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 4, "start": 9, "end": 15, "duration": 6, "beat": "紧张：让选择有代价", "action": "第三次浪线逼近，红布开始松动，小满伸出的手无人握住；时间只留一轮，小石头在洞口摇摇欲落。", "camera": "28mm感稍低机位，前景放障碍或关键道具，后景保留退路；缓慢推进，不乱晃。", "performance": "海生或苏兰承担保护动作，孩子的恐惧用呼吸与手指表现；二狗的夸张反应不压过危险信息。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "风与低频逐步增强，声音来自画面可解释方向；临近决定时收低，不盖过呼吸。", "transition": "在角色看向选择对象时切到手部，危险声短暂收低，突出决定。", "timing": "9–10.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 5, "start": 15, "end": 22, "duration": 7, "beat": "信任：人物主动做决定", "action": "海生不再追粮袋，转身握住小满，再叫二狗停下；苏兰把红布压稳，四个人第一次站到同一条线上。", "camera": "65–85mm感手部/道具插入镜头，焦点从指尖过渡到被选择的物件；只做一次明确动作。", "performance": "选择必须由清楚的手部动作落实；其余角色停住，给观众看懂选择的空间。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "对白：小满轻声说“这一次，先拉住我。”；只配一次明确道具接触声。", "transition": "按动作方向匹配下一镜的变化，避免用白闪遮盖因果。", "timing": "15–16.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 6, "start": 22, "end": 30, "duration": 8, "beat": "释放：回报具有清楚因果", "action": "石头越过原先的停点，滚向新的浅路；浪声终于改变，循环结束，粮袋顺着正常水流停在近岸。", "camera": "28–35mm感中广景，由关键道具向外缓慢拉开，完整看见变化及安全距离。", "performance": "先让道具/环境发生变化，再切或移到人物反应；变化只遵守本故事规则。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "潮声、湿泥轻响、旧木或黄铜触碰声随变化从密变疏，再进入温暖的两三个原创音符；不使用现成热门歌曲歌词。", "transition": "变化完成后停半拍再切脸部；环境音恢复，音乐只抬高一层。", "timing": "22–24.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 7, "start": 30, "end": 38, "duration": 8, "beat": "温暖：给表情留下时间", "action": "小满捡起白纹石头交给海生，四人一起走而不是各自奔跑；二狗故意踩出一个不同节拍，确认时间真的继续。", "camera": "35mm感桌边或岸边中景，先交代所有本镜角色，再缓慢靠近小满的表情；不在同一镜里把人数和座位改掉。", "performance": "孩子的肩膀放松、视线愿意停留；成人以小动作回应，不用齐声大笑替代情绪。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "对白：海生说“我们终于往前走了。”；其余人用目光回应，留半秒安静。", "transition": "由人物最后的目光或手指引向收尾道具，暖光保持一致。", "timing": "30–32.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 8, "start": 38, "end": 44, "duration": 6, "beat": "余味：接回钩子并打开新可能", "action": "石头被放到窗台，水杯里一圈涟漪像旧浪线；最后只重复一次很轻的桶响，作为观众能辨认的循环签名。", "camera": "以本镜描述的收尾物件构图；最后的形状、光点或运动方向匹配开场关键元素。允许改变景别，但匹配关系必须清楚。", "performance": "人物保持结局得到的安全与关系；新的小悬念不撤销已经完成的情绪回报。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "取第一镜的同一种音色作为最后一个轻声提示，让尾音衔接循环；不突然加入无关轰鸣。", "transition": "最后0.3秒保留与开头相似的轮廓/音色，允许无缝循环；不加黑底强制点击卡。", "timing": "38–39.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" } ], "path": "creative/C051--density--400-prompt.txt", "text": "来源文件：raw-prompts/density--400-prompt.txt\n来源名称：Qwen/Qwen3-0.6B\n实际来源记录：density/400-prompt.json\n原文可用点：来自同一抽帧池的自动描述汇总。\n原文问题/边界：本次六份摘要均未忠实完成全片，包含循环、截断或识别噪声继承。\n转化方式：补救型二创：这份原文不能提供可靠完整故事。保留它作为能力比较证据，创作主线回到已核对的全片设定；不能把此处新脚本计为该来源成功理解了视频。\n本次选择的新故事：同一颗石头退了三次潮。所有幻想事件都是二创，不用原文中的误识别冒充事实。\n\n《同一颗石头退了三次潮》｜循环悬疑｜44秒完整剪辑稿\n\n制作目标：44秒，9:16竖屏，8个剪辑镜头，目标1080×1920、24fps。时间表是剪辑设计，不是任一平台API保证；按工具实际支持的片段长度生成，再裁切拼接。此处没有生成视频。\n视觉基调：架空旧式沿海村落，湿泥、粗布、旧木和黄铜具有可触摸的写实材质；幼童面部略带童话般大眼比例。灰蓝海水与褐色村屋为底，红发带是辨识点，幻想光源以局部金色/银色呈现。\n小满：幼童女孩，黑发双髻、左右各一条红发带、额头小红点；灰褐补丁粗布衣、布挎袋、旧布鞋。开场若用蓝披衣，则全片保持，除非镜头明确拍下脱衣。性格敏感、先看大人反应，再敢表达愿望。红点不是伤口，红发带不是红头发。\n海生：青年男性，凌乱黑发，旧蓝外衣、灰内衫、深裤；行动稳，保护孩子时先降到她的眼平高度，不以大喊替代关心。\n苏兰：成年女性，深发松束、灰褐无袖粗布上衣、简单项链与腕布；观察细节，负责托稳道具、递布或摆碗等具体照顾。\n二狗：青年男性，短黑发、橄榄绿外衣；提供轻微喜剧和观众反应，后半段愿意放慢动作参与帮助，不把他写成伤害孩子的反派。\n上述人物只在本镜明确指定时出现。群众只作远处模糊背景，不增加新主角。多人同框时优先保持海生在左、苏兰在后、二狗在右、小满在前中；若换位，用中广景交代，不瞬移。\n环境连续性：泥滩、浅水、旧船和村屋保持同一架空地点。海平线稳定。湿衣不会无故变干。室内暖色由船灯或灶火提供；室外变暖用云隙光或明确的幻想道具光解释，不让44秒凭空跨越数小时。\n人物表情与道具变化分开生成更易核对：每镜最多一个主要幻想动作，真实人物不随道具变形。以上服装、人物名和新动作均属本次二创设定，不声称模型从8帧恢复了全部身份。\n\n核心道具锁：白纹小石头、三次相同浪线、红布标记。先为本片制作一张统一道具参考图，记录缺口、锈斑、左右方向、尺寸；镜头之间沿用同一版本。\n\n本片新规则：同一段潮水最多重复三次；每次只有一处行动改变，最后选择帮助而非抢夺才能退出。 此规则是新创作，不是原片事实。\n\n第一秒视觉钩子：白纹石头已第三次从海生脚边滚回同一个泥洞，浪花也沿完全相同的弧线退去；小满的惊讶表情与上一轮残影错开半拍。\n\n目标情绪路径：惊奇 → 好奇 → 共情 → 紧张 → 信任 → 释放 → 温暖 → 余味。它是创作设计，不是已测得的观众留存数据。\n\n分镜与生成指令（逐镜生成，再按时间码剪辑；全局角色锁及规则与每一镜一起输入）：\n\n镜头01｜00–01秒｜1秒｜惊奇：先看见不可能\n画面与动作：白纹石头已第三次从海生脚边滚回同一个泥洞，浪花也沿完全相同的弧线退去；小满的惊讶表情与上一轮残影错开半拍。\n动作节拍：0.00–0.15秒直接展示钩子关键帧；0.15–0.70秒让异常动作继续；0.70–1.00秒用呼吸或微小停顿准备切入反应。\n构图与镜头：24–35mm感中广景或前景近物后景巨物，保留明确大小参照；单一明确机位，不用无目标甩镜；异常动作在画面开始时已经发生。\n人物表演：以本镜指定的人物/道具为中心，背景角色不抢动作。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：以潮声、湿泥轻响、旧木或黄铜触碰声中最贴合本镜道具的一声开场；配一个短低频脉冲，随即让出空间，不叠加尖叫。\n衔接：在异常动作最清楚的一刻硬切至下一镜指定动作或反应；不先放片名或黑屏。\n\n镜头02｜01–04秒｜3秒｜好奇：理解人物的反应\n画面与动作：她用红布在石头旁做标记，二狗伸手捡石，浪又把他的手推回原位；同一声木桶响再次出现，建立明确循环。\n动作节拍：1–1.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：50mm感的近景，机位降到孩子眼平，向前缓移约一个手掌距离。\n人物表演：若小满在本镜入画，眼神先落在道具，再转向海生；若为纯道具镜，不额外挤入人脸。海生与孩子交流时保持相近眼平高度。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：保留孩子一次吸气和衣料轻摩擦，环境声变窄，音乐只留很轻的持续音。\n衔接：按人物视线切到问题或缺少之物，前一镜最后一声环境音延续约0.15秒。\n\n镜头03｜04–09秒｜5秒｜共情：显露一个小缺口\n画面与动作：第二轮短插入展示二狗急抢发光贝壳，海生追着粮袋跑，小满被落在后面；三人各追目标，谁也没等谁。\n动作节拍：4–5.25秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：35mm感中景或中近景，交代角色、目标道具和可行动空间；保持眼线一致。\n人物表演：让负责本镜行动的成人先动，孩子随后作出可见反应；避免所有人同时表演。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：空碗、空袋、脚步或木板声选本镜实际存在的一项放近；未出场物件不配声，避免声源误导。\n衔接：用逐渐靠近的风声/物件声引入下一镜；剪切前先让观众认清道具位置。\n\n镜头04｜09–15秒｜6秒｜紧张：让选择有代价\n画面与动作：第三次浪线逼近，红布开始松动，小满伸出的手无人握住；时间只留一轮，小石头在洞口摇摇欲落。\n动作节拍：9–10.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：28mm感稍低机位，前景放障碍或关键道具，后景保留退路；缓慢推进，不乱晃。\n人物表演：海生或苏兰承担保护动作，孩子的恐惧用呼吸与手指表现；二狗的夸张反应不压过危险信息。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：风与低频逐步增强，声音来自画面可解释方向；临近决定时收低，不盖过呼吸。\n衔接：在角色看向选择对象时切到手部，危险声短暂收低，突出决定。\n\n镜头05｜15–22秒｜7秒｜信任：人物主动做决定\n画面与动作：海生不再追粮袋，转身握住小满，再叫二狗停下；苏兰把红布压稳，四个人第一次站到同一条线上。\n动作节拍：15–16.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：65–85mm感手部/道具插入镜头，焦点从指尖过渡到被选择的物件；只做一次明确动作。\n人物表演：选择必须由清楚的手部动作落实；其余角色停住，给观众看懂选择的空间。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：对白：小满轻声说“这一次，先拉住我。”；只配一次明确道具接触声。\n衔接：按动作方向匹配下一镜的变化，避免用白闪遮盖因果。\n\n镜头06｜22–30秒｜8秒｜释放：回报具有清楚因果\n画面与动作：石头越过原先的停点，滚向新的浅路；浪声终于改变，循环结束，粮袋顺着正常水流停在近岸。\n动作节拍：22–24.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：28–35mm感中广景，由关键道具向外缓慢拉开，完整看见变化及安全距离。\n人物表演：先让道具/环境发生变化，再切或移到人物反应；变化只遵守本故事规则。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：潮声、湿泥轻响、旧木或黄铜触碰声随变化从密变疏，再进入温暖的两三个原创音符；不使用现成热门歌曲歌词。\n衔接：变化完成后停半拍再切脸部；环境音恢复，音乐只抬高一层。\n\n镜头07｜30–38秒｜8秒｜温暖：给表情留下时间\n画面与动作：小满捡起白纹石头交给海生，四人一起走而不是各自奔跑；二狗故意踩出一个不同节拍，确认时间真的继续。\n动作节拍：30–32.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：35mm感桌边或岸边中景，先交代所有本镜角色，再缓慢靠近小满的表情；不在同一镜里把人数和座位改掉。\n人物表演：孩子的肩膀放松、视线愿意停留；成人以小动作回应，不用齐声大笑替代情绪。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：对白：海生说“我们终于往前走了。”；其余人用目光回应，留半秒安静。\n衔接：由人物最后的目光或手指引向收尾道具，暖光保持一致。\n\n镜头08｜38–44秒｜6秒｜余味：接回钩子并打开新可能\n画面与动作：石头被放到窗台，水杯里一圈涟漪像旧浪线；最后只重复一次很轻的桶响，作为观众能辨认的循环签名。\n动作节拍：38–39.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：以本镜描述的收尾物件构图；最后的形状、光点或运动方向匹配开场关键元素。允许改变景别，但匹配关系必须清楚。\n人物表演：人物保持结局得到的安全与关系；新的小悬念不撤销已经完成的情绪回报。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：取第一镜的同一种音色作为最后一个轻声提示，让尾音衔接循环；不突然加入无关轰鸣。\n衔接：最后0.3秒保留与开头相似的轮廓/音色，允许无缝循环；不加黑底强制点击卡。\n\n负向与连续性检查：不出现无依据的手机、枪械、医院、现代车辆、书上伪造大段文字、未经设计的影视角色或艺术家署名。保持双髻、红带、额头红点及四名主角身份；不多生手指、蟹腿，不让手与道具穿模，不把罗盘替换成怀表。道具在同一镜内不得随机换材质、数量、左右位置或开合状态。只允许故事规则指定的物件变化；儿童无血腥伤害。所有字幕、可读书名和界面文字后期添加，生成画面不带水印、伪字幕或推广尾卡。\n合成前逐镜核对：人物数与站坐姿；第一帧是否已有异常；动作起点/终点能否接上；道具尺寸是否受控；视线和海平线是否一致；每个回报能否追溯到前一镜的选择。未拍出因果时重做相关镜头，不能靠旁白掩盖。\n\n平台剪辑备选（不是平台时长限制，也不是热度保证）：\nTikTok测试版：保留0–1秒钩子，1–4秒加一行疑问字幕，22–30秒完整展示回报；可将4–9秒背景压成3秒，成片约42秒。\nInstagram Reels测试版：保持道具质感与暖光配色，前1秒无需读字即可理解异常；保留30–38秒表情停顿，以收尾道具作封面，主体仍44秒。\nYouTube Shorts测试版：保持44秒因果链，画外说明最多一句；最后0.3秒与开头形状/声响呼应，避免只留下未兑现的悬念。\n所有字幕建议单行、短句，放在人物面部与关键道具之外；先按实际播放器界面预览遮挡。\n\n可测试的两个开头：A使用第一镜的大/小、静/动反差；B保持同一异常事件，但从小满瞳孔或手中道具切入，再在0.6秒内露出尺度参照。只改变开头一项，其余剪辑保持一致；是否提高留存需要真实成片与实际观看数据，本任务未做此测试。" }, { "id": "C052", "title": "海平面倒过来的三秒", "concept_id": "S34", "concept_index": 33, "version": 0, "genre": "视错觉奇观", "duration_seconds": 44, "shot_count": 8, "source_id": "density--84-gemma-prompt", "source_name": "ggml-org/gemma-3-4b-it-GGUF", "category": "density", "source_path": "raw-prompts/density--84-gemma-prompt.txt", "source_record": "density/84-gemma-prompt.json", "source_paths": [ "raw-prompts/density--84-gemma-prompt.txt" ], "source_excerpt": "Generate a video depicting a family’s journey, beginning with a little girl playing with crabs on a beach. The scene shifts to a man holding a baby, followed by a man and woman playing with the child. Subsequent scenes show a boat on the ocean, a little girl in a red headband and black jacket, and interactions involving a person holding a bird and a woman and child eating together. \n\nThe video progresses with scenes of a boat ride, a man and woman sitting on a boat, and a man standing on a boat. Recurring elements include a little girl, a man holding a child, and a woman holding a baby. Later", "source_review": { "strength": "来自同一抽帧池的自动描述汇总。", "issues": "本次六份摘要均未忠实完成全片，包含循环、截断或识别噪声继承。" }, "contribution": "补救型二创：这份原文不能提供可靠完整故事。保留它作为能力比较证据，创作主线回到已核对的全片设定；不能把此处新脚本计为该来源成功理解了视频。", "source_duplicate_of": null, "source_hash": "1595176bd644b7d41abd6e303a86d521dfc1854eb3591ed78b1557eda681f625", "body_hash": "959a9abf2ee3e5b60fb2d72acf8acac3fffd754550bb953fa909939043d825c1", "author": "Codex, shared writer; not original model output", "fallback": true, "hook": "整片海已经悬在四个人头顶，木船倒着从天空滑过；小满的红发带向上飘，画面看似失重，却留着脚边稳定石头。", "rule": "只有倒影世界颠倒，真实岸边保持稳定；反转揭示必须让观众看懂空间关系。", "shots": [ { "number": 1, "start": 0, "end": 1, "duration": 1, "beat": "惊奇：先看见不可能", "action": "整片海已经悬在四个人头顶，木船倒着从天空滑过；小满的红发带向上飘，画面看似失重，却留着脚边稳定石头。", "camera": "24mm感中广景，四名人物与其水面倒影同时清楚入画；水面占下半部，人物不互相遮挡，稳定机位让空间异常可以一眼辨认。", "performance": "以本镜指定的人物/道具为中心，背景角色不抢动作。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "以潮声、湿泥轻响、旧木或黄铜触碰声中最贴合本镜道具的一声开场；配一个短低频脉冲，随即让出空间，不叠加尖叫。", "transition": "在异常动作最清楚的一刻硬切至下一镜指定动作或反应；不先放片名或黑屏。", "timing": "0.00–0.15秒直接展示钩子关键帧；0.15–0.70秒让异常动作继续；0.70–1.00秒用呼吸或微小停顿准备切入反应。" }, { "number": 2, "start": 1, "end": 4, "duration": 3, "beat": "好奇：理解人物的反应", "action": "二狗抬头惊叫，海生却先握住孩子的手；小满注意到他们头顶的船与脚下倒影完全同步，眼神由怕转疑惑。", "camera": "50mm感的近景，机位降到孩子眼平，向前缓移约一个手掌距离。", "performance": "若小满在本镜入画，眼神先落在道具，再转向海生；若为纯道具镜，不额外挤入人脸。海生与孩子交流时保持相近眼平高度。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "保留孩子一次吸气和衣料轻摩擦，环境声变窄，音乐只留很轻的持续音。", "transition": "按人物视线切到问题或缺少之物，前一镜最后一声环境音延续约0.15秒。", "timing": "1–1.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 3, "start": 4, "end": 9, "duration": 5, "beat": "共情：显露一个小缺口", "action": "苏兰把空碗放到浅水里，碗影像月亮落进天空；二狗越躲越乱，误把自己的倒影当成另一个人。", "camera": "35mm感中景或中近景，交代角色、目标道具和可行动空间；保持眼线一致。", "performance": "让负责本镜行动的成人先动，孩子随后作出可见反应；避免所有人同时表演。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "空碗、空袋、脚步或木板声选本镜实际存在的一项放近；未出场物件不配声，避免声源误导。", "transition": "用逐渐靠近的风声/物件声引入下一镜；剪切前先让观众认清道具位置。", "timing": "4–5.25秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 4, "start": 9, "end": 15, "duration": 6, "beat": "紧张：让选择有代价", "action": "一滴水落下，天空海面碎成巨大波纹，船影瞬间消失；小满迅速指向脚下，示意大家保持不动。", "camera": "28mm感稍低机位，前景放障碍或关键道具，后景保留退路；缓慢推进，不乱晃。", "performance": "海生或苏兰承担保护动作，孩子的恐惧用呼吸与手指表现；二狗的夸张反应不压过危险信息。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "风与低频逐步增强，声音来自画面可解释方向；临近决定时收低，不盖过呼吸。", "transition": "在角色看向选择对象时切到手部，危险声短暂收低，突出决定。", "timing": "9–10.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 5, "start": 15, "end": 22, "duration": 7, "beat": "信任：人物主动做决定", "action": "海生蹲下把镜头前的薄水镜轻轻拨开，小满站在他身后；镜头顺势翻回正常地平线，揭示刚才通过倒影观看。", "camera": "65–85mm感手部/道具插入镜头，焦点从指尖过渡到被选择的物件；只做一次明确动作。", "performance": "选择必须由清楚的手部动作落实；其余角色停住，给观众看懂选择的空间。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "对白：小满轻声说“别抬头，看看脚下。”；只配一次明确道具接触声。", "transition": "按动作方向匹配下一镜的变化，避免用白闪遮盖因果。", "timing": "15–16.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 6, "start": 22, "end": 30, "duration": 8, "beat": "释放：回报具有清楚因果", "action": "真实世界始终安全，旧船就在浅水边，所谓天空海洋只是一层奇幻水镜；二狗发现自己抱紧的是空筐。", "camera": "28–35mm感中广景，由关键道具向外缓慢拉开，完整看见变化及安全距离。", "performance": "先让道具/环境发生变化，再切或移到人物反应；变化只遵守本故事规则。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "潮声、湿泥轻响、旧木或黄铜触碰声随变化从密变疏，再进入温暖的两三个原创音符；不使用现成热门歌曲歌词。", "transition": "变化完成后停半拍再切脸部；环境音恢复，音乐只抬高一层。", "timing": "22–24.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 7, "start": 30, "end": 38, "duration": 8, "beat": "温暖：给表情留下时间", "action": "小满笑着用碗再造一个小倒影，海生配合做出倒着走的手指小人；惊吓变成一家人的小游戏。", "camera": "35mm感桌边或岸边中景，先交代所有本镜角色，再缓慢靠近小满的表情；不在同一镜里把人数和座位改掉。", "performance": "孩子的肩膀放松、视线愿意停留；成人以小动作回应，不用齐声大笑替代情绪。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "对白：海生说“原来我们一直在岸上。”；其余人用目光回应，留半秒安静。", "transition": "由人物最后的目光或手指引向收尾道具，暖光保持一致。", "timing": "30–32.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 8, "start": 38, "end": 44, "duration": 6, "beat": "余味：接回钩子并打开新可能", "action": "镜头贴近碗内水面，四人再次倒悬在小小天空里；画面回到开头的颠倒构图，但观众已知道其中秘密。", "camera": "以本镜描述的收尾物件构图；最后的形状、光点或运动方向匹配开场关键元素。允许改变景别，但匹配关系必须清楚。", "performance": "人物保持结局得到的安全与关系；新的小悬念不撤销已经完成的情绪回报。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "取第一镜的同一种音色作为最后一个轻声提示，让尾音衔接循环；不突然加入无关轰鸣。", "transition": "最后0.3秒保留与开头相似的轮廓/音色，允许无缝循环；不加黑底强制点击卡。", "timing": "38–39.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" } ], "path": "creative/C052--density--84-gemma-prompt.txt", "text": "来源文件：raw-prompts/density--84-gemma-prompt.txt\n来源名称：ggml-org/gemma-3-4b-it-GGUF\n实际来源记录：density/84-gemma-prompt.json\n原文可用点：来自同一抽帧池的自动描述汇总。\n原文问题/边界：本次六份摘要均未忠实完成全片，包含循环、截断或识别噪声继承。\n转化方式：补救型二创：这份原文不能提供可靠完整故事。保留它作为能力比较证据，创作主线回到已核对的全片设定；不能把此处新脚本计为该来源成功理解了视频。\n本次选择的新故事：海平面倒过来的三秒。所有幻想事件都是二创，不用原文中的误识别冒充事实。\n\n《海平面倒过来的三秒》｜视错觉奇观｜44秒完整剪辑稿\n\n制作目标：44秒，9:16竖屏，8个剪辑镜头，目标1080×1920、24fps。时间表是剪辑设计，不是任一平台API保证；按工具实际支持的片段长度生成，再裁切拼接。此处没有生成视频。\n视觉基调：架空旧式沿海村落，湿泥、粗布、旧木和黄铜具有可触摸的写实材质；幼童面部略带童话般大眼比例。灰蓝海水与褐色村屋为底，红发带是辨识点，幻想光源以局部金色/银色呈现。\n小满：幼童女孩，黑发双髻、左右各一条红发带、额头小红点；灰褐补丁粗布衣、布挎袋、旧布鞋。开场若用蓝披衣，则全片保持，除非镜头明确拍下脱衣。性格敏感、先看大人反应，再敢表达愿望。红点不是伤口，红发带不是红头发。\n海生：青年男性，凌乱黑发，旧蓝外衣、灰内衫、深裤；行动稳，保护孩子时先降到她的眼平高度，不以大喊替代关心。\n苏兰：成年女性，深发松束、灰褐无袖粗布上衣、简单项链与腕布；观察细节，负责托稳道具、递布或摆碗等具体照顾。\n二狗：青年男性，短黑发、橄榄绿外衣；提供轻微喜剧和观众反应，后半段愿意放慢动作参与帮助，不把他写成伤害孩子的反派。\n上述人物只在本镜明确指定时出现。群众只作远处模糊背景，不增加新主角。多人同框时优先保持海生在左、苏兰在后、二狗在右、小满在前中；若换位，用中广景交代，不瞬移。\n环境连续性：泥滩、浅水、旧船和村屋保持同一架空地点。海平线稳定。湿衣不会无故变干。室内暖色由船灯或灶火提供；室外变暖用云隙光或明确的幻想道具光解释，不让44秒凭空跨越数小时。\n人物表情与道具变化分开生成更易核对：每镜最多一个主要幻想动作，真实人物不随道具变形。以上服装、人物名和新动作均属本次二创设定，不声称模型从8帧恢复了全部身份。\n\n核心道具锁：倒悬海面、浅水倒影、木船。先为本片制作一张统一道具参考图，记录缺口、锈斑、左右方向、尺寸；镜头之间沿用同一版本。\n\n本片新规则：只有倒影世界颠倒，真实岸边保持稳定；反转揭示必须让观众看懂空间关系。 此规则是新创作，不是原片事实。\n\n第一秒视觉钩子：整片海已经悬在四个人头顶，木船倒着从天空滑过；小满的红发带向上飘，画面看似失重，却留着脚边稳定石头。\n\n目标情绪路径：惊奇 → 好奇 → 共情 → 紧张 → 信任 → 释放 → 温暖 → 余味。它是创作设计，不是已测得的观众留存数据。\n\n分镜与生成指令（逐镜生成，再按时间码剪辑；全局角色锁及规则与每一镜一起输入）：\n\n镜头01｜00–01秒｜1秒｜惊奇：先看见不可能\n画面与动作：整片海已经悬在四个人头顶，木船倒着从天空滑过；小满的红发带向上飘，画面看似失重，却留着脚边稳定石头。\n动作节拍：0.00–0.15秒直接展示钩子关键帧；0.15–0.70秒让异常动作继续；0.70–1.00秒用呼吸或微小停顿准备切入反应。\n构图与镜头：24mm感中广景，四名人物与其水面倒影同时清楚入画；水面占下半部，人物不互相遮挡，稳定机位让空间异常可以一眼辨认。\n人物表演：以本镜指定的人物/道具为中心，背景角色不抢动作。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：以潮声、湿泥轻响、旧木或黄铜触碰声中最贴合本镜道具的一声开场；配一个短低频脉冲，随即让出空间，不叠加尖叫。\n衔接：在异常动作最清楚的一刻硬切至下一镜指定动作或反应；不先放片名或黑屏。\n\n镜头02｜01–04秒｜3秒｜好奇：理解人物的反应\n画面与动作：二狗抬头惊叫，海生却先握住孩子的手；小满注意到他们头顶的船与脚下倒影完全同步，眼神由怕转疑惑。\n动作节拍：1–1.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：50mm感的近景，机位降到孩子眼平，向前缓移约一个手掌距离。\n人物表演：若小满在本镜入画，眼神先落在道具，再转向海生；若为纯道具镜，不额外挤入人脸。海生与孩子交流时保持相近眼平高度。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：保留孩子一次吸气和衣料轻摩擦，环境声变窄，音乐只留很轻的持续音。\n衔接：按人物视线切到问题或缺少之物，前一镜最后一声环境音延续约0.15秒。\n\n镜头03｜04–09秒｜5秒｜共情：显露一个小缺口\n画面与动作：苏兰把空碗放到浅水里，碗影像月亮落进天空；二狗越躲越乱，误把自己的倒影当成另一个人。\n动作节拍：4–5.25秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：35mm感中景或中近景，交代角色、目标道具和可行动空间；保持眼线一致。\n人物表演：让负责本镜行动的成人先动，孩子随后作出可见反应；避免所有人同时表演。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：空碗、空袋、脚步或木板声选本镜实际存在的一项放近；未出场物件不配声，避免声源误导。\n衔接：用逐渐靠近的风声/物件声引入下一镜；剪切前先让观众认清道具位置。\n\n镜头04｜09–15秒｜6秒｜紧张：让选择有代价\n画面与动作：一滴水落下，天空海面碎成巨大波纹，船影瞬间消失；小满迅速指向脚下，示意大家保持不动。\n动作节拍：9–10.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：28mm感稍低机位，前景放障碍或关键道具，后景保留退路；缓慢推进，不乱晃。\n人物表演：海生或苏兰承担保护动作，孩子的恐惧用呼吸与手指表现；二狗的夸张反应不压过危险信息。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：风与低频逐步增强，声音来自画面可解释方向；临近决定时收低，不盖过呼吸。\n衔接：在角色看向选择对象时切到手部，危险声短暂收低，突出决定。\n\n镜头05｜15–22秒｜7秒｜信任：人物主动做决定\n画面与动作：海生蹲下把镜头前的薄水镜轻轻拨开，小满站在他身后；镜头顺势翻回正常地平线，揭示刚才通过倒影观看。\n动作节拍：15–16.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：65–85mm感手部/道具插入镜头，焦点从指尖过渡到被选择的物件；只做一次明确动作。\n人物表演：选择必须由清楚的手部动作落实；其余角色停住，给观众看懂选择的空间。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：对白：小满轻声说“别抬头，看看脚下。”；只配一次明确道具接触声。\n衔接：按动作方向匹配下一镜的变化，避免用白闪遮盖因果。\n\n镜头06｜22–30秒｜8秒｜释放：回报具有清楚因果\n画面与动作：真实世界始终安全，旧船就在浅水边，所谓天空海洋只是一层奇幻水镜；二狗发现自己抱紧的是空筐。\n动作节拍：22–24.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：28–35mm感中广景，由关键道具向外缓慢拉开，完整看见变化及安全距离。\n人物表演：先让道具/环境发生变化，再切或移到人物反应；变化只遵守本故事规则。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：潮声、湿泥轻响、旧木或黄铜触碰声随变化从密变疏，再进入温暖的两三个原创音符；不使用现成热门歌曲歌词。\n衔接：变化完成后停半拍再切脸部；环境音恢复，音乐只抬高一层。\n\n镜头07｜30–38秒｜8秒｜温暖：给表情留下时间\n画面与动作：小满笑着用碗再造一个小倒影，海生配合做出倒着走的手指小人；惊吓变成一家人的小游戏。\n动作节拍：30–32.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：35mm感桌边或岸边中景，先交代所有本镜角色，再缓慢靠近小满的表情；不在同一镜里把人数和座位改掉。\n人物表演：孩子的肩膀放松、视线愿意停留；成人以小动作回应，不用齐声大笑替代情绪。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：对白：海生说“原来我们一直在岸上。”；其余人用目光回应，留半秒安静。\n衔接：由人物最后的目光或手指引向收尾道具，暖光保持一致。\n\n镜头08｜38–44秒｜6秒｜余味：接回钩子并打开新可能\n画面与动作：镜头贴近碗内水面，四人再次倒悬在小小天空里；画面回到开头的颠倒构图，但观众已知道其中秘密。\n动作节拍：38–39.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：以本镜描述的收尾物件构图；最后的形状、光点或运动方向匹配开场关键元素。允许改变景别，但匹配关系必须清楚。\n人物表演：人物保持结局得到的安全与关系；新的小悬念不撤销已经完成的情绪回报。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：取第一镜的同一种音色作为最后一个轻声提示，让尾音衔接循环；不突然加入无关轰鸣。\n衔接：最后0.3秒保留与开头相似的轮廓/音色，允许无缝循环；不加黑底强制点击卡。\n\n负向与连续性检查：不出现无依据的手机、枪械、医院、现代车辆、书上伪造大段文字、未经设计的影视角色或艺术家署名。保持双髻、红带、额头红点及四名主角身份；不多生手指、蟹腿，不让手与道具穿模，不把罗盘替换成怀表。道具在同一镜内不得随机换材质、数量、左右位置或开合状态。只允许故事规则指定的物件变化；儿童无血腥伤害。所有字幕、可读书名和界面文字后期添加，生成画面不带水印、伪字幕或推广尾卡。\n合成前逐镜核对：人物数与站坐姿；第一帧是否已有异常；动作起点/终点能否接上；道具尺寸是否受控；视线和海平线是否一致；每个回报能否追溯到前一镜的选择。未拍出因果时重做相关镜头，不能靠旁白掩盖。\n\n平台剪辑备选（不是平台时长限制，也不是热度保证）：\nTikTok测试版：保留0–1秒钩子，1–4秒加一行疑问字幕，22–30秒完整展示回报；可将4–9秒背景压成3秒，成片约42秒。\nInstagram Reels测试版：保持道具质感与暖光配色，前1秒无需读字即可理解异常；保留30–38秒表情停顿，以收尾道具作封面，主体仍44秒。\nYouTube Shorts测试版：保持44秒因果链，画外说明最多一句；最后0.3秒与开头形状/声响呼应，避免只留下未兑现的悬念。\n所有字幕建议单行、短句，放在人物面部与关键道具之外；先按实际播放器界面预览遮挡。\n\n可测试的两个开头：A使用第一镜的大/小、静/动反差；B保持同一异常事件，但从小满瞳孔或手中道具切入，再在0.6秒内露出尺度参照。只改变开头一项，其余剪辑保持一致；是否提高留存需要真实成片与实际观看数据，本任务未做此测试。" }, { "id": "C053", "title": "听见一个看不见的家", "concept_id": "S24", "concept_index": 23, "version": 0, "genre": "声音悬疑", "duration_seconds": 44, "shot_count": 8, "source_id": "density--84-prompt", "source_name": "Qwen/Qwen3-0.6B", "category": "density", "source_path": "raw-prompts/density--84-prompt.txt", "source_record": "density/84-prompt.json", "source_paths": [ "raw-prompts/density--84-prompt.txt" ], "source_excerpt": "0.0s: A little girl sits on the beach with crabs. \n5.2s: She plays with crabs on the beach. \n10.5s: A man holds a baby in his arms. \n14.6s: A man and woman play with a baby. \n19.8s: A woman holds a child in her arms. \n25.1s: A woman holds a baby in her arms. \n30.3s: A man and woman sit on a boat in the ocean. \n35.5s: A girl with a red headband and black jacket is sitting. \n44.9s: A person holds a bird on their hand. \n50.1s: A woman and child are eating food together. \n55.3s: A man and woman ride on a boat. \n60.5s: A boat is in the water near a wave. \n64.7s: A man in a green jacket ", "source_review": { "strength": "来自同一抽帧池的自动描述汇总。", "issues": "本次六份摘要均未忠实完成全片，包含循环、截断或识别噪声继承。" }, "contribution": "补救型二创：这份原文不能提供可靠完整故事。保留它作为能力比较证据，创作主线回到已核对的全片设定；不能把此处新脚本计为该来源成功理解了视频。", "source_duplicate_of": null, "source_hash": "fd78a28c7d9cd8592ee6a36838637434022d1b30f452330a45df08c1165a6813", "body_hash": "2de9128fc638989243799624846fdcfd782f7ebb28761d36d4bbcbdbb426cfa1", "author": "Codex, shared writer; not original model output", "fallback": true, "hook": "空屋里四把椅子已经自行轻轻摇动，却只传来三个人的碗筷声；小满站在门边，第四把椅子的影子像在等待她。", "rule": "海螺回放的不是过去，而是人物尚未落实的温暖愿望；摆好椅子后声音才与现实同步。", "shots": [ { "number": 1, "start": 0, "end": 1, "duration": 1, "beat": "惊奇：先看见不可能", "action": "空屋里四把椅子已经自行轻轻摇动，却只传来三个人的碗筷声；小满站在门边，第四把椅子的影子像在等待她。", "camera": "24–35mm感中广景或前景近物后景巨物，保留明确大小参照；单一明确机位，不用无目标甩镜；异常动作在画面开始时已经发生。", "performance": "以本镜指定的人物/道具为中心，背景角色不抢动作。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "以潮声、湿泥轻响、旧木或黄铜触碰声中最贴合本镜道具的一声开场；配一个短低频脉冲，随即让出空间，不叠加尖叫。", "transition": "在异常动作最清楚的一刻硬切至下一镜指定动作或反应；不先放片名或黑屏。", "timing": "0.00–0.15秒直接展示钩子关键帧；0.15–0.70秒让异常动作继续；0.70–1.00秒用呼吸或微小停顿准备切入反应。" }, { "number": 2, "start": 1, "end": 4, "duration": 3, "beat": "好奇：理解人物的反应", "action": "她举起海螺贴耳，听见模糊笑声，却没有自己的回应；海生看见她停在门槛外，把手里的木板放下。", "camera": "50mm感的近景，机位降到孩子眼平，向前缓移约一个手掌距离。", "performance": "若小满在本镜入画，眼神先落在道具，再转向海生；若为纯道具镜，不额外挤入人脸。海生与孩子交流时保持相近眼平高度。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "保留孩子一次吸气和衣料轻摩擦，环境声变窄，音乐只留很轻的持续音。", "transition": "按人物视线切到问题或缺少之物，前一镜最后一声环境音延续约0.15秒。", "timing": "1–1.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 3, "start": 4, "end": 9, "duration": 5, "beat": "共情：显露一个小缺口", "action": "屋内还未收拾，第四把椅子断了一条腿；苏兰用布擦桌，二狗试着扶椅子，椅脚总会轻晃。", "camera": "35mm感中景或中近景，交代角色、目标道具和可行动空间；保持眼线一致。", "performance": "让负责本镜行动的成人先动，孩子随后作出可见反应；避免所有人同时表演。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "空碗、空袋、脚步或木板声选本镜实际存在的一项放近；未出场物件不配声，避免声源误导。", "transition": "用逐渐靠近的风声/物件声引入下一镜；剪切前先让观众认清道具位置。", "timing": "4–5.25秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 4, "start": 9, "end": 15, "duration": 6, "beat": "紧张：让选择有代价", "action": "海螺里的笑声越来越远，小满把它塞进布袋，假装不在乎；镜头停在她收回的脚尖上，保留失落的半拍。", "camera": "28mm感稍低机位，前景放障碍或关键道具，后景保留退路；缓慢推进，不乱晃。", "performance": "海生或苏兰承担保护动作，孩子的恐惧用呼吸与手指表现；二狗的夸张反应不压过危险信息。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "风与低频逐步增强，声音来自画面可解释方向；临近决定时收低，不盖过呼吸。", "transition": "在角色看向选择对象时切到手部，危险声短暂收低，突出决定。", "timing": "9–10.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 5, "start": 15, "end": 22, "duration": 7, "beat": "信任：人物主动做决定", "action": "海生搬来旧船木板，和二狗一起补好椅腿；苏兰把第四只碗摆上桌，小满终于把海螺拿出来放到自己位置前。", "camera": "65–85mm感手部/道具插入镜头，焦点从指尖过渡到被选择的物件；只做一次明确动作。", "performance": "选择必须由清楚的手部动作落实；其余角色停住，给观众看懂选择的空间。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "对白：海生轻声说“缺的不是一把椅子。”；只配一次明确道具接触声。", "transition": "按动作方向匹配下一镜的变化，避免用白闪遮盖因果。", "timing": "15–16.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 6, "start": 22, "end": 30, "duration": 8, "beat": "释放：回报具有清楚因果", "action": "她坐下的瞬间，海螺中的碗筷声与现实完全重合；空屋的回声消失，只剩四个人真实的呼吸和笑声。", "camera": "28–35mm感中广景，由关键道具向外缓慢拉开，完整看见变化及安全距离。", "performance": "先让道具/环境发生变化，再切或移到人物反应；变化只遵守本故事规则。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "潮声、湿泥轻响、旧木或黄铜触碰声随变化从密变疏，再进入温暖的两三个原创音符；不使用现成热门歌曲歌词。", "transition": "变化完成后停半拍再切脸部；环境音恢复，音乐只抬高一层。", "timing": "22–24.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 7, "start": 30, "end": 38, "duration": 8, "beat": "温暖：给表情留下时间", "action": "小满故意敲一次碗沿，海生也敲一次回应；二狗敲错节拍，苏兰忍着笑替他纠正，孩子的声音终于在其中。", "camera": "50–65mm感面部近景，稳定机位，留出至少半秒无对白微表情。", "performance": "孩子的肩膀放松、视线愿意停留；成人以小动作回应，不用齐声大笑替代情绪。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "对白：海生说“以后都有你的声音。”；其余人用目光回应，留半秒安静。", "transition": "由人物最后的目光或手指引向收尾道具，暖光保持一致。", "timing": "30–32.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 8, "start": 38, "end": 44, "duration": 6, "beat": "余味：接回钩子并打开新可能", "action": "门边多出一只给小蟹准备的小碟，海螺响起很轻的钳声；镜头退回原先空门的位置，但屋里已满是生活。", "camera": "以本镜描述的收尾物件构图；最后的形状、光点或运动方向匹配开场关键元素。允许改变景别，但匹配关系必须清楚。", "performance": "人物保持结局得到的安全与关系；新的小悬念不撤销已经完成的情绪回报。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "取第一镜的同一种音色作为最后一个轻声提示，让尾音衔接循环；不突然加入无关轰鸣。", "transition": "最后0.3秒保留与开头相似的轮廓/音色，允许无缝循环；不加黑底强制点击卡。", "timing": "38–39.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" } ], "path": "creative/C053--density--84-prompt.txt", "text": "来源文件：raw-prompts/density--84-prompt.txt\n来源名称：Qwen/Qwen3-0.6B\n实际来源记录：density/84-prompt.json\n原文可用点：来自同一抽帧池的自动描述汇总。\n原文问题/边界：本次六份摘要均未忠实完成全片，包含循环、截断或识别噪声继承。\n转化方式：补救型二创：这份原文不能提供可靠完整故事。保留它作为能力比较证据，创作主线回到已核对的全片设定；不能把此处新脚本计为该来源成功理解了视频。\n本次选择的新故事：听见一个看不见的家。所有幻想事件都是二创，不用原文中的误识别冒充事实。\n\n《听见一个看不见的家》｜声音悬疑｜44秒完整剪辑稿\n\n制作目标：44秒，9:16竖屏，8个剪辑镜头，目标1080×1920、24fps。时间表是剪辑设计，不是任一平台API保证；按工具实际支持的片段长度生成，再裁切拼接。此处没有生成视频。\n视觉基调：架空旧式沿海村落，湿泥、粗布、旧木和黄铜具有可触摸的写实材质；幼童面部略带童话般大眼比例。灰蓝海水与褐色村屋为底，红发带是辨识点，幻想光源以局部金色/银色呈现。\n小满：幼童女孩，黑发双髻、左右各一条红发带、额头小红点；灰褐补丁粗布衣、布挎袋、旧布鞋。开场若用蓝披衣，则全片保持，除非镜头明确拍下脱衣。性格敏感、先看大人反应，再敢表达愿望。红点不是伤口，红发带不是红头发。\n海生：青年男性，凌乱黑发，旧蓝外衣、灰内衫、深裤；行动稳，保护孩子时先降到她的眼平高度，不以大喊替代关心。\n苏兰：成年女性，深发松束、灰褐无袖粗布上衣、简单项链与腕布；观察细节，负责托稳道具、递布或摆碗等具体照顾。\n二狗：青年男性，短黑发、橄榄绿外衣；提供轻微喜剧和观众反应，后半段愿意放慢动作参与帮助，不把他写成伤害孩子的反派。\n上述人物只在本镜明确指定时出现。群众只作远处模糊背景，不增加新主角。多人同框时优先保持海生在左、苏兰在后、二狗在右、小满在前中；若换位，用中广景交代，不瞬移。\n环境连续性：泥滩、浅水、旧船和村屋保持同一架空地点。海平线稳定。湿衣不会无故变干。室内暖色由船灯或灶火提供；室外变暖用云隙光或明确的幻想道具光解释，不让44秒凭空跨越数小时。\n人物表情与道具变化分开生成更易核对：每镜最多一个主要幻想动作，真实人物不随道具变形。以上服装、人物名和新动作均属本次二创设定，不声称模型从8帧恢复了全部身份。\n\n核心道具锁：空旧屋、海螺、四把不齐的木椅。先为本片制作一张统一道具参考图，记录缺口、锈斑、左右方向、尺寸；镜头之间沿用同一版本。\n\n本片新规则：海螺回放的不是过去，而是人物尚未落实的温暖愿望；摆好椅子后声音才与现实同步。 此规则是新创作，不是原片事实。\n\n第一秒视觉钩子：空屋里四把椅子已经自行轻轻摇动，却只传来三个人的碗筷声；小满站在门边，第四把椅子的影子像在等待她。\n\n目标情绪路径：惊奇 → 好奇 → 共情 → 紧张 → 信任 → 释放 → 温暖 → 余味。它是创作设计，不是已测得的观众留存数据。\n\n分镜与生成指令（逐镜生成，再按时间码剪辑；全局角色锁及规则与每一镜一起输入）：\n\n镜头01｜00–01秒｜1秒｜惊奇：先看见不可能\n画面与动作：空屋里四把椅子已经自行轻轻摇动，却只传来三个人的碗筷声；小满站在门边，第四把椅子的影子像在等待她。\n动作节拍：0.00–0.15秒直接展示钩子关键帧；0.15–0.70秒让异常动作继续；0.70–1.00秒用呼吸或微小停顿准备切入反应。\n构图与镜头：24–35mm感中广景或前景近物后景巨物，保留明确大小参照；单一明确机位，不用无目标甩镜；异常动作在画面开始时已经发生。\n人物表演：以本镜指定的人物/道具为中心，背景角色不抢动作。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：以潮声、湿泥轻响、旧木或黄铜触碰声中最贴合本镜道具的一声开场；配一个短低频脉冲，随即让出空间，不叠加尖叫。\n衔接：在异常动作最清楚的一刻硬切至下一镜指定动作或反应；不先放片名或黑屏。\n\n镜头02｜01–04秒｜3秒｜好奇：理解人物的反应\n画面与动作：她举起海螺贴耳，听见模糊笑声，却没有自己的回应；海生看见她停在门槛外，把手里的木板放下。\n动作节拍：1–1.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：50mm感的近景，机位降到孩子眼平，向前缓移约一个手掌距离。\n人物表演：若小满在本镜入画，眼神先落在道具，再转向海生；若为纯道具镜，不额外挤入人脸。海生与孩子交流时保持相近眼平高度。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：保留孩子一次吸气和衣料轻摩擦，环境声变窄，音乐只留很轻的持续音。\n衔接：按人物视线切到问题或缺少之物，前一镜最后一声环境音延续约0.15秒。\n\n镜头03｜04–09秒｜5秒｜共情：显露一个小缺口\n画面与动作：屋内还未收拾，第四把椅子断了一条腿；苏兰用布擦桌，二狗试着扶椅子，椅脚总会轻晃。\n动作节拍：4–5.25秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：35mm感中景或中近景，交代角色、目标道具和可行动空间；保持眼线一致。\n人物表演：让负责本镜行动的成人先动，孩子随后作出可见反应；避免所有人同时表演。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：空碗、空袋、脚步或木板声选本镜实际存在的一项放近；未出场物件不配声，避免声源误导。\n衔接：用逐渐靠近的风声/物件声引入下一镜；剪切前先让观众认清道具位置。\n\n镜头04｜09–15秒｜6秒｜紧张：让选择有代价\n画面与动作：海螺里的笑声越来越远，小满把它塞进布袋，假装不在乎；镜头停在她收回的脚尖上，保留失落的半拍。\n动作节拍：9–10.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：28mm感稍低机位，前景放障碍或关键道具，后景保留退路；缓慢推进，不乱晃。\n人物表演：海生或苏兰承担保护动作，孩子的恐惧用呼吸与手指表现；二狗的夸张反应不压过危险信息。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：风与低频逐步增强，声音来自画面可解释方向；临近决定时收低，不盖过呼吸。\n衔接：在角色看向选择对象时切到手部，危险声短暂收低，突出决定。\n\n镜头05｜15–22秒｜7秒｜信任：人物主动做决定\n画面与动作：海生搬来旧船木板，和二狗一起补好椅腿；苏兰把第四只碗摆上桌，小满终于把海螺拿出来放到自己位置前。\n动作节拍：15–16.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：65–85mm感手部/道具插入镜头，焦点从指尖过渡到被选择的物件；只做一次明确动作。\n人物表演：选择必须由清楚的手部动作落实；其余角色停住，给观众看懂选择的空间。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：对白：海生轻声说“缺的不是一把椅子。”；只配一次明确道具接触声。\n衔接：按动作方向匹配下一镜的变化，避免用白闪遮盖因果。\n\n镜头06｜22–30秒｜8秒｜释放：回报具有清楚因果\n画面与动作：她坐下的瞬间，海螺中的碗筷声与现实完全重合；空屋的回声消失，只剩四个人真实的呼吸和笑声。\n动作节拍：22–24.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：28–35mm感中广景，由关键道具向外缓慢拉开，完整看见变化及安全距离。\n人物表演：先让道具/环境发生变化，再切或移到人物反应；变化只遵守本故事规则。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：潮声、湿泥轻响、旧木或黄铜触碰声随变化从密变疏，再进入温暖的两三个原创音符；不使用现成热门歌曲歌词。\n衔接：变化完成后停半拍再切脸部；环境音恢复，音乐只抬高一层。\n\n镜头07｜30–38秒｜8秒｜温暖：给表情留下时间\n画面与动作：小满故意敲一次碗沿，海生也敲一次回应；二狗敲错节拍，苏兰忍着笑替他纠正，孩子的声音终于在其中。\n动作节拍：30–32.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：50–65mm感面部近景，稳定机位，留出至少半秒无对白微表情。\n人物表演：孩子的肩膀放松、视线愿意停留；成人以小动作回应，不用齐声大笑替代情绪。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：对白：海生说“以后都有你的声音。”；其余人用目光回应，留半秒安静。\n衔接：由人物最后的目光或手指引向收尾道具，暖光保持一致。\n\n镜头08｜38–44秒｜6秒｜余味：接回钩子并打开新可能\n画面与动作：门边多出一只给小蟹准备的小碟，海螺响起很轻的钳声；镜头退回原先空门的位置，但屋里已满是生活。\n动作节拍：38–39.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：以本镜描述的收尾物件构图；最后的形状、光点或运动方向匹配开场关键元素。允许改变景别，但匹配关系必须清楚。\n人物表演：人物保持结局得到的安全与关系；新的小悬念不撤销已经完成的情绪回报。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：取第一镜的同一种音色作为最后一个轻声提示，让尾音衔接循环；不突然加入无关轰鸣。\n衔接：最后0.3秒保留与开头相似的轮廓/音色，允许无缝循环；不加黑底强制点击卡。\n\n负向与连续性检查：不出现无依据的手机、枪械、医院、现代车辆、书上伪造大段文字、未经设计的影视角色或艺术家署名。保持双髻、红带、额头红点及四名主角身份；不多生手指、蟹腿，不让手与道具穿模，不把罗盘替换成怀表。道具在同一镜内不得随机换材质、数量、左右位置或开合状态。只允许故事规则指定的物件变化；儿童无血腥伤害。所有字幕、可读书名和界面文字后期添加，生成画面不带水印、伪字幕或推广尾卡。\n合成前逐镜核对：人物数与站坐姿；第一帧是否已有异常；动作起点/终点能否接上；道具尺寸是否受控；视线和海平线是否一致；每个回报能否追溯到前一镜的选择。未拍出因果时重做相关镜头，不能靠旁白掩盖。\n\n平台剪辑备选（不是平台时长限制，也不是热度保证）：\nTikTok测试版：保留0–1秒钩子，1–4秒加一行疑问字幕，22–30秒完整展示回报；可将4–9秒背景压成3秒，成片约42秒。\nInstagram Reels测试版：保持道具质感与暖光配色，前1秒无需读字即可理解异常；保留30–38秒表情停顿，以收尾道具作封面，主体仍44秒。\nYouTube Shorts测试版：保持44秒因果链，画外说明最多一句；最后0.3秒与开头形状/声响呼应，避免只留下未兑现的悬念。\n所有字幕建议单行、短句，放在人物面部与关键道具之外；先按实际播放器界面预览遮挡。\n\n可测试的两个开头：A使用第一镜的大/小、静/动反差；B保持同一异常事件，但从小满瞳孔或手中道具切入，再在0.6秒内露出尺度参照。只改变开头一项，其余剪辑保持一致；是否提高留存需要真实成片与实际观看数据，本任务未做此测试。" }, { "id": "C054", "title": "罗盘的第五个方向", "concept_id": "S33", "concept_index": 32, "version": 0, "genre": "道具反转", "duration_seconds": 44, "shot_count": 8, "source_id": "authored--prompts--codex-eight-frame-reference-en", "source_name": "codex-eight-frame-reference-en", "category": "authored", "source_path": "prompts/codex-eight-frame-reference-en.txt", "source_record": "prompts/codex-eight-frame-reference-en.txt", "source_paths": [ "prompts/codex-eight-frame-reference-en.txt" ], "source_excerpt": "Vertical cinematic imagery with tactile mud, coarse cloth, weathered wood and softly lit faces. Preserve the following sampled views in order; movement and transitions between them are uncertain.\n\n0s: A small girl squats on a wet, stony shore, looking down at four visible crabs. She has black twin buns, red ribbons and a forehead dot, with worn grey-brown clothing, a blue outer layer and a diagonal cloth strap. Coiled rope and buildings blur behind her.\n15s: Extreme close-up of her wet face, tear-filled eyes and trembling-looking downturned mouth. Her hands touch green fishing netting beneath ", "source_review": { "strength": "Codex整理或同一完整蓝图的编译格式；不是独立视觉模型。", "issues": "此类来源的完整叙事来自更多证据与宿主写作，不能和8帧原生描述作同条件能力排名。" }, "contribution": "整理/编译来源：沿用其人物、海岸、道具与情绪组织的制作意图。格式版本共享基础故事，不能把输出格式数当独立创作模型数。", "source_duplicate_of": null, "source_hash": "ec4dd2f1dc750c8b0df306d5072ee18e57a6c79258a17b33c162b1fc1ec8ecbf", "body_hash": "d640cba4411258073fd5a448a129b0fa8381c9442e9ac875a7d1bfad08345ec7", "author": "Codex, shared writer; not original model output", "fallback": false, "hook": "罗盘的四个方位已裂成五瓣，第五根指针直直指向镜头外一扇亮灯的门；海生转身，女孩却一直望着同一个方向。", "rule": "第五个方向叫“有人等你”，由门口的一盏灯而非地理坐标触发；标签用后期文字。", "shots": [ { "number": 1, "start": 0, "end": 1, "duration": 1, "beat": "惊奇：先看见不可能", "action": "罗盘的四个方位已裂成五瓣，第五根指针直直指向镜头外一扇亮灯的门；海生转身，女孩却一直望着同一个方向。", "camera": "85mm感微距，道具占画面约三分之二，人物眼睛或手作为尺度参照；单一明确机位，不用无目标甩镜；异常动作在画面开始时已经发生。", "performance": "以本镜指定的人物/道具为中心，背景角色不抢动作。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "以潮声、湿泥轻响、旧木或黄铜触碰声中最贴合本镜道具的一声开场；配一个短低频脉冲，随即让出空间，不叠加尖叫。", "transition": "在异常动作最清楚的一刻硬切至下一镜指定动作或反应；不先放片名或黑屏。", "timing": "0.00–0.15秒直接展示钩子关键帧；0.15–0.70秒让异常动作继续；0.70–1.00秒用呼吸或微小停顿准备切入反应。" }, { "number": 2, "start": 1, "end": 4, "duration": 3, "beat": "好奇：理解人物的反应", "action": "二狗把罗盘倒过来，五根针仍拼命指向屋门；小满用指尖轻触第五瓣，红发带与表盘里的红线呼应。", "camera": "85mm感道具近特写，轻俯拍，焦点落在本镜指定接触点；人物只保留必要手部或眼睛倒影，不强行切成正面人像。", "performance": "若小满在本镜入画，眼神先落在道具，再转向海生；若为纯道具镜，不额外挤入人脸。海生与孩子交流时保持相近眼平高度。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "保留孩子一次吸气和衣料轻摩擦，环境声变窄，音乐只留很轻的持续音。", "transition": "按人物视线切到问题或缺少之物，前一镜最后一声环境音延续约0.15秒。", "timing": "1–1.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 3, "start": 4, "end": 9, "duration": 5, "beat": "共情：显露一个小缺口", "action": "桌上地图画满远海宝藏位置，海生收拾行囊；小满替他装好干布，偷偷把自己小小的空碗往灶边推。", "camera": "35mm感中景或中近景，交代角色、目标道具和可行动空间；保持眼线一致。", "performance": "让负责本镜行动的成人先动，孩子随后作出可见反应；避免所有人同时表演。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "空碗、空袋、脚步或木板声选本镜实际存在的一项放近；未出场物件不配声，避免声源误导。", "transition": "用逐渐靠近的风声/物件声引入下一镜；剪切前先让观众认清道具位置。", "timing": "4–5.25秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 4, "start": 9, "end": 15, "duration": 6, "beat": "紧张：让选择有代价", "action": "屋门的灯被海风吹暗，第五根针也跟着颤抖；海生迈出门槛，孩子强装笑容，手停在半空没有挽留。", "camera": "28mm感稍低机位，前景放障碍或关键道具，后景保留退路；缓慢推进，不乱晃。", "performance": "海生或苏兰承担保护动作，孩子的恐惧用呼吸与手指表现；二狗的夸张反应不压过危险信息。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "风与低频逐步增强，声音来自画面可解释方向；临近决定时收低，不盖过呼吸。", "transition": "在角色看向选择对象时切到手部，危险声短暂收低，突出决定。", "timing": "9–10.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 5, "start": 15, "end": 22, "duration": 7, "beat": "信任：人物主动做决定", "action": "他看到针的变化，放下行囊，先回身护住灯火；小满把红绳递过去，帮助固定晃动的灯罩。", "camera": "65–85mm感手部/道具插入镜头，焦点从指尖过渡到被选择的物件；只做一次明确动作。", "performance": "选择必须由清楚的手部动作落实；其余角色停住，给观众看懂选择的空间。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "对白：海生轻声说“不往远处，往灯亮的地方。”；只配一次明确道具接触声。", "transition": "按动作方向匹配下一镜的变化，避免用白闪遮盖因果。", "timing": "15–16.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 6, "start": 22, "end": 30, "duration": 8, "beat": "释放：回报具有清楚因果", "action": "第五瓣完全展开，映出他们共同修好的旧屋；其余四针不再互相争抢方向，轻轻合拢为一条回岸路线。", "camera": "28–35mm感中广景，由关键道具向外缓慢拉开，完整看见变化及安全距离。", "performance": "先让道具/环境发生变化，再切或移到人物反应；变化只遵守本故事规则。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "潮声、湿泥轻响、旧木或黄铜触碰声随变化从密变疏，再进入温暖的两三个原创音符；不使用现成热门歌曲歌词。", "transition": "变化完成后停半拍再切脸部；环境音恢复，音乐只抬高一层。", "timing": "22–24.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 7, "start": 30, "end": 38, "duration": 8, "beat": "温暖：给表情留下时间", "action": "海生把出海改到翌日，先围桌陪孩子吃饭；小满把第五瓣描成一个小门形，笑容不再勉强。", "camera": "50–65mm感面部近景，稳定机位，留出至少半秒无对白微表情。", "performance": "孩子的肩膀放松、视线愿意停留；成人以小动作回应，不用齐声大笑替代情绪。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "对白：小满说“第五个方向，叫回家。”；其余人用目光回应，留半秒安静。", "transition": "由人物最后的目光或手指引向收尾道具，暖光保持一致。", "timing": "30–32.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 8, "start": 38, "end": 44, "duration": 6, "beat": "余味：接回钩子并打开新可能", "action": "窗外又有一盏远处船灯亮起，罗盘第五针轻点两次；结尾告诉观众“家”可以接纳更多人，圆盘构图回到开头。", "camera": "以本镜描述的收尾物件构图；最后的形状、光点或运动方向匹配开场关键元素。允许改变景别，但匹配关系必须清楚。", "performance": "人物保持结局得到的安全与关系；新的小悬念不撤销已经完成的情绪回报。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "取第一镜的同一种音色作为最后一个轻声提示，让尾音衔接循环；不突然加入无关轰鸣。", "transition": "最后0.3秒保留与开头相似的轮廓/音色，允许无缝循环；不加黑底强制点击卡。", "timing": "38–39.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" } ], "path": "creative/C054--authored--prompts--codex-eight-frame-reference-en.txt", "text": "来源文件：prompts/codex-eight-frame-reference-en.txt\n来源名称：codex-eight-frame-reference-en\n实际来源记录：prompts/codex-eight-frame-reference-en.txt\n原文可用点：Codex整理或同一完整蓝图的编译格式；不是独立视觉模型。\n原文问题/边界：此类来源的完整叙事来自更多证据与宿主写作，不能和8帧原生描述作同条件能力排名。\n转化方式：整理/编译来源：沿用其人物、海岸、道具与情绪组织的制作意图。格式版本共享基础故事，不能把输出格式数当独立创作模型数。\n本次选择的新故事：罗盘的第五个方向。所有幻想事件都是二创，不用原文中的误识别冒充事实。\n\n《罗盘的第五个方向》｜道具反转｜44秒完整剪辑稿\n\n制作目标：44秒，9:16竖屏，8个剪辑镜头，目标1080×1920、24fps。时间表是剪辑设计，不是任一平台API保证；按工具实际支持的片段长度生成，再裁切拼接。此处没有生成视频。\n视觉基调：架空旧式沿海村落，湿泥、粗布、旧木和黄铜具有可触摸的写实材质；幼童面部略带童话般大眼比例。灰蓝海水与褐色村屋为底，红发带是辨识点，幻想光源以局部金色/银色呈现。\n小满：幼童女孩，黑发双髻、左右各一条红发带、额头小红点；灰褐补丁粗布衣、布挎袋、旧布鞋。开场若用蓝披衣，则全片保持，除非镜头明确拍下脱衣。性格敏感、先看大人反应，再敢表达愿望。红点不是伤口，红发带不是红头发。\n海生：青年男性，凌乱黑发，旧蓝外衣、灰内衫、深裤；行动稳，保护孩子时先降到她的眼平高度，不以大喊替代关心。\n苏兰：成年女性，深发松束、灰褐无袖粗布上衣、简单项链与腕布；观察细节，负责托稳道具、递布或摆碗等具体照顾。\n二狗：青年男性，短黑发、橄榄绿外衣；提供轻微喜剧和观众反应，后半段愿意放慢动作参与帮助，不把他写成伤害孩子的反派。\n上述人物只在本镜明确指定时出现。群众只作远处模糊背景，不增加新主角。多人同框时优先保持海生在左、苏兰在后、二狗在右、小满在前中；若换位，用中广景交代，不瞬移。\n环境连续性：泥滩、浅水、旧船和村屋保持同一架空地点。海平线稳定。湿衣不会无故变干。室内暖色由船灯或灶火提供；室外变暖用云隙光或明确的幻想道具光解释，不让44秒凭空跨越数小时。\n人物表情与道具变化分开生成更易核对：每镜最多一个主要幻想动作，真实人物不随道具变形。以上服装、人物名和新动作均属本次二创设定，不声称模型从8帧恢复了全部身份。\n\n核心道具锁：五向罗盘、红绳、旧屋门。先为本片制作一张统一道具参考图，记录缺口、锈斑、左右方向、尺寸；镜头之间沿用同一版本。\n\n本片新规则：第五个方向叫“有人等你”，由门口的一盏灯而非地理坐标触发；标签用后期文字。 此规则是新创作，不是原片事实。\n\n第一秒视觉钩子：罗盘的四个方位已裂成五瓣，第五根指针直直指向镜头外一扇亮灯的门；海生转身，女孩却一直望着同一个方向。\n\n目标情绪路径：惊奇 → 好奇 → 共情 → 紧张 → 信任 → 释放 → 温暖 → 余味。它是创作设计，不是已测得的观众留存数据。\n\n分镜与生成指令（逐镜生成，再按时间码剪辑；全局角色锁及规则与每一镜一起输入）：\n\n镜头01｜00–01秒｜1秒｜惊奇：先看见不可能\n画面与动作：罗盘的四个方位已裂成五瓣，第五根指针直直指向镜头外一扇亮灯的门；海生转身，女孩却一直望着同一个方向。\n动作节拍：0.00–0.15秒直接展示钩子关键帧；0.15–0.70秒让异常动作继续；0.70–1.00秒用呼吸或微小停顿准备切入反应。\n构图与镜头：85mm感微距，道具占画面约三分之二，人物眼睛或手作为尺度参照；单一明确机位，不用无目标甩镜；异常动作在画面开始时已经发生。\n人物表演：以本镜指定的人物/道具为中心，背景角色不抢动作。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：以潮声、湿泥轻响、旧木或黄铜触碰声中最贴合本镜道具的一声开场；配一个短低频脉冲，随即让出空间，不叠加尖叫。\n衔接：在异常动作最清楚的一刻硬切至下一镜指定动作或反应；不先放片名或黑屏。\n\n镜头02｜01–04秒｜3秒｜好奇：理解人物的反应\n画面与动作：二狗把罗盘倒过来，五根针仍拼命指向屋门；小满用指尖轻触第五瓣，红发带与表盘里的红线呼应。\n动作节拍：1–1.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：85mm感道具近特写，轻俯拍，焦点落在本镜指定接触点；人物只保留必要手部或眼睛倒影，不强行切成正面人像。\n人物表演：若小满在本镜入画，眼神先落在道具，再转向海生；若为纯道具镜，不额外挤入人脸。海生与孩子交流时保持相近眼平高度。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：保留孩子一次吸气和衣料轻摩擦，环境声变窄，音乐只留很轻的持续音。\n衔接：按人物视线切到问题或缺少之物，前一镜最后一声环境音延续约0.15秒。\n\n镜头03｜04–09秒｜5秒｜共情：显露一个小缺口\n画面与动作：桌上地图画满远海宝藏位置，海生收拾行囊；小满替他装好干布，偷偷把自己小小的空碗往灶边推。\n动作节拍：4–5.25秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：35mm感中景或中近景，交代角色、目标道具和可行动空间；保持眼线一致。\n人物表演：让负责本镜行动的成人先动，孩子随后作出可见反应；避免所有人同时表演。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：空碗、空袋、脚步或木板声选本镜实际存在的一项放近；未出场物件不配声，避免声源误导。\n衔接：用逐渐靠近的风声/物件声引入下一镜；剪切前先让观众认清道具位置。\n\n镜头04｜09–15秒｜6秒｜紧张：让选择有代价\n画面与动作：屋门的灯被海风吹暗，第五根针也跟着颤抖；海生迈出门槛，孩子强装笑容，手停在半空没有挽留。\n动作节拍：9–10.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：28mm感稍低机位，前景放障碍或关键道具，后景保留退路；缓慢推进，不乱晃。\n人物表演：海生或苏兰承担保护动作，孩子的恐惧用呼吸与手指表现；二狗的夸张反应不压过危险信息。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：风与低频逐步增强，声音来自画面可解释方向；临近决定时收低，不盖过呼吸。\n衔接：在角色看向选择对象时切到手部，危险声短暂收低，突出决定。\n\n镜头05｜15–22秒｜7秒｜信任：人物主动做决定\n画面与动作：他看到针的变化，放下行囊，先回身护住灯火；小满把红绳递过去，帮助固定晃动的灯罩。\n动作节拍：15–16.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：65–85mm感手部/道具插入镜头，焦点从指尖过渡到被选择的物件；只做一次明确动作。\n人物表演：选择必须由清楚的手部动作落实；其余角色停住，给观众看懂选择的空间。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：对白：海生轻声说“不往远处，往灯亮的地方。”；只配一次明确道具接触声。\n衔接：按动作方向匹配下一镜的变化，避免用白闪遮盖因果。\n\n镜头06｜22–30秒｜8秒｜释放：回报具有清楚因果\n画面与动作：第五瓣完全展开，映出他们共同修好的旧屋；其余四针不再互相争抢方向，轻轻合拢为一条回岸路线。\n动作节拍：22–24.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：28–35mm感中广景，由关键道具向外缓慢拉开，完整看见变化及安全距离。\n人物表演：先让道具/环境发生变化，再切或移到人物反应；变化只遵守本故事规则。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：潮声、湿泥轻响、旧木或黄铜触碰声随变化从密变疏，再进入温暖的两三个原创音符；不使用现成热门歌曲歌词。\n衔接：变化完成后停半拍再切脸部；环境音恢复，音乐只抬高一层。\n\n镜头07｜30–38秒｜8秒｜温暖：给表情留下时间\n画面与动作：海生把出海改到翌日，先围桌陪孩子吃饭；小满把第五瓣描成一个小门形，笑容不再勉强。\n动作节拍：30–32.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：50–65mm感面部近景，稳定机位，留出至少半秒无对白微表情。\n人物表演：孩子的肩膀放松、视线愿意停留；成人以小动作回应，不用齐声大笑替代情绪。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：对白：小满说“第五个方向，叫回家。”；其余人用目光回应，留半秒安静。\n衔接：由人物最后的目光或手指引向收尾道具，暖光保持一致。\n\n镜头08｜38–44秒｜6秒｜余味：接回钩子并打开新可能\n画面与动作：窗外又有一盏远处船灯亮起，罗盘第五针轻点两次；结尾告诉观众“家”可以接纳更多人，圆盘构图回到开头。\n动作节拍：38–39.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：以本镜描述的收尾物件构图；最后的形状、光点或运动方向匹配开场关键元素。允许改变景别，但匹配关系必须清楚。\n人物表演：人物保持结局得到的安全与关系；新的小悬念不撤销已经完成的情绪回报。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：取第一镜的同一种音色作为最后一个轻声提示，让尾音衔接循环；不突然加入无关轰鸣。\n衔接：最后0.3秒保留与开头相似的轮廓/音色，允许无缝循环；不加黑底强制点击卡。\n\n负向与连续性检查：不出现无依据的手机、枪械、医院、现代车辆、书上伪造大段文字、未经设计的影视角色或艺术家署名。保持双髻、红带、额头红点及四名主角身份；不多生手指、蟹腿，不让手与道具穿模，不把罗盘替换成怀表。道具在同一镜内不得随机换材质、数量、左右位置或开合状态。只允许故事规则指定的物件变化；儿童无血腥伤害。所有字幕、可读书名和界面文字后期添加，生成画面不带水印、伪字幕或推广尾卡。\n合成前逐镜核对：人物数与站坐姿；第一帧是否已有异常；动作起点/终点能否接上；道具尺寸是否受控；视线和海平线是否一致；每个回报能否追溯到前一镜的选择。未拍出因果时重做相关镜头，不能靠旁白掩盖。\n\n平台剪辑备选（不是平台时长限制，也不是热度保证）：\nTikTok测试版：保留0–1秒钩子，1–4秒加一行疑问字幕，22–30秒完整展示回报；可将4–9秒背景压成3秒，成片约42秒。\nInstagram Reels测试版：保持道具质感与暖光配色，前1秒无需读字即可理解异常；保留30–38秒表情停顿，以收尾道具作封面，主体仍44秒。\nYouTube Shorts测试版：保持44秒因果链，画外说明最多一句；最后0.3秒与开头形状/声响呼应，避免只留下未兑现的悬念。\n所有字幕建议单行、短句，放在人物面部与关键道具之外；先按实际播放器界面预览遮挡。\n\n可测试的两个开头：A使用第一镜的大/小、静/动反差；B保持同一异常事件，但从小满瞳孔或手中道具切入，再在0.6秒内露出尺度参照。只改变开头一项，其余剪辑保持一致；是否提高留存需要真实成片与实际观看数据，本任务未做此测试。" }, { "id": "C055", "title": "罗盘的第五个方向", "concept_id": "S33", "concept_index": 32, "version": 0, "genre": "道具反转", "duration_seconds": 44, "shot_count": 8, "source_id": "authored--prompts--codex-eight-frame-reference-zh", "source_name": "codex-eight-frame-reference-zh", "category": "authored", "source_path": "prompts/codex-eight-frame-reference-zh.txt", "source_record": "prompts/codex-eight-frame-reference-zh.txt", "source_paths": [ "prompts/codex-eight-frame-reference-zh.txt" ], "source_excerpt": "仅依据 0、15、50、95、175、235、340、385 秒这八张静帧整理。以下是 Codex 的受限证据稿，不补入完整视频才有的姓名、分家、超能力、藏物过程或尾钩；因为此前已经审阅全片，这不是盲测。\n\n竖屏电影感画面，保持泥沙、粗布、旧木和潮湿皮肤的材质。按所给静帧的先后排列，帧间动作与转场方式无法确定。\n\n0 秒：幼童女孩蹲在湿润石砾泥滩，低头看前方四只可见螃蟹。黑发双髻、红发带、额头红点，灰褐旧衣配蓝色外层、斜挎布带；后方盘绳与村屋虚化。\n15 秒：湿发与流泪面部大特写，眼眶含泪、嘴角下垂，手触碰下巴附近的绿色渔网。\n50 秒：带直立桅杆的小木船与远高于它的深青蓝巨浪形成尺度对比；浪顶有鸟状剪影，前景湿礁石，天空偏淡。\n95 秒：老旧瓦屋前的院落，四位成年人围着粗木桌；左侧男子被裁切，年长头巾女性坐着，两名女性站立。\n175 秒：手、合着的旧棕色笔记本、打开的黄铜罗盘，置于棕色表面，道具近景。\n235 秒：灰褐破衣女孩在蓝衣成年人的局部身旁抬头看，挎带与红发带延续。\n340 秒：女孩在浅泥水中蹲下并指向地面，身边有成年人局部。\n385 秒：蹲低的女孩与三位成年人围着圆形编织筐，手边有铲子；低角度金色阳光照亮潮滩和人物边缘。\n\n不把静帧推断成完整人物关系、对白、声音或未见动作；不凭空增加雨、伤病、手机、巨兽身份。字幕和标识另行排版，不要求画面模型复刻小字。\n", "source_review": { "strength": "Codex整理或同一完整蓝图的编译格式；不是独立视觉模型。", "issues": "此类来源的完整叙事来自更多证据与宿主写作，不能和8帧原生描述作同条件能力排名。" }, "contribution": "整理/编译来源：沿用其人物、海岸、道具与情绪组织的制作意图。格式版本共享基础故事，不能把输出格式数当独立创作模型数。", "source_duplicate_of": null, "source_hash": "4d4af3e6446d4767de0d0e02d499b2b7c9e6dafd8d754459a4d1a40a4f7b075c", "body_hash": "d640cba4411258073fd5a448a129b0fa8381c9442e9ac875a7d1bfad08345ec7", "author": "Codex, shared writer; not original model output", "fallback": false, "hook": "罗盘的四个方位已裂成五瓣，第五根指针直直指向镜头外一扇亮灯的门；海生转身，女孩却一直望着同一个方向。", "rule": "第五个方向叫“有人等你”，由门口的一盏灯而非地理坐标触发；标签用后期文字。", "shots": [ { "number": 1, "start": 0, "end": 1, "duration": 1, "beat": "惊奇：先看见不可能", "action": "罗盘的四个方位已裂成五瓣，第五根指针直直指向镜头外一扇亮灯的门；海生转身，女孩却一直望着同一个方向。", "camera": "85mm感微距，道具占画面约三分之二，人物眼睛或手作为尺度参照；单一明确机位，不用无目标甩镜；异常动作在画面开始时已经发生。", "performance": "以本镜指定的人物/道具为中心，背景角色不抢动作。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "以潮声、湿泥轻响、旧木或黄铜触碰声中最贴合本镜道具的一声开场；配一个短低频脉冲，随即让出空间，不叠加尖叫。", "transition": "在异常动作最清楚的一刻硬切至下一镜指定动作或反应；不先放片名或黑屏。", "timing": "0.00–0.15秒直接展示钩子关键帧；0.15–0.70秒让异常动作继续；0.70–1.00秒用呼吸或微小停顿准备切入反应。" }, { "number": 2, "start": 1, "end": 4, "duration": 3, "beat": "好奇：理解人物的反应", "action": "二狗把罗盘倒过来，五根针仍拼命指向屋门；小满用指尖轻触第五瓣，红发带与表盘里的红线呼应。", "camera": "85mm感道具近特写，轻俯拍，焦点落在本镜指定接触点；人物只保留必要手部或眼睛倒影，不强行切成正面人像。", "performance": "若小满在本镜入画，眼神先落在道具，再转向海生；若为纯道具镜，不额外挤入人脸。海生与孩子交流时保持相近眼平高度。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "保留孩子一次吸气和衣料轻摩擦，环境声变窄，音乐只留很轻的持续音。", "transition": "按人物视线切到问题或缺少之物，前一镜最后一声环境音延续约0.15秒。", "timing": "1–1.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 3, "start": 4, "end": 9, "duration": 5, "beat": "共情：显露一个小缺口", "action": "桌上地图画满远海宝藏位置，海生收拾行囊；小满替他装好干布，偷偷把自己小小的空碗往灶边推。", "camera": "35mm感中景或中近景，交代角色、目标道具和可行动空间；保持眼线一致。", "performance": "让负责本镜行动的成人先动，孩子随后作出可见反应；避免所有人同时表演。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "空碗、空袋、脚步或木板声选本镜实际存在的一项放近；未出场物件不配声，避免声源误导。", "transition": "用逐渐靠近的风声/物件声引入下一镜；剪切前先让观众认清道具位置。", "timing": "4–5.25秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 4, "start": 9, "end": 15, "duration": 6, "beat": "紧张：让选择有代价", "action": "屋门的灯被海风吹暗，第五根针也跟着颤抖；海生迈出门槛，孩子强装笑容，手停在半空没有挽留。", "camera": "28mm感稍低机位，前景放障碍或关键道具，后景保留退路；缓慢推进，不乱晃。", "performance": "海生或苏兰承担保护动作，孩子的恐惧用呼吸与手指表现；二狗的夸张反应不压过危险信息。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "风与低频逐步增强，声音来自画面可解释方向；临近决定时收低，不盖过呼吸。", "transition": "在角色看向选择对象时切到手部，危险声短暂收低，突出决定。", "timing": "9–10.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 5, "start": 15, "end": 22, "duration": 7, "beat": "信任：人物主动做决定", "action": "他看到针的变化，放下行囊，先回身护住灯火；小满把红绳递过去，帮助固定晃动的灯罩。", "camera": "65–85mm感手部/道具插入镜头，焦点从指尖过渡到被选择的物件；只做一次明确动作。", "performance": "选择必须由清楚的手部动作落实；其余角色停住，给观众看懂选择的空间。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "对白：海生轻声说“不往远处，往灯亮的地方。”；只配一次明确道具接触声。", "transition": "按动作方向匹配下一镜的变化，避免用白闪遮盖因果。", "timing": "15–16.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 6, "start": 22, "end": 30, "duration": 8, "beat": "释放：回报具有清楚因果", "action": "第五瓣完全展开，映出他们共同修好的旧屋；其余四针不再互相争抢方向，轻轻合拢为一条回岸路线。", "camera": "28–35mm感中广景，由关键道具向外缓慢拉开，完整看见变化及安全距离。", "performance": "先让道具/环境发生变化，再切或移到人物反应；变化只遵守本故事规则。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "潮声、湿泥轻响、旧木或黄铜触碰声随变化从密变疏，再进入温暖的两三个原创音符；不使用现成热门歌曲歌词。", "transition": "变化完成后停半拍再切脸部；环境音恢复，音乐只抬高一层。", "timing": "22–24.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 7, "start": 30, "end": 38, "duration": 8, "beat": "温暖：给表情留下时间", "action": "海生把出海改到翌日，先围桌陪孩子吃饭；小满把第五瓣描成一个小门形，笑容不再勉强。", "camera": "50–65mm感面部近景，稳定机位，留出至少半秒无对白微表情。", "performance": "孩子的肩膀放松、视线愿意停留；成人以小动作回应，不用齐声大笑替代情绪。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "对白：小满说“第五个方向，叫回家。”；其余人用目光回应，留半秒安静。", "transition": "由人物最后的目光或手指引向收尾道具，暖光保持一致。", "timing": "30–32.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 8, "start": 38, "end": 44, "duration": 6, "beat": "余味：接回钩子并打开新可能", "action": "窗外又有一盏远处船灯亮起，罗盘第五针轻点两次；结尾告诉观众“家”可以接纳更多人，圆盘构图回到开头。", "camera": "以本镜描述的收尾物件构图；最后的形状、光点或运动方向匹配开场关键元素。允许改变景别，但匹配关系必须清楚。", "performance": "人物保持结局得到的安全与关系；新的小悬念不撤销已经完成的情绪回报。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "取第一镜的同一种音色作为最后一个轻声提示，让尾音衔接循环；不突然加入无关轰鸣。", "transition": "最后0.3秒保留与开头相似的轮廓/音色，允许无缝循环；不加黑底强制点击卡。", "timing": "38–39.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" } ], "path": "creative/C055--authored--prompts--codex-eight-frame-reference-zh.txt", "text": "来源文件：prompts/codex-eight-frame-reference-zh.txt\n来源名称：codex-eight-frame-reference-zh\n实际来源记录：prompts/codex-eight-frame-reference-zh.txt\n原文可用点：Codex整理或同一完整蓝图的编译格式；不是独立视觉模型。\n原文问题/边界：此类来源的完整叙事来自更多证据与宿主写作，不能和8帧原生描述作同条件能力排名。\n转化方式：整理/编译来源：沿用其人物、海岸、道具与情绪组织的制作意图。格式版本共享基础故事，不能把输出格式数当独立创作模型数。\n本次选择的新故事：罗盘的第五个方向。所有幻想事件都是二创，不用原文中的误识别冒充事实。\n\n《罗盘的第五个方向》｜道具反转｜44秒完整剪辑稿\n\n制作目标：44秒，9:16竖屏，8个剪辑镜头，目标1080×1920、24fps。时间表是剪辑设计，不是任一平台API保证；按工具实际支持的片段长度生成，再裁切拼接。此处没有生成视频。\n视觉基调：架空旧式沿海村落，湿泥、粗布、旧木和黄铜具有可触摸的写实材质；幼童面部略带童话般大眼比例。灰蓝海水与褐色村屋为底，红发带是辨识点，幻想光源以局部金色/银色呈现。\n小满：幼童女孩，黑发双髻、左右各一条红发带、额头小红点；灰褐补丁粗布衣、布挎袋、旧布鞋。开场若用蓝披衣，则全片保持，除非镜头明确拍下脱衣。性格敏感、先看大人反应，再敢表达愿望。红点不是伤口，红发带不是红头发。\n海生：青年男性，凌乱黑发，旧蓝外衣、灰内衫、深裤；行动稳，保护孩子时先降到她的眼平高度，不以大喊替代关心。\n苏兰：成年女性，深发松束、灰褐无袖粗布上衣、简单项链与腕布；观察细节，负责托稳道具、递布或摆碗等具体照顾。\n二狗：青年男性，短黑发、橄榄绿外衣；提供轻微喜剧和观众反应，后半段愿意放慢动作参与帮助，不把他写成伤害孩子的反派。\n上述人物只在本镜明确指定时出现。群众只作远处模糊背景，不增加新主角。多人同框时优先保持海生在左、苏兰在后、二狗在右、小满在前中；若换位，用中广景交代，不瞬移。\n环境连续性：泥滩、浅水、旧船和村屋保持同一架空地点。海平线稳定。湿衣不会无故变干。室内暖色由船灯或灶火提供；室外变暖用云隙光或明确的幻想道具光解释，不让44秒凭空跨越数小时。\n人物表情与道具变化分开生成更易核对：每镜最多一个主要幻想动作，真实人物不随道具变形。以上服装、人物名和新动作均属本次二创设定，不声称模型从8帧恢复了全部身份。\n\n核心道具锁：五向罗盘、红绳、旧屋门。先为本片制作一张统一道具参考图，记录缺口、锈斑、左右方向、尺寸；镜头之间沿用同一版本。\n\n本片新规则：第五个方向叫“有人等你”，由门口的一盏灯而非地理坐标触发；标签用后期文字。 此规则是新创作，不是原片事实。\n\n第一秒视觉钩子：罗盘的四个方位已裂成五瓣，第五根指针直直指向镜头外一扇亮灯的门；海生转身，女孩却一直望着同一个方向。\n\n目标情绪路径：惊奇 → 好奇 → 共情 → 紧张 → 信任 → 释放 → 温暖 → 余味。它是创作设计，不是已测得的观众留存数据。\n\n分镜与生成指令（逐镜生成，再按时间码剪辑；全局角色锁及规则与每一镜一起输入）：\n\n镜头01｜00–01秒｜1秒｜惊奇：先看见不可能\n画面与动作：罗盘的四个方位已裂成五瓣，第五根指针直直指向镜头外一扇亮灯的门；海生转身，女孩却一直望着同一个方向。\n动作节拍：0.00–0.15秒直接展示钩子关键帧；0.15–0.70秒让异常动作继续；0.70–1.00秒用呼吸或微小停顿准备切入反应。\n构图与镜头：85mm感微距，道具占画面约三分之二，人物眼睛或手作为尺度参照；单一明确机位，不用无目标甩镜；异常动作在画面开始时已经发生。\n人物表演：以本镜指定的人物/道具为中心，背景角色不抢动作。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：以潮声、湿泥轻响、旧木或黄铜触碰声中最贴合本镜道具的一声开场；配一个短低频脉冲，随即让出空间，不叠加尖叫。\n衔接：在异常动作最清楚的一刻硬切至下一镜指定动作或反应；不先放片名或黑屏。\n\n镜头02｜01–04秒｜3秒｜好奇：理解人物的反应\n画面与动作：二狗把罗盘倒过来，五根针仍拼命指向屋门；小满用指尖轻触第五瓣，红发带与表盘里的红线呼应。\n动作节拍：1–1.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：85mm感道具近特写，轻俯拍，焦点落在本镜指定接触点；人物只保留必要手部或眼睛倒影，不强行切成正面人像。\n人物表演：若小满在本镜入画，眼神先落在道具，再转向海生；若为纯道具镜，不额外挤入人脸。海生与孩子交流时保持相近眼平高度。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：保留孩子一次吸气和衣料轻摩擦，环境声变窄，音乐只留很轻的持续音。\n衔接：按人物视线切到问题或缺少之物，前一镜最后一声环境音延续约0.15秒。\n\n镜头03｜04–09秒｜5秒｜共情：显露一个小缺口\n画面与动作：桌上地图画满远海宝藏位置，海生收拾行囊；小满替他装好干布，偷偷把自己小小的空碗往灶边推。\n动作节拍：4–5.25秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：35mm感中景或中近景，交代角色、目标道具和可行动空间；保持眼线一致。\n人物表演：让负责本镜行动的成人先动，孩子随后作出可见反应；避免所有人同时表演。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：空碗、空袋、脚步或木板声选本镜实际存在的一项放近；未出场物件不配声，避免声源误导。\n衔接：用逐渐靠近的风声/物件声引入下一镜；剪切前先让观众认清道具位置。\n\n镜头04｜09–15秒｜6秒｜紧张：让选择有代价\n画面与动作：屋门的灯被海风吹暗，第五根针也跟着颤抖；海生迈出门槛，孩子强装笑容，手停在半空没有挽留。\n动作节拍：9–10.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：28mm感稍低机位，前景放障碍或关键道具，后景保留退路；缓慢推进，不乱晃。\n人物表演：海生或苏兰承担保护动作，孩子的恐惧用呼吸与手指表现；二狗的夸张反应不压过危险信息。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：风与低频逐步增强，声音来自画面可解释方向；临近决定时收低，不盖过呼吸。\n衔接：在角色看向选择对象时切到手部，危险声短暂收低，突出决定。\n\n镜头05｜15–22秒｜7秒｜信任：人物主动做决定\n画面与动作：他看到针的变化，放下行囊，先回身护住灯火；小满把红绳递过去，帮助固定晃动的灯罩。\n动作节拍：15–16.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：65–85mm感手部/道具插入镜头，焦点从指尖过渡到被选择的物件；只做一次明确动作。\n人物表演：选择必须由清楚的手部动作落实；其余角色停住，给观众看懂选择的空间。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：对白：海生轻声说“不往远处，往灯亮的地方。”；只配一次明确道具接触声。\n衔接：按动作方向匹配下一镜的变化，避免用白闪遮盖因果。\n\n镜头06｜22–30秒｜8秒｜释放：回报具有清楚因果\n画面与动作：第五瓣完全展开，映出他们共同修好的旧屋；其余四针不再互相争抢方向，轻轻合拢为一条回岸路线。\n动作节拍：22–24.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：28–35mm感中广景，由关键道具向外缓慢拉开，完整看见变化及安全距离。\n人物表演：先让道具/环境发生变化，再切或移到人物反应；变化只遵守本故事规则。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：潮声、湿泥轻响、旧木或黄铜触碰声随变化从密变疏，再进入温暖的两三个原创音符；不使用现成热门歌曲歌词。\n衔接：变化完成后停半拍再切脸部；环境音恢复，音乐只抬高一层。\n\n镜头07｜30–38秒｜8秒｜温暖：给表情留下时间\n画面与动作：海生把出海改到翌日，先围桌陪孩子吃饭；小满把第五瓣描成一个小门形，笑容不再勉强。\n动作节拍：30–32.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：50–65mm感面部近景，稳定机位，留出至少半秒无对白微表情。\n人物表演：孩子的肩膀放松、视线愿意停留；成人以小动作回应，不用齐声大笑替代情绪。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：对白：小满说“第五个方向，叫回家。”；其余人用目光回应，留半秒安静。\n衔接：由人物最后的目光或手指引向收尾道具，暖光保持一致。\n\n镜头08｜38–44秒｜6秒｜余味：接回钩子并打开新可能\n画面与动作：窗外又有一盏远处船灯亮起，罗盘第五针轻点两次；结尾告诉观众“家”可以接纳更多人，圆盘构图回到开头。\n动作节拍：38–39.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：以本镜描述的收尾物件构图；最后的形状、光点或运动方向匹配开场关键元素。允许改变景别，但匹配关系必须清楚。\n人物表演：人物保持结局得到的安全与关系；新的小悬念不撤销已经完成的情绪回报。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：取第一镜的同一种音色作为最后一个轻声提示，让尾音衔接循环；不突然加入无关轰鸣。\n衔接：最后0.3秒保留与开头相似的轮廓/音色，允许无缝循环；不加黑底强制点击卡。\n\n负向与连续性检查：不出现无依据的手机、枪械、医院、现代车辆、书上伪造大段文字、未经设计的影视角色或艺术家署名。保持双髻、红带、额头红点及四名主角身份；不多生手指、蟹腿，不让手与道具穿模，不把罗盘替换成怀表。道具在同一镜内不得随机换材质、数量、左右位置或开合状态。只允许故事规则指定的物件变化；儿童无血腥伤害。所有字幕、可读书名和界面文字后期添加，生成画面不带水印、伪字幕或推广尾卡。\n合成前逐镜核对：人物数与站坐姿；第一帧是否已有异常；动作起点/终点能否接上；道具尺寸是否受控；视线和海平线是否一致；每个回报能否追溯到前一镜的选择。未拍出因果时重做相关镜头，不能靠旁白掩盖。\n\n平台剪辑备选（不是平台时长限制，也不是热度保证）：\nTikTok测试版：保留0–1秒钩子，1–4秒加一行疑问字幕，22–30秒完整展示回报；可将4–9秒背景压成3秒，成片约42秒。\nInstagram Reels测试版：保持道具质感与暖光配色，前1秒无需读字即可理解异常；保留30–38秒表情停顿，以收尾道具作封面，主体仍44秒。\nYouTube Shorts测试版：保持44秒因果链，画外说明最多一句；最后0.3秒与开头形状/声响呼应，避免只留下未兑现的悬念。\n所有字幕建议单行、短句，放在人物面部与关键道具之外；先按实际播放器界面预览遮挡。\n\n可测试的两个开头：A使用第一镜的大/小、静/动反差；B保持同一异常事件，但从小满瞳孔或手中道具切入，再在0.6秒内露出尺度参照。只改变开头一项，其余剪辑保持一致；是否提高留存需要真实成片与实际观看数据，本任务未做此测试。" }, { "id": "C056", "title": "一粒米唤醒大海", "concept_id": "S01", "concept_index": 0, "version": 0, "genre": "奇观温情", "duration_seconds": 44, "shot_count": 8, "source_id": "authored--prompts--codex-full-reference-en", "source_name": "codex-full-reference-en", "category": "authored", "source_path": "prompts/codex-full-reference-en.txt", "source_record": "prompts/codex-full-reference-en.txt", "source_paths": [ "prompts/codex-full-reference-en.txt" ], "source_excerpt": "Create a roughly 416-second vertical 9:16 coastal fantasy family drama as separately generated and edited sequences. Preserve tactile weathered timber, coarse cloth, wet sand and an AI-stylized toddler with large eyes. The girl has dark twin buns, red ribbons and a red forehead dot, with worn gray-brown clothes and a cloth shoulder strap, initially a blue outer layer. Her rescuer has tousled dark hair, a worn blue jacket and gray undershirt. His short-haired companion wears olive green. The protective woman has loosely tied dark hair, a gray-brown sleeveless top, layered necklaces and wrist wr", "source_review": { "strength": "Codex整理或同一完整蓝图的编译格式；不是独立视觉模型。", "issues": "此类来源的完整叙事来自更多证据与宿主写作，不能和8帧原生描述作同条件能力排名。" }, "contribution": "整理/编译来源：沿用其人物、海岸、道具与情绪组织的制作意图。格式版本共享基础故事，不能把输出格式数当独立创作模型数。", "source_duplicate_of": null, "source_hash": "c485ac206b1d479fcab9bd1eab41971cd4d3ed446ac90e90583ef46737d4fa48", "body_hash": "161c89fc5b6c1eb430d8b8e18f05be8c572bb2fca7905436db560a73a55e51cc", "author": "Codex, shared writer; not original model output", "fallback": false, "hook": "一粒米悬在女孩掌心上方，身后海面已映出与房屋同高的半透明金色蟹钳虚影；虚影尚未触水，小满屏住呼吸，白米与巨钳构成极端尺度反差。", "rule": "开场巨钳只是没有触水的预告光影；米粒被主动分享后，守护者才真正现身托物，巨钳不夹人。", "shots": [ { "number": 1, "start": 0, "end": 1, "duration": 1, "beat": "惊奇：先看见不可能", "action": "一粒米悬在女孩掌心上方，身后海面已映出与房屋同高的半透明金色蟹钳虚影；虚影尚未触水，小满屏住呼吸，白米与巨钳构成极端尺度反差。", "camera": "24–35mm感中广景或前景近物后景巨物，保留明确大小参照；单一明确机位，不用无目标甩镜；异常动作在画面开始时已经发生。", "performance": "以本镜指定的人物/道具为中心，背景角色不抢动作。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "以潮声、湿泥轻响、旧木或黄铜触碰声中最贴合本镜道具的一声开场；配一个短低频脉冲，随即让出空间，不叠加尖叫。", "transition": "在异常动作最清楚的一刻硬切至下一镜指定动作或反应；不先放片名或黑屏。", "timing": "0.00–0.15秒直接展示钩子关键帧；0.15–0.70秒让异常动作继续；0.70–1.00秒用呼吸或微小停顿准备切入反应。" }, { "number": 2, "start": 1, "end": 4, "duration": 3, "beat": "好奇：理解人物的反应", "action": "切到掌心，米粒沿皮肤纹路滚向一只小蟹；小满先缩手，随后看见小蟹空空的钳子，眼神从惊讶变成犹豫。", "camera": "85mm感道具近特写，轻俯拍，焦点落在本镜指定接触点；人物只保留必要手部或眼睛倒影，不强行切成正面人像。", "performance": "若小满在本镜入画，眼神先落在道具，再转向海生；若为纯道具镜，不额外挤入人脸。海生与孩子交流时保持相近眼平高度。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "保留孩子一次吸气和衣料轻摩擦，环境声变窄，音乐只留很轻的持续音。", "transition": "按人物视线切到问题或缺少之物，前一镜最后一声环境音延续约0.15秒。", "timing": "1–1.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 3, "start": 4, "end": 9, "duration": 5, "beat": "共情：显露一个小缺口", "action": "插入出门前的短回忆：海生掀开米缸，底部只剩细碎米屑；他把缺口碗推到孩子面前，自己把空碗倒扣，装作不饿；下一镜回到泥滩。", "camera": "35mm感中景或中近景，交代角色、目标道具和可行动空间；保持眼线一致。", "performance": "让负责本镜行动的成人先动，孩子随后作出可见反应；避免所有人同时表演。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "空碗、空袋、脚步或木板声选本镜实际存在的一项放近；未出场物件不配声，避免声源误导。", "transition": "用逐渐靠近的风声/物件声引入下一镜；剪切前先让观众认清道具位置。", "timing": "4–5.25秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 4, "start": 9, "end": 15, "duration": 6, "beat": "紧张：让选择有代价", "action": "海风把唯一米粒吹到泥水边；小满扑低护住它，巨蟹的影子遮住所有人，二狗下意识护住孩子。", "camera": "28mm感稍低机位，前景放障碍或关键道具，后景保留退路；缓慢推进，不乱晃。", "performance": "海生或苏兰承担保护动作，孩子的恐惧用呼吸与手指表现；二狗的夸张反应不压过危险信息。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "风与低频逐步增强，声音来自画面可解释方向；临近决定时收低，不盖过呼吸。", "transition": "在角色看向选择对象时切到手部，危险声短暂收低，突出决定。", "timing": "9–10.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 5, "start": 15, "end": 22, "duration": 7, "beat": "信任：人物主动做决定", "action": "小满把米粒轻放进小蟹钳间，摊开空手，没有向大海伸手索取；海生看到她的选择，缓缓放下拦住她的手。", "camera": "65–85mm感手部/道具插入镜头，焦点从指尖过渡到被选择的物件；只做一次明确动作。", "performance": "选择必须由清楚的手部动作落实；其余角色停住，给观众看懂选择的空间。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "对白：小满轻声说“你也饿了吗？”；只配一次明确道具接触声。", "transition": "按动作方向匹配下一镜的变化，避免用白闪遮盖因果。", "timing": "15–16.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 6, "start": 22, "end": 30, "duration": 8, "beat": "释放：回报具有清楚因果", "action": "小蟹敲击泥面，巨钳托起一只干净的旧木箱；箱盖打开，完整米袋与干燥种子出现，海水从箱底排走。", "camera": "28–35mm感中广景，由关键道具向外缓慢拉开，完整看见变化及安全距离。", "performance": "先让道具/环境发生变化，再切或移到人物反应；变化只遵守本故事规则。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "潮声、湿泥轻响、旧木或黄铜触碰声随变化从密变疏，再进入温暖的两三个原创音符；不使用现成热门歌曲歌词。", "transition": "变化完成后停半拍再切脸部；环境音恢复，音乐只抬高一层。", "timing": "22–24.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 7, "start": 30, "end": 38, "duration": 8, "beat": "温暖：给表情留下时间", "action": "苏兰盛出热米饭，小满先给空钳的小蟹放一粒；海生的手轻盖在孩子肩上，三人同时松开紧绷的眉头。", "camera": "50–65mm感面部近景，稳定机位，留出至少半秒无对白微表情。", "performance": "孩子的肩膀放松、视线愿意停留；成人以小动作回应，不用齐声大笑替代情绪。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "对白：苏兰说“这次，大家都能吃饱。”；其余人用目光回应，留半秒安静。", "transition": "由人物最后的目光或手指引向收尾道具，暖光保持一致。", "timing": "30–32.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 8, "start": 38, "end": 44, "duration": 6, "beat": "余味：接回钩子并打开新可能", "action": "碗边那一粒米微微发光，海面远处又浮起一条金色弧线；镜头贴近米粒，圆形高光与开头掌心中的米匹配。", "camera": "85mm感道具近特写，轻俯拍，焦点落在本镜指定接触点；人物只保留必要手部或眼睛倒影，不强行切成正面人像。", "performance": "人物保持结局得到的安全与关系；新的小悬念不撤销已经完成的情绪回报。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "取第一镜的同一种音色作为最后一个轻声提示，让尾音衔接循环；不突然加入无关轰鸣。", "transition": "最后0.3秒保留与开头相似的轮廓/音色，允许无缝循环；不加黑底强制点击卡。", "timing": "38–39.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" } ], "path": "creative/C056--authored--prompts--codex-full-reference-en.txt", "text": "来源文件：prompts/codex-full-reference-en.txt\n来源名称：codex-full-reference-en\n实际来源记录：prompts/codex-full-reference-en.txt\n原文可用点：Codex整理或同一完整蓝图的编译格式；不是独立视觉模型。\n原文问题/边界：此类来源的完整叙事来自更多证据与宿主写作，不能和8帧原生描述作同条件能力排名。\n转化方式：整理/编译来源：沿用其人物、海岸、道具与情绪组织的制作意图。格式版本共享基础故事，不能把输出格式数当独立创作模型数。\n本次选择的新故事：一粒米唤醒大海。所有幻想事件都是二创，不用原文中的误识别冒充事实。\n\n《一粒米唤醒大海》｜奇观温情｜44秒完整剪辑稿\n\n制作目标：44秒，9:16竖屏，8个剪辑镜头，目标1080×1920、24fps。时间表是剪辑设计，不是任一平台API保证；按工具实际支持的片段长度生成，再裁切拼接。此处没有生成视频。\n视觉基调：架空旧式沿海村落，湿泥、粗布、旧木和黄铜具有可触摸的写实材质；幼童面部略带童话般大眼比例。灰蓝海水与褐色村屋为底，红发带是辨识点，幻想光源以局部金色/银色呈现。\n小满：幼童女孩，黑发双髻、左右各一条红发带、额头小红点；灰褐补丁粗布衣、布挎袋、旧布鞋。开场若用蓝披衣，则全片保持，除非镜头明确拍下脱衣。性格敏感、先看大人反应，再敢表达愿望。红点不是伤口，红发带不是红头发。\n海生：青年男性，凌乱黑发，旧蓝外衣、灰内衫、深裤；行动稳，保护孩子时先降到她的眼平高度，不以大喊替代关心。\n苏兰：成年女性，深发松束、灰褐无袖粗布上衣、简单项链与腕布；观察细节，负责托稳道具、递布或摆碗等具体照顾。\n二狗：青年男性，短黑发、橄榄绿外衣；提供轻微喜剧和观众反应，后半段愿意放慢动作参与帮助，不把他写成伤害孩子的反派。\n上述人物只在本镜明确指定时出现。群众只作远处模糊背景，不增加新主角。多人同框时优先保持海生在左、苏兰在后、二狗在右、小满在前中；若换位，用中广景交代，不瞬移。\n环境连续性：泥滩、浅水、旧船和村屋保持同一架空地点。海平线稳定。湿衣不会无故变干。室内暖色由船灯或灶火提供；室外变暖用云隙光或明确的幻想道具光解释，不让44秒凭空跨越数小时。\n人物表情与道具变化分开生成更易核对：每镜最多一个主要幻想动作，真实人物不随道具变形。以上服装、人物名和新动作均属本次二创设定，不声称模型从8帧恢复了全部身份。\n\n核心道具锁：缺口白瓷碗、一粒白米、左钳有白斑的金蟹。先为本片制作一张统一道具参考图，记录缺口、锈斑、左右方向、尺寸；镜头之间沿用同一版本。\n\n本片新规则：开场巨钳只是没有触水的预告光影；米粒被主动分享后，守护者才真正现身托物，巨钳不夹人。 此规则是新创作，不是原片事实。\n\n第一秒视觉钩子：一粒米悬在女孩掌心上方，身后海面已映出与房屋同高的半透明金色蟹钳虚影；虚影尚未触水，小满屏住呼吸，白米与巨钳构成极端尺度反差。\n\n目标情绪路径：惊奇 → 好奇 → 共情 → 紧张 → 信任 → 释放 → 温暖 → 余味。它是创作设计，不是已测得的观众留存数据。\n\n分镜与生成指令（逐镜生成，再按时间码剪辑；全局角色锁及规则与每一镜一起输入）：\n\n镜头01｜00–01秒｜1秒｜惊奇：先看见不可能\n画面与动作：一粒米悬在女孩掌心上方，身后海面已映出与房屋同高的半透明金色蟹钳虚影；虚影尚未触水，小满屏住呼吸，白米与巨钳构成极端尺度反差。\n动作节拍：0.00–0.15秒直接展示钩子关键帧；0.15–0.70秒让异常动作继续；0.70–1.00秒用呼吸或微小停顿准备切入反应。\n构图与镜头：24–35mm感中广景或前景近物后景巨物，保留明确大小参照；单一明确机位，不用无目标甩镜；异常动作在画面开始时已经发生。\n人物表演：以本镜指定的人物/道具为中心，背景角色不抢动作。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：以潮声、湿泥轻响、旧木或黄铜触碰声中最贴合本镜道具的一声开场；配一个短低频脉冲，随即让出空间，不叠加尖叫。\n衔接：在异常动作最清楚的一刻硬切至下一镜指定动作或反应；不先放片名或黑屏。\n\n镜头02｜01–04秒｜3秒｜好奇：理解人物的反应\n画面与动作：切到掌心，米粒沿皮肤纹路滚向一只小蟹；小满先缩手，随后看见小蟹空空的钳子，眼神从惊讶变成犹豫。\n动作节拍：1–1.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：85mm感道具近特写，轻俯拍，焦点落在本镜指定接触点；人物只保留必要手部或眼睛倒影，不强行切成正面人像。\n人物表演：若小满在本镜入画，眼神先落在道具，再转向海生；若为纯道具镜，不额外挤入人脸。海生与孩子交流时保持相近眼平高度。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：保留孩子一次吸气和衣料轻摩擦，环境声变窄，音乐只留很轻的持续音。\n衔接：按人物视线切到问题或缺少之物，前一镜最后一声环境音延续约0.15秒。\n\n镜头03｜04–09秒｜5秒｜共情：显露一个小缺口\n画面与动作：插入出门前的短回忆：海生掀开米缸，底部只剩细碎米屑；他把缺口碗推到孩子面前，自己把空碗倒扣，装作不饿；下一镜回到泥滩。\n动作节拍：4–5.25秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：35mm感中景或中近景，交代角色、目标道具和可行动空间；保持眼线一致。\n人物表演：让负责本镜行动的成人先动，孩子随后作出可见反应；避免所有人同时表演。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：空碗、空袋、脚步或木板声选本镜实际存在的一项放近；未出场物件不配声，避免声源误导。\n衔接：用逐渐靠近的风声/物件声引入下一镜；剪切前先让观众认清道具位置。\n\n镜头04｜09–15秒｜6秒｜紧张：让选择有代价\n画面与动作：海风把唯一米粒吹到泥水边；小满扑低护住它，巨蟹的影子遮住所有人，二狗下意识护住孩子。\n动作节拍：9–10.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：28mm感稍低机位，前景放障碍或关键道具，后景保留退路；缓慢推进，不乱晃。\n人物表演：海生或苏兰承担保护动作，孩子的恐惧用呼吸与手指表现；二狗的夸张反应不压过危险信息。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：风与低频逐步增强，声音来自画面可解释方向；临近决定时收低，不盖过呼吸。\n衔接：在角色看向选择对象时切到手部，危险声短暂收低，突出决定。\n\n镜头05｜15–22秒｜7秒｜信任：人物主动做决定\n画面与动作：小满把米粒轻放进小蟹钳间，摊开空手，没有向大海伸手索取；海生看到她的选择，缓缓放下拦住她的手。\n动作节拍：15–16.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：65–85mm感手部/道具插入镜头，焦点从指尖过渡到被选择的物件；只做一次明确动作。\n人物表演：选择必须由清楚的手部动作落实；其余角色停住，给观众看懂选择的空间。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：对白：小满轻声说“你也饿了吗？”；只配一次明确道具接触声。\n衔接：按动作方向匹配下一镜的变化，避免用白闪遮盖因果。\n\n镜头06｜22–30秒｜8秒｜释放：回报具有清楚因果\n画面与动作：小蟹敲击泥面，巨钳托起一只干净的旧木箱；箱盖打开，完整米袋与干燥种子出现，海水从箱底排走。\n动作节拍：22–24.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：28–35mm感中广景，由关键道具向外缓慢拉开，完整看见变化及安全距离。\n人物表演：先让道具/环境发生变化，再切或移到人物反应；变化只遵守本故事规则。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：潮声、湿泥轻响、旧木或黄铜触碰声随变化从密变疏，再进入温暖的两三个原创音符；不使用现成热门歌曲歌词。\n衔接：变化完成后停半拍再切脸部；环境音恢复，音乐只抬高一层。\n\n镜头07｜30–38秒｜8秒｜温暖：给表情留下时间\n画面与动作：苏兰盛出热米饭，小满先给空钳的小蟹放一粒；海生的手轻盖在孩子肩上，三人同时松开紧绷的眉头。\n动作节拍：30–32.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：50–65mm感面部近景，稳定机位，留出至少半秒无对白微表情。\n人物表演：孩子的肩膀放松、视线愿意停留；成人以小动作回应，不用齐声大笑替代情绪。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：对白：苏兰说“这次，大家都能吃饱。”；其余人用目光回应，留半秒安静。\n衔接：由人物最后的目光或手指引向收尾道具，暖光保持一致。\n\n镜头08｜38–44秒｜6秒｜余味：接回钩子并打开新可能\n画面与动作：碗边那一粒米微微发光，海面远处又浮起一条金色弧线；镜头贴近米粒，圆形高光与开头掌心中的米匹配。\n动作节拍：38–39.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：85mm感道具近特写，轻俯拍，焦点落在本镜指定接触点；人物只保留必要手部或眼睛倒影，不强行切成正面人像。\n人物表演：人物保持结局得到的安全与关系；新的小悬念不撤销已经完成的情绪回报。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：取第一镜的同一种音色作为最后一个轻声提示，让尾音衔接循环；不突然加入无关轰鸣。\n衔接：最后0.3秒保留与开头相似的轮廓/音色，允许无缝循环；不加黑底强制点击卡。\n\n负向与连续性检查：不出现无依据的手机、枪械、医院、现代车辆、书上伪造大段文字、未经设计的影视角色或艺术家署名。保持双髻、红带、额头红点及四名主角身份；不多生手指、蟹腿，不让手与道具穿模，不把罗盘替换成怀表。道具在同一镜内不得随机换材质、数量、左右位置或开合状态。只允许故事规则指定的物件变化；儿童无血腥伤害。所有字幕、可读书名和界面文字后期添加，生成画面不带水印、伪字幕或推广尾卡。\n合成前逐镜核对：人物数与站坐姿；第一帧是否已有异常；动作起点/终点能否接上；道具尺寸是否受控；视线和海平线是否一致；每个回报能否追溯到前一镜的选择。未拍出因果时重做相关镜头，不能靠旁白掩盖。\n\n平台剪辑备选（不是平台时长限制，也不是热度保证）：\nTikTok测试版：保留0–1秒钩子，1–4秒加一行疑问字幕，22–30秒完整展示回报；可将4–9秒背景压成3秒，成片约42秒。\nInstagram Reels测试版：保持道具质感与暖光配色，前1秒无需读字即可理解异常；保留30–38秒表情停顿，以收尾道具作封面，主体仍44秒。\nYouTube Shorts测试版：保持44秒因果链，画外说明最多一句；最后0.3秒与开头形状/声响呼应，避免只留下未兑现的悬念。\n所有字幕建议单行、短句，放在人物面部与关键道具之外；先按实际播放器界面预览遮挡。\n\n可测试的两个开头：A使用第一镜的大/小、静/动反差；B保持同一异常事件，但从小满瞳孔或手中道具切入，再在0.6秒内露出尺度参照。只改变开头一项，其余剪辑保持一致；是否提高留存需要真实成片与实际观看数据，本任务未做此测试。" }, { "id": "C057", "title": "一粒米唤醒大海", "concept_id": "S01", "concept_index": 0, "version": 0, "genre": "奇观温情", "duration_seconds": 44, "shot_count": 8, "source_id": "authored--prompts--codex-full-reference-zh", "source_name": "codex-full-reference-zh", "category": "authored", "source_path": "prompts/codex-full-reference-zh.txt", "source_record": "prompts/codex-full-reference-zh.txt", "source_paths": [ "prompts/codex-full-reference-zh.txt" ], "source_excerpt": "制作9:16竖屏海边奇幻家庭短剧，叙事总长约416秒，按以下段落分别生成和剪辑，不要求一次生成整片。写实旧木、粗布、潮湿泥沙与夸张幼童大眼睛相结合。\n角色锁：小满：幼童女孩，黑发双髻、红发带、额头红点、大眼睛；灰褐色破旧粗布衣、布挎带，开场部分有蓝色外衣，获救后头发湿润。；海生：青年男性，凌乱深色头发，旧蓝色外衣、灰色内衫、深色裤子。；二狗：短黑发青年男性，橄榄绿外衣、灰色内衫，表情夸张，后段提两桶蟹。；苏兰：深色头发松散束起，灰褐色无袖粗布上衣、多层项链、腕带与挎带。；王秀梅：长深发，棕色碎花衣、深色马甲。；刘桂香：深色头巾、深色上衣的年长女性。\n9:16竖屏，写实材质与夸张幼童面部比例结合的AI短剧。灰蓝海水、旧木船、粗布衣物、泥滩、沿海村落；后半段以金色低角度阳光和青绿海藻增强丰收感。大量正反打、面部特写、道具插入镜头和硬切。\n0—6秒：幼童在泥滩指向螃蟹与船。约2秒出现巨大的金黄色蟹，随后船只大小发生奇幻变化。 情绪功能：惊奇。\n6—9秒：成年人指责与抓住孩子手臂，随后短暂黑切。不能从抽帧证明黑切间发生的动作。 情绪功能：威胁。\n9—18秒：旧木船上从渔网中救起湿漉漉的女孩，切到流泪面部特写。 情绪功能：脆弱与怜惜。\n18—38秒：蓝衣男子抱着孩子询问来处，绿衣同伴疑惑；幼童依偎。 情绪功能：温柔与悬念。\n38—51秒：女孩看向海面并预警；远景出现远高于木船的巨大海浪与海鸟", "source_review": { "strength": "Codex整理或同一完整蓝图的编译格式；不是独立视觉模型。", "issues": "此类来源的完整叙事来自更多证据与宿主写作，不能和8帧原生描述作同条件能力排名。" }, "contribution": "整理/编译来源：沿用其人物、海岸、道具与情绪组织的制作意图。格式版本共享基础故事，不能把输出格式数当独立创作模型数。", "source_duplicate_of": null, "source_hash": "8510d7268a0787de4246174860a5a9ddb3bc059401a8e17cec5cc616ef4c8792", "body_hash": "161c89fc5b6c1eb430d8b8e18f05be8c572bb2fca7905436db560a73a55e51cc", "author": "Codex, shared writer; not original model output", "fallback": false, "hook": "一粒米悬在女孩掌心上方，身后海面已映出与房屋同高的半透明金色蟹钳虚影；虚影尚未触水，小满屏住呼吸，白米与巨钳构成极端尺度反差。", "rule": "开场巨钳只是没有触水的预告光影；米粒被主动分享后，守护者才真正现身托物，巨钳不夹人。", "shots": [ { "number": 1, "start": 0, "end": 1, "duration": 1, "beat": "惊奇：先看见不可能", "action": "一粒米悬在女孩掌心上方，身后海面已映出与房屋同高的半透明金色蟹钳虚影；虚影尚未触水，小满屏住呼吸，白米与巨钳构成极端尺度反差。", "camera": "24–35mm感中广景或前景近物后景巨物，保留明确大小参照；单一明确机位，不用无目标甩镜；异常动作在画面开始时已经发生。", "performance": "以本镜指定的人物/道具为中心，背景角色不抢动作。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "以潮声、湿泥轻响、旧木或黄铜触碰声中最贴合本镜道具的一声开场；配一个短低频脉冲，随即让出空间，不叠加尖叫。", "transition": "在异常动作最清楚的一刻硬切至下一镜指定动作或反应；不先放片名或黑屏。", "timing": "0.00–0.15秒直接展示钩子关键帧；0.15–0.70秒让异常动作继续；0.70–1.00秒用呼吸或微小停顿准备切入反应。" }, { "number": 2, "start": 1, "end": 4, "duration": 3, "beat": "好奇：理解人物的反应", "action": "切到掌心，米粒沿皮肤纹路滚向一只小蟹；小满先缩手，随后看见小蟹空空的钳子，眼神从惊讶变成犹豫。", "camera": "85mm感道具近特写，轻俯拍，焦点落在本镜指定接触点；人物只保留必要手部或眼睛倒影，不强行切成正面人像。", "performance": "若小满在本镜入画，眼神先落在道具，再转向海生；若为纯道具镜，不额外挤入人脸。海生与孩子交流时保持相近眼平高度。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "保留孩子一次吸气和衣料轻摩擦，环境声变窄，音乐只留很轻的持续音。", "transition": "按人物视线切到问题或缺少之物，前一镜最后一声环境音延续约0.15秒。", "timing": "1–1.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 3, "start": 4, "end": 9, "duration": 5, "beat": "共情：显露一个小缺口", "action": "插入出门前的短回忆：海生掀开米缸，底部只剩细碎米屑；他把缺口碗推到孩子面前，自己把空碗倒扣，装作不饿；下一镜回到泥滩。", "camera": "35mm感中景或中近景，交代角色、目标道具和可行动空间；保持眼线一致。", "performance": "让负责本镜行动的成人先动，孩子随后作出可见反应；避免所有人同时表演。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "空碗、空袋、脚步或木板声选本镜实际存在的一项放近；未出场物件不配声，避免声源误导。", "transition": "用逐渐靠近的风声/物件声引入下一镜；剪切前先让观众认清道具位置。", "timing": "4–5.25秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 4, "start": 9, "end": 15, "duration": 6, "beat": "紧张：让选择有代价", "action": "海风把唯一米粒吹到泥水边；小满扑低护住它，巨蟹的影子遮住所有人，二狗下意识护住孩子。", "camera": "28mm感稍低机位，前景放障碍或关键道具，后景保留退路；缓慢推进，不乱晃。", "performance": "海生或苏兰承担保护动作，孩子的恐惧用呼吸与手指表现；二狗的夸张反应不压过危险信息。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "风与低频逐步增强，声音来自画面可解释方向；临近决定时收低，不盖过呼吸。", "transition": "在角色看向选择对象时切到手部，危险声短暂收低，突出决定。", "timing": "9–10.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 5, "start": 15, "end": 22, "duration": 7, "beat": "信任：人物主动做决定", "action": "小满把米粒轻放进小蟹钳间，摊开空手，没有向大海伸手索取；海生看到她的选择，缓缓放下拦住她的手。", "camera": "65–85mm感手部/道具插入镜头，焦点从指尖过渡到被选择的物件；只做一次明确动作。", "performance": "选择必须由清楚的手部动作落实；其余角色停住，给观众看懂选择的空间。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "对白：小满轻声说“你也饿了吗？”；只配一次明确道具接触声。", "transition": "按动作方向匹配下一镜的变化，避免用白闪遮盖因果。", "timing": "15–16.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 6, "start": 22, "end": 30, "duration": 8, "beat": "释放：回报具有清楚因果", "action": "小蟹敲击泥面，巨钳托起一只干净的旧木箱；箱盖打开，完整米袋与干燥种子出现，海水从箱底排走。", "camera": "28–35mm感中广景，由关键道具向外缓慢拉开，完整看见变化及安全距离。", "performance": "先让道具/环境发生变化，再切或移到人物反应；变化只遵守本故事规则。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "潮声、湿泥轻响、旧木或黄铜触碰声随变化从密变疏，再进入温暖的两三个原创音符；不使用现成热门歌曲歌词。", "transition": "变化完成后停半拍再切脸部；环境音恢复，音乐只抬高一层。", "timing": "22–24.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 7, "start": 30, "end": 38, "duration": 8, "beat": "温暖：给表情留下时间", "action": "苏兰盛出热米饭，小满先给空钳的小蟹放一粒；海生的手轻盖在孩子肩上，三人同时松开紧绷的眉头。", "camera": "50–65mm感面部近景，稳定机位，留出至少半秒无对白微表情。", "performance": "孩子的肩膀放松、视线愿意停留；成人以小动作回应，不用齐声大笑替代情绪。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "对白：苏兰说“这次，大家都能吃饱。”；其余人用目光回应，留半秒安静。", "transition": "由人物最后的目光或手指引向收尾道具，暖光保持一致。", "timing": "30–32.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 8, "start": 38, "end": 44, "duration": 6, "beat": "余味：接回钩子并打开新可能", "action": "碗边那一粒米微微发光，海面远处又浮起一条金色弧线；镜头贴近米粒，圆形高光与开头掌心中的米匹配。", "camera": "85mm感道具近特写，轻俯拍，焦点落在本镜指定接触点；人物只保留必要手部或眼睛倒影，不强行切成正面人像。", "performance": "人物保持结局得到的安全与关系；新的小悬念不撤销已经完成的情绪回报。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "取第一镜的同一种音色作为最后一个轻声提示，让尾音衔接循环；不突然加入无关轰鸣。", "transition": "最后0.3秒保留与开头相似的轮廓/音色，允许无缝循环；不加黑底强制点击卡。", "timing": "38–39.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" } ], "path": "creative/C057--authored--prompts--codex-full-reference-zh.txt", "text": "来源文件：prompts/codex-full-reference-zh.txt\n来源名称：codex-full-reference-zh\n实际来源记录：prompts/codex-full-reference-zh.txt\n原文可用点：Codex整理或同一完整蓝图的编译格式；不是独立视觉模型。\n原文问题/边界：此类来源的完整叙事来自更多证据与宿主写作，不能和8帧原生描述作同条件能力排名。\n转化方式：整理/编译来源：沿用其人物、海岸、道具与情绪组织的制作意图。格式版本共享基础故事，不能把输出格式数当独立创作模型数。\n本次选择的新故事：一粒米唤醒大海。所有幻想事件都是二创，不用原文中的误识别冒充事实。\n\n《一粒米唤醒大海》｜奇观温情｜44秒完整剪辑稿\n\n制作目标：44秒，9:16竖屏，8个剪辑镜头，目标1080×1920、24fps。时间表是剪辑设计，不是任一平台API保证；按工具实际支持的片段长度生成，再裁切拼接。此处没有生成视频。\n视觉基调：架空旧式沿海村落，湿泥、粗布、旧木和黄铜具有可触摸的写实材质；幼童面部略带童话般大眼比例。灰蓝海水与褐色村屋为底，红发带是辨识点，幻想光源以局部金色/银色呈现。\n小满：幼童女孩，黑发双髻、左右各一条红发带、额头小红点；灰褐补丁粗布衣、布挎袋、旧布鞋。开场若用蓝披衣，则全片保持，除非镜头明确拍下脱衣。性格敏感、先看大人反应，再敢表达愿望。红点不是伤口，红发带不是红头发。\n海生：青年男性，凌乱黑发，旧蓝外衣、灰内衫、深裤；行动稳，保护孩子时先降到她的眼平高度，不以大喊替代关心。\n苏兰：成年女性，深发松束、灰褐无袖粗布上衣、简单项链与腕布；观察细节，负责托稳道具、递布或摆碗等具体照顾。\n二狗：青年男性，短黑发、橄榄绿外衣；提供轻微喜剧和观众反应，后半段愿意放慢动作参与帮助，不把他写成伤害孩子的反派。\n上述人物只在本镜明确指定时出现。群众只作远处模糊背景，不增加新主角。多人同框时优先保持海生在左、苏兰在后、二狗在右、小满在前中；若换位，用中广景交代，不瞬移。\n环境连续性：泥滩、浅水、旧船和村屋保持同一架空地点。海平线稳定。湿衣不会无故变干。室内暖色由船灯或灶火提供；室外变暖用云隙光或明确的幻想道具光解释，不让44秒凭空跨越数小时。\n人物表情与道具变化分开生成更易核对：每镜最多一个主要幻想动作，真实人物不随道具变形。以上服装、人物名和新动作均属本次二创设定，不声称模型从8帧恢复了全部身份。\n\n核心道具锁：缺口白瓷碗、一粒白米、左钳有白斑的金蟹。先为本片制作一张统一道具参考图，记录缺口、锈斑、左右方向、尺寸；镜头之间沿用同一版本。\n\n本片新规则：开场巨钳只是没有触水的预告光影；米粒被主动分享后，守护者才真正现身托物，巨钳不夹人。 此规则是新创作，不是原片事实。\n\n第一秒视觉钩子：一粒米悬在女孩掌心上方，身后海面已映出与房屋同高的半透明金色蟹钳虚影；虚影尚未触水，小满屏住呼吸，白米与巨钳构成极端尺度反差。\n\n目标情绪路径：惊奇 → 好奇 → 共情 → 紧张 → 信任 → 释放 → 温暖 → 余味。它是创作设计，不是已测得的观众留存数据。\n\n分镜与生成指令（逐镜生成，再按时间码剪辑；全局角色锁及规则与每一镜一起输入）：\n\n镜头01｜00–01秒｜1秒｜惊奇：先看见不可能\n画面与动作：一粒米悬在女孩掌心上方，身后海面已映出与房屋同高的半透明金色蟹钳虚影；虚影尚未触水，小满屏住呼吸，白米与巨钳构成极端尺度反差。\n动作节拍：0.00–0.15秒直接展示钩子关键帧；0.15–0.70秒让异常动作继续；0.70–1.00秒用呼吸或微小停顿准备切入反应。\n构图与镜头：24–35mm感中广景或前景近物后景巨物，保留明确大小参照；单一明确机位，不用无目标甩镜；异常动作在画面开始时已经发生。\n人物表演：以本镜指定的人物/道具为中心，背景角色不抢动作。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：以潮声、湿泥轻响、旧木或黄铜触碰声中最贴合本镜道具的一声开场；配一个短低频脉冲，随即让出空间，不叠加尖叫。\n衔接：在异常动作最清楚的一刻硬切至下一镜指定动作或反应；不先放片名或黑屏。\n\n镜头02｜01–04秒｜3秒｜好奇：理解人物的反应\n画面与动作：切到掌心，米粒沿皮肤纹路滚向一只小蟹；小满先缩手，随后看见小蟹空空的钳子，眼神从惊讶变成犹豫。\n动作节拍：1–1.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：85mm感道具近特写，轻俯拍，焦点落在本镜指定接触点；人物只保留必要手部或眼睛倒影，不强行切成正面人像。\n人物表演：若小满在本镜入画，眼神先落在道具，再转向海生；若为纯道具镜，不额外挤入人脸。海生与孩子交流时保持相近眼平高度。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：保留孩子一次吸气和衣料轻摩擦，环境声变窄，音乐只留很轻的持续音。\n衔接：按人物视线切到问题或缺少之物，前一镜最后一声环境音延续约0.15秒。\n\n镜头03｜04–09秒｜5秒｜共情：显露一个小缺口\n画面与动作：插入出门前的短回忆：海生掀开米缸，底部只剩细碎米屑；他把缺口碗推到孩子面前，自己把空碗倒扣，装作不饿；下一镜回到泥滩。\n动作节拍：4–5.25秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：35mm感中景或中近景，交代角色、目标道具和可行动空间；保持眼线一致。\n人物表演：让负责本镜行动的成人先动，孩子随后作出可见反应；避免所有人同时表演。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：空碗、空袋、脚步或木板声选本镜实际存在的一项放近；未出场物件不配声，避免声源误导。\n衔接：用逐渐靠近的风声/物件声引入下一镜；剪切前先让观众认清道具位置。\n\n镜头04｜09–15秒｜6秒｜紧张：让选择有代价\n画面与动作：海风把唯一米粒吹到泥水边；小满扑低护住它，巨蟹的影子遮住所有人，二狗下意识护住孩子。\n动作节拍：9–10.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：28mm感稍低机位，前景放障碍或关键道具，后景保留退路；缓慢推进，不乱晃。\n人物表演：海生或苏兰承担保护动作，孩子的恐惧用呼吸与手指表现；二狗的夸张反应不压过危险信息。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：风与低频逐步增强，声音来自画面可解释方向；临近决定时收低，不盖过呼吸。\n衔接：在角色看向选择对象时切到手部，危险声短暂收低，突出决定。\n\n镜头05｜15–22秒｜7秒｜信任：人物主动做决定\n画面与动作：小满把米粒轻放进小蟹钳间，摊开空手，没有向大海伸手索取；海生看到她的选择，缓缓放下拦住她的手。\n动作节拍：15–16.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：65–85mm感手部/道具插入镜头，焦点从指尖过渡到被选择的物件；只做一次明确动作。\n人物表演：选择必须由清楚的手部动作落实；其余角色停住，给观众看懂选择的空间。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：对白：小满轻声说“你也饿了吗？”；只配一次明确道具接触声。\n衔接：按动作方向匹配下一镜的变化，避免用白闪遮盖因果。\n\n镜头06｜22–30秒｜8秒｜释放：回报具有清楚因果\n画面与动作：小蟹敲击泥面，巨钳托起一只干净的旧木箱；箱盖打开，完整米袋与干燥种子出现，海水从箱底排走。\n动作节拍：22–24.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：28–35mm感中广景，由关键道具向外缓慢拉开，完整看见变化及安全距离。\n人物表演：先让道具/环境发生变化，再切或移到人物反应；变化只遵守本故事规则。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：潮声、湿泥轻响、旧木或黄铜触碰声随变化从密变疏，再进入温暖的两三个原创音符；不使用现成热门歌曲歌词。\n衔接：变化完成后停半拍再切脸部；环境音恢复，音乐只抬高一层。\n\n镜头07｜30–38秒｜8秒｜温暖：给表情留下时间\n画面与动作：苏兰盛出热米饭，小满先给空钳的小蟹放一粒；海生的手轻盖在孩子肩上，三人同时松开紧绷的眉头。\n动作节拍：30–32.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：50–65mm感面部近景，稳定机位，留出至少半秒无对白微表情。\n人物表演：孩子的肩膀放松、视线愿意停留；成人以小动作回应，不用齐声大笑替代情绪。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：对白：苏兰说“这次，大家都能吃饱。”；其余人用目光回应，留半秒安静。\n衔接：由人物最后的目光或手指引向收尾道具，暖光保持一致。\n\n镜头08｜38–44秒｜6秒｜余味：接回钩子并打开新可能\n画面与动作：碗边那一粒米微微发光，海面远处又浮起一条金色弧线；镜头贴近米粒，圆形高光与开头掌心中的米匹配。\n动作节拍：38–39.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：85mm感道具近特写，轻俯拍，焦点落在本镜指定接触点；人物只保留必要手部或眼睛倒影，不强行切成正面人像。\n人物表演：人物保持结局得到的安全与关系；新的小悬念不撤销已经完成的情绪回报。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：取第一镜的同一种音色作为最后一个轻声提示，让尾音衔接循环；不突然加入无关轰鸣。\n衔接：最后0.3秒保留与开头相似的轮廓/音色，允许无缝循环；不加黑底强制点击卡。\n\n负向与连续性检查：不出现无依据的手机、枪械、医院、现代车辆、书上伪造大段文字、未经设计的影视角色或艺术家署名。保持双髻、红带、额头红点及四名主角身份；不多生手指、蟹腿，不让手与道具穿模，不把罗盘替换成怀表。道具在同一镜内不得随机换材质、数量、左右位置或开合状态。只允许故事规则指定的物件变化；儿童无血腥伤害。所有字幕、可读书名和界面文字后期添加，生成画面不带水印、伪字幕或推广尾卡。\n合成前逐镜核对：人物数与站坐姿；第一帧是否已有异常；动作起点/终点能否接上；道具尺寸是否受控；视线和海平线是否一致；每个回报能否追溯到前一镜的选择。未拍出因果时重做相关镜头，不能靠旁白掩盖。\n\n平台剪辑备选（不是平台时长限制，也不是热度保证）：\nTikTok测试版：保留0–1秒钩子，1–4秒加一行疑问字幕，22–30秒完整展示回报；可将4–9秒背景压成3秒，成片约42秒。\nInstagram Reels测试版：保持道具质感与暖光配色，前1秒无需读字即可理解异常；保留30–38秒表情停顿，以收尾道具作封面，主体仍44秒。\nYouTube Shorts测试版：保持44秒因果链，画外说明最多一句；最后0.3秒与开头形状/声响呼应，避免只留下未兑现的悬念。\n所有字幕建议单行、短句，放在人物面部与关键道具之外；先按实际播放器界面预览遮挡。\n\n可测试的两个开头：A使用第一镜的大/小、静/动反差；B保持同一异常事件，但从小满瞳孔或手中道具切入，再在0.6秒内露出尺度参照。只改变开头一项，其余剪辑保持一致；是否提高留存需要真实成片与实际观看数据，本任务未做此测试。" }, { "id": "C058", "title": "旧船有第二颗心", "concept_id": "S05", "concept_index": 4, "version": 0, "genre": "悬疑温情", "duration_seconds": 44, "shot_count": 8, "source_id": "authored--prompts--luozhilzh-workflow", "source_name": "luozhilzh-workflow", "category": "authored", "source_path": "prompts/luozhilzh-workflow.txt", "source_record": "prompts/luozhilzh-workflow.txt", "source_paths": [ "prompts/luozhilzh-workflow.txt" ], "source_excerpt": "Codex 按 luozhilzh/video-prompt-reverse 工作流执行；输入为人工审阅的400帧、字幕证据与ASR辅助；不是独立模型的原生输出。\n\n【分析块】\n9:16竖屏，写实材质与夸张幼童面部比例结合的AI短剧。灰蓝海水、旧木船、粗布衣物、泥滩、沿海村落；后半段以金色低角度阳光和青绿海藻增强丰收感。大量正反打、面部特写、道具插入镜头和硬切。\n叙事中心是孩子从被排斥到被接纳，海水感知既推动避险，也推动赶海回报。\n\n【还原版·中文】\n制作9:16竖屏海边奇幻家庭短剧，叙事总长约416秒，按以下段落分别生成和剪辑，不要求一次生成整片。写实旧木、粗布、潮湿泥沙与夸张幼童大眼睛相结合。\n角色锁：小满：幼童女孩，黑发双髻、红发带、额头红点、大眼睛；灰褐色破旧粗布衣、布挎带，开场部分有蓝色外衣，获救后头发湿润。；海生：青年男性，凌乱深色头发，旧蓝色外衣、灰色内衫、深色裤子。；二狗：短黑发青年男性，橄榄绿外衣、灰色内衫，表情夸张，后段提两桶蟹。；苏兰：深色头发松散束起，灰褐色无袖粗布上衣、多层项链、腕带与挎带。；王秀梅：长深发，棕色碎花衣、深色马甲。；刘桂香：深色头巾、深色上衣的年长女性。\n9:16竖屏，写实材质与夸张幼童面部比例结合的AI短剧。灰蓝海水、旧木船、粗布衣物、泥滩、沿海村落；后半段以金色低角度阳光和青绿海藻增强丰收感。大量正反打、面部特写、道具插入镜头和硬切。\n", "source_review": { "strength": "Codex整理或同一完整蓝图的编译格式；不是独立视觉模型。", "issues": "此类来源的完整叙事来自更多证据与宿主写作，不能和8帧原生描述作同条件能力排名。" }, "contribution": "整理/编译来源：沿用其人物、海岸、道具与情绪组织的制作意图。格式版本共享基础故事，不能把输出格式数当独立创作模型数。", "source_duplicate_of": null, "source_hash": "1a6802e1eb3c4654dab058f5f101290c531dacbd300b81f9c15934b3afd08e88", "body_hash": "e0dc3277ff7f307d6722fd0a985e3918686ed9e014fcf7a99f021ef0641f51cb", "author": "Codex, shared writer; not original model output", "fallback": false, "hook": "搁浅旧船的木板突然像胸口一样起伏，一枚发光木结在板缝后跳动；小满的掌心刚贴上去，整船轻颤一次。", "rule": "船中敲击声只回应轻柔触碰；用力砸会让光熄灭，倾听才找到藏物。", "shots": [ { "number": 1, "start": 0, "end": 1, "duration": 1, "beat": "惊奇：先看见不可能", "action": "搁浅旧船的木板突然像胸口一样起伏，一枚发光木结在板缝后跳动；小满的掌心刚贴上去，整船轻颤一次。", "camera": "24–35mm感中广景或前景近物后景巨物，保留明确大小参照；单一明确机位，不用无目标甩镜；异常动作在画面开始时已经发生。", "performance": "以本镜指定的人物/道具为中心，背景角色不抢动作。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "以潮声、湿泥轻响、旧木或黄铜触碰声中最贴合本镜道具的一声开场；配一个短低频脉冲，随即让出空间，不叠加尖叫。", "transition": "在异常动作最清楚的一刻硬切至下一镜指定动作或反应；不先放片名或黑屏。", "timing": "0.00–0.15秒直接展示钩子关键帧；0.15–0.70秒让异常动作继续；0.70–1.00秒用呼吸或微小停顿准备切入反应。" }, { "number": 2, "start": 1, "end": 4, "duration": 3, "beat": "好奇：理解人物的反应", "action": "海生把耳朵贴近木板，只听到三下轻敲；小满跟着节奏点指，木结的光逐次回应，眼中出现确定的神情。", "camera": "50mm感的近景，机位降到孩子眼平，向前缓移约一个手掌距离。", "performance": "若小满在本镜入画，眼神先落在道具，再转向海生；若为纯道具镜，不额外挤入人脸。海生与孩子交流时保持相近眼平高度。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "保留孩子一次吸气和衣料轻摩擦，环境声变窄，音乐只留很轻的持续音。", "transition": "按人物视线切到问题或缺少之物，前一镜最后一声环境音延续约0.15秒。", "timing": "1–1.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 3, "start": 4, "end": 9, "duration": 5, "beat": "共情：显露一个小缺口", "action": "二狗看见烂木板，举起锤子准备拆船；海生摸了摸磨损船舷，又看一眼空粮袋，犹豫是否放弃它。", "camera": "35mm感中景或中近景，交代角色、目标道具和可行动空间；保持眼线一致。", "performance": "让负责本镜行动的成人先动，孩子随后作出可见反应；避免所有人同时表演。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "空碗、空袋、脚步或木板声选本镜实际存在的一项放近；未出场物件不配声，避免声源误导。", "transition": "用逐渐靠近的风声/物件声引入下一镜；剪切前先让观众认清道具位置。", "timing": "4–5.25秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 4, "start": 9, "end": 15, "duration": 6, "beat": "紧张：让选择有代价", "action": "第一下重敲落在旁边的废木上，船内的光立刻收缩；小满护住木结，眼睛睁大，空气里只剩最后一下弱心跳。", "camera": "28mm感稍低机位，前景放障碍或关键道具，后景保留退路；缓慢推进，不乱晃。", "performance": "海生或苏兰承担保护动作，孩子的恐惧用呼吸与手指表现；二狗的夸张反应不压过危险信息。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "风与低频逐步增强，声音来自画面可解释方向；临近决定时收低，不盖过呼吸。", "transition": "在角色看向选择对象时切到手部，危险声短暂收低，突出决定。", "timing": "9–10.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 5, "start": 15, "end": 22, "duration": 7, "beat": "信任：人物主动做决定", "action": "海生放下锤子，改用薄木片慢慢撬开松动接缝；小满按三下节拍等待，所有动作都轻下来。", "camera": "65–85mm感手部/道具插入镜头，焦点从指尖过渡到被选择的物件；只做一次明确动作。", "performance": "选择必须由清楚的手部动作落实；其余角色停住，给观众看懂选择的空间。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "对白：小满轻声说“它不是坏了，它在等。”；只配一次明确道具接触声。", "transition": "按动作方向匹配下一镜的变化，避免用白闪遮盖因果。", "timing": "15–16.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 6, "start": 22, "end": 30, "duration": 8, "beat": "释放：回报具有清楚因果", "action": "板缝打开，布包里是一盏完好的旧船灯和一本维修笔记；灯光沿着裂缝逐段亮起，呈现可修好的结构。", "camera": "28–35mm感中广景，由关键道具向外缓慢拉开，完整看见变化及安全距离。", "performance": "先让道具/环境发生变化，再切或移到人物反应；变化只遵守本故事规则。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "潮声、湿泥轻响、旧木或黄铜触碰声随变化从密变疏，再进入温暖的两三个原创音符；不使用现成热门歌曲歌词。", "transition": "变化完成后停半拍再切脸部；环境音恢复，音乐只抬高一层。", "timing": "22–24.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 7, "start": 30, "end": 38, "duration": 8, "beat": "温暖：给表情留下时间", "action": "三人一起把第一块新板按回船腹，小满给船灯擦去灰；海生点头，孩子把脸贴在温暖的灯罩边缘。", "camera": "50–65mm感面部近景，稳定机位，留出至少半秒无对白微表情。", "performance": "孩子的肩膀放松、视线愿意停留；成人以小动作回应，不用齐声大笑替代情绪。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "对白：海生说“这条船，也有人要。”；其余人用目光回应，留半秒安静。", "transition": "由人物最后的目光或手指引向收尾道具，暖光保持一致。", "timing": "30–32.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 8, "start": 38, "end": 44, "duration": 6, "beat": "余味：接回钩子并打开新可能", "action": "船头又传来三下更轻的敲击，一颗新木结亮起；最后一帧停在与开头相同的掌心位置，暗示旅程刚开始。", "camera": "85mm感道具近特写，轻俯拍，焦点落在本镜指定接触点；人物只保留必要手部或眼睛倒影，不强行切成正面人像。", "performance": "人物保持结局得到的安全与关系；新的小悬念不撤销已经完成的情绪回报。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "取第一镜的同一种音色作为最后一个轻声提示，让尾音衔接循环；不突然加入无关轰鸣。", "transition": "最后0.3秒保留与开头相似的轮廓/音色，允许无缝循环；不加黑底强制点击卡。", "timing": "38–39.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" } ], "path": "creative/C058--authored--prompts--luozhilzh-workflow.txt", "text": "来源文件：prompts/luozhilzh-workflow.txt\n来源名称：luozhilzh-workflow\n实际来源记录：prompts/luozhilzh-workflow.txt\n原文可用点：Codex整理或同一完整蓝图的编译格式；不是独立视觉模型。\n原文问题/边界：此类来源的完整叙事来自更多证据与宿主写作，不能和8帧原生描述作同条件能力排名。\n转化方式：整理/编译来源：沿用其人物、海岸、道具与情绪组织的制作意图。格式版本共享基础故事，不能把输出格式数当独立创作模型数。\n本次选择的新故事：旧船有第二颗心。所有幻想事件都是二创，不用原文中的误识别冒充事实。\n\n《旧船有第二颗心》｜悬疑温情｜44秒完整剪辑稿\n\n制作目标：44秒，9:16竖屏，8个剪辑镜头，目标1080×1920、24fps。时间表是剪辑设计，不是任一平台API保证；按工具实际支持的片段长度生成，再裁切拼接。此处没有生成视频。\n视觉基调：架空旧式沿海村落，湿泥、粗布、旧木和黄铜具有可触摸的写实材质；幼童面部略带童话般大眼比例。灰蓝海水与褐色村屋为底，红发带是辨识点，幻想光源以局部金色/银色呈现。\n小满：幼童女孩，黑发双髻、左右各一条红发带、额头小红点；灰褐补丁粗布衣、布挎袋、旧布鞋。开场若用蓝披衣，则全片保持，除非镜头明确拍下脱衣。性格敏感、先看大人反应，再敢表达愿望。红点不是伤口，红发带不是红头发。\n海生：青年男性，凌乱黑发，旧蓝外衣、灰内衫、深裤；行动稳，保护孩子时先降到她的眼平高度，不以大喊替代关心。\n苏兰：成年女性，深发松束、灰褐无袖粗布上衣、简单项链与腕布；观察细节，负责托稳道具、递布或摆碗等具体照顾。\n二狗：青年男性，短黑发、橄榄绿外衣；提供轻微喜剧和观众反应，后半段愿意放慢动作参与帮助，不把他写成伤害孩子的反派。\n上述人物只在本镜明确指定时出现。群众只作远处模糊背景，不增加新主角。多人同框时优先保持海生在左、苏兰在后、二狗在右、小满在前中；若换位，用中广景交代，不瞬移。\n环境连续性：泥滩、浅水、旧船和村屋保持同一架空地点。海平线稳定。湿衣不会无故变干。室内暖色由船灯或灶火提供；室外变暖用云隙光或明确的幻想道具光解释，不让44秒凭空跨越数小时。\n人物表情与道具变化分开生成更易核对：每镜最多一个主要幻想动作，真实人物不随道具变形。以上服装、人物名和新动作均属本次二创设定，不声称模型从8帧恢复了全部身份。\n\n核心道具锁：旧船腹板、布包、会发光的木结。先为本片制作一张统一道具参考图，记录缺口、锈斑、左右方向、尺寸；镜头之间沿用同一版本。\n\n本片新规则：船中敲击声只回应轻柔触碰；用力砸会让光熄灭，倾听才找到藏物。 此规则是新创作，不是原片事实。\n\n第一秒视觉钩子：搁浅旧船的木板突然像胸口一样起伏，一枚发光木结在板缝后跳动；小满的掌心刚贴上去，整船轻颤一次。\n\n目标情绪路径：惊奇 → 好奇 → 共情 → 紧张 → 信任 → 释放 → 温暖 → 余味。它是创作设计，不是已测得的观众留存数据。\n\n分镜与生成指令（逐镜生成，再按时间码剪辑；全局角色锁及规则与每一镜一起输入）：\n\n镜头01｜00–01秒｜1秒｜惊奇：先看见不可能\n画面与动作：搁浅旧船的木板突然像胸口一样起伏，一枚发光木结在板缝后跳动；小满的掌心刚贴上去，整船轻颤一次。\n动作节拍：0.00–0.15秒直接展示钩子关键帧；0.15–0.70秒让异常动作继续；0.70–1.00秒用呼吸或微小停顿准备切入反应。\n构图与镜头：24–35mm感中广景或前景近物后景巨物，保留明确大小参照；单一明确机位，不用无目标甩镜；异常动作在画面开始时已经发生。\n人物表演：以本镜指定的人物/道具为中心，背景角色不抢动作。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：以潮声、湿泥轻响、旧木或黄铜触碰声中最贴合本镜道具的一声开场；配一个短低频脉冲，随即让出空间，不叠加尖叫。\n衔接：在异常动作最清楚的一刻硬切至下一镜指定动作或反应；不先放片名或黑屏。\n\n镜头02｜01–04秒｜3秒｜好奇：理解人物的反应\n画面与动作：海生把耳朵贴近木板，只听到三下轻敲；小满跟着节奏点指，木结的光逐次回应，眼中出现确定的神情。\n动作节拍：1–1.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：50mm感的近景，机位降到孩子眼平，向前缓移约一个手掌距离。\n人物表演：若小满在本镜入画，眼神先落在道具，再转向海生；若为纯道具镜，不额外挤入人脸。海生与孩子交流时保持相近眼平高度。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：保留孩子一次吸气和衣料轻摩擦，环境声变窄，音乐只留很轻的持续音。\n衔接：按人物视线切到问题或缺少之物，前一镜最后一声环境音延续约0.15秒。\n\n镜头03｜04–09秒｜5秒｜共情：显露一个小缺口\n画面与动作：二狗看见烂木板，举起锤子准备拆船；海生摸了摸磨损船舷，又看一眼空粮袋，犹豫是否放弃它。\n动作节拍：4–5.25秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：35mm感中景或中近景，交代角色、目标道具和可行动空间；保持眼线一致。\n人物表演：让负责本镜行动的成人先动，孩子随后作出可见反应；避免所有人同时表演。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：空碗、空袋、脚步或木板声选本镜实际存在的一项放近；未出场物件不配声，避免声源误导。\n衔接：用逐渐靠近的风声/物件声引入下一镜；剪切前先让观众认清道具位置。\n\n镜头04｜09–15秒｜6秒｜紧张：让选择有代价\n画面与动作：第一下重敲落在旁边的废木上，船内的光立刻收缩；小满护住木结，眼睛睁大，空气里只剩最后一下弱心跳。\n动作节拍：9–10.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：28mm感稍低机位，前景放障碍或关键道具，后景保留退路；缓慢推进，不乱晃。\n人物表演：海生或苏兰承担保护动作，孩子的恐惧用呼吸与手指表现；二狗的夸张反应不压过危险信息。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：风与低频逐步增强，声音来自画面可解释方向；临近决定时收低，不盖过呼吸。\n衔接：在角色看向选择对象时切到手部，危险声短暂收低，突出决定。\n\n镜头05｜15–22秒｜7秒｜信任：人物主动做决定\n画面与动作：海生放下锤子，改用薄木片慢慢撬开松动接缝；小满按三下节拍等待，所有动作都轻下来。\n动作节拍：15–16.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：65–85mm感手部/道具插入镜头，焦点从指尖过渡到被选择的物件；只做一次明确动作。\n人物表演：选择必须由清楚的手部动作落实；其余角色停住，给观众看懂选择的空间。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：对白：小满轻声说“它不是坏了，它在等。”；只配一次明确道具接触声。\n衔接：按动作方向匹配下一镜的变化，避免用白闪遮盖因果。\n\n镜头06｜22–30秒｜8秒｜释放：回报具有清楚因果\n画面与动作：板缝打开，布包里是一盏完好的旧船灯和一本维修笔记；灯光沿着裂缝逐段亮起，呈现可修好的结构。\n动作节拍：22–24.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：28–35mm感中广景，由关键道具向外缓慢拉开，完整看见变化及安全距离。\n人物表演：先让道具/环境发生变化，再切或移到人物反应；变化只遵守本故事规则。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：潮声、湿泥轻响、旧木或黄铜触碰声随变化从密变疏，再进入温暖的两三个原创音符；不使用现成热门歌曲歌词。\n衔接：变化完成后停半拍再切脸部；环境音恢复，音乐只抬高一层。\n\n镜头07｜30–38秒｜8秒｜温暖：给表情留下时间\n画面与动作：三人一起把第一块新板按回船腹，小满给船灯擦去灰；海生点头，孩子把脸贴在温暖的灯罩边缘。\n动作节拍：30–32.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：50–65mm感面部近景，稳定机位，留出至少半秒无对白微表情。\n人物表演：孩子的肩膀放松、视线愿意停留；成人以小动作回应，不用齐声大笑替代情绪。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：对白：海生说“这条船，也有人要。”；其余人用目光回应，留半秒安静。\n衔接：由人物最后的目光或手指引向收尾道具，暖光保持一致。\n\n镜头08｜38–44秒｜6秒｜余味：接回钩子并打开新可能\n画面与动作：船头又传来三下更轻的敲击，一颗新木结亮起；最后一帧停在与开头相同的掌心位置，暗示旅程刚开始。\n动作节拍：38–39.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：85mm感道具近特写，轻俯拍，焦点落在本镜指定接触点；人物只保留必要手部或眼睛倒影，不强行切成正面人像。\n人物表演：人物保持结局得到的安全与关系；新的小悬念不撤销已经完成的情绪回报。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：取第一镜的同一种音色作为最后一个轻声提示，让尾音衔接循环；不突然加入无关轰鸣。\n衔接：最后0.3秒保留与开头相似的轮廓/音色，允许无缝循环；不加黑底强制点击卡。\n\n负向与连续性检查：不出现无依据的手机、枪械、医院、现代车辆、书上伪造大段文字、未经设计的影视角色或艺术家署名。保持双髻、红带、额头红点及四名主角身份；不多生手指、蟹腿，不让手与道具穿模，不把罗盘替换成怀表。道具在同一镜内不得随机换材质、数量、左右位置或开合状态。只允许故事规则指定的物件变化；儿童无血腥伤害。所有字幕、可读书名和界面文字后期添加，生成画面不带水印、伪字幕或推广尾卡。\n合成前逐镜核对：人物数与站坐姿；第一帧是否已有异常；动作起点/终点能否接上；道具尺寸是否受控；视线和海平线是否一致；每个回报能否追溯到前一镜的选择。未拍出因果时重做相关镜头，不能靠旁白掩盖。\n\n平台剪辑备选（不是平台时长限制，也不是热度保证）：\nTikTok测试版：保留0–1秒钩子，1–4秒加一行疑问字幕，22–30秒完整展示回报；可将4–9秒背景压成3秒，成片约42秒。\nInstagram Reels测试版：保持道具质感与暖光配色，前1秒无需读字即可理解异常；保留30–38秒表情停顿，以收尾道具作封面，主体仍44秒。\nYouTube Shorts测试版：保持44秒因果链，画外说明最多一句；最后0.3秒与开头形状/声响呼应，避免只留下未兑现的悬念。\n所有字幕建议单行、短句，放在人物面部与关键道具之外；先按实际播放器界面预览遮挡。\n\n可测试的两个开头：A使用第一镜的大/小、静/动反差；B保持同一异常事件，但从小满瞳孔或手中道具切入，再在0.6秒内露出尺度参照。只改变开头一项，其余剪辑保持一致；是否提高留存需要真实成片与实际观看数据，本任务未做此测试。" }, { "id": "C059", "title": "罗盘为什么指着空碗", "concept_id": "S02", "concept_index": 1, "version": 0, "genre": "道具悬疑", "duration_seconds": 44, "shot_count": 8, "source_id": "authored--prompts--videoreverse-google_veo3_1", "source_name": "videoreverse-google_veo3_1", "category": "authored", "source_path": "prompts/videoreverse-google_veo3_1.txt", "source_record": "prompts/videoreverse-google_veo3_1.txt", "source_paths": [ "prompts/videoreverse-google_veo3_1.txt" ], "source_excerpt": "photorealistic coastal fantasy short drama. soft gray daylight then low golden sunlight. A 6.0-second clip showing A toddler on a muddy shore points at crabs. A huge golden crab appears near two seconds. She points toward a wooden boat, followed by a fantastical change in its scale. in weathered coastal village, wooden boats and wet mudflat. Camera: hard-cut edited sequence; continuous camera movement unverified, framed as close-ups, medium reverse angles and relevant wide shots\n\nphotorealistic coastal fantasy short drama. soft gray daylight then low golden sunlight. A 3.0-second clip showing ", "source_review": { "strength": "Codex整理或同一完整蓝图的编译格式；不是独立视觉模型。", "issues": "此类来源的完整叙事来自更多证据与宿主写作，不能和8帧原生描述作同条件能力排名。" }, "contribution": "整理/编译来源：沿用其人物、海岸、道具与情绪组织的制作意图。格式版本共享基础故事，不能把输出格式数当独立创作模型数。", "source_duplicate_of": null, "source_hash": "d4c735f26cc30b1208b9f47029e14a944ee8ac0d6e6cf1155bd501f6ddd62840", "body_hash": "67097ad8286c5b790942932a97d99f789a9818e3048450857ae071a084aef110", "author": "Codex, shared writer; not original model output", "fallback": false, "hook": "黄铜罗盘的指针穿出表盘，像一根金色细线直指女孩的空碗；针尖停在碗沿上方，距她手指只有一指宽。", "rule": "罗盘指向最需要被照顾的地方，而非财宝；针只在人物做出选择后稳定。", "shots": [ { "number": 1, "start": 0, "end": 1, "duration": 1, "beat": "惊奇：先看见不可能", "action": "黄铜罗盘的指针穿出表盘，像一根金色细线直指女孩的空碗；针尖停在碗沿上方，距她手指只有一指宽。", "camera": "85mm感微距，道具占画面约三分之二，人物眼睛或手作为尺度参照；单一明确机位，不用无目标甩镜；异常动作在画面开始时已经发生。", "performance": "以本镜指定的人物/道具为中心，背景角色不抢动作。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "以潮声、湿泥轻响、旧木或黄铜触碰声中最贴合本镜道具的一声开场；配一个短低频脉冲，随即让出空间，不叠加尖叫。", "transition": "在异常动作最清楚的一刻硬切至下一镜指定动作或反应；不先放片名或黑屏。", "timing": "0.00–0.15秒直接展示钩子关键帧；0.15–0.70秒让异常动作继续；0.70–1.00秒用呼吸或微小停顿准备切入反应。" }, { "number": 2, "start": 1, "end": 4, "duration": 3, "beat": "好奇：理解人物的反应", "action": "海生转动罗盘，针却逆着他的手回到空碗方向；小满捂住肚子，立刻又把手藏到衣后，怕被发现。", "camera": "50mm感的近景，机位降到孩子眼平，向前缓移约一个手掌距离。", "performance": "若小满在本镜入画，眼神先落在道具，再转向海生；若为纯道具镜，不额外挤入人脸。海生与孩子交流时保持相近眼平高度。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "保留孩子一次吸气和衣料轻摩擦，环境声变窄，音乐只留很轻的持续音。", "transition": "按人物视线切到问题或缺少之物，前一镜最后一声环境音延续约0.15秒。", "timing": "1–1.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 3, "start": 4, "end": 9, "duration": 5, "beat": "共情：显露一个小缺口", "action": "二狗展开标着金色光点的海图，兴奋地指向远方；海生低头看修不好的旧船，脸上闪过急于翻身的希望。", "camera": "35mm感中景或中近景，交代角色、目标道具和可行动空间；保持眼线一致。", "performance": "让负责本镜行动的成人先动，孩子随后作出可见反应；避免所有人同时表演。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "空碗、空袋、脚步或木板声选本镜实际存在的一项放近；未出场物件不配声，避免声源误导。", "transition": "用逐渐靠近的风声/物件声引入下一镜；剪切前先让观众认清道具位置。", "timing": "4–5.25秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 4, "start": 9, "end": 15, "duration": 6, "beat": "紧张：让选择有代价", "action": "众人把罗盘搬到船头，指针越转越急；远处亮起诱人的金光，孩子被留在岸边，笑容一点点消失。", "camera": "28mm感稍低机位，前景放障碍或关键道具，后景保留退路；缓慢推进，不乱晃。", "performance": "海生或苏兰承担保护动作，孩子的恐惧用呼吸与手指表现；二狗的夸张反应不压过危险信息。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "风与低频逐步增强，声音来自画面可解释方向；临近决定时收低，不盖过呼吸。", "transition": "在角色看向选择对象时切到手部，危险声短暂收低，突出决定。", "timing": "9–10.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 5, "start": 15, "end": 22, "duration": 7, "beat": "信任：人物主动做决定", "action": "海生收起地图，回身抱起空碗，蹲到小满身边；他把罗盘放在两人之间，先决定为孩子煮一顿饭。", "camera": "65–85mm感手部/道具插入镜头，焦点从指尖过渡到被选择的物件；只做一次明确动作。", "performance": "选择必须由清楚的手部动作落实；其余角色停住，给观众看懂选择的空间。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "对白：海生轻声说“它指的不是金子。”；只配一次明确道具接触声。", "transition": "按动作方向匹配下一镜的变化，避免用白闪遮盖因果。", "timing": "15–16.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 6, "start": 22, "end": 30, "duration": 8, "beat": "释放：回报具有清楚因果", "action": "指针立即安静，碗底映出旧船夹层的位置；一块松木板自行翘起，露出保存完好的粮袋，而非金银。", "camera": "28–35mm感中广景，由关键道具向外缓慢拉开，完整看见变化及安全距离。", "performance": "先让道具/环境发生变化，再切或移到人物反应；变化只遵守本故事规则。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "潮声、湿泥轻响、旧木或黄铜触碰声随变化从密变疏，再进入温暖的两三个原创音符；不使用现成热门歌曲歌词。", "transition": "变化完成后停半拍再切脸部；环境音恢复，音乐只抬高一层。", "timing": "22–24.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 7, "start": 30, "end": 38, "duration": 8, "beat": "温暖：给表情留下时间", "action": "一家人围小桌分饭，罗盘摆在正中，指针依次朝每个人轻点；小满终于把自己的碗放进圆圈里。", "camera": "35mm感桌边或岸边中景，先交代所有本镜角色，再缓慢靠近小满的表情；不在同一镜里把人数和座位改掉。", "performance": "孩子的肩膀放松、视线愿意停留；成人以小动作回应，不用齐声大笑替代情绪。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "对白：小满说“原来，家在这里。”；其余人用目光回应，留半秒安静。", "transition": "由人物最后的目光或手指引向收尾道具，暖光保持一致。", "timing": "30–32.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 8, "start": 38, "end": 44, "duration": 6, "beat": "余味：接回钩子并打开新可能", "action": "最后一粒米落进碗时，指针再次伸出一寸，却指向门外一只饥饿的小蟹；新的选择以同一圆形构图回到开头。", "camera": "以本镜描述的收尾物件构图；最后的形状、光点或运动方向匹配开场关键元素。允许改变景别，但匹配关系必须清楚。", "performance": "人物保持结局得到的安全与关系；新的小悬念不撤销已经完成的情绪回报。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "取第一镜的同一种音色作为最后一个轻声提示，让尾音衔接循环；不突然加入无关轰鸣。", "transition": "最后0.3秒保留与开头相似的轮廓/音色，允许无缝循环；不加黑底强制点击卡。", "timing": "38–39.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" } ], "path": "creative/C059--authored--prompts--videoreverse-google_veo3_1.txt", "text": "来源文件：prompts/videoreverse-google_veo3_1.txt\n来源名称：videoreverse-google_veo3_1\n实际来源记录：prompts/videoreverse-google_veo3_1.txt\n原文可用点：Codex整理或同一完整蓝图的编译格式；不是独立视觉模型。\n原文问题/边界：此类来源的完整叙事来自更多证据与宿主写作，不能和8帧原生描述作同条件能力排名。\n转化方式：整理/编译来源：沿用其人物、海岸、道具与情绪组织的制作意图。格式版本共享基础故事，不能把输出格式数当独立创作模型数。\n本次选择的新故事：罗盘为什么指着空碗。所有幻想事件都是二创，不用原文中的误识别冒充事实。\n\n《罗盘为什么指着空碗》｜道具悬疑｜44秒完整剪辑稿\n\n制作目标：44秒，9:16竖屏，8个剪辑镜头，目标1080×1920、24fps。时间表是剪辑设计，不是任一平台API保证；按工具实际支持的片段长度生成，再裁切拼接。此处没有生成视频。\n视觉基调：架空旧式沿海村落，湿泥、粗布、旧木和黄铜具有可触摸的写实材质；幼童面部略带童话般大眼比例。灰蓝海水与褐色村屋为底，红发带是辨识点，幻想光源以局部金色/银色呈现。\n小满：幼童女孩，黑发双髻、左右各一条红发带、额头小红点；灰褐补丁粗布衣、布挎袋、旧布鞋。开场若用蓝披衣，则全片保持，除非镜头明确拍下脱衣。性格敏感、先看大人反应，再敢表达愿望。红点不是伤口，红发带不是红头发。\n海生：青年男性，凌乱黑发，旧蓝外衣、灰内衫、深裤；行动稳，保护孩子时先降到她的眼平高度，不以大喊替代关心。\n苏兰：成年女性，深发松束、灰褐无袖粗布上衣、简单项链与腕布；观察细节，负责托稳道具、递布或摆碗等具体照顾。\n二狗：青年男性，短黑发、橄榄绿外衣；提供轻微喜剧和观众反应，后半段愿意放慢动作参与帮助，不把他写成伤害孩子的反派。\n上述人物只在本镜明确指定时出现。群众只作远处模糊背景，不增加新主角。多人同框时优先保持海生在左、苏兰在后、二狗在右、小满在前中；若换位，用中广景交代，不瞬移。\n环境连续性：泥滩、浅水、旧船和村屋保持同一架空地点。海平线稳定。湿衣不会无故变干。室内暖色由船灯或灶火提供；室外变暖用云隙光或明确的幻想道具光解释，不让44秒凭空跨越数小时。\n人物表情与道具变化分开生成更易核对：每镜最多一个主要幻想动作，真实人物不随道具变形。以上服装、人物名和新动作均属本次二创设定，不声称模型从8帧恢复了全部身份。\n\n核心道具锁：黄铜罗盘、空白瓷碗、旧船木板。先为本片制作一张统一道具参考图，记录缺口、锈斑、左右方向、尺寸；镜头之间沿用同一版本。\n\n本片新规则：罗盘指向最需要被照顾的地方，而非财宝；针只在人物做出选择后稳定。 此规则是新创作，不是原片事实。\n\n第一秒视觉钩子：黄铜罗盘的指针穿出表盘，像一根金色细线直指女孩的空碗；针尖停在碗沿上方，距她手指只有一指宽。\n\n目标情绪路径：惊奇 → 好奇 → 共情 → 紧张 → 信任 → 释放 → 温暖 → 余味。它是创作设计，不是已测得的观众留存数据。\n\n分镜与生成指令（逐镜生成，再按时间码剪辑；全局角色锁及规则与每一镜一起输入）：\n\n镜头01｜00–01秒｜1秒｜惊奇：先看见不可能\n画面与动作：黄铜罗盘的指针穿出表盘，像一根金色细线直指女孩的空碗；针尖停在碗沿上方，距她手指只有一指宽。\n动作节拍：0.00–0.15秒直接展示钩子关键帧；0.15–0.70秒让异常动作继续；0.70–1.00秒用呼吸或微小停顿准备切入反应。\n构图与镜头：85mm感微距，道具占画面约三分之二，人物眼睛或手作为尺度参照；单一明确机位，不用无目标甩镜；异常动作在画面开始时已经发生。\n人物表演：以本镜指定的人物/道具为中心，背景角色不抢动作。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：以潮声、湿泥轻响、旧木或黄铜触碰声中最贴合本镜道具的一声开场；配一个短低频脉冲，随即让出空间，不叠加尖叫。\n衔接：在异常动作最清楚的一刻硬切至下一镜指定动作或反应；不先放片名或黑屏。\n\n镜头02｜01–04秒｜3秒｜好奇：理解人物的反应\n画面与动作：海生转动罗盘，针却逆着他的手回到空碗方向；小满捂住肚子，立刻又把手藏到衣后，怕被发现。\n动作节拍：1–1.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：50mm感的近景，机位降到孩子眼平，向前缓移约一个手掌距离。\n人物表演：若小满在本镜入画，眼神先落在道具，再转向海生；若为纯道具镜，不额外挤入人脸。海生与孩子交流时保持相近眼平高度。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：保留孩子一次吸气和衣料轻摩擦，环境声变窄，音乐只留很轻的持续音。\n衔接：按人物视线切到问题或缺少之物，前一镜最后一声环境音延续约0.15秒。\n\n镜头03｜04–09秒｜5秒｜共情：显露一个小缺口\n画面与动作：二狗展开标着金色光点的海图，兴奋地指向远方；海生低头看修不好的旧船，脸上闪过急于翻身的希望。\n动作节拍：4–5.25秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：35mm感中景或中近景，交代角色、目标道具和可行动空间；保持眼线一致。\n人物表演：让负责本镜行动的成人先动，孩子随后作出可见反应；避免所有人同时表演。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：空碗、空袋、脚步或木板声选本镜实际存在的一项放近；未出场物件不配声，避免声源误导。\n衔接：用逐渐靠近的风声/物件声引入下一镜；剪切前先让观众认清道具位置。\n\n镜头04｜09–15秒｜6秒｜紧张：让选择有代价\n画面与动作：众人把罗盘搬到船头，指针越转越急；远处亮起诱人的金光，孩子被留在岸边，笑容一点点消失。\n动作节拍：9–10.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：28mm感稍低机位，前景放障碍或关键道具，后景保留退路；缓慢推进，不乱晃。\n人物表演：海生或苏兰承担保护动作，孩子的恐惧用呼吸与手指表现；二狗的夸张反应不压过危险信息。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：风与低频逐步增强，声音来自画面可解释方向；临近决定时收低，不盖过呼吸。\n衔接：在角色看向选择对象时切到手部，危险声短暂收低，突出决定。\n\n镜头05｜15–22秒｜7秒｜信任：人物主动做决定\n画面与动作：海生收起地图，回身抱起空碗，蹲到小满身边；他把罗盘放在两人之间，先决定为孩子煮一顿饭。\n动作节拍：15–16.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：65–85mm感手部/道具插入镜头，焦点从指尖过渡到被选择的物件；只做一次明确动作。\n人物表演：选择必须由清楚的手部动作落实；其余角色停住，给观众看懂选择的空间。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：对白：海生轻声说“它指的不是金子。”；只配一次明确道具接触声。\n衔接：按动作方向匹配下一镜的变化，避免用白闪遮盖因果。\n\n镜头06｜22–30秒｜8秒｜释放：回报具有清楚因果\n画面与动作：指针立即安静，碗底映出旧船夹层的位置；一块松木板自行翘起，露出保存完好的粮袋，而非金银。\n动作节拍：22–24.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：28–35mm感中广景，由关键道具向外缓慢拉开，完整看见变化及安全距离。\n人物表演：先让道具/环境发生变化，再切或移到人物反应；变化只遵守本故事规则。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：潮声、湿泥轻响、旧木或黄铜触碰声随变化从密变疏，再进入温暖的两三个原创音符；不使用现成热门歌曲歌词。\n衔接：变化完成后停半拍再切脸部；环境音恢复，音乐只抬高一层。\n\n镜头07｜30–38秒｜8秒｜温暖：给表情留下时间\n画面与动作：一家人围小桌分饭，罗盘摆在正中，指针依次朝每个人轻点；小满终于把自己的碗放进圆圈里。\n动作节拍：30–32.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：35mm感桌边或岸边中景，先交代所有本镜角色，再缓慢靠近小满的表情；不在同一镜里把人数和座位改掉。\n人物表演：孩子的肩膀放松、视线愿意停留；成人以小动作回应，不用齐声大笑替代情绪。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：对白：小满说“原来，家在这里。”；其余人用目光回应，留半秒安静。\n衔接：由人物最后的目光或手指引向收尾道具，暖光保持一致。\n\n镜头08｜38–44秒｜6秒｜余味：接回钩子并打开新可能\n画面与动作：最后一粒米落进碗时，指针再次伸出一寸，却指向门外一只饥饿的小蟹；新的选择以同一圆形构图回到开头。\n动作节拍：38–39.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：以本镜描述的收尾物件构图；最后的形状、光点或运动方向匹配开场关键元素。允许改变景别，但匹配关系必须清楚。\n人物表演：人物保持结局得到的安全与关系；新的小悬念不撤销已经完成的情绪回报。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：取第一镜的同一种音色作为最后一个轻声提示，让尾音衔接循环；不突然加入无关轰鸣。\n衔接：最后0.3秒保留与开头相似的轮廓/音色，允许无缝循环；不加黑底强制点击卡。\n\n负向与连续性检查：不出现无依据的手机、枪械、医院、现代车辆、书上伪造大段文字、未经设计的影视角色或艺术家署名。保持双髻、红带、额头红点及四名主角身份；不多生手指、蟹腿，不让手与道具穿模，不把罗盘替换成怀表。道具在同一镜内不得随机换材质、数量、左右位置或开合状态。只允许故事规则指定的物件变化；儿童无血腥伤害。所有字幕、可读书名和界面文字后期添加，生成画面不带水印、伪字幕或推广尾卡。\n合成前逐镜核对：人物数与站坐姿；第一帧是否已有异常；动作起点/终点能否接上；道具尺寸是否受控；视线和海平线是否一致；每个回报能否追溯到前一镜的选择。未拍出因果时重做相关镜头，不能靠旁白掩盖。\n\n平台剪辑备选（不是平台时长限制，也不是热度保证）：\nTikTok测试版：保留0–1秒钩子，1–4秒加一行疑问字幕，22–30秒完整展示回报；可将4–9秒背景压成3秒，成片约42秒。\nInstagram Reels测试版：保持道具质感与暖光配色，前1秒无需读字即可理解异常；保留30–38秒表情停顿，以收尾道具作封面，主体仍44秒。\nYouTube Shorts测试版：保持44秒因果链，画外说明最多一句；最后0.3秒与开头形状/声响呼应，避免只留下未兑现的悬念。\n所有字幕建议单行、短句，放在人物面部与关键道具之外；先按实际播放器界面预览遮挡。\n\n可测试的两个开头：A使用第一镜的大/小、静/动反差；B保持同一异常事件，但从小满瞳孔或手中道具切入，再在0.6秒内露出尺度参照。只改变开头一项，其余剪辑保持一致；是否提高留存需要真实成片与实际观看数据，本任务未做此测试。" }, { "id": "C060", "title": "罗盘为什么指着空碗", "concept_id": "S02", "concept_index": 1, "version": 0, "genre": "道具悬疑", "duration_seconds": 44, "shot_count": 8, "source_id": "authored--prompts--videoreverse-haiper_2", "source_name": "videoreverse-haiper_2", "category": "authored", "source_path": "prompts/videoreverse-haiper_2.txt", "source_record": "prompts/videoreverse-haiper_2.txt", "source_paths": [ "prompts/videoreverse-haiper_2.txt" ], "source_excerpt": "photorealistic coastal fantasy short drama footage lasting 6.0s. A toddler on a muddy shore points at crabs. A huge golden crab appears near two seconds\n\nphotorealistic coastal fantasy short drama footage lasting 3.0s. An adult points accusingly and grabs the child by the arms. A brief black cut follows; do not invent action hidden by that cut\n\nphotorealistic coastal fantasy short drama footage lasting 8.0s. On an old wooden fishing boat, a wet girl is lifted in a fishing net. Cut to her tearful face\n\nphotorealistic coastal fantasy short drama footage lasting 8.0s. The man in a worn blue jacke", "source_review": { "strength": "Codex整理或同一完整蓝图的编译格式；不是独立视觉模型。", "issues": "此类来源的完整叙事来自更多证据与宿主写作，不能和8帧原生描述作同条件能力排名。" }, "contribution": "整理/编译来源：沿用其人物、海岸、道具与情绪组织的制作意图。格式版本共享基础故事，不能把输出格式数当独立创作模型数。", "source_duplicate_of": null, "source_hash": "ac7e959d646f6a951f8eefa16a530e763fe77e8f61f8f3b23de5ad9ed191200b", "body_hash": "67097ad8286c5b790942932a97d99f789a9818e3048450857ae071a084aef110", "author": "Codex, shared writer; not original model output", "fallback": false, "hook": "黄铜罗盘的指针穿出表盘，像一根金色细线直指女孩的空碗；针尖停在碗沿上方，距她手指只有一指宽。", "rule": "罗盘指向最需要被照顾的地方，而非财宝；针只在人物做出选择后稳定。", "shots": [ { "number": 1, "start": 0, "end": 1, "duration": 1, "beat": "惊奇：先看见不可能", "action": "黄铜罗盘的指针穿出表盘，像一根金色细线直指女孩的空碗；针尖停在碗沿上方，距她手指只有一指宽。", "camera": "85mm感微距，道具占画面约三分之二，人物眼睛或手作为尺度参照；单一明确机位，不用无目标甩镜；异常动作在画面开始时已经发生。", "performance": "以本镜指定的人物/道具为中心，背景角色不抢动作。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "以潮声、湿泥轻响、旧木或黄铜触碰声中最贴合本镜道具的一声开场；配一个短低频脉冲，随即让出空间，不叠加尖叫。", "transition": "在异常动作最清楚的一刻硬切至下一镜指定动作或反应；不先放片名或黑屏。", "timing": "0.00–0.15秒直接展示钩子关键帧；0.15–0.70秒让异常动作继续；0.70–1.00秒用呼吸或微小停顿准备切入反应。" }, { "number": 2, "start": 1, "end": 4, "duration": 3, "beat": "好奇：理解人物的反应", "action": "海生转动罗盘，针却逆着他的手回到空碗方向；小满捂住肚子，立刻又把手藏到衣后，怕被发现。", "camera": "50mm感的近景，机位降到孩子眼平，向前缓移约一个手掌距离。", "performance": "若小满在本镜入画，眼神先落在道具，再转向海生；若为纯道具镜，不额外挤入人脸。海生与孩子交流时保持相近眼平高度。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "保留孩子一次吸气和衣料轻摩擦，环境声变窄，音乐只留很轻的持续音。", "transition": "按人物视线切到问题或缺少之物，前一镜最后一声环境音延续约0.15秒。", "timing": "1–1.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 3, "start": 4, "end": 9, "duration": 5, "beat": "共情：显露一个小缺口", "action": "二狗展开标着金色光点的海图，兴奋地指向远方；海生低头看修不好的旧船，脸上闪过急于翻身的希望。", "camera": "35mm感中景或中近景，交代角色、目标道具和可行动空间；保持眼线一致。", "performance": "让负责本镜行动的成人先动，孩子随后作出可见反应；避免所有人同时表演。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "空碗、空袋、脚步或木板声选本镜实际存在的一项放近；未出场物件不配声，避免声源误导。", "transition": "用逐渐靠近的风声/物件声引入下一镜；剪切前先让观众认清道具位置。", "timing": "4–5.25秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 4, "start": 9, "end": 15, "duration": 6, "beat": "紧张：让选择有代价", "action": "众人把罗盘搬到船头，指针越转越急；远处亮起诱人的金光，孩子被留在岸边，笑容一点点消失。", "camera": "28mm感稍低机位，前景放障碍或关键道具，后景保留退路；缓慢推进，不乱晃。", "performance": "海生或苏兰承担保护动作，孩子的恐惧用呼吸与手指表现；二狗的夸张反应不压过危险信息。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "风与低频逐步增强，声音来自画面可解释方向；临近决定时收低，不盖过呼吸。", "transition": "在角色看向选择对象时切到手部，危险声短暂收低，突出决定。", "timing": "9–10.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 5, "start": 15, "end": 22, "duration": 7, "beat": "信任：人物主动做决定", "action": "海生收起地图，回身抱起空碗，蹲到小满身边；他把罗盘放在两人之间，先决定为孩子煮一顿饭。", "camera": "65–85mm感手部/道具插入镜头，焦点从指尖过渡到被选择的物件；只做一次明确动作。", "performance": "选择必须由清楚的手部动作落实；其余角色停住，给观众看懂选择的空间。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "对白：海生轻声说“它指的不是金子。”；只配一次明确道具接触声。", "transition": "按动作方向匹配下一镜的变化，避免用白闪遮盖因果。", "timing": "15–16.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 6, "start": 22, "end": 30, "duration": 8, "beat": "释放：回报具有清楚因果", "action": "指针立即安静，碗底映出旧船夹层的位置；一块松木板自行翘起，露出保存完好的粮袋，而非金银。", "camera": "28–35mm感中广景，由关键道具向外缓慢拉开，完整看见变化及安全距离。", "performance": "先让道具/环境发生变化，再切或移到人物反应；变化只遵守本故事规则。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "潮声、湿泥轻响、旧木或黄铜触碰声随变化从密变疏，再进入温暖的两三个原创音符；不使用现成热门歌曲歌词。", "transition": "变化完成后停半拍再切脸部；环境音恢复，音乐只抬高一层。", "timing": "22–24.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 7, "start": 30, "end": 38, "duration": 8, "beat": "温暖：给表情留下时间", "action": "一家人围小桌分饭，罗盘摆在正中，指针依次朝每个人轻点；小满终于把自己的碗放进圆圈里。", "camera": "35mm感桌边或岸边中景，先交代所有本镜角色，再缓慢靠近小满的表情；不在同一镜里把人数和座位改掉。", "performance": "孩子的肩膀放松、视线愿意停留；成人以小动作回应，不用齐声大笑替代情绪。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "对白：小满说“原来，家在这里。”；其余人用目光回应，留半秒安静。", "transition": "由人物最后的目光或手指引向收尾道具，暖光保持一致。", "timing": "30–32.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 8, "start": 38, "end": 44, "duration": 6, "beat": "余味：接回钩子并打开新可能", "action": "最后一粒米落进碗时，指针再次伸出一寸，却指向门外一只饥饿的小蟹；新的选择以同一圆形构图回到开头。", "camera": "以本镜描述的收尾物件构图；最后的形状、光点或运动方向匹配开场关键元素。允许改变景别，但匹配关系必须清楚。", "performance": "人物保持结局得到的安全与关系；新的小悬念不撤销已经完成的情绪回报。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "取第一镜的同一种音色作为最后一个轻声提示，让尾音衔接循环；不突然加入无关轰鸣。", "transition": "最后0.3秒保留与开头相似的轮廓/音色，允许无缝循环；不加黑底强制点击卡。", "timing": "38–39.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" } ], "path": "creative/C060--authored--prompts--videoreverse-haiper_2.txt", "text": "来源文件：prompts/videoreverse-haiper_2.txt\n来源名称：videoreverse-haiper_2\n实际来源记录：prompts/videoreverse-haiper_2.txt\n原文可用点：Codex整理或同一完整蓝图的编译格式；不是独立视觉模型。\n原文问题/边界：此类来源的完整叙事来自更多证据与宿主写作，不能和8帧原生描述作同条件能力排名。\n转化方式：整理/编译来源：沿用其人物、海岸、道具与情绪组织的制作意图。格式版本共享基础故事，不能把输出格式数当独立创作模型数。\n本次选择的新故事：罗盘为什么指着空碗。所有幻想事件都是二创，不用原文中的误识别冒充事实。\n\n《罗盘为什么指着空碗》｜道具悬疑｜44秒完整剪辑稿\n\n制作目标：44秒，9:16竖屏，8个剪辑镜头，目标1080×1920、24fps。时间表是剪辑设计，不是任一平台API保证；按工具实际支持的片段长度生成，再裁切拼接。此处没有生成视频。\n视觉基调：架空旧式沿海村落，湿泥、粗布、旧木和黄铜具有可触摸的写实材质；幼童面部略带童话般大眼比例。灰蓝海水与褐色村屋为底，红发带是辨识点，幻想光源以局部金色/银色呈现。\n小满：幼童女孩，黑发双髻、左右各一条红发带、额头小红点；灰褐补丁粗布衣、布挎袋、旧布鞋。开场若用蓝披衣，则全片保持，除非镜头明确拍下脱衣。性格敏感、先看大人反应，再敢表达愿望。红点不是伤口，红发带不是红头发。\n海生：青年男性，凌乱黑发，旧蓝外衣、灰内衫、深裤；行动稳，保护孩子时先降到她的眼平高度，不以大喊替代关心。\n苏兰：成年女性，深发松束、灰褐无袖粗布上衣、简单项链与腕布；观察细节，负责托稳道具、递布或摆碗等具体照顾。\n二狗：青年男性，短黑发、橄榄绿外衣；提供轻微喜剧和观众反应，后半段愿意放慢动作参与帮助，不把他写成伤害孩子的反派。\n上述人物只在本镜明确指定时出现。群众只作远处模糊背景，不增加新主角。多人同框时优先保持海生在左、苏兰在后、二狗在右、小满在前中；若换位，用中广景交代，不瞬移。\n环境连续性：泥滩、浅水、旧船和村屋保持同一架空地点。海平线稳定。湿衣不会无故变干。室内暖色由船灯或灶火提供；室外变暖用云隙光或明确的幻想道具光解释，不让44秒凭空跨越数小时。\n人物表情与道具变化分开生成更易核对：每镜最多一个主要幻想动作，真实人物不随道具变形。以上服装、人物名和新动作均属本次二创设定，不声称模型从8帧恢复了全部身份。\n\n核心道具锁：黄铜罗盘、空白瓷碗、旧船木板。先为本片制作一张统一道具参考图，记录缺口、锈斑、左右方向、尺寸；镜头之间沿用同一版本。\n\n本片新规则：罗盘指向最需要被照顾的地方，而非财宝；针只在人物做出选择后稳定。 此规则是新创作，不是原片事实。\n\n第一秒视觉钩子：黄铜罗盘的指针穿出表盘，像一根金色细线直指女孩的空碗；针尖停在碗沿上方，距她手指只有一指宽。\n\n目标情绪路径：惊奇 → 好奇 → 共情 → 紧张 → 信任 → 释放 → 温暖 → 余味。它是创作设计，不是已测得的观众留存数据。\n\n分镜与生成指令（逐镜生成，再按时间码剪辑；全局角色锁及规则与每一镜一起输入）：\n\n镜头01｜00–01秒｜1秒｜惊奇：先看见不可能\n画面与动作：黄铜罗盘的指针穿出表盘，像一根金色细线直指女孩的空碗；针尖停在碗沿上方，距她手指只有一指宽。\n动作节拍：0.00–0.15秒直接展示钩子关键帧；0.15–0.70秒让异常动作继续；0.70–1.00秒用呼吸或微小停顿准备切入反应。\n构图与镜头：85mm感微距，道具占画面约三分之二，人物眼睛或手作为尺度参照；单一明确机位，不用无目标甩镜；异常动作在画面开始时已经发生。\n人物表演：以本镜指定的人物/道具为中心，背景角色不抢动作。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：以潮声、湿泥轻响、旧木或黄铜触碰声中最贴合本镜道具的一声开场；配一个短低频脉冲，随即让出空间，不叠加尖叫。\n衔接：在异常动作最清楚的一刻硬切至下一镜指定动作或反应；不先放片名或黑屏。\n\n镜头02｜01–04秒｜3秒｜好奇：理解人物的反应\n画面与动作：海生转动罗盘，针却逆着他的手回到空碗方向；小满捂住肚子，立刻又把手藏到衣后，怕被发现。\n动作节拍：1–1.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：50mm感的近景，机位降到孩子眼平，向前缓移约一个手掌距离。\n人物表演：若小满在本镜入画，眼神先落在道具，再转向海生；若为纯道具镜，不额外挤入人脸。海生与孩子交流时保持相近眼平高度。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：保留孩子一次吸气和衣料轻摩擦，环境声变窄，音乐只留很轻的持续音。\n衔接：按人物视线切到问题或缺少之物，前一镜最后一声环境音延续约0.15秒。\n\n镜头03｜04–09秒｜5秒｜共情：显露一个小缺口\n画面与动作：二狗展开标着金色光点的海图，兴奋地指向远方；海生低头看修不好的旧船，脸上闪过急于翻身的希望。\n动作节拍：4–5.25秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：35mm感中景或中近景，交代角色、目标道具和可行动空间；保持眼线一致。\n人物表演：让负责本镜行动的成人先动，孩子随后作出可见反应；避免所有人同时表演。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：空碗、空袋、脚步或木板声选本镜实际存在的一项放近；未出场物件不配声，避免声源误导。\n衔接：用逐渐靠近的风声/物件声引入下一镜；剪切前先让观众认清道具位置。\n\n镜头04｜09–15秒｜6秒｜紧张：让选择有代价\n画面与动作：众人把罗盘搬到船头，指针越转越急；远处亮起诱人的金光，孩子被留在岸边，笑容一点点消失。\n动作节拍：9–10.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：28mm感稍低机位，前景放障碍或关键道具，后景保留退路；缓慢推进，不乱晃。\n人物表演：海生或苏兰承担保护动作，孩子的恐惧用呼吸与手指表现；二狗的夸张反应不压过危险信息。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：风与低频逐步增强，声音来自画面可解释方向；临近决定时收低，不盖过呼吸。\n衔接：在角色看向选择对象时切到手部，危险声短暂收低，突出决定。\n\n镜头05｜15–22秒｜7秒｜信任：人物主动做决定\n画面与动作：海生收起地图，回身抱起空碗，蹲到小满身边；他把罗盘放在两人之间，先决定为孩子煮一顿饭。\n动作节拍：15–16.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：65–85mm感手部/道具插入镜头，焦点从指尖过渡到被选择的物件；只做一次明确动作。\n人物表演：选择必须由清楚的手部动作落实；其余角色停住，给观众看懂选择的空间。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：对白：海生轻声说“它指的不是金子。”；只配一次明确道具接触声。\n衔接：按动作方向匹配下一镜的变化，避免用白闪遮盖因果。\n\n镜头06｜22–30秒｜8秒｜释放：回报具有清楚因果\n画面与动作：指针立即安静，碗底映出旧船夹层的位置；一块松木板自行翘起，露出保存完好的粮袋，而非金银。\n动作节拍：22–24.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：28–35mm感中广景，由关键道具向外缓慢拉开，完整看见变化及安全距离。\n人物表演：先让道具/环境发生变化，再切或移到人物反应；变化只遵守本故事规则。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：潮声、湿泥轻响、旧木或黄铜触碰声随变化从密变疏，再进入温暖的两三个原创音符；不使用现成热门歌曲歌词。\n衔接：变化完成后停半拍再切脸部；环境音恢复，音乐只抬高一层。\n\n镜头07｜30–38秒｜8秒｜温暖：给表情留下时间\n画面与动作：一家人围小桌分饭，罗盘摆在正中，指针依次朝每个人轻点；小满终于把自己的碗放进圆圈里。\n动作节拍：30–32.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：35mm感桌边或岸边中景，先交代所有本镜角色，再缓慢靠近小满的表情；不在同一镜里把人数和座位改掉。\n人物表演：孩子的肩膀放松、视线愿意停留；成人以小动作回应，不用齐声大笑替代情绪。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：对白：小满说“原来，家在这里。”；其余人用目光回应，留半秒安静。\n衔接：由人物最后的目光或手指引向收尾道具，暖光保持一致。\n\n镜头08｜38–44秒｜6秒｜余味：接回钩子并打开新可能\n画面与动作：最后一粒米落进碗时，指针再次伸出一寸，却指向门外一只饥饿的小蟹；新的选择以同一圆形构图回到开头。\n动作节拍：38–39.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：以本镜描述的收尾物件构图；最后的形状、光点或运动方向匹配开场关键元素。允许改变景别，但匹配关系必须清楚。\n人物表演：人物保持结局得到的安全与关系；新的小悬念不撤销已经完成的情绪回报。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：取第一镜的同一种音色作为最后一个轻声提示，让尾音衔接循环；不突然加入无关轰鸣。\n衔接：最后0.3秒保留与开头相似的轮廓/音色，允许无缝循环；不加黑底强制点击卡。\n\n负向与连续性检查：不出现无依据的手机、枪械、医院、现代车辆、书上伪造大段文字、未经设计的影视角色或艺术家署名。保持双髻、红带、额头红点及四名主角身份；不多生手指、蟹腿，不让手与道具穿模，不把罗盘替换成怀表。道具在同一镜内不得随机换材质、数量、左右位置或开合状态。只允许故事规则指定的物件变化；儿童无血腥伤害。所有字幕、可读书名和界面文字后期添加，生成画面不带水印、伪字幕或推广尾卡。\n合成前逐镜核对：人物数与站坐姿；第一帧是否已有异常；动作起点/终点能否接上；道具尺寸是否受控；视线和海平线是否一致；每个回报能否追溯到前一镜的选择。未拍出因果时重做相关镜头，不能靠旁白掩盖。\n\n平台剪辑备选（不是平台时长限制，也不是热度保证）：\nTikTok测试版：保留0–1秒钩子，1–4秒加一行疑问字幕，22–30秒完整展示回报；可将4–9秒背景压成3秒，成片约42秒。\nInstagram Reels测试版：保持道具质感与暖光配色，前1秒无需读字即可理解异常；保留30–38秒表情停顿，以收尾道具作封面，主体仍44秒。\nYouTube Shorts测试版：保持44秒因果链，画外说明最多一句；最后0.3秒与开头形状/声响呼应，避免只留下未兑现的悬念。\n所有字幕建议单行、短句，放在人物面部与关键道具之外；先按实际播放器界面预览遮挡。\n\n可测试的两个开头：A使用第一镜的大/小、静/动反差；B保持同一异常事件，但从小满瞳孔或手中道具切入，再在0.6秒内露出尺度参照。只改变开头一项，其余剪辑保持一致；是否提高留存需要真实成片与实际观看数据，本任务未做此测试。" }, { "id": "C061", "title": "罗盘为什么指着空碗", "concept_id": "S02", "concept_index": 1, "version": 0, "genre": "道具悬疑", "duration_seconds": 44, "shot_count": 8, "source_id": "authored--prompts--videoreverse-kling_3_0", "source_name": "videoreverse-kling_3_0", "category": "authored", "source_path": "prompts/videoreverse-kling_3_0.txt", "source_record": "prompts/videoreverse-kling_3_0.txt", "source_paths": [ "prompts/videoreverse-kling_3_0.txt" ], "source_excerpt": "A toddler on a muddy shore points at crabs. A huge golden crab appears near two seconds. She points toward a wooden boat, followed by a fantastical change in its scale., captured via hard-cut edited sequence; continuous camera movement unverified in close-ups, medium reverse angles and relevant wide shots. Location: weathered coastal village, wooden boats and wet mudflat\n\nAn adult points accusingly and grabs the child by the arms. A brief black cut follows; do not invent action hidden by that cut., captured via hard-cut edited sequence; continuous camera movement unverified in close-ups, mediu", "source_review": { "strength": "Codex整理或同一完整蓝图的编译格式；不是独立视觉模型。", "issues": "此类来源的完整叙事来自更多证据与宿主写作，不能和8帧原生描述作同条件能力排名。" }, "contribution": "整理/编译来源：沿用其人物、海岸、道具与情绪组织的制作意图。格式版本共享基础故事，不能把输出格式数当独立创作模型数。", "source_duplicate_of": null, "source_hash": "e11cef373ced1e20b8fe5a68062d6a3ddfbfa26691791865285d1fc60f0b9110", "body_hash": "67097ad8286c5b790942932a97d99f789a9818e3048450857ae071a084aef110", "author": "Codex, shared writer; not original model output", "fallback": false, "hook": "黄铜罗盘的指针穿出表盘，像一根金色细线直指女孩的空碗；针尖停在碗沿上方，距她手指只有一指宽。", "rule": "罗盘指向最需要被照顾的地方，而非财宝；针只在人物做出选择后稳定。", "shots": [ { "number": 1, "start": 0, "end": 1, "duration": 1, "beat": "惊奇：先看见不可能", "action": "黄铜罗盘的指针穿出表盘，像一根金色细线直指女孩的空碗；针尖停在碗沿上方，距她手指只有一指宽。", "camera": "85mm感微距，道具占画面约三分之二，人物眼睛或手作为尺度参照；单一明确机位，不用无目标甩镜；异常动作在画面开始时已经发生。", "performance": "以本镜指定的人物/道具为中心，背景角色不抢动作。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "以潮声、湿泥轻响、旧木或黄铜触碰声中最贴合本镜道具的一声开场；配一个短低频脉冲，随即让出空间，不叠加尖叫。", "transition": "在异常动作最清楚的一刻硬切至下一镜指定动作或反应；不先放片名或黑屏。", "timing": "0.00–0.15秒直接展示钩子关键帧；0.15–0.70秒让异常动作继续；0.70–1.00秒用呼吸或微小停顿准备切入反应。" }, { "number": 2, "start": 1, "end": 4, "duration": 3, "beat": "好奇：理解人物的反应", "action": "海生转动罗盘，针却逆着他的手回到空碗方向；小满捂住肚子，立刻又把手藏到衣后，怕被发现。", "camera": "50mm感的近景，机位降到孩子眼平，向前缓移约一个手掌距离。", "performance": "若小满在本镜入画，眼神先落在道具，再转向海生；若为纯道具镜，不额外挤入人脸。海生与孩子交流时保持相近眼平高度。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "保留孩子一次吸气和衣料轻摩擦，环境声变窄，音乐只留很轻的持续音。", "transition": "按人物视线切到问题或缺少之物，前一镜最后一声环境音延续约0.15秒。", "timing": "1–1.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 3, "start": 4, "end": 9, "duration": 5, "beat": "共情：显露一个小缺口", "action": "二狗展开标着金色光点的海图，兴奋地指向远方；海生低头看修不好的旧船，脸上闪过急于翻身的希望。", "camera": "35mm感中景或中近景，交代角色、目标道具和可行动空间；保持眼线一致。", "performance": "让负责本镜行动的成人先动，孩子随后作出可见反应；避免所有人同时表演。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "空碗、空袋、脚步或木板声选本镜实际存在的一项放近；未出场物件不配声，避免声源误导。", "transition": "用逐渐靠近的风声/物件声引入下一镜；剪切前先让观众认清道具位置。", "timing": "4–5.25秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 4, "start": 9, "end": 15, "duration": 6, "beat": "紧张：让选择有代价", "action": "众人把罗盘搬到船头，指针越转越急；远处亮起诱人的金光，孩子被留在岸边，笑容一点点消失。", "camera": "28mm感稍低机位，前景放障碍或关键道具，后景保留退路；缓慢推进，不乱晃。", "performance": "海生或苏兰承担保护动作，孩子的恐惧用呼吸与手指表现；二狗的夸张反应不压过危险信息。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "风与低频逐步增强，声音来自画面可解释方向；临近决定时收低，不盖过呼吸。", "transition": "在角色看向选择对象时切到手部，危险声短暂收低，突出决定。", "timing": "9–10.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 5, "start": 15, "end": 22, "duration": 7, "beat": "信任：人物主动做决定", "action": "海生收起地图，回身抱起空碗，蹲到小满身边；他把罗盘放在两人之间，先决定为孩子煮一顿饭。", "camera": "65–85mm感手部/道具插入镜头，焦点从指尖过渡到被选择的物件；只做一次明确动作。", "performance": "选择必须由清楚的手部动作落实；其余角色停住，给观众看懂选择的空间。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "对白：海生轻声说“它指的不是金子。”；只配一次明确道具接触声。", "transition": "按动作方向匹配下一镜的变化，避免用白闪遮盖因果。", "timing": "15–16.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 6, "start": 22, "end": 30, "duration": 8, "beat": "释放：回报具有清楚因果", "action": "指针立即安静，碗底映出旧船夹层的位置；一块松木板自行翘起，露出保存完好的粮袋，而非金银。", "camera": "28–35mm感中广景，由关键道具向外缓慢拉开，完整看见变化及安全距离。", "performance": "先让道具/环境发生变化，再切或移到人物反应；变化只遵守本故事规则。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "潮声、湿泥轻响、旧木或黄铜触碰声随变化从密变疏，再进入温暖的两三个原创音符；不使用现成热门歌曲歌词。", "transition": "变化完成后停半拍再切脸部；环境音恢复，音乐只抬高一层。", "timing": "22–24.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 7, "start": 30, "end": 38, "duration": 8, "beat": "温暖：给表情留下时间", "action": "一家人围小桌分饭，罗盘摆在正中，指针依次朝每个人轻点；小满终于把自己的碗放进圆圈里。", "camera": "35mm感桌边或岸边中景，先交代所有本镜角色，再缓慢靠近小满的表情；不在同一镜里把人数和座位改掉。", "performance": "孩子的肩膀放松、视线愿意停留；成人以小动作回应，不用齐声大笑替代情绪。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "对白：小满说“原来，家在这里。”；其余人用目光回应，留半秒安静。", "transition": "由人物最后的目光或手指引向收尾道具，暖光保持一致。", "timing": "30–32.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 8, "start": 38, "end": 44, "duration": 6, "beat": "余味：接回钩子并打开新可能", "action": "最后一粒米落进碗时，指针再次伸出一寸，却指向门外一只饥饿的小蟹；新的选择以同一圆形构图回到开头。", "camera": "以本镜描述的收尾物件构图；最后的形状、光点或运动方向匹配开场关键元素。允许改变景别，但匹配关系必须清楚。", "performance": "人物保持结局得到的安全与关系；新的小悬念不撤销已经完成的情绪回报。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "取第一镜的同一种音色作为最后一个轻声提示，让尾音衔接循环；不突然加入无关轰鸣。", "transition": "最后0.3秒保留与开头相似的轮廓/音色，允许无缝循环；不加黑底强制点击卡。", "timing": "38–39.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" } ], "path": "creative/C061--authored--prompts--videoreverse-kling_3_0.txt", "text": "来源文件：prompts/videoreverse-kling_3_0.txt\n来源名称：videoreverse-kling_3_0\n实际来源记录：prompts/videoreverse-kling_3_0.txt\n原文可用点：Codex整理或同一完整蓝图的编译格式；不是独立视觉模型。\n原文问题/边界：此类来源的完整叙事来自更多证据与宿主写作，不能和8帧原生描述作同条件能力排名。\n转化方式：整理/编译来源：沿用其人物、海岸、道具与情绪组织的制作意图。格式版本共享基础故事，不能把输出格式数当独立创作模型数。\n本次选择的新故事：罗盘为什么指着空碗。所有幻想事件都是二创，不用原文中的误识别冒充事实。\n\n《罗盘为什么指着空碗》｜道具悬疑｜44秒完整剪辑稿\n\n制作目标：44秒，9:16竖屏，8个剪辑镜头，目标1080×1920、24fps。时间表是剪辑设计，不是任一平台API保证；按工具实际支持的片段长度生成，再裁切拼接。此处没有生成视频。\n视觉基调：架空旧式沿海村落，湿泥、粗布、旧木和黄铜具有可触摸的写实材质；幼童面部略带童话般大眼比例。灰蓝海水与褐色村屋为底，红发带是辨识点，幻想光源以局部金色/银色呈现。\n小满：幼童女孩，黑发双髻、左右各一条红发带、额头小红点；灰褐补丁粗布衣、布挎袋、旧布鞋。开场若用蓝披衣，则全片保持，除非镜头明确拍下脱衣。性格敏感、先看大人反应，再敢表达愿望。红点不是伤口，红发带不是红头发。\n海生：青年男性，凌乱黑发，旧蓝外衣、灰内衫、深裤；行动稳，保护孩子时先降到她的眼平高度，不以大喊替代关心。\n苏兰：成年女性，深发松束、灰褐无袖粗布上衣、简单项链与腕布；观察细节，负责托稳道具、递布或摆碗等具体照顾。\n二狗：青年男性，短黑发、橄榄绿外衣；提供轻微喜剧和观众反应，后半段愿意放慢动作参与帮助，不把他写成伤害孩子的反派。\n上述人物只在本镜明确指定时出现。群众只作远处模糊背景，不增加新主角。多人同框时优先保持海生在左、苏兰在后、二狗在右、小满在前中；若换位，用中广景交代，不瞬移。\n环境连续性：泥滩、浅水、旧船和村屋保持同一架空地点。海平线稳定。湿衣不会无故变干。室内暖色由船灯或灶火提供；室外变暖用云隙光或明确的幻想道具光解释，不让44秒凭空跨越数小时。\n人物表情与道具变化分开生成更易核对：每镜最多一个主要幻想动作，真实人物不随道具变形。以上服装、人物名和新动作均属本次二创设定，不声称模型从8帧恢复了全部身份。\n\n核心道具锁：黄铜罗盘、空白瓷碗、旧船木板。先为本片制作一张统一道具参考图，记录缺口、锈斑、左右方向、尺寸；镜头之间沿用同一版本。\n\n本片新规则：罗盘指向最需要被照顾的地方，而非财宝；针只在人物做出选择后稳定。 此规则是新创作，不是原片事实。\n\n第一秒视觉钩子：黄铜罗盘的指针穿出表盘，像一根金色细线直指女孩的空碗；针尖停在碗沿上方，距她手指只有一指宽。\n\n目标情绪路径：惊奇 → 好奇 → 共情 → 紧张 → 信任 → 释放 → 温暖 → 余味。它是创作设计，不是已测得的观众留存数据。\n\n分镜与生成指令（逐镜生成，再按时间码剪辑；全局角色锁及规则与每一镜一起输入）：\n\n镜头01｜00–01秒｜1秒｜惊奇：先看见不可能\n画面与动作：黄铜罗盘的指针穿出表盘，像一根金色细线直指女孩的空碗；针尖停在碗沿上方，距她手指只有一指宽。\n动作节拍：0.00–0.15秒直接展示钩子关键帧；0.15–0.70秒让异常动作继续；0.70–1.00秒用呼吸或微小停顿准备切入反应。\n构图与镜头：85mm感微距，道具占画面约三分之二，人物眼睛或手作为尺度参照；单一明确机位，不用无目标甩镜；异常动作在画面开始时已经发生。\n人物表演：以本镜指定的人物/道具为中心，背景角色不抢动作。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：以潮声、湿泥轻响、旧木或黄铜触碰声中最贴合本镜道具的一声开场；配一个短低频脉冲，随即让出空间，不叠加尖叫。\n衔接：在异常动作最清楚的一刻硬切至下一镜指定动作或反应；不先放片名或黑屏。\n\n镜头02｜01–04秒｜3秒｜好奇：理解人物的反应\n画面与动作：海生转动罗盘，针却逆着他的手回到空碗方向；小满捂住肚子，立刻又把手藏到衣后，怕被发现。\n动作节拍：1–1.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：50mm感的近景，机位降到孩子眼平，向前缓移约一个手掌距离。\n人物表演：若小满在本镜入画，眼神先落在道具，再转向海生；若为纯道具镜，不额外挤入人脸。海生与孩子交流时保持相近眼平高度。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：保留孩子一次吸气和衣料轻摩擦，环境声变窄，音乐只留很轻的持续音。\n衔接：按人物视线切到问题或缺少之物，前一镜最后一声环境音延续约0.15秒。\n\n镜头03｜04–09秒｜5秒｜共情：显露一个小缺口\n画面与动作：二狗展开标着金色光点的海图，兴奋地指向远方；海生低头看修不好的旧船，脸上闪过急于翻身的希望。\n动作节拍：4–5.25秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：35mm感中景或中近景，交代角色、目标道具和可行动空间；保持眼线一致。\n人物表演：让负责本镜行动的成人先动，孩子随后作出可见反应；避免所有人同时表演。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：空碗、空袋、脚步或木板声选本镜实际存在的一项放近；未出场物件不配声，避免声源误导。\n衔接：用逐渐靠近的风声/物件声引入下一镜；剪切前先让观众认清道具位置。\n\n镜头04｜09–15秒｜6秒｜紧张：让选择有代价\n画面与动作：众人把罗盘搬到船头，指针越转越急；远处亮起诱人的金光，孩子被留在岸边，笑容一点点消失。\n动作节拍：9–10.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：28mm感稍低机位，前景放障碍或关键道具，后景保留退路；缓慢推进，不乱晃。\n人物表演：海生或苏兰承担保护动作，孩子的恐惧用呼吸与手指表现；二狗的夸张反应不压过危险信息。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：风与低频逐步增强，声音来自画面可解释方向；临近决定时收低，不盖过呼吸。\n衔接：在角色看向选择对象时切到手部，危险声短暂收低，突出决定。\n\n镜头05｜15–22秒｜7秒｜信任：人物主动做决定\n画面与动作：海生收起地图，回身抱起空碗，蹲到小满身边；他把罗盘放在两人之间，先决定为孩子煮一顿饭。\n动作节拍：15–16.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：65–85mm感手部/道具插入镜头，焦点从指尖过渡到被选择的物件；只做一次明确动作。\n人物表演：选择必须由清楚的手部动作落实；其余角色停住，给观众看懂选择的空间。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：对白：海生轻声说“它指的不是金子。”；只配一次明确道具接触声。\n衔接：按动作方向匹配下一镜的变化，避免用白闪遮盖因果。\n\n镜头06｜22–30秒｜8秒｜释放：回报具有清楚因果\n画面与动作：指针立即安静，碗底映出旧船夹层的位置；一块松木板自行翘起，露出保存完好的粮袋，而非金银。\n动作节拍：22–24.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：28–35mm感中广景，由关键道具向外缓慢拉开，完整看见变化及安全距离。\n人物表演：先让道具/环境发生变化，再切或移到人物反应；变化只遵守本故事规则。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：潮声、湿泥轻响、旧木或黄铜触碰声随变化从密变疏，再进入温暖的两三个原创音符；不使用现成热门歌曲歌词。\n衔接：变化完成后停半拍再切脸部；环境音恢复，音乐只抬高一层。\n\n镜头07｜30–38秒｜8秒｜温暖：给表情留下时间\n画面与动作：一家人围小桌分饭，罗盘摆在正中，指针依次朝每个人轻点；小满终于把自己的碗放进圆圈里。\n动作节拍：30–32.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：35mm感桌边或岸边中景，先交代所有本镜角色，再缓慢靠近小满的表情；不在同一镜里把人数和座位改掉。\n人物表演：孩子的肩膀放松、视线愿意停留；成人以小动作回应，不用齐声大笑替代情绪。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：对白：小满说“原来，家在这里。”；其余人用目光回应，留半秒安静。\n衔接：由人物最后的目光或手指引向收尾道具，暖光保持一致。\n\n镜头08｜38–44秒｜6秒｜余味：接回钩子并打开新可能\n画面与动作：最后一粒米落进碗时，指针再次伸出一寸，却指向门外一只饥饿的小蟹；新的选择以同一圆形构图回到开头。\n动作节拍：38–39.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：以本镜描述的收尾物件构图；最后的形状、光点或运动方向匹配开场关键元素。允许改变景别，但匹配关系必须清楚。\n人物表演：人物保持结局得到的安全与关系；新的小悬念不撤销已经完成的情绪回报。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：取第一镜的同一种音色作为最后一个轻声提示，让尾音衔接循环；不突然加入无关轰鸣。\n衔接：最后0.3秒保留与开头相似的轮廓/音色，允许无缝循环；不加黑底强制点击卡。\n\n负向与连续性检查：不出现无依据的手机、枪械、医院、现代车辆、书上伪造大段文字、未经设计的影视角色或艺术家署名。保持双髻、红带、额头红点及四名主角身份；不多生手指、蟹腿，不让手与道具穿模，不把罗盘替换成怀表。道具在同一镜内不得随机换材质、数量、左右位置或开合状态。只允许故事规则指定的物件变化；儿童无血腥伤害。所有字幕、可读书名和界面文字后期添加，生成画面不带水印、伪字幕或推广尾卡。\n合成前逐镜核对：人物数与站坐姿；第一帧是否已有异常；动作起点/终点能否接上；道具尺寸是否受控；视线和海平线是否一致；每个回报能否追溯到前一镜的选择。未拍出因果时重做相关镜头，不能靠旁白掩盖。\n\n平台剪辑备选（不是平台时长限制，也不是热度保证）：\nTikTok测试版：保留0–1秒钩子，1–4秒加一行疑问字幕，22–30秒完整展示回报；可将4–9秒背景压成3秒，成片约42秒。\nInstagram Reels测试版：保持道具质感与暖光配色，前1秒无需读字即可理解异常；保留30–38秒表情停顿，以收尾道具作封面，主体仍44秒。\nYouTube Shorts测试版：保持44秒因果链，画外说明最多一句；最后0.3秒与开头形状/声响呼应，避免只留下未兑现的悬念。\n所有字幕建议单行、短句，放在人物面部与关键道具之外；先按实际播放器界面预览遮挡。\n\n可测试的两个开头：A使用第一镜的大/小、静/动反差；B保持同一异常事件，但从小满瞳孔或手中道具切入，再在0.6秒内露出尺度参照。只改变开头一项，其余剪辑保持一致；是否提高留存需要真实成片与实际观看数据，本任务未做此测试。" }, { "id": "C062", "title": "罗盘为什么指着空碗", "concept_id": "S02", "concept_index": 1, "version": 0, "genre": "道具悬疑", "duration_seconds": 44, "shot_count": 8, "source_id": "authored--prompts--videoreverse-luma_dream_machine", "source_name": "videoreverse-luma_dream_machine", "category": "authored", "source_path": "prompts/videoreverse-luma_dream_machine.txt", "source_record": "prompts/videoreverse-luma_dream_machine.txt", "source_paths": [ "prompts/videoreverse-luma_dream_machine.txt" ], "source_excerpt": "photorealistic coastal fantasy short drama video, 6.0s. A toddler on a muddy shore points at crabs. A huge golden crab appears near two seconds\n\nphotorealistic coastal fantasy short drama video, 3.0s. An adult points accusingly and grabs the child by the arms. A brief black cut follows; do not invent action hidden by that cut\n\nphotorealistic coastal fantasy short drama video, 9.0s. On an old wooden fishing boat, a wet girl is lifted in a fishing net. Cut to her tearful face\n\nphotorealistic coastal fantasy short drama video, 12.0s. The man in a worn blue jacket holds and questions the girl whil", "source_review": { "strength": "Codex整理或同一完整蓝图的编译格式；不是独立视觉模型。", "issues": "此类来源的完整叙事来自更多证据与宿主写作，不能和8帧原生描述作同条件能力排名。" }, "contribution": "整理/编译来源：沿用其人物、海岸、道具与情绪组织的制作意图。格式版本共享基础故事，不能把输出格式数当独立创作模型数。", "source_duplicate_of": null, "source_hash": "b7e92c4d2765370eb66e5ac9f3a784f45409375168d33d559ed5e1bf1ecfb63f", "body_hash": "67097ad8286c5b790942932a97d99f789a9818e3048450857ae071a084aef110", "author": "Codex, shared writer; not original model output", "fallback": false, "hook": "黄铜罗盘的指针穿出表盘，像一根金色细线直指女孩的空碗；针尖停在碗沿上方，距她手指只有一指宽。", "rule": "罗盘指向最需要被照顾的地方，而非财宝；针只在人物做出选择后稳定。", "shots": [ { "number": 1, "start": 0, "end": 1, "duration": 1, "beat": "惊奇：先看见不可能", "action": "黄铜罗盘的指针穿出表盘，像一根金色细线直指女孩的空碗；针尖停在碗沿上方，距她手指只有一指宽。", "camera": "85mm感微距，道具占画面约三分之二，人物眼睛或手作为尺度参照；单一明确机位，不用无目标甩镜；异常动作在画面开始时已经发生。", "performance": "以本镜指定的人物/道具为中心，背景角色不抢动作。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "以潮声、湿泥轻响、旧木或黄铜触碰声中最贴合本镜道具的一声开场；配一个短低频脉冲，随即让出空间，不叠加尖叫。", "transition": "在异常动作最清楚的一刻硬切至下一镜指定动作或反应；不先放片名或黑屏。", "timing": "0.00–0.15秒直接展示钩子关键帧；0.15–0.70秒让异常动作继续；0.70–1.00秒用呼吸或微小停顿准备切入反应。" }, { "number": 2, "start": 1, "end": 4, "duration": 3, "beat": "好奇：理解人物的反应", "action": "海生转动罗盘，针却逆着他的手回到空碗方向；小满捂住肚子，立刻又把手藏到衣后，怕被发现。", "camera": "50mm感的近景，机位降到孩子眼平，向前缓移约一个手掌距离。", "performance": "若小满在本镜入画，眼神先落在道具，再转向海生；若为纯道具镜，不额外挤入人脸。海生与孩子交流时保持相近眼平高度。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "保留孩子一次吸气和衣料轻摩擦，环境声变窄，音乐只留很轻的持续音。", "transition": "按人物视线切到问题或缺少之物，前一镜最后一声环境音延续约0.15秒。", "timing": "1–1.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 3, "start": 4, "end": 9, "duration": 5, "beat": "共情：显露一个小缺口", "action": "二狗展开标着金色光点的海图，兴奋地指向远方；海生低头看修不好的旧船，脸上闪过急于翻身的希望。", "camera": "35mm感中景或中近景，交代角色、目标道具和可行动空间；保持眼线一致。", "performance": "让负责本镜行动的成人先动，孩子随后作出可见反应；避免所有人同时表演。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "空碗、空袋、脚步或木板声选本镜实际存在的一项放近；未出场物件不配声，避免声源误导。", "transition": "用逐渐靠近的风声/物件声引入下一镜；剪切前先让观众认清道具位置。", "timing": "4–5.25秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 4, "start": 9, "end": 15, "duration": 6, "beat": "紧张：让选择有代价", "action": "众人把罗盘搬到船头，指针越转越急；远处亮起诱人的金光，孩子被留在岸边，笑容一点点消失。", "camera": "28mm感稍低机位，前景放障碍或关键道具，后景保留退路；缓慢推进，不乱晃。", "performance": "海生或苏兰承担保护动作，孩子的恐惧用呼吸与手指表现；二狗的夸张反应不压过危险信息。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "风与低频逐步增强，声音来自画面可解释方向；临近决定时收低，不盖过呼吸。", "transition": "在角色看向选择对象时切到手部，危险声短暂收低，突出决定。", "timing": "9–10.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 5, "start": 15, "end": 22, "duration": 7, "beat": "信任：人物主动做决定", "action": "海生收起地图，回身抱起空碗，蹲到小满身边；他把罗盘放在两人之间，先决定为孩子煮一顿饭。", "camera": "65–85mm感手部/道具插入镜头，焦点从指尖过渡到被选择的物件；只做一次明确动作。", "performance": "选择必须由清楚的手部动作落实；其余角色停住，给观众看懂选择的空间。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "对白：海生轻声说“它指的不是金子。”；只配一次明确道具接触声。", "transition": "按动作方向匹配下一镜的变化，避免用白闪遮盖因果。", "timing": "15–16.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 6, "start": 22, "end": 30, "duration": 8, "beat": "释放：回报具有清楚因果", "action": "指针立即安静，碗底映出旧船夹层的位置；一块松木板自行翘起，露出保存完好的粮袋，而非金银。", "camera": "28–35mm感中广景，由关键道具向外缓慢拉开，完整看见变化及安全距离。", "performance": "先让道具/环境发生变化，再切或移到人物反应；变化只遵守本故事规则。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "潮声、湿泥轻响、旧木或黄铜触碰声随变化从密变疏，再进入温暖的两三个原创音符；不使用现成热门歌曲歌词。", "transition": "变化完成后停半拍再切脸部；环境音恢复，音乐只抬高一层。", "timing": "22–24.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 7, "start": 30, "end": 38, "duration": 8, "beat": "温暖：给表情留下时间", "action": "一家人围小桌分饭，罗盘摆在正中，指针依次朝每个人轻点；小满终于把自己的碗放进圆圈里。", "camera": "35mm感桌边或岸边中景，先交代所有本镜角色，再缓慢靠近小满的表情；不在同一镜里把人数和座位改掉。", "performance": "孩子的肩膀放松、视线愿意停留；成人以小动作回应，不用齐声大笑替代情绪。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "对白：小满说“原来，家在这里。”；其余人用目光回应，留半秒安静。", "transition": "由人物最后的目光或手指引向收尾道具，暖光保持一致。", "timing": "30–32.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 8, "start": 38, "end": 44, "duration": 6, "beat": "余味：接回钩子并打开新可能", "action": "最后一粒米落进碗时，指针再次伸出一寸，却指向门外一只饥饿的小蟹；新的选择以同一圆形构图回到开头。", "camera": "以本镜描述的收尾物件构图；最后的形状、光点或运动方向匹配开场关键元素。允许改变景别，但匹配关系必须清楚。", "performance": "人物保持结局得到的安全与关系；新的小悬念不撤销已经完成的情绪回报。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "取第一镜的同一种音色作为最后一个轻声提示，让尾音衔接循环；不突然加入无关轰鸣。", "transition": "最后0.3秒保留与开头相似的轮廓/音色，允许无缝循环；不加黑底强制点击卡。", "timing": "38–39.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" } ], "path": "creative/C062--authored--prompts--videoreverse-luma_dream_machine.txt", "text": "来源文件：prompts/videoreverse-luma_dream_machine.txt\n来源名称：videoreverse-luma_dream_machine\n实际来源记录：prompts/videoreverse-luma_dream_machine.txt\n原文可用点：Codex整理或同一完整蓝图的编译格式；不是独立视觉模型。\n原文问题/边界：此类来源的完整叙事来自更多证据与宿主写作，不能和8帧原生描述作同条件能力排名。\n转化方式：整理/编译来源：沿用其人物、海岸、道具与情绪组织的制作意图。格式版本共享基础故事，不能把输出格式数当独立创作模型数。\n本次选择的新故事：罗盘为什么指着空碗。所有幻想事件都是二创，不用原文中的误识别冒充事实。\n\n《罗盘为什么指着空碗》｜道具悬疑｜44秒完整剪辑稿\n\n制作目标：44秒，9:16竖屏，8个剪辑镜头，目标1080×1920、24fps。时间表是剪辑设计，不是任一平台API保证；按工具实际支持的片段长度生成，再裁切拼接。此处没有生成视频。\n视觉基调：架空旧式沿海村落，湿泥、粗布、旧木和黄铜具有可触摸的写实材质；幼童面部略带童话般大眼比例。灰蓝海水与褐色村屋为底，红发带是辨识点，幻想光源以局部金色/银色呈现。\n小满：幼童女孩，黑发双髻、左右各一条红发带、额头小红点；灰褐补丁粗布衣、布挎袋、旧布鞋。开场若用蓝披衣，则全片保持，除非镜头明确拍下脱衣。性格敏感、先看大人反应，再敢表达愿望。红点不是伤口，红发带不是红头发。\n海生：青年男性，凌乱黑发，旧蓝外衣、灰内衫、深裤；行动稳，保护孩子时先降到她的眼平高度，不以大喊替代关心。\n苏兰：成年女性，深发松束、灰褐无袖粗布上衣、简单项链与腕布；观察细节，负责托稳道具、递布或摆碗等具体照顾。\n二狗：青年男性，短黑发、橄榄绿外衣；提供轻微喜剧和观众反应，后半段愿意放慢动作参与帮助，不把他写成伤害孩子的反派。\n上述人物只在本镜明确指定时出现。群众只作远处模糊背景，不增加新主角。多人同框时优先保持海生在左、苏兰在后、二狗在右、小满在前中；若换位，用中广景交代，不瞬移。\n环境连续性：泥滩、浅水、旧船和村屋保持同一架空地点。海平线稳定。湿衣不会无故变干。室内暖色由船灯或灶火提供；室外变暖用云隙光或明确的幻想道具光解释，不让44秒凭空跨越数小时。\n人物表情与道具变化分开生成更易核对：每镜最多一个主要幻想动作，真实人物不随道具变形。以上服装、人物名和新动作均属本次二创设定，不声称模型从8帧恢复了全部身份。\n\n核心道具锁：黄铜罗盘、空白瓷碗、旧船木板。先为本片制作一张统一道具参考图，记录缺口、锈斑、左右方向、尺寸；镜头之间沿用同一版本。\n\n本片新规则：罗盘指向最需要被照顾的地方，而非财宝；针只在人物做出选择后稳定。 此规则是新创作，不是原片事实。\n\n第一秒视觉钩子：黄铜罗盘的指针穿出表盘，像一根金色细线直指女孩的空碗；针尖停在碗沿上方，距她手指只有一指宽。\n\n目标情绪路径：惊奇 → 好奇 → 共情 → 紧张 → 信任 → 释放 → 温暖 → 余味。它是创作设计，不是已测得的观众留存数据。\n\n分镜与生成指令（逐镜生成，再按时间码剪辑；全局角色锁及规则与每一镜一起输入）：\n\n镜头01｜00–01秒｜1秒｜惊奇：先看见不可能\n画面与动作：黄铜罗盘的指针穿出表盘，像一根金色细线直指女孩的空碗；针尖停在碗沿上方，距她手指只有一指宽。\n动作节拍：0.00–0.15秒直接展示钩子关键帧；0.15–0.70秒让异常动作继续；0.70–1.00秒用呼吸或微小停顿准备切入反应。\n构图与镜头：85mm感微距，道具占画面约三分之二，人物眼睛或手作为尺度参照；单一明确机位，不用无目标甩镜；异常动作在画面开始时已经发生。\n人物表演：以本镜指定的人物/道具为中心，背景角色不抢动作。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：以潮声、湿泥轻响、旧木或黄铜触碰声中最贴合本镜道具的一声开场；配一个短低频脉冲，随即让出空间，不叠加尖叫。\n衔接：在异常动作最清楚的一刻硬切至下一镜指定动作或反应；不先放片名或黑屏。\n\n镜头02｜01–04秒｜3秒｜好奇：理解人物的反应\n画面与动作：海生转动罗盘，针却逆着他的手回到空碗方向；小满捂住肚子，立刻又把手藏到衣后，怕被发现。\n动作节拍：1–1.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：50mm感的近景，机位降到孩子眼平，向前缓移约一个手掌距离。\n人物表演：若小满在本镜入画，眼神先落在道具，再转向海生；若为纯道具镜，不额外挤入人脸。海生与孩子交流时保持相近眼平高度。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：保留孩子一次吸气和衣料轻摩擦，环境声变窄，音乐只留很轻的持续音。\n衔接：按人物视线切到问题或缺少之物，前一镜最后一声环境音延续约0.15秒。\n\n镜头03｜04–09秒｜5秒｜共情：显露一个小缺口\n画面与动作：二狗展开标着金色光点的海图，兴奋地指向远方；海生低头看修不好的旧船，脸上闪过急于翻身的希望。\n动作节拍：4–5.25秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：35mm感中景或中近景，交代角色、目标道具和可行动空间；保持眼线一致。\n人物表演：让负责本镜行动的成人先动，孩子随后作出可见反应；避免所有人同时表演。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：空碗、空袋、脚步或木板声选本镜实际存在的一项放近；未出场物件不配声，避免声源误导。\n衔接：用逐渐靠近的风声/物件声引入下一镜；剪切前先让观众认清道具位置。\n\n镜头04｜09–15秒｜6秒｜紧张：让选择有代价\n画面与动作：众人把罗盘搬到船头，指针越转越急；远处亮起诱人的金光，孩子被留在岸边，笑容一点点消失。\n动作节拍：9–10.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：28mm感稍低机位，前景放障碍或关键道具，后景保留退路；缓慢推进，不乱晃。\n人物表演：海生或苏兰承担保护动作，孩子的恐惧用呼吸与手指表现；二狗的夸张反应不压过危险信息。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：风与低频逐步增强，声音来自画面可解释方向；临近决定时收低，不盖过呼吸。\n衔接：在角色看向选择对象时切到手部，危险声短暂收低，突出决定。\n\n镜头05｜15–22秒｜7秒｜信任：人物主动做决定\n画面与动作：海生收起地图，回身抱起空碗，蹲到小满身边；他把罗盘放在两人之间，先决定为孩子煮一顿饭。\n动作节拍：15–16.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：65–85mm感手部/道具插入镜头，焦点从指尖过渡到被选择的物件；只做一次明确动作。\n人物表演：选择必须由清楚的手部动作落实；其余角色停住，给观众看懂选择的空间。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：对白：海生轻声说“它指的不是金子。”；只配一次明确道具接触声。\n衔接：按动作方向匹配下一镜的变化，避免用白闪遮盖因果。\n\n镜头06｜22–30秒｜8秒｜释放：回报具有清楚因果\n画面与动作：指针立即安静，碗底映出旧船夹层的位置；一块松木板自行翘起，露出保存完好的粮袋，而非金银。\n动作节拍：22–24.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：28–35mm感中广景，由关键道具向外缓慢拉开，完整看见变化及安全距离。\n人物表演：先让道具/环境发生变化，再切或移到人物反应；变化只遵守本故事规则。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：潮声、湿泥轻响、旧木或黄铜触碰声随变化从密变疏，再进入温暖的两三个原创音符；不使用现成热门歌曲歌词。\n衔接：变化完成后停半拍再切脸部；环境音恢复，音乐只抬高一层。\n\n镜头07｜30–38秒｜8秒｜温暖：给表情留下时间\n画面与动作：一家人围小桌分饭，罗盘摆在正中，指针依次朝每个人轻点；小满终于把自己的碗放进圆圈里。\n动作节拍：30–32.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：35mm感桌边或岸边中景，先交代所有本镜角色，再缓慢靠近小满的表情；不在同一镜里把人数和座位改掉。\n人物表演：孩子的肩膀放松、视线愿意停留；成人以小动作回应，不用齐声大笑替代情绪。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：对白：小满说“原来，家在这里。”；其余人用目光回应，留半秒安静。\n衔接：由人物最后的目光或手指引向收尾道具，暖光保持一致。\n\n镜头08｜38–44秒｜6秒｜余味：接回钩子并打开新可能\n画面与动作：最后一粒米落进碗时，指针再次伸出一寸，却指向门外一只饥饿的小蟹；新的选择以同一圆形构图回到开头。\n动作节拍：38–39.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：以本镜描述的收尾物件构图；最后的形状、光点或运动方向匹配开场关键元素。允许改变景别，但匹配关系必须清楚。\n人物表演：人物保持结局得到的安全与关系；新的小悬念不撤销已经完成的情绪回报。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：取第一镜的同一种音色作为最后一个轻声提示，让尾音衔接循环；不突然加入无关轰鸣。\n衔接：最后0.3秒保留与开头相似的轮廓/音色，允许无缝循环；不加黑底强制点击卡。\n\n负向与连续性检查：不出现无依据的手机、枪械、医院、现代车辆、书上伪造大段文字、未经设计的影视角色或艺术家署名。保持双髻、红带、额头红点及四名主角身份；不多生手指、蟹腿，不让手与道具穿模，不把罗盘替换成怀表。道具在同一镜内不得随机换材质、数量、左右位置或开合状态。只允许故事规则指定的物件变化；儿童无血腥伤害。所有字幕、可读书名和界面文字后期添加，生成画面不带水印、伪字幕或推广尾卡。\n合成前逐镜核对：人物数与站坐姿；第一帧是否已有异常；动作起点/终点能否接上；道具尺寸是否受控；视线和海平线是否一致；每个回报能否追溯到前一镜的选择。未拍出因果时重做相关镜头，不能靠旁白掩盖。\n\n平台剪辑备选（不是平台时长限制，也不是热度保证）：\nTikTok测试版：保留0–1秒钩子，1–4秒加一行疑问字幕，22–30秒完整展示回报；可将4–9秒背景压成3秒，成片约42秒。\nInstagram Reels测试版：保持道具质感与暖光配色，前1秒无需读字即可理解异常；保留30–38秒表情停顿，以收尾道具作封面，主体仍44秒。\nYouTube Shorts测试版：保持44秒因果链，画外说明最多一句；最后0.3秒与开头形状/声响呼应，避免只留下未兑现的悬念。\n所有字幕建议单行、短句，放在人物面部与关键道具之外；先按实际播放器界面预览遮挡。\n\n可测试的两个开头：A使用第一镜的大/小、静/动反差；B保持同一异常事件，但从小满瞳孔或手中道具切入，再在0.6秒内露出尺度参照。只改变开头一项，其余剪辑保持一致；是否提高留存需要真实成片与实际观看数据，本任务未做此测试。" }, { "id": "C063", "title": "罗盘为什么指着空碗", "concept_id": "S02", "concept_index": 1, "version": 0, "genre": "道具悬疑", "duration_seconds": 44, "shot_count": 8, "source_id": "authored--prompts--videoreverse-luma_ray2", "source_name": "videoreverse-luma_ray2", "category": "authored", "source_path": "prompts/videoreverse-luma_ray2.txt", "source_record": "prompts/videoreverse-luma_ray2.txt", "source_paths": [ "prompts/videoreverse-luma_ray2.txt" ], "source_excerpt": "Cinematic 6.0s clip. A toddler on a muddy shore points at crabs. A huge golden crab appears near two seconds. She points toward a wooden boat, followed by a fantastical change in its scale. in weathered coastal village, wooden boats and wet mudflat\n\nCinematic 3.0s clip. An adult points accusingly and grabs the child by the arms. A brief black cut follows; do not invent action hidden by that cut. in weathered coastal village, wooden boats and wet mudflat. Camera: hard-cut edited sequence; continuous camera movement unverified, close-ups, medium reverse angles and relevant wide shots\n\nCinematic ", "source_review": { "strength": "Codex整理或同一完整蓝图的编译格式；不是独立视觉模型。", "issues": "此类来源的完整叙事来自更多证据与宿主写作，不能和8帧原生描述作同条件能力排名。" }, "contribution": "整理/编译来源：沿用其人物、海岸、道具与情绪组织的制作意图。格式版本共享基础故事，不能把输出格式数当独立创作模型数。", "source_duplicate_of": null, "source_hash": "8a11b2a64f5da01ccc4ac1cb645699bb37a25358f1a9acd54643b3016eb518a5", "body_hash": "67097ad8286c5b790942932a97d99f789a9818e3048450857ae071a084aef110", "author": "Codex, shared writer; not original model output", "fallback": false, "hook": "黄铜罗盘的指针穿出表盘，像一根金色细线直指女孩的空碗；针尖停在碗沿上方，距她手指只有一指宽。", "rule": "罗盘指向最需要被照顾的地方，而非财宝；针只在人物做出选择后稳定。", "shots": [ { "number": 1, "start": 0, "end": 1, "duration": 1, "beat": "惊奇：先看见不可能", "action": "黄铜罗盘的指针穿出表盘，像一根金色细线直指女孩的空碗；针尖停在碗沿上方，距她手指只有一指宽。", "camera": "85mm感微距，道具占画面约三分之二，人物眼睛或手作为尺度参照；单一明确机位，不用无目标甩镜；异常动作在画面开始时已经发生。", "performance": "以本镜指定的人物/道具为中心，背景角色不抢动作。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "以潮声、湿泥轻响、旧木或黄铜触碰声中最贴合本镜道具的一声开场；配一个短低频脉冲，随即让出空间，不叠加尖叫。", "transition": "在异常动作最清楚的一刻硬切至下一镜指定动作或反应；不先放片名或黑屏。", "timing": "0.00–0.15秒直接展示钩子关键帧；0.15–0.70秒让异常动作继续；0.70–1.00秒用呼吸或微小停顿准备切入反应。" }, { "number": 2, "start": 1, "end": 4, "duration": 3, "beat": "好奇：理解人物的反应", "action": "海生转动罗盘，针却逆着他的手回到空碗方向；小满捂住肚子，立刻又把手藏到衣后，怕被发现。", "camera": "50mm感的近景，机位降到孩子眼平，向前缓移约一个手掌距离。", "performance": "若小满在本镜入画，眼神先落在道具，再转向海生；若为纯道具镜，不额外挤入人脸。海生与孩子交流时保持相近眼平高度。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "保留孩子一次吸气和衣料轻摩擦，环境声变窄，音乐只留很轻的持续音。", "transition": "按人物视线切到问题或缺少之物，前一镜最后一声环境音延续约0.15秒。", "timing": "1–1.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 3, "start": 4, "end": 9, "duration": 5, "beat": "共情：显露一个小缺口", "action": "二狗展开标着金色光点的海图，兴奋地指向远方；海生低头看修不好的旧船，脸上闪过急于翻身的希望。", "camera": "35mm感中景或中近景，交代角色、目标道具和可行动空间；保持眼线一致。", "performance": "让负责本镜行动的成人先动，孩子随后作出可见反应；避免所有人同时表演。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "空碗、空袋、脚步或木板声选本镜实际存在的一项放近；未出场物件不配声，避免声源误导。", "transition": "用逐渐靠近的风声/物件声引入下一镜；剪切前先让观众认清道具位置。", "timing": "4–5.25秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 4, "start": 9, "end": 15, "duration": 6, "beat": "紧张：让选择有代价", "action": "众人把罗盘搬到船头，指针越转越急；远处亮起诱人的金光，孩子被留在岸边，笑容一点点消失。", "camera": "28mm感稍低机位，前景放障碍或关键道具，后景保留退路；缓慢推进，不乱晃。", "performance": "海生或苏兰承担保护动作，孩子的恐惧用呼吸与手指表现；二狗的夸张反应不压过危险信息。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "风与低频逐步增强，声音来自画面可解释方向；临近决定时收低，不盖过呼吸。", "transition": "在角色看向选择对象时切到手部，危险声短暂收低，突出决定。", "timing": "9–10.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 5, "start": 15, "end": 22, "duration": 7, "beat": "信任：人物主动做决定", "action": "海生收起地图，回身抱起空碗，蹲到小满身边；他把罗盘放在两人之间，先决定为孩子煮一顿饭。", "camera": "65–85mm感手部/道具插入镜头，焦点从指尖过渡到被选择的物件；只做一次明确动作。", "performance": "选择必须由清楚的手部动作落实；其余角色停住，给观众看懂选择的空间。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "对白：海生轻声说“它指的不是金子。”；只配一次明确道具接触声。", "transition": "按动作方向匹配下一镜的变化，避免用白闪遮盖因果。", "timing": "15–16.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 6, "start": 22, "end": 30, "duration": 8, "beat": "释放：回报具有清楚因果", "action": "指针立即安静，碗底映出旧船夹层的位置；一块松木板自行翘起，露出保存完好的粮袋，而非金银。", "camera": "28–35mm感中广景，由关键道具向外缓慢拉开，完整看见变化及安全距离。", "performance": "先让道具/环境发生变化，再切或移到人物反应；变化只遵守本故事规则。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "潮声、湿泥轻响、旧木或黄铜触碰声随变化从密变疏，再进入温暖的两三个原创音符；不使用现成热门歌曲歌词。", "transition": "变化完成后停半拍再切脸部；环境音恢复，音乐只抬高一层。", "timing": "22–24.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 7, "start": 30, "end": 38, "duration": 8, "beat": "温暖：给表情留下时间", "action": "一家人围小桌分饭，罗盘摆在正中，指针依次朝每个人轻点；小满终于把自己的碗放进圆圈里。", "camera": "35mm感桌边或岸边中景，先交代所有本镜角色，再缓慢靠近小满的表情；不在同一镜里把人数和座位改掉。", "performance": "孩子的肩膀放松、视线愿意停留；成人以小动作回应，不用齐声大笑替代情绪。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "对白：小满说“原来，家在这里。”；其余人用目光回应，留半秒安静。", "transition": "由人物最后的目光或手指引向收尾道具，暖光保持一致。", "timing": "30–32.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 8, "start": 38, "end": 44, "duration": 6, "beat": "余味：接回钩子并打开新可能", "action": "最后一粒米落进碗时，指针再次伸出一寸，却指向门外一只饥饿的小蟹；新的选择以同一圆形构图回到开头。", "camera": "以本镜描述的收尾物件构图；最后的形状、光点或运动方向匹配开场关键元素。允许改变景别，但匹配关系必须清楚。", "performance": "人物保持结局得到的安全与关系；新的小悬念不撤销已经完成的情绪回报。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "取第一镜的同一种音色作为最后一个轻声提示，让尾音衔接循环；不突然加入无关轰鸣。", "transition": "最后0.3秒保留与开头相似的轮廓/音色，允许无缝循环；不加黑底强制点击卡。", "timing": "38–39.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" } ], "path": "creative/C063--authored--prompts--videoreverse-luma_ray2.txt", "text": "来源文件：prompts/videoreverse-luma_ray2.txt\n来源名称：videoreverse-luma_ray2\n实际来源记录：prompts/videoreverse-luma_ray2.txt\n原文可用点：Codex整理或同一完整蓝图的编译格式；不是独立视觉模型。\n原文问题/边界：此类来源的完整叙事来自更多证据与宿主写作，不能和8帧原生描述作同条件能力排名。\n转化方式：整理/编译来源：沿用其人物、海岸、道具与情绪组织的制作意图。格式版本共享基础故事，不能把输出格式数当独立创作模型数。\n本次选择的新故事：罗盘为什么指着空碗。所有幻想事件都是二创，不用原文中的误识别冒充事实。\n\n《罗盘为什么指着空碗》｜道具悬疑｜44秒完整剪辑稿\n\n制作目标：44秒，9:16竖屏，8个剪辑镜头，目标1080×1920、24fps。时间表是剪辑设计，不是任一平台API保证；按工具实际支持的片段长度生成，再裁切拼接。此处没有生成视频。\n视觉基调：架空旧式沿海村落，湿泥、粗布、旧木和黄铜具有可触摸的写实材质；幼童面部略带童话般大眼比例。灰蓝海水与褐色村屋为底，红发带是辨识点，幻想光源以局部金色/银色呈现。\n小满：幼童女孩，黑发双髻、左右各一条红发带、额头小红点；灰褐补丁粗布衣、布挎袋、旧布鞋。开场若用蓝披衣，则全片保持，除非镜头明确拍下脱衣。性格敏感、先看大人反应，再敢表达愿望。红点不是伤口，红发带不是红头发。\n海生：青年男性，凌乱黑发，旧蓝外衣、灰内衫、深裤；行动稳，保护孩子时先降到她的眼平高度，不以大喊替代关心。\n苏兰：成年女性，深发松束、灰褐无袖粗布上衣、简单项链与腕布；观察细节，负责托稳道具、递布或摆碗等具体照顾。\n二狗：青年男性，短黑发、橄榄绿外衣；提供轻微喜剧和观众反应，后半段愿意放慢动作参与帮助，不把他写成伤害孩子的反派。\n上述人物只在本镜明确指定时出现。群众只作远处模糊背景，不增加新主角。多人同框时优先保持海生在左、苏兰在后、二狗在右、小满在前中；若换位，用中广景交代，不瞬移。\n环境连续性：泥滩、浅水、旧船和村屋保持同一架空地点。海平线稳定。湿衣不会无故变干。室内暖色由船灯或灶火提供；室外变暖用云隙光或明确的幻想道具光解释，不让44秒凭空跨越数小时。\n人物表情与道具变化分开生成更易核对：每镜最多一个主要幻想动作，真实人物不随道具变形。以上服装、人物名和新动作均属本次二创设定，不声称模型从8帧恢复了全部身份。\n\n核心道具锁：黄铜罗盘、空白瓷碗、旧船木板。先为本片制作一张统一道具参考图，记录缺口、锈斑、左右方向、尺寸；镜头之间沿用同一版本。\n\n本片新规则：罗盘指向最需要被照顾的地方，而非财宝；针只在人物做出选择后稳定。 此规则是新创作，不是原片事实。\n\n第一秒视觉钩子：黄铜罗盘的指针穿出表盘，像一根金色细线直指女孩的空碗；针尖停在碗沿上方，距她手指只有一指宽。\n\n目标情绪路径：惊奇 → 好奇 → 共情 → 紧张 → 信任 → 释放 → 温暖 → 余味。它是创作设计，不是已测得的观众留存数据。\n\n分镜与生成指令（逐镜生成，再按时间码剪辑；全局角色锁及规则与每一镜一起输入）：\n\n镜头01｜00–01秒｜1秒｜惊奇：先看见不可能\n画面与动作：黄铜罗盘的指针穿出表盘，像一根金色细线直指女孩的空碗；针尖停在碗沿上方，距她手指只有一指宽。\n动作节拍：0.00–0.15秒直接展示钩子关键帧；0.15–0.70秒让异常动作继续；0.70–1.00秒用呼吸或微小停顿准备切入反应。\n构图与镜头：85mm感微距，道具占画面约三分之二，人物眼睛或手作为尺度参照；单一明确机位，不用无目标甩镜；异常动作在画面开始时已经发生。\n人物表演：以本镜指定的人物/道具为中心，背景角色不抢动作。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：以潮声、湿泥轻响、旧木或黄铜触碰声中最贴合本镜道具的一声开场；配一个短低频脉冲，随即让出空间，不叠加尖叫。\n衔接：在异常动作最清楚的一刻硬切至下一镜指定动作或反应；不先放片名或黑屏。\n\n镜头02｜01–04秒｜3秒｜好奇：理解人物的反应\n画面与动作：海生转动罗盘，针却逆着他的手回到空碗方向；小满捂住肚子，立刻又把手藏到衣后，怕被发现。\n动作节拍：1–1.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：50mm感的近景，机位降到孩子眼平，向前缓移约一个手掌距离。\n人物表演：若小满在本镜入画，眼神先落在道具，再转向海生；若为纯道具镜，不额外挤入人脸。海生与孩子交流时保持相近眼平高度。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：保留孩子一次吸气和衣料轻摩擦，环境声变窄，音乐只留很轻的持续音。\n衔接：按人物视线切到问题或缺少之物，前一镜最后一声环境音延续约0.15秒。\n\n镜头03｜04–09秒｜5秒｜共情：显露一个小缺口\n画面与动作：二狗展开标着金色光点的海图，兴奋地指向远方；海生低头看修不好的旧船，脸上闪过急于翻身的希望。\n动作节拍：4–5.25秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：35mm感中景或中近景，交代角色、目标道具和可行动空间；保持眼线一致。\n人物表演：让负责本镜行动的成人先动，孩子随后作出可见反应；避免所有人同时表演。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：空碗、空袋、脚步或木板声选本镜实际存在的一项放近；未出场物件不配声，避免声源误导。\n衔接：用逐渐靠近的风声/物件声引入下一镜；剪切前先让观众认清道具位置。\n\n镜头04｜09–15秒｜6秒｜紧张：让选择有代价\n画面与动作：众人把罗盘搬到船头，指针越转越急；远处亮起诱人的金光，孩子被留在岸边，笑容一点点消失。\n动作节拍：9–10.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：28mm感稍低机位，前景放障碍或关键道具，后景保留退路；缓慢推进，不乱晃。\n人物表演：海生或苏兰承担保护动作，孩子的恐惧用呼吸与手指表现；二狗的夸张反应不压过危险信息。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：风与低频逐步增强，声音来自画面可解释方向；临近决定时收低，不盖过呼吸。\n衔接：在角色看向选择对象时切到手部，危险声短暂收低，突出决定。\n\n镜头05｜15–22秒｜7秒｜信任：人物主动做决定\n画面与动作：海生收起地图，回身抱起空碗，蹲到小满身边；他把罗盘放在两人之间，先决定为孩子煮一顿饭。\n动作节拍：15–16.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：65–85mm感手部/道具插入镜头，焦点从指尖过渡到被选择的物件；只做一次明确动作。\n人物表演：选择必须由清楚的手部动作落实；其余角色停住，给观众看懂选择的空间。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：对白：海生轻声说“它指的不是金子。”；只配一次明确道具接触声。\n衔接：按动作方向匹配下一镜的变化，避免用白闪遮盖因果。\n\n镜头06｜22–30秒｜8秒｜释放：回报具有清楚因果\n画面与动作：指针立即安静，碗底映出旧船夹层的位置；一块松木板自行翘起，露出保存完好的粮袋，而非金银。\n动作节拍：22–24.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：28–35mm感中广景，由关键道具向外缓慢拉开，完整看见变化及安全距离。\n人物表演：先让道具/环境发生变化，再切或移到人物反应；变化只遵守本故事规则。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：潮声、湿泥轻响、旧木或黄铜触碰声随变化从密变疏，再进入温暖的两三个原创音符；不使用现成热门歌曲歌词。\n衔接：变化完成后停半拍再切脸部；环境音恢复，音乐只抬高一层。\n\n镜头07｜30–38秒｜8秒｜温暖：给表情留下时间\n画面与动作：一家人围小桌分饭，罗盘摆在正中，指针依次朝每个人轻点；小满终于把自己的碗放进圆圈里。\n动作节拍：30–32.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：35mm感桌边或岸边中景，先交代所有本镜角色，再缓慢靠近小满的表情；不在同一镜里把人数和座位改掉。\n人物表演：孩子的肩膀放松、视线愿意停留；成人以小动作回应，不用齐声大笑替代情绪。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：对白：小满说“原来，家在这里。”；其余人用目光回应，留半秒安静。\n衔接：由人物最后的目光或手指引向收尾道具，暖光保持一致。\n\n镜头08｜38–44秒｜6秒｜余味：接回钩子并打开新可能\n画面与动作：最后一粒米落进碗时，指针再次伸出一寸，却指向门外一只饥饿的小蟹；新的选择以同一圆形构图回到开头。\n动作节拍：38–39.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：以本镜描述的收尾物件构图；最后的形状、光点或运动方向匹配开场关键元素。允许改变景别，但匹配关系必须清楚。\n人物表演：人物保持结局得到的安全与关系；新的小悬念不撤销已经完成的情绪回报。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：取第一镜的同一种音色作为最后一个轻声提示，让尾音衔接循环；不突然加入无关轰鸣。\n衔接：最后0.3秒保留与开头相似的轮廓/音色，允许无缝循环；不加黑底强制点击卡。\n\n负向与连续性检查：不出现无依据的手机、枪械、医院、现代车辆、书上伪造大段文字、未经设计的影视角色或艺术家署名。保持双髻、红带、额头红点及四名主角身份；不多生手指、蟹腿，不让手与道具穿模，不把罗盘替换成怀表。道具在同一镜内不得随机换材质、数量、左右位置或开合状态。只允许故事规则指定的物件变化；儿童无血腥伤害。所有字幕、可读书名和界面文字后期添加，生成画面不带水印、伪字幕或推广尾卡。\n合成前逐镜核对：人物数与站坐姿；第一帧是否已有异常；动作起点/终点能否接上；道具尺寸是否受控；视线和海平线是否一致；每个回报能否追溯到前一镜的选择。未拍出因果时重做相关镜头，不能靠旁白掩盖。\n\n平台剪辑备选（不是平台时长限制，也不是热度保证）：\nTikTok测试版：保留0–1秒钩子，1–4秒加一行疑问字幕，22–30秒完整展示回报；可将4–9秒背景压成3秒，成片约42秒。\nInstagram Reels测试版：保持道具质感与暖光配色，前1秒无需读字即可理解异常；保留30–38秒表情停顿，以收尾道具作封面，主体仍44秒。\nYouTube Shorts测试版：保持44秒因果链，画外说明最多一句；最后0.3秒与开头形状/声响呼应，避免只留下未兑现的悬念。\n所有字幕建议单行、短句，放在人物面部与关键道具之外；先按实际播放器界面预览遮挡。\n\n可测试的两个开头：A使用第一镜的大/小、静/动反差；B保持同一异常事件，但从小满瞳孔或手中道具切入，再在0.6秒内露出尺度参照。只改变开头一项，其余剪辑保持一致；是否提高留存需要真实成片与实际观看数据，本任务未做此测试。" }, { "id": "C064", "title": "罗盘为什么指着空碗", "concept_id": "S02", "concept_index": 1, "version": 0, "genre": "道具悬疑", "duration_seconds": 44, "shot_count": 8, "source_id": "authored--prompts--videoreverse-pika_2", "source_name": "videoreverse-pika_2", "category": "authored", "source_path": "prompts/videoreverse-pika_2.txt", "source_record": "prompts/videoreverse-pika_2.txt", "source_paths": [ "prompts/videoreverse-pika_2.txt" ], "source_excerpt": "coastal fantasy short drama. A toddler on a muddy shore points at crabs. A huge golden crab appears near two seconds. She points toward a wooden boat, followed by a fantastical change in its scale\n\ncoastal fantasy short drama. An adult points accusingly and grabs the child by the arms. A brief black cut follows; do not invent action hidden by that cut. weathered coastal village, wooden boats and wet mudflat\n\ncoastal fantasy short drama. On an old wooden fishing boat, a wet girl is lifted in a fishing net. Cut to her tearful face. weathered coastal village, wooden boats and wet mudflat\n\ncoastal", "source_review": { "strength": "Codex整理或同一完整蓝图的编译格式；不是独立视觉模型。", "issues": "此类来源的完整叙事来自更多证据与宿主写作，不能和8帧原生描述作同条件能力排名。" }, "contribution": "整理/编译来源：沿用其人物、海岸、道具与情绪组织的制作意图。格式版本共享基础故事，不能把输出格式数当独立创作模型数。", "source_duplicate_of": null, "source_hash": "d8b56a3f7952c23acbcaca66abdcf91be66a8931f501cc12f5dc3d3e79c5e601", "body_hash": "67097ad8286c5b790942932a97d99f789a9818e3048450857ae071a084aef110", "author": "Codex, shared writer; not original model output", "fallback": false, "hook": "黄铜罗盘的指针穿出表盘，像一根金色细线直指女孩的空碗；针尖停在碗沿上方，距她手指只有一指宽。", "rule": "罗盘指向最需要被照顾的地方，而非财宝；针只在人物做出选择后稳定。", "shots": [ { "number": 1, "start": 0, "end": 1, "duration": 1, "beat": "惊奇：先看见不可能", "action": "黄铜罗盘的指针穿出表盘，像一根金色细线直指女孩的空碗；针尖停在碗沿上方，距她手指只有一指宽。", "camera": "85mm感微距，道具占画面约三分之二，人物眼睛或手作为尺度参照；单一明确机位，不用无目标甩镜；异常动作在画面开始时已经发生。", "performance": "以本镜指定的人物/道具为中心，背景角色不抢动作。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "以潮声、湿泥轻响、旧木或黄铜触碰声中最贴合本镜道具的一声开场；配一个短低频脉冲，随即让出空间，不叠加尖叫。", "transition": "在异常动作最清楚的一刻硬切至下一镜指定动作或反应；不先放片名或黑屏。", "timing": "0.00–0.15秒直接展示钩子关键帧；0.15–0.70秒让异常动作继续；0.70–1.00秒用呼吸或微小停顿准备切入反应。" }, { "number": 2, "start": 1, "end": 4, "duration": 3, "beat": "好奇：理解人物的反应", "action": "海生转动罗盘，针却逆着他的手回到空碗方向；小满捂住肚子，立刻又把手藏到衣后，怕被发现。", "camera": "50mm感的近景，机位降到孩子眼平，向前缓移约一个手掌距离。", "performance": "若小满在本镜入画，眼神先落在道具，再转向海生；若为纯道具镜，不额外挤入人脸。海生与孩子交流时保持相近眼平高度。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "保留孩子一次吸气和衣料轻摩擦，环境声变窄，音乐只留很轻的持续音。", "transition": "按人物视线切到问题或缺少之物，前一镜最后一声环境音延续约0.15秒。", "timing": "1–1.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 3, "start": 4, "end": 9, "duration": 5, "beat": "共情：显露一个小缺口", "action": "二狗展开标着金色光点的海图，兴奋地指向远方；海生低头看修不好的旧船，脸上闪过急于翻身的希望。", "camera": "35mm感中景或中近景，交代角色、目标道具和可行动空间；保持眼线一致。", "performance": "让负责本镜行动的成人先动，孩子随后作出可见反应；避免所有人同时表演。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "空碗、空袋、脚步或木板声选本镜实际存在的一项放近；未出场物件不配声，避免声源误导。", "transition": "用逐渐靠近的风声/物件声引入下一镜；剪切前先让观众认清道具位置。", "timing": "4–5.25秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 4, "start": 9, "end": 15, "duration": 6, "beat": "紧张：让选择有代价", "action": "众人把罗盘搬到船头，指针越转越急；远处亮起诱人的金光，孩子被留在岸边，笑容一点点消失。", "camera": "28mm感稍低机位，前景放障碍或关键道具，后景保留退路；缓慢推进，不乱晃。", "performance": "海生或苏兰承担保护动作，孩子的恐惧用呼吸与手指表现；二狗的夸张反应不压过危险信息。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "风与低频逐步增强，声音来自画面可解释方向；临近决定时收低，不盖过呼吸。", "transition": "在角色看向选择对象时切到手部，危险声短暂收低，突出决定。", "timing": "9–10.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 5, "start": 15, "end": 22, "duration": 7, "beat": "信任：人物主动做决定", "action": "海生收起地图，回身抱起空碗，蹲到小满身边；他把罗盘放在两人之间，先决定为孩子煮一顿饭。", "camera": "65–85mm感手部/道具插入镜头，焦点从指尖过渡到被选择的物件；只做一次明确动作。", "performance": "选择必须由清楚的手部动作落实；其余角色停住，给观众看懂选择的空间。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "对白：海生轻声说“它指的不是金子。”；只配一次明确道具接触声。", "transition": "按动作方向匹配下一镜的变化，避免用白闪遮盖因果。", "timing": "15–16.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 6, "start": 22, "end": 30, "duration": 8, "beat": "释放：回报具有清楚因果", "action": "指针立即安静，碗底映出旧船夹层的位置；一块松木板自行翘起，露出保存完好的粮袋，而非金银。", "camera": "28–35mm感中广景，由关键道具向外缓慢拉开，完整看见变化及安全距离。", "performance": "先让道具/环境发生变化，再切或移到人物反应；变化只遵守本故事规则。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "潮声、湿泥轻响、旧木或黄铜触碰声随变化从密变疏，再进入温暖的两三个原创音符；不使用现成热门歌曲歌词。", "transition": "变化完成后停半拍再切脸部；环境音恢复，音乐只抬高一层。", "timing": "22–24.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 7, "start": 30, "end": 38, "duration": 8, "beat": "温暖：给表情留下时间", "action": "一家人围小桌分饭，罗盘摆在正中，指针依次朝每个人轻点；小满终于把自己的碗放进圆圈里。", "camera": "35mm感桌边或岸边中景，先交代所有本镜角色，再缓慢靠近小满的表情；不在同一镜里把人数和座位改掉。", "performance": "孩子的肩膀放松、视线愿意停留；成人以小动作回应，不用齐声大笑替代情绪。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "对白：小满说“原来，家在这里。”；其余人用目光回应，留半秒安静。", "transition": "由人物最后的目光或手指引向收尾道具，暖光保持一致。", "timing": "30–32.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 8, "start": 38, "end": 44, "duration": 6, "beat": "余味：接回钩子并打开新可能", "action": "最后一粒米落进碗时，指针再次伸出一寸，却指向门外一只饥饿的小蟹；新的选择以同一圆形构图回到开头。", "camera": "以本镜描述的收尾物件构图；最后的形状、光点或运动方向匹配开场关键元素。允许改变景别，但匹配关系必须清楚。", "performance": "人物保持结局得到的安全与关系；新的小悬念不撤销已经完成的情绪回报。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "取第一镜的同一种音色作为最后一个轻声提示，让尾音衔接循环；不突然加入无关轰鸣。", "transition": "最后0.3秒保留与开头相似的轮廓/音色，允许无缝循环；不加黑底强制点击卡。", "timing": "38–39.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" } ], "path": "creative/C064--authored--prompts--videoreverse-pika_2.txt", "text": "来源文件：prompts/videoreverse-pika_2.txt\n来源名称：videoreverse-pika_2\n实际来源记录：prompts/videoreverse-pika_2.txt\n原文可用点：Codex整理或同一完整蓝图的编译格式；不是独立视觉模型。\n原文问题/边界：此类来源的完整叙事来自更多证据与宿主写作，不能和8帧原生描述作同条件能力排名。\n转化方式：整理/编译来源：沿用其人物、海岸、道具与情绪组织的制作意图。格式版本共享基础故事，不能把输出格式数当独立创作模型数。\n本次选择的新故事：罗盘为什么指着空碗。所有幻想事件都是二创，不用原文中的误识别冒充事实。\n\n《罗盘为什么指着空碗》｜道具悬疑｜44秒完整剪辑稿\n\n制作目标：44秒，9:16竖屏，8个剪辑镜头，目标1080×1920、24fps。时间表是剪辑设计，不是任一平台API保证；按工具实际支持的片段长度生成，再裁切拼接。此处没有生成视频。\n视觉基调：架空旧式沿海村落，湿泥、粗布、旧木和黄铜具有可触摸的写实材质；幼童面部略带童话般大眼比例。灰蓝海水与褐色村屋为底，红发带是辨识点，幻想光源以局部金色/银色呈现。\n小满：幼童女孩，黑发双髻、左右各一条红发带、额头小红点；灰褐补丁粗布衣、布挎袋、旧布鞋。开场若用蓝披衣，则全片保持，除非镜头明确拍下脱衣。性格敏感、先看大人反应，再敢表达愿望。红点不是伤口，红发带不是红头发。\n海生：青年男性，凌乱黑发，旧蓝外衣、灰内衫、深裤；行动稳，保护孩子时先降到她的眼平高度，不以大喊替代关心。\n苏兰：成年女性，深发松束、灰褐无袖粗布上衣、简单项链与腕布；观察细节，负责托稳道具、递布或摆碗等具体照顾。\n二狗：青年男性，短黑发、橄榄绿外衣；提供轻微喜剧和观众反应，后半段愿意放慢动作参与帮助，不把他写成伤害孩子的反派。\n上述人物只在本镜明确指定时出现。群众只作远处模糊背景，不增加新主角。多人同框时优先保持海生在左、苏兰在后、二狗在右、小满在前中；若换位，用中广景交代，不瞬移。\n环境连续性：泥滩、浅水、旧船和村屋保持同一架空地点。海平线稳定。湿衣不会无故变干。室内暖色由船灯或灶火提供；室外变暖用云隙光或明确的幻想道具光解释，不让44秒凭空跨越数小时。\n人物表情与道具变化分开生成更易核对：每镜最多一个主要幻想动作，真实人物不随道具变形。以上服装、人物名和新动作均属本次二创设定，不声称模型从8帧恢复了全部身份。\n\n核心道具锁：黄铜罗盘、空白瓷碗、旧船木板。先为本片制作一张统一道具参考图，记录缺口、锈斑、左右方向、尺寸；镜头之间沿用同一版本。\n\n本片新规则：罗盘指向最需要被照顾的地方，而非财宝；针只在人物做出选择后稳定。 此规则是新创作，不是原片事实。\n\n第一秒视觉钩子：黄铜罗盘的指针穿出表盘，像一根金色细线直指女孩的空碗；针尖停在碗沿上方，距她手指只有一指宽。\n\n目标情绪路径：惊奇 → 好奇 → 共情 → 紧张 → 信任 → 释放 → 温暖 → 余味。它是创作设计，不是已测得的观众留存数据。\n\n分镜与生成指令（逐镜生成，再按时间码剪辑；全局角色锁及规则与每一镜一起输入）：\n\n镜头01｜00–01秒｜1秒｜惊奇：先看见不可能\n画面与动作：黄铜罗盘的指针穿出表盘，像一根金色细线直指女孩的空碗；针尖停在碗沿上方，距她手指只有一指宽。\n动作节拍：0.00–0.15秒直接展示钩子关键帧；0.15–0.70秒让异常动作继续；0.70–1.00秒用呼吸或微小停顿准备切入反应。\n构图与镜头：85mm感微距，道具占画面约三分之二，人物眼睛或手作为尺度参照；单一明确机位，不用无目标甩镜；异常动作在画面开始时已经发生。\n人物表演：以本镜指定的人物/道具为中心，背景角色不抢动作。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：以潮声、湿泥轻响、旧木或黄铜触碰声中最贴合本镜道具的一声开场；配一个短低频脉冲，随即让出空间，不叠加尖叫。\n衔接：在异常动作最清楚的一刻硬切至下一镜指定动作或反应；不先放片名或黑屏。\n\n镜头02｜01–04秒｜3秒｜好奇：理解人物的反应\n画面与动作：海生转动罗盘，针却逆着他的手回到空碗方向；小满捂住肚子，立刻又把手藏到衣后，怕被发现。\n动作节拍：1–1.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：50mm感的近景，机位降到孩子眼平，向前缓移约一个手掌距离。\n人物表演：若小满在本镜入画，眼神先落在道具，再转向海生；若为纯道具镜，不额外挤入人脸。海生与孩子交流时保持相近眼平高度。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：保留孩子一次吸气和衣料轻摩擦，环境声变窄，音乐只留很轻的持续音。\n衔接：按人物视线切到问题或缺少之物，前一镜最后一声环境音延续约0.15秒。\n\n镜头03｜04–09秒｜5秒｜共情：显露一个小缺口\n画面与动作：二狗展开标着金色光点的海图，兴奋地指向远方；海生低头看修不好的旧船，脸上闪过急于翻身的希望。\n动作节拍：4–5.25秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：35mm感中景或中近景，交代角色、目标道具和可行动空间；保持眼线一致。\n人物表演：让负责本镜行动的成人先动，孩子随后作出可见反应；避免所有人同时表演。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：空碗、空袋、脚步或木板声选本镜实际存在的一项放近；未出场物件不配声，避免声源误导。\n衔接：用逐渐靠近的风声/物件声引入下一镜；剪切前先让观众认清道具位置。\n\n镜头04｜09–15秒｜6秒｜紧张：让选择有代价\n画面与动作：众人把罗盘搬到船头，指针越转越急；远处亮起诱人的金光，孩子被留在岸边，笑容一点点消失。\n动作节拍：9–10.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：28mm感稍低机位，前景放障碍或关键道具，后景保留退路；缓慢推进，不乱晃。\n人物表演：海生或苏兰承担保护动作，孩子的恐惧用呼吸与手指表现；二狗的夸张反应不压过危险信息。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：风与低频逐步增强，声音来自画面可解释方向；临近决定时收低，不盖过呼吸。\n衔接：在角色看向选择对象时切到手部，危险声短暂收低，突出决定。\n\n镜头05｜15–22秒｜7秒｜信任：人物主动做决定\n画面与动作：海生收起地图，回身抱起空碗，蹲到小满身边；他把罗盘放在两人之间，先决定为孩子煮一顿饭。\n动作节拍：15–16.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：65–85mm感手部/道具插入镜头，焦点从指尖过渡到被选择的物件；只做一次明确动作。\n人物表演：选择必须由清楚的手部动作落实；其余角色停住，给观众看懂选择的空间。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：对白：海生轻声说“它指的不是金子。”；只配一次明确道具接触声。\n衔接：按动作方向匹配下一镜的变化，避免用白闪遮盖因果。\n\n镜头06｜22–30秒｜8秒｜释放：回报具有清楚因果\n画面与动作：指针立即安静，碗底映出旧船夹层的位置；一块松木板自行翘起，露出保存完好的粮袋，而非金银。\n动作节拍：22–24.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：28–35mm感中广景，由关键道具向外缓慢拉开，完整看见变化及安全距离。\n人物表演：先让道具/环境发生变化，再切或移到人物反应；变化只遵守本故事规则。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：潮声、湿泥轻响、旧木或黄铜触碰声随变化从密变疏，再进入温暖的两三个原创音符；不使用现成热门歌曲歌词。\n衔接：变化完成后停半拍再切脸部；环境音恢复，音乐只抬高一层。\n\n镜头07｜30–38秒｜8秒｜温暖：给表情留下时间\n画面与动作：一家人围小桌分饭，罗盘摆在正中，指针依次朝每个人轻点；小满终于把自己的碗放进圆圈里。\n动作节拍：30–32.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：35mm感桌边或岸边中景，先交代所有本镜角色，再缓慢靠近小满的表情；不在同一镜里把人数和座位改掉。\n人物表演：孩子的肩膀放松、视线愿意停留；成人以小动作回应，不用齐声大笑替代情绪。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：对白：小满说“原来，家在这里。”；其余人用目光回应，留半秒安静。\n衔接：由人物最后的目光或手指引向收尾道具，暖光保持一致。\n\n镜头08｜38–44秒｜6秒｜余味：接回钩子并打开新可能\n画面与动作：最后一粒米落进碗时，指针再次伸出一寸，却指向门外一只饥饿的小蟹；新的选择以同一圆形构图回到开头。\n动作节拍：38–39.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：以本镜描述的收尾物件构图；最后的形状、光点或运动方向匹配开场关键元素。允许改变景别，但匹配关系必须清楚。\n人物表演：人物保持结局得到的安全与关系；新的小悬念不撤销已经完成的情绪回报。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：取第一镜的同一种音色作为最后一个轻声提示，让尾音衔接循环；不突然加入无关轰鸣。\n衔接：最后0.3秒保留与开头相似的轮廓/音色，允许无缝循环；不加黑底强制点击卡。\n\n负向与连续性检查：不出现无依据的手机、枪械、医院、现代车辆、书上伪造大段文字、未经设计的影视角色或艺术家署名。保持双髻、红带、额头红点及四名主角身份；不多生手指、蟹腿，不让手与道具穿模，不把罗盘替换成怀表。道具在同一镜内不得随机换材质、数量、左右位置或开合状态。只允许故事规则指定的物件变化；儿童无血腥伤害。所有字幕、可读书名和界面文字后期添加，生成画面不带水印、伪字幕或推广尾卡。\n合成前逐镜核对：人物数与站坐姿；第一帧是否已有异常；动作起点/终点能否接上；道具尺寸是否受控；视线和海平线是否一致；每个回报能否追溯到前一镜的选择。未拍出因果时重做相关镜头，不能靠旁白掩盖。\n\n平台剪辑备选（不是平台时长限制，也不是热度保证）：\nTikTok测试版：保留0–1秒钩子，1–4秒加一行疑问字幕，22–30秒完整展示回报；可将4–9秒背景压成3秒，成片约42秒。\nInstagram Reels测试版：保持道具质感与暖光配色，前1秒无需读字即可理解异常；保留30–38秒表情停顿，以收尾道具作封面，主体仍44秒。\nYouTube Shorts测试版：保持44秒因果链，画外说明最多一句；最后0.3秒与开头形状/声响呼应，避免只留下未兑现的悬念。\n所有字幕建议单行、短句，放在人物面部与关键道具之外；先按实际播放器界面预览遮挡。\n\n可测试的两个开头：A使用第一镜的大/小、静/动反差；B保持同一异常事件，但从小满瞳孔或手中道具切入，再在0.6秒内露出尺度参照。只改变开头一项，其余剪辑保持一致；是否提高留存需要真实成片与实际观看数据，本任务未做此测试。" }, { "id": "C065", "title": "罗盘为什么指着空碗", "concept_id": "S02", "concept_index": 1, "version": 0, "genre": "道具悬疑", "duration_seconds": 44, "shot_count": 8, "source_id": "authored--prompts--videoreverse-pika_3_0", "source_name": "videoreverse-pika_3_0", "category": "authored", "source_path": "prompts/videoreverse-pika_3_0.txt", "source_record": "prompts/videoreverse-pika_3_0.txt", "source_paths": [ "prompts/videoreverse-pika_3_0.txt" ], "source_excerpt": "photorealistic coastal fantasy short drama: A toddler on a muddy shore points at crabs. A huge golden crab appears near two seconds. She points toward a wooden boat, followed by a fantastical change in its scale. in weathered coastal village, wooden boats and wet mudflat\n\nphotorealistic coastal fantasy short drama: An adult points accusingly and grabs the child by the arms. A brief black cut follows; do not invent action hidden by that cut. in weathered coastal village, wooden boats and wet mudflat\n\nphotorealistic coastal fantasy short drama: On an old wooden fishing boat, a wet girl is lifted", "source_review": { "strength": "Codex整理或同一完整蓝图的编译格式；不是独立视觉模型。", "issues": "此类来源的完整叙事来自更多证据与宿主写作，不能和8帧原生描述作同条件能力排名。" }, "contribution": "整理/编译来源：沿用其人物、海岸、道具与情绪组织的制作意图。格式版本共享基础故事，不能把输出格式数当独立创作模型数。", "source_duplicate_of": null, "source_hash": "74908ca6c5bc59e91b1b19675dd8db580acba487808c5f3e530b9e9e6f83b52a", "body_hash": "67097ad8286c5b790942932a97d99f789a9818e3048450857ae071a084aef110", "author": "Codex, shared writer; not original model output", "fallback": false, "hook": "黄铜罗盘的指针穿出表盘，像一根金色细线直指女孩的空碗；针尖停在碗沿上方，距她手指只有一指宽。", "rule": "罗盘指向最需要被照顾的地方，而非财宝；针只在人物做出选择后稳定。", "shots": [ { "number": 1, "start": 0, "end": 1, "duration": 1, "beat": "惊奇：先看见不可能", "action": "黄铜罗盘的指针穿出表盘，像一根金色细线直指女孩的空碗；针尖停在碗沿上方，距她手指只有一指宽。", "camera": "85mm感微距，道具占画面约三分之二，人物眼睛或手作为尺度参照；单一明确机位，不用无目标甩镜；异常动作在画面开始时已经发生。", "performance": "以本镜指定的人物/道具为中心，背景角色不抢动作。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "以潮声、湿泥轻响、旧木或黄铜触碰声中最贴合本镜道具的一声开场；配一个短低频脉冲，随即让出空间，不叠加尖叫。", "transition": "在异常动作最清楚的一刻硬切至下一镜指定动作或反应；不先放片名或黑屏。", "timing": "0.00–0.15秒直接展示钩子关键帧；0.15–0.70秒让异常动作继续；0.70–1.00秒用呼吸或微小停顿准备切入反应。" }, { "number": 2, "start": 1, "end": 4, "duration": 3, "beat": "好奇：理解人物的反应", "action": "海生转动罗盘，针却逆着他的手回到空碗方向；小满捂住肚子，立刻又把手藏到衣后，怕被发现。", "camera": "50mm感的近景，机位降到孩子眼平，向前缓移约一个手掌距离。", "performance": "若小满在本镜入画，眼神先落在道具，再转向海生；若为纯道具镜，不额外挤入人脸。海生与孩子交流时保持相近眼平高度。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "保留孩子一次吸气和衣料轻摩擦，环境声变窄，音乐只留很轻的持续音。", "transition": "按人物视线切到问题或缺少之物，前一镜最后一声环境音延续约0.15秒。", "timing": "1–1.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 3, "start": 4, "end": 9, "duration": 5, "beat": "共情：显露一个小缺口", "action": "二狗展开标着金色光点的海图，兴奋地指向远方；海生低头看修不好的旧船，脸上闪过急于翻身的希望。", "camera": "35mm感中景或中近景，交代角色、目标道具和可行动空间；保持眼线一致。", "performance": "让负责本镜行动的成人先动，孩子随后作出可见反应；避免所有人同时表演。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "空碗、空袋、脚步或木板声选本镜实际存在的一项放近；未出场物件不配声，避免声源误导。", "transition": "用逐渐靠近的风声/物件声引入下一镜；剪切前先让观众认清道具位置。", "timing": "4–5.25秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 4, "start": 9, "end": 15, "duration": 6, "beat": "紧张：让选择有代价", "action": "众人把罗盘搬到船头，指针越转越急；远处亮起诱人的金光，孩子被留在岸边，笑容一点点消失。", "camera": "28mm感稍低机位，前景放障碍或关键道具，后景保留退路；缓慢推进，不乱晃。", "performance": "海生或苏兰承担保护动作，孩子的恐惧用呼吸与手指表现；二狗的夸张反应不压过危险信息。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "风与低频逐步增强，声音来自画面可解释方向；临近决定时收低，不盖过呼吸。", "transition": "在角色看向选择对象时切到手部，危险声短暂收低，突出决定。", "timing": "9–10.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 5, "start": 15, "end": 22, "duration": 7, "beat": "信任：人物主动做决定", "action": "海生收起地图，回身抱起空碗，蹲到小满身边；他把罗盘放在两人之间，先决定为孩子煮一顿饭。", "camera": "65–85mm感手部/道具插入镜头，焦点从指尖过渡到被选择的物件；只做一次明确动作。", "performance": "选择必须由清楚的手部动作落实；其余角色停住，给观众看懂选择的空间。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "对白：海生轻声说“它指的不是金子。”；只配一次明确道具接触声。", "transition": "按动作方向匹配下一镜的变化，避免用白闪遮盖因果。", "timing": "15–16.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 6, "start": 22, "end": 30, "duration": 8, "beat": "释放：回报具有清楚因果", "action": "指针立即安静，碗底映出旧船夹层的位置；一块松木板自行翘起，露出保存完好的粮袋，而非金银。", "camera": "28–35mm感中广景，由关键道具向外缓慢拉开，完整看见变化及安全距离。", "performance": "先让道具/环境发生变化，再切或移到人物反应；变化只遵守本故事规则。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "潮声、湿泥轻响、旧木或黄铜触碰声随变化从密变疏，再进入温暖的两三个原创音符；不使用现成热门歌曲歌词。", "transition": "变化完成后停半拍再切脸部；环境音恢复，音乐只抬高一层。", "timing": "22–24.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 7, "start": 30, "end": 38, "duration": 8, "beat": "温暖：给表情留下时间", "action": "一家人围小桌分饭，罗盘摆在正中，指针依次朝每个人轻点；小满终于把自己的碗放进圆圈里。", "camera": "35mm感桌边或岸边中景，先交代所有本镜角色，再缓慢靠近小满的表情；不在同一镜里把人数和座位改掉。", "performance": "孩子的肩膀放松、视线愿意停留；成人以小动作回应，不用齐声大笑替代情绪。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "对白：小满说“原来，家在这里。”；其余人用目光回应，留半秒安静。", "transition": "由人物最后的目光或手指引向收尾道具，暖光保持一致。", "timing": "30–32.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 8, "start": 38, "end": 44, "duration": 6, "beat": "余味：接回钩子并打开新可能", "action": "最后一粒米落进碗时，指针再次伸出一寸，却指向门外一只饥饿的小蟹；新的选择以同一圆形构图回到开头。", "camera": "以本镜描述的收尾物件构图；最后的形状、光点或运动方向匹配开场关键元素。允许改变景别，但匹配关系必须清楚。", "performance": "人物保持结局得到的安全与关系；新的小悬念不撤销已经完成的情绪回报。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "取第一镜的同一种音色作为最后一个轻声提示，让尾音衔接循环；不突然加入无关轰鸣。", "transition": "最后0.3秒保留与开头相似的轮廓/音色，允许无缝循环；不加黑底强制点击卡。", "timing": "38–39.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" } ], "path": "creative/C065--authored--prompts--videoreverse-pika_3_0.txt", "text": "来源文件：prompts/videoreverse-pika_3_0.txt\n来源名称：videoreverse-pika_3_0\n实际来源记录：prompts/videoreverse-pika_3_0.txt\n原文可用点：Codex整理或同一完整蓝图的编译格式；不是独立视觉模型。\n原文问题/边界：此类来源的完整叙事来自更多证据与宿主写作，不能和8帧原生描述作同条件能力排名。\n转化方式：整理/编译来源：沿用其人物、海岸、道具与情绪组织的制作意图。格式版本共享基础故事，不能把输出格式数当独立创作模型数。\n本次选择的新故事：罗盘为什么指着空碗。所有幻想事件都是二创，不用原文中的误识别冒充事实。\n\n《罗盘为什么指着空碗》｜道具悬疑｜44秒完整剪辑稿\n\n制作目标：44秒，9:16竖屏，8个剪辑镜头，目标1080×1920、24fps。时间表是剪辑设计，不是任一平台API保证；按工具实际支持的片段长度生成，再裁切拼接。此处没有生成视频。\n视觉基调：架空旧式沿海村落，湿泥、粗布、旧木和黄铜具有可触摸的写实材质；幼童面部略带童话般大眼比例。灰蓝海水与褐色村屋为底，红发带是辨识点，幻想光源以局部金色/银色呈现。\n小满：幼童女孩，黑发双髻、左右各一条红发带、额头小红点；灰褐补丁粗布衣、布挎袋、旧布鞋。开场若用蓝披衣，则全片保持，除非镜头明确拍下脱衣。性格敏感、先看大人反应，再敢表达愿望。红点不是伤口，红发带不是红头发。\n海生：青年男性，凌乱黑发，旧蓝外衣、灰内衫、深裤；行动稳，保护孩子时先降到她的眼平高度，不以大喊替代关心。\n苏兰：成年女性，深发松束、灰褐无袖粗布上衣、简单项链与腕布；观察细节，负责托稳道具、递布或摆碗等具体照顾。\n二狗：青年男性，短黑发、橄榄绿外衣；提供轻微喜剧和观众反应，后半段愿意放慢动作参与帮助，不把他写成伤害孩子的反派。\n上述人物只在本镜明确指定时出现。群众只作远处模糊背景，不增加新主角。多人同框时优先保持海生在左、苏兰在后、二狗在右、小满在前中；若换位，用中广景交代，不瞬移。\n环境连续性：泥滩、浅水、旧船和村屋保持同一架空地点。海平线稳定。湿衣不会无故变干。室内暖色由船灯或灶火提供；室外变暖用云隙光或明确的幻想道具光解释，不让44秒凭空跨越数小时。\n人物表情与道具变化分开生成更易核对：每镜最多一个主要幻想动作，真实人物不随道具变形。以上服装、人物名和新动作均属本次二创设定，不声称模型从8帧恢复了全部身份。\n\n核心道具锁：黄铜罗盘、空白瓷碗、旧船木板。先为本片制作一张统一道具参考图，记录缺口、锈斑、左右方向、尺寸；镜头之间沿用同一版本。\n\n本片新规则：罗盘指向最需要被照顾的地方，而非财宝；针只在人物做出选择后稳定。 此规则是新创作，不是原片事实。\n\n第一秒视觉钩子：黄铜罗盘的指针穿出表盘，像一根金色细线直指女孩的空碗；针尖停在碗沿上方，距她手指只有一指宽。\n\n目标情绪路径：惊奇 → 好奇 → 共情 → 紧张 → 信任 → 释放 → 温暖 → 余味。它是创作设计，不是已测得的观众留存数据。\n\n分镜与生成指令（逐镜生成，再按时间码剪辑；全局角色锁及规则与每一镜一起输入）：\n\n镜头01｜00–01秒｜1秒｜惊奇：先看见不可能\n画面与动作：黄铜罗盘的指针穿出表盘，像一根金色细线直指女孩的空碗；针尖停在碗沿上方，距她手指只有一指宽。\n动作节拍：0.00–0.15秒直接展示钩子关键帧；0.15–0.70秒让异常动作继续；0.70–1.00秒用呼吸或微小停顿准备切入反应。\n构图与镜头：85mm感微距，道具占画面约三分之二，人物眼睛或手作为尺度参照；单一明确机位，不用无目标甩镜；异常动作在画面开始时已经发生。\n人物表演：以本镜指定的人物/道具为中心，背景角色不抢动作。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：以潮声、湿泥轻响、旧木或黄铜触碰声中最贴合本镜道具的一声开场；配一个短低频脉冲，随即让出空间，不叠加尖叫。\n衔接：在异常动作最清楚的一刻硬切至下一镜指定动作或反应；不先放片名或黑屏。\n\n镜头02｜01–04秒｜3秒｜好奇：理解人物的反应\n画面与动作：海生转动罗盘，针却逆着他的手回到空碗方向；小满捂住肚子，立刻又把手藏到衣后，怕被发现。\n动作节拍：1–1.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：50mm感的近景，机位降到孩子眼平，向前缓移约一个手掌距离。\n人物表演：若小满在本镜入画，眼神先落在道具，再转向海生；若为纯道具镜，不额外挤入人脸。海生与孩子交流时保持相近眼平高度。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：保留孩子一次吸气和衣料轻摩擦，环境声变窄，音乐只留很轻的持续音。\n衔接：按人物视线切到问题或缺少之物，前一镜最后一声环境音延续约0.15秒。\n\n镜头03｜04–09秒｜5秒｜共情：显露一个小缺口\n画面与动作：二狗展开标着金色光点的海图，兴奋地指向远方；海生低头看修不好的旧船，脸上闪过急于翻身的希望。\n动作节拍：4–5.25秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：35mm感中景或中近景，交代角色、目标道具和可行动空间；保持眼线一致。\n人物表演：让负责本镜行动的成人先动，孩子随后作出可见反应；避免所有人同时表演。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：空碗、空袋、脚步或木板声选本镜实际存在的一项放近；未出场物件不配声，避免声源误导。\n衔接：用逐渐靠近的风声/物件声引入下一镜；剪切前先让观众认清道具位置。\n\n镜头04｜09–15秒｜6秒｜紧张：让选择有代价\n画面与动作：众人把罗盘搬到船头，指针越转越急；远处亮起诱人的金光，孩子被留在岸边，笑容一点点消失。\n动作节拍：9–10.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：28mm感稍低机位，前景放障碍或关键道具，后景保留退路；缓慢推进，不乱晃。\n人物表演：海生或苏兰承担保护动作，孩子的恐惧用呼吸与手指表现；二狗的夸张反应不压过危险信息。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：风与低频逐步增强，声音来自画面可解释方向；临近决定时收低，不盖过呼吸。\n衔接：在角色看向选择对象时切到手部，危险声短暂收低，突出决定。\n\n镜头05｜15–22秒｜7秒｜信任：人物主动做决定\n画面与动作：海生收起地图，回身抱起空碗，蹲到小满身边；他把罗盘放在两人之间，先决定为孩子煮一顿饭。\n动作节拍：15–16.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：65–85mm感手部/道具插入镜头，焦点从指尖过渡到被选择的物件；只做一次明确动作。\n人物表演：选择必须由清楚的手部动作落实；其余角色停住，给观众看懂选择的空间。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：对白：海生轻声说“它指的不是金子。”；只配一次明确道具接触声。\n衔接：按动作方向匹配下一镜的变化，避免用白闪遮盖因果。\n\n镜头06｜22–30秒｜8秒｜释放：回报具有清楚因果\n画面与动作：指针立即安静，碗底映出旧船夹层的位置；一块松木板自行翘起，露出保存完好的粮袋，而非金银。\n动作节拍：22–24.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：28–35mm感中广景，由关键道具向外缓慢拉开，完整看见变化及安全距离。\n人物表演：先让道具/环境发生变化，再切或移到人物反应；变化只遵守本故事规则。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：潮声、湿泥轻响、旧木或黄铜触碰声随变化从密变疏，再进入温暖的两三个原创音符；不使用现成热门歌曲歌词。\n衔接：变化完成后停半拍再切脸部；环境音恢复，音乐只抬高一层。\n\n镜头07｜30–38秒｜8秒｜温暖：给表情留下时间\n画面与动作：一家人围小桌分饭，罗盘摆在正中，指针依次朝每个人轻点；小满终于把自己的碗放进圆圈里。\n动作节拍：30–32.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：35mm感桌边或岸边中景，先交代所有本镜角色，再缓慢靠近小满的表情；不在同一镜里把人数和座位改掉。\n人物表演：孩子的肩膀放松、视线愿意停留；成人以小动作回应，不用齐声大笑替代情绪。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：对白：小满说“原来，家在这里。”；其余人用目光回应，留半秒安静。\n衔接：由人物最后的目光或手指引向收尾道具，暖光保持一致。\n\n镜头08｜38–44秒｜6秒｜余味：接回钩子并打开新可能\n画面与动作：最后一粒米落进碗时，指针再次伸出一寸，却指向门外一只饥饿的小蟹；新的选择以同一圆形构图回到开头。\n动作节拍：38–39.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：以本镜描述的收尾物件构图；最后的形状、光点或运动方向匹配开场关键元素。允许改变景别，但匹配关系必须清楚。\n人物表演：人物保持结局得到的安全与关系；新的小悬念不撤销已经完成的情绪回报。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：取第一镜的同一种音色作为最后一个轻声提示，让尾音衔接循环；不突然加入无关轰鸣。\n衔接：最后0.3秒保留与开头相似的轮廓/音色，允许无缝循环；不加黑底强制点击卡。\n\n负向与连续性检查：不出现无依据的手机、枪械、医院、现代车辆、书上伪造大段文字、未经设计的影视角色或艺术家署名。保持双髻、红带、额头红点及四名主角身份；不多生手指、蟹腿，不让手与道具穿模，不把罗盘替换成怀表。道具在同一镜内不得随机换材质、数量、左右位置或开合状态。只允许故事规则指定的物件变化；儿童无血腥伤害。所有字幕、可读书名和界面文字后期添加，生成画面不带水印、伪字幕或推广尾卡。\n合成前逐镜核对：人物数与站坐姿；第一帧是否已有异常；动作起点/终点能否接上；道具尺寸是否受控；视线和海平线是否一致；每个回报能否追溯到前一镜的选择。未拍出因果时重做相关镜头，不能靠旁白掩盖。\n\n平台剪辑备选（不是平台时长限制，也不是热度保证）：\nTikTok测试版：保留0–1秒钩子，1–4秒加一行疑问字幕，22–30秒完整展示回报；可将4–9秒背景压成3秒，成片约42秒。\nInstagram Reels测试版：保持道具质感与暖光配色，前1秒无需读字即可理解异常；保留30–38秒表情停顿，以收尾道具作封面，主体仍44秒。\nYouTube Shorts测试版：保持44秒因果链，画外说明最多一句；最后0.3秒与开头形状/声响呼应，避免只留下未兑现的悬念。\n所有字幕建议单行、短句，放在人物面部与关键道具之外；先按实际播放器界面预览遮挡。\n\n可测试的两个开头：A使用第一镜的大/小、静/动反差；B保持同一异常事件，但从小满瞳孔或手中道具切入，再在0.6秒内露出尺度参照。只改变开头一项，其余剪辑保持一致；是否提高留存需要真实成片与实际观看数据，本任务未做此测试。" }, { "id": "C066", "title": "罗盘为什么指着空碗", "concept_id": "S02", "concept_index": 1, "version": 0, "genre": "道具悬疑", "duration_seconds": 44, "shot_count": 8, "source_id": "authored--prompts--videoreverse-runway_gen4_5", "source_name": "videoreverse-runway_gen4_5", "category": "authored", "source_path": "prompts/videoreverse-runway_gen4_5.txt", "source_record": "prompts/videoreverse-runway_gen4_5.txt", "source_paths": [ "prompts/videoreverse-runway_gen4_5.txt" ], "source_excerpt": "[Camera: hard-cut edited sequence; continuous camera movement unverified | Framing: close-ups, medium reverse angles and relevant wide shots] photorealistic coastal fantasy short drama style video showing A toddler on a muddy shore points at crabs. A huge golden crab appears near two seconds\n\n[Camera: hard-cut edited sequence; continuous camera movement unverified | Framing: close-ups, medium reverse angles and relevant wide shots] photorealistic coastal fantasy short drama style video showing An adult points accusingly and grabs the child by the arms\n\n[Camera: hard-cut edited sequence; contin", "source_review": { "strength": "Codex整理或同一完整蓝图的编译格式；不是独立视觉模型。", "issues": "此类来源的完整叙事来自更多证据与宿主写作，不能和8帧原生描述作同条件能力排名。" }, "contribution": "整理/编译来源：沿用其人物、海岸、道具与情绪组织的制作意图。格式版本共享基础故事，不能把输出格式数当独立创作模型数。", "source_duplicate_of": null, "source_hash": "4e90a89f7b115b629e8ff45c5eeb29390709151dc1364aba9a7e4568ebf64563", "body_hash": "67097ad8286c5b790942932a97d99f789a9818e3048450857ae071a084aef110", "author": "Codex, shared writer; not original model output", "fallback": false, "hook": "黄铜罗盘的指针穿出表盘，像一根金色细线直指女孩的空碗；针尖停在碗沿上方，距她手指只有一指宽。", "rule": "罗盘指向最需要被照顾的地方，而非财宝；针只在人物做出选择后稳定。", "shots": [ { "number": 1, "start": 0, "end": 1, "duration": 1, "beat": "惊奇：先看见不可能", "action": "黄铜罗盘的指针穿出表盘，像一根金色细线直指女孩的空碗；针尖停在碗沿上方，距她手指只有一指宽。", "camera": "85mm感微距，道具占画面约三分之二，人物眼睛或手作为尺度参照；单一明确机位，不用无目标甩镜；异常动作在画面开始时已经发生。", "performance": "以本镜指定的人物/道具为中心，背景角色不抢动作。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "以潮声、湿泥轻响、旧木或黄铜触碰声中最贴合本镜道具的一声开场；配一个短低频脉冲，随即让出空间，不叠加尖叫。", "transition": "在异常动作最清楚的一刻硬切至下一镜指定动作或反应；不先放片名或黑屏。", "timing": "0.00–0.15秒直接展示钩子关键帧；0.15–0.70秒让异常动作继续；0.70–1.00秒用呼吸或微小停顿准备切入反应。" }, { "number": 2, "start": 1, "end": 4, "duration": 3, "beat": "好奇：理解人物的反应", "action": "海生转动罗盘，针却逆着他的手回到空碗方向；小满捂住肚子，立刻又把手藏到衣后，怕被发现。", "camera": "50mm感的近景，机位降到孩子眼平，向前缓移约一个手掌距离。", "performance": "若小满在本镜入画，眼神先落在道具，再转向海生；若为纯道具镜，不额外挤入人脸。海生与孩子交流时保持相近眼平高度。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "保留孩子一次吸气和衣料轻摩擦，环境声变窄，音乐只留很轻的持续音。", "transition": "按人物视线切到问题或缺少之物，前一镜最后一声环境音延续约0.15秒。", "timing": "1–1.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 3, "start": 4, "end": 9, "duration": 5, "beat": "共情：显露一个小缺口", "action": "二狗展开标着金色光点的海图，兴奋地指向远方；海生低头看修不好的旧船，脸上闪过急于翻身的希望。", "camera": "35mm感中景或中近景，交代角色、目标道具和可行动空间；保持眼线一致。", "performance": "让负责本镜行动的成人先动，孩子随后作出可见反应；避免所有人同时表演。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "空碗、空袋、脚步或木板声选本镜实际存在的一项放近；未出场物件不配声，避免声源误导。", "transition": "用逐渐靠近的风声/物件声引入下一镜；剪切前先让观众认清道具位置。", "timing": "4–5.25秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 4, "start": 9, "end": 15, "duration": 6, "beat": "紧张：让选择有代价", "action": "众人把罗盘搬到船头，指针越转越急；远处亮起诱人的金光，孩子被留在岸边，笑容一点点消失。", "camera": "28mm感稍低机位，前景放障碍或关键道具，后景保留退路；缓慢推进，不乱晃。", "performance": "海生或苏兰承担保护动作，孩子的恐惧用呼吸与手指表现；二狗的夸张反应不压过危险信息。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "风与低频逐步增强，声音来自画面可解释方向；临近决定时收低，不盖过呼吸。", "transition": "在角色看向选择对象时切到手部，危险声短暂收低，突出决定。", "timing": "9–10.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 5, "start": 15, "end": 22, "duration": 7, "beat": "信任：人物主动做决定", "action": "海生收起地图，回身抱起空碗，蹲到小满身边；他把罗盘放在两人之间，先决定为孩子煮一顿饭。", "camera": "65–85mm感手部/道具插入镜头，焦点从指尖过渡到被选择的物件；只做一次明确动作。", "performance": "选择必须由清楚的手部动作落实；其余角色停住，给观众看懂选择的空间。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "对白：海生轻声说“它指的不是金子。”；只配一次明确道具接触声。", "transition": "按动作方向匹配下一镜的变化，避免用白闪遮盖因果。", "timing": "15–16.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 6, "start": 22, "end": 30, "duration": 8, "beat": "释放：回报具有清楚因果", "action": "指针立即安静，碗底映出旧船夹层的位置；一块松木板自行翘起，露出保存完好的粮袋，而非金银。", "camera": "28–35mm感中广景，由关键道具向外缓慢拉开，完整看见变化及安全距离。", "performance": "先让道具/环境发生变化，再切或移到人物反应；变化只遵守本故事规则。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "潮声、湿泥轻响、旧木或黄铜触碰声随变化从密变疏，再进入温暖的两三个原创音符；不使用现成热门歌曲歌词。", "transition": "变化完成后停半拍再切脸部；环境音恢复，音乐只抬高一层。", "timing": "22–24.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 7, "start": 30, "end": 38, "duration": 8, "beat": "温暖：给表情留下时间", "action": "一家人围小桌分饭，罗盘摆在正中，指针依次朝每个人轻点；小满终于把自己的碗放进圆圈里。", "camera": "35mm感桌边或岸边中景，先交代所有本镜角色，再缓慢靠近小满的表情；不在同一镜里把人数和座位改掉。", "performance": "孩子的肩膀放松、视线愿意停留；成人以小动作回应，不用齐声大笑替代情绪。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "对白：小满说“原来，家在这里。”；其余人用目光回应，留半秒安静。", "transition": "由人物最后的目光或手指引向收尾道具，暖光保持一致。", "timing": "30–32.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 8, "start": 38, "end": 44, "duration": 6, "beat": "余味：接回钩子并打开新可能", "action": "最后一粒米落进碗时，指针再次伸出一寸，却指向门外一只饥饿的小蟹；新的选择以同一圆形构图回到开头。", "camera": "以本镜描述的收尾物件构图；最后的形状、光点或运动方向匹配开场关键元素。允许改变景别，但匹配关系必须清楚。", "performance": "人物保持结局得到的安全与关系；新的小悬念不撤销已经完成的情绪回报。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "取第一镜的同一种音色作为最后一个轻声提示，让尾音衔接循环；不突然加入无关轰鸣。", "transition": "最后0.3秒保留与开头相似的轮廓/音色，允许无缝循环；不加黑底强制点击卡。", "timing": "38–39.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" } ], "path": "creative/C066--authored--prompts--videoreverse-runway_gen4_5.txt", "text": "来源文件：prompts/videoreverse-runway_gen4_5.txt\n来源名称：videoreverse-runway_gen4_5\n实际来源记录：prompts/videoreverse-runway_gen4_5.txt\n原文可用点：Codex整理或同一完整蓝图的编译格式；不是独立视觉模型。\n原文问题/边界：此类来源的完整叙事来自更多证据与宿主写作，不能和8帧原生描述作同条件能力排名。\n转化方式：整理/编译来源：沿用其人物、海岸、道具与情绪组织的制作意图。格式版本共享基础故事，不能把输出格式数当独立创作模型数。\n本次选择的新故事：罗盘为什么指着空碗。所有幻想事件都是二创，不用原文中的误识别冒充事实。\n\n《罗盘为什么指着空碗》｜道具悬疑｜44秒完整剪辑稿\n\n制作目标：44秒，9:16竖屏，8个剪辑镜头，目标1080×1920、24fps。时间表是剪辑设计，不是任一平台API保证；按工具实际支持的片段长度生成，再裁切拼接。此处没有生成视频。\n视觉基调：架空旧式沿海村落，湿泥、粗布、旧木和黄铜具有可触摸的写实材质；幼童面部略带童话般大眼比例。灰蓝海水与褐色村屋为底，红发带是辨识点，幻想光源以局部金色/银色呈现。\n小满：幼童女孩，黑发双髻、左右各一条红发带、额头小红点；灰褐补丁粗布衣、布挎袋、旧布鞋。开场若用蓝披衣，则全片保持，除非镜头明确拍下脱衣。性格敏感、先看大人反应，再敢表达愿望。红点不是伤口，红发带不是红头发。\n海生：青年男性，凌乱黑发，旧蓝外衣、灰内衫、深裤；行动稳，保护孩子时先降到她的眼平高度，不以大喊替代关心。\n苏兰：成年女性，深发松束、灰褐无袖粗布上衣、简单项链与腕布；观察细节，负责托稳道具、递布或摆碗等具体照顾。\n二狗：青年男性，短黑发、橄榄绿外衣；提供轻微喜剧和观众反应，后半段愿意放慢动作参与帮助，不把他写成伤害孩子的反派。\n上述人物只在本镜明确指定时出现。群众只作远处模糊背景，不增加新主角。多人同框时优先保持海生在左、苏兰在后、二狗在右、小满在前中；若换位，用中广景交代，不瞬移。\n环境连续性：泥滩、浅水、旧船和村屋保持同一架空地点。海平线稳定。湿衣不会无故变干。室内暖色由船灯或灶火提供；室外变暖用云隙光或明确的幻想道具光解释，不让44秒凭空跨越数小时。\n人物表情与道具变化分开生成更易核对：每镜最多一个主要幻想动作，真实人物不随道具变形。以上服装、人物名和新动作均属本次二创设定，不声称模型从8帧恢复了全部身份。\n\n核心道具锁：黄铜罗盘、空白瓷碗、旧船木板。先为本片制作一张统一道具参考图，记录缺口、锈斑、左右方向、尺寸；镜头之间沿用同一版本。\n\n本片新规则：罗盘指向最需要被照顾的地方，而非财宝；针只在人物做出选择后稳定。 此规则是新创作，不是原片事实。\n\n第一秒视觉钩子：黄铜罗盘的指针穿出表盘，像一根金色细线直指女孩的空碗；针尖停在碗沿上方，距她手指只有一指宽。\n\n目标情绪路径：惊奇 → 好奇 → 共情 → 紧张 → 信任 → 释放 → 温暖 → 余味。它是创作设计，不是已测得的观众留存数据。\n\n分镜与生成指令（逐镜生成，再按时间码剪辑；全局角色锁及规则与每一镜一起输入）：\n\n镜头01｜00–01秒｜1秒｜惊奇：先看见不可能\n画面与动作：黄铜罗盘的指针穿出表盘，像一根金色细线直指女孩的空碗；针尖停在碗沿上方，距她手指只有一指宽。\n动作节拍：0.00–0.15秒直接展示钩子关键帧；0.15–0.70秒让异常动作继续；0.70–1.00秒用呼吸或微小停顿准备切入反应。\n构图与镜头：85mm感微距，道具占画面约三分之二，人物眼睛或手作为尺度参照；单一明确机位，不用无目标甩镜；异常动作在画面开始时已经发生。\n人物表演：以本镜指定的人物/道具为中心，背景角色不抢动作。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：以潮声、湿泥轻响、旧木或黄铜触碰声中最贴合本镜道具的一声开场；配一个短低频脉冲，随即让出空间，不叠加尖叫。\n衔接：在异常动作最清楚的一刻硬切至下一镜指定动作或反应；不先放片名或黑屏。\n\n镜头02｜01–04秒｜3秒｜好奇：理解人物的反应\n画面与动作：海生转动罗盘，针却逆着他的手回到空碗方向；小满捂住肚子，立刻又把手藏到衣后，怕被发现。\n动作节拍：1–1.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：50mm感的近景，机位降到孩子眼平，向前缓移约一个手掌距离。\n人物表演：若小满在本镜入画，眼神先落在道具，再转向海生；若为纯道具镜，不额外挤入人脸。海生与孩子交流时保持相近眼平高度。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：保留孩子一次吸气和衣料轻摩擦，环境声变窄，音乐只留很轻的持续音。\n衔接：按人物视线切到问题或缺少之物，前一镜最后一声环境音延续约0.15秒。\n\n镜头03｜04–09秒｜5秒｜共情：显露一个小缺口\n画面与动作：二狗展开标着金色光点的海图，兴奋地指向远方；海生低头看修不好的旧船，脸上闪过急于翻身的希望。\n动作节拍：4–5.25秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：35mm感中景或中近景，交代角色、目标道具和可行动空间；保持眼线一致。\n人物表演：让负责本镜行动的成人先动，孩子随后作出可见反应；避免所有人同时表演。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：空碗、空袋、脚步或木板声选本镜实际存在的一项放近；未出场物件不配声，避免声源误导。\n衔接：用逐渐靠近的风声/物件声引入下一镜；剪切前先让观众认清道具位置。\n\n镜头04｜09–15秒｜6秒｜紧张：让选择有代价\n画面与动作：众人把罗盘搬到船头，指针越转越急；远处亮起诱人的金光，孩子被留在岸边，笑容一点点消失。\n动作节拍：9–10.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：28mm感稍低机位，前景放障碍或关键道具，后景保留退路；缓慢推进，不乱晃。\n人物表演：海生或苏兰承担保护动作，孩子的恐惧用呼吸与手指表现；二狗的夸张反应不压过危险信息。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：风与低频逐步增强，声音来自画面可解释方向；临近决定时收低，不盖过呼吸。\n衔接：在角色看向选择对象时切到手部，危险声短暂收低，突出决定。\n\n镜头05｜15–22秒｜7秒｜信任：人物主动做决定\n画面与动作：海生收起地图，回身抱起空碗，蹲到小满身边；他把罗盘放在两人之间，先决定为孩子煮一顿饭。\n动作节拍：15–16.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：65–85mm感手部/道具插入镜头，焦点从指尖过渡到被选择的物件；只做一次明确动作。\n人物表演：选择必须由清楚的手部动作落实；其余角色停住，给观众看懂选择的空间。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：对白：海生轻声说“它指的不是金子。”；只配一次明确道具接触声。\n衔接：按动作方向匹配下一镜的变化，避免用白闪遮盖因果。\n\n镜头06｜22–30秒｜8秒｜释放：回报具有清楚因果\n画面与动作：指针立即安静，碗底映出旧船夹层的位置；一块松木板自行翘起，露出保存完好的粮袋，而非金银。\n动作节拍：22–24.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：28–35mm感中广景，由关键道具向外缓慢拉开，完整看见变化及安全距离。\n人物表演：先让道具/环境发生变化，再切或移到人物反应；变化只遵守本故事规则。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：潮声、湿泥轻响、旧木或黄铜触碰声随变化从密变疏，再进入温暖的两三个原创音符；不使用现成热门歌曲歌词。\n衔接：变化完成后停半拍再切脸部；环境音恢复，音乐只抬高一层。\n\n镜头07｜30–38秒｜8秒｜温暖：给表情留下时间\n画面与动作：一家人围小桌分饭，罗盘摆在正中，指针依次朝每个人轻点；小满终于把自己的碗放进圆圈里。\n动作节拍：30–32.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：35mm感桌边或岸边中景，先交代所有本镜角色，再缓慢靠近小满的表情；不在同一镜里把人数和座位改掉。\n人物表演：孩子的肩膀放松、视线愿意停留；成人以小动作回应，不用齐声大笑替代情绪。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：对白：小满说“原来，家在这里。”；其余人用目光回应，留半秒安静。\n衔接：由人物最后的目光或手指引向收尾道具，暖光保持一致。\n\n镜头08｜38–44秒｜6秒｜余味：接回钩子并打开新可能\n画面与动作：最后一粒米落进碗时，指针再次伸出一寸，却指向门外一只饥饿的小蟹；新的选择以同一圆形构图回到开头。\n动作节拍：38–39.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：以本镜描述的收尾物件构图；最后的形状、光点或运动方向匹配开场关键元素。允许改变景别，但匹配关系必须清楚。\n人物表演：人物保持结局得到的安全与关系；新的小悬念不撤销已经完成的情绪回报。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：取第一镜的同一种音色作为最后一个轻声提示，让尾音衔接循环；不突然加入无关轰鸣。\n衔接：最后0.3秒保留与开头相似的轮廓/音色，允许无缝循环；不加黑底强制点击卡。\n\n负向与连续性检查：不出现无依据的手机、枪械、医院、现代车辆、书上伪造大段文字、未经设计的影视角色或艺术家署名。保持双髻、红带、额头红点及四名主角身份；不多生手指、蟹腿，不让手与道具穿模，不把罗盘替换成怀表。道具在同一镜内不得随机换材质、数量、左右位置或开合状态。只允许故事规则指定的物件变化；儿童无血腥伤害。所有字幕、可读书名和界面文字后期添加，生成画面不带水印、伪字幕或推广尾卡。\n合成前逐镜核对：人物数与站坐姿；第一帧是否已有异常；动作起点/终点能否接上；道具尺寸是否受控；视线和海平线是否一致；每个回报能否追溯到前一镜的选择。未拍出因果时重做相关镜头，不能靠旁白掩盖。\n\n平台剪辑备选（不是平台时长限制，也不是热度保证）：\nTikTok测试版：保留0–1秒钩子，1–4秒加一行疑问字幕，22–30秒完整展示回报；可将4–9秒背景压成3秒，成片约42秒。\nInstagram Reels测试版：保持道具质感与暖光配色，前1秒无需读字即可理解异常；保留30–38秒表情停顿，以收尾道具作封面，主体仍44秒。\nYouTube Shorts测试版：保持44秒因果链，画外说明最多一句；最后0.3秒与开头形状/声响呼应，避免只留下未兑现的悬念。\n所有字幕建议单行、短句，放在人物面部与关键道具之外；先按实际播放器界面预览遮挡。\n\n可测试的两个开头：A使用第一镜的大/小、静/动反差；B保持同一异常事件，但从小满瞳孔或手中道具切入，再在0.6秒内露出尺度参照。只改变开头一项，其余剪辑保持一致；是否提高留存需要真实成片与实际观看数据，本任务未做此测试。" }, { "id": "C067", "title": "罗盘为什么指着空碗", "concept_id": "S02", "concept_index": 1, "version": 0, "genre": "道具悬疑", "duration_seconds": 44, "shot_count": 8, "source_id": "authored--prompts--videoreverse-sora_2", "source_name": "videoreverse-sora_2", "category": "authored", "source_path": "prompts/videoreverse-sora_2.txt", "source_record": "prompts/videoreverse-sora_2.txt", "source_paths": [ "prompts/videoreverse-sora_2.txt" ], "source_excerpt": "A 6.0-second video in photorealistic coastal fantasy short drama. A toddler on a muddy shore points at crabs. A huge golden crab appears near two seconds. She points toward a wooden boat, followed by a fantastical change in its scale. The scene is set in weathered coastal village, wooden boats and wet mudflat, captured with hard-cut edited sequence; continuous camera movement unverified and close-ups, medium reverse angles and relevant wide shots. Lighting: soft gray daylight then low golden sunlight. Color grading: gray-blue water, brown cloth, warm late sequences\n\nA 3.0-second video in photo", "source_review": { "strength": "Codex整理或同一完整蓝图的编译格式；不是独立视觉模型。", "issues": "此类来源的完整叙事来自更多证据与宿主写作，不能和8帧原生描述作同条件能力排名。" }, "contribution": "整理/编译来源：沿用其人物、海岸、道具与情绪组织的制作意图。格式版本共享基础故事，不能把输出格式数当独立创作模型数。", "source_duplicate_of": null, "source_hash": "c3018bbe9cc3ac54fd0d8e83a26fd7136a578ea39d3e671ad34b1e58a9937feb", "body_hash": "67097ad8286c5b790942932a97d99f789a9818e3048450857ae071a084aef110", "author": "Codex, shared writer; not original model output", "fallback": false, "hook": "黄铜罗盘的指针穿出表盘，像一根金色细线直指女孩的空碗；针尖停在碗沿上方，距她手指只有一指宽。", "rule": "罗盘指向最需要被照顾的地方，而非财宝；针只在人物做出选择后稳定。", "shots": [ { "number": 1, "start": 0, "end": 1, "duration": 1, "beat": "惊奇：先看见不可能", "action": "黄铜罗盘的指针穿出表盘，像一根金色细线直指女孩的空碗；针尖停在碗沿上方，距她手指只有一指宽。", "camera": "85mm感微距，道具占画面约三分之二，人物眼睛或手作为尺度参照；单一明确机位，不用无目标甩镜；异常动作在画面开始时已经发生。", "performance": "以本镜指定的人物/道具为中心，背景角色不抢动作。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "以潮声、湿泥轻响、旧木或黄铜触碰声中最贴合本镜道具的一声开场；配一个短低频脉冲，随即让出空间，不叠加尖叫。", "transition": "在异常动作最清楚的一刻硬切至下一镜指定动作或反应；不先放片名或黑屏。", "timing": "0.00–0.15秒直接展示钩子关键帧；0.15–0.70秒让异常动作继续；0.70–1.00秒用呼吸或微小停顿准备切入反应。" }, { "number": 2, "start": 1, "end": 4, "duration": 3, "beat": "好奇：理解人物的反应", "action": "海生转动罗盘，针却逆着他的手回到空碗方向；小满捂住肚子，立刻又把手藏到衣后，怕被发现。", "camera": "50mm感的近景，机位降到孩子眼平，向前缓移约一个手掌距离。", "performance": "若小满在本镜入画，眼神先落在道具，再转向海生；若为纯道具镜，不额外挤入人脸。海生与孩子交流时保持相近眼平高度。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "保留孩子一次吸气和衣料轻摩擦，环境声变窄，音乐只留很轻的持续音。", "transition": "按人物视线切到问题或缺少之物，前一镜最后一声环境音延续约0.15秒。", "timing": "1–1.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 3, "start": 4, "end": 9, "duration": 5, "beat": "共情：显露一个小缺口", "action": "二狗展开标着金色光点的海图，兴奋地指向远方；海生低头看修不好的旧船，脸上闪过急于翻身的希望。", "camera": "35mm感中景或中近景，交代角色、目标道具和可行动空间；保持眼线一致。", "performance": "让负责本镜行动的成人先动，孩子随后作出可见反应；避免所有人同时表演。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "空碗、空袋、脚步或木板声选本镜实际存在的一项放近；未出场物件不配声，避免声源误导。", "transition": "用逐渐靠近的风声/物件声引入下一镜；剪切前先让观众认清道具位置。", "timing": "4–5.25秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 4, "start": 9, "end": 15, "duration": 6, "beat": "紧张：让选择有代价", "action": "众人把罗盘搬到船头，指针越转越急；远处亮起诱人的金光，孩子被留在岸边，笑容一点点消失。", "camera": "28mm感稍低机位，前景放障碍或关键道具，后景保留退路；缓慢推进，不乱晃。", "performance": "海生或苏兰承担保护动作，孩子的恐惧用呼吸与手指表现；二狗的夸张反应不压过危险信息。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "风与低频逐步增强，声音来自画面可解释方向；临近决定时收低，不盖过呼吸。", "transition": "在角色看向选择对象时切到手部，危险声短暂收低，突出决定。", "timing": "9–10.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 5, "start": 15, "end": 22, "duration": 7, "beat": "信任：人物主动做决定", "action": "海生收起地图，回身抱起空碗，蹲到小满身边；他把罗盘放在两人之间，先决定为孩子煮一顿饭。", "camera": "65–85mm感手部/道具插入镜头，焦点从指尖过渡到被选择的物件；只做一次明确动作。", "performance": "选择必须由清楚的手部动作落实；其余角色停住，给观众看懂选择的空间。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "对白：海生轻声说“它指的不是金子。”；只配一次明确道具接触声。", "transition": "按动作方向匹配下一镜的变化，避免用白闪遮盖因果。", "timing": "15–16.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 6, "start": 22, "end": 30, "duration": 8, "beat": "释放：回报具有清楚因果", "action": "指针立即安静，碗底映出旧船夹层的位置；一块松木板自行翘起，露出保存完好的粮袋，而非金银。", "camera": "28–35mm感中广景，由关键道具向外缓慢拉开，完整看见变化及安全距离。", "performance": "先让道具/环境发生变化，再切或移到人物反应；变化只遵守本故事规则。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "潮声、湿泥轻响、旧木或黄铜触碰声随变化从密变疏，再进入温暖的两三个原创音符；不使用现成热门歌曲歌词。", "transition": "变化完成后停半拍再切脸部；环境音恢复，音乐只抬高一层。", "timing": "22–24.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 7, "start": 30, "end": 38, "duration": 8, "beat": "温暖：给表情留下时间", "action": "一家人围小桌分饭，罗盘摆在正中，指针依次朝每个人轻点；小满终于把自己的碗放进圆圈里。", "camera": "35mm感桌边或岸边中景，先交代所有本镜角色，再缓慢靠近小满的表情；不在同一镜里把人数和座位改掉。", "performance": "孩子的肩膀放松、视线愿意停留；成人以小动作回应，不用齐声大笑替代情绪。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "对白：小满说“原来，家在这里。”；其余人用目光回应，留半秒安静。", "transition": "由人物最后的目光或手指引向收尾道具，暖光保持一致。", "timing": "30–32.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 8, "start": 38, "end": 44, "duration": 6, "beat": "余味：接回钩子并打开新可能", "action": "最后一粒米落进碗时，指针再次伸出一寸，却指向门外一只饥饿的小蟹；新的选择以同一圆形构图回到开头。", "camera": "以本镜描述的收尾物件构图；最后的形状、光点或运动方向匹配开场关键元素。允许改变景别，但匹配关系必须清楚。", "performance": "人物保持结局得到的安全与关系；新的小悬念不撤销已经完成的情绪回报。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "取第一镜的同一种音色作为最后一个轻声提示，让尾音衔接循环；不突然加入无关轰鸣。", "transition": "最后0.3秒保留与开头相似的轮廓/音色，允许无缝循环；不加黑底强制点击卡。", "timing": "38–39.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" } ], "path": "creative/C067--authored--prompts--videoreverse-sora_2.txt", "text": "来源文件：prompts/videoreverse-sora_2.txt\n来源名称：videoreverse-sora_2\n实际来源记录：prompts/videoreverse-sora_2.txt\n原文可用点：Codex整理或同一完整蓝图的编译格式；不是独立视觉模型。\n原文问题/边界：此类来源的完整叙事来自更多证据与宿主写作，不能和8帧原生描述作同条件能力排名。\n转化方式：整理/编译来源：沿用其人物、海岸、道具与情绪组织的制作意图。格式版本共享基础故事，不能把输出格式数当独立创作模型数。\n本次选择的新故事：罗盘为什么指着空碗。所有幻想事件都是二创，不用原文中的误识别冒充事实。\n\n《罗盘为什么指着空碗》｜道具悬疑｜44秒完整剪辑稿\n\n制作目标：44秒，9:16竖屏，8个剪辑镜头，目标1080×1920、24fps。时间表是剪辑设计，不是任一平台API保证；按工具实际支持的片段长度生成，再裁切拼接。此处没有生成视频。\n视觉基调：架空旧式沿海村落，湿泥、粗布、旧木和黄铜具有可触摸的写实材质；幼童面部略带童话般大眼比例。灰蓝海水与褐色村屋为底，红发带是辨识点，幻想光源以局部金色/银色呈现。\n小满：幼童女孩，黑发双髻、左右各一条红发带、额头小红点；灰褐补丁粗布衣、布挎袋、旧布鞋。开场若用蓝披衣，则全片保持，除非镜头明确拍下脱衣。性格敏感、先看大人反应，再敢表达愿望。红点不是伤口，红发带不是红头发。\n海生：青年男性，凌乱黑发，旧蓝外衣、灰内衫、深裤；行动稳，保护孩子时先降到她的眼平高度，不以大喊替代关心。\n苏兰：成年女性，深发松束、灰褐无袖粗布上衣、简单项链与腕布；观察细节，负责托稳道具、递布或摆碗等具体照顾。\n二狗：青年男性，短黑发、橄榄绿外衣；提供轻微喜剧和观众反应，后半段愿意放慢动作参与帮助，不把他写成伤害孩子的反派。\n上述人物只在本镜明确指定时出现。群众只作远处模糊背景，不增加新主角。多人同框时优先保持海生在左、苏兰在后、二狗在右、小满在前中；若换位，用中广景交代，不瞬移。\n环境连续性：泥滩、浅水、旧船和村屋保持同一架空地点。海平线稳定。湿衣不会无故变干。室内暖色由船灯或灶火提供；室外变暖用云隙光或明确的幻想道具光解释，不让44秒凭空跨越数小时。\n人物表情与道具变化分开生成更易核对：每镜最多一个主要幻想动作，真实人物不随道具变形。以上服装、人物名和新动作均属本次二创设定，不声称模型从8帧恢复了全部身份。\n\n核心道具锁：黄铜罗盘、空白瓷碗、旧船木板。先为本片制作一张统一道具参考图，记录缺口、锈斑、左右方向、尺寸；镜头之间沿用同一版本。\n\n本片新规则：罗盘指向最需要被照顾的地方，而非财宝；针只在人物做出选择后稳定。 此规则是新创作，不是原片事实。\n\n第一秒视觉钩子：黄铜罗盘的指针穿出表盘，像一根金色细线直指女孩的空碗；针尖停在碗沿上方，距她手指只有一指宽。\n\n目标情绪路径：惊奇 → 好奇 → 共情 → 紧张 → 信任 → 释放 → 温暖 → 余味。它是创作设计，不是已测得的观众留存数据。\n\n分镜与生成指令（逐镜生成，再按时间码剪辑；全局角色锁及规则与每一镜一起输入）：\n\n镜头01｜00–01秒｜1秒｜惊奇：先看见不可能\n画面与动作：黄铜罗盘的指针穿出表盘，像一根金色细线直指女孩的空碗；针尖停在碗沿上方，距她手指只有一指宽。\n动作节拍：0.00–0.15秒直接展示钩子关键帧；0.15–0.70秒让异常动作继续；0.70–1.00秒用呼吸或微小停顿准备切入反应。\n构图与镜头：85mm感微距，道具占画面约三分之二，人物眼睛或手作为尺度参照；单一明确机位，不用无目标甩镜；异常动作在画面开始时已经发生。\n人物表演：以本镜指定的人物/道具为中心，背景角色不抢动作。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：以潮声、湿泥轻响、旧木或黄铜触碰声中最贴合本镜道具的一声开场；配一个短低频脉冲，随即让出空间，不叠加尖叫。\n衔接：在异常动作最清楚的一刻硬切至下一镜指定动作或反应；不先放片名或黑屏。\n\n镜头02｜01–04秒｜3秒｜好奇：理解人物的反应\n画面与动作：海生转动罗盘，针却逆着他的手回到空碗方向；小满捂住肚子，立刻又把手藏到衣后，怕被发现。\n动作节拍：1–1.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：50mm感的近景，机位降到孩子眼平，向前缓移约一个手掌距离。\n人物表演：若小满在本镜入画，眼神先落在道具，再转向海生；若为纯道具镜，不额外挤入人脸。海生与孩子交流时保持相近眼平高度。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：保留孩子一次吸气和衣料轻摩擦，环境声变窄，音乐只留很轻的持续音。\n衔接：按人物视线切到问题或缺少之物，前一镜最后一声环境音延续约0.15秒。\n\n镜头03｜04–09秒｜5秒｜共情：显露一个小缺口\n画面与动作：二狗展开标着金色光点的海图，兴奋地指向远方；海生低头看修不好的旧船，脸上闪过急于翻身的希望。\n动作节拍：4–5.25秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：35mm感中景或中近景，交代角色、目标道具和可行动空间；保持眼线一致。\n人物表演：让负责本镜行动的成人先动，孩子随后作出可见反应；避免所有人同时表演。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：空碗、空袋、脚步或木板声选本镜实际存在的一项放近；未出场物件不配声，避免声源误导。\n衔接：用逐渐靠近的风声/物件声引入下一镜；剪切前先让观众认清道具位置。\n\n镜头04｜09–15秒｜6秒｜紧张：让选择有代价\n画面与动作：众人把罗盘搬到船头，指针越转越急；远处亮起诱人的金光，孩子被留在岸边，笑容一点点消失。\n动作节拍：9–10.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：28mm感稍低机位，前景放障碍或关键道具，后景保留退路；缓慢推进，不乱晃。\n人物表演：海生或苏兰承担保护动作，孩子的恐惧用呼吸与手指表现；二狗的夸张反应不压过危险信息。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：风与低频逐步增强，声音来自画面可解释方向；临近决定时收低，不盖过呼吸。\n衔接：在角色看向选择对象时切到手部，危险声短暂收低，突出决定。\n\n镜头05｜15–22秒｜7秒｜信任：人物主动做决定\n画面与动作：海生收起地图，回身抱起空碗，蹲到小满身边；他把罗盘放在两人之间，先决定为孩子煮一顿饭。\n动作节拍：15–16.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：65–85mm感手部/道具插入镜头，焦点从指尖过渡到被选择的物件；只做一次明确动作。\n人物表演：选择必须由清楚的手部动作落实；其余角色停住，给观众看懂选择的空间。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：对白：海生轻声说“它指的不是金子。”；只配一次明确道具接触声。\n衔接：按动作方向匹配下一镜的变化，避免用白闪遮盖因果。\n\n镜头06｜22–30秒｜8秒｜释放：回报具有清楚因果\n画面与动作：指针立即安静，碗底映出旧船夹层的位置；一块松木板自行翘起，露出保存完好的粮袋，而非金银。\n动作节拍：22–24.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：28–35mm感中广景，由关键道具向外缓慢拉开，完整看见变化及安全距离。\n人物表演：先让道具/环境发生变化，再切或移到人物反应；变化只遵守本故事规则。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：潮声、湿泥轻响、旧木或黄铜触碰声随变化从密变疏，再进入温暖的两三个原创音符；不使用现成热门歌曲歌词。\n衔接：变化完成后停半拍再切脸部；环境音恢复，音乐只抬高一层。\n\n镜头07｜30–38秒｜8秒｜温暖：给表情留下时间\n画面与动作：一家人围小桌分饭，罗盘摆在正中，指针依次朝每个人轻点；小满终于把自己的碗放进圆圈里。\n动作节拍：30–32.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：35mm感桌边或岸边中景，先交代所有本镜角色，再缓慢靠近小满的表情；不在同一镜里把人数和座位改掉。\n人物表演：孩子的肩膀放松、视线愿意停留；成人以小动作回应，不用齐声大笑替代情绪。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：对白：小满说“原来，家在这里。”；其余人用目光回应，留半秒安静。\n衔接：由人物最后的目光或手指引向收尾道具，暖光保持一致。\n\n镜头08｜38–44秒｜6秒｜余味：接回钩子并打开新可能\n画面与动作：最后一粒米落进碗时，指针再次伸出一寸，却指向门外一只饥饿的小蟹；新的选择以同一圆形构图回到开头。\n动作节拍：38–39.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：以本镜描述的收尾物件构图；最后的形状、光点或运动方向匹配开场关键元素。允许改变景别，但匹配关系必须清楚。\n人物表演：人物保持结局得到的安全与关系；新的小悬念不撤销已经完成的情绪回报。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：取第一镜的同一种音色作为最后一个轻声提示，让尾音衔接循环；不突然加入无关轰鸣。\n衔接：最后0.3秒保留与开头相似的轮廓/音色，允许无缝循环；不加黑底强制点击卡。\n\n负向与连续性检查：不出现无依据的手机、枪械、医院、现代车辆、书上伪造大段文字、未经设计的影视角色或艺术家署名。保持双髻、红带、额头红点及四名主角身份；不多生手指、蟹腿，不让手与道具穿模，不把罗盘替换成怀表。道具在同一镜内不得随机换材质、数量、左右位置或开合状态。只允许故事规则指定的物件变化；儿童无血腥伤害。所有字幕、可读书名和界面文字后期添加，生成画面不带水印、伪字幕或推广尾卡。\n合成前逐镜核对：人物数与站坐姿；第一帧是否已有异常；动作起点/终点能否接上；道具尺寸是否受控；视线和海平线是否一致；每个回报能否追溯到前一镜的选择。未拍出因果时重做相关镜头，不能靠旁白掩盖。\n\n平台剪辑备选（不是平台时长限制，也不是热度保证）：\nTikTok测试版：保留0–1秒钩子，1–4秒加一行疑问字幕，22–30秒完整展示回报；可将4–9秒背景压成3秒，成片约42秒。\nInstagram Reels测试版：保持道具质感与暖光配色，前1秒无需读字即可理解异常；保留30–38秒表情停顿，以收尾道具作封面，主体仍44秒。\nYouTube Shorts测试版：保持44秒因果链，画外说明最多一句；最后0.3秒与开头形状/声响呼应，避免只留下未兑现的悬念。\n所有字幕建议单行、短句，放在人物面部与关键道具之外；先按实际播放器界面预览遮挡。\n\n可测试的两个开头：A使用第一镜的大/小、静/动反差；B保持同一异常事件，但从小满瞳孔或手中道具切入，再在0.6秒内露出尺度参照。只改变开头一项，其余剪辑保持一致；是否提高留存需要真实成片与实际观看数据，本任务未做此测试。" }, { "id": "C068", "title": "罗盘为什么指着空碗", "concept_id": "S02", "concept_index": 1, "version": 0, "genre": "道具悬疑", "duration_seconds": 44, "shot_count": 8, "source_id": "authored--prompts--videoreverse-stable_video_diffusion", "source_name": "videoreverse-stable_video_diffusion", "category": "authored", "source_path": "prompts/videoreverse-stable_video_diffusion.txt", "source_record": "prompts/videoreverse-stable_video_diffusion.txt", "source_paths": [ "prompts/videoreverse-stable_video_diffusion.txt" ], "source_excerpt": "photorealistic coastal fantasy short drama, A toddler on a muddy shore points at crabs. A huge golden crab appears near two seconds\n\nphotorealistic coastal fantasy short drama, An adult points accusingly and grabs the child by the arms\n\nphotorealistic coastal fantasy short drama, On an old wooden fishing boat, a wet girl is lifted in a fishing net\n\nphotorealistic coastal fantasy short drama, The man in a worn blue jacket holds and questions the girl while his companion in olive green reacts with\n\nphotorealistic coastal fantasy short drama, The child looks toward the sea and warns the men\n\nphot", "source_review": { "strength": "Codex整理或同一完整蓝图的编译格式；不是独立视觉模型。", "issues": "此类来源的完整叙事来自更多证据与宿主写作，不能和8帧原生描述作同条件能力排名。" }, "contribution": "整理/编译来源：沿用其人物、海岸、道具与情绪组织的制作意图。格式版本共享基础故事，不能把输出格式数当独立创作模型数。", "source_duplicate_of": null, "source_hash": "b8c5744c03d5efa57d71fca37108fbd9f525923e4210a7f4e7381bcd132b6942", "body_hash": "67097ad8286c5b790942932a97d99f789a9818e3048450857ae071a084aef110", "author": "Codex, shared writer; not original model output", "fallback": false, "hook": "黄铜罗盘的指针穿出表盘，像一根金色细线直指女孩的空碗；针尖停在碗沿上方，距她手指只有一指宽。", "rule": "罗盘指向最需要被照顾的地方，而非财宝；针只在人物做出选择后稳定。", "shots": [ { "number": 1, "start": 0, "end": 1, "duration": 1, "beat": "惊奇：先看见不可能", "action": "黄铜罗盘的指针穿出表盘，像一根金色细线直指女孩的空碗；针尖停在碗沿上方，距她手指只有一指宽。", "camera": "85mm感微距，道具占画面约三分之二，人物眼睛或手作为尺度参照；单一明确机位，不用无目标甩镜；异常动作在画面开始时已经发生。", "performance": "以本镜指定的人物/道具为中心，背景角色不抢动作。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "以潮声、湿泥轻响、旧木或黄铜触碰声中最贴合本镜道具的一声开场；配一个短低频脉冲，随即让出空间，不叠加尖叫。", "transition": "在异常动作最清楚的一刻硬切至下一镜指定动作或反应；不先放片名或黑屏。", "timing": "0.00–0.15秒直接展示钩子关键帧；0.15–0.70秒让异常动作继续；0.70–1.00秒用呼吸或微小停顿准备切入反应。" }, { "number": 2, "start": 1, "end": 4, "duration": 3, "beat": "好奇：理解人物的反应", "action": "海生转动罗盘，针却逆着他的手回到空碗方向；小满捂住肚子，立刻又把手藏到衣后，怕被发现。", "camera": "50mm感的近景，机位降到孩子眼平，向前缓移约一个手掌距离。", "performance": "若小满在本镜入画，眼神先落在道具，再转向海生；若为纯道具镜，不额外挤入人脸。海生与孩子交流时保持相近眼平高度。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "保留孩子一次吸气和衣料轻摩擦，环境声变窄，音乐只留很轻的持续音。", "transition": "按人物视线切到问题或缺少之物，前一镜最后一声环境音延续约0.15秒。", "timing": "1–1.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 3, "start": 4, "end": 9, "duration": 5, "beat": "共情：显露一个小缺口", "action": "二狗展开标着金色光点的海图，兴奋地指向远方；海生低头看修不好的旧船，脸上闪过急于翻身的希望。", "camera": "35mm感中景或中近景，交代角色、目标道具和可行动空间；保持眼线一致。", "performance": "让负责本镜行动的成人先动，孩子随后作出可见反应；避免所有人同时表演。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "空碗、空袋、脚步或木板声选本镜实际存在的一项放近；未出场物件不配声，避免声源误导。", "transition": "用逐渐靠近的风声/物件声引入下一镜；剪切前先让观众认清道具位置。", "timing": "4–5.25秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 4, "start": 9, "end": 15, "duration": 6, "beat": "紧张：让选择有代价", "action": "众人把罗盘搬到船头，指针越转越急；远处亮起诱人的金光，孩子被留在岸边，笑容一点点消失。", "camera": "28mm感稍低机位，前景放障碍或关键道具，后景保留退路；缓慢推进，不乱晃。", "performance": "海生或苏兰承担保护动作，孩子的恐惧用呼吸与手指表现；二狗的夸张反应不压过危险信息。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "风与低频逐步增强，声音来自画面可解释方向；临近决定时收低，不盖过呼吸。", "transition": "在角色看向选择对象时切到手部，危险声短暂收低，突出决定。", "timing": "9–10.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 5, "start": 15, "end": 22, "duration": 7, "beat": "信任：人物主动做决定", "action": "海生收起地图，回身抱起空碗，蹲到小满身边；他把罗盘放在两人之间，先决定为孩子煮一顿饭。", "camera": "65–85mm感手部/道具插入镜头，焦点从指尖过渡到被选择的物件；只做一次明确动作。", "performance": "选择必须由清楚的手部动作落实；其余角色停住，给观众看懂选择的空间。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "对白：海生轻声说“它指的不是金子。”；只配一次明确道具接触声。", "transition": "按动作方向匹配下一镜的变化，避免用白闪遮盖因果。", "timing": "15–16.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 6, "start": 22, "end": 30, "duration": 8, "beat": "释放：回报具有清楚因果", "action": "指针立即安静，碗底映出旧船夹层的位置；一块松木板自行翘起，露出保存完好的粮袋，而非金银。", "camera": "28–35mm感中广景，由关键道具向外缓慢拉开，完整看见变化及安全距离。", "performance": "先让道具/环境发生变化，再切或移到人物反应；变化只遵守本故事规则。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "潮声、湿泥轻响、旧木或黄铜触碰声随变化从密变疏，再进入温暖的两三个原创音符；不使用现成热门歌曲歌词。", "transition": "变化完成后停半拍再切脸部；环境音恢复，音乐只抬高一层。", "timing": "22–24.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 7, "start": 30, "end": 38, "duration": 8, "beat": "温暖：给表情留下时间", "action": "一家人围小桌分饭，罗盘摆在正中，指针依次朝每个人轻点；小满终于把自己的碗放进圆圈里。", "camera": "35mm感桌边或岸边中景，先交代所有本镜角色，再缓慢靠近小满的表情；不在同一镜里把人数和座位改掉。", "performance": "孩子的肩膀放松、视线愿意停留；成人以小动作回应，不用齐声大笑替代情绪。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "对白：小满说“原来，家在这里。”；其余人用目光回应，留半秒安静。", "transition": "由人物最后的目光或手指引向收尾道具，暖光保持一致。", "timing": "30–32.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 8, "start": 38, "end": 44, "duration": 6, "beat": "余味：接回钩子并打开新可能", "action": "最后一粒米落进碗时，指针再次伸出一寸，却指向门外一只饥饿的小蟹；新的选择以同一圆形构图回到开头。", "camera": "以本镜描述的收尾物件构图；最后的形状、光点或运动方向匹配开场关键元素。允许改变景别，但匹配关系必须清楚。", "performance": "人物保持结局得到的安全与关系；新的小悬念不撤销已经完成的情绪回报。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "取第一镜的同一种音色作为最后一个轻声提示，让尾音衔接循环；不突然加入无关轰鸣。", "transition": "最后0.3秒保留与开头相似的轮廓/音色，允许无缝循环；不加黑底强制点击卡。", "timing": "38–39.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" } ], "path": "creative/C068--authored--prompts--videoreverse-stable_video_diffusion.txt", "text": "来源文件：prompts/videoreverse-stable_video_diffusion.txt\n来源名称：videoreverse-stable_video_diffusion\n实际来源记录：prompts/videoreverse-stable_video_diffusion.txt\n原文可用点：Codex整理或同一完整蓝图的编译格式；不是独立视觉模型。\n原文问题/边界：此类来源的完整叙事来自更多证据与宿主写作，不能和8帧原生描述作同条件能力排名。\n转化方式：整理/编译来源：沿用其人物、海岸、道具与情绪组织的制作意图。格式版本共享基础故事，不能把输出格式数当独立创作模型数。\n本次选择的新故事：罗盘为什么指着空碗。所有幻想事件都是二创，不用原文中的误识别冒充事实。\n\n《罗盘为什么指着空碗》｜道具悬疑｜44秒完整剪辑稿\n\n制作目标：44秒，9:16竖屏，8个剪辑镜头，目标1080×1920、24fps。时间表是剪辑设计，不是任一平台API保证；按工具实际支持的片段长度生成，再裁切拼接。此处没有生成视频。\n视觉基调：架空旧式沿海村落，湿泥、粗布、旧木和黄铜具有可触摸的写实材质；幼童面部略带童话般大眼比例。灰蓝海水与褐色村屋为底，红发带是辨识点，幻想光源以局部金色/银色呈现。\n小满：幼童女孩，黑发双髻、左右各一条红发带、额头小红点；灰褐补丁粗布衣、布挎袋、旧布鞋。开场若用蓝披衣，则全片保持，除非镜头明确拍下脱衣。性格敏感、先看大人反应，再敢表达愿望。红点不是伤口，红发带不是红头发。\n海生：青年男性，凌乱黑发，旧蓝外衣、灰内衫、深裤；行动稳，保护孩子时先降到她的眼平高度，不以大喊替代关心。\n苏兰：成年女性，深发松束、灰褐无袖粗布上衣、简单项链与腕布；观察细节，负责托稳道具、递布或摆碗等具体照顾。\n二狗：青年男性，短黑发、橄榄绿外衣；提供轻微喜剧和观众反应，后半段愿意放慢动作参与帮助，不把他写成伤害孩子的反派。\n上述人物只在本镜明确指定时出现。群众只作远处模糊背景，不增加新主角。多人同框时优先保持海生在左、苏兰在后、二狗在右、小满在前中；若换位，用中广景交代，不瞬移。\n环境连续性：泥滩、浅水、旧船和村屋保持同一架空地点。海平线稳定。湿衣不会无故变干。室内暖色由船灯或灶火提供；室外变暖用云隙光或明确的幻想道具光解释，不让44秒凭空跨越数小时。\n人物表情与道具变化分开生成更易核对：每镜最多一个主要幻想动作，真实人物不随道具变形。以上服装、人物名和新动作均属本次二创设定，不声称模型从8帧恢复了全部身份。\n\n核心道具锁：黄铜罗盘、空白瓷碗、旧船木板。先为本片制作一张统一道具参考图，记录缺口、锈斑、左右方向、尺寸；镜头之间沿用同一版本。\n\n本片新规则：罗盘指向最需要被照顾的地方，而非财宝；针只在人物做出选择后稳定。 此规则是新创作，不是原片事实。\n\n第一秒视觉钩子：黄铜罗盘的指针穿出表盘，像一根金色细线直指女孩的空碗；针尖停在碗沿上方，距她手指只有一指宽。\n\n目标情绪路径：惊奇 → 好奇 → 共情 → 紧张 → 信任 → 释放 → 温暖 → 余味。它是创作设计，不是已测得的观众留存数据。\n\n分镜与生成指令（逐镜生成，再按时间码剪辑；全局角色锁及规则与每一镜一起输入）：\n\n镜头01｜00–01秒｜1秒｜惊奇：先看见不可能\n画面与动作：黄铜罗盘的指针穿出表盘，像一根金色细线直指女孩的空碗；针尖停在碗沿上方，距她手指只有一指宽。\n动作节拍：0.00–0.15秒直接展示钩子关键帧；0.15–0.70秒让异常动作继续；0.70–1.00秒用呼吸或微小停顿准备切入反应。\n构图与镜头：85mm感微距，道具占画面约三分之二，人物眼睛或手作为尺度参照；单一明确机位，不用无目标甩镜；异常动作在画面开始时已经发生。\n人物表演：以本镜指定的人物/道具为中心，背景角色不抢动作。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：以潮声、湿泥轻响、旧木或黄铜触碰声中最贴合本镜道具的一声开场；配一个短低频脉冲，随即让出空间，不叠加尖叫。\n衔接：在异常动作最清楚的一刻硬切至下一镜指定动作或反应；不先放片名或黑屏。\n\n镜头02｜01–04秒｜3秒｜好奇：理解人物的反应\n画面与动作：海生转动罗盘，针却逆着他的手回到空碗方向；小满捂住肚子，立刻又把手藏到衣后，怕被发现。\n动作节拍：1–1.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：50mm感的近景，机位降到孩子眼平，向前缓移约一个手掌距离。\n人物表演：若小满在本镜入画，眼神先落在道具，再转向海生；若为纯道具镜，不额外挤入人脸。海生与孩子交流时保持相近眼平高度。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：保留孩子一次吸气和衣料轻摩擦，环境声变窄，音乐只留很轻的持续音。\n衔接：按人物视线切到问题或缺少之物，前一镜最后一声环境音延续约0.15秒。\n\n镜头03｜04–09秒｜5秒｜共情：显露一个小缺口\n画面与动作：二狗展开标着金色光点的海图，兴奋地指向远方；海生低头看修不好的旧船，脸上闪过急于翻身的希望。\n动作节拍：4–5.25秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：35mm感中景或中近景，交代角色、目标道具和可行动空间；保持眼线一致。\n人物表演：让负责本镜行动的成人先动，孩子随后作出可见反应；避免所有人同时表演。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：空碗、空袋、脚步或木板声选本镜实际存在的一项放近；未出场物件不配声，避免声源误导。\n衔接：用逐渐靠近的风声/物件声引入下一镜；剪切前先让观众认清道具位置。\n\n镜头04｜09–15秒｜6秒｜紧张：让选择有代价\n画面与动作：众人把罗盘搬到船头，指针越转越急；远处亮起诱人的金光，孩子被留在岸边，笑容一点点消失。\n动作节拍：9–10.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：28mm感稍低机位，前景放障碍或关键道具，后景保留退路；缓慢推进，不乱晃。\n人物表演：海生或苏兰承担保护动作，孩子的恐惧用呼吸与手指表现；二狗的夸张反应不压过危险信息。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：风与低频逐步增强，声音来自画面可解释方向；临近决定时收低，不盖过呼吸。\n衔接：在角色看向选择对象时切到手部，危险声短暂收低，突出决定。\n\n镜头05｜15–22秒｜7秒｜信任：人物主动做决定\n画面与动作：海生收起地图，回身抱起空碗，蹲到小满身边；他把罗盘放在两人之间，先决定为孩子煮一顿饭。\n动作节拍：15–16.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：65–85mm感手部/道具插入镜头，焦点从指尖过渡到被选择的物件；只做一次明确动作。\n人物表演：选择必须由清楚的手部动作落实；其余角色停住，给观众看懂选择的空间。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：对白：海生轻声说“它指的不是金子。”；只配一次明确道具接触声。\n衔接：按动作方向匹配下一镜的变化，避免用白闪遮盖因果。\n\n镜头06｜22–30秒｜8秒｜释放：回报具有清楚因果\n画面与动作：指针立即安静，碗底映出旧船夹层的位置；一块松木板自行翘起，露出保存完好的粮袋，而非金银。\n动作节拍：22–24.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：28–35mm感中广景，由关键道具向外缓慢拉开，完整看见变化及安全距离。\n人物表演：先让道具/环境发生变化，再切或移到人物反应；变化只遵守本故事规则。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：潮声、湿泥轻响、旧木或黄铜触碰声随变化从密变疏，再进入温暖的两三个原创音符；不使用现成热门歌曲歌词。\n衔接：变化完成后停半拍再切脸部；环境音恢复，音乐只抬高一层。\n\n镜头07｜30–38秒｜8秒｜温暖：给表情留下时间\n画面与动作：一家人围小桌分饭，罗盘摆在正中，指针依次朝每个人轻点；小满终于把自己的碗放进圆圈里。\n动作节拍：30–32.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：35mm感桌边或岸边中景，先交代所有本镜角色，再缓慢靠近小满的表情；不在同一镜里把人数和座位改掉。\n人物表演：孩子的肩膀放松、视线愿意停留；成人以小动作回应，不用齐声大笑替代情绪。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：对白：小满说“原来，家在这里。”；其余人用目光回应，留半秒安静。\n衔接：由人物最后的目光或手指引向收尾道具，暖光保持一致。\n\n镜头08｜38–44秒｜6秒｜余味：接回钩子并打开新可能\n画面与动作：最后一粒米落进碗时，指针再次伸出一寸，却指向门外一只饥饿的小蟹；新的选择以同一圆形构图回到开头。\n动作节拍：38–39.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：以本镜描述的收尾物件构图；最后的形状、光点或运动方向匹配开场关键元素。允许改变景别，但匹配关系必须清楚。\n人物表演：人物保持结局得到的安全与关系；新的小悬念不撤销已经完成的情绪回报。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：取第一镜的同一种音色作为最后一个轻声提示，让尾音衔接循环；不突然加入无关轰鸣。\n衔接：最后0.3秒保留与开头相似的轮廓/音色，允许无缝循环；不加黑底强制点击卡。\n\n负向与连续性检查：不出现无依据的手机、枪械、医院、现代车辆、书上伪造大段文字、未经设计的影视角色或艺术家署名。保持双髻、红带、额头红点及四名主角身份；不多生手指、蟹腿，不让手与道具穿模，不把罗盘替换成怀表。道具在同一镜内不得随机换材质、数量、左右位置或开合状态。只允许故事规则指定的物件变化；儿童无血腥伤害。所有字幕、可读书名和界面文字后期添加，生成画面不带水印、伪字幕或推广尾卡。\n合成前逐镜核对：人物数与站坐姿；第一帧是否已有异常；动作起点/终点能否接上；道具尺寸是否受控；视线和海平线是否一致；每个回报能否追溯到前一镜的选择。未拍出因果时重做相关镜头，不能靠旁白掩盖。\n\n平台剪辑备选（不是平台时长限制，也不是热度保证）：\nTikTok测试版：保留0–1秒钩子，1–4秒加一行疑问字幕，22–30秒完整展示回报；可将4–9秒背景压成3秒，成片约42秒。\nInstagram Reels测试版：保持道具质感与暖光配色，前1秒无需读字即可理解异常；保留30–38秒表情停顿，以收尾道具作封面，主体仍44秒。\nYouTube Shorts测试版：保持44秒因果链，画外说明最多一句；最后0.3秒与开头形状/声响呼应，避免只留下未兑现的悬念。\n所有字幕建议单行、短句，放在人物面部与关键道具之外；先按实际播放器界面预览遮挡。\n\n可测试的两个开头：A使用第一镜的大/小、静/动反差；B保持同一异常事件，但从小满瞳孔或手中道具切入，再在0.6秒内露出尺度参照。只改变开头一项，其余剪辑保持一致；是否提高留存需要真实成片与实际观看数据，本任务未做此测试。" }, { "id": "C069", "title": "大海替他们按下暂停", "concept_id": "S25", "concept_index": 24, "version": 0, "genre": "时间奇幻", "duration_seconds": 44, "shot_count": 8, "source_id": "authored--prompts--zhengzhentao86-workflow", "source_name": "zhengzhentao86-workflow", "category": "authored", "source_path": "prompts/zhengzhentao86-workflow.txt", "source_record": "prompts/zhengzhentao86-workflow.txt", "source_paths": [ "prompts/zhengzhentao86-workflow.txt" ], "source_excerpt": "Codex 按 zhengzhentao86/reverse-video-prompt 工作流执行；原片是奇幻叙事短剧，不把罗盘、船或蟹改写成带货产品。\n\n【镜头意图】\n1. 蟹与船的尺度变化：快速证明幼童的异常能力。\n2. 湿发泪眼与保护性拥抱：建立脆弱和同情。\n3. 巨浪与小船：用尺度反差证明她的预警有价值。\n4. 分家争执：建立社会压力，接下旧船和孩子构成同一主题。\n5. 撬板、布包、笔记和罗盘：用连续接触动作兑现“船里有声音”的悬念。\n6. 空挖、气泡、出蟹、满桶：每一步是上一步的可见结果。\n7. 白米饭愿望：把超能力回报落到孩子的小需求。\n8. 黑色泥浆喷涌：留下新问题再进入尾卡。\n\n【可直接使用的提示词】\n制作9:16竖屏海边奇幻家庭短剧，叙事总长约416秒，按以下段落分别生成和剪辑，不要求一次生成整片。写实旧木、粗布、潮湿泥沙与夸张幼童大眼睛相结合。\n角色锁：小满：幼童女孩，黑发双髻、红发带、额头红点、大眼睛；灰褐色破旧粗布衣、布挎带，开场部分有蓝色外衣，获救后头发湿润。；海生：青年男性，凌乱深色头发，旧蓝色外衣、灰色内衫、深色裤子。；二狗：短黑发青年男性，橄榄绿外衣、灰色内衫，表情夸张，后段提两桶蟹。；苏兰：深色头发松散束起，灰褐色无袖粗布上衣、多层项链、腕带与挎带。；王秀梅：长深发，棕色碎花衣、深色马甲。；刘桂香：深色头巾、深色上衣的年长女性。\n9:16竖屏，写实", "source_review": { "strength": "Codex整理或同一完整蓝图的编译格式；不是独立视觉模型。", "issues": "此类来源的完整叙事来自更多证据与宿主写作，不能和8帧原生描述作同条件能力排名。" }, "contribution": "整理/编译来源：沿用其人物、海岸、道具与情绪组织的制作意图。格式版本共享基础故事，不能把输出格式数当独立创作模型数。", "source_duplicate_of": null, "source_hash": "b8558a384d280c46023ad37897f6cd3e9eb8086cc49aefd3ad6e5cb4aaeda079", "body_hash": "2c913bea22d4d8d5152eedf320dcc07e0fbd187980ffcbd05b098e2bae36ca90", "author": "Codex, shared writer; not original model output", "fallback": false, "hook": "巨浪已停在半空，每一滴水都悬成锋利却透明的珠链；小满一只松开的鞋带漂在水滴之间，时间似乎只容她眨一次眼。", "rule": "故事中的暂停只持续一次缓慢呼吸，用慢动作与插入镜延展为剪辑时间；人物只能完成一次关键救助，不能无限行动。", "shots": [ { "number": 1, "start": 0, "end": 1, "duration": 1, "beat": "惊奇：先看见不可能", "action": "巨浪已停在半空，每一滴水都悬成锋利却透明的珠链；小满一只松开的鞋带漂在水滴之间，时间似乎只容她眨一次眼。", "camera": "24–35mm感中广景或前景近物后景巨物，保留明确大小参照；单一明确机位，不用无目标甩镜；异常动作在画面开始时已经发生。", "performance": "以本镜指定的人物/道具为中心，背景角色不抢动作。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "以潮声、湿泥轻响、旧木或黄铜触碰声中最贴合本镜道具的一声开场；配一个短低频脉冲，随即让出空间，不叠加尖叫。", "transition": "在异常动作最清楚的一刻硬切至下一镜指定动作或反应；不先放片名或黑屏。", "timing": "0.00–0.15秒直接展示钩子关键帧；0.15–0.70秒让异常动作继续；0.70–1.00秒用呼吸或微小停顿准备切入反应。" }, { "number": 2, "start": 1, "end": 4, "duration": 3, "beat": "好奇：理解人物的反应", "action": "海生发现罗盘针停止了，胸口却仍在缓慢起伏；小满伸手碰一滴水，水珠只是轻微震动，提醒暂停即将结束。", "camera": "50mm感的近景，机位降到孩子眼平，向前缓移约一个手掌距离。", "performance": "若小满在本镜入画，眼神先落在道具，再转向海生；若为纯道具镜，不额外挤入人脸。海生与孩子交流时保持相近眼平高度。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "保留孩子一次吸气和衣料轻摩擦，环境声变窄，音乐只留很轻的持续音。", "transition": "按人物视线切到问题或缺少之物，前一镜最后一声环境音延续约0.15秒。", "timing": "1–1.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 3, "start": 4, "end": 9, "duration": 5, "beat": "共情：显露一个小缺口", "action": "一只装粮食的木箱滑向水边，另一侧孩子脚下的木板松动；海生的目光在粮箱与孩子之间来回一次。", "camera": "35mm感中景或中近景，交代角色、目标道具和可行动空间；保持眼线一致。", "performance": "让负责本镜行动的成人先动，孩子随后作出可见反应；避免所有人同时表演。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "空碗、空袋、脚步或木板声选本镜实际存在的一项放近；未出场物件不配声，避免声源误导。", "transition": "用逐渐靠近的风声/物件声引入下一镜；剪切前先让观众认清道具位置。", "timing": "4–5.25秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 4, "start": 9, "end": 15, "duration": 6, "beat": "紧张：让选择有代价", "action": "暂停中的水珠开始有节奏地向下移动，二狗伸出的手来不及同时够到两边；镜头明确展示两个目标间的距离。", "camera": "28mm感稍低机位，前景放障碍或关键道具，后景保留退路；缓慢推进，不乱晃。", "performance": "海生或苏兰承担保护动作，孩子的恐惧用呼吸与手指表现；二狗的夸张反应不压过危险信息。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "风与低频逐步增强，声音来自画面可解释方向；临近决定时收低，不盖过呼吸。", "transition": "在角色看向选择对象时切到手部，危险声短暂收低，突出决定。", "timing": "9–10.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 5, "start": 15, "end": 22, "duration": 7, "beat": "信任：人物主动做决定", "action": "海生放弃粮箱，跨一步握住小满的手，把她拉到稳固石阶；苏兰接住孩子肩膀，动作只做这一次选择。", "camera": "65–85mm感手部/道具插入镜头，焦点从指尖过渡到被选择的物件；只做一次明确动作。", "performance": "选择必须由清楚的手部动作落实；其余角色停住，给观众看懂选择的空间。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "对白：海生轻声说“先把你拉住。”；只配一次明确道具接触声。", "transition": "按动作方向匹配下一镜的变化，避免用白闪遮盖因果。", "timing": "15–16.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 6, "start": 22, "end": 30, "duration": 8, "beat": "释放：回报具有清楚因果", "action": "时间恢复，大浪从石阶下退去；漂走的粮箱被一只巨蟹钳推回浅水，因先救人而得到意外回报。", "camera": "28–35mm感中广景，由关键道具向外缓慢拉开，完整看见变化及安全距离。", "performance": "先让道具/环境发生变化，再切或移到人物反应；变化只遵守本故事规则。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "潮声、湿泥轻响、旧木或黄铜触碰声随变化从密变疏，再进入温暖的两三个原创音符；不使用现成热门歌曲歌词。", "transition": "变化完成后停半拍再切脸部；环境音恢复，音乐只抬高一层。", "timing": "22–24.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 7, "start": 30, "end": 38, "duration": 8, "beat": "温暖：给表情留下时间", "action": "海生替小满系紧鞋带，孩子看着他空空的手掌，又把自己的手放进去；罗盘针重新平稳转动。", "camera": "50–65mm感面部近景，稳定机位，留出至少半秒无对白微表情。", "performance": "孩子的肩膀放松、视线愿意停留；成人以小动作回应，不用齐声大笑替代情绪。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "对白：小满说“有你在，我不怕了。”；其余人用目光回应，留半秒安静。", "transition": "由人物最后的目光或手指引向收尾道具，暖光保持一致。", "timing": "30–32.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 8, "start": 38, "end": 44, "duration": 6, "beat": "余味：接回钩子并打开新可能", "action": "鞋带末端留下一滴慢半拍落下的海水；它在碰地前停一瞬，回到开场悬滴的画面，留一点余韵。", "camera": "以本镜描述的收尾物件构图；最后的形状、光点或运动方向匹配开场关键元素。允许改变景别，但匹配关系必须清楚。", "performance": "人物保持结局得到的安全与关系；新的小悬念不撤销已经完成的情绪回报。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "取第一镜的同一种音色作为最后一个轻声提示，让尾音衔接循环；不突然加入无关轰鸣。", "transition": "最后0.3秒保留与开头相似的轮廓/音色，允许无缝循环；不加黑底强制点击卡。", "timing": "38–39.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" } ], "path": "creative/C069--authored--prompts--zhengzhentao86-workflow.txt", "text": "来源文件：prompts/zhengzhentao86-workflow.txt\n来源名称：zhengzhentao86-workflow\n实际来源记录：prompts/zhengzhentao86-workflow.txt\n原文可用点：Codex整理或同一完整蓝图的编译格式；不是独立视觉模型。\n原文问题/边界：此类来源的完整叙事来自更多证据与宿主写作，不能和8帧原生描述作同条件能力排名。\n转化方式：整理/编译来源：沿用其人物、海岸、道具与情绪组织的制作意图。格式版本共享基础故事，不能把输出格式数当独立创作模型数。\n本次选择的新故事：大海替他们按下暂停。所有幻想事件都是二创，不用原文中的误识别冒充事实。\n\n《大海替他们按下暂停》｜时间奇幻｜44秒完整剪辑稿\n\n制作目标：44秒，9:16竖屏，8个剪辑镜头，目标1080×1920、24fps。时间表是剪辑设计，不是任一平台API保证；按工具实际支持的片段长度生成，再裁切拼接。此处没有生成视频。\n视觉基调：架空旧式沿海村落，湿泥、粗布、旧木和黄铜具有可触摸的写实材质；幼童面部略带童话般大眼比例。灰蓝海水与褐色村屋为底，红发带是辨识点，幻想光源以局部金色/银色呈现。\n小满：幼童女孩，黑发双髻、左右各一条红发带、额头小红点；灰褐补丁粗布衣、布挎袋、旧布鞋。开场若用蓝披衣，则全片保持，除非镜头明确拍下脱衣。性格敏感、先看大人反应，再敢表达愿望。红点不是伤口，红发带不是红头发。\n海生：青年男性，凌乱黑发，旧蓝外衣、灰内衫、深裤；行动稳，保护孩子时先降到她的眼平高度，不以大喊替代关心。\n苏兰：成年女性，深发松束、灰褐无袖粗布上衣、简单项链与腕布；观察细节，负责托稳道具、递布或摆碗等具体照顾。\n二狗：青年男性，短黑发、橄榄绿外衣；提供轻微喜剧和观众反应，后半段愿意放慢动作参与帮助，不把他写成伤害孩子的反派。\n上述人物只在本镜明确指定时出现。群众只作远处模糊背景，不增加新主角。多人同框时优先保持海生在左、苏兰在后、二狗在右、小满在前中；若换位，用中广景交代，不瞬移。\n环境连续性：泥滩、浅水、旧船和村屋保持同一架空地点。海平线稳定。湿衣不会无故变干。室内暖色由船灯或灶火提供；室外变暖用云隙光或明确的幻想道具光解释，不让44秒凭空跨越数小时。\n人物表情与道具变化分开生成更易核对：每镜最多一个主要幻想动作，真实人物不随道具变形。以上服装、人物名和新动作均属本次二创设定，不声称模型从8帧恢复了全部身份。\n\n核心道具锁：静止浪滴、黄铜罗盘、松开的鞋带。先为本片制作一张统一道具参考图，记录缺口、锈斑、左右方向、尺寸；镜头之间沿用同一版本。\n\n本片新规则：故事中的暂停只持续一次缓慢呼吸，用慢动作与插入镜延展为剪辑时间；人物只能完成一次关键救助，不能无限行动。 此规则是新创作，不是原片事实。\n\n第一秒视觉钩子：巨浪已停在半空，每一滴水都悬成锋利却透明的珠链；小满一只松开的鞋带漂在水滴之间，时间似乎只容她眨一次眼。\n\n目标情绪路径：惊奇 → 好奇 → 共情 → 紧张 → 信任 → 释放 → 温暖 → 余味。它是创作设计，不是已测得的观众留存数据。\n\n分镜与生成指令（逐镜生成，再按时间码剪辑；全局角色锁及规则与每一镜一起输入）：\n\n镜头01｜00–01秒｜1秒｜惊奇：先看见不可能\n画面与动作：巨浪已停在半空，每一滴水都悬成锋利却透明的珠链；小满一只松开的鞋带漂在水滴之间，时间似乎只容她眨一次眼。\n动作节拍：0.00–0.15秒直接展示钩子关键帧；0.15–0.70秒让异常动作继续；0.70–1.00秒用呼吸或微小停顿准备切入反应。\n构图与镜头：24–35mm感中广景或前景近物后景巨物，保留明确大小参照；单一明确机位，不用无目标甩镜；异常动作在画面开始时已经发生。\n人物表演：以本镜指定的人物/道具为中心，背景角色不抢动作。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：以潮声、湿泥轻响、旧木或黄铜触碰声中最贴合本镜道具的一声开场；配一个短低频脉冲，随即让出空间，不叠加尖叫。\n衔接：在异常动作最清楚的一刻硬切至下一镜指定动作或反应；不先放片名或黑屏。\n\n镜头02｜01–04秒｜3秒｜好奇：理解人物的反应\n画面与动作：海生发现罗盘针停止了，胸口却仍在缓慢起伏；小满伸手碰一滴水，水珠只是轻微震动，提醒暂停即将结束。\n动作节拍：1–1.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：50mm感的近景，机位降到孩子眼平，向前缓移约一个手掌距离。\n人物表演：若小满在本镜入画，眼神先落在道具，再转向海生；若为纯道具镜，不额外挤入人脸。海生与孩子交流时保持相近眼平高度。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：保留孩子一次吸气和衣料轻摩擦，环境声变窄，音乐只留很轻的持续音。\n衔接：按人物视线切到问题或缺少之物，前一镜最后一声环境音延续约0.15秒。\n\n镜头03｜04–09秒｜5秒｜共情：显露一个小缺口\n画面与动作：一只装粮食的木箱滑向水边，另一侧孩子脚下的木板松动；海生的目光在粮箱与孩子之间来回一次。\n动作节拍：4–5.25秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：35mm感中景或中近景，交代角色、目标道具和可行动空间；保持眼线一致。\n人物表演：让负责本镜行动的成人先动，孩子随后作出可见反应；避免所有人同时表演。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：空碗、空袋、脚步或木板声选本镜实际存在的一项放近；未出场物件不配声，避免声源误导。\n衔接：用逐渐靠近的风声/物件声引入下一镜；剪切前先让观众认清道具位置。\n\n镜头04｜09–15秒｜6秒｜紧张：让选择有代价\n画面与动作：暂停中的水珠开始有节奏地向下移动，二狗伸出的手来不及同时够到两边；镜头明确展示两个目标间的距离。\n动作节拍：9–10.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：28mm感稍低机位，前景放障碍或关键道具，后景保留退路；缓慢推进，不乱晃。\n人物表演：海生或苏兰承担保护动作，孩子的恐惧用呼吸与手指表现；二狗的夸张反应不压过危险信息。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：风与低频逐步增强，声音来自画面可解释方向；临近决定时收低，不盖过呼吸。\n衔接：在角色看向选择对象时切到手部，危险声短暂收低，突出决定。\n\n镜头05｜15–22秒｜7秒｜信任：人物主动做决定\n画面与动作：海生放弃粮箱，跨一步握住小满的手，把她拉到稳固石阶；苏兰接住孩子肩膀，动作只做这一次选择。\n动作节拍：15–16.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：65–85mm感手部/道具插入镜头，焦点从指尖过渡到被选择的物件；只做一次明确动作。\n人物表演：选择必须由清楚的手部动作落实；其余角色停住，给观众看懂选择的空间。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：对白：海生轻声说“先把你拉住。”；只配一次明确道具接触声。\n衔接：按动作方向匹配下一镜的变化，避免用白闪遮盖因果。\n\n镜头06｜22–30秒｜8秒｜释放：回报具有清楚因果\n画面与动作：时间恢复，大浪从石阶下退去；漂走的粮箱被一只巨蟹钳推回浅水，因先救人而得到意外回报。\n动作节拍：22–24.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：28–35mm感中广景，由关键道具向外缓慢拉开，完整看见变化及安全距离。\n人物表演：先让道具/环境发生变化，再切或移到人物反应；变化只遵守本故事规则。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：潮声、湿泥轻响、旧木或黄铜触碰声随变化从密变疏，再进入温暖的两三个原创音符；不使用现成热门歌曲歌词。\n衔接：变化完成后停半拍再切脸部；环境音恢复，音乐只抬高一层。\n\n镜头07｜30–38秒｜8秒｜温暖：给表情留下时间\n画面与动作：海生替小满系紧鞋带，孩子看着他空空的手掌，又把自己的手放进去；罗盘针重新平稳转动。\n动作节拍：30–32.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：50–65mm感面部近景，稳定机位，留出至少半秒无对白微表情。\n人物表演：孩子的肩膀放松、视线愿意停留；成人以小动作回应，不用齐声大笑替代情绪。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：对白：小满说“有你在，我不怕了。”；其余人用目光回应，留半秒安静。\n衔接：由人物最后的目光或手指引向收尾道具，暖光保持一致。\n\n镜头08｜38–44秒｜6秒｜余味：接回钩子并打开新可能\n画面与动作：鞋带末端留下一滴慢半拍落下的海水；它在碰地前停一瞬，回到开场悬滴的画面，留一点余韵。\n动作节拍：38–39.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：以本镜描述的收尾物件构图；最后的形状、光点或运动方向匹配开场关键元素。允许改变景别，但匹配关系必须清楚。\n人物表演：人物保持结局得到的安全与关系；新的小悬念不撤销已经完成的情绪回报。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：取第一镜的同一种音色作为最后一个轻声提示，让尾音衔接循环；不突然加入无关轰鸣。\n衔接：最后0.3秒保留与开头相似的轮廓/音色，允许无缝循环；不加黑底强制点击卡。\n\n负向与连续性检查：不出现无依据的手机、枪械、医院、现代车辆、书上伪造大段文字、未经设计的影视角色或艺术家署名。保持双髻、红带、额头红点及四名主角身份；不多生手指、蟹腿，不让手与道具穿模，不把罗盘替换成怀表。道具在同一镜内不得随机换材质、数量、左右位置或开合状态。只允许故事规则指定的物件变化；儿童无血腥伤害。所有字幕、可读书名和界面文字后期添加，生成画面不带水印、伪字幕或推广尾卡。\n合成前逐镜核对：人物数与站坐姿；第一帧是否已有异常；动作起点/终点能否接上；道具尺寸是否受控；视线和海平线是否一致；每个回报能否追溯到前一镜的选择。未拍出因果时重做相关镜头，不能靠旁白掩盖。\n\n平台剪辑备选（不是平台时长限制，也不是热度保证）：\nTikTok测试版：保留0–1秒钩子，1–4秒加一行疑问字幕，22–30秒完整展示回报；可将4–9秒背景压成3秒，成片约42秒。\nInstagram Reels测试版：保持道具质感与暖光配色，前1秒无需读字即可理解异常；保留30–38秒表情停顿，以收尾道具作封面，主体仍44秒。\nYouTube Shorts测试版：保持44秒因果链，画外说明最多一句；最后0.3秒与开头形状/声响呼应，避免只留下未兑现的悬念。\n所有字幕建议单行、短句，放在人物面部与关键道具之外；先按实际播放器界面预览遮挡。\n\n可测试的两个开头：A使用第一镜的大/小、静/动反差；B保持同一异常事件，但从小满瞳孔或手中道具切入，再在0.6秒内露出尺度参照。只改变开头一项，其余剪辑保持一致；是否提高留存需要真实成片与实际观看数据，本任务未做此测试。" }, { "id": "C070", "title": "书页里游出一轮月亮", "concept_id": "S10", "concept_index": 9, "version": 0, "genre": "纸张奇幻", "duration_seconds": 44, "shot_count": 8, "source_id": "authored--workflow-results--lunar--negative_prompt", "source_name": "LunarXuan / negative_prompt", "category": "authored", "source_path": "workflow-results/lunar/negative_prompt.txt", "source_record": "workflow-results/lunar/negative_prompt.txt", "source_paths": [ "workflow-results/lunar/negative_prompt.txt" ], "source_excerpt": "身份一致性：身份漂移；肢体与面部：多余手指、蟹肢体畸变；服装与道具：粗布变现代礼服、罗盘变枪械；环境连续性：屋内突然叠加巨浪背景；动作与物理：无依据运镜、道具穿模；镜头与剪辑：打乱因果顺序；渲染质量：无意水印、闪烁\n", "source_review": { "strength": "Codex整理或同一完整蓝图的编译格式；不是独立视觉模型。", "issues": "此类来源的完整叙事来自更多证据与宿主写作，不能和8帧原生描述作同条件能力排名。" }, "contribution": "约束型来源：原文只有负向约束，没有独立剧情。本稿把约束应用到新故事，人物和因果来自已核对的参考规格及Codex新设计。", "source_duplicate_of": null, "source_hash": "6e73a9ba5fce8ffd31bcc61f79e1fa9e3a5789deb4a8a0cc85a9f902e954eaeb", "body_hash": "5c87c4015e1217313f25e8a1a34b2e84ed971edd4991fd51813928144977ac89", "author": "Codex, shared writer; not original model output", "fallback": false, "hook": "旧笔记封面裂缝里已经挤出一轮折纸月亮，纸边带着潮水，月亮从手掌大小缓缓升到女孩眼前。", "rule": "书中的路线会化成纸景，但必须有真实岸边灯光才能指向安全位置。", "shots": [ { "number": 1, "start": 0, "end": 1, "duration": 1, "beat": "惊奇：先看见不可能", "action": "旧笔记封面裂缝里已经挤出一轮折纸月亮，纸边带着潮水，月亮从手掌大小缓缓升到女孩眼前。", "camera": "85mm感微距，道具占画面约三分之二，人物眼睛或手作为尺度参照；单一明确机位，不用无目标甩镜；异常动作在画面开始时已经发生。", "performance": "以本镜指定的人物/道具为中心，背景角色不抢动作。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "以纸纤维、折痕与微小潮声中最贴合本镜道具的一声开场；配一个短低频脉冲，随即让出空间，不叠加尖叫。", "transition": "在异常动作最清楚的一刻硬切至下一镜指定动作或反应；不先放片名或黑屏。", "timing": "0.00–0.15秒直接展示钩子关键帧；0.15–0.70秒让异常动作继续；0.70–1.00秒用呼吸或微小停顿准备切入反应。" }, { "number": 2, "start": 1, "end": 4, "duration": 3, "beat": "好奇：理解人物的反应", "action": "小满抬眼，瞳孔映出纸月亮上的折痕；海生小心托着书脊，罗盘针跟着月亮转动，却迟迟不肯停。", "camera": "50mm感的近景，机位降到孩子眼平，向前缓移约一个手掌距离。", "performance": "若小满在本镜入画，眼神先落在道具，再转向海生；若为纯道具镜，不额外挤入人脸。海生与孩子交流时保持相近眼平高度。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "保留孩子一次吸气和衣料轻摩擦，环境声变窄，音乐只留很轻的持续音。", "transition": "按人物视线切到问题或缺少之物，前一镜最后一声环境音延续约0.15秒。", "timing": "1–1.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 3, "start": 4, "end": 9, "duration": 5, "beat": "共情：显露一个小缺口", "action": "书页上的小船被黑色墨潮围住，纸岸边没有一点光；海生翻到磨损的旧页，发现那座小屋与他们的家很像。", "camera": "35mm感中景或中近景，交代角色、目标道具和可行动空间；保持眼线一致。", "performance": "让负责本镜行动的成人先动，孩子随后作出可见反应；避免所有人同时表演。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "空碗、空袋、脚步或木板声选本镜实际存在的一项放近；未出场物件不配声，避免声源误导。", "transition": "用逐渐靠近的风声/物件声引入下一镜；剪切前先让观众认清道具位置。", "timing": "4–5.25秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 4, "start": 9, "end": 15, "duration": 6, "beat": "紧张：让选择有代价", "action": "一阵风掀起书页，月亮被折成尖角，小船即将被墨水吞掉；小满伸手又停下，怕扯坏薄纸。", "camera": "28mm感稍低机位，前景放障碍或关键道具，后景保留退路；缓慢推进，不乱晃。", "performance": "海生或苏兰承担保护动作，孩子的恐惧用呼吸与手指表现；二狗的夸张反应不压过危险信息。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "风与低频逐步增强，声音来自画面可解释方向；临近决定时收低，不盖过呼吸。", "transition": "在角色看向选择对象时切到手部，危险声短暂收低，突出决定。", "timing": "9–10.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 5, "start": 15, "end": 22, "duration": 7, "beat": "信任：人物主动做决定", "action": "苏兰点亮现实里的船灯，小满把灯放在书边；她用掌心挡风，海生保持书页平稳，让暖光落到纸岸上。", "camera": "65–85mm感手部/道具插入镜头，焦点从指尖过渡到被选择的物件；只做一次明确动作。", "performance": "选择必须由清楚的手部动作落实；其余角色停住，给观众看懂选择的空间。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "对白：小满轻声说“先点灯，再找路。”；只配一次明确道具接触声。", "transition": "按动作方向匹配下一镜的变化，避免用白闪遮盖因果。", "timing": "15–16.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 6, "start": 22, "end": 30, "duration": 8, "beat": "释放：回报具有清楚因果", "action": "墨潮缓缓退去，折纸小船沿着灯光滑进书页里的港湾；纸月亮展开成圆，罗盘终于指向现实的家。", "camera": "28–35mm感中广景，由关键道具向外缓慢拉开，完整看见变化及安全距离。", "performance": "先让道具/环境发生变化，再切或移到人物反应；变化只遵守本故事规则。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "纸纤维、折痕与微小潮声随变化从密变疏，再进入温暖的两三个原创音符；不使用现成热门歌曲歌词。", "transition": "变化完成后停半拍再切脸部；环境音恢复，音乐只抬高一层。", "timing": "22–24.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 7, "start": 30, "end": 38, "duration": 8, "beat": "温暖：给表情留下时间", "action": "小满在空白页画下四个小点作为家人，不要求模型生成可读文字；海生把那一页郑重夹好，轻轻合书。", "camera": "50–65mm感面部近景，稳定机位，留出至少半秒无对白微表情。", "performance": "孩子的肩膀放松、视线愿意停留；成人以小动作回应，不用齐声大笑替代情绪。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "对白：海生说“月亮也会认得家。”；其余人用目光回应，留半秒安静。", "transition": "由人物最后的目光或手指引向收尾道具，暖光保持一致。", "timing": "30–32.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 8, "start": 38, "end": 44, "duration": 6, "beat": "余味：接回钩子并打开新可能", "action": "合上的书缝留下一弯月光，小纸船的船头探出一点；圆形月光缩回开场尺寸，保留再次展开的期待。", "camera": "以本镜描述的收尾物件构图；最后的形状、光点或运动方向匹配开场关键元素。允许改变景别，但匹配关系必须清楚。", "performance": "人物保持结局得到的安全与关系；新的小悬念不撤销已经完成的情绪回报。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "取第一镜的同一种音色作为最后一个轻声提示，让尾音衔接循环；不突然加入无关轰鸣。", "transition": "最后0.3秒保留与开头相似的轮廓/音色，允许无缝循环；不加黑底强制点击卡。", "timing": "38–39.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" } ], "path": "creative/C070--authored--workflow-results--lunar--negative_prompt.txt", "text": "来源文件：workflow-results/lunar/negative_prompt.txt\n来源名称：LunarXuan / negative_prompt\n实际来源记录：workflow-results/lunar/negative_prompt.txt\n原文可用点：Codex整理或同一完整蓝图的编译格式；不是独立视觉模型。\n原文问题/边界：此类来源的完整叙事来自更多证据与宿主写作，不能和8帧原生描述作同条件能力排名。\n转化方式：约束型来源：原文只有负向约束，没有独立剧情。本稿把约束应用到新故事，人物和因果来自已核对的参考规格及Codex新设计。\n本次选择的新故事：书页里游出一轮月亮。所有幻想事件都是二创，不用原文中的误识别冒充事实。\n\n《书页里游出一轮月亮》｜纸张奇幻｜44秒完整剪辑稿\n\n制作目标：44秒，9:16竖屏，8个剪辑镜头，目标1080×1920、24fps。时间表是剪辑设计，不是任一平台API保证；按工具实际支持的片段长度生成，再裁切拼接。此处没有生成视频。\n视觉基调：架空旧式沿海村落，湿泥、粗布、旧木和黄铜具有可触摸的写实材质；幼童面部略带童话般大眼比例。灰蓝海水与褐色村屋为底，红发带是辨识点，幻想光源以局部金色/银色呈现。\n小满：幼童女孩，黑发双髻、左右各一条红发带、额头小红点；灰褐补丁粗布衣、布挎袋、旧布鞋。开场若用蓝披衣，则全片保持，除非镜头明确拍下脱衣。性格敏感、先看大人反应，再敢表达愿望。红点不是伤口，红发带不是红头发。\n海生：青年男性，凌乱黑发，旧蓝外衣、灰内衫、深裤；行动稳，保护孩子时先降到她的眼平高度，不以大喊替代关心。\n苏兰：成年女性，深发松束、灰褐无袖粗布上衣、简单项链与腕布；观察细节，负责托稳道具、递布或摆碗等具体照顾。\n二狗：青年男性，短黑发、橄榄绿外衣；提供轻微喜剧和观众反应，后半段愿意放慢动作参与帮助，不把他写成伤害孩子的反派。\n上述人物只在本镜明确指定时出现。群众只作远处模糊背景，不增加新主角。多人同框时优先保持海生在左、苏兰在后、二狗在右、小满在前中；若换位，用中广景交代，不瞬移。\n环境连续性：泥滩、浅水、旧船和村屋保持同一架空地点。海平线稳定。湿衣不会无故变干。室内暖色由船灯或灶火提供；室外变暖用云隙光或明确的幻想道具光解释，不让44秒凭空跨越数小时。\n人物表情与道具变化分开生成更易核对：每镜最多一个主要幻想动作，真实人物不随道具变形。以上服装、人物名和新动作均属本次二创设定，不声称模型从8帧恢复了全部身份。\n\n核心道具锁：旧航海笔记、黄铜罗盘、纸月亮。先为本片制作一张统一道具参考图，记录缺口、锈斑、左右方向、尺寸；镜头之间沿用同一版本。\n\n本片新规则：书中的路线会化成纸景，但必须有真实岸边灯光才能指向安全位置。 此规则是新创作，不是原片事实。\n\n第一秒视觉钩子：旧笔记封面裂缝里已经挤出一轮折纸月亮，纸边带着潮水，月亮从手掌大小缓缓升到女孩眼前。\n\n目标情绪路径：惊奇 → 好奇 → 共情 → 紧张 → 信任 → 释放 → 温暖 → 余味。它是创作设计，不是已测得的观众留存数据。\n\n分镜与生成指令（逐镜生成，再按时间码剪辑；全局角色锁及规则与每一镜一起输入）：\n\n镜头01｜00–01秒｜1秒｜惊奇：先看见不可能\n画面与动作：旧笔记封面裂缝里已经挤出一轮折纸月亮，纸边带着潮水，月亮从手掌大小缓缓升到女孩眼前。\n动作节拍：0.00–0.15秒直接展示钩子关键帧；0.15–0.70秒让异常动作继续；0.70–1.00秒用呼吸或微小停顿准备切入反应。\n构图与镜头：85mm感微距，道具占画面约三分之二，人物眼睛或手作为尺度参照；单一明确机位，不用无目标甩镜；异常动作在画面开始时已经发生。\n人物表演：以本镜指定的人物/道具为中心，背景角色不抢动作。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：以纸纤维、折痕与微小潮声中最贴合本镜道具的一声开场；配一个短低频脉冲，随即让出空间，不叠加尖叫。\n衔接：在异常动作最清楚的一刻硬切至下一镜指定动作或反应；不先放片名或黑屏。\n\n镜头02｜01–04秒｜3秒｜好奇：理解人物的反应\n画面与动作：小满抬眼，瞳孔映出纸月亮上的折痕；海生小心托着书脊，罗盘针跟着月亮转动，却迟迟不肯停。\n动作节拍：1–1.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：50mm感的近景，机位降到孩子眼平，向前缓移约一个手掌距离。\n人物表演：若小满在本镜入画，眼神先落在道具，再转向海生；若为纯道具镜，不额外挤入人脸。海生与孩子交流时保持相近眼平高度。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：保留孩子一次吸气和衣料轻摩擦，环境声变窄，音乐只留很轻的持续音。\n衔接：按人物视线切到问题或缺少之物，前一镜最后一声环境音延续约0.15秒。\n\n镜头03｜04–09秒｜5秒｜共情：显露一个小缺口\n画面与动作：书页上的小船被黑色墨潮围住，纸岸边没有一点光；海生翻到磨损的旧页，发现那座小屋与他们的家很像。\n动作节拍：4–5.25秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：35mm感中景或中近景，交代角色、目标道具和可行动空间；保持眼线一致。\n人物表演：让负责本镜行动的成人先动，孩子随后作出可见反应；避免所有人同时表演。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：空碗、空袋、脚步或木板声选本镜实际存在的一项放近；未出场物件不配声，避免声源误导。\n衔接：用逐渐靠近的风声/物件声引入下一镜；剪切前先让观众认清道具位置。\n\n镜头04｜09–15秒｜6秒｜紧张：让选择有代价\n画面与动作：一阵风掀起书页，月亮被折成尖角，小船即将被墨水吞掉；小满伸手又停下，怕扯坏薄纸。\n动作节拍：9–10.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：28mm感稍低机位，前景放障碍或关键道具，后景保留退路；缓慢推进，不乱晃。\n人物表演：海生或苏兰承担保护动作，孩子的恐惧用呼吸与手指表现；二狗的夸张反应不压过危险信息。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：风与低频逐步增强，声音来自画面可解释方向；临近决定时收低，不盖过呼吸。\n衔接：在角色看向选择对象时切到手部，危险声短暂收低，突出决定。\n\n镜头05｜15–22秒｜7秒｜信任：人物主动做决定\n画面与动作：苏兰点亮现实里的船灯，小满把灯放在书边；她用掌心挡风，海生保持书页平稳，让暖光落到纸岸上。\n动作节拍：15–16.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：65–85mm感手部/道具插入镜头，焦点从指尖过渡到被选择的物件；只做一次明确动作。\n人物表演：选择必须由清楚的手部动作落实；其余角色停住，给观众看懂选择的空间。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：对白：小满轻声说“先点灯，再找路。”；只配一次明确道具接触声。\n衔接：按动作方向匹配下一镜的变化，避免用白闪遮盖因果。\n\n镜头06｜22–30秒｜8秒｜释放：回报具有清楚因果\n画面与动作：墨潮缓缓退去，折纸小船沿着灯光滑进书页里的港湾；纸月亮展开成圆，罗盘终于指向现实的家。\n动作节拍：22–24.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：28–35mm感中广景，由关键道具向外缓慢拉开，完整看见变化及安全距离。\n人物表演：先让道具/环境发生变化，再切或移到人物反应；变化只遵守本故事规则。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：纸纤维、折痕与微小潮声随变化从密变疏，再进入温暖的两三个原创音符；不使用现成热门歌曲歌词。\n衔接：变化完成后停半拍再切脸部；环境音恢复，音乐只抬高一层。\n\n镜头07｜30–38秒｜8秒｜温暖：给表情留下时间\n画面与动作：小满在空白页画下四个小点作为家人，不要求模型生成可读文字；海生把那一页郑重夹好，轻轻合书。\n动作节拍：30–32.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：50–65mm感面部近景，稳定机位，留出至少半秒无对白微表情。\n人物表演：孩子的肩膀放松、视线愿意停留；成人以小动作回应，不用齐声大笑替代情绪。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：对白：海生说“月亮也会认得家。”；其余人用目光回应，留半秒安静。\n衔接：由人物最后的目光或手指引向收尾道具，暖光保持一致。\n\n镜头08｜38–44秒｜6秒｜余味：接回钩子并打开新可能\n画面与动作：合上的书缝留下一弯月光，小纸船的船头探出一点；圆形月光缩回开场尺寸，保留再次展开的期待。\n动作节拍：38–39.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：以本镜描述的收尾物件构图；最后的形状、光点或运动方向匹配开场关键元素。允许改变景别，但匹配关系必须清楚。\n人物表演：人物保持结局得到的安全与关系；新的小悬念不撤销已经完成的情绪回报。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：取第一镜的同一种音色作为最后一个轻声提示，让尾音衔接循环；不突然加入无关轰鸣。\n衔接：最后0.3秒保留与开头相似的轮廓/音色，允许无缝循环；不加黑底强制点击卡。\n\n负向与连续性检查：不出现无依据的手机、枪械、医院、现代车辆、书上伪造大段文字、未经设计的影视角色或艺术家署名。保持双髻、红带、额头红点及四名主角身份；不多生手指、蟹腿，不让手与道具穿模，不把罗盘替换成怀表。道具在同一镜内不得随机换材质、数量、左右位置或开合状态。只允许故事规则指定的物件变化；儿童无血腥伤害。所有字幕、可读书名和界面文字后期添加，生成画面不带水印、伪字幕或推广尾卡。\n合成前逐镜核对：人物数与站坐姿；第一帧是否已有异常；动作起点/终点能否接上；道具尺寸是否受控；视线和海平线是否一致；每个回报能否追溯到前一镜的选择。未拍出因果时重做相关镜头，不能靠旁白掩盖。\n\n平台剪辑备选（不是平台时长限制，也不是热度保证）：\nTikTok测试版：保留0–1秒钩子，1–4秒加一行疑问字幕，22–30秒完整展示回报；可将4–9秒背景压成3秒，成片约42秒。\nInstagram Reels测试版：保持道具质感与暖光配色，前1秒无需读字即可理解异常；保留30–38秒表情停顿，以收尾道具作封面，主体仍44秒。\nYouTube Shorts测试版：保持44秒因果链，画外说明最多一句；最后0.3秒与开头形状/声响呼应，避免只留下未兑现的悬念。\n所有字幕建议单行、短句，放在人物面部与关键道具之外；先按实际播放器界面预览遮挡。\n\n可测试的两个开头：A使用第一镜的大/小、静/动反差；B保持同一异常事件，但从小满瞳孔或手中道具切入，再在0.6秒内露出尺度参照。只改变开头一项，其余剪辑保持一致；是否提高留存需要真实成片与实际观看数据，本任务未做此测试。" }, { "id": "C071", "title": "书页里游出一轮月亮", "concept_id": "S10", "concept_index": 9, "version": 0, "genre": "纸张奇幻", "duration_seconds": 44, "shot_count": 8, "source_id": "authored--workflow-results--lunar--prompt_en", "source_name": "LunarXuan / prompt_en", "category": "authored", "source_path": "workflow-results/lunar/prompt_en.txt", "source_record": "workflow-results/lunar/prompt_en.txt", "source_paths": [ "workflow-results/lunar/prompt_en.txt" ], "source_excerpt": "English Positive Prompt\n\nCreate a roughly 416-second vertical 9:16 coastal fantasy family drama as separately generated and edited sequences. Preserve tactile weathered timber, coarse cloth, wet sand and an AI-stylized toddler with large eyes. The girl has dark twin buns, red ribbons and a red forehead dot, with worn gray-brown clothes and a cloth shoulder strap, initially a blue outer layer. Her rescuer has tousled dark hair, a worn blue jacket and gray undershirt. His short-haired companion wears olive green. The protective woman has loosely tied dark hair, a gray-brown sleeveless top, layer", "source_review": { "strength": "Codex整理或同一完整蓝图的编译格式；不是独立视觉模型。", "issues": "此类来源的完整叙事来自更多证据与宿主写作，不能和8帧原生描述作同条件能力排名。" }, "contribution": "整理/编译来源：沿用其人物、海岸、道具与情绪组织的制作意图。格式版本共享基础故事，不能把输出格式数当独立创作模型数。", "source_duplicate_of": null, "source_hash": "d554014ddeea6cd35903b7cff72e0863792ded63d86ddef935f4ce307c40adce", "body_hash": "5c87c4015e1217313f25e8a1a34b2e84ed971edd4991fd51813928144977ac89", "author": "Codex, shared writer; not original model output", "fallback": false, "hook": "旧笔记封面裂缝里已经挤出一轮折纸月亮，纸边带着潮水，月亮从手掌大小缓缓升到女孩眼前。", "rule": "书中的路线会化成纸景，但必须有真实岸边灯光才能指向安全位置。", "shots": [ { "number": 1, "start": 0, "end": 1, "duration": 1, "beat": "惊奇：先看见不可能", "action": "旧笔记封面裂缝里已经挤出一轮折纸月亮，纸边带着潮水，月亮从手掌大小缓缓升到女孩眼前。", "camera": "85mm感微距，道具占画面约三分之二，人物眼睛或手作为尺度参照；单一明确机位，不用无目标甩镜；异常动作在画面开始时已经发生。", "performance": "以本镜指定的人物/道具为中心，背景角色不抢动作。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "以纸纤维、折痕与微小潮声中最贴合本镜道具的一声开场；配一个短低频脉冲，随即让出空间，不叠加尖叫。", "transition": "在异常动作最清楚的一刻硬切至下一镜指定动作或反应；不先放片名或黑屏。", "timing": "0.00–0.15秒直接展示钩子关键帧；0.15–0.70秒让异常动作继续；0.70–1.00秒用呼吸或微小停顿准备切入反应。" }, { "number": 2, "start": 1, "end": 4, "duration": 3, "beat": "好奇：理解人物的反应", "action": "小满抬眼，瞳孔映出纸月亮上的折痕；海生小心托着书脊，罗盘针跟着月亮转动，却迟迟不肯停。", "camera": "50mm感的近景，机位降到孩子眼平，向前缓移约一个手掌距离。", "performance": "若小满在本镜入画，眼神先落在道具，再转向海生；若为纯道具镜，不额外挤入人脸。海生与孩子交流时保持相近眼平高度。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "保留孩子一次吸气和衣料轻摩擦，环境声变窄，音乐只留很轻的持续音。", "transition": "按人物视线切到问题或缺少之物，前一镜最后一声环境音延续约0.15秒。", "timing": "1–1.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 3, "start": 4, "end": 9, "duration": 5, "beat": "共情：显露一个小缺口", "action": "书页上的小船被黑色墨潮围住，纸岸边没有一点光；海生翻到磨损的旧页，发现那座小屋与他们的家很像。", "camera": "35mm感中景或中近景，交代角色、目标道具和可行动空间；保持眼线一致。", "performance": "让负责本镜行动的成人先动，孩子随后作出可见反应；避免所有人同时表演。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "空碗、空袋、脚步或木板声选本镜实际存在的一项放近；未出场物件不配声，避免声源误导。", "transition": "用逐渐靠近的风声/物件声引入下一镜；剪切前先让观众认清道具位置。", "timing": "4–5.25秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 4, "start": 9, "end": 15, "duration": 6, "beat": "紧张：让选择有代价", "action": "一阵风掀起书页，月亮被折成尖角，小船即将被墨水吞掉；小满伸手又停下，怕扯坏薄纸。", "camera": "28mm感稍低机位，前景放障碍或关键道具，后景保留退路；缓慢推进，不乱晃。", "performance": "海生或苏兰承担保护动作，孩子的恐惧用呼吸与手指表现；二狗的夸张反应不压过危险信息。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "风与低频逐步增强，声音来自画面可解释方向；临近决定时收低，不盖过呼吸。", "transition": "在角色看向选择对象时切到手部，危险声短暂收低，突出决定。", "timing": "9–10.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 5, "start": 15, "end": 22, "duration": 7, "beat": "信任：人物主动做决定", "action": "苏兰点亮现实里的船灯，小满把灯放在书边；她用掌心挡风，海生保持书页平稳，让暖光落到纸岸上。", "camera": "65–85mm感手部/道具插入镜头，焦点从指尖过渡到被选择的物件；只做一次明确动作。", "performance": "选择必须由清楚的手部动作落实；其余角色停住，给观众看懂选择的空间。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "对白：小满轻声说“先点灯，再找路。”；只配一次明确道具接触声。", "transition": "按动作方向匹配下一镜的变化，避免用白闪遮盖因果。", "timing": "15–16.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 6, "start": 22, "end": 30, "duration": 8, "beat": "释放：回报具有清楚因果", "action": "墨潮缓缓退去，折纸小船沿着灯光滑进书页里的港湾；纸月亮展开成圆，罗盘终于指向现实的家。", "camera": "28–35mm感中广景，由关键道具向外缓慢拉开，完整看见变化及安全距离。", "performance": "先让道具/环境发生变化，再切或移到人物反应；变化只遵守本故事规则。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "纸纤维、折痕与微小潮声随变化从密变疏，再进入温暖的两三个原创音符；不使用现成热门歌曲歌词。", "transition": "变化完成后停半拍再切脸部；环境音恢复，音乐只抬高一层。", "timing": "22–24.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 7, "start": 30, "end": 38, "duration": 8, "beat": "温暖：给表情留下时间", "action": "小满在空白页画下四个小点作为家人，不要求模型生成可读文字；海生把那一页郑重夹好，轻轻合书。", "camera": "50–65mm感面部近景，稳定机位，留出至少半秒无对白微表情。", "performance": "孩子的肩膀放松、视线愿意停留；成人以小动作回应，不用齐声大笑替代情绪。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "对白：海生说“月亮也会认得家。”；其余人用目光回应，留半秒安静。", "transition": "由人物最后的目光或手指引向收尾道具，暖光保持一致。", "timing": "30–32.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 8, "start": 38, "end": 44, "duration": 6, "beat": "余味：接回钩子并打开新可能", "action": "合上的书缝留下一弯月光，小纸船的船头探出一点；圆形月光缩回开场尺寸，保留再次展开的期待。", "camera": "以本镜描述的收尾物件构图；最后的形状、光点或运动方向匹配开场关键元素。允许改变景别，但匹配关系必须清楚。", "performance": "人物保持结局得到的安全与关系；新的小悬念不撤销已经完成的情绪回报。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "取第一镜的同一种音色作为最后一个轻声提示，让尾音衔接循环；不突然加入无关轰鸣。", "transition": "最后0.3秒保留与开头相似的轮廓/音色，允许无缝循环；不加黑底强制点击卡。", "timing": "38–39.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" } ], "path": "creative/C071--authored--workflow-results--lunar--prompt_en.txt", "text": "来源文件：workflow-results/lunar/prompt_en.txt\n来源名称：LunarXuan / prompt_en\n实际来源记录：workflow-results/lunar/prompt_en.txt\n原文可用点：Codex整理或同一完整蓝图的编译格式；不是独立视觉模型。\n原文问题/边界：此类来源的完整叙事来自更多证据与宿主写作，不能和8帧原生描述作同条件能力排名。\n转化方式：整理/编译来源：沿用其人物、海岸、道具与情绪组织的制作意图。格式版本共享基础故事，不能把输出格式数当独立创作模型数。\n本次选择的新故事：书页里游出一轮月亮。所有幻想事件都是二创，不用原文中的误识别冒充事实。\n\n《书页里游出一轮月亮》｜纸张奇幻｜44秒完整剪辑稿\n\n制作目标：44秒，9:16竖屏，8个剪辑镜头，目标1080×1920、24fps。时间表是剪辑设计，不是任一平台API保证；按工具实际支持的片段长度生成，再裁切拼接。此处没有生成视频。\n视觉基调：架空旧式沿海村落，湿泥、粗布、旧木和黄铜具有可触摸的写实材质；幼童面部略带童话般大眼比例。灰蓝海水与褐色村屋为底，红发带是辨识点，幻想光源以局部金色/银色呈现。\n小满：幼童女孩，黑发双髻、左右各一条红发带、额头小红点；灰褐补丁粗布衣、布挎袋、旧布鞋。开场若用蓝披衣，则全片保持，除非镜头明确拍下脱衣。性格敏感、先看大人反应，再敢表达愿望。红点不是伤口，红发带不是红头发。\n海生：青年男性，凌乱黑发，旧蓝外衣、灰内衫、深裤；行动稳，保护孩子时先降到她的眼平高度，不以大喊替代关心。\n苏兰：成年女性，深发松束、灰褐无袖粗布上衣、简单项链与腕布；观察细节，负责托稳道具、递布或摆碗等具体照顾。\n二狗：青年男性，短黑发、橄榄绿外衣；提供轻微喜剧和观众反应，后半段愿意放慢动作参与帮助，不把他写成伤害孩子的反派。\n上述人物只在本镜明确指定时出现。群众只作远处模糊背景，不增加新主角。多人同框时优先保持海生在左、苏兰在后、二狗在右、小满在前中；若换位，用中广景交代，不瞬移。\n环境连续性：泥滩、浅水、旧船和村屋保持同一架空地点。海平线稳定。湿衣不会无故变干。室内暖色由船灯或灶火提供；室外变暖用云隙光或明确的幻想道具光解释，不让44秒凭空跨越数小时。\n人物表情与道具变化分开生成更易核对：每镜最多一个主要幻想动作，真实人物不随道具变形。以上服装、人物名和新动作均属本次二创设定，不声称模型从8帧恢复了全部身份。\n\n核心道具锁：旧航海笔记、黄铜罗盘、纸月亮。先为本片制作一张统一道具参考图，记录缺口、锈斑、左右方向、尺寸；镜头之间沿用同一版本。\n\n本片新规则：书中的路线会化成纸景，但必须有真实岸边灯光才能指向安全位置。 此规则是新创作，不是原片事实。\n\n第一秒视觉钩子：旧笔记封面裂缝里已经挤出一轮折纸月亮，纸边带着潮水，月亮从手掌大小缓缓升到女孩眼前。\n\n目标情绪路径：惊奇 → 好奇 → 共情 → 紧张 → 信任 → 释放 → 温暖 → 余味。它是创作设计，不是已测得的观众留存数据。\n\n分镜与生成指令（逐镜生成，再按时间码剪辑；全局角色锁及规则与每一镜一起输入）：\n\n镜头01｜00–01秒｜1秒｜惊奇：先看见不可能\n画面与动作：旧笔记封面裂缝里已经挤出一轮折纸月亮，纸边带着潮水，月亮从手掌大小缓缓升到女孩眼前。\n动作节拍：0.00–0.15秒直接展示钩子关键帧；0.15–0.70秒让异常动作继续；0.70–1.00秒用呼吸或微小停顿准备切入反应。\n构图与镜头：85mm感微距，道具占画面约三分之二，人物眼睛或手作为尺度参照；单一明确机位，不用无目标甩镜；异常动作在画面开始时已经发生。\n人物表演：以本镜指定的人物/道具为中心，背景角色不抢动作。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：以纸纤维、折痕与微小潮声中最贴合本镜道具的一声开场；配一个短低频脉冲，随即让出空间，不叠加尖叫。\n衔接：在异常动作最清楚的一刻硬切至下一镜指定动作或反应；不先放片名或黑屏。\n\n镜头02｜01–04秒｜3秒｜好奇：理解人物的反应\n画面与动作：小满抬眼，瞳孔映出纸月亮上的折痕；海生小心托着书脊，罗盘针跟着月亮转动，却迟迟不肯停。\n动作节拍：1–1.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：50mm感的近景，机位降到孩子眼平，向前缓移约一个手掌距离。\n人物表演：若小满在本镜入画，眼神先落在道具，再转向海生；若为纯道具镜，不额外挤入人脸。海生与孩子交流时保持相近眼平高度。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：保留孩子一次吸气和衣料轻摩擦，环境声变窄，音乐只留很轻的持续音。\n衔接：按人物视线切到问题或缺少之物，前一镜最后一声环境音延续约0.15秒。\n\n镜头03｜04–09秒｜5秒｜共情：显露一个小缺口\n画面与动作：书页上的小船被黑色墨潮围住，纸岸边没有一点光；海生翻到磨损的旧页，发现那座小屋与他们的家很像。\n动作节拍：4–5.25秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：35mm感中景或中近景，交代角色、目标道具和可行动空间；保持眼线一致。\n人物表演：让负责本镜行动的成人先动，孩子随后作出可见反应；避免所有人同时表演。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：空碗、空袋、脚步或木板声选本镜实际存在的一项放近；未出场物件不配声，避免声源误导。\n衔接：用逐渐靠近的风声/物件声引入下一镜；剪切前先让观众认清道具位置。\n\n镜头04｜09–15秒｜6秒｜紧张：让选择有代价\n画面与动作：一阵风掀起书页，月亮被折成尖角，小船即将被墨水吞掉；小满伸手又停下，怕扯坏薄纸。\n动作节拍：9–10.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：28mm感稍低机位，前景放障碍或关键道具，后景保留退路；缓慢推进，不乱晃。\n人物表演：海生或苏兰承担保护动作，孩子的恐惧用呼吸与手指表现；二狗的夸张反应不压过危险信息。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：风与低频逐步增强，声音来自画面可解释方向；临近决定时收低，不盖过呼吸。\n衔接：在角色看向选择对象时切到手部，危险声短暂收低，突出决定。\n\n镜头05｜15–22秒｜7秒｜信任：人物主动做决定\n画面与动作：苏兰点亮现实里的船灯，小满把灯放在书边；她用掌心挡风，海生保持书页平稳，让暖光落到纸岸上。\n动作节拍：15–16.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：65–85mm感手部/道具插入镜头，焦点从指尖过渡到被选择的物件；只做一次明确动作。\n人物表演：选择必须由清楚的手部动作落实；其余角色停住，给观众看懂选择的空间。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：对白：小满轻声说“先点灯，再找路。”；只配一次明确道具接触声。\n衔接：按动作方向匹配下一镜的变化，避免用白闪遮盖因果。\n\n镜头06｜22–30秒｜8秒｜释放：回报具有清楚因果\n画面与动作：墨潮缓缓退去，折纸小船沿着灯光滑进书页里的港湾；纸月亮展开成圆，罗盘终于指向现实的家。\n动作节拍：22–24.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：28–35mm感中广景，由关键道具向外缓慢拉开，完整看见变化及安全距离。\n人物表演：先让道具/环境发生变化，再切或移到人物反应；变化只遵守本故事规则。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：纸纤维、折痕与微小潮声随变化从密变疏，再进入温暖的两三个原创音符；不使用现成热门歌曲歌词。\n衔接：变化完成后停半拍再切脸部；环境音恢复，音乐只抬高一层。\n\n镜头07｜30–38秒｜8秒｜温暖：给表情留下时间\n画面与动作：小满在空白页画下四个小点作为家人，不要求模型生成可读文字；海生把那一页郑重夹好，轻轻合书。\n动作节拍：30–32.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：50–65mm感面部近景，稳定机位，留出至少半秒无对白微表情。\n人物表演：孩子的肩膀放松、视线愿意停留；成人以小动作回应，不用齐声大笑替代情绪。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：对白：海生说“月亮也会认得家。”；其余人用目光回应，留半秒安静。\n衔接：由人物最后的目光或手指引向收尾道具，暖光保持一致。\n\n镜头08｜38–44秒｜6秒｜余味：接回钩子并打开新可能\n画面与动作：合上的书缝留下一弯月光，小纸船的船头探出一点；圆形月光缩回开场尺寸，保留再次展开的期待。\n动作节拍：38–39.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：以本镜描述的收尾物件构图；最后的形状、光点或运动方向匹配开场关键元素。允许改变景别，但匹配关系必须清楚。\n人物表演：人物保持结局得到的安全与关系；新的小悬念不撤销已经完成的情绪回报。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：取第一镜的同一种音色作为最后一个轻声提示，让尾音衔接循环；不突然加入无关轰鸣。\n衔接：最后0.3秒保留与开头相似的轮廓/音色，允许无缝循环；不加黑底强制点击卡。\n\n负向与连续性检查：不出现无依据的手机、枪械、医院、现代车辆、书上伪造大段文字、未经设计的影视角色或艺术家署名。保持双髻、红带、额头红点及四名主角身份；不多生手指、蟹腿，不让手与道具穿模，不把罗盘替换成怀表。道具在同一镜内不得随机换材质、数量、左右位置或开合状态。只允许故事规则指定的物件变化；儿童无血腥伤害。所有字幕、可读书名和界面文字后期添加，生成画面不带水印、伪字幕或推广尾卡。\n合成前逐镜核对：人物数与站坐姿；第一帧是否已有异常；动作起点/终点能否接上；道具尺寸是否受控；视线和海平线是否一致；每个回报能否追溯到前一镜的选择。未拍出因果时重做相关镜头，不能靠旁白掩盖。\n\n平台剪辑备选（不是平台时长限制，也不是热度保证）：\nTikTok测试版：保留0–1秒钩子，1–4秒加一行疑问字幕，22–30秒完整展示回报；可将4–9秒背景压成3秒，成片约42秒。\nInstagram Reels测试版：保持道具质感与暖光配色，前1秒无需读字即可理解异常；保留30–38秒表情停顿，以收尾道具作封面，主体仍44秒。\nYouTube Shorts测试版：保持44秒因果链，画外说明最多一句；最后0.3秒与开头形状/声响呼应，避免只留下未兑现的悬念。\n所有字幕建议单行、短句，放在人物面部与关键道具之外；先按实际播放器界面预览遮挡。\n\n可测试的两个开头：A使用第一镜的大/小、静/动反差；B保持同一异常事件，但从小满瞳孔或手中道具切入，再在0.6秒内露出尺度参照。只改变开头一项，其余剪辑保持一致；是否提高留存需要真实成片与实际观看数据，本任务未做此测试。" }, { "id": "C072", "title": "书页里游出一轮月亮", "concept_id": "S10", "concept_index": 9, "version": 0, "genre": "纸张奇幻", "duration_seconds": 44, "shot_count": 8, "source_id": "authored--workflow-results--lunar--prompt_native", "source_name": "LunarXuan / prompt_native", "category": "authored", "source_path": "workflow-results/lunar/prompt_native.txt", "source_record": "workflow-results/lunar/prompt_native.txt", "source_paths": [ "workflow-results/lunar/prompt_native.txt" ], "source_excerpt": "通用视频生成提示词：Create a roughly 416-second vertical 9:16 coastal fantasy family drama as separately generated and edited sequences. Preserve tactile weathered timber, coarse cloth, wet sand and an AI-stylized toddler with large eyes. The girl has dark twin buns, red ribbons and a red forehead dot, with worn gray-brown clothes and a cloth shoulder strap, initially a blue outer layer. Her rescuer has tousled dark hair, a worn blue jacket and gray undershirt. His short-haired companion wears olive green. The protective woman has loosely tied dark hair, a gray-brown sleeveless top, layered necklaces an", "source_review": { "strength": "Codex整理或同一完整蓝图的编译格式；不是独立视觉模型。", "issues": "此类来源的完整叙事来自更多证据与宿主写作，不能和8帧原生描述作同条件能力排名。" }, "contribution": "整理/编译来源：沿用其人物、海岸、道具与情绪组织的制作意图。格式版本共享基础故事，不能把输出格式数当独立创作模型数。", "source_duplicate_of": null, "source_hash": "61b542eb120cf85a711816cc00727bdaf151a21d8ac2a39fd8908fe06204c1f0", "body_hash": "5c87c4015e1217313f25e8a1a34b2e84ed971edd4991fd51813928144977ac89", "author": "Codex, shared writer; not original model output", "fallback": false, "hook": "旧笔记封面裂缝里已经挤出一轮折纸月亮，纸边带着潮水，月亮从手掌大小缓缓升到女孩眼前。", "rule": "书中的路线会化成纸景，但必须有真实岸边灯光才能指向安全位置。", "shots": [ { "number": 1, "start": 0, "end": 1, "duration": 1, "beat": "惊奇：先看见不可能", "action": "旧笔记封面裂缝里已经挤出一轮折纸月亮，纸边带着潮水，月亮从手掌大小缓缓升到女孩眼前。", "camera": "85mm感微距，道具占画面约三分之二，人物眼睛或手作为尺度参照；单一明确机位，不用无目标甩镜；异常动作在画面开始时已经发生。", "performance": "以本镜指定的人物/道具为中心，背景角色不抢动作。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "以纸纤维、折痕与微小潮声中最贴合本镜道具的一声开场；配一个短低频脉冲，随即让出空间，不叠加尖叫。", "transition": "在异常动作最清楚的一刻硬切至下一镜指定动作或反应；不先放片名或黑屏。", "timing": "0.00–0.15秒直接展示钩子关键帧；0.15–0.70秒让异常动作继续；0.70–1.00秒用呼吸或微小停顿准备切入反应。" }, { "number": 2, "start": 1, "end": 4, "duration": 3, "beat": "好奇：理解人物的反应", "action": "小满抬眼，瞳孔映出纸月亮上的折痕；海生小心托着书脊，罗盘针跟着月亮转动，却迟迟不肯停。", "camera": "50mm感的近景，机位降到孩子眼平，向前缓移约一个手掌距离。", "performance": "若小满在本镜入画，眼神先落在道具，再转向海生；若为纯道具镜，不额外挤入人脸。海生与孩子交流时保持相近眼平高度。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "保留孩子一次吸气和衣料轻摩擦，环境声变窄，音乐只留很轻的持续音。", "transition": "按人物视线切到问题或缺少之物，前一镜最后一声环境音延续约0.15秒。", "timing": "1–1.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 3, "start": 4, "end": 9, "duration": 5, "beat": "共情：显露一个小缺口", "action": "书页上的小船被黑色墨潮围住，纸岸边没有一点光；海生翻到磨损的旧页，发现那座小屋与他们的家很像。", "camera": "35mm感中景或中近景，交代角色、目标道具和可行动空间；保持眼线一致。", "performance": "让负责本镜行动的成人先动，孩子随后作出可见反应；避免所有人同时表演。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "空碗、空袋、脚步或木板声选本镜实际存在的一项放近；未出场物件不配声，避免声源误导。", "transition": "用逐渐靠近的风声/物件声引入下一镜；剪切前先让观众认清道具位置。", "timing": "4–5.25秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 4, "start": 9, "end": 15, "duration": 6, "beat": "紧张：让选择有代价", "action": "一阵风掀起书页，月亮被折成尖角，小船即将被墨水吞掉；小满伸手又停下，怕扯坏薄纸。", "camera": "28mm感稍低机位，前景放障碍或关键道具，后景保留退路；缓慢推进，不乱晃。", "performance": "海生或苏兰承担保护动作，孩子的恐惧用呼吸与手指表现；二狗的夸张反应不压过危险信息。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "风与低频逐步增强，声音来自画面可解释方向；临近决定时收低，不盖过呼吸。", "transition": "在角色看向选择对象时切到手部，危险声短暂收低，突出决定。", "timing": "9–10.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 5, "start": 15, "end": 22, "duration": 7, "beat": "信任：人物主动做决定", "action": "苏兰点亮现实里的船灯，小满把灯放在书边；她用掌心挡风，海生保持书页平稳，让暖光落到纸岸上。", "camera": "65–85mm感手部/道具插入镜头，焦点从指尖过渡到被选择的物件；只做一次明确动作。", "performance": "选择必须由清楚的手部动作落实；其余角色停住，给观众看懂选择的空间。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "对白：小满轻声说“先点灯，再找路。”；只配一次明确道具接触声。", "transition": "按动作方向匹配下一镜的变化，避免用白闪遮盖因果。", "timing": "15–16.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 6, "start": 22, "end": 30, "duration": 8, "beat": "释放：回报具有清楚因果", "action": "墨潮缓缓退去，折纸小船沿着灯光滑进书页里的港湾；纸月亮展开成圆，罗盘终于指向现实的家。", "camera": "28–35mm感中广景，由关键道具向外缓慢拉开，完整看见变化及安全距离。", "performance": "先让道具/环境发生变化，再切或移到人物反应；变化只遵守本故事规则。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "纸纤维、折痕与微小潮声随变化从密变疏，再进入温暖的两三个原创音符；不使用现成热门歌曲歌词。", "transition": "变化完成后停半拍再切脸部；环境音恢复，音乐只抬高一层。", "timing": "22–24.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 7, "start": 30, "end": 38, "duration": 8, "beat": "温暖：给表情留下时间", "action": "小满在空白页画下四个小点作为家人，不要求模型生成可读文字；海生把那一页郑重夹好，轻轻合书。", "camera": "50–65mm感面部近景，稳定机位，留出至少半秒无对白微表情。", "performance": "孩子的肩膀放松、视线愿意停留；成人以小动作回应，不用齐声大笑替代情绪。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "对白：海生说“月亮也会认得家。”；其余人用目光回应，留半秒安静。", "transition": "由人物最后的目光或手指引向收尾道具，暖光保持一致。", "timing": "30–32.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 8, "start": 38, "end": 44, "duration": 6, "beat": "余味：接回钩子并打开新可能", "action": "合上的书缝留下一弯月光，小纸船的船头探出一点；圆形月光缩回开场尺寸，保留再次展开的期待。", "camera": "以本镜描述的收尾物件构图；最后的形状、光点或运动方向匹配开场关键元素。允许改变景别，但匹配关系必须清楚。", "performance": "人物保持结局得到的安全与关系；新的小悬念不撤销已经完成的情绪回报。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "取第一镜的同一种音色作为最后一个轻声提示，让尾音衔接循环；不突然加入无关轰鸣。", "transition": "最后0.3秒保留与开头相似的轮廓/音色，允许无缝循环；不加黑底强制点击卡。", "timing": "38–39.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" } ], "path": "creative/C072--authored--workflow-results--lunar--prompt_native.txt", "text": "来源文件：workflow-results/lunar/prompt_native.txt\n来源名称：LunarXuan / prompt_native\n实际来源记录：workflow-results/lunar/prompt_native.txt\n原文可用点：Codex整理或同一完整蓝图的编译格式；不是独立视觉模型。\n原文问题/边界：此类来源的完整叙事来自更多证据与宿主写作，不能和8帧原生描述作同条件能力排名。\n转化方式：整理/编译来源：沿用其人物、海岸、道具与情绪组织的制作意图。格式版本共享基础故事，不能把输出格式数当独立创作模型数。\n本次选择的新故事：书页里游出一轮月亮。所有幻想事件都是二创，不用原文中的误识别冒充事实。\n\n《书页里游出一轮月亮》｜纸张奇幻｜44秒完整剪辑稿\n\n制作目标：44秒，9:16竖屏，8个剪辑镜头，目标1080×1920、24fps。时间表是剪辑设计，不是任一平台API保证；按工具实际支持的片段长度生成，再裁切拼接。此处没有生成视频。\n视觉基调：架空旧式沿海村落，湿泥、粗布、旧木和黄铜具有可触摸的写实材质；幼童面部略带童话般大眼比例。灰蓝海水与褐色村屋为底，红发带是辨识点，幻想光源以局部金色/银色呈现。\n小满：幼童女孩，黑发双髻、左右各一条红发带、额头小红点；灰褐补丁粗布衣、布挎袋、旧布鞋。开场若用蓝披衣，则全片保持，除非镜头明确拍下脱衣。性格敏感、先看大人反应，再敢表达愿望。红点不是伤口，红发带不是红头发。\n海生：青年男性，凌乱黑发，旧蓝外衣、灰内衫、深裤；行动稳，保护孩子时先降到她的眼平高度，不以大喊替代关心。\n苏兰：成年女性，深发松束、灰褐无袖粗布上衣、简单项链与腕布；观察细节，负责托稳道具、递布或摆碗等具体照顾。\n二狗：青年男性，短黑发、橄榄绿外衣；提供轻微喜剧和观众反应，后半段愿意放慢动作参与帮助，不把他写成伤害孩子的反派。\n上述人物只在本镜明确指定时出现。群众只作远处模糊背景，不增加新主角。多人同框时优先保持海生在左、苏兰在后、二狗在右、小满在前中；若换位，用中广景交代，不瞬移。\n环境连续性：泥滩、浅水、旧船和村屋保持同一架空地点。海平线稳定。湿衣不会无故变干。室内暖色由船灯或灶火提供；室外变暖用云隙光或明确的幻想道具光解释，不让44秒凭空跨越数小时。\n人物表情与道具变化分开生成更易核对：每镜最多一个主要幻想动作，真实人物不随道具变形。以上服装、人物名和新动作均属本次二创设定，不声称模型从8帧恢复了全部身份。\n\n核心道具锁：旧航海笔记、黄铜罗盘、纸月亮。先为本片制作一张统一道具参考图，记录缺口、锈斑、左右方向、尺寸；镜头之间沿用同一版本。\n\n本片新规则：书中的路线会化成纸景，但必须有真实岸边灯光才能指向安全位置。 此规则是新创作，不是原片事实。\n\n第一秒视觉钩子：旧笔记封面裂缝里已经挤出一轮折纸月亮，纸边带着潮水，月亮从手掌大小缓缓升到女孩眼前。\n\n目标情绪路径：惊奇 → 好奇 → 共情 → 紧张 → 信任 → 释放 → 温暖 → 余味。它是创作设计，不是已测得的观众留存数据。\n\n分镜与生成指令（逐镜生成，再按时间码剪辑；全局角色锁及规则与每一镜一起输入）：\n\n镜头01｜00–01秒｜1秒｜惊奇：先看见不可能\n画面与动作：旧笔记封面裂缝里已经挤出一轮折纸月亮，纸边带着潮水，月亮从手掌大小缓缓升到女孩眼前。\n动作节拍：0.00–0.15秒直接展示钩子关键帧；0.15–0.70秒让异常动作继续；0.70–1.00秒用呼吸或微小停顿准备切入反应。\n构图与镜头：85mm感微距，道具占画面约三分之二，人物眼睛或手作为尺度参照；单一明确机位，不用无目标甩镜；异常动作在画面开始时已经发生。\n人物表演：以本镜指定的人物/道具为中心，背景角色不抢动作。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：以纸纤维、折痕与微小潮声中最贴合本镜道具的一声开场；配一个短低频脉冲，随即让出空间，不叠加尖叫。\n衔接：在异常动作最清楚的一刻硬切至下一镜指定动作或反应；不先放片名或黑屏。\n\n镜头02｜01–04秒｜3秒｜好奇：理解人物的反应\n画面与动作：小满抬眼，瞳孔映出纸月亮上的折痕；海生小心托着书脊，罗盘针跟着月亮转动，却迟迟不肯停。\n动作节拍：1–1.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：50mm感的近景，机位降到孩子眼平，向前缓移约一个手掌距离。\n人物表演：若小满在本镜入画，眼神先落在道具，再转向海生；若为纯道具镜，不额外挤入人脸。海生与孩子交流时保持相近眼平高度。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：保留孩子一次吸气和衣料轻摩擦，环境声变窄，音乐只留很轻的持续音。\n衔接：按人物视线切到问题或缺少之物，前一镜最后一声环境音延续约0.15秒。\n\n镜头03｜04–09秒｜5秒｜共情：显露一个小缺口\n画面与动作：书页上的小船被黑色墨潮围住，纸岸边没有一点光；海生翻到磨损的旧页，发现那座小屋与他们的家很像。\n动作节拍：4–5.25秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：35mm感中景或中近景，交代角色、目标道具和可行动空间；保持眼线一致。\n人物表演：让负责本镜行动的成人先动，孩子随后作出可见反应；避免所有人同时表演。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：空碗、空袋、脚步或木板声选本镜实际存在的一项放近；未出场物件不配声，避免声源误导。\n衔接：用逐渐靠近的风声/物件声引入下一镜；剪切前先让观众认清道具位置。\n\n镜头04｜09–15秒｜6秒｜紧张：让选择有代价\n画面与动作：一阵风掀起书页，月亮被折成尖角，小船即将被墨水吞掉；小满伸手又停下，怕扯坏薄纸。\n动作节拍：9–10.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：28mm感稍低机位，前景放障碍或关键道具，后景保留退路；缓慢推进，不乱晃。\n人物表演：海生或苏兰承担保护动作，孩子的恐惧用呼吸与手指表现；二狗的夸张反应不压过危险信息。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：风与低频逐步增强，声音来自画面可解释方向；临近决定时收低，不盖过呼吸。\n衔接：在角色看向选择对象时切到手部，危险声短暂收低，突出决定。\n\n镜头05｜15–22秒｜7秒｜信任：人物主动做决定\n画面与动作：苏兰点亮现实里的船灯，小满把灯放在书边；她用掌心挡风，海生保持书页平稳，让暖光落到纸岸上。\n动作节拍：15–16.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：65–85mm感手部/道具插入镜头，焦点从指尖过渡到被选择的物件；只做一次明确动作。\n人物表演：选择必须由清楚的手部动作落实；其余角色停住，给观众看懂选择的空间。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：对白：小满轻声说“先点灯，再找路。”；只配一次明确道具接触声。\n衔接：按动作方向匹配下一镜的变化，避免用白闪遮盖因果。\n\n镜头06｜22–30秒｜8秒｜释放：回报具有清楚因果\n画面与动作：墨潮缓缓退去，折纸小船沿着灯光滑进书页里的港湾；纸月亮展开成圆，罗盘终于指向现实的家。\n动作节拍：22–24.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：28–35mm感中广景，由关键道具向外缓慢拉开，完整看见变化及安全距离。\n人物表演：先让道具/环境发生变化，再切或移到人物反应；变化只遵守本故事规则。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：纸纤维、折痕与微小潮声随变化从密变疏，再进入温暖的两三个原创音符；不使用现成热门歌曲歌词。\n衔接：变化完成后停半拍再切脸部；环境音恢复，音乐只抬高一层。\n\n镜头07｜30–38秒｜8秒｜温暖：给表情留下时间\n画面与动作：小满在空白页画下四个小点作为家人，不要求模型生成可读文字；海生把那一页郑重夹好，轻轻合书。\n动作节拍：30–32.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：50–65mm感面部近景，稳定机位，留出至少半秒无对白微表情。\n人物表演：孩子的肩膀放松、视线愿意停留；成人以小动作回应，不用齐声大笑替代情绪。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：对白：海生说“月亮也会认得家。”；其余人用目光回应，留半秒安静。\n衔接：由人物最后的目光或手指引向收尾道具，暖光保持一致。\n\n镜头08｜38–44秒｜6秒｜余味：接回钩子并打开新可能\n画面与动作：合上的书缝留下一弯月光，小纸船的船头探出一点；圆形月光缩回开场尺寸，保留再次展开的期待。\n动作节拍：38–39.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：以本镜描述的收尾物件构图；最后的形状、光点或运动方向匹配开场关键元素。允许改变景别，但匹配关系必须清楚。\n人物表演：人物保持结局得到的安全与关系；新的小悬念不撤销已经完成的情绪回报。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：取第一镜的同一种音色作为最后一个轻声提示，让尾音衔接循环；不突然加入无关轰鸣。\n衔接：最后0.3秒保留与开头相似的轮廓/音色，允许无缝循环；不加黑底强制点击卡。\n\n负向与连续性检查：不出现无依据的手机、枪械、医院、现代车辆、书上伪造大段文字、未经设计的影视角色或艺术家署名。保持双髻、红带、额头红点及四名主角身份；不多生手指、蟹腿，不让手与道具穿模，不把罗盘替换成怀表。道具在同一镜内不得随机换材质、数量、左右位置或开合状态。只允许故事规则指定的物件变化；儿童无血腥伤害。所有字幕、可读书名和界面文字后期添加，生成画面不带水印、伪字幕或推广尾卡。\n合成前逐镜核对：人物数与站坐姿；第一帧是否已有异常；动作起点/终点能否接上；道具尺寸是否受控；视线和海平线是否一致；每个回报能否追溯到前一镜的选择。未拍出因果时重做相关镜头，不能靠旁白掩盖。\n\n平台剪辑备选（不是平台时长限制，也不是热度保证）：\nTikTok测试版：保留0–1秒钩子，1–4秒加一行疑问字幕，22–30秒完整展示回报；可将4–9秒背景压成3秒，成片约42秒。\nInstagram Reels测试版：保持道具质感与暖光配色，前1秒无需读字即可理解异常；保留30–38秒表情停顿，以收尾道具作封面，主体仍44秒。\nYouTube Shorts测试版：保持44秒因果链，画外说明最多一句；最后0.3秒与开头形状/声响呼应，避免只留下未兑现的悬念。\n所有字幕建议单行、短句，放在人物面部与关键道具之外；先按实际播放器界面预览遮挡。\n\n可测试的两个开头：A使用第一镜的大/小、静/动反差；B保持同一异常事件，但从小满瞳孔或手中道具切入，再在0.6秒内露出尺度参照。只改变开头一项，其余剪辑保持一致；是否提高留存需要真实成片与实际观看数据，本任务未做此测试。" }, { "id": "C073", "title": "书页里游出一轮月亮", "concept_id": "S10", "concept_index": 9, "version": 0, "genre": "纸张奇幻", "duration_seconds": 44, "shot_count": 8, "source_id": "authored--workflow-results--lunar--prompt_zh", "source_name": "LunarXuan / prompt_zh", "category": "authored", "source_path": "workflow-results/lunar/prompt_zh.txt", "source_record": "workflow-results/lunar/prompt_zh.txt", "source_paths": [ "workflow-results/lunar/prompt_zh.txt" ], "source_excerpt": "中文正面提示词\n\n生成一段约416.33秒、9:16画幅的视频。只复用参考视频的镜头逻辑、空间关系、视觉方法与节奏，不复刻具体人物、品牌、台词或故事。\n主体原型：被海边家庭接纳、能听见海水动静的虚构幼童；身份锚点：小满：幼童女孩，黑发双髻、红发带、额头红点、大眼睛；灰褐色破旧粗布衣、布挎带，开场部分有蓝色外衣，获救后头发湿润。、海生：青年男性，凌乱深色头发，旧蓝色外衣、灰色内衫、深色裤子。、二狗：短黑发青年男性，橄榄绿外衣、灰色内衫，表情夸张，后段提两桶蟹。、苏兰：深色头发松散束起，灰褐色无袖粗布上衣、多层项链、腕带与挎带。、王秀梅：长深发，棕色碎花衣、深色马甲。、刘桂香：深色头巾、深色上衣的年长女性。；服装材质锚点：旧蓝外衣、灰褐粗布与红发带、橄榄绿外衣；环境：沿海渔村、旧木船、屋内分家桌、西泥滩；前中后景：特写人物或道具；中景家人与旧船；后景海岸和村落；时间与天气：开场灰蓝天光，后段低角度暖色光；准确钟点未知；光线：自然光观感，按参考帧，阴天柔光与后段暖光，不可从成片精确测定，人脸与背景分离；色彩与材质：灰蓝海水、棕木、灰褐粗布、金色低光、绿海藻；视觉风格：9:16竖屏，写实材质与夸张幼童面部比例结合的AI短剧。灰蓝海水、旧木船、粗布衣物、泥滩、沿海村落；后半段以金色低角度阳光和青绿海藻增强丰收感。大量正反打、面部特写、道具插入镜头和硬切。。\n[S01｜0.00-6.00秒] ", "source_review": { "strength": "Codex整理或同一完整蓝图的编译格式；不是独立视觉模型。", "issues": "此类来源的完整叙事来自更多证据与宿主写作，不能和8帧原生描述作同条件能力排名。" }, "contribution": "整理/编译来源：沿用其人物、海岸、道具与情绪组织的制作意图。格式版本共享基础故事，不能把输出格式数当独立创作模型数。", "source_duplicate_of": null, "source_hash": "376465437950b7aec5bcd9accf05d3ecd8fa552eceffcc78066081c5ed1be341", "body_hash": "5c87c4015e1217313f25e8a1a34b2e84ed971edd4991fd51813928144977ac89", "author": "Codex, shared writer; not original model output", "fallback": false, "hook": "旧笔记封面裂缝里已经挤出一轮折纸月亮，纸边带着潮水，月亮从手掌大小缓缓升到女孩眼前。", "rule": "书中的路线会化成纸景，但必须有真实岸边灯光才能指向安全位置。", "shots": [ { "number": 1, "start": 0, "end": 1, "duration": 1, "beat": "惊奇：先看见不可能", "action": "旧笔记封面裂缝里已经挤出一轮折纸月亮，纸边带着潮水，月亮从手掌大小缓缓升到女孩眼前。", "camera": "85mm感微距，道具占画面约三分之二，人物眼睛或手作为尺度参照；单一明确机位，不用无目标甩镜；异常动作在画面开始时已经发生。", "performance": "以本镜指定的人物/道具为中心，背景角色不抢动作。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "以纸纤维、折痕与微小潮声中最贴合本镜道具的一声开场；配一个短低频脉冲，随即让出空间，不叠加尖叫。", "transition": "在异常动作最清楚的一刻硬切至下一镜指定动作或反应；不先放片名或黑屏。", "timing": "0.00–0.15秒直接展示钩子关键帧；0.15–0.70秒让异常动作继续；0.70–1.00秒用呼吸或微小停顿准备切入反应。" }, { "number": 2, "start": 1, "end": 4, "duration": 3, "beat": "好奇：理解人物的反应", "action": "小满抬眼，瞳孔映出纸月亮上的折痕；海生小心托着书脊，罗盘针跟着月亮转动，却迟迟不肯停。", "camera": "50mm感的近景，机位降到孩子眼平，向前缓移约一个手掌距离。", "performance": "若小满在本镜入画，眼神先落在道具，再转向海生；若为纯道具镜，不额外挤入人脸。海生与孩子交流时保持相近眼平高度。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "保留孩子一次吸气和衣料轻摩擦，环境声变窄，音乐只留很轻的持续音。", "transition": "按人物视线切到问题或缺少之物，前一镜最后一声环境音延续约0.15秒。", "timing": "1–1.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 3, "start": 4, "end": 9, "duration": 5, "beat": "共情：显露一个小缺口", "action": "书页上的小船被黑色墨潮围住，纸岸边没有一点光；海生翻到磨损的旧页，发现那座小屋与他们的家很像。", "camera": "35mm感中景或中近景，交代角色、目标道具和可行动空间；保持眼线一致。", "performance": "让负责本镜行动的成人先动，孩子随后作出可见反应；避免所有人同时表演。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "空碗、空袋、脚步或木板声选本镜实际存在的一项放近；未出场物件不配声，避免声源误导。", "transition": "用逐渐靠近的风声/物件声引入下一镜；剪切前先让观众认清道具位置。", "timing": "4–5.25秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 4, "start": 9, "end": 15, "duration": 6, "beat": "紧张：让选择有代价", "action": "一阵风掀起书页，月亮被折成尖角，小船即将被墨水吞掉；小满伸手又停下，怕扯坏薄纸。", "camera": "28mm感稍低机位，前景放障碍或关键道具，后景保留退路；缓慢推进，不乱晃。", "performance": "海生或苏兰承担保护动作，孩子的恐惧用呼吸与手指表现；二狗的夸张反应不压过危险信息。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "风与低频逐步增强，声音来自画面可解释方向；临近决定时收低，不盖过呼吸。", "transition": "在角色看向选择对象时切到手部，危险声短暂收低，突出决定。", "timing": "9–10.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 5, "start": 15, "end": 22, "duration": 7, "beat": "信任：人物主动做决定", "action": "苏兰点亮现实里的船灯，小满把灯放在书边；她用掌心挡风，海生保持书页平稳，让暖光落到纸岸上。", "camera": "65–85mm感手部/道具插入镜头，焦点从指尖过渡到被选择的物件；只做一次明确动作。", "performance": "选择必须由清楚的手部动作落实；其余角色停住，给观众看懂选择的空间。 ", "light": "保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。", "audio": "对白：小满轻声说“先点灯，再找路。”；只配一次明确道具接触声。", "transition": "按动作方向匹配下一镜的变化，避免用白闪遮盖因果。", "timing": "15–16.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 6, "start": 22, "end": 30, "duration": 8, "beat": "释放：回报具有清楚因果", "action": "墨潮缓缓退去，折纸小船沿着灯光滑进书页里的港湾；纸月亮展开成圆，罗盘终于指向现实的家。", "camera": "28–35mm感中广景，由关键道具向外缓慢拉开，完整看见变化及安全距离。", "performance": "先让道具/环境发生变化，再切或移到人物反应；变化只遵守本故事规则。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "纸纤维、折痕与微小潮声随变化从密变疏，再进入温暖的两三个原创音符；不使用现成热门歌曲歌词。", "transition": "变化完成后停半拍再切脸部；环境音恢复，音乐只抬高一层。", "timing": "22–24.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 7, "start": 30, "end": 38, "duration": 8, "beat": "温暖：给表情留下时间", "action": "小满在空白页画下四个小点作为家人，不要求模型生成可读文字；海生把那一页郑重夹好，轻轻合书。", "camera": "50–65mm感面部近景，稳定机位，留出至少半秒无对白微表情。", "performance": "孩子的肩膀放松、视线愿意停留；成人以小动作回应，不用齐声大笑替代情绪。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "对白：海生说“月亮也会认得家。”；其余人用目光回应，留半秒安静。", "transition": "由人物最后的目光或手指引向收尾道具，暖光保持一致。", "timing": "30–32.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" }, { "number": 8, "start": 38, "end": 44, "duration": 6, "beat": "余味：接回钩子并打开新可能", "action": "合上的书缝留下一弯月光，小纸船的船头探出一点；圆形月光缩回开场尺寸，保留再次展开的期待。", "camera": "以本镜描述的收尾物件构图；最后的形状、光点或运动方向匹配开场关键元素。允许改变景别，但匹配关系必须清楚。", "performance": "人物保持结局得到的安全与关系；新的小悬念不撤销已经完成的情绪回报。 ", "light": "光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。", "audio": "取第一镜的同一种音色作为最后一个轻声提示，让尾音衔接循环；不突然加入无关轰鸣。", "transition": "最后0.3秒保留与开头相似的轮廓/音色，允许无缝循环；不加黑底强制点击卡。", "timing": "38–39.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。" } ], "path": "creative/C073--authored--workflow-results--lunar--prompt_zh.txt", "text": "来源文件：workflow-results/lunar/prompt_zh.txt\n来源名称：LunarXuan / prompt_zh\n实际来源记录：workflow-results/lunar/prompt_zh.txt\n原文可用点：Codex整理或同一完整蓝图的编译格式；不是独立视觉模型。\n原文问题/边界：此类来源的完整叙事来自更多证据与宿主写作，不能和8帧原生描述作同条件能力排名。\n转化方式：整理/编译来源：沿用其人物、海岸、道具与情绪组织的制作意图。格式版本共享基础故事，不能把输出格式数当独立创作模型数。\n本次选择的新故事：书页里游出一轮月亮。所有幻想事件都是二创，不用原文中的误识别冒充事实。\n\n《书页里游出一轮月亮》｜纸张奇幻｜44秒完整剪辑稿\n\n制作目标：44秒，9:16竖屏，8个剪辑镜头，目标1080×1920、24fps。时间表是剪辑设计，不是任一平台API保证；按工具实际支持的片段长度生成，再裁切拼接。此处没有生成视频。\n视觉基调：架空旧式沿海村落，湿泥、粗布、旧木和黄铜具有可触摸的写实材质；幼童面部略带童话般大眼比例。灰蓝海水与褐色村屋为底，红发带是辨识点，幻想光源以局部金色/银色呈现。\n小满：幼童女孩，黑发双髻、左右各一条红发带、额头小红点；灰褐补丁粗布衣、布挎袋、旧布鞋。开场若用蓝披衣，则全片保持，除非镜头明确拍下脱衣。性格敏感、先看大人反应，再敢表达愿望。红点不是伤口，红发带不是红头发。\n海生：青年男性，凌乱黑发，旧蓝外衣、灰内衫、深裤；行动稳，保护孩子时先降到她的眼平高度，不以大喊替代关心。\n苏兰：成年女性，深发松束、灰褐无袖粗布上衣、简单项链与腕布；观察细节，负责托稳道具、递布或摆碗等具体照顾。\n二狗：青年男性，短黑发、橄榄绿外衣；提供轻微喜剧和观众反应，后半段愿意放慢动作参与帮助，不把他写成伤害孩子的反派。\n上述人物只在本镜明确指定时出现。群众只作远处模糊背景，不增加新主角。多人同框时优先保持海生在左、苏兰在后、二狗在右、小满在前中；若换位，用中广景交代，不瞬移。\n环境连续性：泥滩、浅水、旧船和村屋保持同一架空地点。海平线稳定。湿衣不会无故变干。室内暖色由船灯或灶火提供；室外变暖用云隙光或明确的幻想道具光解释，不让44秒凭空跨越数小时。\n人物表情与道具变化分开生成更易核对：每镜最多一个主要幻想动作，真实人物不随道具变形。以上服装、人物名和新动作均属本次二创设定，不声称模型从8帧恢复了全部身份。\n\n核心道具锁：旧航海笔记、黄铜罗盘、纸月亮。先为本片制作一张统一道具参考图，记录缺口、锈斑、左右方向、尺寸；镜头之间沿用同一版本。\n\n本片新规则：书中的路线会化成纸景，但必须有真实岸边灯光才能指向安全位置。 此规则是新创作，不是原片事实。\n\n第一秒视觉钩子：旧笔记封面裂缝里已经挤出一轮折纸月亮，纸边带着潮水，月亮从手掌大小缓缓升到女孩眼前。\n\n目标情绪路径：惊奇 → 好奇 → 共情 → 紧张 → 信任 → 释放 → 温暖 → 余味。它是创作设计，不是已测得的观众留存数据。\n\n分镜与生成指令（逐镜生成，再按时间码剪辑；全局角色锁及规则与每一镜一起输入）：\n\n镜头01｜00–01秒｜1秒｜惊奇：先看见不可能\n画面与动作：旧笔记封面裂缝里已经挤出一轮折纸月亮，纸边带着潮水，月亮从手掌大小缓缓升到女孩眼前。\n动作节拍：0.00–0.15秒直接展示钩子关键帧；0.15–0.70秒让异常动作继续；0.70–1.00秒用呼吸或微小停顿准备切入反应。\n构图与镜头：85mm感微距，道具占画面约三分之二，人物眼睛或手作为尺度参照；单一明确机位，不用无目标甩镜；异常动作在画面开始时已经发生。\n人物表演：以本镜指定的人物/道具为中心，背景角色不抢动作。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：以纸纤维、折痕与微小潮声中最贴合本镜道具的一声开场；配一个短低频脉冲，随即让出空间，不叠加尖叫。\n衔接：在异常动作最清楚的一刻硬切至下一镜指定动作或反应；不先放片名或黑屏。\n\n镜头02｜01–04秒｜3秒｜好奇：理解人物的反应\n画面与动作：小满抬眼，瞳孔映出纸月亮上的折痕；海生小心托着书脊，罗盘针跟着月亮转动，却迟迟不肯停。\n动作节拍：1–1.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：50mm感的近景，机位降到孩子眼平，向前缓移约一个手掌距离。\n人物表演：若小满在本镜入画，眼神先落在道具，再转向海生；若为纯道具镜，不额外挤入人脸。海生与孩子交流时保持相近眼平高度。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：保留孩子一次吸气和衣料轻摩擦，环境声变窄，音乐只留很轻的持续音。\n衔接：按人物视线切到问题或缺少之物，前一镜最后一声环境音延续约0.15秒。\n\n镜头03｜04–09秒｜5秒｜共情：显露一个小缺口\n画面与动作：书页上的小船被黑色墨潮围住，纸岸边没有一点光；海生翻到磨损的旧页，发现那座小屋与他们的家很像。\n动作节拍：4–5.25秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：35mm感中景或中近景，交代角色、目标道具和可行动空间；保持眼线一致。\n人物表演：让负责本镜行动的成人先动，孩子随后作出可见反应；避免所有人同时表演。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：空碗、空袋、脚步或木板声选本镜实际存在的一项放近；未出场物件不配声，避免声源误导。\n衔接：用逐渐靠近的风声/物件声引入下一镜；剪切前先让观众认清道具位置。\n\n镜头04｜09–15秒｜6秒｜紧张：让选择有代价\n画面与动作：一阵风掀起书页，月亮被折成尖角，小船即将被墨水吞掉；小满伸手又停下，怕扯坏薄纸。\n动作节拍：9–10.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：28mm感稍低机位，前景放障碍或关键道具，后景保留退路；缓慢推进，不乱晃。\n人物表演：海生或苏兰承担保护动作，孩子的恐惧用呼吸与手指表现；二狗的夸张反应不压过危险信息。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：风与低频逐步增强，声音来自画面可解释方向；临近决定时收低，不盖过呼吸。\n衔接：在角色看向选择对象时切到手部，危险声短暂收低，突出决定。\n\n镜头05｜15–22秒｜7秒｜信任：人物主动做决定\n画面与动作：苏兰点亮现实里的船灯，小满把灯放在书边；她用掌心挡风，海生保持书页平稳，让暖光落到纸岸上。\n动作节拍：15–16.75秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：65–85mm感手部/道具插入镜头，焦点从指尖过渡到被选择的物件；只做一次明确动作。\n人物表演：选择必须由清楚的手部动作落实；其余角色停住，给观众看懂选择的空间。 \n环境与光线：保持原有灰蓝/褐色环境底色，以道具局部光勾出眼睛与手；不要突然给所有背景换颜色。\n声音与对白：对白：小满轻声说“先点灯，再找路。”；只配一次明确道具接触声。\n衔接：按动作方向匹配下一镜的变化，避免用白闪遮盖因果。\n\n镜头06｜22–30秒｜8秒｜释放：回报具有清楚因果\n画面与动作：墨潮缓缓退去，折纸小船沿着灯光滑进书页里的港湾；纸月亮展开成圆，罗盘终于指向现实的家。\n动作节拍：22–24.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：28–35mm感中广景，由关键道具向外缓慢拉开，完整看见变化及安全距离。\n人物表演：先让道具/环境发生变化，再切或移到人物反应；变化只遵守本故事规则。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：纸纤维、折痕与微小潮声随变化从密变疏，再进入温暖的两三个原创音符；不使用现成热门歌曲歌词。\n衔接：变化完成后停半拍再切脸部；环境音恢复，音乐只抬高一层。\n\n镜头07｜30–38秒｜8秒｜温暖：给表情留下时间\n画面与动作：小满在空白页画下四个小点作为家人，不要求模型生成可读文字；海生把那一页郑重夹好，轻轻合书。\n动作节拍：30–32.00秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：50–65mm感面部近景，稳定机位，留出至少半秒无对白微表情。\n人物表演：孩子的肩膀放松、视线愿意停留；成人以小动作回应，不用齐声大笑替代情绪。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：对白：海生说“月亮也会认得家。”；其余人用目光回应，留半秒安静。\n衔接：由人物最后的目光或手指引向收尾道具，暖光保持一致。\n\n镜头08｜38–44秒｜6秒｜余味：接回钩子并打开新可能\n画面与动作：合上的书缝留下一弯月光，小纸船的船头探出一点；圆形月光缩回开场尺寸，保留再次展开的期待。\n动作节拍：38–39.50秒确认视线/物件位置；中段完成本镜唯一主要动作；最后约0.4秒保留动作终态，供下一镜衔接。\n构图与镜头：以本镜描述的收尾物件构图；最后的形状、光点或运动方向匹配开场关键元素。允许改变景别，但匹配关系必须清楚。\n人物表演：人物保持结局得到的安全与关系；新的小悬念不撤销已经完成的情绪回报。 \n环境与光线：光线随已经完成的变化趋于柔和；暖光主要落在人脸和被珍惜的物件上，背景仍保留纹理。\n声音与对白：取第一镜的同一种音色作为最后一个轻声提示，让尾音衔接循环；不突然加入无关轰鸣。\n衔接：最后0.3秒保留与开头相似的轮廓/音色，允许无缝循环；不加黑底强制点击卡。\n\n负向与连续性检查：不出现无依据的手机、枪械、医院、现代车辆、书上伪造大段文字、未经设计的影视角色或艺术家署名。保持双髻、红带、额头红点及四名主角身份；不多生手指、蟹腿，不让手与道具穿模，不把罗盘替换成怀表。道具在同一镜内不得随机换材质、数量、左右位置或开合状态。只允许故事规则指定的物件变化；儿童无血腥伤害。所有字幕、可读书名和界面文字后期添加，生成画面不带水印、伪字幕或推广尾卡。\n合成前逐镜核对：人物数与站坐姿；第一帧是否已有异常；动作起点/终点能否接上；道具尺寸是否受控；视线和海平线是否一致；每个回报能否追溯到前一镜的选择。未拍出因果时重做相关镜头，不能靠旁白掩盖。\n\n平台剪辑备选（不是平台时长限制，也不是热度保证）：\nTikTok测试版：保留0–1秒钩子，1–4秒加一行疑问字幕，22–30秒完整展示回报；可将4–9秒背景压成3秒，成片约42秒。\nInstagram Reels测试版：保持道具质感与暖光配色，前1秒无需读字即可理解异常；保留30–38秒表情停顿，以收尾道具作封面，主体仍44秒。\nYouTube Shorts测试版：保持44秒因果链，画外说明最多一句；最后0.3秒与开头形状/声响呼应，避免只留下未兑现的悬念。\n所有字幕建议单行、短句，放在人物面部与关键道具之外；先按实际播放器界面预览遮挡。\n\n可测试的两个开头：A使用第一镜的大/小、静/动反差；B保持同一异常事件，但从小满瞳孔或手中道具切入，再在0.6秒内露出尺度参照。只改变开头一项，其余剪辑保持一致；是否提高留存需要真实成片与实际观看数据，本任务未做此测试。" } ], "raw_prompts": [ { "id": "results-hd--blip", "project": "Salesforce/blip-image-captioning-base", "category": "results-hd", "status": "success", "path": "raw-prompts/results-hd--blip.txt", "source": "results-hd/blip.json", "text": "[0 秒]\na little girl is sitting on the beach\n\n[15 秒]\na little girl crying with tears on her face\n\n[50 秒]\na small boat is in the middle of a large wave\n\n[95 秒]\n\n\n[175 秒]\n\n\n[235 秒]\na little girl with a red bow on her head\n\n[340 秒]\na little girl is playing in the water\n\n[385 秒]\na group of people standing on top of a beach", "sha256": "35859bcb7debe00391da8a53fc95895e0b9433508c19601d3b6340ef8acb882e" }, { "id": "results-hd--bunny", "project": "BAAI/Bunny-v1_0-3B", "category": "results-hd", "status": "success", "path": "raw-prompts/results-hd--bunny.txt", "source": "results-hd/bunny.json", "text": "[0 秒]\nA young girl is sitting on the beach, looking down at a group of crabs. She is wearing a blue shirt and brown pants, with a red ribbon in her hair. The girl's face is turned towards the crabs, and she has a curious expression. The crabs are small and brown, with one of them having a red spot on its back. The beach is sandy and there are rocks scattered around. In the background, there is a building with a brown roof. The sky is overcast and gray. The lighting is soft, casting shadows on the sand. The girl's hands are on\n\n[15 秒]\nThe image features a young child, likely a baby, crying with a red spot on their forehead. The child's face is wet with tears, and their eyes are open, revealing a sense of sadness. The child's hair is wet, and they are wearing a green shirt. The shirt has a button on it, and there is a green netting around the child's neck. The child's hands are visible, with one hand holding onto the netting. The child's face is expressive, with a frown and a red spot on their forehead. The background is blurry, and there is a\n\n[50 秒]\nThe image captures a dramatic scene of a small boat navigating through rough waters. The boat, with its red and white colors, is in the middle of the ocean, surrounded by large waves that are crashing around it. The boat's mast is visible, and there is a red flag on it. The boat's shadow is cast on the water, and the water is choppy with white caps.\nIn the background, there is a large wave that is about to crash, and the water is dark blue. The sky is clear and blue, and there are white clouds scattered across it. The boat\n\n[95 秒]\nThe image depicts a lively scene set in an outdoor courtyard. A group of four people, including a man and a woman, are gathered around a wooden table. The man is wearing a brown jacket and black pants, while the woman is dressed in a brown shirt and a blue jacket. The woman's long brown hair is neatly tied in a ponytail.\nThe table is made of wood and is situated on a wooden bench. The bench is positioned in front of a building with a brown roof. The building has a window with a brown frame. The courtyard is surrounded by a wooden fence, and\n\n[175 秒]\nThe image captures a scene of an individual sitting on a brown leather surface, possibly a table or a bench. The person is wearing a black shirt and black pants, with their hand resting on the leather. The leather surface is wrinkled and has a worn-out appearance.\nOn the leather surface, there is an old, brown book with a gold-colored cover. The book has a gold clasp and a gold-colored hinge. The cover of the book is slightly open, revealing the pages inside. The book has a gold-colored title and a gold-colored date stamp. The title\n\n[235 秒]\nThe image features a young girl with dark hair, wearing a brown shirt and a brown jacket. She has a red bow in her hair and a red ribbon on her head. Her eyes are brown and she has a small red dot on her forehead. She is smiling and her mouth is open. The girl is sitting on a wooden bench, which is brown in color. The bench is placed on a dirt ground. In the background, there is a blue jean pocket and a blue jean pocket on the back of a man's shirt. The man is wearing a blue shirt and has a blue\n\n[340 秒]\nThe image captures a heartwarming scene of a young girl playing in the water. She is wearing a brown outfit, which includes a shirt and pants. Her outfit is slightly dirty, suggesting that she has been playing in the water for a while. The girl has her hair tied up in a ponytail, and she is wearing a red ribbon in her hair. She is also wearing a pair of shoes, which are visible in the image.\nThe girl is kneeling in the water, and she is pointing at something with her finger. She seems to be curious or excited about something she has found.\n\n[385 秒]\nThe image captures a family scene at the beach. A man and a woman are standing in the water, with a small child playing nearby. The man is wearing a blue shirt and black pants, while the woman is dressed in a green shirt and brown pants. The child is wearing a red shirt and has red hair. The man is holding a wooden stick, and the woman is holding a small child. The child is wearing a brown shirt and has red hair. The woman is also wearing a bracelet on her wrist. The setting is a beach with sand and water. The sky is blue with white", "sha256": "e590233943e0cc550c24d60c6984f2d206d06b6a8a193c15024f039738c4c5fb" }, { "id": "results-hd--clip-interrogator", "project": "pharmapsychotic/clip-interrogator", "category": "results-hd", "status": "success", "path": "raw-prompts/results-hd--clip-interrogator.txt", "source": "results-hd/clip-interrogator.json", "text": "[0 秒]\na little girl sitting on the beach with crabs, crabs, crab, crab monster, queen of the sea mu yanling, kid, mei-ling zhou, mulan, lulu chen, nezha : birth of the demon child, arya stark, tang dynasty, kakar cheung, sam yang, cute little girl, anthropomorphic crab, huge crab\n\n[15 秒]\na child crying in the rain, emotional face shot, cry, people crying, crying eyes closed!, not a single tear, 千 葉 雄 大, noticeable tear on the cheek, emotional face, tear on face, sad look, wet eye in forehead, crying makeup, woman crying, cgsociety 9, sad eyes tears, very emotional\n\n[50 秒]\na boat is in the water near a wave, giant waves, tsunami, tsunami behind him, epic cinematic matte painting, big wave, huge waves, very huge waves, epic vfx shot, photoreal epic composition, realistic vfx simulation, massive waves, ocean simulation, hyper realistic vfx simulation, highly detailed surreal vfx, big wave surfing, large waves, great wave, incredible vfx\n\n[95 秒]\nthe movie is about a family and a family, movie screenshot, scene from live action movie, fighting scene, movie still, female lead character, confucius and jury trial, cinema still, highlight scene of the movie, promotional still, the three body problem, still from a live action movie, still from the movie, still from a movie, film promotional still\n\n[175 秒]\na person is holding a book and a compass, old book chained to the wrist, still from a music video, uncharted, lost grimoire, magic book, holding grimoire, still from the movie the arrival, overlaid with chinese text, from the tusk movie, golden chinese text, holding spell book, uncharted 4: a thief's end, uncharted 4\n\n[235 秒]\na little girl is holding her mother ' s hand, dilraba dilmurat, palace ， a girl in hanfu, young cute wan asian face, ancient asian dynasty princess, young asian girl, chinese girl, nezha : birth of the demon child, young girl, cute little girl, chinese princess, young adorable korean face, cute young girl\n\n[340 秒]\na little girl is playing in the water, nezha : birth of the demon child, female explorer mini cute girl, young girl, young girl in steampunk clothes, ancient libu young girl, young child, jia zhangke, cute little girl, still from the movie the arrival, guangjian, little girl, movie screenshot, ruan jia movie poster\n\n[385 秒]\na group of people are playing in the water, scene from live action movie, still from the movie the arrival, wearing a straw hat and overalls, movie screenshot, still from a live action movie, nezha : birth of the demon child, still shot from movie, screenshot from a movie, li bingbing, shot from movie, still frame from a movie", "sha256": "619ad292b9b01be1d38e53698a2a771021b991826806730235dfbae0fdf95de4" }, { "id": "results-hd--deepseek-legacy", "project": "deepseek-ai/deepseek-vl-1.3b-chat", "category": "results-hd", "status": "success", "path": "raw-prompts/results-hd--deepseek-legacy.txt", "source": "results-hd/deepseek-legacy.json", "text": "[0 秒]\nA young girl with pigtails sits on a wet beach, her hands reaching out to touch a group of five crabs. She wears a gray jacket and a blue scarf, and her expression is one of curiosity and wonder.\n\n[15 秒]\nThe image shows a young child with tears streaming down their face, covering their eyes. The child is wearing a green netted garment, and the setting appears to be outdoors, possibly during a rainy day. The child's expression is one of sadness or distress.\n\n[50 秒]\nIn a vast ocean, a lone sailboat navigates through a massive wave, its sails billowing in the wind. The waves, a dark green, crash against the rocky shore, creating a mesmerizing spectacle. The sky above is a hazy blue, with a few clouds scattered across it. The sun casts a soft glow on the scene, highlighting the rugged beauty of the landscape.\n\n[95 秒]\nIn a village setting, a group of people gather around a wooden table, engaged in a discussion. A woman in a floral shirt stands with her hands clasped, listening intently. Nearby, a man in a dark jacket and a woman in a brown vest observe the scene. The setting is rustic, with a stone wall and a basket hanging nearby.\n\n[175 秒]\nA person is holding an old book with Chinese characters on it, next to a compass and a worn leather pouch.\n\n[235 秒]\nA young girl with a red bow in her hair is peeking out from behind a person's leg, wearing a dirty, torn jacket.\n\n[340 秒]\nA young girl with a red bow in her hair is playing in the mud with a man in a military uniform.\n\n[385 秒]\nIn a serene beach setting, a family of three, including a young girl, is engaged in a playful activity. The father, with a focused expression, is holding a shovel, while the mother and daughter are immersed in the mud, their hands reaching into a basket. The sun casts a warm glow on the scene, highlighting the family's joyful interaction.", "sha256": "5c600ea7a4b4935aac54d22245d5b3f370554ff80bd467e032068023b0ae0de6" }, { "id": "results-hd--deepseek", "project": "deepseek-ai/deepseek-vl-1.3b-chat", "category": "results-hd", "status": "success", "path": "raw-prompts/results-hd--deepseek.txt", "source": "results-hd/deepseek.json", "text": "\nand language, and the language, and language.\n.\nThe language, including.\nlanguage and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language and language andvision and彼\n彼and language and language and language and language and language and\nand language and图片 and图片 and图片 and language and language and language and\nand language and language and language and language and language and language andvision and这个 language and彼尔的图片 and language and\n图 language and language and language", "sha256": "6d85b650b3c057b3f2626ae3965c760a0e3f2e63e9fc26b13c7d9870412c0b4d" }, { "id": "results-hd--fastvlm", "project": "apple/FastVLM-0.5B", "category": "results-hd", "status": "success", "path": "raw-prompts/results-hd--fastvlm.txt", "source": "results-hd/fastvlm.json", "text": "[0 秒]\nA young child, dressed in a worn, tattered blue jacket and brown pants, sits on a muddy beach, surrounded by the remnants of a shipwreck. The child's expression is one of deep contemplation, as they gaze down at the two crabs on the wet sand. The background is blurred, but the outlines of a shipwreck and the overcast sky are discernible, adding to the somber mood of the scene. The child's hair is tied back with red ribbons, and a small red dot adorns their forehead. The overall atmosphere is one of quiet reflection\n\n[15 秒]\nA young child with tears streaming down their face, wearing a red bindi on their forehead, is crying. The child's expression is one of distress, with their mouth slightly open and eyes conveying a sense of sadness. The background is blurred, focusing attention on the child's face. The child is wearing a green garment, and the image is taken from a close-up angle, capturing the details of their tear-streaked face. The lighting is soft, highlighting the child's features and the texture of their skin. The image is a poignant representation of a child's emotional state.\n8\n\n[50 秒]\nA solitary sailboat sails through a tumultuous sea, its sails catching the wind as it navigates the rough waters. The sky above is a somber gray, casting a muted light over the scene. In the distance, a flock of seagulls flutters, their silhouettes stark against the overcast sky. The water is choppy, with waves crashing against the rocky shore, creating a sense of movement and chaos. The overall mood is one of solitude and the raw power of nature.\n\n\n<\n\n[95 秒]\nA group of four people, two women and two men, are gathered around a wooden table in a rustic setting. The woman on the left is wearing a blue headscarf and a blue jacket, while the woman on the right is dressed in a brown vest over a floral shirt. The man on the left is wearing a brown jacket and has short black hair. The woman on the right is wearing a gray vest over a brown shirt and has long black hair. The setting appears to be an old, possibly abandoned building with a window and a hanging basket visible in the background. The lighting is natural\n\n[175 秒]\nA vintage compass and a worn leather-bound book with Chinese characters on the cover are displayed on a worn leather surface. The book, showing signs of age with its browned pages and creases, is held open by a person's hand, with their thumb resting on the cover. The compass, with its brass casing and white face, is positioned to the left of the book, its lid open to reveal the compass needle. The scene is set against a backdrop of a dark, textured leather surface, enhancing the antique and rugged aesthetic of the objects.\n\n\n\n[235 秒]\nA young girl with a red dot on her forehead and a red ribbon in her hair is peeking out from behind a gray curtain. She is wearing a dirty, brownish shirt with ruffled edges and a button at the collar. The background is blurred, suggesting an outdoor setting with a mix of green and brown hues. The girl's expression is one of curiosity or surprise, and she is looking directly at the camera.\n\n\n\n\n<\n\n[340 秒]\nA young child, dressed in a tattered brown outfit with a white shirt underneath, is crouched down in a puddle of water, wearing brown shoes. The child's expression is one of curiosity as they point at something in the water. The background is blurred, but a person's leg and part of their body are visible, suggesting the presence of another individual nearby. The image is taken during the daytime, with natural light illuminating the scene. The child's expression and the setting suggest a moment of discovery or exploration.\n\n